#Iron Maze

[teenagedirtstache]

[seph7]

J.T. Walsh as Chief Jack Ruhle in Iron Maze (1991) - Part 3

[thehomelybrewster]

1d8 "Free" Fantasy RPGs To Replace 5e At Your Table

D&D 5e sure is a roleplaying game, and it's one that I have enjoyed a lot. However, that doesn't mean that I'd recommend it automatically for other people. This has many reasons, which I won't elaborate here. It has also shaped the perception of TTRPGs significantly thanks to its market dominance, and not in a good way.

5e has a reputation for being an expensive, complex game, and 5e players fear that other RPGs might just be the same. That it's too much of a hassle and too much of a financial burden to switch systems.

So, to help 5e players pick out a different system, I've made this handy 1d8 rolling table to help them pick a fantasy TTRPG with a combat component that they can try instead!

Let's now go through these eight nine RPGs and see what's up with them, right below the "Keep reading" section!

I'll be listing some metrics like the page count for the rulebook(s), the core resolution mechanic, how complex the game is in terms of character creation & combat, and how well-supported the game is by their publisher and the community-at-large.

1. Cairn

Author: Yochai Gal

Release Year: 2020

Cost: Free PDF, printed copies cost between $3 to $10 depending on the print quality.

Page Count: 24

Website: https://cairnrpg.com/

Resolution Mechanic: 1d20 Roll Under system for ability checks/saving throws, attacks hit automatically, "fiction-first".

Action Economy: Movement + one action per round.

Characters: Random character creation, class-less and level-less, advancement based on "Scars" (suffering damage that reduces your HP exactly to 0)

Setting: Implied. Low-magic European-style fantasy; mysterious woodlands.

Other Noteworthy Mechanics: Hit Protection and Ability damage instead of HP, Slot-Based Inventory.

Degree of Support: Very high. Available in fifteen languages (e.g. Spanish, Russian, Chinese, and German); full rules text is under CC-BY-SA 4.0; multiple published third-party adventures & supplements available; some official bonus material (e.g. bestiary, magic items/relics, and spells) is available for free on the website.

Addendum: An expanded 2nd Edition is currently on Kickstarter (ends April 26th 2024); Cairn is legitimately easy to learn, however the Hit Protection system and the connected Scars system is a very different abstraction to health and advancement compared to 5e.

2. Cloud Empress

Author: worlds by watt

Release Year: 2023

Cost: Free PDF of the rulebook and the creator-written sample adventure "Last Voyage of the Bean Barge", $20 for the print edition of the rulebook, $12 for PDF supplements, $25 for print + PDF supplements; free solo rules also available as PDF only.

Page Count: 60

Website: https://cloudempress.com/

Resolution Mechanic: d100 Roll Under system for stat checks/saving throws, critical successes or failures on doubles (11, 22, 33, etc.), 5e-style advantage/disadvantage, attacks generally hit automatically.

Action Economy: Two actions per round with no free movement.

Characters: Semi-random character creation, four classes ("jobs"), no rules for character advancement in the ruleset.

Setting: Specific. "Ecological science fantasy" heavily inspired by Hayao Miyazaki's "Nausicaä of the Valley of the Wind"; costly magic, giant insects, dangerous mushrooms; only human player characters.

Other Noteworthy Mechanics: Damage points culminate in Wounds; Wounds and Stress as ways to track your character's physical and mental state; slot-based inventory system.

Degree of Support: Low-ish. Several official supplements exist, however third-party material is very sparse. May improve due to the recent establishment of a Cloud Empress Creators Fund, has a simple 3rd party license system.

Addendum: A supplement, "Cloud Empress: Life & Death" is currently on Kickstarter (ends April 26th 2024, yes, the same day as Cairn 2e) and as a disclaimer I even backed that current Kickstarter; Cloud Empress is built on the engine of the sci-fi horror RPG "Mothership"; clearly built for one-shots and short campaigns; has a wonderful resting system that encourages roleplay between players.

3. Iron Halberd

Author: level2janitor

Release Year: 2023

Cost: Free PDF of the rules; no print option available.

Page Count: 60

Website: https://level2janitor.itch.io/iron-halberd

Resolution Mechanic: 1d20 + Bonus Roll Over system against difficulty or armor rating, however most non-combat-related actions follow a fiction first approach without dice rolls.

Action Economy: Movement + one action per round.

Characters: Semi-random character creation, class-less but there are four different "gear kits" that nudge your character towards certain archetypes, levelling up with XP.

Setting: Essentially non-existant. General European fantasy with magic, gods may or may not exist/shape the world, various fantastic ancestries included.

Other Noteworthy Mechanics: Includes rules for building strongholds and maintaining warbands; slot-based inventory with a durability mechanic.

Degree of Support: None. The game is intended to be relatively compatible with other OSR content and the creator suggests using adventures made for the D&D retroclone Old-School Essentials if you wanna use pre-published ones. An official introductory adventure, "Sea-Spray Bay", is apparently in the works. No 3rd party license available, as far as I know.

Addendum: One thing about Iron Halberd I like especially is how it uses random tables for generating equipment. Most of the equipment is listed in a numerical order by category, and the various gear kits include references on different rolling formulas for those equipment categories. For example someone taking the "soldier's kit" rolls twice on the d20 Weapons table and takes their preferred pick, while someone taking the "sage's kit" only rolls a d4 on that table.

4. Mausritter

Author: Isaac Williams

Release Year: 2020

Cost: Free PDF of the ruleset available; box set with the rules and several goodies including an adventure costs $55; additional box set + PDFs containing eleven official adventures costs $55 (or $20 digital-only).

Page Count: 48

Website: https://mausritter.com/

Resolution Mechanic: 1d20 Roll Under system, 5e-style advantage/disadvantage, attacks always hit.

Action Economy: Movement + one action per round.

Characters: Random character creation, class-less, levelling up with XP.

Setting: Vaguely specific. You play as mice and everything is related to mouse-size; cats are the equivalents of devils or dragons; humans exist as a setting background but may or may not be present in a campaign.

Other Noteworthy Mechanics: Includes rules for recruiting warbands; slot-based inventory with a durability mechanic.

Degree of Support: Very high. Several official supplements exist, as well as loads of content, be it adventures or supplements, made by other creators. Available in seven languages (all of them however are European). Has a simple 3rd party license system.

Addendum: Mausritter uses the phrase "adventure site" instead of dungeons. On the website a free adventure site generator is available, as is a digital tool that can be used to generate your own item cards for the slot-based inventory system.

5. Maze Rats

Author: Ben Milton

Release Year: 2017

Cost: $4.99 for the PDF, no print option regularly available.

Page Count: 32

Website: https://questingbeast.substack.com/

Resolution Mechanic: 2d6 + Bonus Roll Over system; advantage system that uses 3d6 drop the lowest + Bonus.

Action Economy: Movement + one action per round.

Characters: Semi-random character creation, class-less but instead there are character features (e.g. spell slots or attack bonuses), levelling up with XP.

Setting: Essentially non-existant. Magic is very irregular (s. the section below), but otherwise it implies a vaguely European fantasy setting.

Other Noteworthy Mechanics: Spells are randomly generated each adventuring day and spell effects are negotiated between the GM and the spellcasting player; includes several fantastic d66 tables that can be used to randomly generate worlds.

Degree of Support: Decent. The rule text is licensed under CC BY 4.0 and unofficial translations are available. Some third-party content has been made specifically for the game.

Addendum: The only purchase-only game on this list. However "unofficial" distribution of the PDF is very common. Also this is the oldest game on the list. Ben "Questing Beast" Milton is a prolific OSR blogger and runs a YouTube channel on the OSR. Great dude.

6. Sherwood - A Game of Outlaws & Arcana

Author: Richard Ruane

Release Year: 2022

Cost: Free quickstart PDF titled "Sherwood - A Quickstart of Outlaws" available; digital rulebook costs $7.50 and the print edition (including PDF) costs $15.

Page Count: 25 (Quickstart), 32 (Rulebook)

Website: https://www.r-rook.studio/

Resolution Mechanic: 2d6 + Bonus Roll Over system for skill checks (including attacks), 2d6 Roll Under system for saving throws; advantage & disadvantage system that involves rolling 3d6 and using the higher/lower of the two results; almost all rolls are player-facing

Action Economy: "Conversational", assumption of movement + action.

Characters: Largely choice-based character creation. Combine two (of six) background abilities with the benefits of seven different careers. Big focus on interpersonal relationships during character creation. Limited character advancement takes place during downtime.

Setting: Specific. Takes place in a fantastical version of 13th century England, with fey and magic coexisting with outlaws and crusaders.

Other Noteworthy Mechanics: The group of outlaws possesses two shared resources (Resources and Legend) that can be spent to gain certain benefits; spellcasting is divided into two categories: arcane talents and sorcerous rites, with the former being immediate and the later taking significant time; slot-based inventory.

Degree of Support: None. No further publications exist for the game and while it is published under the CC-BY 4.0 license, no third-party content exists as far as I know. It does include a guide on how to convert D&D and Troika (N)PCs into Sherwood characters, as well as three adventure seeds (one in the Quickstart, two in the rules), which is at least something.

Addendum: Might just be the game on this list that encourages the most roleplaying; the character sheet is sadly very provisional-feeling and the Quickstart feels outdated compared to the finalized rulebook.

7. The Electrum Archive

Author: Emiel Boven

Release Year: 2022

Cost: Free Rules PDF available, zines cost $12 as digital PDFs or $24 as print + PDF combos; the first zine contains the entire contents of the Free Rules PDF

Page Count: 26 (Free Rules), 72 (Issue 01)

Website: https://www.electrumarchive.com/

Resolution Mechanic: 1d10 Roll Under system, attacks always hit.

