#If Zuko just wanted to rescue Iroh

[zvtara-was-never-canon]

Can you give examples of Aang showing Empathy? Oh wait, you can't.

Actually, I can - because unlike you, I base my opinion of the characters on the actual stuff that happened in the story, not the bad faith takes dumb people on the internet come up with.

Zuko literally only survived past book 1 because Aang was the ONLY person amongst the heroes that gave a single fuck about his well-being. Aang offered to be FRIENDS with him as early as episode 13, even though this dude is trying to kidnap him.

In the first damn episode we see him realize and try to remedy Katara's struggle with no longer being able to act like a kid and have fun. He wants to travel with her so SHE gets to learn waterbending. He willingly lets Zuko take him into his ship because he understood that a conflict could lead to the people of the water tribe getting hurt or killed.

In Warriors of Kyoshi he apologizes to Katara for letting all the praise and admiration go to this head. He makes sure to put out the fires Zuko and his crew started in Suki's village.

He tries to help remedy the Hei-Bai situation, even though he is unsure of himself and even scared, because he knows he is the only one that has any chance of helping - and the thing that allows him to connect with Hei-Bai is the fact that he is ALSO upset about the destruction the Fire Nation has caused AND hopeful that the world would eventually heal.

He thinks Jet is awesome because he wants to help people that are being oppressed by the Fire Nation - and then is horrified when he finds out his intension is to "free" them by killing everyone

He wants to help the two rival groups not only safely cross the Great Divide, but also stop hating each other.

He confesses that he hid the map to Hakoda because Bato, Katara and Sokka are showing how much they appreciate and trust him and he feels unworthy of it after what he did because he knows it'd hurt him if the roles were reversed.

He is so devastated by the fact that he ACCIDENTALLY hurt Katara that he swears to never firebend again. He is also able to recognize the same principle behind his mistake in Zhao's fighting style, allowing him to win the battle against the bastard.

He accepts the fact that the Northern Air Temple is now occupied by people who not only don't belong to his culture but also don't understand it and unknowingly destroyed something sacred to him (and that one of them had been forced to make weapons for the Fire Nation) because these people have nowhere else to go and he doesn't want them to suffer.

He is furious at Pakku for refusing to teach Katara waterbending, because he knows how much it'd mean to her and how unfair it is that she can't learn it just because of her gender.

He is so devastated by the death of the Moon Spirit that the Ocean Spirit latches onto him to avenge it and save the day - and the leve of destruction it causes haunts Aang, even though the violence was against his enemies. And still, he tries to go into the Avatar state again because people are dying and he can't accept that.

After the fall of Omashu, he wants to rescue Bumi, not because he needs a teacher, but because they're friends.

He felt empathy for Toph when she was explaining to her parents how lonely and unappriacted their over-protection made her feel.

He and Katara both feel bad for snapping at Toph during "The Chase" and wanted to apologize for not understanding that being part of a group was a radical change to her, even though she had refused to even try. He also didn't have a problem with fighting alongside Zuko and Iroh against Azula, AND he looked concerned when Iroh was injured.

After Katara comments on the fact he called Toph Sifu but not her, he calls her Sifu while bowing, to show that he respects her both as his master and friend.

The hopelessness and downright depression he was feeling after Appa was stolen only starts healing because he saw a couple being happy with their newborn baby - the same couple he decided to help cross the Serpent's Pass, even though he and his friends had just been allowed to take a much safer route to Ba Sing Se.

His understanding and sympathy towards Jet, even after everything the guy did, was so strong that it freed him from literal brainwashing.

He doesn't want to push his love for Katara aside to gain power because he cares about her too much - and then does it anyway because, even though not making her his main focus 24/7 offers the risk of her being hurt, him neglecting his mission guarantees she'll get hurt.

He is devastated to learn that the world thinks he is dead because he knows he was everyone's last hope - and yet in the end he still accepts the burden of failure because he understood that, at that moment, everyone would be safer if no one else knew he was still alive.

He goes to a Fire Nation school and bonds with the kids, wanting to give them a taste of freedom and joy, as well as trying to understand what the war is like from their perspective. The same episode also has him pull Katara for a dance because he noticed she was feeling left out.

The boy felt empathy for, and understood the mistakes of, both Ruko and Sozin. SOZIN. Aang could see the humanity in the monster that is responsible for him losing his entire culture and everyone he loved.

When Zuko spoke about wanting to control his impulses so he wouldn't accidentally hurt anyone, Aang explicitly connected with that struggle and saw them being teacher and student as fate, and Zuko agreed because that's how deep their connection was.

Aang is not happy about Katara wanting to murder a man, but he still lets her take Appa on her mission and is not disapproving when she ultimately spares the guy but does not forgive him and makes it clear she never will.

He feels empathy for freaking Ozai, to the point that refuses to kill the guy - even as he has the balls to say that Aang's family, his people, deserved to die. He spared that guy - but only after he had a way to do that without it meaning the death of more innocents. Aang, the pacifist, was going to turn his back on everything he believed in just to avoid more human suffering.

So yeah, miss me with your bullshit and don't come back until your brain is developed enough to understand a cartoon aimed at kindergarterners.

[ladyloveandjustice]

I watched a compilation of clips of live action Zuko scenes (mostly with Iroh) because I think the actor they chose for Zuko is great and I still think he's great, but as someone who recently binged the cartoon, it's really interesting me the way they sanded off the rough edges of Zuko's relationship with Iroh, and the way it sort of damages the characters and the plot...and it makes me think of reoccurring issues in media and how the approach characters (which is exacerbated by the fans who jump the gun and think characters doing unlikeable things or being problematic means the story endorses these thing and that it makes them bad characters)

There's an intense fear of making Zuko too "unlikeable" in the live action, and that really shows in the way they play his relationship with Iroh. In the cartoon, Zuko is honestly downright nasty to Iroh a lot of the time. He's mean! He takes out his anger on Iroh a lot! A good two thirds of their interactions in the first two seasons involve Zuko being frustrated, complaining, or even directly being aggressive towards him.

He has a lot of genuinely cruel moments. You (or maybe just I) can weirdly forgive him more for hunting Aang because he's doing it for a sympathetic, heartwrenching reason even though it is bad and he's wrong. But there's no reason or goal in him being mean to his uncle, it's simply that he's an angry, traumatized, scared teenager and his uncle is someone he can safely take that out on, because Iroh has the patience of a saint and will always forgive him.

And when Iroh tries to push him to realize that chasing after his father's love is futile, he gets downright vicious, calling him selfish, shallow, lazy, jealous of his brother, he just goes right for the jugular because he's so afraid of what Iroh's telling him, he doesn't want to hear it so much that he'll lash out at him as hard as he can to get him to stop, and also to convince himself that Iroh doesn't know what he's talking about.

