#I'm terribly sorry for the long time

[l0ganberry]

So this is what they mean by "Trust the process".......

[starcurtain]

Female Guidance in Aventurine's Life

One thing I haven't seen discussed in much depth yet, but which I think is especially interesting, is the consistency of female guidance in Aventurine's life: Every single person who we have seen on screen offering Aventurine assistance or making a positive difference in his life is female (with one exception, yes, I'll get there).

Under the read more cause it's longggg:

Before even diving into his family, let's just get the obvious out of the way: Aventurine is, at least supposedly, blessed by a goddess. The very origin of his good fortune--be it actual blessing or curse--comes from the literal "mother goddess" who watches over him. This is one of the only instances in Star Rail where a god character is specifically given a gender, and Gaiathra is not ever ambiguous. She is the classic female fertility goddess with all the trappings of other famous triple goddess figures of the real world. Aventurine's personal belief in the goddess may be shaky, but he nevertheless continues to treasure his people's faith. Thus, at the core, we can say Aventurine is a character who is guarded by the most quintessential mother figure possible.

Now, with the most obvious out of the way:

We know that Aventurine's father died before Aventurine was even born, and therefore he would not have any memories of his father, leaving him to be raised by his mother and sister.

Both women clearly made an enormous and lasting impression on Aventurine; they haunt every single one of his memories of Sigonia and are the key elements of the family Aventurine longs to return to. While he flirts with the concept of death as a way to see his family members again, it was also his mother and sister who instilled in him any sense of self-worth and meaning to his existence, the only things keeping him from giving up on living. His mother believed him to be blessed; his sister insisted to his face that not even the only remaining remnant of their mother had any value in comparison to his life.

It is for his sister that Aventurine first begins expressing a self-sacrificial nature, and from his sister that this self-sacrifice is reinforced when she uses herself as a shield to help him escape massacre at the hands of the Katicans.

It is also from his sister that Aventurine learns many of the deeply meaningful actions he holds onto to the present day, despite having been so far removed from his own culture.

Conversely, every one of Aventurine's early negative experiences on screen appear to have been driven (at least primarily) by men.

Although the Katican tribe of course would have both men and women, the tribal societies on Sigonia appear to be on the fairly traditional side, with Aventurine's mother staying at the camp with her child while his father was the one to go out and hunt for offerings for Gaiathra. This is also supported by Aventurine asking Jade to take him to her "chief" later on. Therefore, it is likely (although of course not guaranteed) that a majority of the Katicans' army was male, and that Aventurine's early experiences with outsiders consisted almost entirely of indiscriminate pillaging and massacre at the hands of what the Avgin viewed as savage, invading warriors. In separate instances, Aventurine was traumatized by these warrior figures three times--first with the loss of his father, then his mother, and then finally his sister.

And even their hope, supposed to come in the form of the "men in black" from the IPC, completely abandoned them, leaving Aventurine once again betrayed by masculine figures that were supposed to be there to protect him. Led by Oswaldo Schneider, another cruel male authority figure, the Marketing Department of the IPC permitted the wholesale slaughter of Aventurine's people--something which we know Aventurine is now aware of.

Then, of course, the next piece of Aventurine's backstory we're given is his male slave master. I don't really need to say anything about this, do I? This man violated Aventurine's human dignity and bodily autonomy, and forced Aventurine's hand in a life or death battle for which Aventurine still punishes himself mentally, even years in the future.

In part to escape the difficulty of his situation and rise to a position where he would have enough resources to--he thought--help his people, Aventurine joins up with the IPC. But when he attempts to make contact with a powerful man in the organization, Diamond, he is instead met by a woman, Jade, who against Aventurine's own expectations determines that she will raise Aventurine up (or use him as a tool, depending on how you currently choose to interpret Jade's motivations), granting him wealth and status beyond his imagination.

(And this line in particular is interesting, because you can take it one of two ways: 1) Aventurine comes from a patriarchal planet that traditionally put men into positions of power [thereby making his own slavery an emasculating act, aligning him further with disenfranchised women]; thus, he is making the assumption that to get anywhere in this organization, he will need to work with a man; or 2) He actually was counting on Jade taking his bet and helping him right from the beginning, because Aventurine perceives women as inherently more likely to protect and aid him than men would be.)

In the end, Jade does exactly as she claims she will, launching Aventurine into a position of power while also closing golden handcuffs around his wrists. She positions herself not only as his supervisor, but as his advocate and ally. She entrusts him with her Cornerstone, a sign of significant faith in his abilities. She even seems to be keenly aware of his bias towards the mother figure, referring to him as "child" in their conversations.