Action Economy: Movement + one action per round.

Characters: Largely choice-based; three archetypes roughly corresponding to fighters/rangers (Vagabonds), rogues (Fixers), and spellcasters (Warlocks); player characters are presumed to be human; levelling up with XP.

Setting: Specific. Mechanics heavily tie into the lore; humanity has abundant access to minerals but requires a rare substance known as Ink to operate certain pieces of tech (like guns) and cast spells but cannot produce Ink themselves; spirits of various sorts can be foes, targets of worship, or sources of power.

Other Noteworthy Mechanics: Uses a spellcasting system for the Warlock archetype that's heavily based on the one used in Maze Rats, as in it uses randomly-generated spells whose effects are negotiated between the player and the GM; slot-based inventory with a durability mechanic.

Degree of Support: Minimal. The game consists out of the free rules and (soon) two zines; a third party license exists but content produced under it is very rare.

Addendum: I need to disclaim that I recently backed the Kickstarter campaign for the second zine for this game; the free rules feature wrong page numbers in its table of contents which is unfortunate; The Electrum Archive uses incredibly simple stats for NPCs which makes creating new ones based on other games rather simple.

8. Shadowdark RPG

Author: Kelsey Dionne

Release Year: 2023

Cost: Free player and game master quickstarts exist as PDFs and are available in print for $19, the core rules cost $28 in PDF form and $57 in a print + PDF bundle

Page Count: 68 (Player Quickstart Guide), 68 (Game Master Quickstart Guide), 332 (Core Rules)

Website: https://www.thearcanelibrary.com/

Resolution Mechanic: 1d20 + Bonus Roll Over system, 5e-style advantage/disadvantage, natural 1s are critical failures and natural 20s are critical successes.

Action Economy: Movement + one action per round.

Characters: Largely choice-based; players have a fantasy ancestry and a class; levelling up with XP; class progression largely random.

Setting: Vague. General (dark) western fantasy conventions apply; alignment is a force in this universe and a sample pantheon is provided; the most potent enemies in the rules are named individuals that fit classic TTRPG monster types; illustrations and lore snippets have recurring motifs.

Other Noteworthy Mechanics: The key mechanic of Shadowdark is how the game handles light, namely that light sources are tracked in real time (i.e. a normal torch lasts 1 hour), which increases tension; slot-based inventory; has a 0th-level character creation option using an eliminationist "Gauntlet".

Degree of Support: Fantastic. Several official supplements and offically sanctioned digital tools exist; lots of third-party content available under a generous third-party license.

Addendum: Definitely the most similar game to 5e on this list besides the next entry; very robust mechanically and the Core Rules features extensive lists of magic items, monsters, and spells; also for early play giving your players only access to the quickstart is a totally valid choice; and finally, before Dionne made Shadowdark, she made 5e adventures for years and it shows (affectionate).

9. Pathfinder

Authors: Logan Bonner, Jason Bulmahn, Stephen Radney-MacFarland, Mark Seifter

Release Year: 2019 (initial release), 2023 (remaster)

Cost: Free and comprehensive SRD available via the platform Archives of Nethys, free "Pathfinder Primer" abridged rulebook available via the Pathfinder Nexus (powered by Demiplane), Core books are priced $20 for PDFs and $30/$60 for print as a softcover/hardcover; a Beginner Box set with shortened soft-cover rules costs $45

Page Count: 464 (Player Core), 336 (GM Core), 376 (Monster Core), 160 (Combined Beginner Box Softcovers)

Website: https://paizo.com/pathfinder

Resolution Mechanic: 1d20 + Bonus Roll Over system, 5e-style advantage/disadvantage, four degrees of success based on result compared to target number.

Action Economy: Three action points per round; various actions may require more than one point; every character can use one reaction per round of combat.

Characters: Choice-based; players first pick an ancestry and a background and a class (the ABCs) and then tend to have meaningful choices after each level-up; levelling up with XP.

Setting: Important. Golarion, the game's setting, is a world that has been long in development and it shows; powerful magic and influential gods; very clear notions of what the societies of the various peoples of the world are like and how they should behave.

Other Noteworthy Mechanics: Balance between character classes and reliable combat challenge calculations are an important design goal; weight-based inventory system; archetype system for "multiclassing".

Degree of Support: Fantastic. Loads of content gets regularly produced by the game's publisher Paizo; the Pathfinder Infinite program (similar to D&D's Dungeon Master's Guild) provides lots of lore-compliant third-party content; uses the ORC third-party license for content produced outside of the Pathfinder Infinite program. Translations into other languages available but Paizo does not provide a comprehensive list of available languages (only German and French confirmed after brief personal research).

Addendum: The most popular and commercially successful of the listed games; but also by far the most complicated, though it is easier to GM for specificallty than 5e; also I dislike how certain feats create situations where fairly mundane actions get mechanics through these feats instead of being things you can generally do; anyway the reason why it's a 9 on a 1d8 table is because if you wanted to try out Pathfinder 2e you already would have and because while Paizo is better than WotC it's still a flawed big company.

...

So this was an exhausting little project. I hope you found this helpful and I hope you give at least one of these games a shot! A follow-up to this post is not out of the cards, but I don't plan on one.

Before we go, have this poll about which of these systems you're most looking forward to try! Shame it can only be open for one week...

[clintbarton-thearrowguy]

Okay, um… how mad would Tony be if he found out that I’m maybe, possibly, lost in the vents again?

[loloisloco]

I don't cry over movies often, I just don't but there is 2 exceptions to this. When Tony Stark died, i cried and that was a momentous occasion.

When newt died i cried (no exaggeration) 10 times over his death in 2 days. The angsty edits really got to me

[cas-backwards-tie]

10 Comfort Movies 🍿 🎥

Rules: List your top ten favorite comfort movies and then tag ten people to see theirs!

Thanks @safarigirlsp ! I hope you’re doing well, I know I’ve been tagged in a lot of your stuff recently and am so excited to catch up and read it! You know I love movies, so this was super awesome to do!

It’s funny because, firstly these aren’t in order, but secondly I had to contemplate many different ones because I do have some favorites that aren’t necessarily comfort movies though. But these are for cinematography, story, or maybe even the music! All depends on the film 🥰 Funny though that a lot of them are animated.

1. Coco ; “Never forget how much your family loves you.” ❤️

2. Luca ; “You and Me? We can do anything!” 😄

3. Wreck It Ralph ; “There’s no one I’d rather be than me.” 🫂

4. Jurassic Park ; “Life finds a way.” 🦖

5. The Maze Runner ; “At least out there we have a choice.” 🏃

6. Interstellar ; “ Love is the one thing that transcends time and space.” 🪐

7. Spiderman: Homecoming ; “I’ve just got to do this on my own.” 💪🏻

8. The Iron Giant ; “You are who and what you choose to be.” 🤖

9. Big Hero 6 ; “I will always be with you.” 💞

10. Nightmare Before Christmas ; “Just because I cannot see it, doesn’t mean I can’t believe it!” 🎁

tags: @kylosjuul , @clumsycopy , @driversmutbucket , @driverdelight , @mrsclydelogan , @sacklerscumrag , @itsaconquestofimagination , @inkinflux , @alladeline

[braveclementine]

January 7, 2015; 10:48 A.M.

Warnings: None, Readers under 18 can read this book.

Copyright: My OCs are Coach Yonce, Emma, Ila, Tempus, and Itty Bitty. I own these characters. I do not condone any copying of this.

I burst into Downey's changing room at the Marvel studios. To my credit, Downey did jump, half naked with his shirt off.

"Jeez Stan." He muttered, turning back around to fix his shirt. "If you wanted to see me naked, you could've just asked."

"Have you seen the newspaper?" I panted, catching my breath before tossing the paper on top of his vanity.

Downey read the article as he fixed the suit he was supposed to be wearing. Bucky Barnes wasn't even in this movie. I think they were holding off until they were one hundred percent certain that I wasn't coming back.

They had made a lot of promises to me like they would never have me shoot somewhere where I wasn't going home after every shoot, or at least a hotel with the other actors. There were other promises, but the going home one was the one that best situated with me.

I still wasn't sure though. I had been waiting until April to make a decision. That's when Y/N was supposed to get out of the program and be- not fine- but better. That's when I would see what she needed of me and then I'd make a decision on the job.

"Well shit." Downey cursed. "They're not even safe in the psychiatric ward. Are they killing them?"

"Great." I breathed out a sigh of relief. "God even Y/N's parents really think this Ila girl committed suicide. Even with Y/N's words in there!"

"Unfortunately," Downey muttered, tucking the newspaper under his arm and fixing his tie, "The reason the doctors gave for Y/N's 'freak out' sounds legit to anyone who doesn't have a psychology degree. But I'm really starting not to trust these Government assholes and that psychiatric ward is Government owned."

"What are we going to do?" I asked. "I already asked if I could see Y/N and they said they were putting her in solitary like a prisoner Robert!"

"Let me call up the Don." Downey said. "I don't know if his Lawyers can do anything on this, but I can sure well damn try."

Tom Hiddleston looked pretty upset when we got onto set.

"You alright?" I asked.

"I'm sure you heard about Ila?" Tom asked. "I just, you know she was a great girl. I feel terrible she thought the only way out was suicide, but maybe the horrors she saw were just to much."

Robert stepped on my foot- a hint I hadn't needed thank you very much- and I just said, "Yes, it really is sad."