Zuko is not a nice person for a good chunk of the series, and that includes his relationship with the one person who unfailingly loves and supports him, who's pretty much given up a comfortable like just to help and look after him, and I think that's important. It means he actually needs a redemption arc. It gives his guilt about how he treated Iroh later on weight. And the fact the series allows Zuko to be truly nasty but we still root for him shows how good the writing is. Because despite all that, we can still see the good inside him, we want him to be a better person.

And in the show, in the beginning, Zuko shows those sparks of good slowly. Which allows the audience to feel real tension in not knowing what he'll do. Take that episode in season 1 where Iroh is captured...the viewer genuinely does not know what Zuko will do from what we've seen so far. When he says he'll leave without Iroh, as a viewer, you wonder if he might do it because he's often so mean to Iroh. But it's clear that Iroh knows Zuko's threats are totally empty and he would never leave without him, he's not worried at all when he misses the deadline, and he also knows that Zuko will be coming to rescue him. But the audience doesn't necessarily know that at this point in the series, so when Zuko not only doesn't leave without him, but goes to rescue him and even gives up his chance to capture the Avatar to do so, it's new information for the audience. We see this kid genuinely loves his uncle, and is even willing to sacrifice a chance at the thing he wants most in the world to save him. I think it's that moment that Zuko officially becomes a sympathetic character (It was hinted at with his refusal to kill Zhao and his clear happiness when Iroh praises him, but it becomes concrete here), since we still don't know his backstory yet.

When it happens in the live action though, it's not new information though, and not just because I've watched the original . It's because they never allowed Zuko to be really unlikeable. He's not that mean to Iroh in this version, it's clear from the beginning he loves and respects him. They even have the moment where Zuko sees Appa happen AFTER he's already risked his life to save Iroh, so there's no suspense, of course he's not going to abandon his injured uncle to chase Aang, we already know he'll put himself on the line to save him. It doesn't have any impact because the audience is never allowed to question whether Zuko cares.

And this hesitation to make Zuko be mean to his uncle has ripple effects on the story the live action is unwilling to deal with- it damages Iroh as the character and makes his actions not make sense. Because if Zuko actually listens to Iroh and consistently respects him, why doesn't Iroh just work harder at trying to get him to stop trying to please his abusive father, to stop hunting the Avatar? it seems like he'd be willing to listen with enough work. Live action Aang even questions this and Iroh just. doesn't answer him. Blows it off. As Big Joel points out in his video, it becomes a baffling moment.

But it's clear to me why he doesn't push Zuko harder in the cartoon. The idea that his father's love is attainable and he just needs to get it back, that he can capture the Avatar and regain the family he lost, that this is the right thing to do...it's pretty much what's keeping Zuko going. If Zuko doesn't have that, he might give up on life entirely. Iroh directly says this. 'the important thing is hunting the Avatar gives Zuko hope'. And Iroh knows if he pushes Zuko too much about this, Zuko won't hear it, he will lash out at him and probably leave him, just as he does in season 2, and then how can he help his nephew heal, give him support, and gently guide Zuko to do better?

This is especially demonstrated in the beginning of season 2 when Azula says Ozai wants him back and Zuko, so desperate to be loved, falls for her trap. Iroh tries to gently tell him that his father is not that kind of person, gently tiptoes towards "your father's love is not attainable" and Zuko immediately lashes out viciously, shuts down the conversation, and is willing to leave without him (though he's clearly ecstatic when Iroh does choose to come with him. ecstatic for him, anyway). So Iroh has to pretend to agree with him. to go along with it, all so he can protect Zuko when it does turn out to be a trap.

It's pretty easy to see the turning points in the show that cause Iroh he steps up and finally really try to push Zuko to stop hunting Aang, be a better person and find his own happiness. There's the end of season one when Zuko would have died trying to capture Aang if Aang hadn't chosen to save him. This is a wake up call for Iroh. It's definitely when Iroh realizes the fact it gives Zuko hope doesn't matter, because Zuko's fixation on hunting the Avatar is very likely going to end with Zuko dead. Zuko is so fixated on this he won't prioritize his own survival. This is directly confirmed by the show because Iroh brings it up later when he finally snaps and yells at Zuko to stop this. And there's also the aforementioned moment, where Zuko's desperation for his father's love leads him into a trap and they both have to become fugitives. I think this is when it sinks in for Iroh there's no happy ending for Zuko where he's welcomed back home, and this hope could lead him straight into danger.

(I don't know if this idea Iroh doesn't truly think hunting Aang is a good thing but won't push Zuko too hard about it because that would only shatter their relationship in the first season was actually what they had in mind while writing season 1, but I do think they made it track pretty well when they decided to make his character shift in season 2. )

So yes, Zuko being more amiable and respectful makes Iroh's dynamic with him not make as much sense, and makes Iroh seem much more baffling and callous, especially since the live action makes it very clear that Iroh believes capturing the Avatar is the wrong thing to do from the beginning.

But they don't care about story consistency, or building believable conflict, or writing coherent character dynamics, or allowing Zuko growth. No, the writers like Zuko, they don't want to risk the audience not liking Zuko, so lets remove a lot of his flaws, make his feelings toward Iroh warmer and more respectful because that's easier to watch and everyone liked how warm and loving he was toward Iroh at the end of season 3, so lets just skip to that. The cartoon trusted us to see the good in Zuko and root for him on his journey even if it was messy and sometimes painful to watch, but the live action doesn't, so it won't put in the work. And so his story becomes less meaningful and satisfying, and so Iroh's behavior stops making as much sense. I could easily believe the Zuko in the cartoon would betray Iroh out of sheer desperation to be accepted by Ozai, even as it wracks him with regret, but I wouldn't be able to believe live action Zuko would make such a decision. He's too nice! He never disdains his uncle!

Characters being allowed to do nasty, mean things even to people who love them and then grow to be better is important for writing believable stories and believable growth, especially when it comes to redemption arcs. But I've seen a reluctance to accept that in some writers and a lot of fans. Katara's moments of cruelty are removed (which fans were always less forgiving of than Zuko's hmmm i wonder why), Zuko's moments of being cruel to someone who loves him are removed, we have make it clear Iroh is good from the beginning and directly excuse Iroh's hypocrisy in sometimes prioritizing Zuko's happiness over like, the safety of the world and ending the war sometimes, rather than simply see him quietly develop to be better on that front. It sucks.

We have to be willing to be uncomfortable with characters actions and words sometimes without dismissing them as bad characters, and I....just want fans to consider that, and writers to consider that.

[muffinlance]

Extreme long shot, but looking for a fic I read years ago, that to my knowledge is NOT on AO3 or FF, just on someone's blog or maybe a small hosting site. It's a three(?)-part series.