Whether this is genuine or a manipulation tactic can certainly be debated (and I'm not inclined to think at this point that Jade is a genuinely good role model or selflessly supportive person in Aventurine's life), but whatever the case, women are the only people Aventurine even remotely considers to be "in his corner."

We see this even earlier, in Aventurine's call to Topaz. Like with the example of his mother and sister, Aventurine trusts in Topaz's ability implicitly, and considers her above anyone else when it comes to completing the mission in Penacony.

Although of course we don't know if Aventurine has any other friends or allies among the Strategic Investment Department, it seems very likely that Topaz, yet another woman, is the one he is closest with. At the very least, she is the only IPC character (so far) that Aventurine has a complimentary voice line for, one that shows his respect for her talent:

Over and over again, the story aligns Aventurine with female figures in positions of authority, and demonstrates that he is comfortable (although maybe not too comfortable, in the case of Jade) with relying on them and trusting their judgment, just as he did with his mother and sister.

And this pretty much goes off the charts in Penacony, where Aventurine has more involvement with the female cast than virtually any other non-female character (even the Trailblazer!). We set the pattern off right away, with Aventurine immediately being placed into a negotiation situation with Himeko, respecting her role as the Express's leader and working to get himself aligned with the Express by acquiescing to her request for support.

Then there's the fact that Aventurine is the one who finds Robin's body, an event which, although he didn't let it show too much, was almost certainly traumatic for him, given the violent death of his own sister.

Next, twice in Penacony's story, we see Aventurine seek out Sparkle for information. He may not personally like her and her comments may be both racist and dehumanizing, but Aventurine does rely on her--being the only character explicitly seeking her aid, which no one else in Penacony seems to want.

In 2.0...

And in 2.1.

Now, say it with me, guys: Aventurine built an entire portion of his grand plan around the idea that if he looked pathetic enough, a female character would absolutely come and help him. And sure enough, the women come through for him, always! Sparkle gives him the exact last clue he needs to confirm his belief that he could use "Death" to reach the true Penacony, sealing the deal for the rest of his plan.

His plan which also hinged significantly on Black Swan's involvement too, another woman that he views as, if not trustworthy, then at least intelligent and hyper-competent.

Contrast all this, of course, with the treatment Aventurine receives at the hands of Sunday, the lone opposing male character he faces in Penacony.

Sparkle implies that Sunday would humiliate Aventurine in an unmistakably sexual and degrading way, and Sunday himself professes this same desire to see Aventurine humiliated.

Then we're "treated" to the moment in which Sunday uses the Harmony's (or perhaps actually the Order's?) power against Aventurine, in a scene which is supposed to reflect an interrogation but is also, very clearly, another nonconsensual violation of Aventurine's bodily autonomy and dignity by a man. While ostensibly seeking confirmation of the Cornerstone ruse, Sunday instead subjects Aventurine to unnecessary questions about his past on Sigonia, which recall and force Aventurine to re-endure memories of his trauma.

Even if this is what Aventurine prepared himself for and planned to have happen, the pain he experiences is very real, and he suffers both the physical and emotional consequences of Sunday's assault all the way up to his "Death" and possibly even beyond.

(Also, Sunday fans please don't get too up in arms with me for this; I also like Sunday! It's okay for characters to be morally grey!)

I think there's one other interesting example I would bring up here too, and that's Aventurine's conscious decision to weaponize his own masculinity against the Trailblazer. Through the 2.0 and 2.1 Trailblaze missions, Aventurine deliberately acts in an off-putting manner to the Astral Express crew, particularly the Trailblazer, in order to build up to the 2.1 climax where the Trailblazer is supposed to view him as an unrepentant villain and attack him without hesitation.

In order to achieve this uncomfortable, villainous effect, what does Aventurine do? Exactly what other men have done to him.

This is especially apparent if you're playing Stelle because of the ingrained societal taboo of a man entering a woman's personal space without consent, but even as Caelus, it is very clear that Aventurine is leveraging behaviors typically used to show dominance: In a complete 180 to all Aventurine's other body language in the game (normally quite withdrawn, frequently in defensive postures with his arms crossed or hand behind his back, almost always standing several feet away from other people), Aventurine violates the Trailblazer's personal bubble, looming over them (Caelus was sitting in this cutscene, lol), forcing eye contact, and commanding the space while informing them that they will have no choice.