Robert was already speaking rapid fire into his phone. Strange he'd already gotten in contact with Mr. Trump. Or perhaps he was speaking to the secretary. Maybe Mr. Trump hadn't been fooled either and had been waiting for Downey to call.

"Hey Sebastian, good to see you here." Chris, probably the one I was- or had been- closest to on the set came over. He was wearing his Captain America outfit, though he'd left his shield by a chair with a water bottle. "How are you feeling? And you don't need to lie, alright, I read the article."

"Downey and Trump are trying to help me get a visit with Y/N." I admitted. "I'm panicked that Ila didn't kill herself, that they killed her. I'm afraid they got paid off. I'm afraid that they'll kill her next."

Chris put a hand on my shoulder. "Well it does seem when those two work together they get shit done. They'll get your visit with her Y/N. What do her parents say?"

"They just think the facility is giving her PTSD and that Ila was killed by Tempus or one of those goons, not the psychiatrists. I think her mother's exact words were 'Why would a facility trying to help them, kill them?'"

Chris just shook his head. "I don't think anyone wants to think about so much deception and corruption in the Government."

"Well it's going to hurt the other three that are left in there. I mean, maybe Emma is safe cause she's all the way in England. But Itty and Y/N?" I asked uncertainly. I hadn't meant to call the small girl Itty. But that's what Y/N had constantly called her and it had stuck in my head.

"Good news." Downey said, walking over to us. "Trump's already in Kentucky- that's where the facility is. Got there last night, he was supposed to be visiting some winery for his Las Vegas hotel. Anyways, he's already been there and they let him walk past Y/N's cell- she's alive- but they wouldn't let him talk to her."

"Cell?" I asked indignantly.

"Room, my bad." Downey said, rolling his eyes. "But from the way he described it, it's a pretty bare, desolate room. So I called it a cell."

"How is that supposed to cheer anyone up?" Chris asked.

Downey shrugged, "Most psychologists are actually idiots."

"You sent me to one!" I protested.

"I sent you to a therapist, they're actually a bit different. Only half of therapists are idiots." Downey said. "I sent you to a good one."

I sighed, "Anyways?"

"Y/N got pretty excited when she saw him, but when she realized they weren't going to let him in, she apparently started doing sign language and that was when they ushered him out. He doesn't know sign language though, so he can't tell us if she was saying anything. She seemed a little panicked though, were his words."

"We need to go." I said. "What's the address? I'll fly out there right now!"

"Calm down Stan." Downey said. "We're leaving after I finish my scenes today. Go and get yourself packed up, be back here by four."

I was a bit pissed about the several hour delay, but knew leaving now would probably result in actually leaving later, depending on the planes.

"Oh and Stan?" Downey called after me, "Pack something for winter weather. We're not going to be in California anymore." 

⬅️➡️

[thebookaddict7]

Your handsome

I am?

Yeah, but I'm more into stiles stilinski later!

[lilbirdblu]

for the playlist project i have a playlist where songs go for "safe keeping"--meaning that they arent entirely applicable yet but i think they might become applicable at some point or fitting for certain types of storylines

and with everything that has happened this past week i was able to use 5???? of the songs on it??????

wild

[regret-breathing]

i think. that if you have ever loved a ghibli film, or ever created something and had it come out wrong, or been so lost in your head that you miss the opportunity in front of you, that you should do yourself the kindness of seeing The Boy and The Heron in theaters before it goes.

it’s one that will stick with me for quite some time.

[theballadofmortimerlepastorale]

SLW 2023, episode 35 (2023_09_30)

Broadcast: KTQA-LP 95.3 FM Tacoma, streaming address at KTQA.org

Voice-Over/Intro, music in the background: playlist selection #1

01. Strap On Halo - When They Come For You (Seattle, Washington 2016)

02. The Mission - Severina [Radio Edit](Leeds, England 1987)

03. The Chameleons - Swamp Thing (Middleton, England 1986)

04. Theatre Of Hate - Rebel Without A Brain (London, England 1981)

05. Molchat Doma - Ne Smeshno (Minsk, Belarus 2020)

06. IX Reflections - Reflection (Moscow, Russia 2021)

07. Alice Cooper - Clones (We're All)(Los Angeles, California 1980)

Voice-Over/First Break, music in the background: Ron Grainer - Main Title Theme (The Prisoner OST (BBC T.V. 1968))

08. Nuxx Vomica - Easy Go (New York City, New York 2023)

09. Shrinkwrap Killers - I Think the Sirens are Coming For Me (Oakland, California 2019)

10. Executioner's Mask - Contempt (Philadelphia, Pennsylvania 2022)

11. The Art Intel - Saturnine (Dallas, Texas 2022)

12. Replicas - Breath (Tacoma, Washington 2021)

13. Licorice Chamber - Just Like The Horror Movies (Tacoma, Washington 2022)

Voice-Over/Top of The Hour Break, music in the background: Albert Elms - Fight Between No. 6 and No. 14 (The Prisoner OST (BBC T.V. 1968))

14. Progenitor - Treasures of Perversion (Tacoma, Washington 2023)

15. Vaulderie - Symphony of Hunger (Tacoma, Washington 2022)

16. Cemetery Lights - Abide With Me (Rhode Island 2022)

17. Carnation Maze - I (Russian Federation 2020)

18. Kawir - Medea (Athens, Greece 2020)

Voice-Over/Third Break, music in the background: Albert Elms - No. 2 Has No. 6 Followed to the Stone Boat (The Prisoner OST (BBC T.V. 1968))

19. Religious Observance - Waterboard (Melbourne, Australia 2021)

20. Iron Maiden - The Prisoner (Leyton, England 1982)

21. The Specials - We Sell Hope (Coventry, England 2019)

Voice-Over/Last Break, music in the background: Ron Grainer - Full Version: Main Title Theme (The Prisoner OST (BBC T.V. 1968))

[ego-sum-arbor]

I was reading an article about restoring cast iron skillets, and according the that writer the newer ones are perfectly good? Like I’m certain that a goodly few coats of seasoning will even out the surface somewhat, but how are you supposed to clean such an uneven surface? It’s not like you’re taking a soapy sponge to that thing, you’re scrubbing with salt and oil or water only. The bits of garlic and other spices and shit are gonna get stuck and burn when you’re cooking!

[seph7]

J.T. Walsh as Chief Jack Ruhle in Iron Maze (1991) - Part 2

[goodeapple]

words on the page (aemond t. sex pollen pwp o.s.)

pairing : Aemond x Ysilla (Rhaenyra'sDaughter!OC)

warnings : PWP, dubcon- this is sex pollen (obvi) they are technically not fully consenting. might be hatesex but it also might not, uncle/niece incest, a ridiculous amount of orgasms, squirting, restraint, spanking & slapping, and a slighttt breeding kink (srry i couldn't help myself)

word count : 10,000+

note : hope everyone enjoys. ty for all the love, always. likes, reblogs, comments, anything is gas in my tank xx

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.

.

“This library is big enough for the both of us, Uncle. You stay on your side, and I, on mine.” Ysilla offers, already working on tuning out the One-Eyed Prince’s mutterings as she gets lost in the sprawling shelves. 

“What if I want a book that’s on your side?” Aemond’s voice echoes up to the grand ceilings from where he must be several rows over, his annoyance clearer than the windows in the Sept. 

Ysilla rolls her eyes so hard she fears they might stick. “Do you not understand the concept of my side and your side?”

“These are all my sides. I grew up in between these stacks- I’m sure the texts at Dragonstone are missing you terribly. Why don't you go back and see if I’m right.” 

That retort stabs at her, the mourning for her home still living on in the thick ball of grief that resides heavily in her heart. It’s been a year since her mother took her rightful place on the Iron Throne, a year since the King had passed, and a year where all members of the Targaryen family had to learn how to live amongst one another once more. Nobody was enjoying it. And there were more days than not that the Princess fantasized of stealing borrowing a boat and sailing back to her beloved pile of rocks. 

“Shouldn’t you be out, oh, I don’t know, swinging a sword or ducking under one? You know, what men do.” It’s childish but Ysilla doesn’t mind stooping lower than her years. Her brothers keep her young and nimble, each one bringing with him a fresh battle of wits and stubbornness.  

He goes silent, blessedly, and she resumes her stroll, picking and plucking titles off the shelves that join the burgeoning pile cradled tight in her arms. Her mind wanders, the endless catalogues of writings whispering their words, lulling her further and further into the scriptural maze. 

Ysilla spots a peculiar text on a shelf taller than her, the aphotic ruby binding and woven gold stitching calling her name. She reaches up, tiptoeing until her feet creak and attempts to hook her finger under the edge of the spine. The old book sticks in place, judging her with a faceless scowl. She grunts, wobbling slightly, pushing forward again and gives it a good strong tug. Too strong, as it flies freely through the air and  Ysilla yelps, jumping to the side to dodge it. Everything goes topsy turvy, her balance lost to her and the rest of her assembled collection clatters to the ground. 

She curses, deaf to the sound of approaching footsteps as she drops to her knees and starts to gather the fallen books. She’s considerate of the older ones, stacking them carefully off to the side of the walkway. The causer of the chaos had landed face down, the text split open as if the ground itself was interested in its contents. Ysilla grasps it gently and turns it over, causing a plume of dust to shift off the pages and billow directly into her face. 

She coughs, sputtering for a breath that isn’t made up of ancient soot. She scrubs at her nose, sniffling and groaning in discomfort as her sinuses burn and her throat grows parched. Her eyelids wrench shut, tears already hot and clumping in her lashes. 

