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#I'm hilarions
terresdebrume · 4 months
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"You can put your things here if you want."
Niko, who was trying and failing to find a free spot on the bench that lines up the dance studio, turns to the newcomer with a grateful sigh.
"Thank you," she says, "I didn't want to put my things on a stranger's bag and make them think I'm rude."
The man who approached her smiles. He has nice, dark eyes and dark skin, a long curved nose, and the sort of smile that never fails to put Niko at ease. She doesn't how to ask what his name is, so she sets her eyes on the golden hoop dangling from his left ear and waits. It only takes him a beat to say:
"Oh, I'm Charles, by the way."
"I'm Niko. And now we're no longer strangers."
She turns and puts her bright blue bag over Charles' well worn black one, then turns back around and makes her way to where the rest of the participants have already gathered in a circle. At first, Niko can't see Ashley, but it's only takes a few seconds to find her on the opposite side of the room, happily chatting with one of the older men.
Niko hesitates. Ashley is the only reason she's even here: there are too many people here for her to ever spontaneously join, and she knows nothing about dancing. Even when she listens to her favorite music at home and there's no one to see her dance, she rarely dares to do more than shake her hands a little. She looks around, discomfited, as the teacher asks everyone to form a circle around the studio and Ashley stays next to the older man, but before she has the time to worry about being on her own, Charles appears by her side with a smile.
"Hi again," he says, and Niko doesn't know him, but right now his face is the most familiar after Ashley's, and she is grateful for her presence. She nods at him, although she can't make herself smile, and he asks: "Is this your first time?"
"Yes," Niko says. Then, the words tumbling out of her: "I'm nervous because I followed my friend here but now she's making new friends and I have no idea what to do."
"Oh, I think we'll start with Road Map," Charles says with a nod towards the painter's tape on the floor that divides the studio into quarters. "The Boss will ask us a question, then assign an answer to each section, and you'll move to the one that applies to you."
Niko nods. This is a simple game, with simple rules, and no one is asking her to dance yet, which is just ast well. She can handle this first activity without too much trouble, she's sure. That is: she's sure of it, until something occurs to her.
"What happens if none of the answers fit you?" She asks, trying to keep her voice low as the teacher explains the rules of the game to the rest of the group.
"Then you either pick the closest answer or you stay in the middle," Charles says.
Niko nods again. Charles is wearing dance sneakers, she notices then. Someone drew tiny ghosts and skulls in white lines on the black fabric, and Niko almost smiles. Somehow, the sight of those quirky little faces makes her feel a little less like the odd one out with her sparkly blue shoes. She keeps looking at Charles' shoes while the teacher asks people to pick between ice cream flavors. Niko moves into the vanilla square with one of the three elderly women, a boy who can't be older than seventeen, and a person who went out of her way to look neither male nor female. When Niko looks up to confirm Ashley joined the strawberry square, she finds Charles standing in the middle of the studio on his own.
"Mr. Rowland," the teacher says with the tone of someone rolling their eyes a little bit, "may I ask why you didn't join the caramel and butter square?"
"You didn't say if it was salted or not," Charles says with a shrug and a grin that makes Niko chuckle. "That's an important point to specify, Boss."
A few people smile or even laugh at Charles' answer, and Niko thinks the room feels a little less tense after that. The next questions are about favorite animals (Niko goes to the 'cats' square, opposite Charles' 'dogs'), favorite color (Niko's is pink, Charles stays in the middle again for turquoise) and how spicy people like their food (Niko goes to the 'mildly' suare, and Charles goes to the 'very spicy' square with three other people). Then the teacher asks how many country everyone lived in, and Niko is alone in the 'three' square, with Charles next to her in the 'two' square.
"Can I asked where you lived?" Charles asks when they go back to the outskirts of the dancefloor to wait for the next activity.
"Japan, the US, and here," Niko says.
Charles looks like he's going to say something but then the teacher, a red-haired woman with a strong scottish accent and impeccable posture, announces the next activity. This time, they are supposed to find as many movements to do as there are syllables in their full names. Niko is grateful that she has no middle name and terrified by the exercise all at once. Well, there are other steps in the middle, but once they've gone through A-nu-mi-ta Mar-lowe, A-shley Wil-son and Charles Row-land, it's Niko's turn. She feels like she might explode every time she claps her hands as she introduces herself as Ni-ko Sa-sa-ki, and then there are only two other people after her before they are all instructed to turn away from the circle and start practicing their moves.
Niko's name is five syllables, and she has no idea how she's going to come up with five whole moves! A glance to her left shows E-ri-ca Ngo-si has a similar issue, which is a little reassuring. To the right, however, Charles is stretching his arms over his head, seemingly unconcerned. Niko can't help staring.
"Are you not going to do the exercise?"
"I already did," Charles says with a wink. "It's my third session here, and we always do that game. I've got it down pat by now."
"Oh, you're lucky," Niko says with a sigh. "I have no idea what to do. I don't know how to dance yet!"
"It's okay," Charles tells her with another one of his smiles. "We're going to play the game again, you know. If you don't like your movements very much, you can always change them."
"I really don't want to get it wrong," Niko says, frowning.
"I promise you can't. There's no wrong answer there."
Niko nods, because she understands that. The issue is that if there is no wrong answer, then there is also no correct answer, which is more stressful to deal with. Still, she wants to follow the instructions correctly, and that means coming up with something. It takes her a few minutes of thinking to figure out the impression she wants to give, but in the end she decides to start by fingerspelling Niko with a small bounce, then three sparkle hands for the syllables of 'Sasaki'. It's a good thing she's doing this exercise in England, she thinks. In Japan, she would have had to start with the sparkle hands and end with the more muted gestures, as if she started out bubbly and calmed down over time, which is the oposite of truth.
Eventually, they go around the circle. Ashley does the robot for her gestures, and everyone learns her movement and her name in no time. When Charles' turn comes, with his bold Indian dance moves, it takes Niko a couple of tries to get it right, but she doesn't give up, and in the end she is the one who replicates his gestures the best. Then she shares her name and her dance movement, expecting her turn to go like everyone else's. Instead, before anyone can repeat her name, Charles asks:
"Was that fingerspelling?"
"Yes," Niko says, wondering if she's meant to apologize for not picking an actual dance move, but before she can do that, Charles exclaims:
"Aces! Show me again?"
Niko does, a smile overtaking her face beyond her control. She likes Charles, she decides. Likes that he went out of his way to help her, likes the easy way with which he accepted her questions, likes his enthusiasm in the face of something that doesn't technicaly quite fit the assignment they were given. She likes him even more during the next activity, when they have to consider a whole list of things about dancing and he explains a bunch of them to Niko, with demonstrations when needed. And by the time the teacher shows them their first, very simple dance step and Charles makes silly faces to make her laugh, Niko is decided to attend the next class, whether Ashley enjoyed herself or not.
This snippet takes place in the I'm down on my knees universe and will eventually be cleaned up and posted on AO3 x)
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wordsinhaled · 2 months
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last line tag game
tagged by @mellxncollie <3 thank you so much for the tag!
here's the last paragraph i wrote! it's a random snippet of edwin's pov on his first meeting with charles, right after charles asks to stay.
Charles would tire of being a ghost soon enough. While it was the only option Edwin had, Charles still had another. He missed the sorts of things from life Edwin could not, never having experienced them; it would make the spectral plane a terribly lonely place for Charles. In due time he might even grow to loathe being dead. Already Edwin feared such a future for him—for this bright-eyed, overfamiliar boy, who sought his company so recklessly. What sort of companionship could Edwin hope to offer to a soul like Charles? He did not know yet about Edwin's tendency towards fits of the sullens, his attachment to his books, his exacting and difficult nature. But it would be all right, surely; for Charles could simply go where he was appointed, when he was ready. The world would return to its proper order, then.
(*90s-teen-movie-style splitscreen flash forward to edwin's love realization* it was most certainly not all right.)
tagging @eidetictelekinetic @tw0-ravens @mostly-functional @manicpixiedreamedwins @dear-monday @likemmmcookies
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an-aura-about-you · 2 years
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I've got so many jmart AU and crossover ideas in my head it's unreal.
#gonna ramble in the tags about them#thought about a crossover in which Somewhere Else is Lunar during the time of Lunar 2#can you imagine TWO Destroyers?!#and Lucia surely reeks of the Lonely#if I could figure out how to get all of it to actually work with the cast then I'd certainly do a Lunar 2 AU#but the character/situation mesh is hard#(though obvs Jon would be Lucia and Martin would be Hiro)#also an Undertale AU or crossover would be fun with monster!Jon and monster!Martin#torn between whether I'd want Martin to be a Napstablook type ghost or a Muffet type spider#just a little bit ago my brain was like 'Big O AU' which I'm like#'brain we don't even remember much of that show beyond robots and aesthetic'#but then my brain is like 'you want the couple dynamic with Jon waking Martin up with his incessant piano playing'#and also doesn't Martin deserve to pilot a big robot without it being an Evangelion reference?#and then there's the ballet AU that I actually intend to write#still don't know how I want their production of Swan Lake to go plot-wise#but I DO know that Jon and Martin met during the company preparing for their production of Giselle#in which Melanie played the title role and Georgie played Bathilde who took the Albrecht role#Jon played Hilarion and Melanie took great pleasure in watching the Wili Women drag him away and drown him#but ANYWAY Jon and Martin met because Martin was part of the hunting party and got to take care of the dog#the ballet AU gets a dog incident
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asidian · 23 days
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A little heartbroken by the news, not going to lie.
But I'm going to keep creating for this fandom, because the characters have made a place in my heart, and I suspect they'll stay there for a good long while. This show and the fandom have been such a joy to partake in during a really rough time in my life, and I appreciate that more than I can say. I appreciate all of you who make the fandom what it is, too.