For someone who was hunted, enslaved, had his movements restricted with chains, and due to his own slight stature has very likely been towered over by others who were intentionally asserting their power over him all his life, it is clear that Aventurine associates dominant, typically more masculine-coded physically-imposing behaviors with discomfort and even villainy.

Any girl who has ever had a man loom over her like this will realize very quickly: Aventurine wanted to make himself scary so he made himself act more like a bad man.

(Yes of course I know "not all men." I'm not saying every man behaves in this domineering way or that women cannot be domineering too, obviously, just that Aventurine had a very specific image in mind when constructing a "villainous persona," and the physically controlling tactics most typically used by aggressive men toward women was his immediate go-to.)

But where does that leave Dr. Ratio, the one male character actually on Aventurine's side?

Frankly, I don't want to derail my post about how intensely Hoyo chose to hammer on the message of "Women will protect you" in Aventurine's story with a discussion about a mlm ship, but the take-away here is going to lead in that direction anyway--so yes, Dr. Ratio is the exception.

What is interesting is that he does not come across as an exception at first, and in fact initially appears as another male character being rude and dismissive to Aventurine. Like, there are still people out there calling Ratio an unrepentant racist for this one.

Of course, it's later clarified that this is an act--likely even these insults were scripted specifically to give Sunday's spying ears the "insight" he needed to exploit Aventurine during the interrogation.

But even though it is an act, Aventurine still has noticeable trouble putting his faith in Ratio. He does genuinely doubt him a few times, despite knowing that they are working together to fool the Family.

Even his voice line about Ratio confirms that he doesn't think Ratio particularly cares for him; rather, he thinks Ratio simply tolerates him because he's slightly less unintelligent than those around them.

Ultimately, the entire act with Ratio ends up being a mirror of the real scenarios Aventurine has been experiencing with men his whole life (at least as far as we are shown his life). Men abandon him to fend for himself (unwillingly, like his father, or willingly, like Diamond leaving Aventurine to deal with Penacony alone on the inside). Ratio keeps leaving Aventurine completely alone. Men attempt to humiliate him and violate his boundaries (like Sunday and his slave master). Ratio insults Aventurine's appearance and intelligence repeatedly. Men betray him (like Oswaldo Schneider and his men leaving the Avgin to die). Ratio "betrays" him.

I'm not saying when Aventurine devised the plan for their act, he consciously drew up a list of all the ways men had hurt him in the past and had Ratio re-enact them one by one, but like... that's what happened, whether or not Aventurine intended it.

And okay, the shrinking scene in Dewlight Pavilion was just for fun and probably only slightly fetishy, the devs promise; yes, it was supposed to be a joke! ...But it's also not a mistake that this is yet another instance of a male character in a glaringly metaphorical position of power over Aventurine. Aventurine's tiny in this scene! He's completely vulnerable! He's in a dangerous position and the male character could very much hurt him in this moment.

But Ratio doesn't. (In fact, his line here is supposed to be sarcastic, very ha ha--but also, what is Ratio really saying? "I won't do anything to you without your express consent." What a good guy.)

Virtually everything negative that we see in 2.1 is Ratio doing these things as an act at Aventurine's own request. He doesn't actually disdain Aventurine; his own voiceline about Aventurine reinforces that he sees Aventurine as talented and intelligent.

Whatever you think he was apologizing for in their early scene, he's the only person we're ever shown in-game apologizing to Aventurine at all.

He worked hard to "betray" Aventurine but only as he was instructed to do, and immediately checks in on Aventurine's well-being afterward, even urging him to give up the plan if it becomes too much to handle.

And then, of course, there's the note: "Do stay alive. I wish you the best of luck."

After this point, it cannot be denied that Ratio is unequivocally on Aventurine's side, wants to help him, and is not doing so out of any sense of self-gain but largely because he is a good person who simply cares about Aventurine's fate. By the end of 2.1, it can no longer be doubted that Ratio is the exception to the "gender rule" of Aventurine's life, which--the story shows us again and again--was that guidance, protection, and care for Aventurine come from women, while men repeatedly represent dismissal, betrayal, or pain.

Ratio is, at least as far as Aventurine's story shows us, the proof that men can be good, that things are not as black and white in Aventurine's life as they might appear, and that--if you do choose to ship him with or see Aventurine as attracted to men--his attraction could be validated (and potentially reciprocated) by a male figure who would not bring additional harm to Aventurine's life. Aventurine makes the final decision to live after seeing Ratio's note--the exception to the rule ultimately proves to be the last piece needed to keep him alive.

