#I’m a fan of that fit

[spookyxsam]

Black is my preferred color for most things but I gotta say, feeling these baby blue shorts on P…👀🤤🔥

[sleepytownzzz]

can we drag it out and never quit? // chloe x ellie blunt sesh requested by @abigails-gf 🫡

[imaybe5tupid]

Touden observations

(I hc them as fantasy Norwegian)

[formulanni]

Pierre Gasly as The Star:

After the collapse of the tower, the star suggests the possibility for rebirth, rejuvenation, and overall - hope. It is a phase in which one has trust and faith in oneself and in the universe around them.

The Star signifies a renewal of spirit, bringing forth calmness, serenity, and an optimistic outlook for the future. This card represents a strong connection to one's spirituality and the potential for emotional and physical healing.

Tag list: @st-leclerc @rubywingsracing @saviour-of-lord @three-days-time @the-wall-is-my-goal @albonoooo @ch3rubd0lls

[starry-mang0s]

Yippee doodles!!

Such silly little guys 💛

[daeyumi]

Dungeon Meshi Farcille acrylic standee 🌙🩸✨

Preorders open tomorrow 9/1!! The standee will be 6” tall, double sided on a 3.5” wide base.

[goldensunset]

joining the war on autism on the side of the autism etc etc

[swedenis-h]

Phoenix Tatooine day trip Goes Wrong™️ (X)

This is a little idea where Luke needs something (don’t ask me what) that he can only get on tatooine, so dinluke adventure ensues. The plan is to get there and leave ASAP, but then nostalgia hits and he needs to hit every shop and place he used to as a kid. But you know, “college kids comes back to hometown” syndrome hits and he realizes he’s changed too much. Think of how the holiday season doesn’t feel the same anymore now that you’re an adult, same feeling. AND YES ITS ALSO DUNLUKE BECAUSE I WANT THEM TO KISS AND TALK ABOUT THEIR FEELINGS AND ALSO KISS.

Heres some extras 🫡

[glitchedcosmos]

Absolutely in love with the idea of movie shadow , and movie sonic mirroring each other in almost every way, instead of contrasting the other. Shadow being the most extreme version of Sonic, someone who once had the same dreams and beliefs, but lost everything, and lost the ability to keep his hopes and dreams alive. Sonic being the most light version of shadow, someone who kept his dreams and hopes alive , despite the loses, he still has everything. I hope in Sonic 3, Sonic and shadow have to fight the crushing weight knowing the they could’ve been each other.

[gentlebeard]

Wake up in the morning feelin’ like Stede Bonnet // The party still won't stop on The Revenge

For @bizarrelittlemew 💕 Show: Our Flag Means Death - Season 2 Music: TiK Tok by Kesha YouTube || Season 1 Version

[crystallizsch]

“Hey, glad you got my invitation! You best be ready for a fun night at Ramshackle.”

Yuusha Tala Ramshackle Sleepover (fan event by @gl00myb3arz)

[tuituipupu]

take you down a peg

if you’re a macho man then beg

bend over the bed

it’s time to take you down a peg

~ peg, scene queen ♡

[hylianane]

Zoro demanding that Luffy not allow Usopp back on the ship seems to be a much more divisive topic than I originally thought. Looking at yknow, so many different sides, I think I understand how his words can feel cruel when you take into account how much Usopp grew in Enies Lobby and how much he pushed himself to the very limit trying to make things right. but then of course I have my own take away and. honestly this next bit might sound even crueler towards Usopp at first. I just don’t think that this was about Usopp at all. Or at least not in Zoro’s eyes.