I guess in the end, Season 2 gets to be whatever we make it. So you know what? Let's all share our Season 2s. Nobody's going to stop us or tell us we're wrong.
So here we go. The Season 2 in my heart, in no particular order:
Desire shows up and puts Charles Rowland through the absolute wringer. He is losing his entire mind, he wants Edwin so bad. This boy has 17 different crises and finally a realization that he has been head over heels for some decades and he is just an idiot, actually
Payneland confession and a first kiss
They get Niko back from the Neitherlands. She's some flavor of undead, and she is having a grand old time, actually
Jenny sets up a butcher shop in London and goes on a date that doesn't try to kill her. With the Night Nurse
Crystal has a corruption arc with David buried in her soul-tree soil and at first they don't realize what's going on, but in the end the boys find a way to go into her heart-space and help her resolve the problem
The boys dance on-screen with some of those skeleton choreography dances
Mick mysteriously also has a shop in London. It straddles time-space and also realms. The characters are all ????? but no one ever figures out wtf is going on with that
Tragic Mick saves the day like a big damn hero with a bazooka like in the comics
The Cat King is around, generally being his trickster self, causing problems for funsies. He dies again and comes back as a fluffy white cat with glam white fur clothes
Charles gets kidnapped somewhere and Edwin has to go and save him. It's very dramatic and parallels S1 Ep7
Monty makes a showing in crow form. He has so many cute bird mannerisms. He gets fluffy in the London cold
The boys return to St. Hilarion's. They find their respective remains and come to terms with their deaths. They decide that, however tragic their deaths were, it led them to the only place they'd want to be: together
Crystal and Niko lay the boys to rest side by side, under the same headstone
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tragedy-machine · 1 month
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Envision - Edwin and Charles are tasked by some sort of a supernatural being to find their missing grandson (a werewolf or a centaur maybe?)
They do and Charles is unsurprisingly brilliant with the child, who's very timid and quiet, but slowly warms up to Charles on their way back to his grandfather
Edwin doesn't know how to handle children, so he keeps his contact with the boy at minimum, that is, until as they almost reach the child's village, the kid stops in his tracks and refuses to come back home
They talk to him and try to convince him to cooperate, but the boy bursts into tears and says that his parents, siblings and classmates don't really like him and that's why he ran away in the first place
It makes Edwin think about his own experience at St. Hilarion, so he softens and squats next to the child to look into his teary eyes and tells him that he relates to the boy's problems
That later on in life he can actually choose his own family, one that will accept him as he is, just as Edwin has, and that he already has a person in his corner right now - his grandfather who even hired detectives to find him
Edwin asks the boy what his hobbies are and upon hearing he likes to read, Edwin responds, "So do I. You see, there are many people out there who will share your hobbies, who will like you and treat you like their family, you just have to find them and never lose hope."
And Charles just looks at Edwin fondly, thinking about how they found each other against all odds and became best friends, became family, and how lucky they are have each other
The child is starstruck and silent for a moment, but his tears dry and he reaches out a small hand to hold Edwin's and agrees to go back
After a few minutes, the boy looks up at Edwin and says "When I grow up, I'm gonna marry you, so you'll also become my family and we will read together"
And Edwin sputters in shocked embarrassment and doesn't know how to answer, and Charles just laughs at the scene they make, ruffles the kid's hair and tells him, while looking at Edwin, "Not if I marry him first"
Edwin is too stunned to speak or even to fully register the world around them, as the three of them finally reach their destination, with Charles and the kid bantering playfully the rest of the way, but he still feels the warmth in his chest
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brucewaynehater101 · 4 months
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Overachiever Tim Drake goes to ballet with Cass and picks it up fast enough that he and Cass are set to perform together in a production of Giselle with Cass as the lead, Giselle, and Tim as Hilarion
YJ has front row tickets and bouquets prepped for both of them
Bruce has front row tickets and a bouquet for Cass, he did not know Tim would be in the production
Alfred also has a ticket and a bouquet for Cass
Jason was off on an outlaws mission but sent flowers for Cass and if he and Tim are on amicable terms and Jason finds out Tim was in the performance too then later Tim might get some alien tech as a congrats present
Dick is there opening night and castigates himself for not knowing Tim was in the show too and having flowers only for Cass, takes both Cass and Tim out to dinner after the show, ditching B who was planning the same but wasn't as quick as Dick to make the invitation since he was trying to rearrange the reservation to make sure there was room for Tim which previously he was not included in Bruce's count. YJ goes with as well since they also had dinner plans prearranged with Cass and Tim and are generous enough to allow Dick to be part of the group since he's making an effort.
Damian, bribed to be on his best behavior, is actually impressed with the dancers' skill and has flowers for no one, ends up left with B and Alfred after the show instead of going to dinner and is upset. Dick gets him out early from school on a different day for lunch to make up for it.
Tim is going to never try out for a production again no matter how much of her share of cookies Cass promises him or how much she makes pouty faces and calls him little brother. He arranges for people to present flowers to every performer at the end of the show. Last thing Gotham needs is a ballet themed rogue who was salty that they weren't satisfactorily appreciated for their talent.
Tim and Cass dancing together is a beloved hc. Usually, I love to see them casually dancing with each other in the kitchen, on Gotham's rooftops, in the Batcave, and in the living room. Them performing on stage together is precious. I hope Alfred got a video of it.
Cass probably purposefully didn't tell Bruce, Dick, and Alfred about Tim as a prank. She purposefully refused to tell Jason (I personally like their relationship to be where she loves Jason, her brother, but also hates his guts cause he murders people. Just sibling-like hatred, though). She only tells Damian about it cause she thinks it would be funny if he knew and she knows that he wouldn't inform the others.
I'm glad YJ is there to support them, though. What food did they end up getting?
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skinnybritishdudes · 1 month
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Cameo lore drop?
I got a Cameo from George (it's... so so nice omg SIX MINUTES LONG I'm being super normal about it don't worry hahahahhaaaaa) and he mentioned in it that St. Hilarion's is specifically a school for the children of military officers. Did we know that?
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theaceace · 4 months
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I know that canonically (show-wise, at least) St Hilarion's worked to cover up Charles' death, and nothing was ever really done about the disappearance of Edwin and the other boys, but even so, do you think the school has a reputation for being haunted??
I'm imagining Niko following various ghost-hunter groups online, especially when the agency doesn't have many cases going on, and occasionally the boys will mirror hop over to an interesting-sounding location, and they'll even get a real case as a result
So when she tells them that one of the teams is planning to investigate St Hilarion's (either it's been closed for a while or they have special permission to go during the summer holidays), Edwin and Charles steel themselves and decide to go, in case there are other ghosts there that need help ('can't imagine a worse place to be trapped for the rest of my afterlife' says Charles, who has been to literal hell. Edwin, who spent 70 years in literal hell, agrees)
So they go, with Niko and Crystal as moral/emotional support, except when they get there they realise they've fucked up and are there on the same day/night as the ghost hunters. They could come back some other time, but what if there really are ghosts here that are suffering? No one wants to take that chance, so Crystal uses her powers to convince them that she and Niko are there for work experience, or are friends of a friend, or are here to replace one of the tech guys who called in sick
Both Charles and Edwin are tense and uncomfortable returning to the place they died - Edwin had gone there after he escaped Hell because he didn't know where else to go, but they've built themselves a home now with the agency. This isn't like before, when it was the closest place to familiar he could find. Charles, meanwhile, feels colder and colder the longer they're there - his hair is wet, there are bruises flaring and spreading, and a faint rattle in his chest that would have become pneumonia if he'd lived long enough
But they need to be sure there aren't any other lost ghosts stuck here that need their help crossing over, so they keep going
(maybe, as a consequence of a door to hell being opened in the school, there are unusual happenings, maybe there's still a place where the line between earth and hell is very thin, maybe there's some fragment of a demon left behind, and they can do something about it)
Anyway, the most important thing is that Charles, either accidentally or in a fit of pique at the whole situation, knocks something over just as one of the paranormal investigators is asking for spirits to make their presence known. In fact, this happens repeatedly - the boys move things, change things around, their presence is detected somehow with the equipment. Crystal and Niko are doing their best to distract the team and ruin as much of the footage as possible, and at least once the boys do something on purpose, maybe because someone is being a creep to the girls (and yes, they both know that Crystal and Niko are more than capable of taking care of themselves, but this way scares the asshole more and is also funnier), and then also to fuck with their readings
Anyway, it's coming to the end of the night, the problem has been identified, and whaddaya knows, of course it's in the attic where they both died. This is fine, why wouldn't it be fine. They get started, draw some (invisible, ghostly) runes and start working their magic when, of course, the paranormal investigators turn up, because this is thought to be the most 'active' area of the school, and the body of a schoolboy was found here in the 80s
Yeah, they try to contact 'any of the boys who disappeared in 1916' and Charles. It would be fine if they weren't so irritatingly loud, Edwin's trying to concentrate, and Charles is now shivering and dripping wet, but they managed to ignore the team right up until they start speculating that Charles was killed by one of the angry spirits from 1916
At which point, Charles - half visible, clearly enraged, looking very much like the half-drowned and frozen kid he was, like a proper ghost - tells them to fuck off already before they get hurt, they don't understand anything, and how dare they give a shit now when it's too late
Which is, of course, the exact moment Edwin finishes the spell, and causes some sort of a magical rebound that fritzes the cameras for a second, throws furniture around, and knocks them all flying. When the cameras start up again, they catch Edwin kneeling by Charles, holding his hand, and softly telling him that it's ok, it's over, they can go now. Charles sniffs and smiles and knocks their foreheads together and says yeah, let's get out of here, and together they fade from view
The investigators think this means gay love can pierce the veil of death and save the day that now that the truth of their story is known the ghosts have moved on, and it's all thanks to them! How beautiful, how wonderful, how affirming! Perhaps one of the boys from 1916 tried to help Charles, and when that didn't work, they both stayed to try and protect other people from these violent spirits, and now their unfinished business is finished! It's so tragic and touching story
Charles and Edwin, who are putting their tools back in the backpack, roll their eyes and smile at each other
On the way out, Charles swipes the memory cards from the cameras, Edwin inscribes a couple of sneaky runes on various pieces of equipment to fuck with it, and Crystal uses her powers to make sure they all remember a couple of details differently, so later they won't be able to agree on a bunch of stuff
The episode they were trying to make can't be released, their social media posts about the experience are full of details that don't match up, and fans are bitterly disappointed
Crystal and Niko watch the footage Charles stole with Jenny and the Night Nurse back at the agency. Jenny turns it into a drinking game. Charles does a dramatic reading of the posts with added commentary while Edwin pretends he's not laughing. They buy t-shirts of the paranormal investigators and wear them ironically. They leave anonymous comments
Just. The dead boy detectives having to work around ghost hunters, in a world where ghosts definitely, tangibly exist
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misty--nights · 4 months
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So I'm watching the show yet again (usually I struggle watching shows, I don't know how I've managed to watch it twice already and still want to watch it a third time), and here are some things that I've noticed in episode 1, after the read more because it got longer than expected.