But I promised I wasn't going to derail my own post about w o m e n, so let me get to the final point, and the one I really wanted to talk about: Although Ratio gets virtually all the credit for "saving" Aventurine in the fandom, Aventurine was actually saved by, you guessed it, another woman.

Not going to lie, the reason I started this post was specifically because I wanted to talk about how Acheron and Aventurine's dynamic was completely unexpected but actually fits flawlessly with the theme of feminine guidance in Aventurine's story.

Despite the fact that Aventurine made Acheron's life much harder and actively used her as a chip in his grand gamble, she doesn't blame or chastise him for those actions. Although she expresses some incredulity that Aventurine is actually that lucky, she then turns around and congratulations him for his ingenuity, immediately supporting him despite the fact that they don't even truly know each other.

Then it gets even more interesting. Acheron, who frequently hits her companions with deep and sometimes very emotionally fraught questions, asks Aventurine: "Have you never wavered?"

We as players know for a fact that Aventurine is constantly wavering, constantly doubting himself, his luck, and whether he'll even live--or even wants to live--to see tomorrow. But we also know that Aventurine is not forthcoming about those truths, refusing to express them to anyone, even himself. The only way we hear those dark truths is through his "future" self (who by the way, is once again another male figure cutting Aventurine down--of course it's himself but it's also, from the player's perspective, once again reinforcing the message that he isn't going to find safety or kindness in an adult male presence). Aventurine almost constantly deflects and diverts when his emotions or struggles are brought to the fore (unless he's divulging them for the specific purpose of allowing someone else to weaponize them). "I'm fine," he says, like a lying liar who lies.

But he doesn't lie to Acheron.

He chooses to be completely candid with her, to lance open the deepest wound of his life--that he can win and win and win and still have lost everything. The glitz and the glamour has all been stripped away here, at the end of everything, and Aventurine finally feels safe enough to admit that he fears he has absolutely nothing in his life worth living for.

And then, we get this direct parallel: Aventurine looks to Acheron, the woman now before him, for guidance, for explanation, exactly as he looked to his sister in the past.

He needs help, he needs answers, and he is continually seeking that help from the female figures in his life, whose support and kindness echo the lost care of his mother and sister.

"Go where you should be," Acheron tells Aventurine, guiding him across the river of death just as his sister insisted that he flee through the rain toward life.

Look guys, Acheron's even the one who reminds Aventurine to look at Ratio's note in the first place because apparently being an emanator of Nihility gives you x-ray vision, but my girl just gets no credit at all for being Aventurine's real savior, come on now!! Yes, Ratio's note was the final reminder Aventurine needed that someone would be waiting for him on the other side, but Aventurine would never have even gotten to the point of being willing to read that note if Acheron hadn't stepped in and provided him an answer to his question.

She feeds him back his own answer: "Why does life slumber? To rehearse the death for which we are not currently prepared." It is Acheron who reminds Aventurine that giving into the Nihility is pointless, and that rather than simply embracing a meaningless death, it is up to humanity itself to find and make meaning by living. It's this, not Ratio's note, that Aventurine gives as his reason for choosing to go on when asked by his own younger self. It's Acheron's words that finally give Aventurine an answer--why do we live just to die? Because there are people we can still make proud. Because when we go into death, we should do so with our heads held high, having achieved our own sense of purpose in this life.

Ratio gave Aventurine a promise: Someone is waiting for you to come back.

But Acheron gave Aventurine a reason: If life is inherently meaningless, doesn't that just mean you are free to give it meaning yourself?

She saved him, as women have been saving him all his life.

Anyway, this has already been horrendously long, but really what I wanted to say is that I think it is absolutely fascinating how consistent Aventurine's writing is when it comes to portraying where his support comes from and who he seeks guidance from. (Psst, just in case you still haven't figured it out, it's women!) In virtually every instance we are shown, we see the message reinforced that women are Aventurine's greatest allies and role models, while male figures are continually positioned to intentionally or unintentionally let him down and cause him distress.

"But women playing the supporting role to a male character is nothing new, Star, why are you so excited by this?"

Because the role women are playing in Aventurine's life is not the subservient supporter and emotional crutch role that female characters all too often play to male counterparts. None of the women in Penacony or Aventurine's past were there to do the emotional labor for him, to be a trophy or prize, or to cater to his needs. They don't exist solely to help him fulfill his character motivations; they aren't following him around waiting for his next request as their only role in the plot.

