hello helloo! i just read through your modern au and I'm in love (shocker), i wanted to ask if you'd give some more info on poppy? apologies if there's already a dedicated post to her, looking is not my specialty
there is not! i will gladly ramble!
~
in this au, Poppy is slightly less fearful than canon. this is for several reasons! 1) years of therapy. 2) anxiety meds. 3) teenage years of her friends dragging her out for Shenanigans & hyping her tf up! but she's still a worrywart! she's very cautious! she can and Will see the bad/dengerous side to every situation. but! now she has the tools to not only cope with but combat her intrusive thoughts & fears <3
i think i mentioned it before but she Did Not Realize she was trans until highschool! specifically, when she met Sally! Poppy had to stop by the theater department after school for some reason or another, and Sally noticed her looking longingly at the costume dresses (Poppy thought she was alone lol)
and while Poppy was mortified at being caught, Sally was delighted. they only knew each other in passing and from reputation but Sally started holding up dresses to Poppy and complimenting how well they suited her. (i could joke about how Sally could sniff out the lesbian in her before Poppy even knew she was a girl!) Poppy, flustered by the sudden attention and apparent acceptance, didn't know how to handle it and fled. then started avoiding Sally in the halls. but! eventually she had to go back for Insert Reason Here, and ofc Sally was there. this time around Sally is a little gentler and less assertive, but manages to coax Poppy into checking out the more ~feminine~ costumes again. thus begins their little meetings where Poppy tries on costumes and Sally is her biggest hypeman
it takes a while for things to Click in Poppy's mind! it isn't until she tries on a dress that Sally custom-made for her, wearing some makeup and a wig, that Poppy has her oh moment. unfortunately, some of their ~mutual friends~ (Wally, Barnaby, Howdy) walk in on them. there's a short, terrifying moment where Wally is all "who's your friend, Sally?" and Barnaby has to lean over to let him know "that's Poppy, bud". before Poppy can fully freak out, Wally immediately goes OH! and starts complimenting how pretty she looks. Barnaby chimes in next to ask if the dress is home-made bc it fits Poppy beautifully, Howdy nabs a necklace from the nearby gathered accessories and put it on her to "tie the outfit together". in short! Poppy finds nothing but support from her buddies & they're more than happy to help her figure out this new internal crisis / revelation
then of course eventually she's found out by her family, which goes very well (im using sarcasm! it goes terribly!). Poppy isn't outright disowned or kicked out or in immediate danger, but her relationship with her family is ruined by their transphobic bigotry. her friends have her back throughout this, and the guest room at the Beagle farm is always open to her! Sally continues to make custom clothes for Poppy (something that becomes a love language for the two of them <3).
honestly, this period in Poppy's life is part of what like... idk... strengthens her, in a way? her continuing to be herself and actively rebelling against her family, i mean. Poppy becomes a pretty stellar liar lol (lying to her parents about where she's going, who she's hanging out with, what she does after school, etc). she's very cautious about all of it, but she does it! she's determined to pursue and discover and Realize the woman inside her! i have this sweet scene in my mind of the Group at the Beagle farm chilling on the floor with notebooks, brainstorming on possible names. (Sally enthusiastically says a variation of 'exquisite' to each one, and then when Poppy says 'im not sure about that one' Sally - still enthusiastically - says a variation of 'horrible terrible how could you suggest such an ill-fitting name'). despite everyone's efforts, i like to think that Poppy finds her name entirely on accident! maybe during the Gap Year Road Trip! maybe they stop by a SoCal poppy reserve in superbloom and the flowers Resonate with her! who's to say!
but Poppy begins her (medical) transition in college! she, of course, gets shit for it, but she also begins to find community and enjoyment in the local queer community. and of course, she has her buddies <3
but anyway! i like to think that Poppy participates in local farmer's markets with her crochet work & baked goods, the latter of which is a complete hit! that, plus her first experience with going to a tearoom inspires her to strive towards owning her own! tearooms are right up her alley, i'd say - calm, quiet, and Poppy can make peoples' days a little brighter with a tranquil atmosphere & delicious treats! i swear i have a reason between 'Poppy british = she goes into tea business'. honestly! tearooms are more about the tiny sammies & tasty cones w/ cream! and feeling Fancy while chatting!