A vice grip in the form of strong fingers finds her arm, and she latches onto them desperately. She’s pulled to her feet, and a downy cloth is pressed tightly into her hand. She pats her face with it, drying her tears and spittle, its perfume of oranges and smoke chasing away the moldered stink clinging to every sense she has. 

“You alright?” Aemond asks cautiously, still holding her elbow steady. Ysilla blinks blearily at him, her nose red at the tip. She nods after a pause, coughing softly into his handkerchief. 

“Couldn’t breathe there for a moment.” She croaks, chuckling weakly before she gently pulls her elbow away. Aemond drops his hold, clasping his arms behind him and taking a step backwards. 

“The library is all yours- I’m going to go lie down.” 

She offers his hanky back, feeling a bit dumb as she does and more than a little embarrassed. Her uncle waves her off, and she skirts around him, careful not to intrude into his space. 

“Niece,” Ysilla turns. Concern is not a look she’s accustomed to seeing on his face, and certainly not when it’s directed at her, but the sight of it sends little tingles through her tummy. “Do you need me to escort you to your room?” 

She smiles dimly, self-conscious in all the ways that turn her cheeks peachy. 

“I think I can manage… thank you, Aemond.” Ysilla curtsies in a silly show of thanks, but he can tell her sentiment is genuine. 

Aemond swallows thickly, bowing his head in acknowledgment, watching her keenly as she shuffles out the doors that lead to the rest of the castle. She never calls him by his name. Always Uncle, and even sometimes My Prince, but the mocking lilt of that one is not lost on him. Aemond though… it’s like he’s hearing a brand new word.  

Shrugging off his worriment, he sighs, squatting down to collect the strewn about books. He inspects them as he does, less so judging and more so learning about his niece’s interests through her chosen reading materials. There’s a collection of songs- one for Drowned Men and one for Northmen that he’s read before. Another about the Lion King, Tommen II Lannister and his adventures in Volantis and, most provocatively, the remaining charred pages of Dragons, Wyrms, and Wyverns: Their Unnatural History. Aemond holds onto it for longer than the others; she must’ve searched long and hard for it, he’s never even once stumbled across it in here. He tucks it carefully onto a shelf he’ll remember, and thinks of letting Ysilla know where she can find it later. 

Lastly, he comes to the one that sent her into a coughing fit and he regards it carefully. It isn’t smart, but even so, Aemond draws his dagger and nudges at it, angling up the flap so that he can read the title: Potions of Old Valyria. He lifts it too high, trying to see better in the dreary light of dusk and loses his leverage, the cover falling closed and puffing out a small cloud of dust in his direction. He snaps backwards but he’s not fast enough, the grit already coating the slick press of his lips. Aemond spits, growling, scrubbing at his mouth with the back of his hand. He winces as his nose stings, the watering in his eye blurring his vision. 

He shoots to his feet, gathering up the massive stack of books and tossing them onto an empty writing desk, kicking away the potion book in juvenile anger. He stalks out of the library, cursing blindly as he retreats to his room. 

The Prince does not read the page of which the dust had danced off of. But if he had, mayhaps he would have rethought the course of his actions that night. 

“Pollen of the flower Turnera diffusa- a specimen of which is contained in this very page- has a curious effect on the indulger. Found growing along the creeks of Honeyholt, symptoms noted are as follows: fever, delirium, lightheadedness, and most notably, a heightened state of arousal. The affected should take caution to whom they keep in their company while under the spell of this love plant.” 

.

Aemond shucks off his jerkin, sending it flying across the room carelessly. 

It's still there- the rabid itch under his collar. He stalks to his mirror, tearing up his shirt to check his skin, looking for a bite, a scratch, anything to explain the scorching sting engulfing him in full. Nothing, not even a blemish, mars his pale chest. 

He curses, spinning on his heel and going for his table, seizing the wine pitcher so roughly the lit candles nearby shudder from his haste. He pours a full goblet, the deep burgundy trickle causing his mouth to flood with anticipation. He downs it in several gulps, gasping as he rips the cup away and lets it teeter on the table until it spins out, toppling over emptily. He might as well’ve drank from the Great Sand Sea, his tongue heavy in his mouth. He clutches at his stomach, a sharp shooting pain ripping up his insides. He groans, taking a knee as his legs wobble beneath his weight. 

Fuck, he wonders if it was the book, the dust he breathed in. If Ysilla is as bad off as he is. 

Ysilla. Worry spears through him, bringing with it a healthy dose of clarity. She breathed in more than he did, he’s sure of it. He needs to get her to a maester, lest she’s already staggered out of her own room in search of aid. 

He stumbles to his wall, finding the familiar crease in the stone and pushing. The path into the tunnels is one he knows well and he’s lucky he does, his mind fogging over and his pulse thumping in his temples. He’s never entered her chamber this way of course, so he can’t be sure when he comes to an unknown stone archway that he’s where he needs to be. 

He pushes until he feels the door give way, a slice of light pouring out through the crack. He edges it forward a little more, until he can see enough of the room to confirm it’s not a servant’s quarters. 

“Niece?” Aemond coughs, his tone gruffer than what he’s used to. His throat is arid, greedy for a nectar to soothe it. No one answers, but as he strains his hearing, shuffling feet and rustling bottles comes forth, confirming that someone is inside. 

“Ysilla?” He calls out. Another jolt of agony flares through him and he gasps, startling forward, catching himself on the door and accidentally making it swing open. Aemond stumbles through, colliding with an overstuffed armchair and making it screech terribly across the floor. His head shoots up, and he catches sight of his niece across the room. 

Ysilla wouldn’tve noticed if Vhagar herself trampled through the door. 

She’s… much more undone than she was before. Her curly raven locks, once pinned up and out of her face, spring madly from her head, cloaking her face in a dark flowing curtain. She scurries around the room, mouselike, pressing a wet rag to her throat and then to her forehead, and back again. Twenty or so books are open and strewn about on the long table, looking as if they were caught in a sweeping wind. Long gone are her slippers, and the sleeved pink gown she donned before is abandoned in a silky puddle by the door.

Her chemise, a pale yellow thing with capped sleeves, has gone transparent from the perspiration that has broken out all over her body. It clings to every dip, every curve, shadowing her in a gauzy golden haze. Her bronze nipples tent through the delicate fabric and the thatch of hair over her womanhood matches in color-

Aemond snaps his gaze away, cheeks flaming. 

“Ysilla.” He nearly shouts, stare finding his boots and staying there. 

The woman in question spins around, catching sight of her uncle in the corner of her room, the hidden door she had never had enough courage to use ajar behind him. 

“Aemond… you need to leave.” Her words rumble out of her, like there’s a beast in her belly, roaring through her skin and rattling her bones. “Leave!”

He doesn’t move and Ysilla hurls the rag in his direction.  

“Did you not hear me? I said go!” 

Annoyance chips away at Aemond’s embarrassment. He’s trying to help her, insufferable brat. “You don’t command me, Niece.” He responds, still refusing to look at her. 

She scoffs, happy to channel her discomfort into a much more satisfying emotion. “You sneak into my room, catch me in the middle of undress, and still, you act put out.” Ysilla spits, her temper raising with her temperature.

Gods, she’s miserable. The moment she stepped foot in her bedchamber, her dressings were off, and she drank down water until she felt the urge to spew. It’s as if she can’t catch her breath- she’s so dizzy and her uncle’s sudden company has somehow made it worse. Her belly cramps, and she crosses her legs tightly in search of relief. She cries out, the budding sultriness in her flower springing to life, and wetness coats her thighs in a rush. Gasping, she nearly trips as she collides with her bed’s edge. 

“Ysilla, breathe.” Aemond commands harshly.

His voice is so nice. Has it always been that nice? That soothing? Her snatch gives a happy thrum, her clit fluttering at the memory of his strong grip upon her arm. How he had held her steady in her dizziness, how he had towered over her, so imposing, so encapsulating, making sure she was well. Ysilla gasps, stunned at her body’s wanton reaction. 

“You don’t understand. Please, go.” He’s her uncle- her uncle that doesn’t even like her. This cannot- will not happen. 

“I need to get you to a maester. If you’re feeling what I’m feeling, if you’re feeling it worse, fuck, Ysilla, I need to get you help.”

He needs to stop saying her name like that, in that breathy, strained tone of his. He sounds exerted. He sounds exhausted. He sounds like he’s on the cusp of falling apart. It stokes the fire in her blood. 

“The things I want to do to you… the things I want you to do to me.” She whines quietly, terrified that he’ll hear her. 

A subtle knock-knock at her chamber door quiets them both, and they hold their breath. Again, a knock-knock echoes through, and Ysilla curses the diligence of her ladies. Aemond goes for it, stalking across the room in his usual strutting gait. 

Ysilla panics and rushes forward, latching onto his arm and pulling him to a stop. 

“Aemond, Uncle, please, send them away. I don’t want them to see me like this.” She begs, pleading with him through a glistening gaze. 

Aemond readies his denial, sharp and bitter on his tongue but he loses his voice as he looks at her. He keeps his eye on her face, hyper aware of the press of her nearly naked figure against his side. Her heart shaped face is drawn in a frantic frown, terror rich and vast in her eyes. She smells of the Essos oils in her hair and the coconut oil on her skin, and it all makes his head go a bit fuzzy. 

She squeezes his arm, again, a final silent plea. He nods his assent. Ysilla dashes behind him, slipping deeper into the room, blowing out candles until the bedchamber dims into darkness. She voices a small, urging hum, and Aemond takes his cue and yanks the door open. The visitor, a girl no older than three-and-ten, blinks at him in surprise.