Charles calls himself the brawn and the protector of the two, but it's Edwin who goes all serious and says "I would not let that happen" when Charles asks what they'd do if Death came for them. I'm sure/concerned that he'd try to fight her if she ever came to take them...
Edwin knits!! When they are wearing their disgusses to get the demon out of Crystal he knitts while Charles reads the newspaper. Granted, you can only see him doing for a short moment, so I don't know if he's doing it properly, but I like to think he is. I have many thoughts about this, but it would take over the whole post. I'm still willing to make a whole post for it if anyone is interested but yeah. Bottom line is, Edwin can knitt!
The tone of voice that Crystal uses when she first wakes up in the Agency and in her walk with Charles is really different to the tone she uses the rest of the season. In hindsight, it's pretty obvious that is her mean girl tone, but still, I just think it's a nice detail.
Edwin takes Crystal's coffee cup when she takes the mail? We've just stablished he's not going to drink it, so is he just being petty? Is he going to throw it away or hide it just to be a nuisance? Is he investigating what she got? This boy, I swear...
I know people have pointed out all the Clue boards in the closet, but there's also a ouija board there? Hilarious. Maybe some ghosts prefer communicating with that instead of speaking? Or Charles got it because he thought it was funny and then never got rid of it?
I like that the thing that convinces Edwin to take the Becky Aspen case is Charles asking if he's going to let a little girl die. But more importantly, the title card right after that says "three flights". I've had this question for a bit, but what do they do during those flights? Do the boys spend those just standing in the hallway next to Crystal's seat? Do they sit in the cockpit? Do they hide in the bathroom until someone comes to use it? Do they hope for empty seats they can use? I don't know, every possible version of their trip is so funny to me. I know ghosts don't get tired like alive people, but the idea of them just standing awkwardly off to the side for more than 10 hours is hilarious.
No big detail here, I just love Crystal's purple coat thing she wears in this episode. Never really noticed that it has like flowers embroidered at the bottom, and the color of the whole thing is so nice.
"Maybe he's our fucking demon now." Crystal I love you, that is one of the funniest lines in the episode. I also really like that she gets to be angry and scared. Even if later Jenny talks her down from the worst it, it's not her anger that she points out, it's the fact that people are just like that and how the boys act is nothing personal. Her anger is not directly attacked (except by Edwin, but that's just him being petty), because she gets to be angry about all that's happening to her.
The flashback to Edwin's life at St. Hilarion's changes the video aspect (is that the proper term for that? It makes the screen square like in older films is what I mean.) Also he card for that flasback specifies "Edwardian England" even while having the date at the bottom. I don't know, it made me chuckle that they felt the need to clarify the era even while having the date there. They don't put "modern day England" for Crystal's flashback.
With the way the cat reacted to the sardine, I'm willing to bet he would have told Edwin everything without the binding spell if Edwin had a few more fish for him.
When they're talking behind the shop and Crystal says she gets angry, Charles looks down and takes a bit to respond. I think this is the first time he relates to her. The first time he can call that pull twards her something more than mere attraction. He has this very vulnerable look when she says it and then immediately shows her his parents and tells her something he's never told anyone before? This boy saw his anger in someone else and thought maybe it's fine for him to be angry too.
Is it a trick of the light in the scene where she meets Niko, or does Crystal have a septum piercing?
"If you're sticking around, you gotta let us in." Charles, I love you, but you are the last person who should be saying this. Specially after that sad look he gets when Crystal says it must be hard not being able to talk or hug his parents. You just agreed to what she said, as if that were the truth of why you check on them, what do you mean "you gotta let us in"? (I do get that they haven't known each other for long so he's not going to open up about all his trauma, but precisely because of that, it's wild for him to expect her to do it.)
I never noticed Charles quickly returning the mirror to normal when Edwin comes. I'd noticed the audio cue for the mirror changing back, but I never noticed Charles moving to do it and he looks so panicked about it.
Considering how Edwin is about touch, the fact that he lets Crystal take his hand when she tells the that the case matters is huge.
Why are they planning down at the shop when they have Crystal's room all to themselves? Besides the ambiance, of course. I think Jenny's reaction is completely justified.
Esther leaves her turntable on when she goes to the post office. Is it for Monty? The atmosphere? Did she just forget?
Not a new discovery, just a reminder of something I really like. There's this very specific editing thing (like the quick cuts between the instruments and then the opened lock, I don't know what to call it) that they do pretty much every time Charles picks a lock / opens a door, and it makes me very happy each time. The sound they use for it is perfection.
Edwin's attention to detail is insane. The fact that he can recall one cupboard is further forward than it was in the plans is really impressive.
Charles sounds so done when he throws the magic backpack. "Put her in the bag-of-tricks backpack." Man, I can hear the eye roll in that sentence. Good to know Edwin isn't the only bitchy one in this relationship.
And that's it for episode 1. I think I might do this for the others as well as I watch them. It was really fun to do, and it forces me to pay attention to the details, so I think it's worthwhile.
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mandoriana · 2 months
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I Could Be Pretty (funny) by grayskiesandstars
Charles deserved perfection. Edwin wasn’t perfection, no matter how hard he tried to get things completely right every time. How could he be perfection?
He wasn’t even pretty.
~~~
or: Charles likes to draw. Edwin likes to write. They both believe that they are unworthy of each other.
The Case of the Looping Boy by NobleDragon
When Edwin escapes Hell for the first time, in the year of 1989 in his schools basement, he never thought he would be a detective. In fact, he never thought that his first case would be something he would ever solve nor be something that he would never tell of.
Edwin never thought that he would have to solve a ghost looping his own death over and over, ending with the boy dying from the cold and thrown stones in St. Hilarion's dusty attic.
Terrible at keeping secrets (5+1) by ASingularSadSoggyPringle
AKA 5 Times someone finds out Edwin is a demon, and 1 time he tells everyone.
Edwin crawls out of Hell on the day Charles Rowland dies- it ties Edwin to him in a way he can't explain, or admit to Charles, at risk of exposing himself as not what he seems. He doesn't want to lie, but he doesn't want to lose those closest to him, either. Too bad he's terrible at keeping secrets, and it seems they already know.
i'm not free at all (my heart is like a haunted house) by halffulljampot
“Are you okay m’am?”
Beatrice Payne looks up to see a young man, a young ghost in fact, standing in front of her. She has seen the decades slowly turn since her death and so would guess, based on the ghost’s attire, that he originates from the 1980s. He really is very young. A similar age to her son when she lost him.
*****
Five times that Beatrice Payne and Charles Rowland talk about Edwin without knowing it and one time they do.
Become So Numb by snowkatze
Charles never manages to convince the Night Nurse to let him rescue Edwin.
boyfriend jacket by skadii
Five times Charles gave Edwin his jacket and one time Edwin stole it.
You said, “I’ll never leave you alone” by Aster_Flower114
A 2 part fic where Edwin and Charles both have to turn into their orb forms to recharge their energy. The story of Orbwin and Chorb.
a world without you (isn't meant for me) by fairest
When Charles finally finds him after what feels like hours of searching in the endless stretches of hallway, he is not expecting a second boy.
Or,
Simon accepts Edwin's offer.
The Case of the Living Ghost by Creepypasta_fander
When a spell goes wrong on a case, Edwin finds himself living again. Despite his best attempts to find a solution to this problem before the night is out, he must eventually succumb to the functions of a normal, living body
back to back they faced each other by ShanaStoryteller
The Night Nurse has a theory about Charles.
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ljungfrun · 2 months
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Behold, my Rook! (Update: I'm naming him Hilarion)
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terresdebrume · 1 month
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Work is kinda hectic rn, my knees are NOT liking how much traveling between floors I have to do, and I am missing sleep like crazy so my WIPs are staying largely untouched but I HAD to push out this concept for a maybe-someday fic in the I'm down on my knees universe
Written for the free square day of @painlandweek . Have some hurt/comfort ft Charles and how he feels about his mum. Also belatedly tagging @ghostinthelibrarywrites bc I think you'll enjoy it and I accidentally posted a thing that was meant to stay a draft again xD
Charles is sitting on the doorstep. It's almost eight PM on a weeknight, Edwin is just back from a fun-study session—which is really just Maren's way of saying she wants beer with her textbooks—tired, brain swimming with texts of law, and more than a little tipsy... And Charles Rowland is sitting on his doorstep. His building's doorstep. The difference is irrelevant.
Caught off guard, Edwin blinks, and stares at Charles.