Instead, with Aventurine's story, we almost have an inversion of gender roles, where the male character eschews the stereotypical "men are leaders, fighters, and stoic heroes" archetype. Instead, no matter how hard he tries to hide it and keep a stiff upper lip, it is clear from 2.0-2.1's story that Aventurine is a deeply insecure, lonely, and explicitly traumatized survivor of genocide, slavery, and exploitation. Unlike most male characters, who are very rarely portrayed as genuine victims--because come on, shouldn't men be strong enough to fight back? Shouldn't men be able to shrug it off when they are hurt, emotionally or physically? (Of course I'm rolling my eyes here!)--Aventurine is belittled, humiliated, emasculated, and victimized on-screen, roles almost exclusively reserved for women, for whom surviving victimization in fiction is seen as noble.

Meanwhile, the women in Aventurine's life take on the roles traditionally given to male characters. They're both emotionally and physically his protectors. Aventurine's sister gave her life to guard his safety; Acheron ensured he could safely pass beyond the river of Nihility into the Primordial Dreamscape. They give him the tools necessary to succeed where he could not succeed on his own. His plan could never have gotten off the ground without Topaz and Jade entrusting their Cornerstones to him. The knowledge and capabilities of the women around him--not their "feminine charms"--are what allow them to help keep Aventurine on the right path even though he does waver. Even women who disrespect him, like Sparkle, still play a positive role in his life, able to provide him insight gained with their own intellect and talents.

When he has no one to rely on and doesn't know what to do, Aventurine is able to continually turn to the women around him, asking for and receiving not servitude or fawning, but their genuine wisdom and guidance.

tl;dr: If nobody else has him, Aventurine knows this random woman he met two minutes ago on the street will have him, because the women in his life literally never let him down.

(It's just so, so good, and ultimately, it should be very clear why Aventurine's story is as popular with women as it is! A+, Hoyo!)

[lyctorism]

going insane thinking about the paralleled relationships of palamedes’ fondness for harrow and camilla’s fondness of gideon. and their respective simularities! harrow being jealous of gideon mooning over dulcinea. camilla being jealous of palamedes being in love with dulcinea since he was 8. camilla being fond of gideon after realizing gideon also has a melodramatic necromancer. palamedes and harrow’s “necromantic pissing contest”. gideon and camilla’s love of swords. palamedes “I'm the greatest necromancer of my generation”, harrow “like hell you are”. palamedes suiciding detonating himself to take out cytherea. gideon suiciding throwing herself on spikes to send harrow full lyctor to take out cytherea. palamedes “i miss harrow terribly” sextus. harrow “i can’t envision a universe without you in it” nonagesimus, camilla “life is too short and love is too long” hect. gideon “you’ll know what to do” nav, palamedes “she knows what to do” sextus. crazy! crazy insane! thinking about them

[thedevillionaire]

and there will your heart be also

She’s been away five days and will be away two more.

He sneezes again, curses under his breath about it and gazes out the window for an uncertain time. It’s raining still, and bitterly cold. The flowers she’d left on the sill are starting to fade. Wintry sleet falls steadily, constantly, and he has a thousand things he’s supposed to do and he’s not doing a damn one of them, his focus both scattered and singular as he claims a tissue from the box by the flowers.

He wipes his nose firmly and recalls her placing the bouquet just so, fresh and vibrant, smiling at him so pleased with her arrangement of it all, her arms around him in soft devoted embrace. The ghost of her touch caresses him in memory; the image brings a suffusing warmth, and he loses himself to its comforting spectre.

For a moment, at least.

He sniffles, chilled despite the hearthfire’s radiant heat, and an ominous shiver runs through him. A catch in his throat follows, barbed and wicked. He frowns at it, shakes his head in an irritated, unspoken refutation of what it might imply. Any further acknowledgement of coming down with something is pushed as firmly from his thoughts as he can; he can’t be sick. It’s not going to…

Hh-HH…

It’s not… *snf!* Not going to happen. He won’t allow it. He won’t… *SNF!* It’s not…

His breath sharpcatches and all thoughts crumble capitulated to urgent, desperate sensation.

“HHTSSCH-uu! Hh-TSSSCH-uu! Ah, gods.” With a wetly insistent series of sniffles, he takes yet another tissue and, after a moment of consideration, another for good measure. Another.

He sighs.

And he misses her, and he misses her.

---

[damnation-if]

hey!! can i ask for a color palatte description for the ro's? like what their hair/eye colors are?

hope you're having a good week 💙💙💙

Hi!