“My Prince,” she curtsies hurriedly and Aemond nods his acceptance, but his face must spell out his impatience because she speaks so fast, her words stumble over one another. “I thought I heard the Princess in distress. I was coming to check on her, to make sure she’s alright.” 

Her eyes dart over his shoulder, her head bobbing to the side as if she were trying to peek in. Aemond moves with her, raising his arm so that it rests above him in the doorway, pulling the door nearly closed behind him. The maid swallows, dropping her eyes in apology.

“The Princess isn’t well- very sick. Keep the other maids away, guards too. She wishes for solitude.” He’s a pushover and he hates it. One look of Ysilla’s beseeching gaze and Aemond gave like a straw bridge. 

“Should I send a maester?” The maid asks worriedly, making to exit down the hall and find help. 

“No!” The young girl jolts to a stop, her eyes wide with alarm. Aemond curses himself, and he speaks softer through gritted teeth. “No, she just needs rest. I’ll see to her, since I’ve already been exposed. I’ll call upon you if I change my mind.” 

The maid eyes him cautiously, but she finally relents, dropping into a curtsy before hurrying down the wall. 

On the other side of the door, Ysilla feels as if she’s going fucking mental. 

She’s balled up her bedsheet, and wedged it between her quivering thighs. The fabric pressed so intimately against her cunt is unforgiving, soaking up her syrupy slick and giving little in return. But the friction along her clit makes her gasp, and it urges on her rutting in dreams of a release so sweet, she could cry. 

The low droll of Aemond’s voice slithers into her ears from across the room, her mind warping the words until he’s whispering to her. What a good girl she is, how desperate she is to find her pleasure, how angry he is that she’s fucking her bed and not him. Ysilla’s eyes shoot open as she hears the squeak of her door, her hopes crashing as she realizes he’s pulling it shut while he’s behind it, not in front of it. 

She collapses forward onto all fours, fisting the furs blanketing her duvet, smothering a broken moan into the softness. Her eyes peel open, her glassy gaze landing on her bedside table. Aemond’s handkerchief is still there- right where she’d left it- the emerald hue of it glowing midnight green in the candlelight. Suddenly, it’s in her grasp, even though she cannot recall moving for it. She presses it to her nose and draws in a shaky breath.

Oh, oh, it smells of him. Citrus and smoke and she’s drooling for it, mouth watering so quickly she has to swallow it down so she doesn’t slobber. She swings her hips forward before rolling backwards, dredging the sodden sheet through her sex. It’s so wet now, the smoothness almost feels like skin. And that’s too much for Ysilla- she can hear him, smell him, but the thought of Aemond in between her legs?- it sends her plummeting off the cliff of desire, her core pulsing vibrantly, pleasure buzzing through her whole body. 

A phantom hand finds the same spot where Aemond had handled her earlier, and rips her upwards. She’s pulled to her knees, still atop the bed, as someone presses up behind her. Ysilla peers over her shoulder, the handsome face of her uncle a welcome sight. He is an apparition appearing from her thoughts alone. He doesn’t even seem real.

Her thoughts are askew with an edge of delirium, her insides purring at his sudden return. Ghoul or not, she will not squander such a golden opportunity. She fists the front of his shirt and drags him in, their mouths joining together harshly. Aemond would be lying if he said he didn’t kiss her back at once. It gets intense. Fast. 

Ysilla melts into his chest, whimpering into his mouth while his grip goes from her elbow to sliding around her, dragging her in closer by her waist. His tongue finds her teeth and she opens up slowly, letting him feel the threat of them, as he slithers in and their tongues touch-

Aemond tears himself away, stumbling backwards, heaving for air and looking at her with a wide eye. Ysilla whimpers, her fantasy failing her, and she slips off the side of the bed to settle on wobbly legs. Her palm goes to press at her abdomen, hoping that the pressure will relieve the burrowing ache. 

They stare at one another, wild animals on alert, a standoff that neither Prince nor Princess can bear to lose. 

Ysilla’s gaze falls to his lips, and Aemond’s to hers. She bites her lip, sucking the meat into her wet, warm mouth before releasing it with a lurid pop. Aemond groans, an audible surrender. 

To Hell with it all. 

They crash into each other like lightning, hands mapping anywhere they can reach. Her body blooms for him, like a flower under the summer sky. He steers them back towards her bed, Ysilla blindly clamoring atop to sit while he stands tall. His touch on her skin has her thighs spreading, opening up and offering herself for his taking. 

“I can’t stop, I can't stop.” He presses kiss after kiss to her mouth, her closeness doing nothing to extinguish the burning in his blood. If anything, she makes it worse, the inferno raging deeper and into his very soul. 

“I don’t want you to stop.” She whines, snaking their legs together and threading her fingers through that beautiful hair of his.

She’ll enjoy this- him. Every inch of Aemond belongs to her tonight. She thinks of drawing the blade from his hip, and carving her name into his chest. Mark him up nice and neat, streak his pale powdery skin red with her desire. Whatever is happening to her- to them- summons something animalistic, something primitive out of the dark parts of their hearts. All tender fantasies of her future husband treating her with such a tame touch are cleaved in half and fed to the hounds. In their place, filthy, feral desires fester and warp her mind until one lone ambition remains: him inside of her, for the rest of their days.

“We don’t even like each other.” Aemond growls between their parting lips. Ysilla slides her way into his mouth, flirting with the sharpness of his teeth, suckling the sweetness out of his tongue. 

“We can’t stand each other.” She affirms, breaking their lips apart, her hands already under his tunic, letting her palms drink in the ridges and rises of his impressive physique. She kisses along the strong edge of his jaw, curling her fingers into clenched claws and rips her way down his chest. Not a blade, but he bloodys all the same. Aemond snarls, catching her by the throat so brutally her teeth clack. His eye pierces through her like a blade, and Ysilla relishes in the pain, his touch upon her skin soothing away her ache.

“Bitch.” He hisses, what little familial respect they harbor for each other crushed under lust and loathing. 

“Prick.” She bites back, grazing at his lip to send her point home. Gods, he’s so close but not close enough. 

Ysilla pulls his hand between her legs- the one not choking her out- and Aemond cups her sex readily. Her heat damn near blisters him, and he grinds his palm into her slick folds, coating his hand in her arousal.

“Yessss…” She hisses in sated victory, her blood pumping thick as her body finally gets a taste of what it's been craving. Even one finger of his is nearly too much as he slips it in, the stretch a tepid burn that only gives way as her body adjusts. 

“You need to be able to take more than that if you want to take my cock, Princess.” He whispers at her lips, already imagining how tight she’ll be around him. He won’t insult her by asking- he knows he’ll be her first. And the thought of that… of taking her maidenhead for his own, being the first man to be inside of her, searing himself into her memory that even time won’t take away… Aemond has to fucking focus. 

“I can take it.” She assures him, head nodding wildly, her thighs splitting open even further. His grip has loosened around her throat, and he strokes where it’s sure to bruise, trying to not grow hot at the vision of his mark marring her body. He hums his approval, letting his middle finger glide forward, her essence enough to ease the way into her hole. 

He scissors them, back and forth, working her pure channel open gently, basking in the silky tensing of her walls. The pained scrunch in her brow has disappeared, giving way to the pleasured furrow of her forehead, her hips beginning to roll up and meet his digits. She grabs ahold of his wrist, stopping his motions, and she pins him in place with a lavender leer. 

“Take off your clothes.” It’s a command, no matter if it is spoken in her soft honeyed voice. 

Aemond loses his shirt and unlatches his belt, tossing it and his sword onto the bench at the foot of her bed. His breeches slide off with Ysilla’s help, her eager fingers untying his laces. He kicks off his boots, not realizing how confined he felt with so many layers hindering him until his skin is bared. She moves backwards, further up her bed and he crawls after her, prowling like a wildcat, covetous sight trained on her. 

The little minx yanks on his elbow, and he crashes into the mattress and suddenly, he’s the one on his back. Aemond lets Ysilla pin his wrists on either side of him, her victorious smile just as comely as the rest of her. Her breasts pillow against his chest, and dammit, she needs to hover above him so he can catch one in his mouth. But she denies him that treat, squeezing his wrists to focus his attention.  

“Don’t move. That’s an order.” His cock twitches from where it’s pressed to her thigh and her lips twitch at his reaction. She kisses his throat, right at the base where his collar bones meet, and her whisper vibrates through to his heart. “Good boy.” 

Ysilla takes her time, voyaging down his body, a traveler on a sought after journey. Her tongue flicks out over each of his nipples, teasing the perked flesh with little swipes of her slick pink muscle. She traces her nose over the jutting contour of his rib cage, counts his muscled abdominals until there’s numbers on both hands, and kisses the scar on his hip, long healed from a tumble off of Vhagar’s saddle when he was just a boy. The fine silver hair trailing down his groin is wispy and it tickles her chin. 

Aemond’s cock is intimidating, even more so as she takes a lick from root to tip. The journey is longer than first guessed, and she thinks he grows even bigger after the swipe of her tongue, the jut of him swaying in the air as more blood thickens him out. The fact that all of that will be stuffed inside of her makes Ysilla shiver, her cunt yearning for the press of his long fingers. 

Fervently, she swallows him down until he greets the back of her throat. The salt of him is jarring but not unwelcome- nothing can be unwelcome about this as Aemond sucks in a ragged breath and fists the sheets. The muscles in his arms strain and bulge, a sight that only incentivises her to keep sucking. 