He is curled up on the ground, spine back in that parenthesis shape it had back in school. His elbows are on his knees, hands buried into the hair at the back of his neck, his eyes closed. Edwin takes in the tension in Charles' shoulders, the way the fading sunlight catches the green vines tattooed on his left forearm, the slow, deliberate depth of movement around his ribcage, and decides against calling out to him. Instead, Edwin walks up to him until Charles can no longer ignore the footsteps, and waits for him to speak.
"Hi," Charles says, muffled, from between his elbows.
"Hi," Edwin replies, chest twisting when the last hope he had that Charles was just a bit tired evaporates like rhum from a flambé.
He steps forward again, then ignores the fresh layer of summer dust on the steps and sits down next to Charles, deliberately picking a position that makes their hips and shoulders touch. Charles leans into it immediately, turning a light contact into solid pressure, and Edwin sighs. Things could be worse.
"I did not expect you tonight," Edwin prompts, trying to make himself as gentle as he can.
Tuesday nights are when Charles and Niko's dance classes take place. Edwin has never known either of them to miss one, so Charles' presence here is one more sign that whatever is going on is not to be taken lightly. As if to confirm Edwin's suspicions, Charles sighs, and mumbles:
"I ran into my mum."
Edwin freezes. For some reason, in the few months since he and Charles reunited, it never quite clicked for him that Charles' parents, for all that Charles hasn't had any contact with them for nearly eight years now, exist in the same world they do. London is such a large, dense city, it is easy to make your life in a corner of it and never step outside its boundaries. Edwin's parents certainly treat Kensington like an insular country only worth leaving for the richer shores of Mayfair, when they deign to visit the capital at all. Just like Edwin and Charles existed less than ten minutes away from each other for months without having a clue, the possibility of him running into Mr. or Mrs. Rowland by accident did not even cross Edwin's mind. Nor Charles', from the look of things.
"That must have been a shock," Edwin says.
He does not know enough to infuse more feelings into his response. Charles, for all that he shares his smiles, his affections and the chief of his worldly possessions freely, has remained incredibly tight lipped about his past. The summary of what Edwin knows of Charles' youth is quite easy to make.
Fact the first: at the age of sixteen, not one term into his stay at St. Hilarion's School for Boys, Charles Rowland jumped into a pool full of a deadly allergy trigger to save Edwin's life.
Fact the second: for the remainder of that school year, Charles endeavoured to make Edwin's life as painless as possible. His presence remains, by far, the brightest highlight of Edwin's adolescence.
Fact the third: at the age of seventeen, or near enough, Charles ran away from what he described as a bad home situation exactly once and proceeded never to mention again. It is Edwin's understanding that Charles may have escaped with nothing but the clothes on his back that day.
Two of those facts, Edwin knows because he was a direct witness to them, and the third was only shared with him because he accidentally made it an implicit condition to renewing his acquaintance with Charles.
Charles Rowland is not an emotional sharer, and Edwin is sort of at a loss.
"Yeah," Charles mumbles after a beat. "It was a bloody shock alright."
Edwin bites on his bottom lip, resisting the urge to push his fists together.
"Would you like to talk about it?" He asks, hoping his voice conveys the appropriate mixture of care and caution.
Charles shrugs, sniffing and rubbing his face against one of his forearms. Edwin bites his lip a little harder, and cautiously raises his right hand to place it on Charles' back. He feels and sees the muscles tense, Charles arching his back like an angry cat for the half second it takes Edwin to take his hand back.
"I apologize," he says, hand hovering uselessly above Charles' shoulder blades, "I wanted—"
"Neck's fine," Charles mumbles, low enough that Edwin almost misses it.
He swallows thickly, pausing when the upstairs neighbors walk by with puzzled faces. Edwin doesn't quite glare at them but it's a near thing, and he turns back to Charles the second they're out of view.
"Alright," he says. "Neck, then."
He only touches two fingers to the nape of Charles' neck at first, trying to keep it light, but that makes Charles tense again so he changes to a more present grip, palm flat and only just brushing with the edge of Charles' hair. Charles doesn't move into it this time, but he doesn't flinch away either. Edwin feels Charles take a deep, soundless breath, like a swimmer before a dive, and braces.
"I. She asked how I was," he exhales at last, and the wind rushes out of Edwin's lungs with a punched out sound. "I haven't seen her in over seven years and she—"
Charles takes a shuddering breath, sharp and painful sounding, and his voice sounds utterly broken when he says:
"He used to beat me up, you know."
Edwin, who hadn't known but kept the possibility in his mind like a bad thorn, bites down on a sympathetic hiss and leans a little harder against Charles instead, stretching so he can lean his forehead against the back of Charles' skull.
"Charles, I'm so sorry," he murmurs, free hand grasping around until it can find the jut of Charles' left knee, and wrap his fingers around it, squeezing with as much reassurance as he can muster.
He wishes, abruptly, that he'd thought to take Charles inside before he started this talk. They both deserve better than the front step of Edwin's building, where another pair of neighbors gawks at them as they walk past. Yet, now that they're here, Edwin wouldn't cut Charles off for all the gold in the world. He fears with an intensity he didn't know he was capable of, that interrupting Charles now would send him back into his usual reserve, and Edwin knows with absolute certainty that he will go to great lengths to prevent that from happening.
"She never—every time he did it," Charles says, almost choking on the words, "she'd just stand—she didn't do anything! And now—now she—"
A long fit of coughing cuts Charles off, wracking his body and shaking Edwin's head even as he tightens his hold on Charles, as if he could make up for his childhood with how much he loves him.
"I'm so sorry," he tells Charles. "You deserved so much better."
Charles' cough subsides, melting into shuddering, soundless sobs that Edwin wants to take into his ribs and hide from the rest of the world. He straightens up and, as gently as he can, guides Charles to lean against him harder until his frame his half cradled in Edwin's arms.
"It's not bloody fair," Charles manages between sobs, gulping air like he's drowning, shaking against Edwin.
Edwin breathes in, tears crowding at the corner of his eyes, and holds Charles closer. He wishes, so desperately, that he could love him enough to erase the past and make all the pain go away.
"I love you," he says instead, recklessly, pressing a kiss into the side of Charles' hair. "I know it doesn't make anything better, but I love you."
They sit like this for a long time, Charles crying and Edwin rocking him lightly like a child, until things finally calm down enough that Charles is ready to go upstairs for tea. They drink it out of the blue mugs Monty bought when he and Edwin moved in, quietly sitting on the couch in one of those strange bubbles of relieved fragility that comes after a crisis. For a long while, they sit in silence on Edwin's couch.
Then Charles sighs, long and tired, and leans sideways until he can rest his head on Edwin's shoulder, one arm looping around his waist.
"I love you too, mate," he sighs, making Edwin freeze. "And it does make things better that you love me."
Edwin, his heart singing from Charles' declaration and bleeding from the way he meant it, nods, and drinks his tea.
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wordsinhaled · 2 months
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friendly reminder that it's comics canon that while Charles was dying, he got feverish and delirious and asked Edwin to hold his hand.
"Paine?" "Yes. I'm here." "Hold my hand." ... "Oh. Your hand... it's so cold..." "Well, that's not exactly surprising, is it?"
(also, Edwin telling him "you'll be well again soon" when he knows full well Charles is dying or he wouldn't be able to see him at all is... ouch)
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then, when they walked away from St. Hilarion's together, they were just... holding hands...
(also, the fact that they only learned each other's first names after they'd already been holding hands for a bit gets me. "You can call me Edwin, you know. if you want to" and Charles just taking it in stride like, "Fair enough. I'm Charles" is so...)
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"Now: let's see what life's got to offer us..." and they walk off towards the unknown world together, holding hands...
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shaylogic · 4 months
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Some fanfic brainstorming ideas:
they all go to London in season 2 and Jenny sets herself up anew. the squad visits her
Crystal: uh... Jenny where'd you get that bird?
Jenny: weird right? This crow followed me all the way from the States. I tried to swat it out over and over but it started bringing me little trinkets and staying away from the shop area so it's not a health hazard. I think I'm domesticating it. Crows fit my style, I guess, so I let it stay
Like, what if Monty can't find the ghost detective agency and is trying to contact Edwin through Jenny? She's oblivious, and it's awkward for everyone else
One of the agencies first new cases is trying to help Monty become a human again without Esther
He tries to communicate with chalk on a board in the meat shop at first but is tapping without success (would Edwin know morse code? Monty probably wouldn't) and having trouble writing/drawing
Crystal: oh let me just do it *uses her psychic powers*
And who knows what she'd see in Monty's bird brain? Comedic generic bird imagery? Would she hear his sweet twink voice?
Would there be freaky Sandman comic crossover images of Dream and Charles' dream of the bird bone snow? (if you know you know)
That could lead nicely into them returning to St. Hilarion's (there's no chance in hell they're not doing that part in season 2)
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Lived My Whole Life Before the First Light
Omg here we are. At the end. I'm sad, I've been having such a blast with you guys this week! But all good things... Anyway, this is a strange one, rambling and mournful but hopefully with some sweetness. I hope it makes you feel things, I hope it gives you something, I hope we part on this final day of Painland Week as friends and confidants 💛 Huge, huge thanks to the organisers of Painland Week for putting this magical event together! Special love on this day goes out to @mellxncollie , who has been creating amazing gifs all week and has made beautiful ones for this very fic. It's been so so wonderful to collab with you and everyone should go and look at these wonderful creations at ONCE. Warnings for canonical character death (sorry, Charles) and the stuff that comes with it (i.e. refs to bullying/hatecrimes), non-graphic injury description, and just general mournful grief vibes all round. But hopeful ending bc let's face it, we all know how this played out! 7.3k, M-rated, available on Ao3. Thanks again, @painlandweek!
"Colour! What a deep and mysterious language. The language of dreams."
~ Paul Gauguin
Edwin Payne had always possessed a thirst for knowledge. As a child, he'd wished to learn just about everything there was to learn — every fact in every field. He'd been told, many times, that he could live to be a hundred years old, and still not have enough hours to do so.