i think it takes a while for her to actually be able to start up a tearoom. I'd imagine she starts by holding a small, single-table reservation-based one in her own place once the Group decides on what town to move to. it's successful, slowly (but steadily) grows, until she can get an actual House and transform the ground floor into a full tearoom. lil shop by the checkout counter, several different rooms, a sizeable kitchen. staff! the tearoom is a humble one, but it's a killer holiday & tourist destination! the high ratings even bring in people from out of town!
and when it comes to Poppy & Sally, bc yall know i'm a sucker for Popstar - i like to think that they start dating after (mostly) all of them move into their new town. & after they both have been in prior relationships! and then they never stop dating. well, they do, but that's so that they can upgrade to Wife Status. and then they never stop being wives so there <3
but Poppy is successful and happy! she had a rough go of it but she Makes It! and she continues to make it!
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LWA: I'm procrastinating again from professional writing, so I'll take the opportunity of you being uncomfortable with "God Ships It" to do my rant. When I started attempting to read GO fanfic, I was startled by how...panicked?...it is about the source material. The panic is most obvious when it comes to dealing with any of Crowley's character flaws--this is a fandom that gets very sentimental about how cruel Crowley might be to his plants, but then does a Bentley-sized swerve when it comes to how cruel Crowley is to /Aziraphale/ when he /successfully/ manipulates him into trying to kill the Antichrist for him--but it also comes out in its treatment of religion.
The irony of post-S2 fanfic is that pre-S2 fanfic overwhelmingly endorses Aziraphale's attitude to Heaven (without realizing it). That is, it implicitly or explicitly assumes that Heaven has become warped in the absence of God, and that the presence of God Herself (or Himself, in the novel) would provide the "good" alternative. Heaven, that is, can be reformed if the real authority would just stand up. Moreover, there are multiple fics that really do assume that being an angel is better than being a demon because angelic grace means they are still in touch with the divine, and there are even fics that posit how great it would be if Crowley were reinstated to angelic status. "God ships it" rests on the assumption that the GO God is "good," that His/Her "shipping" is beneficent and rooted in care specifically for the protagonists (particularly if it proves to be part of the ineffable plan), and that His/Her imprimatur is desirable and necessary.
None of these assumptions are supported by the novel or series. (I keep wanting to write "Source for this claim?" in the margins.) Gaiman inadvertently sets the stage for "God ships it" by making God the narrator in S1, but "God reports it" is not the same as "God ships it." More to the point, both the novel and the series reject the terms of Pascal's Wager: if we cannot be assured of the existence of God or the nature of God's will, GO responds, then the correct course of action is to locate moral authority "on the ground," as it were, in human communities, and to proceed as if /God does not exist./ (Anathema burning the second book of prophecies is a case in point.) Moreover, in the series we are shown repeatedly that God's actions violate human (and angelic and demonic) moral norms, particularly in repeated sacrifices of children, and viewers are not invited to side with God! There is no evidence that the GO God is good, or loving, or even fundamentally decent in a way that can be articulated in terms of earthly morality. God's ways are incomprehensible, which is why, as I said before, attempts to do theology in GO-verse don't arrive at anything coherent. There is certainly no sign that God thinking you're a great person is going to do wonders for you (see: Job). And after seeing what God either causes to happen directly or allows to happen by withdrawing, there are no circumstances under which centering the protagonists' love lives makes God look any better. ("Isn't it amazing that all the horrors of the past several millennia had to happen just so Aziraphale and Crowley could be in love?") Finally, the "shipping" suggests that it is /desirable/ that the characters' love be divinely authorized or that they should be outright directed into a relationship by providential means, even though GO is all about the centrality of free will and the necessity of learning how to choose. So...no.