Stuff I remember: Zhao kills Iroh pre-north-pole; he dies on a beach due to shrapnel, I think. Zuko wanders off in a daze, stays with a nice Earth Kingdom woman for awhile, then embarks on Messing With Zhao's Shit until Zhao catches him. Gaang rescues him (from Pohuai?) after whump.

Zuko leads them back to the Earth Kingdom woman for a safe place to rest, meanwhile Zuko's crew has found her and given her a letter+their location+tell our stupid prince he's not the only one who wants to Mess The Fire Nation's Shit Up. Zuko and the Gaang go to his ship, whose treason against the Fire Nation is already in progress (and they've gotten their families out of the Fire Nation to avoid reprisal, so Jee's wife is there). Katara bonds with the ship healer, who teaches her non-bending healing and is both salty and instructive. Ends incompletely right as Zuko and the Gaang are about to leave the ship.

Those parts of the series are a good read, but I am dying to re-read the part that's an Iroh POV of the royal family, including Ozai's strategic murdering of all of Iroh's children (he had more than Lu Ten in this AU), and Iroh's extremely chilling "maybe I should do the same to his" thoughts until baby Zuko wins him over. It is PEAK disfunctional Fire Family.

I thought I bookmarked this somewhere, but I can't for the life of me find it. Plz send help.

EDIT: FIC FOUND! See the reblog chain for the link, it's in the second post.

EDIT EDIT: This is. Even better than I remembered. My heart hurts, ow. <3

[prying-pandora666]

“Zuko Never Wanted To Kill Anyone”

Zuko tried to kill Suki. He fired a shot that would’ve fried her to a crisp when she was down on the ground. The only reason she lived was because Sokka deflected it.

Zuko drove his ship into the ice in the SWT, nearly running over several children. One child almost fell between the cracked ice and had to be rescued. That would’ve been a death sentence. Zuko didn’t care.

Zuko repeatedly burns down or causes serious damage to villages with people living inside them. Including children.

He tells his own crew members that their lives done matter, only his goals, and forces them to steer into a dangerous storm that could’ve gotten them all killed.

He violently robs civilians when he is on the streets. And not only out of desperation, but also for luxury items he feels entitled to.

Even as a small child, he laughed at his uncle’s joke about burning the largest civilian city in the world to the ground. While he’s actively seizing it and no one can get out.

Zuko betrays his own uncle to his nation, knowing he has been branded a traitor and may well be executed if not imprisoned for life in horrible conditions that will surely lead to premature death. In one of the comics Zuko is told that Iroh may not even survive the trip home. He still goes through with it.

He hired an assassin, behind everyone’s backs so it wasn’t even being done in service as a soldier for his nation, to murder Aang just to protect his own social status and his father’s approval.

He goaded Aang on to kill his father and mocked Aang for wanting a non-homicidal solution.

He crashed his sister’s coronation—not aware that she has banished everyone, mind you, so he could be walking into a highly protected fortress and potentially have to kill his way through soldiers and servants—and challenges his sister to an honor duel. He does this precisely because he recognizes she is mentally unwell and that he can exploit this.

He goaded his sister into shooting lightning at him. Lightning which is lethal. While she’s comet boosted. Just so he can risk his life because a small mistake could fry his heart. So he can redirect it… nowhere? Potentially multiple times as she can possibly chain lightning while comet boosted. Why? What possible reason could he have to put himself in such a dangerous and fruitless scenario?

He was trying to kill her. Zuko has never been against killing.

He just changed sides.

And before you say “but he redeemed! He changed!” Yes.

I do know he changed. It’s what makes his arc so powerful. The fact that he was so willing to kill and invested in the war.

But he is still learning and he clearly didn’t realize that trying to kill his sister was wrong until she was chained up and sobbing. Only then did he finally see through Ozai’s manipulation pitting them against each other. She was never a monster. She wasn’t just the embodiment of everything he had failed to do, not just a living obstacle to overcome. She was also dad’s victim.

And in doing so, Zuko finally breaks the cycle of “brother killing brother” in their family that Iroh warned about.

It’s an incredible redemption story.

It only works if we admit Zuko was once a villain who did bad things and had selfish and sometimes cruel intent.

[late-draft]

Something interesting, I ran into an innocent comment that was something like, "Katara healing Zuko's scar would have been the final element that pushes Zuko to join the Gaang" and I don't think this is true!

Switching sides and joining the Gaang wasn't even on Zuko's mind for most of the show. It did flash briefly through his head as a shocking idea when Aang had asked him if things could have been different, back at the Blue Spirit rescue. But he chased that idea away as quickly as it appeared because the only reason he would have entertained it would have been to have friends. Everything else in the situation is adamantly opposing the idea, from the sides of the war to the very point of goals of each group. Aang was on his way to mess up the plans of the Fire Lord, Zuko's father whom he believed, at that point in the story, he owed complete loyalty to. So there is no dilemma.

Only after rejecting Ozai, letting go of an (understandable) delusion that he could ever receive love and affirmation from him, breaking free of the Fire Nation's propaganda and rejecting the Fire Nation's conquest and cruelty, does Zuko arrive to the question of "what now". Only after this is he able to see that he has a clear option of switching sides. This is satisfying because Zuko isn't switching to the Good Guys side chasing a carrot on a stick, instead it's because he's finally freeing himself of shackles and following his internal moral compass.

Even though he doesn't exactly know what side Iroh is on, he wants to be on it, but he at least knows his uncle is against the Fire Nation. And then he goes and confronts Ozai. (Here's a moment in the narrative of the show that I feel wasn't explored enough - I think there should have been more discussions among characters what Iroh is doing, whose side is he on, what does he support and what does he believe in, especially from Zuko because when the Order of the White Lotus is revealed, it's just glossed over. This plot thread is frayed.)

While it is the writer's job to get Zuko's character to join the Gaang, this has to happen exclusively due to in-world events and character choices, otherwise it would be bad writing.

In a way, the writer's story has to be the consequence of in-world character choices and actions, even if this sounds strange at first!

~

So back to the first statement; what is happening in the scene in the catacombs of Ba Sing Se then? To me it's clear the only thing running through Zuko's head at the moment is "Katara Katara Katara Katara..."

And then she runs and hugs Aang.

And then she leaves.

It's very evident that in-universe, this tension is never released and the event never resolved or talked about. First cut short by Aang's appearance, and then made worse by Azula's ultimatum.

That is, until the famous hug on the pier.

[hypnoticsphere]

just some zukki thoughts

Sokka kissing Suki at the boiling rock, melting into her arms, feeling the way she hugs him so close. She’s alive. Of course she is. Suki is strong.

Zuko is standing behind them, shifting awkwardly when Suki notices him. He hasn’t gotten to talk to her… ever really, but especially not after the whole… burning down Kyoshi island thing. Suki raises her brow at Sokka and he just shrugs. Suki just nods, taking that as the only answer she needed regarding Zuko.