Edwin had most certainly not lived to be a hundred. But he supposed that if you added his sixteen years of life to his seventy-three of death, he was getting rather close.
The dead years, however, had been far from conducive to study. Knowledge was hard to come by in Hell. Found either in burnt and bloodied books scavenged from individual damnations, or delivered in the form of cruel trials. He'd been taught a lesson or two in his time, but not on anything so polite and pedestrian as geometry. Edwin's key area of personal study in Hell had been one thing, and one thing only: how to escape from it.
It had taken seven decades, a slew of disembowelments and innumerable failed attempts, but at last he'd passed his final exam with merit. Or at least, a version of him had. But there wasn't much to be done for his original self, whose body lay mouldering on the dollhouse floor beneath a thousand savaged duplicates.
Best not to dwell on it.
He supposed he should have been upset about where the door to Hell spat him out. Not many people would be happy to return to the place where they'd met their untimely, violent demise. But to Edwin, after a small infinity in the blackest pit, stepping back into St. Hilarion's hallowed halls felt like greeting an old friend. Well, friend might be a tad generous. More of an acquaintance, or perhaps a second cousin one barely tolerated. Not a person one enjoyed spending time with, but nonetheless a familiar face.
For a day or so he'd wandered about in a bit of a daze, glancing over his shoulder for any sign he'd been followed from the depths. He'd drunk in every familiar feature, and puzzled over the unfamiliar ones. It was a small change in the grand scheme of things, but he suspected they'd replaced the drapes. They were a lighter grey now than they had been in his time. He wondered what colour they'd chosen — or for that matter, what colour they were in the first place. He'd never thought to ask.
Then on his second day of wandering, he'd stumbled across the old library. And that, for several weeks, had been that.
He'd probably had dreams about this, in his youth. Dreams of being left to his own devices, surrounded by books. All the information he could inhale, with no interruptions. Not even from the other boys. Their voices had startled him a few times, and he was always wary when a gaggle of them descended on the library. But he'd quickly realised that none of them could see him, and so long as he turned the pages quietly, he was free to continue his reading unmolested.
And he did so, continuously, for days. Not even boring old human restrictions like hunger, tiredness or eye strain could stop him now. He read everything he could get his hands on, brushed up on everything, filling in the gaps of the last decades. On the future that had been robbed from him, subsiding into history while his back was turned. He'd sat in his own shellshock when he read not only about how the so-called 'war to end all wars' had concluded, but also how little time had passed before the next one. He'd blushed and skimmed the pages pertaining to the nineteen-sixties free love movement. He'd gazed, thunderstruck, at the moon through the library window; wondering what the Earth must have looked like to the man they put up there.
All these years he'd been trapped in the gutters at the deepest depths of suffering, reaching up towards the light; all that time, humanity had been reaching, too. Up, up and up, all the way to the stars.
It became habit, after that, to gaze at the moon in between books and chapters. An opportunity to gather his thoughts on what he'd just read, to file away the facts, to jot down the most pertinent in his notebook. It was rather a meditative process.
Or at least it had been, until the night he'd seen something else beneath that moon. Something tragically earthbound amidst the gently illuminated greys of the grounds. A hunched and trembling shape against the trees, lurching by Edwin's window. A boy, on the run — his pursuers baying for blood like wolves at his heels.
They could put a man on the moon, but some things never changed.
It would be the first time Edwin had left the library since re-discovering it. Holding aloft the pilfered lantern he'd been using to read into the night, he trod carefully through the darkened corridors. The majority of staff and students were in dorms or common rooms by now, voices a soft patter, bleeding with the light under the doors. No one marked Edwin, or came to investigate the lantern floating past. Though some extinguished their own lights and hushed their voices, mistaking him for a warden. Edwin didn't wish to scare anyone, but he drew some comfort from it. He'd grown tired of being pounced upon in long, black, twisting hallways. How comforting for once to be the root of fear and not merely its captive.
Edwin had to search a little while, but he was already familiar with the best hiding places. It wasn't long before he was creeping up to the attic, minding his ghostly tread upon the stairs. He didn't wish to cause alarm, or send the boy deeper into hiding thinking his assailants had found him.
He crossed the threshold, and at once heard a shuddering intake of breath as the harsh white aura of his lantern bounced off the walls. He supposed there was no disguising the glow. He hung back a moment, conflicted. All he wanted was to offer some light and warmth, but perhaps a floating lantern would be a sight too much for the terrified boy. Well, it was too late for that, now. He stepped into the room proper, peering past the flare of his lantern to the source of the sound. A shivering bundle on the floor, tucked into a nook behind the shelves. Trying to be as small as possible and, by and large, succeeding.
Wide, hunted eyes stared into the light. A voice, low and wary, spoke.
"What do you want?"
It was then that Edwin realised the eyes weren't looking into the light. They were looking at him. He glanced behind himself, just to make sure, but he wasn't mistaken. "You can see me?"
It was also when he noticed something equally perplexing happening to the light. It had started to look... less white. No, in fact it no longer looked white at all, but it had not dimmed, and it bore no resemblance to any shade of grey Edwin had ever seen. It was... he didn't even have the language to describe it. If he had to choose a word, he could only say it looked warm. He'd never seen anything like it. Not in seventy years of Hell, nor in his life before. It simply defied description.
He tore his gaze from it. There were more pressing matters to attend to. "I... I thought this lantern might help," he said, still dumbfounded. He approached, with care — this boy was clearly a victim in this circumstance, but there was a defensive set to his jaw. A wild look in his eyes. A creature caught in a trap was as liable to bite a rescuer as an attacker. "You can simply extinguish it if those boys come up here."
The guarded expression cracked, vulnerability bleeding through. As Edwin drew closer, he noticed that the strange new quality of the light was reflected where it hit the boy. There were notes of something else beneath the pallid grey tones of his skin, something richer. Just as something beyond simple black glistened in his enormous eyes.
"You saw them?" the boy rasped.
"I did. I went to school here a long time ago." Edwin knelt before him, bringing the light closer to the lad’s face and marvelling, quietly, at the strange tones that sprang into sharp relief. Whoever this young man was, Edwin's very perception of the world appeared to be shifting in his presence. "We had bullies, too."
He looked so weak, curled up and trembling. He certainly wasn't weak, Edwin suspected that much. Peeking out from beneath the blanket were shoes and trousers of a kind he'd seen these modern boys wearing out on the sports pitch. The lad was no delicate flower, but at this moment, at the mercy of his wounds, he was helpless.
And if he could see Edwin... then his fate was already sealed.
Edwin looked at the boy levelly, at the fear in his strange eyes. He'd seen that fear upon countless faces these last seventy years, on the wretched souls crying out for respite from their torment. He'd worn a similar expression some decades ago, when a careless act of cruelty had damned him, too.
"Rest assured," he said, gently, offering the lantern. "I shan't hurt you."
He could see the moment the boy decided to believe him. His shoulders slumped, his breath escaped in a rattle of relief. He reached out from his blanket shell, and flashed a sliver of that curiously saturated skin at his shoulder. Against the stark white of the sleeveless vest he wore, the difference was now undeniable. Not grey, not white, but something altogether different. Like his eyes, like the metal at his throat and ear that glimmered in the lamplight. Tones Edwin had never seen before, couldn't even name.
It couldn't be...
"Cheers, mate," said the boy, shivering as he brought the lantern closer. "I'm freezing. Never been this cold in my life."
Swallowing, Edwin nodded. "It's the least I can do."
The boy's lips twitched in a feeble half-smile. "Yeah? You mean you can do more?"
Probably not as much as he'd like. But Edwin nodded again. "Of course."
The light shone upon the boy's face and the dark, waterlogged curls of his hair. Steeped in that impossible hue.
"Stick around a bit?" he asked, his voice very small indeed. "Bit lonely up here..."
Edwin had not come here with any plans to stick around. He'd wished to help, of course. But to say he was unaccustomed to dealing with people was a tremendous understatement. He'd planned to drop off the lantern, check the boy was alright, and slip away without a fuss.
But the boy was clearly not alright, half-alive and fading fast. And he'd seen Edwin, asked him in no uncertain terms to stay. Asked him with all the broken hope in his voice and all the impossible buried, blooming hues in his eyes. And if those colours meant what he had always been told…
Well. How could Edwin begrudge his own soulmate a last request?
"My name is Edwin," he said, as measured as he could manage. "Edwin Payne."
The boy grinned. It wobbled at the edges. "Charlie," he introduced himself. "Charles Rowland."
Edwin hummed. Charles. A pleasant name. Respectable. He thought it rather suited the young man. "A pleasure to meet you, Charles."
Charles chuckled, drawing the lantern closer to himself. "Pretty bloody brills to meet you, too, Edwin."
The colour — for it surely was a colour, Edwin knew of no other word or explanation — of the lantern seemed to pulse, then settle, stronger than before. It illuminated the feeble grin upon Charles' drawn face in hues as yet unnamed.
Edwin would have to find some names. Compare what he could see with what he'd been told, what he'd read. Identify what he could.
While he still had the chance.
"Best thing to happen to me all night," Charles mumbled. "You showing up."
Edwin wished to tell him things could only improve from here; but he knew it to be a lie.
~
"It is the color closest to light. In its utmost purity, it always implies the nature of brightness and has a cheerful, serene, gently stimulating character. Hence, experience teaches us that yellow makes a thoroughly warm and comforting impression."
~ Johann Wolfgang von Goethe
"Just didn't seem right. Letting that kid get beat on 'cause he's from Pakistan," said Charles.
His socks peeked out from the blanket, bright white in the lamplight. Interesting — a part of Edwin had always presumed that white would look vastly different with the rest of the spectrum unlocked. It didn't, but there was much less of it. The world was full of more off-whites in more hues than Edwin could've previously imagined. Charles' skin wasn't dissimilar. Pale-ish, but bearing pleasant warm under-and-overtones that made Edwin's look near-translucent by comparison.