hey, look LWA; far be it for me to tell you how to spend your breaks in between work but i do have to question your decision that any part of that break is spent delivering Hot Tea to my inbox - but im never going to complain about it, rant away!!!✨ (also - hope the writing is going well, procrastination or no!!!)
it does make me uncomfortable for this one simple reason:
"god does not play dice with the universe. i play an ineffable game of my own devising."
so look - i know it's literally god speaking. she can do as she pleases, whatever. but to think that she tampers with her best and yet most ironic invention truly unnerves me - that she takes free will, and manipulates it to her design - and even more alarming is that that design is completely unknown and unknowable to anyone other than her. honestly, it's this kind of thought that makes me steer well clear of any religious leanings personally; people will make decisions and will mess them up and will succeed with them, but the thought that those occurrences were "god's will", or down to a higher power... well, it's not a good feeling, in my opinion. extrapolate that thought to any real life scenario as you will.
but in any case, to apply this to GO gives me the same sense of unease. i have still the thought that there is going to be a clear, definitive line between the great plan and the ineffable plan in the narrative. that seems to have been set up very firmly in s1, and arguably becomes way more understated yet elaborated on in s2 (job and resurrectionist minisodes) until the end when metatron mentions the second coming. id absolutely love for it to be a huge narrative point in s3 again; the ultimate long-con chekhovs gun metaphorically jamming, backfiring, and spraying shrapnel all over the place.
but which is worse? a great plan that at the very least almost everyone of influence in heaven, including aziraphale if you hypothesise based on his knowing of the plans for the humans/earth in the pre-fall scene, has seen or at least seen bits of, and now presumably will work to ensure will come to pass because they know better than to question something metaphorically written in stone? an awful concept at face value, fulfilling prophecy, but at least you'd know what you're getting - you're buying what's advertised. i got rather ensconced in looking up some biblical stuff the other night, thinking about something similar to this, and:
And ye shall hear of wars and rumours of wars: see that ye be not troubled: for all these things must come to pass, but the end is not yet. (Matthew 24:6 - KJV)
that is terrifying, even if you take into account "the end is not yet", because that is ominous as all hell. but is it more terrifying that the ineffable plan, that is controlled and shaped and enacted by only one entity, cannot be questioned or challenged until it has already come to pass? that it is not of even questionable morality, but unknowable morality? god does not play dice, because that would be fairer - that would leave things up to chance... free will. instead she is playing by something only she knows, only she can control. so in that first quote, i interpret that she is either directly or indirectly telling the audience not to trust her and her actions. maybe god is self-aware, maybe not. she's ineffable.
so, even if the great plan is awful and inevitable, is it better to anticipate exactly what's coming? better the devil you know? either way, between the two, you're actually caught between the devil and the deep blue sea. that's the whole dilemma, the whole point, i know. but this is where i come to the "god ships it" trope: i originally thought that aziraphale and crowley being a part (and possibly inadvertently cocking up) the ineffable plan by way of their love story would be a great plot device - until i realised that, to be honest, that would a) feel like lazy writing with very little nuance to be had, and b) directly contradict my whole thought process on free will.
i do think they're involved in the ineffable plan, have a stake and place in it. i don't think, in some way, that there's any way they can't be. but it would have to be for god's benefit (ie whatever conclusion for the world she's currently got running on standby mode), and i don't think god, being what/who she is, would be able to understand love like that. she might foresee it, being omniscient and all, but what would she know about it? love is something to be felt, and that kind of love (unless GO is going to take a very weird turn) is not something she could ever experience. she sees it, sure, in her creations, but that's not knowing it.