His focus was on the way Luffy still needed to grow as a reliable Captain than on what Usopp needed to do as a crew mate. Luffy needed to reinforce his authority before moving on. He was formally challenged, and in Zoro’s eyes this couldn’t go unaddressed and untalked about- and let me pause here to reiterate that even though I’m arguing in this moment he was disregarding Usopp’s personal growth (as many ppl criticize him for) it’s not because he respects him less than Luffy or god forbid loves him less than Luffy- because as much as the Strawhats tend to disregard traditional rules of authority on their ship, Luffy is their Captain. And that means he’s holding their dreams in his hands. Someone challenging his authority is big, even if Luffy doesn’t want it to be, because how could he expect the Strawhats to continue to rely on him for leadership? When he’s willing to bury the hatchet without him and Usopp having even spoken to each other properly without a mask in between them.

“We’re not kids playing pirates” isn’t Zoro trying to say ‘Usopp’s actions towards Luffy were childish’ like many people think, it’s ‘you need to resolve this issue like an adult’. And though everyone’s allowed to read this moment differently, I really hope the ones who read it the same way I do don’t still think Zoro was in the wrong for asking Luffy to stand his ground properly. 

[towerofluin]

C’mon Raph, don’t noogie the elderly

(Or: finally, communication)

[artbysjv]

Good Old-Fashioned Lover Boy™️

[funhouse-mirror-barbie]

I’ll be writing a critique of the way Blitzø and Stolas’ relationship was handled more at length, but I wanted to stop and take a moment to look at this scene from the new episode, “Full Moon”:

This is the sort of power and control that Stolas has always had over Blitzø.

It does not matter that Stolas has never threatened to take away the Grimoire before, or that they were “friends” as kids, or that he offered Blitzø a few months off, or that he’s been nice to Blitzø in the past, or that Blitzø actually does have feelings for Stolas.

When you are in a situation where you cannot say no at the risk of losing your livelihood, you cannot give true consent.

This is the very BASIS of their relationship. It has always been the basis of their relationship—a quid pro quo relationship where Stolas holds all of the power.

I have seen countless people go over and explain in great detail why the full moon deal was not truly coercive, or a quid pro quo situation, or how it was completely consensual.

And it’s just not. It is sexual coercion where Blitzø cannot give meaningful consent. Because if he refuses Stolas, he’s at risk of losing everything.

I want to clarify that my criticism here isn’t with this writing decision. I’m not trying to say anything along those the lines of “because this fictional character did a bad thing the story is bad and people who like the character support sexual coercion!!” That’s not what I’m saying at all.

I am bringing all of this up because my criticism is not of this writing decision, but because of the framing of the Full Moon deal and of Stolas and Blitzø’s relationship.

The narrative often frames Blitzo as if he is the one who has wronged Stolas by not prioritizing Stolas’ feelings and needs above all else. Or, it frames both Stolas and Blitzo as being equally in the wrong for the conflicts in their “relationship”.

This framing, and the extent to which fans try to justify it as being ANYTHING other than what it actually is—Stolas coercing Blitzø into a relationship where he has no power and is at the risk of losing his livelihood—is baffling to me.

This framing, coupled with the writer’s absolute refusal to ever have Stolas held accountable for his actions (including Stolas still not actually apologizing for the situation he put Blitzø into—he acknowledges that the relationship being transactional is wrong, but does not acknowledge that he was wrong to coerce Blitzø into that relationship. He says “…it isn’t right…it never was”, not “What I did wasn’t right, and never was”) is why I can’t consider St0litz to be just a “complex” or “messy” relationship.

It don’t think it can be, because it’s not a relationship. Not a real one. It’s a transaction, where Stolas treats Blitzø like a sex object. And whether that was the intent or not, Blitzø’s reaction above and saying that he would do anything to keep the grimoire makes it really hard for me to see St0litz in any other light.

As a final note, I’m not saying that you can’t write dark relationships, or have complex and unsympathetic protagonists. You can ship whatever you want! You can have characters that sexually coerce and abuse others, you can write every dark and twisted thing your mind can come up with.

But it’s very clear that Helluva Boss’s writers want to frame Stolas as being the wronged party, and the one who we are supposed to sympathize with—and you just can’t have it both ways.

You can’t act like you’re writing a complex love story between two very complicated and real people, when the relationship that you’re describing is so utterly one-sided and unbalanced.