I spent a long time putting together a graphic for this before I realised that you asked for just a description haha... oops. well. here is the graphic anyway XD

If you're looking for a link to the page with more general descriptions, there are some on the RO's page.

Very sorry for the delay in replying! My life is. hectic. smdnfgbsfgf

[freakartack]

[tootditoot]

*approaches running, stumbling multiple times*

HE- HEY! I see you are one of Geuretea's moots! My name is Pork Milk! I'm Geuretea's sona and I have been entrusted to deliver the train tickets to Mootland to all of you. Mootland is a place where all your ocs can have some fun and relax! ;D (and OF COURSE is not just an excuse to draw my moots' ocs).

If you want, choose max. 2 of your ocs (or your sona) to enjoy the train trip.

BYE! :D

*gives you the tickets and runs away so fast he disappears*

"I say Guccant, when was the last time I took you to a field trip that didn't start with us being sunk on a row boat?"

*Sacabambaspis noises*

"Hmm... Galloping? I fail to see a herd of horses outside, must be the train chuffing..."

(This is a bonus sketch because I needed a reason to draw a locomotive hehe)

[doubledyke]

What do you think would happen immediately after BPS? How would all the parents personaly react to their disappeared and returning children? The kids would really ever throw a party, or just have to fix all the wrecks and be grounded? And Edd and Eddy would even have a face-to-face good conversation about their adventure and what they learned?

I think Eddy would need a validation from Edd more than ever, and the fear they could have lost each other would let them even more attached.

i had detailed ass theories written out for each kid as to what lies they could tell their parents and what the likelihood was that they'd be believed, etc. and then i realized that it could all be solved with a simple phone call from one parent to another lmao. and lbr, the chances that someone's kid is gonna be gone all night and they're not gonna flip the fuck out are slim to none. outside of a couple exceptions of course. i felt like a moron so i didn't include it here. i guess i like to pick and choose when to adhere to cartoon logic 😂

anyway i do think the non-ed kids would get into trouble and be grounded for varying lengths of time. they might have just enough time to have a little kiki in the lane before heading home and getting dragged inside by the ear/bear hugged/further ignored.

one exception might be rolf, because i don't think it'd be entirely out of the norm for him to be gone all night on occasion. maybe he had an urban ranger camping trip that his nana forgot to tell his parents about, or had to chase down an escaped animal into the wee hours of the morning. he enters the house, clearly disheveled and sweating nervously, but probably gets nothing but a fine howdy do from everyone inside.

eddy would be grounded for a comically short period of time because he's a spoiled brat. a couple of days tops. it's really only an attempt by his parents to appease the angry mob. all the other parents know he's the little shit stirring ring leader and berate his guardians accordingly. regarding his absence, he tells them he and the boys rode out the storm in the van and that they were fine. he accepts his punishment because telling them what really happened means telling them he visited his brother and that WOULD get his ass in big trouble. legal stuff, you know. as far as any takeaway he might have... let's be real here, eddy's still the same ole eddy at this point. i don't think the full weight of what just happened has hit him quite yet. he's still reeling about being invited to kev's for jawbreakers and whatever else preteens who don't really like each other do for funsies. i do think that while he's spending aaaaaall that time alone (again, 2 days max), in between trying on outfits for that party at kevin's, the image of edd standing up to his brother does cross his mind. edd, the coward. edd the wimp, stood up to his tormentor. and got swiftly beaten into the ground for it. yet still ran over to make sure he was okay after ed essentially saved his life. ed the dolt. ed the idiot was the one to think of pulling out the pin (literally), and blasting his abuser with a face full of door. i think the guilt, shame and embarrassment would hit him hard, along with a lot of weird mushy stuff that he doesn't really know what to do with. so he doesn't do anything with it. not immediately anyway. but i've already talked about post bps eddy a bit so i'll leave it at that.