Zuko has never been comfortable with touch or proximity. Lu Ten, Uncle Iroh and Mother were the exceptions, but, they’re gone now. So, he should hate it. He should hate that he’s squished in between Sokka of the Southern Water Tribe and Suki of the Kysohi Warriors, two people that hate him, but. . . he doesn’t. They are currently in one of the coolers, one that Zuko himself was in only a few hours ago.

He doesn’t favor the way Sokka’s elbow juts into his ribs, but he doesn’t mind the closeness. It’s almost nice. Almost.

Hakoda is there too, being the entire reason Sokka and Zuko came in the first place. He eyes him intensely, with a look that Zuko can’t quite decipher. He glances between the three of them, seemingly in thought before nodding to himself. Zuko blinks, clearly not understanding what Hakoda’s thought process could be other than planning to throw him into the boiling lake.

He shrinks down further, avoiding the man entirely, willing himself to disappear.

He doesn’t speak for the entirety of their cruise. He listens as Sokka quietly recounts what happened after they escaped for the first time on Appa. He explains why Zuko is here now, how he will be teaching Aang fire bending. Zuko can only nod, not willing to look Hakoda in the eyes.

“And we’re sure we can trust him?” Hakoda says, not unkindly.

Zuko goes to speak, to ramble about how he’s changed, that he spoke out against his father but Sokka beats him to it.

“Of course. He’s the one that helped me rescue you.”

He says it so matter-of-fact that Zuko wants to scream. He feels the way his cheeks start to burn and prays to Agni that it’s only the steam from the lake.

“Okay.” Hakoda says, trusting his son implicitly. Zuko’s mind blanks, eyes widening, how was this so easy for them. How did this trust without a second thought? A part of him wants to yell that they are weak, gullible and the reason they are in this situation in the first place. The other part of him, however, wishes he had that. Hakoda and Suki trust Sokka, not him.

He doesn’t expect them too, not after what he’s done to them, not after what he did to Katara. She was so willing to help him, to heal his scar, and he was so blinded by the thought of getting his father’s love back, he threw away that chance. That chance of friendship. Of trust.

Katara can’t look at him. He can tell Aang is struggling when looking between the two of them. He wouldn’t blame Aang if he told him to leave and to never come back.

Aang is the Avatar, and he’s focused on making the right choice, thinking in-depth about his options and the risks he’s taking. Zuko admires him, truly. He’s come so far since their first meeting at the South Pole. Zuko winces a bit at the thought, and only hopes that they, and Agni, can forgive him. If not that, trust him not to hurt them anymore.

Although, Zuko doesn’t know if that’s an option anymore after what happened with Toph. He hates it. He hates that he was scared when she came to talk to him. He burnt her. She has forgiven him, but Zuko has not forgiven himself. He has to earn that forgiveness, he knows that.

Sokka is the one person that Zuko can’t quite understand. Sokka should be furious with him, and he was, for a while, but now he’s talking to Zuko, showing him useless things, putting his trust into him.

Zuko isn’t sure why the thought of breaking Sokka’s trust makes him so sick to his stomach. Suki too, for that matter.

[oneatlatime]

Lake Laogai

This Lake had better have Appa in it. With little water wings on.

Skipping the commentary as usual.

The Previously On section suggests that a whole lot of plot threads are about to crash into each other. Strap in folks.

Lefty Sokka!

Beat up Sokka quota fulfilled by his sister's critique of his art skills. It's not like he had paper to practice with at the South Pole.

Sometimes I forget that Aang is 12, then he does something like attempt to rescue his pet from a nefarious city-wide conspiracy of silence with lost cat posters.

"Good tea is its own reward." That means no, he isn't paid enough.

Remember what I said in my last post about Iroh bringing too much attention to himself?

"senior executive assistant manager" someone on the writing team has worked retail I see. Nothing like meaningless promotions with no raise attached! It's right up there with employee pizza party.

I have to pause here and point something out. This whole scene with Iroh? This is an adult fantasy. I don't mean dirty, I mean this whole scene was put in specifically to appeal to the adults who got roped in to watching this kids' show by their children. A rich man walks through the door of your shitty retail job, immediately spots your natural greatness, and offers you a much better paying job with unlimited creative freedom and a better house to go with it? Find me a burnt out retail worker who hasn't conjured up this fantasy five times a shift.

And so the plots come crashing back together. This won't end badly.

"patience really pays off" I checked. He waited literally three seconds.

Shout out to Toph in the background playing catch with a ball she can't see. Casual flex of epic proportions.

Remind me never to go to Lake Laogai. Sounds like it's lousy with Ju Dees.

So the Ju Dees don't know about each other? Because she seems honestly confused. Does Ju Dee think she's the only Ju Dee? What happens if two Ju Dees run into each other in the street?

Posters are illegal but I haven't heard a peep about recarving a bunch of fields into a zoo.

This is maybe the second time Aang's blown up over Appa. Frankly he deserves more blow ups about the whole situation.

I don't think knocking down walls will help find Appa, but I applaud Toph's spirit.

They took out a whole wall and then exit by the door anyways. That's funny.

I really hate this guy, but I have to admit that he may be the first truly competent villain of the series.

'The Jasmine Dragon' also lets anyone with half a brain know that you're Fire Nation. Try the Jasmine Badgermole instead.

Zuko really can't catch a break, huh? He wasn't happy being a tea server, but at least he was resting. But every time he gets five minutes to himself, the main plot reappears to drag him back into the action, whether he wants to or not. Although he hasn't figured out that he doesn't want to be dragged back yet.

Every line of dialogue in this scene is a good point. Zuko's right, Iroh's right. The Zuko's right again, then Iroh's right again.

YES YES YES GET HIS ASS

That was satisfying!

I'm not understanding why Sokka is the voice of reason here. Is he incapable of holding a grudge? He's the one that had all the animosity with Jet to begin with. Shouldn't it be Aang who wants to hear him out?

Toph is a living lie detector now? I can't think of an example off the top of my head, but I'm sure that could have come in handy previously. Any other incredibly useful skills we should know about?

Jet is oddly defensive for someone who claims to know he did wrong.

Ever get so excited that your spine malfunctions?

Sokka just has a metre long map in his pocket. Good friend to have in a pinch.

Avatar first! Katara is rude to an old person!

I'm going to have fun with Toph's new ability.

Toph, you have never been more right. It is the worst city ever. You are really shining this episode.

I know this is a serious scene, but I need to point out that Jet's guyliner is on point.

This shot is jarringly out of place. I think it's because it both black and white, and live action. Those have to be real clouds.

So the Blue Spirit can talk after all. Careful, your Zuko is showing.