"I mean, I'm half Indian," Charles continued. "Why am I so different?"
"That is a fair point," said Edwin, thoughtful, harkening back to some of the history books he'd skimmed of late. "They were the same country back when I was alive."
Fascinating how the times changed, new lines drawn in the sand. Fascinating, and frustrating. In the time Edwin had been gone wars had started and ended, entire countries had been ruptured, borders reshaped. And yet some of life's most persistent mysteries remained unanswered.
He'd not looked much into it, but it seemed little advancement had been made in understanding of the so-called 'soulmate' principle. It had been a frequent enough phenomenon to be common knowledge in Edwin's time, but no one ever had any real explanation for it. Plenty of spiritual explanations, of course. But it seemed no one could point to any tangible scientific reason why a person, upon hearing the voice of a certain other person, had the entire hidden colour spectrum revealed unto them. An entire dimension of the visible world remained inaccessible to the vast majority of the population, and still no one knew why, or even how. Clearly, there was still much research to be done on the subject.
And clearly, the notion of this mysterious person as a 'soulmate' was romantic drivel. Charles seemed a pleasant fellow, but he was a fellow. And two boys could hardly be soulmates, could they? No God-fearing Christian would embrace the concept if that were the case. So no, Charles couldn't possibly be his soulmate. Perhaps the phenomenon represented something else entirely. Like minds? Charles seemed an easy boy to get on with — and Edwin seldom got on with anybody. He even felt at ease sitting beside him on the hard attic floor, nearly touching. Perhaps Charles was simply his universe-appointed fastest friend; the one person in creation who could truly understand him.
Or maybe it was a cosmic fluke, a quirk of biology. Maybe it could have been absolutely anybody in the world.
Yes, that was probably it. Nothing deeper at play than that.
Still, it was a pity Charles would be dead before the night was out. Soulmate or not.
(Definitely not.)
"Right..." Charles mumbled. Followed by a frown. "Wait, what?"
"Hm?"
"What d'you mean 'when you were alive'?"
Edwin looked at him. Charles still seemed rather small, rather sorry. A chilly little lump, all curled in on himself, even now they were side by side and of a height with one another. He looked cold, sallow. Not even the warm hues of the light Edwin had tentatively designated yellow could hide it, cheerful though it may be.
"You ought to move around a bit," said Edwin, standing smoothly. "You must keep your circulation going."
It would do no good, of course. But who knew? Charles might be hardier than Edwin gave him credit for.
"Edwin," said Charles, all seriousness. "What d'you mean when you were alive?"
Edwin's brow twitched. He held out his hand. "Get up, and I shall tell you."
Charles took his hand — and startled. "Fuck — you're colder than me, mate!"
"And for good reason. Come, now. Two or three quick laps of the room. I'll hold the lantern."
~
"Red lips are not so red as the stained stones kissed by the English dead."
~ Wilfred Owen
Edwin had heard some truly hideous sounds in his time. Crunching bones, squelching organs, agonised screams. And yet somehow, the wheeze of Charles hacking up water from pulverised lungs was among the worst to date.
"Are you alright?" Edwin asked, hands clasped upon the table — lest he risk something overfamiliar like a pat on the back.
"I'm fine," Charles deflected, voice hoarse and unconvincing. "Just answer my question.
Charles was looking worse by the minute. The warm tones of his skin that Edwin had grown so fascinated by were receding under sallow grey. A new colour was blooming, in and around his eyes; in the puffy lids underneath, in the spiderwebbing veins across the whites.
This colour was not nearly so puzzling — the veins were a dead giveaway. Edwin had read more than enough crime literature to be able to identify the colour of blood.
So, this was the famous red. A bold colour, possibly quite charming in the right context; which this most assuredly was not. Edwin was no physician, but he'd read a number of medical textbooks. Charles bore all the hallmarks of a man bedevilled with internal bleeding. It was not a matter of whether he would die, but of what would kill him first; the cold, or the injuries.
He tore his gaze away. Anger, bitter and harsh, had him by the throat, had his fists clenching together until his gloves creaked. Who were those wretched boys, to lay hands upon Charles? To break him so? This boy who, insofar as Edwin could tell, hadn't a bad bone in his body? Whatever Charles was to him, soulmate or not (definitely, definitely not), he was his. He was supposed to be his, and soon he would be dead, and Edwin understood, now. Understood how people found themselves mired in Hell's fifth circle, swamped in wrath and rage. For no reason, no reason at all, those boys had taken Charles’ life without a care. Taken his life, and the colour from Edwin's eyes, all in one fell swoop. Soon both would be gone; and if Edwin ever found the hooligans responsible they'd have a formidable haunting on their hands.
"Nineteen thirteen, to..." he counted one, two, three, slowly. Collecting himself. "Nineteen sixteen."
"Bullshit." Charles cocked his head, a small smile of disbelief upon his lips. It was a charming expression, in its impertinence. "When did you go to school here for reals?"
"Nineteen thirteen to nineteen sixteen," Edwin repeated, slower. "I am dead, Charles."
Charles laughed. Edwin raised his eyebrows — and pretended not to be fascinated by the flash of not-red in Charles' mouth, his tongue and gums. What was the word for a light red, again? He was sure he'd read it somewhere...
The laughter died, and Charles' eyes went wider still. "...Oh."
There was more of that not-red than Edwin had thought, actually. The shells of Charles' ears, where the dawning light from the window glowed through translucent skin. He'd never considered that a person's ears might appear a different colour to the rest of them. How many secret tricks of the light had he been oblivious to all these years? How many more had he yet to discover? How many would he never get the chance to see for himself?
Just how much more could possibly be stolen from him?
"I... I dunno if this is, um, bad to ask, or what, but..." Charles swallowed. "How'd you die, mate?"
His lips, too, were redder than the rest of him; although that was fading, rapidly. Cooling at the edges. Edwin suspected that wasn't supposed to be the case.
"As I said," Edwin replied, sadly. "We had bullies, too."
~
"Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay."
~ Robert Frost
He had Charles move around again, though it was clear it would serve no purpose. He was delaying the inevitable. Charles was all but shutting down already; the occasional boost to his circulatory system was hardly going to bring him back from Death's door.
But perhaps Charles would beat the odds. Why not? He seemed a resilient fellow. Perhaps he would, indeed, outlast the night, see another day. Perhaps help would arrive. Perhaps Edwin could give him the push he needed to survive this if he only persisted.
Besides, he couldn't let Charles seize up and expire just yet. Charles had questions and damn it all, Edwin would answer them!
"Actually, you can move around any space however you like," Edwin explained. "It is not that you cannot touch things, you just cannot feel them."
A blessing in disguise, on occasion. Though Edwin had done his utmost to fill up this nook by the window with whatever musty blankets and futons he could salvage, he doubted the floor was comfortable. He himself sat with his knees tucked up to his chest, bracing for discomfort he couldn't feel. It was far from ideal. But he supposed that a hard floor was the least of Charles' problems.
Charles was rapidly declining. That cool tinge upon his lips was growing more prominent, his coughs harsher and more visceral-sounding. But here, at least, he seemed as snug as Edwin could make him. Swaddled like a babe, tucked up against the cluttered old shelves. Perhaps this was warm enough to get him through. It certainly seemed warm, with the yellow light burning merrily on.
It glowed not only off Charles' skin and his eyes, but a myriad small reflective surfaces strewn about the forgotten nook. Edwin was particularly taken with the shimmer of it off what appeared to be a dented instrument — possibly a tuba? — near Charles' head. Metals had always looked very similar to one another, in Edwin's grayscale vision. Now he could see the metal of the horn was a somewhat deeper shade than that of, say, the earring Charles wore. Finally, he could see first-hand the differences between the precious and non-precious metals. Alas, he had few of them to choose from, and little way of knowing which was which. He supposed it safe to assume that the instrument was brass, hence its orchestral designation.
But the metal Charles was wearing was his favourite so far. It had a little of the yellow about it, but richer, more lustrous. Edwin found himself quite transfixed by the way it fluttered and flickered in the light.
He was familiar with the saying all that glitters is not gold, of course. But for want of further evidence, gold seemed as good a guess as any.
"It's stupid, but... I think I'd miss kissing," said Charles. He looked right at Edwin, earring and eyes twinkling with the motion. He did have... handsome eyes. Edwin simply must figure out what colour they were. Of a similar hue but different tone to his hair, to the old wooden shelves at his back. "Do you miss kissing?"
"Mmm-mmmm," Edwin mumbled, with a small shake of his head. "No. Not as such."
How many people had Charles kissed, he wondered? Surely not an abundance, they were of a similar age. Had he kissed someone this month, this week? Today? Before his lips grew cold and chapped, when they were... oh, what was that word for a lighter red? Pink, yes, that was it.
Then again, perhaps he went about with painted lips in every day life. He already wore some sort of cosmetic on his eyes, after all, so maybe it wasn't a stretch for a modern young man. Imagine. A boy, staining the lips of his paramours with lipstick when he kissed them...
Goodness. The world really had moved on.
Edwin cleared his throat. "No," he repeated, firmly. "No, I don't miss kissing."
He supposed it was fine that Charles liked it, though. And maybe he'd get the chance to do it again. He just had to hold on a little longer, outlive the dawn chorus, until the teachers noticed his absence and sent people searching. Then he could keep on living, and kissing and whatever else he wished to do and Edwin...
Well, Charles probably wouldn't have much use for a ghost friend. But at least Edwin could keep the colours. Just a little while longer.
Charles chuckled. It was a bit of a sadder sound than the last time Edwin heard it. "Must've had some shit kisses in your life, mate."
Edwin smiled, tightly. "Something of that ilk."
"Shame we weren't mates," said Charles. "I'd've..."
"You'd have... what?"