He’s a thick, velvety weight on her tongue, her mouth full even with inches still to spare. Her drool dribbles down his staff, and her hand wraps around what she cannot swallow. She glides her lips over his length rhythmically, jacking her fist over the rest of him, retreating with a pop to spit on his tip for more lubrication. 

Ysilla has always been one for sweets but this? This is a taste she can find herself hankering for. She suckles on the head, dipping her tongue into his slit, shivering at the sharp burst of his spunk on her taste buds. She dives forward again, gagging around him, the intrusion into her throat a strange feeling she forces herself to adjust to. 

Aemond keeps her hair pushed behind her ears, his thumbs stroking her temples as he fights to not thrust down her throat until she chokes. A familiar tightening in his sack has him voicing the exact opposite of what he wants her to do. 

“Silla, pull off.” She’s on her fucking knees for him, he doesn’t need to defile her like this. Doesn’t need to treat her like a common whore and make her stomach his load. 

She ignores him and he says her name again, more firmly, but she’s such a rebel, swallowing around him once more, letting him feel the constricting vice of her throat. He can’t take it- he gives her what she wishes. 

“Silla, qrugh.” Cursing, he keeps her head still as he empties his balls and fills her belly. He hooks his thumb into her mouth, breathless, breaking the suction and pulls out of her throat. Ysilla coughs, gulping down air and saliva before she gifts him a shiny smile. Aemond scoffs. Unbelievable. 

“You’re a nasty little thing.” He pants out, a compliment he means wholeheartedly. 

She chuckles hoarsely, and her lips are still gooey with his seed. 

“You love it.” 

The urge to fuck her returns tenfold and he sits up, hand at the back of her neck to wrench her up to his mouth. She whimpers, swapping his cum between their tongues. It’s sticky and vulgar and overwhelmingly erotic. 

Ysilla stumbles to her feet, pulling Aemond with her, leading him to the lounge area in front of her hearth. Their mouths remain intertwined, unwilling to part even for a moment. She pushes him into an armchair, the old velvet soft beneath him before following him down, and settling swiftly in his lap. 

“Off.” He demands but he can’t help but be an active partner in his niece’s undressing. Her hands dash to the hem of her shift, gathering up the skirt hurriedly. His hands glide up her body, caressing the naked skin that is revealed to him as she pulls it up and over her head. She’s so sleek with sweat she looks polished- an apple ready to eat, something to be devoured. 

“What do you want me to do?” Aemond asks, not for lack of knowledge but to see how far she wishes to take this. 

Ysilla grins, ducking down and drawing him into an eager kiss. “Whatever you want to do. Just make me feel good.”

Loyal as a hound, Aemond’s mouth goes to her breast, her posture perfectly presenting her chest to him. He takes in as much as he can, greedily sucking and licking until her tender flesh blushes a bright sticky red. He rolls her pert nipple between his teeth, tugging just enough to make Ysilla gasp. She makes pretty sounds- he can’t wait to hear what she’ll sound like as he fucks her stupid. He switches to her other breast, feasting on her supple bosom like he’ll never eat again. His cock bobs upright, his body needing no time to rest, ready and racing to experience the delicacy of her cunt. 

The Princess whines, combing through his tousled hair, tugging on it like she would horse reins. Such a commanding queen she’ll be. 

“Need it, need you.” She whines, swinging her hips lower, searching for the weeping start of his prick.

“Easy, Ysilla.” He warns, even as his thoughts scream to grip her hips and teach her how to ride him, but she’s such a stubborn little dragon and her thoughts may be just as commanding as his. She leans back, reaching between her thighs until she brushes at the head of his cock and steadies him. Lining herself up, she sinks torturously slow, downdowndown every inch until she sits upon his thighs. 

“Oh, fuck.”

“Oh… my.”

They both breathe out, blinking away black stars that dance in their vision, the pollen tapping every nerve ending in each of them until they sputter and fizz uncontrollably. 

The discomfort fades for her faster than she’d thought, transforming into a pleasant fullness that she can feel heavily behind her stomach. Ysilla searches for what feels the best, moving faster and faster on Aemond’s lap as each new shift in position guides her further towards the liquid heat in her loins. She settles on swiveling up before dropping back down onto him, riding him like she’s saddled. Hot streaks of exhilaration engulf her insides, every pass of his cock adding to the ecstasy swirling inside of her. The stretch of him, not just from length but from width as well, itches the scratch left behind after the library disaster. Even as she tried to bring herself to pleasure earlier, there was something missing from her peak. Something that’s building, stacking, soaring fast in her belly. That final crest of a wave, ready to crash and drown anything that’s not pure, hot ecstasy-

Before it collapses back into a tidepool. The pitted feeling of falling through the air as you miss a step in the dark settles over her lust, and she jerks. Ysilla’s eyes snap open, her pupils blown so wide Aemond can barely see a ring of amethyst around them. She whines, bouncing on his cock faster, chasing a release she’s not sure she can find. 

“Qybor, kostilus. I can’t cum like this.” Almost to make her point, she circles her hips up, leaving only the head of him kissed by her tight hole before dropping down and taking every inch of him at once. Aemond holds strong to his stamina, refusing to empty inside of his niece so quickly. 

A shame though, he was so enjoying the view. He winds his arms around her hips, keeping her nice and close as he slips them off of the chair and onto the floor. Several furs keep them cushioned from the chilly stones below and he drags a pillow off the loveseat to ease her up on. 

“Turn for me, sweetling.” He maneuvers her onto her belly, his grip finding her hips and shepherding her into position onto her hands and knees.

Aemond stands corrected- this view is nice. The burnished copper of Ysilla’s coloring clashes deliciously with his own pale complexion. Her backside is plush and hefty, budding from her shape in a way that invites his attention. 

Whatever you want to do. Aemond slaps her right cheek, reveling in her sharp gasp, and the way a perfect red welt appears on the smooth skin. He lands another, on the opposite globe, hypnotized by the jiggle of the flesh. He strikes her again because he can, not ignorant to the way his rough treatment has her absolutely dripping down her thighs. Another for good measure, satisfied in the brilliant bruising he’s left behind.

Just make me feel good. He strokes his cock, still slick from her spit and her honey, and lines his head up at her opening. She arches up, dipping down onto her arms, raising her bottom to prop against him. The angle is too good not to take advantage of. Aemond spits, his foamy white saliva dripping viscously into her tight hole and he pushes it inside of her as he strokes forward. 

Ysilla voices her approval of the new position, wiggling back against him as he goes as deep as she’ll take him. He builds a tempo, in out in out, finding a pace that makes her clench impossibly tighter. His sack slaps intensely at her clit, drawing punchy little gasps out of her that he wants to devour. He digs his fingertips into her hips, thumbs fanning out to stroke the luscious bounce of her bottom. He goes to pause, planning on switching his angle so that some strain can be relieved from her spine.

“No! Aemond, stay there, right there, yessss.” Ysilla flails her hand behind her blindly, not stopping her begging until she smacks into his naked torso. Aemond stares down at his niece in confusion, catching sight of her profile, her eyes trained intently on something that is certainly not him. 

He looks up, and catches his reflection staring back at him from across the room. The giant wardrobe mirror is tucked into the corner, and the Gods are good because they're directly in its path, their coupling on display for their viewing pleasure. 

Aemond drops down, blanketing Ysilla with his body, watching his Other do the same. “Oh, I see.” He chuckles, driving into her slowly. 

It’s almost as if they’re watching someone else- surely the couple in the reflection cannot be them. No poise, no manners, not even an ounce of trepidation to be seen. In place, disheveled, howling, rutting animals grind against each other, naked and insouciant in search of their gratification. Aemond enjoys the portrait they make, admiring it so much that he stalls in his thrusting and stills completely inside of Ysilla.

“Aemond, come on.” She whines, moving impatiently against him. “Nākostōbā taoba, making me do all the work.” She mewls, riding down and humping his cock.

Aemond’s trance snaps, and he secures a fistful of her hair, forcing his niece into a backbend. He ignores her yelp, smacking her thigh to halt her gyrations. His lips go to her ear, and this close to her throat, he can hear the lifeblood rushing through her arteries. 

“What was that?” 

“I just thought, unhhh… just thought you would be a bit more… involved in this.” She giggles, fucking laughs even as her bones creak for mercy. It’s harder to breathe this way, and the lightheadedness spurs on her mouth. “Thought you wanted this as badly as I did.” 

Little fucking brat. He laughs too, because it’s funny. Funny because of how right she is- he should be more involved in this, a bit more committed. Ysilla stills at the sound, the audible swallow of her gulping nervously has his cock jumping in interest. Her fear is just as tasty as her willingness. 

He crosses both arms over her chest, his forearms thick bars over her throat and he forces her up, so he can fuck his cock into her belly and watch her tits bounce as he does so. Ysilla’s face contorts into a euphoric mask, her eyes rolling back into her head and her pouty mouth hanging open in slack-jawed pleasure as he pounds her ruthlessly.

“Something on your mind, Princess?” She doesn’t respond, her brain being fucked straight out of her head.

Aemond slaps her face, the sharp crack bringing her back to the present, and back to Aemond fucking her like he owns her. She moans again, her pussy spouting a wash of arousal around his bullying cock. He catches her by the jaw, digging his thumb into the bone and rubbing at the struck flesh of her cheek. His lips are wet at her ear, and she watches him through glossy eyes as he smirks, and bites down on her ear lobe. 

“Answer me, Ysilla.” His niece shouts but Aemond has no sympathy for her. If she can dish it out, she can take it. “You did want this? Or you do want this?” 

