OK OK CHAINSAW MAN THOUGHTS FOR THIS CHAPTER UHHH i haven't done this in a while.
love, love the continuation of the previous chapter's yoru pointing up into these regular americans pointing up (possibly giving the gun devil more strength inadvertently?). this series of chapters is gonna be such a treat to read once it's put into a volume
lots of talk about how "freedom" and "gun" sound almost the same in japanese and this is clearly a dark pun, but the thing i also really love here is.... the arm symbolizing the "light"/flame of america/american styled "freedom" falling and replaced by a gun. the bit of the gun devil clearly having emerged FROM the statue, crawling out of it and revealing its ghastly interior, the sham it's always been. fujimoto's works starting with fire punch have always been obsessed with the idea of the image/representation and the many truths it disguises, how ugly realities are turned into stories, or propaganda, or even into merchandise to be bought, sold, covered up, used as justification for idleness or atrocities. belief is what makes devils powerful. the statue of liberty symbolizes deep held beliefs that America is all about pursuing dreams and protecting freedom, no matter what america's actual past and present actions reflect upon it. this is just the nature of that symbol and what it represents laid bare for all to see!
one of part 2's greatest strengths and worst weaknesses has been asa's passivity--which fits thematically, and makes her character that much more realistic and interesting when fujimoto bothers to draw her and put her emotions center stage (and makes it that much more depressing when she barely has a role outside of gawking at new information). but see this--this! this is what i want! this is what makes asa's passivity so devastating as a character! the exchange here is SO perfect, from yoru having committed the crime to asa suddenly being in her place, witness to the atrocity she's let herself be an accomplice to--and by extension, having committed it herself! we've seen that most of her power is fueled by guilt and regret--something that comes to her so, so naturally. and now she's confronted with it. with the results of her actions, of her dreams and attempts to save chainsaw man (to have a friend/someone who could love and understand her). the results of her passivity vis-à-vis yoru. she's committed this atrocity, essentially. she can't hide behind yoru for it. this is her body too.
just an unbelievable panel. the hole looks like it's *bleeding*, like a bullet wound on a corpse. sick sick sick!
see what i mean re asa's passivity being so compelling when used right. how could i forget? how could i get so comfortable? gd. also yoru's laugh is so good she looks so awkward. and most importantly she looks like nayuta did when making fun of asa after making her bark like a dog. sisters!
sick ass design. absolutely TWISTED parallel to when denji last faced the gun devil, with humans helping denji and begging him to save them. TWISTED parallel to makima's "save me, chainsaw man" and asa's own "i'll save you, chainsaw man!". fujimoto king of making narrative parallels so evil you'll feel sick ever rereading the first panels.
yeah uh i'm just gonna drop the parallel here and fucking run and die. isn't it romantic? you understand, don't you chainsaw man? you of all people would get the love involved in this?
the juxtaposition of the ruined city by asa/yoru and the children being led to the slaughter by the japanese government to resurrect denji is just. jesus christ man
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i think the best part about meursault's food diss critique is that for yi sang's turn, he actually dropped so many puns with yi sang's name in his rant yet he is still absolutely brutal and straight to the point, without losing his monotonous delivery
and yi sang kinda just,,, has to take it bc he must have been both impressed that meur managed to use so many homophones of his name in his rant yet those words must have definitely stung
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