A smattering of colour returned to Charles' face, then. It might've been a trick of the light, but Edwin could've sworn his cheeks warmed. "I'd've... well, I'd've found you someone to snog, wouldn't I?" he laughed, drawing his blanket closer around his chin. "Got some fit mates from my old school. And the birds proper fancy the brainy lads."
Edwin frowned. "The... birds?"
"Y'know. Lasses. Girls."
"Oh." For whatever reason, Edwin felt... disappointed. And not just at the apparently abysmal state of modern slang. "Yes. Girls."
He cocked his head, watching Charles carefully. He was a very good looking boy. And he wasn't Edwin's soulmate, couldn't be, but...
Edwin cleared his throat. "Charles?"
"Yeah?"
"Do I look..." He wavered. "...Unusual, at all? To you?"
Charles blinked. "Um. Well. Outfit's a bit retro." His eyes widened slightly, a dash of mortification. "Not being rude! I like it! It's... it's cool."
Edwin rolled his eyes. "I don't mean my outfit, I mean... have you noticed anything different about this room since I walked in?" he pressed.
"Well, yeah."
Edwin inhaled. "You have?"
"Yeah."
He leaned in closer. "What have you noticed exactly?"
Charles smiled weakly. "Well. It... feels a lot less lonely. With you here. Warmer, too." He chuckled. "Daft as that sounds. With you being dead, and all."
Edwin's fingers flexed on his knees — all he could do to stop himself hugging them, wretchedly, to his heart. "Yes," he agreed, dully. "Daft, indeed..."
~
"Green makes me think of silence, or maybe it’s loneliness. I get the feeling of a terribly distant star."
~ Kobo Abe
Edwin had only ever known one person ‘fortunate’ enough to meet her soulmate.
Aunt Florence had always been a bit of an odd duck. Flighty and fickle, a perpetual embarrassment to her brother — Edwin's father — whose job it had been to lend financial support to her spinster lifestyle. As she alleged it, she'd found her soulmate in the late eighteen seventies. For reasons undisclosed (to Edwin, at least) they had never married. Edwin had never had the pleasure of meeting her mysterious match.
She had always seemed very fascinated with the world around her, Aunt Florence. A trait she shared with Edwin; though while his interest lay in facts, hers lay in aesthetics. He’d seen her dedicate hours to the study of a singular rose petal in her garden. Edwin was told she could do quite beautiful things with oil paints, for those with eyes to see. They were passable, too, in black and white, but lacking dimension.
Once, when Edwin was about nine or so, Aunt Florence had taken his chin between her willowy fingers.
"What lovely eyes you have, my boy," she'd said, in a smoker's croak. Uncouth for a woman to smoke, particularly one of her social standing, but she'd never much cared what others thought of her. Her tobacco-stained nail had nipped his chin as she held him close. "Your mother's eyes. Sea green... You'll find yourself someone who can appreciate them, won't you?"
Edwin, of course, had had no idea what green was, and little desire to find out. Not if finding a so-called soulmate was the prerequisite condition. He was of an age where the fixation that grown-ups seemed to have on kissing one another was both vexing and perplexing to him. A phase of his life that, to be frank, he'd never entirely left behind. He'd extricated himself from Aunt Florence's talons as politely as possible, and given her a wide berth for the rest of her visit.
The next time he'd seen her, she had taken one look at his eyes, and burst into tears.
They all ended the same way, these soulmate stories. It was a law of nature. Death was not neat, or particularly fair. No matter how blissfully happy the pair, someone always had to leave first; and when they did, the colour left with them.
Some, at least, got time to enjoy it all. Before their love — and their colour — died away. A few decades, or years. Months, even.
Some, like Edwin, got far less. Hours, if that.
And some, like Charles Rowland, got no time at all.
~
"They're out of the dark's ragbag, these two
Moles dead in the pebbled rut,
Shapeless as flung gloves, a few feet apart —
Blue suede a dog or fox has chewed.
One, by himself, seemed pitiable enough,
Little victim unearthed by some large creature
From his orbit under the elm root.
The second carcass makes a duel of the affair:
Blind twins bitten by bad nature."
~ Sylvia Plath
"Shut up, mate. That is brills."
Edwin was inclined to agree. Especially now he could appreciate the full effect. He'd been aware, of course, that his form seemed to partially dissolve into a mirage when he passed through solid surfaces. He'd been unaware that the mirage seemed to possess a certain hue. Not unlike the hue beginning to bleed through the filthy window.
The pre-dawn light was different to the majority of the colours Edwin had identified so far. It was colder. Greyer. Pale and stark against the opaque black silhouette of the distant treeline (interesting, how the trees still seemed black in this light. He wondered if he'd get a chance to see this green he'd heard so much about before the night was over.) If Charles' face was warmed by the yellow lamplight, it was cooled at the edges by the seeping tones through the glass.
This, like the red and the blood, came with an easy reference point. Everybody knew that the sky was supposed to be blue.
Seemed Edwin finally had a word for the sickly tint of Charles' lips.
"Why don't you fall through the floor?" Charles asked, puzzled.
"There are many, many, so-called ghost rules," said Edwin, sagely. He had, after all, spent several weeks conducting his own personal study and compiling the rules himself. "I shan't waste your time listing them."
"Well, I only asked about the floor, didn't I?" said Charles, a teasing lilt to his lip. Honestly, the cheek of the man.
"Because I choose not to fall through the floor," Edwin replied, in utterly falsified exasperation. "Happy?"
Charles had a certain way of smiling; one that spread up from his grinning mouth and into his eyes. Despite the cold, miserable state of the rest of him they fairly shone with warmth, a merry humour. A knowing gleam that said 'look at us, in on the joke'.
Edwin had never been in on the joke, before.
Charles chuckled; and Edwin did likewise, helpless to the draw of it. The magnetic sound. It had his lips lifting of their own volition — even as his heart sank further and further into the floor.
The blue devils, that's what his father had called it. On those rare occasions when he acknowledged Mother's low mood, or found Edwin weeping silently upon his bed. "You've just got the blue devils, my boy. Chin up, now, and soldier on. You've better things to do than mope."
He could feel them, now, those blue devils upon his shoulder. Cold, heavy, and the colour of Charles' bloodless lips. Weighing Edwin down like stones in his pockets. He hadn't felt hot or cold in decades, but now he felt as Charles must have done with the chill lake pressing down upon him, filling his lungs. And unlike Charles, he wasn't sure he possessed the tenacity to break the surface before the bubbles stopped.
He'd fought his way from the pits of Hell itself, and yet this climb seemed more insurmountable by far. He was no longer fighting his way from the dark to the light. There was no light above the surface of this icy water, no light at all. The light was here, the entire spectrum of it; above was only grey, grey, grey, as far as the eye could see.
"Oi," said Charles. He looked so very tired; but still inquisitive to a fault. "What other cool stuff can you do, then?"
Edwin huffed. "I can travel through mirrors, if you must know."
Charles' blue lips parted, breath escaping on a wonderstruck wheeze. "Wicked."
He ought to be more careful with his breaths. He couldn't have had all that many left to draw.
~
"We love the sight of the brown and ruddy earth; it is the color of life, while a snow-covered plain is the face of death."
~ John Burroughs
Charles Rowland passed away in the small hours of the morning. Edwin didn't even need to look up from the page; he just watched the pinkish tint bleed from his own ghostly fingertips, and made a deduction.
Even before his passing, Edwin hadn't looked directly at Charles in some time. He hadn't been able to bring himself to. The colour in his ailing new friend had diminished all but completely, his skin a sallow patina, his lips a cracked grey slate.
Edwin had only come to know colour on this night, and already he could feel its absence like a hole in his heart. He understood, now, why Aunt Florence had dragged herself so mournfully through her twilight years. Going through the motions of existing. Colour, for Aunt Florence, had been life; without it, there was simply no point living.
Somehow, Edwin found his voice, and he read on. Because Edwin was no Aunt Florence, arty and flighty and prone to outpourings of passion. Edwin was his father's son; he soldiered on. No matter what.
But the ache in his chest persisted, despite his best efforts to quash it. There had been so much yet to see. He'd never witnessed the colour purple — an expensive hue of which he'd heard a great many appreciative things. He'd never seen a flower, any flower, in full bloom, or watched one of those famous sunsets.
In the end, he never even got to see what his aunt meant about his eyes. But he had no reflection anymore, so. Perhaps that one was always a lost cause.
On the topic of lost causes; there was someone else in this room with him, yet. Someone who'd lost far more than a fleeting glimpse of creation in technicolour.
""— I cease to believe,"" Edwin finished reading with a soft, forced chuckle. To no response. He looked up to find Charles standing tall, gaze turned to the window. It was the first time all night he'd been without his blanket; and the first time he'd borne not the slightest shiver.
Well. At least he would never be cold again.
"Not enjoying this one?" Edwin prompted, gently. "Carrados the blind detective was just becoming quite popular in my day."
When Charles turned around, of course Edwin already knew what he would find. Knew what his own eyes would fall upon when they followed Charles’ gaze.
But knowing did not prepare him for the reality. The cold, desaturated tableau of Charles Rowland's demise, illuminated like a crime scene in the stark white light of the lantern. How a person so vital, so vibrant as Charles should be without blood and colour defied all reason. And yet there he lay; bereft of hue, and of life.
Edwin swallowed, and closed the book gently upon Max Carrados. "When you could see me, I knew it was too late."
Charles was silent. For the first time all night. Silent as the grave.
"But I simply..." Edwin hesitated. "I did not want to scare you."
In the corner of Edwin's eye, the lantern guttered and died. Good. It didn't seem right; all that light upon Charles, and not a drop of warmth in it.
"Well. Glad you didn't say anything." Charles' voice was stronger, now. How different he sounded, without the rattle of lake water in his lungs.