Wow Zuko is good at sewing. And fast too.

Sokka is having far too much fun with this whole 'prompt Jet's memory' thing. Maybe he does have a bit of a grudge after all.

Katara can reverse brainwashing now too? Everyone's levelling up this episode.

This scene with the planks is a very cool and disorienting visual.

Didn't have 'the gaang breaks into a brainwashing facility' on my ATLA bingo card.

Pretty.

OMIGOD IT'S AP- did Zuko just break the fourth wall?

Everyone always forgets to look up.

So this fight is going to be Toph v. all of the Dai Li while everyone else tries not to get in Toph's way.

That's a boat.

Toph could probably take all these guys out faster if she wasn't having to constantly break off to save everyone else from them.

The Dai Li prancing up walls is a really cool visual. It's very Ty Lee of them.

I love watching her work.

Why don't you let Long Feng escape? He's no longer threatening you, and you're down there to rescue Appa. Just let him go.

The security on Lake Laogai is a joke.

Big words from someone who also had no plan whatsoever at the North Pole.

Zuko knows that Iroh's right. He knows, and that's important. I don't think Iroh is saying anything that Zuko hasn't thought and then hurriedly pretended to have never thought about before. It's why he says 'stop it' rather than being completely confused as to what Iroh is referring to.

Poor Appa's like 'can you have a crisis of self after you free me please?'

'You've chosen your own demise." No. You chose it for him. That's some top tier deflection/victim blaming right there.

Longshot can talk!

That's one hell of a set up and pay off re: Toph's lie detecting abilities.

Poor Jet. A double tragedy: to be likeable only when you're brainwashed, and to dedicate your life to wiping out the Fire Nation yet being killed by the Earth Kingdom.

Hi Appa. It's about time buddy.

Shockingly in character for Appa's first actions to be to single handedly save the Gaang from a threat.

You skip that bastard like a stone.

Everyone go and listen to the sound Appa makes when he spits out Long Feng's shoe. It's delightful.

I am framing this.

And this too.

I can tell there's some shmymbolism here, but it's gone right over my head.

Final Thoughts

Appa is back. The Gaang has Appa back. I have Appa back. Ok. I can relax now. With any luck, this means we can leave Ba Sing Se.

This episode felt like City of Walls and Secrets, Part 2. I think it was a good decision to have a couple of episodes between the two, but I think there would be some tonal whiplash if you binged this section of season 2. Which wouldn't have been a problem for a show designed to air once a week, so it's a moot point.

So Zuko freed Appa from his chains, and presumably pointed him in the direction of a door or something. Or maybe not; Appa has a ridiculously hard head, he could have busted his way out. Either way, Zuko broke the chains. Thanks Zuko!

In season 1, Zuko finds the Avatar the world had lost. In season 2, Zuko finds the Sky Bison the Avatar had lost. So in season 3, Zuko will find something Appa has lost. I wonder what that will be?

Jet being killed by the Earth Kingdom is so deliciously ironic, and tragic, yet very in character for the Earth Kingdom's approach to this war. It's also literally this:

Smellerbee and Longshot have really gotten the short end of the stick over and over this season. They were the only ones to decide to stick with Jet. Presumably they were the only ones who believed that he had had a legitimate change of heart. And they were kind of wrong. They get to Ba Sing Se only for Jet to immediately backslide way past even where he was at his worst in Season 1. He completely discounts and dismisses their legitimate concerns for his methods and his overall health. Then Jet gets arrested and disappears for two (?) weeks. So what do they do now? Get jobs? Steal so they don't starve? Then suddenly Jet's back but he doesn't even remember them. Then suddenly Jet's dead. The whole point of coming to Ba Sing Se just died, in a way that shows very clearly that their desire to help with the war is not welcome at all in the city. So what now? Do they leave and try to fight in the war from outside the walls? Do they settle down and try to forget about the war? Things did spiral completely out of Jet's control once the Dai Li got involved, but you have to admit that he's left his only remaining friends up a creek.

Sokka had some good jokes but was oddly ok with this episode's events. Toph had some great lines and got to shine with a new skill that any writer with half a brain will bring back in future episodes. She felt like the audience substitute this episode, which is usually Sokka's role. Toph was episode MVP for sure. Poor Aang took a bit of a back seat this episode. Zuko finally hit the crisis point, and may well have made his first indisputably correct decision of the series. But, as previous episodes have gone out of their way to show me that Zuko being good always goes badly for Zuko, I'm sure freeing Appa will somehow come back to bite him.

Iroh's question of "who are you? And what do you want?" was Zuko's entire character arc this season. He took a shot at answering the "who are you?" portion in Zuko Alone, and sort of halfway got there before messing up at the end of the episode. As for the "what do you want?" Zuko will tell you (often and repeatedly) that he wants his honour back. But I think he just wants to go home. The thing is, I strongly suspect that the home Zuko wants to return to hasn't existed since his mother left, if it ever existed at all. Which means that while "who are you?" has an answer Zuko can work towards, "what do you want?" has an answer that is kind of impossible. So Zuko is going to have to learn to want something new.

RIP Jet. Your life was fucked to Hell long before you were old enough to try and salvage it. You'll probably be missed by more people than you strictly deserve. War sucks, amirite?

[bisexuallsokka]

(here is the wiki if anyone is interested)

[jheselbraum]

It's 2024 and some of y'all are still whining about Katara being "mean" to Zuko after he joined the party like he didn't directly betray her trust and almost caused her to waste the spirit water on him instead of saving it for Aang which-- while definitely not intentional on Zuko's part since 1) Zuko didn't know that Azula was going to shoot Aang with lightning and 2) He didn't offer or expect the spirit water to be able to heal his scar-- from Katara's perspective the last time she trusted Zuko the Avatar cycle almost fucking ended. Of fucking course it's going to take her the longest to trust him again, she's right! She was the first person to trust him, and he burned that bridge!

Everyone's field trips with Zuko make the most sense for both how they happen and when they happen. Toph trusts Zuko the quickest because she can literally tell when people are lying and is also good friends with Iroh, who's like, the number one "Zuko's not evil he's just in turmoil" guy. Aang trusts Zuko next because he's a fucking air nomad pacifist who is culturally predisposed to the virtue of forgiveness. Sokka trusts Zuko after an intense and prolonged mission to rescue some POWs because Sokka is a warrior at heart and while he like Toph sees the strategic value in Aang having a firebending teacher (eventually), he needs to know how Zuko behaves while on their side before he can trust him. Like-- the change in dynamic between the air temple, when Sokka and Zuko aren't on mission and Zuko is kind of the one "in charge," he has the information Sokka wants but Zuko is the one who hesitates to give it freely and Zuko is the one who dictates how Sokka leaves the temple for the boiling rock, to when they actually get there and Zuko follows Sokka's lead and Sokka is the one calling the shots and coming up with the plans really emphasizes how Zuko works in team setting when it counts.

