invisible scars (referenced previous talk here)
[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."
Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”
Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.
At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.
"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.
Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”
Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."
In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]
Credits for ID here and here
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while i wouldnt necessarily disagree that childe seems to be on edge more so than usual (and he himself mentions being in a poor mood in act I) in the fontaine archon quest i do have to say i find it a little funny that theres people who think hes behaving, like, completely out of character in the court scene when he decides to go apeshit after being judged guilty by the justice.exe AI bot like.
did it somehow escape peoples memories that this man when presented with the idea that we as the traveler mightve tricked and gotten ahead of him with the geo gnosis just. entered a state of complete murderous rage leading to him activating foul legacy in the golden house. which actually ends up self-sabotaging his current objective more than anything bc unlike the clear way they struggled against childe before now the traveler just won by default by outlasting him
he mightve gotten over it fairly easily afterwards (in no small part bc traveler actually fought him which automatically translates to equal=respect=friend in his fucked up head) but childes been shown to be a highly dangerous individual with a massive ego prone to outburst in the heat of the moment when outplayed or his pride wounded before even when it isnt the smartest course of action like. this isnt new lmao.
getting accused of a crime he had never even heard of in a foreign nation he only recently arrived in and then sitting through all that court drama and being assured afterwards that he only needs to partake as a mere formality for declaring his innocence only to be somehow declared guilty by a machine is very much realistic grounds for childes patience to reach its breaking point if you ask me lol
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How conscious do you think Katara of Sokka's pile of neurosis surrounding her safety, their father, or the tribe in general?
Basically, how well do you think Katara understands her brother?
[thinks about my own incredibly weird, callous, prodigious, neurotic brother] does anyone truly understand their brother?
just kidding. sort of. i mean, this is a really difficult question to answer, because as i've already stated, sokka doesn't actually understand himself. and katara doesn't really understand other people very well in general. she has a deep, presiding love for humanity that accords her warmth and nobility, but she also has a pretty rigid way of conceptualizing any sort of moral quandary (she is in the eighth grade) and often misinterprets people's motivations and subconscious desires. (very dorothea brooke core)
for example, in "the painted lady," when katara says, "oh, sokka, you really do have a heart!" she's only partially joking, right? like she genuinely doesn't understand how he can be so "cold" and callous." she doesn't understand his point of view at all, she thinks he just doesn't care. and sokka could probably do a better job of explaining his point of view, granted, but i also understand why he's given up trying to reason with her, because she does not listen to him unless they are in grave danger (at which point she forgets that he is her stupid annoying brother and places all her faith in him lol).
so we, as an attentive audience, know that sokka cares about the wellbeing of impoverished villages destroyed by the fire nation, because we remember the first couple episodes wherein he was prepared to die defending his impoverished village that was destroyed by the fire nation, and we also remember his promise to prioritize katara's safety over the war at large, so we are not surprised when he says, "you need me and i'll never turn my back on you" (the sokka thesis statement). but katara doesn't really understand how much she means to sokka, or how sokka thinks, or how sokka sees himself, or how sokka sees their father, or anything beyond what sokka is willing to show her regarding his psyche, which is ultimately very little.
and it's not katara's fault, to be clear. katara is not a bad sister for not attempting to plumb the depths of sokka's twisted mind. even if she wanted to (which, who would tbh. don't look at me) sokka does not let her. being vulnerable with her (truly vulnerable, not just "i can't make things fly around woe is me") would go against sokka's core programming. protecting katara doesn't just mean protecting her physically (dying for her, attacking anyone who hurts her even if it's aang and he really didn't mean to, etc.) but also emotionally – protecting her innocence, her naïveté, her idealism.
like he'll say shit like "optimism and wonder are cringe and you're a loser for having love in your heart," but it's still so flippant, it's clear that he doesn't consider "provoking/annoying her" and "protecting her" to be mutually exclusive (frankly, anyone who doesn't succumb to the urge to provoke their siblings is simply not human and cannot be trusted) and has no problem criticizing her when he thinks that she's wrong for whatever reason, but he also avoids being vulnerable with her and uses flippancy and deflection to mask his more honest feelings most of the time.
notice how he basically completely shuts down in "the southern raiders," how even though he is standing there the entire time katara and aang are arguing, he says exactly one sentence and lets aang say literally everything else. notice how in the pilot he calls her a freak for waterbending instead of communicating either jealousy that she can do something he can't or fear that her ability will get her killed (again, it's probably a combination of both, but does he even understand that? probably not. because he refuses to introspect). which is why "you need me and i'll never turn my back on you" or even his admission in "sokka's master" that he feels insecure about being a nonbender shocks her so much.
katara and sokka's codependency is mutual, and they love each other a lot. while sokka isn't katara's first priority and entire identity the way katara is for sokka, when sokka is spirited away in "the winter solstice," katara basically shuts down, clings to his boomerang with a blanket around her shoulders and refuses to move from the spot he was taken until he gets back, and when sokka is gone for the day in "sokka's master," she spends the whole day waiting for him to return. and like, both of these take place in the span of no longer than a single day. but as much as they love and need each other, they also do not really understand each other, or themselves.
i would say that sokka understands katara better than katara understands sokka, but sokka also just understands people better than katara does, so that's not really surprising. for example, he knows that she would not benefit from killing yon rha before katara realizes it (and unlike aang, he is not a pacifist). but he does have some blindspots, like how he doesn't understand why she wouldn't want to see hakoda in ba sing se (he interprets it as a purely selfless act, which it just isn't), but again, that's more of a daddy issues blindspot than a sister issues blindspot. they also just have very different worldviews. katara primarily cares about individuals whereas sokka primarily sees systems (with the necessary caveat that he still prioritizes his family), katara sees the best in people whereas sokka sees the worst in people, katara misses the forest for the trees whereas sokka misses the trees for the forest yada yada.
but what's important to understand fundamentally is that katara and sokka have both been dehumanized by the fn imperialist project (true of every atla character, btw) and so their lack of self-knowledge stems from the formative trauma of cultural genocide. those gaps in understanding originate from the roles they have been forced to inhabit, and since sokka's entire identity revolves around what he can and must sacrifice for katara, it's understandable that katara would be unable to acknowledge or even recognize that.
and then again, even beyond the inherent tragedy of their situation, no fourteen year old little sister really understands the neuroses and contradictions and lamentations of her older brother. even if he wore his heart on his sleeve she wouldn't understand him, because katara does encounter plenty of people who are far more obvious about their intentions and she doesn't really understand them either. but she means well. and that's what matters <3
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