Charles looked at his hands. As did Edwin. How strange they appeared, in the bleak grey of Edwin's impoverished eyes. How unsettlingly close to the pallor his skin had taken on in his death throes. And yet he wasn't pallid, not in the slightest. Standing tall, unchained from his ailing flesh, he was more wholly and healthily Charles than Edwin had yet seen him.
"Doesn't feel like I imagined. Being dead," said Charles, thoughtful. "Feels okay, doesn't it?"
In truth, there was nothing remotely 'okay' about this situation. Edwin felt... robbed. He felt robbed. Because he would never know the colour of Charles' skin when it wasn't frozen grey, or beaten black and blue. He'd never see this Charles, standing tall in the dawning sunlight, the way he was designed to be seen. The way he was chosen, by God or fate or an impossible quirk of biology to be seen, by Edwin. Only by Edwin. For he was Edwin's, no more could he deny it.
And Charles would never see Edwin. Not the way Edwin saw him. Because by the time they met, it was already too late. Because in a wretched twist of fate, Charles’ soulmate — his unfortunate, unorthodox soulmate — was dead in the ground before Charles was even born.
And Edwin had thought Hell to be cruel and unusual punishment.
"I sincerely wish we could have been friends for longer," said Edwin, dropping the magazine and standing from his seat on the old trunk. "But Death will come for you, now. You should go with her when she arrives."
He turned, and began his brisk march to the door. What's done is done; and Charles was, unmistakably, done. Done in and done for, done in just about every sense.
So Charles would be off, now. He'd be off, and Edwin would just have to carry him, too. In his head, with his facts and his torments and a thousand tiny heartbreaks. What was another one, in the grand scheme of things? What else was there to do in this fugitive afterlife but keep his chin up, and soldier on?
"Well I'm not ready, am I?” Charles called out. “I don't wanna go somewhere else, yet."
Edwin faltered. Turned. Charles was watching him.
"What if I stay here for a bit with you, instead?" said Charles, preposterously.
"Then you will always be running from her," was Edwin's quick, logical response. But Charles was still watching him with those... those damnably appealing eyes, and he felt the need to defend his case. "Also, I'm not good with other people. And I only just came back to this school after escaping Hell, so. I'm out of practice, to be perfectly frank. So. When the light comes. You stay, and I go."
He smiled, tightly, and turned once more. There. He'd avoided mentioning Hell all night, but it was done, now. No boy with a lick of sense would —
"Well, I'm aces with other people."
… He simply could not be serious.
"Pretty chuffed you got out of Hell, mate," Charles continued, maddeningly blasé. "That sounds hard. Nice job."
Edwin turned on him, incredulous. "That is not how you make decisions," he snapped, taking a challenging step towards Charles. "Just based on whatever you happen to be feeling in the moment!"
"It's how I lived my life."
Charles turned his head, looked down at his own body. Edwin couldn't bring himself to do likewise.
"Doesn't seem all that different now."
Charles looked at Edwin, unflinching. And what a different creature he was, free of cold and pain. Lithe but lax, eyes slightly narrowed in almost catlike contemplation of Edwin. He stood before a hellbound soul, near naked and freshly dead, and yet the easygoing slope of his narrow shoulders bore no strain.
He shrugged, nonchalant. White light glimmered from his dangling earring. "Looks like you're stuck with me.”
For a moment it was nigh on impossible to believe he hadn't seen it, too. Hadn't seen the spectrum unfold when Edwin said his name. Because how else could someone look at anyone, let alone Edwin, with such certainty? As if he'd never been more sure of anything or anyone in his tragically short life.
Breathtaking was not a word Edwin liked to use lightly. In fact, he preferred not to use it at all. Who had ever seen something so rare, so staggeringly beautiful they'd lost their breath? It was the sort of word Aunt Florence would have used; flowery and hyperbolic.
It seemed Edwin owed her yet another apology.
Light flared in the corner. Their eyes leapt to it. It was of no colour that Edwin could see and yet he could feel it, deep in his soul, he knew its shape and colour; blue. A kinder, softer blue than that of bloodless lips and dreary skies. The wild blue yonder that he was barred from forevermore; the one that awaited Charles Rowland with open arms.
Charles looked at Edwin.
Edwin looked at Charles.
Charles smiled, soul glowing lantern-bright in those dark, confident eyes. He didn't move, not towards the light or away from it, but he held out his hand. Planted like a tree, unbending, unbowed. His roots sunk deep into the loamy earth of life; his branches beckoning Edwin into their boughs.
Oh, thought Edwin, when he understood — didn't see, simply understood — the colour that had been gazing back at him all along. That's the word I was looking for.
~
Thirty years passed, fading into memory, and with them faded the sting. It was hard to mourn the loss of colour when one could scarcely remember what it looked like in the first place. Those fleeting hours blended and blurred amidst the grey years, lost to time; a single hand-tinted frame in a hundred miles of monochrome celluloid.
Though he tried to remember, Edwin struggled to visualise the yellow light that had bathed their faces; the gold that glinted at the cut of Charles' jaw. Pink lips, red veins, the blue stain of death. Such things were impossible to note down in a world of black ink and white pages, and his aide-mémoires soon failed him. The colours fluttered away into the past, scattered to the winds of memory like his mother's smile, his father's voice, Aunt Florence's smoky laughter and the roses she painted on the guest room walls.
But though he could not recall the exact shade of Charles' eyes, nor compare them to any other — not even his own — Edwin knew something about them. Just as he knew Death's light shone heavenly blue. And for once in Edwin's long and tormented afterlife, he felt truly fortunate. Because he'd been allowed to experience only a fraction of what the visible spectrum had to offer; colours he could count on less than two hands.
And yet somehow, by some stroke of luck, he'd seen the best one nonetheless.
~
"At breakfast that morning I had been struck by the lively dissonance of its colours. But that was no longer the point. I was not looking now at an unusual flower arrangement. I was seeing what Adam had seen on the morning of his creation - the miracle, moment by moment, of naked existence."
~ Aldous Huxley
~~
Thank you for coming on this journey with me, my darlings 💛 Love to hear your thoughts! Reminder to check out Olly's amazing gifs! This one took a little while to come together, bc in my first draft Edwin's feelings/progression were a bit all over the place. But I realised that all the sections of the attic scene (not including the very first one/my inserted flashback about Aunt Florence) could track along the five stages of grief quite nicely and that gave me a good framework to loosely follow, starting in his denial of the implications and ending in devastated acceptance of what he's lost. As to why he didn't like, *tell* Charles, well, what would you do? Be honest? If you were a dead Edwardian ghost boy and you found out your actual soulmate was not only another boy, but a doomed one? One who isn't even seeing what you're seeing. Maybe he thought Charles wouldn't believe him, or would take it badly. Maybe he thought telling him would sway him unfairly into staying when Edwin believed he should go. I think he will tell him, one day. And Charles is gonna be PISSED that he kept it from him so long xD For the quotes, I tried to stick to things Edwin could possibly have read, so pre-1989 things, as I like the idea of him using literature as a framework for understanding what he's seeing. It was really interesting writing about colour from the perspective of someone with no reference for it! Some of the quotes might have ended up anachronistic by a couple of years, tbh people are *shit* at sourcing their quotes and while I could source authors easy enough it was hard sometimes to isolate what specific book/anthology the piece came from, or what year it was published. If I'd have had more time I would have done more digging! Anyway, that's about all I got right now. I dunno when I'll be back, probably (hopefully) in a few weeks with the next chapter of Lonely Bones. In the meantime please, feel free to continue chatting with me in the comments, on my tumblr, come be a pal, I've had the time of my life with y'all this week and I'm not ready to get off this train just yet! Until next time! 💛
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footandantlers · 19 days
Text
Introducing my 381k Payneland fic!
Some of you may have seen my post yesterday about how I wasn't sure on how I should post this monstrosity of a fic but the vast majority of you requested that I post it in chapters! So here's all the information you need to know about it.
When and how will it be posted?
The first chapter will be posted on the 9th of September. There will be 30 chapters in total all stretching out to be between 10-15k each. By this schedule the fic should roughly finish up April of next year! However the full thing is written so I may feel generous and occasionally post twice a week however I'd like to build a community! So I'll be creating a tag for you guys to follow over here where I'll post snippets, extended scenes and scrapped scenes. When the fic ends I also have alternative endings written out that you guys might like! Depending on the popularity of this fic I might end up even creating a discord server, I'm not particularly sure how this fic will do but I'm a huge fan of connecting with my readers, more about a discord server below.
Is the fic titled yet? What's it about?
Yes it is! The fic will be called 'My Godforsaken Loverboy' and it's an AU of Edwin and Charles being dorm mates at St. Hilarions spanning five years. It's very much a slow burn that may drive you insane but I promise I spent forever going through Tumblr hunting down popular head canons and dynamic wishes that seemed popular to throw in this fic so hopefully there's something for everyone! A proper summary will be released soon!
Is this based off the Netflix Series?
Here's where I may lose some people. While it's definitely got plenty of aspects from the Netflix shows (Mostly character wise) I planned the entire fic around the comics and Doom Patrol's season three episode 'Dead Patrol' so the dynamics may be different to what you'll be expecting if you've only watched the Netflix show! I apologise if this throws some people off but I adore them in Doom Patrol dearly.
Now a question for you guys, do we want a discord server?
I'd love a discord server centred around Dead Boy Detectives in general! Where we could share head cannons, fanart, fic recs, ect in more of a discussion way instead of screaming into a void. So here's my idea, I'm more than happy to create an overall Dead Boy Detectives server however it'd just have a channel or two dedicated purely to this fic but I'd have plenty of other channels for different fics as well! I've been on servers like this before and really enjoyed them. Send me a message if you like this idea so I don't lose track of you and if I get enough people I'll make it!
PS. Sorry to those that wanted it posted as a one shot 😔 I decided this seemed the most manageable and reasonable
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