And Katara's field trip with Zuko has to be her revenge quest, and how Zuko acts during that quest really tells us a lot about what Zuko wants personally from that field trip which is the same thing that he wanted from the others-- jack shit.

Zuko asks Sokka about his mother's death because he wants to better understand where Katara's coming from, and from where I'm standing it's pretty obvious that he only realizes "hey hang on my years at the Fire Nation School For Little Princes might come in handy actually" and tells Katara what he now knows about the raid and who did it.

And throughout the entire episode Zuko is 110% on board with whatever Katara wants to do with that information. If she'd said at the tent "Thanks but the only revenge I want is helping Aang defeat the firelord and ending the war" then he would've just been like "ok"

Zuko makes no judgement call on Katara's use of bloodbending and he makes no judgement call on Katara's decision to spare Yon Ra and every move he makes in that episode is Zuko saying "You're right, I fucked up, and I understand where you're coming from" every move he makes is in support of Katara, she is the one in control in the situation and I think that's why Zuko brushes off Aang's call to pacifism earlier in the episode, because pacifism isn't what Katara wants in that moment.

Like that whole sequence comes from such a genuine place of caring and support from Zuko for Katara and I think the interpretation that Katara is just being Mean to Zuko for No Good Reason really cheapens one of the best episodes in the series as well as the episodes leading up to it.

[gathering0gloom]

An Azutara fic idea that I had at midnight.

Things proceed like in canon until 95AG Ozai seizes power and becomes Fire Lord. In this story, Iroh is slightly more bitter and vengeful about it. He comes back to the Fire Nation capital with his army and there's a battle between his troops and Ozai's supporters. The battle ends with Ozai disappearing and Zuko and Azula in Iroh's custody. Since Iroh is still grieving Lu Ten and massively projects his son onto Zuko, he names Zuko his heir and starts shaping him into a new Lu Ten; since Iroh projects Ozai on Azula, he throws Azula in prison.

In 99AG, a few weeks or months before Katara awakens Aang in canon, she is captured by the Fire Nation (Iroh maybe has a 'friend' in the Spirit World who tipped him off that there's one more Waterbender left in the South Pole) and taken to the Fire Nation capital. She's thrown in a cell close to - you guessed it - Azula's.

Back in the South Pole, Sokka (injured by the Fire Nation attack so he couldn't immediately go after Katara) somehow awakens Aang. Aang agrees to help rescue Katara and that leads to them going through some Book 1 events with just the two of them and Sokka

Azula and Katara help each other escape prison. Azula wants revenge on her brother and uncle and is in denial that her father abandoned her to rot in prison for almost five years, and Katara wants to end the war and find her brother. They start off as allies, then friends, then girlfriends (Azutara story, what else could happen?). They have run-ins with Zuko, maybe Combustion Man, and definitely Hama.

Here are a few lines I've come up with

Azula when she's first put in prison:

Azula: Release me at once! I am a member of the Royal Family, and I order you to release me! When my father comes for me, you are going to pay! Let me out! (the guard leaves and Azula starts to cry) Please.

Azula to Iroh and Zuko when they see Katara in prison

Azula: Why don't you leave her alone? Oh, wait, I forgot, picking on little girls in prison is the only way you two can feel powerful.

Azula and Katara after they've escaped and gotten new clothes.

Azula: Thanks for saying what you said earlier.

Katara: What?

Azula: You know, the thing you said to me.

Katara: You're welcome, but I said a lot of things.

Azula: That I was pretty, you said I looked pretty in my new clothes. It's been a long time since I felt pretty.

Azula to Ozai:

Azula: Do you know how long I spent, waiting for you to come back for me? I was so sure that you would. I barely slept in those first few weeks, because I didn't want to miss you arriving.

[seven-oomen]

Really wanna be writing that zukka fic where Iroh protects Zuko from Ozai and Azulon by asking the southern water tribe to take him as a prisoner of war. Though he does so under an anonymous contract.

And although Hakoda refuses said contract, circumstances just so happen that Sokka does end up taking "Lee" (Zuko) as a prisoner of war. (Both Zuko and Sokka are 20 in this).

So Zuko is taken to the southern water tribe just before Ozai can order an assassination on him to rid himself of "the weak link" in the family.

And although Sokka treats him kindly, and with decency, Zuko's not having a good time adjusting to the water tribe ways and the goddamn cold. (Though he learns to appreciate the tribe later on).

Somewhere along the way Zuko and Sokka also find a dragon egg hidden deep in an ice cave. Sokka wants to eat it, Zuko rescues the egg instead and in the dead ass of winter Druk hatches. The tribe now has a baby dragon to deal with. Sokka is very skeptical but Druk and Zuko together are very cute, plus they have a dragon now! How cool is that??

Katara (17) befriends Zuko in the meantime, and has a blast watching her brother and friend dance around each other. They're so fucking obvious they like each other...

But they also can't act on their feelings because Zuko is a prisoner, technically. Even though the village has adopted him at this point and Zuko feels right at home among the people. By the time the first spring comes, Zuko is struggling with the idea of staying in the tribe or returning home to his family.

[wileycap]

[spoilers for ATLA]

I have this fanfic story idea for Avatar, and I want to write some of it out.

The basic premise is: What if Iroh had gone the other way after his son's death, becoming more warlike instead of more peaceful - but Ozai still executes his power grab, and they essentially end up ruling two opposing kingdoms?

After Lu Ten dies, Iroh subjugates Ba Sing Se in grief. He doesn't go full villain, no massacring the civilians on purpose or anything, but he does lay waste to the city, takes the young King Kuei hostage and, as a treat, kills Long Feng. (I really dislike Long Feng.)

Meanwhile, Ozai goes ahead with his plan. Azulon reacts much the same, but he does the ever-popular fic thing of giving Ozai's heirs to Iroh. "You must know the pain of losing a firstborn son!" And, furthermore, he manages to get a hawk out to Iroh, that both of Ozai's children have been written out of his lineage and into Iroh's.

Ozai conspires to kill Azulon by blackmailing Ursa. For her treason, Ursa is banished, as in canon, and Ozai takes the throne.

But the balance of power has shifted. The Earth Kingdom, bolstered by Iroh's legions, is now a contender for total world domination - and that's not exactly a disagreeable state of affairs for a lot of Earth Kingdom kings and generals, who pledge loyalty to Iroh.

Meanwhile, Ozai's Fire Nation controls the seas, but they are quickly losing ground in the Earth Kingdom. The newly crowned Ozai is facing immense amounts of domestic pressure, and responds by cracking down on the homeland, making the already totalitarian state even more totalitarian. The Fire Nation still holds the advantage in the war, but their edge is shrinking more and more by the moment, as many of their best legions were in the Earth Kingdom and are now loyal to Iroh.