He’s searching for the willpower to pull out of her, and put her over his knee to send home his message when she babbles out her acquiescence.

“I want this! Bisa, bisa, bisa, fuck, gaoman gaoman. I want you, Gods, nyke jaelagon ao!” Valyrian braids through her words without forethought, her focus aimed on Aemond’s cockhead tapping at her womb. 

“Sȳz riña.” She preens at the endearment, throwing her hips back against him frantically. A beautiful toothy smile has broken brightly over her face, Aemond catching sight of it in the mirror before he shatters the grin, nailing a spongy spot inside of her that makes her eyes cross.

“Sooo good, so fucking big, feel you right here.” She tries to gesture to her throat but she ends up digging her nails into the arms caging her in, hanging off of him desperately. Her poor battered cunny is still somehow famished for more, the squelch of his cock moving in and out of her a licentious lyric that lulls both lover’s into a trance. Aemond pulls her even tighter to his front, however possible that may be, and plunges repeatedly into her snug cunt, beating the walls of her swollen so she won’t be able to walk without thinking of him first. 

As if they miss each other, Aemond’s and Ysilla’s eyes meet in the mirror, violent violet and silver steel clashing and melding into one harmonious color. 

Their stares fall lower, where they meet over and over and over again so brutally. Her thighs glisten in the candlelight, her flesh rippling with every thwack of Aemond’s hips. It’s so dirty, so primal, so right. He’s going so deep, he could put a babe in her belly. Just a whisper of that fantasy, of her giving him a child, letting him have such a claim on her breaks her apart. 

She screams, Aemond’s palm smacking over her mouth as her thighs give out, and she sags to the floor. He follows her down, draping himself over her back, still fucking her in earnest, chasing his own blissful breaking point. He finds it, after three more punishing thrusts. But even as his balls release and he feels Ysilla grow slicker as his seed coats her insides until it leaks a white ring from where they’re joined, his cock is still hard and heaving from his body. 

He pulls out and Ysilla sobs at the loss, scrambling on the furs, but her cries disintegrate as she’s flipped onto her back. Aemond slings both of her legs into the crooks of his elbows, yanking her forward so he’s flush to her thighs, her pussy a pretty little jewel winking up at him. His seed oozes a pearl stream from her fluttering hole and he swipes it up with his cock, and it’s as slippery as oil as he bottoms out inside of her. 

Fucking Seven, she’s unreal. “Taking every inch of me… like you were made for this, ñuha pretty līve.”

“Made for you, I think.” Ysilla gasps, ripping at the furs, trying to anchor herself down so she doesn’t burst apart. 

Aemond nips at her chin, doing nothing to quell the smug smile on his niece’s lips. “Careful.” 

Careful for what? She wants to question so badly. Careful on what she voices aloud, even as they speak it in both of their minds? Careful on implying that her cunt will not weep for him anytime he passes by her? Careful to claim that the only place he should be after tonight is right where he is now?

But it is not the time for words of the heart, so she digs her nails into Aemond’s broad shoulders in a gnaw and throws her head back. 

“I’m right there. Yes, Aemond, yes!” 

Oh, is she now? Aemond grins, slowing his thrusts to purposefully watch her eyes shoot open incredulously. 

“Don’t stop! Fuck, why are you stopping?” Ysilla growls, circling her hips up against him, doing her best to fuck him herself. So desperate, so full of unadulterated desire, she cannot find it within herself to be appalled at her own salaciousness. 

“I thought you couldn’t cum like this?” Aemond mocks and oh, it’s fun to play with her. 

Her decorum deserting her, Ysilla lets anger lead her movements and her hand flies at his face to strike him. He catches her easily, still smiling that infuriatingly sexy smirk, and drops a modest kiss on the heel of her palm. She melts, her love bitten lips pouting dramatically. 

“Aemond, ñuha zaldrīzes, please.” He likes when she begs- she can see it in the way his jaw ticks, how his skin flushes, as if his body alights in her prayers to him. Aemond won’t acknowledge it, but somewhere deep in his chest, she’s already wormed her way in. He splits her in half, leaning over her until he can rest his palms by her shoulders, her legs still draped over each of his arms. 

He drags himself out, inch after inch, agonizingly slow before he lurches forward, making her pussy swallow his entire cock. He groans, finding himself burrowed in the valley of her breasts, letting his hips pummel her in an amorous hammering. 

“Scream for me, love.” 

She doesn’t need to be told twice- her lungs finding the air to blurt out,

“Aemond, fucking hell!”

Ysilla goes limp, her thighs butterflying open, giving him full reign to dictate her pleasure. She squirts, a wet spray soaking his abdomen that puddles beneath them. Her whole body heaves, appearing almost pained in euphoria. She’s a holy vision. 

Fuck, he’s losing his mind. “Do that again.” He demands. 

He cups the back of her neck, propping her up until they’re eye to eye. Ysilla’s are lidded, exhaustion heavy weights upon them, but she manages a tiny nod and curves herself upwards for his continued onslaught. 

Completely at his mercy, his to control, Aemond takes full advantage. Dragging her down by the back of her neck, he plunges himself brutally inside of her cunt over and over, again and again. She lies there and takes it like a good girl, witnessing her uncle destroy her in the name of desire until he grants her mercy, and he strokes her pearl with the sharp edge of his thumbnail and she blacks out.

He chokes, sparks shimmering in and out of his vision as she convulses around his cock. He pulls out of her, spurting striping streaks of white onto her belly. He cums so hard, it splashes over her tits and even pools in the hollow of her throat. 

Ysilla moans, coming to, rubbing her fingers over the soiled skin of her stomach, blending their releases together in a filthy film that coats her fingers. She pops one in her mouth, and relishes in the blossoming light brightening once more in Aemond’s lone eye.  

And just as quickly as their relief had come, the satisfaction fizzles out and ravenous blood boiling need takes root once more. 

They groan, barely taking time to catch their breath before they’re on each other again. Their mouths are sloppy, leaving trails of saliva down to their chins and along their throats. Ysilla finds a spot she likes over his pulse point and suckles, her left leg wound tight over his hip, rubbing herself off along the unyielding ridge of the bone. Aemond kneads her arse, an apology for his abuse, rolling the voluptuous flesh in his calloused grip all the while dipping his fingertips in and out of her weeping slit.

They tangle in each other’s webs, so caught up in salt and sin that they don’t realize they’re off the rugs and across the floor until the frigid chill rushes through them. 

It’s uncomfortable- their knees will be bruised by the morrow, scrapes along their backs will sting while in the bath, and a crick won’t leave Ysilla’s neck for half a moon. But the stone cools their overheated skin and together is where they still want to be, so all else falls to the wayside. 

Their mouths have drawn back to each other, Ysilla’s tongue dancing over his back teeth and the roof of his mouth, mapping a place she can only dream of revisiting after tonight. Aemond pulls away and Ysilla’s teeth in his bottom lip scold him for his interruption. He smirks, giving her a departing peck to soothe her sour mood. 

“I need to meet her properly, Princess.” He says with an uncharacteristic amount of mirth, leaning her back as he dips down to her lower body. 

Ysilla is bone-weary and dehydrated, but even she knows that doesn’t make any sense. She cocks her head in confusion, watching him as he settles on his front, his face so close to her center, the hot damp of his breath makes her quiver. 

“Who is her- oh! Oh, Seven Hells, Aemond, fucking please-”

Aemond eats her with a fervor she’s never known, a man starved before being offered the bounty between her legs. Shrill gasps and pitched moans are sounds she thought herself incapable of making, but they sing aloud, her walls stowing them in their stones. 

Her thighs are tight around his head, but the cushioned flesh does nothing to block out her calls of ecstasy. Music to his fucking ears, he slurps, undignified and ravenous, the parched dryness in his throat at last quenched as he swallows down Ysilla’s honey. No wine, no water could ever satisfy him like she does. 

She thrashes about on the unforgiving stone, her nails clawing at the ground so harshly that they chip. He’s sending her into madness, unrelenting in his licking even as she kicks at his sides. She’s too sensitive, it’s too much. 

And then, the realization that he is not only lapping up her arousal but his as well, zings up her spine and has her gushing all over his tongue. 

She can’t control herself anymore. Her worries have faded into nothingness as the night has gone on, as she had bounced on Aemond’s cock and came into his mouth and he into hers, and they’ve drank down one another’s spit and sweat and sex. She’s whimpering and whining, squeaky sounds with no words, only what her voice is capable of making. The pathetic, needy gasps draw Aemond’s attention immediately. He rises, hovering over her, pulling up her knees to frame his hips. He slides himself home, not being able to breathe until he bottoms out, fully planted inside of her. 

She whimpers louder as he faces her, the effects of the potion hitting their last peak. 

“Let me see you. Let me see you.” Ysilla begs, distraught that there’s still something keeping them apart. They should be bare- exposed and raw and free. They’ve already come this far- it’s all or nothing. 

Even with her few words, Aemond understands her completely. He doesn’t give himself time to think, time to let self-consciousness tear and twist him up as he rips off his eyepatch. 

Ysilla sees him- truly sees him- his scar, the jagged split of his brow, the brilliant blue sapphire twinkling a wink at her as it glitters in the low light.  

“You’re so handsome.” And then she cries- big, fat, bulbous tears that spill from the corner of her eyes and streak over her cheeks. 