so no, i don't think god has any place in the relationship between aziraphale and crowley. if anything, her mere existence is the ultimate barrier to it, through crowley's resentment, hurt, and anger, and in aziraphale's naivety, blind faith, and own brand of god complex. to give her seal of approval to any of it would be redundant anyway; it wouldn't change anything, it doesn't prove anything, and it immediately questions whether the characters choosing to have a relationship of any kind is of their own free will or was predetermined and inevitable. so, no, thank you.
i would like to think god is good - because if there is a higher power, you just have to hope that they don't have it out for you, right? - but logically she just... is. arguably, she is beyond morality, and arguably she is both good and bad. she makes bets with satan to test the faith in her most loyal faithful - which again, it might have been the great plan to make job suffer, but equally it might have been the ineffable plan for aziraphale and crowley to thwart it at great risk, sacrifice, and pain to their psyches... frankly, it's fucked either way you slice it.
(and it does make me wonder about why this appears to be the last that we actually see of god's 'physical' presence in heaven so far...)
furthermore, the issue in the resurrectionists; not even just aziraphale's alarming speech completely disregarding inequality as a means of arriving at a ridiculous point about morality, but - did god have a hand in having aziraphale and crowley come across elspeth and morag, leading to aziraphale starting to question what right and wrong is (rather unsuccessfully, he swings between redefining the two like a sodding metronome)? and equally have a hand in morag's death, that made aziraphale potentially retreat back to his usual standby of exalting in god's power and mercy? but leads to elspeth being able to live a better life? unknown, but this possibility does indicate that no, she isn't good, and she isn't bad, she's just playing a game that has an equal chance for the rest of us as being a good or bad move (insomuch that only she knows what game and rules she's playing - schrödingers chess move, really).
that's why aziraphale's decision at the end of s2 is so important to me. he spent the previous episode playing at being god, moving pieces around the board in a series of patterns as he pleased in order to reach the check, but having little regard for them in doing so - removing their free will and ability to think or feel or act independently, but equally whilst never at any intention of causing harm. does that make it okay? of course not - it's playing a game only he knows how to play.
so to then look at heaven as being something that he could change, should change - because he's being handed the opportunity - is meritable; he's not leaving it up to someone else, not following blind faith that "the almighty will fix it", he's choosing to be the change himself. and there's no confirmation at all that he's doing it to return it to what he considers to be god's original intention; as it stands, we have to assume that he's just going to fix/change/improve it for the wider benefit of everyone. but then again - is this fair? that at the top of heaven there will essentially only be aziraphale (not counting the metatron), and his vision, his decisions? perhaps that's why it was also so important to see that conference meeting in ep6 - it's not just the supreme archangel in charge; there is a precedent, however questionable the board of directors, of democracy in heaven.
lastly, just to touch on it: i think it would have been an interesting conundrum if crowley had accepted the restoration; whether it would have changed him, erased parts of him involuntarily, or if he would have remained as just crowley and used the opportunity to bring down the second coming and heaven's corruption from the inside. as it stands, we'll never know - but there never was any true characterisation reward to be had from making him an angel again, and it would have been a weird choice for him to make. the way it went down was exactly as their characters are and believe.
(putting this into a separate section because my mind just got a factory-reset by this point and my having a philosophy-realignment moment didn't really fit in any of the above very well):
it's really interesting to bring in pascal here, because i wouldn't have seen GO as rejecting it altogether on first glance (ie not contradicting you, just realigning my thought process). so... my initial thought is that GO eradicates at least half of the wager by confirmation that god exists, full stop (aaaand immediately going off on a long tangential thought of how different the story could be if we didn't have god as the narrator/no confirmation of god in the book other than in abstract, and therefore the pascal wager could theoretically apply - big yikes). removal of the dead-end outcomes leaves you with receiving either damnation, or eternal peace. but add in the element of ineffability, as you say, and the entire argument is rejected altogether... it makes sense to have GO reject such a binary argument, and the whole representation of agnes as being a stand-in personification (?) for god, in that respect, and anathema essentially rejecting her, carries so much more weight for me now... thats so cool to think about, thank you!!!✨
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