To legitimize his rule, Ozai spreads the story that Ursa had been working with Iroh to murder Azulon, and that rather than being a conqueror and a ruler, Iroh is now a hostage for the Earth Kingdom - a puppet to exert influence over the Fire Nation. And furthermore, as she fled, the traitor Ursa had done the unthinkable - kidnapped a member of the royal family!

Meanwhile, Ursa does make it to the Earth Kingdom and to Iroh. And true to the story being spread in the Fire Nation, she does have one of her children with her...

Azula.

Who, upon seeing the Earth Kingdom subjugated under Iroh, isn't actually very upset about the whole thing. In fact, she's excited: with Zuko stuck in the homeland and her here at the side of the leader whom she now views as the stronger one, with Azulon's letter proving that she is meant to be Iroh's heir... her prospects of becoming the ruler of the entire world, not just the Fire Nation, are beginning to look pretty good. And all she has to do is make sure to kill dear old Dad and Zuzu at some point. And help Iroh win the war. And stay in Iroh's favour, because if Iroh is anything like her father (he isn't, but Azula doesn't know that), he's more than ready to cast her aside if she proves unsatisfactory. So, bring on the tea and Pai Sho: Azula is both patient and an excellent liar.

Iroh, however, is beginning to feel his character development. He would now be content with pushing the Fire Nation back and ruling the Earth Kingdom in the name of his lost son. But Ursa pleads with him: Zuko is still in the Fire Nation. He is in danger. They have to win the war, or at least rescue Zuko.

And what about Zuko? Zuko looks at the situation: his mother and sister disappear, his uncle and father are at war, his dad probably had his grandpa killed, the Fire Nation is slowly going to hell and now his dad is acting suspiciously nice to him. (Well, he is the only heir Ozai has left.) He thinks about it for a while, and decides to get going while the going is good, and just so happens to run into a recently disgraced Lieutenant named Jee, who thinks he might be able to get them a ship and a crew, and hey, the areas near the South Pole are supposed to be pretty far from the war, and what's that huge beam of light on the horizon?

Any thoughts?

[zuko-always-lies]

What's the nicest/kindest thing Zuko did in the second half of Book 3?

There were four I didn't have the space to include:

Apologizing to a picture of Ursa(no human was actually involved, so I didn't include this)

Trying to stop Combustion Man(it was Zuko's mission to join the Gaang, so he kind of needed to do this regardless)

Weakly apologizing to Suki for burning down her village(the apology was weak)

Fighting with Azula to distract her from the Gaang? (I got the sense that Zuko really wanted to fight with Azula anyways and this was mostly just an excuse)

[muffinlance]

Baby Zuko (13 year old) being babysat by the Gaang straight after rescue (kidnapping) off the Wani?

Going with “only Zuko is aged down” and, to avoid just writing Little Zuko v the World again, “instead of Uncle Iroh, he sails out under the auspices of Uncle Zhao <3”

- - -

Fire Nation jail cells were everything Sokka ever imagined, if by ‘imagined’ he meant ‘had nightmares of’. And it was really inappropriate, and not a thought he’d ever share with Katara, but the longer they were down here the more his thoughts kept roaming back around to I’m glad mom was never in one of these.

There was rust, but not in any strategically important, make-it-easier-to-break-out places. Water dripping, but not in his cell where he would have been getting really close to wanting to lick it off a wall. Guards, but at the far end of the cell block, where they refused to interact with his witty banter and/or attempts to lure them into grappling-through-the-bars range. The only one who ever got close enough to grab was the tiny semi-feverish child who, given the huge fresh sorta oozy burn wound over half his face, Sokka was going to go ahead and classify as not the best hostage material. 

Unlike the son of Chief Hakoda, his waterbending daughter, and—

“How’s Appa?” Aang, who was another tiny child, who was the Avatar, who was arguably the reason Sokka and his little sister were in this mess but Sokka was still wrapping his head around the Avatar part, said. Said after wooshing towards the bars, and then wooshing again in a way that made him not hit the bars, and then he was holding them and leaning as far as he could through which was almost but not quite enough for him to slip through entirely.

“Fine,” the kid who’d gotten on the bad side of his own country croaked. Sokka did not get the impression he was allowed to talk much, outside of the prisoner block. The kid’s face was twisted into even more of a scowl than just the burned-on one. “He’s too fast for the catapult operators. Zhao said he’s going to keelhaul them if they keep missing, but when I yelled at him about it—”

The kid stopped mid-sentence in that sort of horrifying way he did sometimes. And then he set down his tray and gave them all their slop, which they got once a day, and which contained all the water they were getting, too. Something about Katara’s extremely ineffective waterbending had the big bad Fire Nation spooked. 

“Thank you,” his little sister said, her own voice a rasp-croak that pained Sokka a lot more than the random Fire Nation brat’s. 

The kid scowled harder, which was his general reaction to any gratitude from them. 

“So,” Sokka croaked his own croak. “About helping us with that escape…”

“I’M NOT,” the kid shouted, and then the guards turned to look at them all, and then he hunched in on himself and re-evaluated his volume decisions. “I’m not helping you escape.”

“Why not?” asked Aang, bless him.

“Because,” the kid said, which is usually as much of a reply as they get before he stormed off. But today he added, even if it was really hard to hear: “Because I want to go home.”

“So,” Sokka said, “did you get that on the ship or at home?” And he waved at his own face, like the subtle genius he was. 

Ah. There was the storming away.

“You forgot our bowls!” Sokka called after him.

“Keep them,” the kid shouted back, and left Sokka alone with a metal spoon and a Fire Nation lock.

- - - 

The lock was a bad idea, actually. It would have taken way too long to file the spoon down against the floor so it would fit, not to mention made way too much noise. Also: Sokka did not actually know how to pick a lock.

The screw slots on the hinges, on the other hand…

- - -

“What?” the kid got out, all sleepy-confused, before Sokka was shoving a literal sock in his mouth and tossing him over a shoulder and running as quickly and quietly as he could with a very angry sack of potatoes bouncing on his back. 

“Go go go go,” Sokka said, as he vaulted the rail into the saddle waiting below.

“Yip yip!” said Aang.

The catapult didn’t even come close to hitting them, in the darkness. Sokka kind of really felt bad for the operator team and their future date with the hull, but there was only so much saddle space, and there was an upper age limit on the Fire Nation soldiers he was willing to pardon no-questions-asked.

“Let me go!” shouted their squirmy new friend, as Katara held him around the middle, because otherwise he’d have thrown himself into the ocean an alarming number of times by now. 