i've seen people say that edd's parents wouldn't even notice that he was gone overnight, because... so were they. and yall know i'm the #1 hater of edd's parents so of course i agree lol. if word gets back to them somehow though, i imagine them being very passive aggressive about it. shocking, i know. i feel like they'd go their usual route and punish him by not talking to him - as in not even leaving sticky notes around the house. except for one that says something along the lines of "dear eddward, you are not to leave the house today, as you are hereby grounded until further notice." along with a scroll of chores of course. but yeah they make him wait around and wonder when he'll be able to see his friends again. probably a good few weeks or so. i've always had the headcanon that eddy would be banned from edd's house and maybe this is when that happens as well. if word doesn't get back to them- which is more likely imo because they're so elusive that no one knows how to contact them - i think edd could likely have a bit of a meltdown over their indifference. not to mention the guilt he feels in either scenario. for starters, he feels like he simply must tell someone what he's just witnessed- especially as a future mandated reporter... nah i'm kidding but i do think he'd want to tell an adult what happened to his dearest friend. but he knows it would only compound eddy's grief. outside of that, there's the fact that he feels that he never received a comeuppance of his own. eddy got thrashed by his so-called "hero" in front of his peers, and if his previous punishments are any indication, ed is very likely enduring what can only be described as suburban confinement for the foreseeable future. he, on the other hand, has gotten away with a horrible deed, with more than a year's worth of horrible deeds without so much as a scowl from his parents. he has to fight tooth and nail to resist his compulsion to confess his wrong doing, directly this time. cuz the confessional he wrote at the beginning of this ordeal is still on his desk when he gets home. it's kind of like when people say "at least if you're angry, i know you care", but magnified 100x for his entire life. i think this is when the switch kinda flips for him and he has to come to terms with the fact that his parents are at best, extremely cold and aloof. and at worst, knowingly neglectful. either will be hard for him to accept of course, because he's got an image in his mind already of what "true" neglect looks like:

ed's going in the hole, man. it's the cliche where his parents fawn over sarah and are so thankful that she's okay and "you had us worried sick, missy". only to turn to their other child who was also missing for 24 hours and proceed with the finger wagging and reprimanding. i don't think sarah would rat him out though. in fact at this point she might even try to stick up for her now suddenly not so bad older brother. but to no avail. in fact, it makes his mom angrier - she must have hit her head if she's sticking up for her troublemaking brother. "you see, edward? your erratic behavior has finally landed your little sister in the hospital. hope it was worth it." as far as they're concerned, ed put sarah in grave danger by running away. he was a terrible influence, and for that he's gotta be made an example of... to himself? i'm gonna venture a guess here that dad'll be taking the stairs again. he also boards up the basement window. they take his tv, his tapes, his comics, and all his model making supplies. his mom wanted to take his gravy tub but dad insisted it was too much of a hassle. luckily for him though, they can't take that vivid imagination of his. he spends the next two weeks staring at the ceiling, coming up with a storyline for his own comic, which he starts working on as soon as his belongings are returned. it ends up being sooner than he anticipated. he was told it'd be a month, but his mom is sick of looking at the box of his crap in their bedroom closet, so he's off the hook early. lucky feller. next time he runs away though, he's making extra sure sarah doesn't follow.

obviously i think edd and eddy, really all three eds are going to be even closer than they were before their little excursion. but i think it takes time for eddy to mature enough to truly grasp how meaningful it all was. like he knows, but admitting it is corny af. edd is probably gonna be so preoccupied with deconstructing his relationship with his parents that he's a somewhat aloof for a period. there's also a rumbling within ed, especially after seeing sarah's attempt at defending him. i don't really know what conclusion he comes to except that if he wants even a chance at having a good relationship with his sister, he's gotta get the fuck out of there asap. i do think he'd start "running away" more often, possibly staying with eddward during his burgeoning rebellion, or from time to time, eddy. maybe even rolf. he might also sleep in the van when the weather allows. anything to be away from that hell hole. i wrote in my fic that he'd move out and live with may at age like, 17 i think? literally as soon as possible lol.

[idiosyncraticrednebula]

The backlash against Frozen, which, from my observation, has cooled down (that isn't a joke, I swear-) quite a bit over the past few years, was less based on the quality of the movie itself and more on the fact that its massive success and reach really overshadowed a lot of other movies that came out prior to it and after it and was getting credited for stuff that had already been done before plenty of times, and in many cases, in those exact movies. This is why, to this day, many fans STILL refuse to give Tangled its props without trying to put Frozen down in some way. In their eyes, Tangled should have gotten the glory and accolades Frozen received, but did not, and that made them quite jealous. Overall, Frozen is far from a bad movie. It's a great movie with a great message, characters, music and does actually deserve the success and recognition it got, and some fans need to stop being so salty about it and uplift their fav movies without putting Frozen down so they get the proper appreciation they deserve as well. Although, yes, the credit this movie got for allegedly introducing themes, archetypes and tropes that had already been seen before in Disney, including movies set in a fairytale world with heroines as the protags, was undoubtedly the most annoying part about its success and is part of the reason why many tried to drag this movie and its main leads.