“Nu-huh,” Sokka said, patting the kid’s angry little head, right on its ridiculous little ponytail. Which was nothing at all like his own extremely masculine wolf tail. “You’re our prisoner. Relax, and enjoy the improved living conditions.”

“My father isn’t going to pay for me,” the kid said back, with a glower. 

“...Please, please don’t tell me that Zhao guy was your dad.”

“What? No,” the kid said. 

And then he opened his mouth again, and Sokka’s world got both way more complicated and way more simple.

[the-sky-queen]

Avatar the Last Airbender theories I had that turned out to be false

So unlike literally everyone else, I didn't grow up with ATLA and discovered it sometime when I was in high school. Can't remember exactly when. Because of this, I created a few theories as I was watching for the first time, trying to predict where the show would go. All of these ended up being completely wrong, but they're fun, so I thought I'd share them!

Zhao becomes the Firelord

Sooooo funny story with this one. I actually had two exposures to ATLA before I actually watched it and one of them was THE SERIES FINALE. I didn't see the whole thing, but I did catch a huge chunk of the ending. So before I even started watching officially, I knew Zuko was gonna be a good guy, which is why I never gave up on him. XD This also means that I got to see Ozai's FACE.

Ozai doesn't show his face in book 1, and by the time I started watching, I'd forgotten what Ozai's voice sounded like. I also had very little idea of who I'd seen Aang fighting in the finale was in the first place. So I kinda took one look at Zhao and said "YES. HIM." The theory went like this:

Zhao slowly climbs the ranks of the Fire Nation over the course of the series, growing more and more power hungry as time goes on. Eventually, he gets to the point where he overthrows/assassinates Ozai and becomes the new Firelord. Aang has to fight him in the finale and Zuko has to take the throne that's rightfully his back.

Imagine my disappointment when Zhao got eaten in the book 1 finale. XD I was so convinced of this theory that I didn't even believe he was really gone for a looong time after this.

2. Zuko is a Double-Bender

Remember the Blue Spirit episode? Of course you do. Well, there's this split second clip as Zuko's rescuing Aang where he picks up a bucket of water and splashes it on a guard or something. I completely missed the bucket on my first watch of this episode and concluded that whoever this Blue Spirit guy was, he was a Water Bender. I then proceeded to get my mind absolutely BLOWN when I realized the Blue Spirit was actually Zuko. I started going crazy with theories that Zuko was secretly a Fire Bender AND a Water Bender. Hence, a Double-Bender. I asked a friend about this theory of mind and she sadly debunked it for me. However, this is still my favorite ATLA theory to this day and I have an entire AU centered around it. One day I'll get around to actually writing it.

3. Jet is a major recurring character

So the other time that I got ATLA spoilers before watching it was when I accidentally half-watched most of Jet's introductory episode. The friend I was with at the time groaned in annoyance at Jet, leading me to believe that he showed up A LOT and he was the worst thing this show had to offer. I fully expected Jet to pop up ALL THE TIME and make a nuisance of himself. I was relieved to discover he doesn't come in nearly as much as I thought he would.

4. Ba Sing Se stuff

Rapid fire round! I thought a lot of things about everything that happened in Ba Sing Se:

Team Avatar all get brainwashed by the Dai Lee except for like Sokka or someone, who then becomes wanted by the entire brainwashed city and has to figure out how to reverse all this.

Zuko happily lives out the rest of his days with Uncle Iroh at the tea shop and never runs into Team Avatar again.

5. Azula alone

Team Avatar frees the entire city of the brainwashing. Specifically Joo Dee.

Yeah, I thought all of Ba Sing Se was brainwashed, not just some people.

I was 100% convinced that Mai and Ty Lee were going to betray Azula at some point during book 2 and then join Team Avatar. I guess this kinda happened? Kinda?

Aaaaand this is all I can think of for now. I'll make another post if I think of more theories I had, but this is about it. :)

[chocomd]

ATLA rewatch: The Storm

Holy crap the parallels between Aang and Zuko in this episode are really hitting deep!!

The episode starts out with beautiful weather and clear skies (not counting Aang's nightmare in the beginning), with no sign of a storm on the horizon. Just like how in the past, the events that would overturn Aang's and Zuko's lives would come suddenly and out of nowhere.

Then we get Aang fearful of the prospect of an impending storm and running away when the fisherman accuses him of abandoning the world, while Zuko wants to plow through and almost ends up dueling his own lieutenant over the issue of respect (until Iroh breaks them up).

When the flashbacks begin, Aang is playing with the other Air Nomad kids, and Zuko wants to join the meeting in the war room and Iroh lets him in. Both are in their usual, everyday settings and nothing seems out of place. Although there are hints that not everything is hunky dory, like Aang being the only master airbender among the kids and Zuko wanting to enter the war room without being explicitly permitted or expected to be there in the first place.

And then the events that lead to their emotional isolation. Aang being told that he's the Avatar, and being set apart by the monks as their savior and being left out from games by the other kids because he's now out of their league. Zuko watching in horror as a general proposes sacrificing an entire division to achieve a greater goal, and speaking out among the men leading the war with an objection that they do not share.

The consequences: The monks decide to send Aang away to make his isolation complete; the Fire Lord isolates Zuko even further by ordering him to fight an Agni Kai against (so Zuko believes) one of the very people in the group among whom he most wished to be accepted.

And what results afterwards is disastrous. Aang overhears the monks and runs away, only to be swallowed up by the storm and wake up one hundred years later in a world where his people no longer exist. Zuko discovers that he is to duel his own father, and submits to him in a sign of respect, which at this point Ozai deems to be the wrong response and burns his face and banishes Zuko until he finds the Avatar - a hopeless and impossible task.

Both Aang and Zuko have lost everything, and not only that - they place the blame on themselves, which gives rise to a deep sense of shame and also anger and intense emotional reactions whenever further loss is threatened (Aang with losing Katara and Appa; Zuko obsessed with regaining his honor through capturing the Avatar).

But when the literal storm worsens, both of them relive the events that led to their isolation in the first place. Aang goes out into the storm again, this time not to run away, but to save someone who needs him (the episode opens with a nightmare about his friends and his people saying "We need you, Aang," which is also repeated by Gyatso in a flashback). Zuko, who Lt. Jee accused of only caring about himself, climbs a ladder to rescue the helmsman from falling.

The storm slams Aang and his friends under the water, just like the time he ran away - but this time, he is able to save himself AND them. Zuko spots Aang flying over the ship, and he has the opportunity to go after him, but instead of risking the lives of his crew to achieve the greater goal of capturing the Avatar, he lets him go. And it's only after Aang and Zuko have redeemed or have vindicated their past actions in this way that they enter the eye of the storm, a place of calm that finally offers relief. And it's in this place where things are set right that Aang and Zuko exchange their first look that isn't one of hostility - they are seeing each other, really seeing each other for the first time.