[granitxhka]

"Edison invented the light bulb. Today I want to see a team that is connected because a bulb by itself is nothing. I want to see a team that is connected with each other and that shines. And you want to transmit to him light and energy and passion and how you play football. And each of us plays the game connected, because what happens when we play connected? We connect with 60 000 people that creates more energy, because at the end it is electricity that through heat creates light, and life. Because if not, it would be fucking dark."

happy birthday MIKEL ARTETA (b. 26 march, 1982) !

[canonically-a-genloser]

Rabno cuddles

Ronald hugs

(Ranboo with a touch starved partner)

Okay so I'm gonna scribble up some thoughts while I eat LMAO so we'll see how this goes (it's been a while so the thoughts are everywhere bear with me guys)

so this man definitely owns like far more blankets that any human should need anyway. on nights when they have to travel or can't be with you for any reason, you're getting a full stack of said blankets like it or not

definitely makes up for you missing them once they're home

would let you curl up beside him when he's editing

wATCHING THE OFFICE WITH THEM

100% would be their favorite thing on earth. especially if you enjoy it as much as he does. just laying on the couch with them and resting your head on their shoulder while he puts his arm around you

when the two of you go out on dates they'll hold pinkies with you so it's subtle enough that nobody notices but he also won't lose you in any crowds

gentle head bonks gentle head bonks

when you cuddle sometimes he'll touch his forehead to yours out of nowhere

if you're ever busy with homework or if you're cooking expect back hugs

i will never be convinced that they wouldn't poke you with stuffies. and each stuffie would absolutely have different accents, like he's talking to you and creating different personalities for each one (there's definitely a British one)- the full nine yards.

gives you sweatshirts CONSTANTLY

"here, you can borrow this one, it's really soft-" "but I already own like twenty" "well then now it's twenty-one (:"

also I may have mentioned this but they would be the best hugger

they fully are the type to put a hand on the back of your head to make you feel secure

holds you like you are glass

another thing? piggy-back rides would be amazing in every way with him

they are careful, yeah, but they would still run if they had enough room to

genuinely they wouldn't mind you being clingy at all, either

he would just be the best about it

have a picture of pretty streamer

LOVE YOU GAMERS I WILL TRY TO WRITE MORE (I mean it this time i have a cool thing in the works just pray it doesn't flop) THANK YOU GUYS FOR READING AS WELL AND HAVE AN AMAZING DAY/NIGHT I LOVE YA /P

[halamshirals]

did you guys know that, well, the cruelty is the point

[statementlou]

why do you think louis said this might be the only time he plays at the hollywood bowl? do you reckon it might be because his tickets sales aren’t going well and he was told that it won’t be possible to book venues like these next tour? that made me kinda sad :((

every day I get asks being like "do you think [random thing that happened in the last 24 hours] is because Louis' ticket sales are so bad?" and it's obviously just annoying harries with nothing better to do than try to make people unhappy (TPWK!!!) and maybe they're just getting cleverer here and have tricked me, but this sounds like it might actually be a person who they are getting to with this garbage and have made unhappy so fine, I'll bite-

Louis' ticket sales are going FINE!!!! He is playing great shows every night and is on target for the tour he has booked and everything he's doing is completely sustainable and if nothing changes (which it will, for the bigger; he has been picking up more fans every year) he can keep touring like this (and playing these venues) indefinitely! The idea that every show that doesn't sell out is a failure is made up and makes no sense- if every show sold out there would be people who wanted to give them money but were unable to do so. That is not how capitalism (and growing your fanbase) work for any working musicians outside the top .00001% biggest in the world! If your venues sell out, then next time you book bigger ones, and you keep doing that until you hit a size where it doesn't sell out so everyone can buy buy buy those tickets. I can't know for sure why Louis said what he said; but he is constantly in disbelief that things are going as well as they are for him and while this album and tour especially he seems to have finally started to believe we really do like what he does and aren't going anywhere, I think that's still there and that's what I heard with that. I mean also it could be next time he plays LA he ends up in an equal size but less iconic venue and booking never lines up with that space again or something, for all I know it's really hard to get on their schedule. Hollywood Bowl is a historic and renowned venue and Louis was excited to play on a stage that has hosted so many famous people and moments and was trying to be in the moment and appreciate it (as he has been focused on making an effort to do lately) because the future is a mystery and anything that is ever happening might never come around again, but I don't think it's cause for concern.

[pensivespacepirate]

AM I IN FUCKING ESKEW AGAIN

[sskk-manifesto]

Atsushi's back in the game!!! ۶( ˆ o ˆ )

[coollyinterferes]

"Back by unpopular demand:"

"Us!"