Aemond wants to comfort her, shush her and stroke her hair. Do all the things he should do with a lover that’s not only a lover, but his kin as well. A sweet girl he remembers always drawing for him on his nameday, sketching pictures of fearsome dragons. And as the years dragged on, they continued to evolve, growing fiercer and more detailed and she would always say the same thing when she gifted it to him: “this year, Uncle, this year you’ll find your match, I know it.” And here he is now, the Queen of the Skies his dragon, as if Ysilla herself had manifested it to life. 

But that was so long ago now that it seems a different lifetime, and Aemond realizes he doesn’t really know his niece. He doesn’t know what she likes and what she doesn’t, and that worries him more than he’s comfortable with. 

“Can’t... take… much… more.” She gulps down a breath after each word. Aemond’s thrusts push so deeply into her guts, that there now seems to be no room for her lungs. He hums, the vibration tickling where they’re pressed chest-to-chest. 

“Yes you can, jorrāelagon. You’ve done so well, taken everything I’ve given you. You’ve made me so proud, sweet girl.” He may not know how to soothe her, but Aemond has a knack for telling someone just what they need to hear. Only with Ysilla, he speaks no falsehoods. He whispers his admiration in her ear, keeping her close by a hand cupping her jaw, forcing her to listen to all of his praises, all the while snaking his hand down between them to pinch at her pearl. 

Small hiccuping gasps couple with her agonized moans; the pride, the pleasure, the pain, all of it an elixir he drinks down his throat as she connects their lips once more, a soft tremble in hers that he soothes with his tongue. They cum together, less intense than their lasts, but still just as satisfying. Aemond spills inside of her, her silken walls milking him for every drop in his fucked out cock. He moans, long and loud into her neck and she peppers his cheek with kisses, her breathing heavy. He collapses, further down on her body so he doesn’t constrict her chest. 

The evening tempo of her breathing beneath his cheek has Aemond focusing on his own, and the two spent lovers take a much needed break to collect themselves. 

Tremors still shake her thighs, the creamy fawn flesh jumping from overstimulation. Aemond presses a kiss to the inside of her knee, a sweet assurance of relief hopefully not far behind their releases. She pets his hair, no energy left to even raise her head. He rises back up to look upon her face, wiping away a stray tear from her lash. She nuzzles into his hand and it all finally feels like enough. 

Until it isn’t. Until the lust fills them up once more, water in a pail, and it overflows and sloshes thickly in their bellies until they’re sick with it. 

Ysilla sobs brokenly, exhausted and at her wits end. Aemond shudders for breath, the pain in his stones throbbing incessantly for relief. They’ll lose their minds if they keep going- chasing an endgame that is unattainable. 

Aemond digs deep, attempting to collect himself and become the man Ysilla needs him to be. He tucks her legs around his hips, crossing her ankles behind him, and rises up to his feet with her draped around him. 

He carries them both on shaky legs, drifting along the wall for support until he rounds the corner to her privy. The golden casted tub is filled halfway with what was once steaming, boiled water but has now grown cool. He swings a leg over the edge, trying not to collapse, Ysilla still wrapped around him like a second skin and settles them both into the pool.

The Princess crumbles, falling to pieces as they’re engulfed by the water. Her heartbeat still thrums from between her legs, her nipples scraping at Aemond’s chest for attention, as if he had not lauded them with his tongue until they were bruised and sore. The undying urge to mate is at her throat, its teeth gnashing at her veins and claws piercing her hips, ushering her to fucklicksuckfuck again and again and again until her brain would be lost to the lust. 

But her body is done- every muscle expended, every limb weighted, every bone crushed to nothing but dust. All she can manage to do is whimper softly from where she’s pressed into her lover’s chest. 

Aemond cups her face, raising her up so that he can look upon her. She’s a sculpture of desire: lips puffy and rubbed red, cheeks flushed, eyes teared and heavy. He did this to her. 

“One more, love. One more and then we’ll stop.” He promises, the need too heavy in his cock, thickening his member until it lies straight up against her stomach. 

She nods stiffly, spreading her thighs until they mirror his hips. He taps the head of himself at her entrance, a gentleman waiting for the lady to make the first move. He doesn’t have to wait long, Ysilla pushing forward and taking his cock in full until their bellies rest flat against each other. She’s as tight as the first time, and the stretch is not lost on her either, her groan equal parts pained and pleased. 

Aemond’s hands are worshiping as he trails down the elegant column of her neck, the slope of her shoulder, the bloom of her breast, until he finds the small of her back and hugs her tight. They just dance, slow and steady, rolling their hips together, the water shifting with their union. They rest their foreheads against one another, eyes closed and noses brushing.

Aemond isn’t sure who leans in first- he thinks it may have been him but Ysilla will say the opposite. Their mouths slot together, innocent and vestal and it’s so much less eager than the times before, but it makes it all the more intimate. He moans weakly and she coos, her hands coming to cradle his face, the breaths they share one in the same. Somehow, it’s as if this exposes them more to each other than being joined so sensuously. A simple press of their lips, doing more for them than a thousand slippery tongues or nimble fingers. 

A gentle wash of pleasure, one that raises goosebumps along their arms and makes their breaths hitch is all that they get and then suddenly, finally, the call for gratification quiets and all prince and princess are left with is the drip of water off the edge of the tub. Ysilla sighs heavily, sounding every bit thankful and spent. Aemond takes a breath that feels like his first, and he sags against the resistance at his back. 

Everything is still, weariness seeping into them like ink to parchment. Aemond thinks he could doze off right here, Ysilla a comforting weight atop of him, his manhood still nestled in her center. 

Her palm is gentle on his cheek, her thumb rubbing back and forth in a tender sweep that stirs his eyelid to open. She’s beautiful, even in her enervation and he lets himself savor this moment. The world has paused for them, and it will not go on unless they will it to. 

“Thank you for taking care of me.” She whispers, afraid to shatter the silence. A final brush of her thumb over his bottom lip, softer than a feather, is her parting gift. She unseats herself from him, and even if she’s the one who wants to leave, her cunt does not agree. Her walls grasp at every ridge and vein of his prick, a caress goodbye until at last they part. Ysilla floats backwards, away from him, and the fact that he has an urge to catch her wrist and pull her back until she’s closer than skin terrifies him. 

She curls into a ball at the other side of the tub, an ocean away, and brings her knees to tuck under her chin. She stares at him unflinchingly and he stares back, tiredness glazing over them both. 

Aemond sighs deeply. One of them has to be the first to depart and since his quarters are on the other side of the castle, he begrudges that it is him who will have to make an exit. 

“I should go.”

Ysilla’s face is serene, every drop of willpower left in her battling the urge to slip beneath the water and fade away. She nods, a wooden lift and fall of her head.

“I think that’s best… I’m sure the whole castle knows what we’ve been up to.” 

Why her response stings, he won’t let himself dwell over. Nothing’s changed (everything has changed), they will soon return to their routines and carry on with their lives (neither one of them will be able to think of anything else but each other for the better part of a year). He rises from the water, stepping out and over the tub, reaching for a linen to at least try and make himself decent. 

It is she who catches his wrist in reality, her thin fingers looping over the bones until she surrounds him like shackles. 

“But… maybe…” Her eyes traverse their way down his body, revisiting the spots she had tasted, had bitten, had sucked. Her tongue snakes out, wetting her swollen flesh and he has to think of the night he lost his eye, the stench of manure, anything to keep the blood from rushing to his spent cock. 

“Gods, Aemond, what’s one more bad decision tonight?” She’s not looking for an answer, not out loud, looking deep into his eye instead. Searching for an understanding she’s not sure is there. 

“Stay? With me?” Even after all the carnal ways they’ve explored each other, it’s those three pleading words that send Ysilla’s heart galloping in her chest as she voices them. 

He stares at her, unanswering and still, and dread creeps up her neck in a cold chill. 

“Your chamber is a mess. We both need to eat and drink something other than wine. Not to mention sleep.” Aemond states stonily. Ysilla swallows passed the knot in her throat, sinking deeper into the water. Her fingers release him and she drifts away, in both body and mind. 

Aemond catches her fingers, and he threads his through hers like they’re meant to be there. He rubs small, soothing circles about her knuckles, and he brings them to his mouth on pure instinct, and presses a chaste kiss to the bones. 

“So I best bring you to my room then, to make sure all of that happens, no?” 

Aemond smiles first before Ysilla returns it widely. Hers is the sun appearing from behind a cloud, warmth bathing him, and welcoming him home. 

.

.

.

qrugh . shit

Qybor, kostilus . Uncle, please

Nākostōbā taoba . Weak boy

(I want this!) Bisa, bisa, bisa, fuck, gaoman gaoman. I want you, Gods, nyke jaelagon ao! . This, this, this, fuck, I do I do. I want you, Gods, I want you!

Sȳz riña . Good girl

ñuha pretty līve . my pretty whore 

ñuha zaldrīzes . my dragon

Jorrāelagon . love

[kneelingshadowsalome]

I know we're all focused on Satyr/Faun König but that bull comment... I'm quite partial to minotaur's and whats better than a darling who isn't from the area. Oh yes she's innocent of the crimes against König because she was not raised there.

Some foreign little creature just running blind in a maze trying to see where there might be a way out. It's been days after all and the screaming has gotten quieter and she wonders if she's the last one left alive. He takes his time eating his meals... this can be stretched out for such a long time as she hides herself in a dead end just a short rest... the darling is so tired unaware of the horrifyingly silent steps moving closer to her little haven. It's just her left now.

@kit-williams I've wanted to write for Minotaur!König for ages!

Minotaur!König x Ariadne!Reader Word count: 5 k oneshot Tags/warnings: Sexual tension, threats of violence and rape, implied cannibalism, power imbalance, moral ambiguity. Predator/prey dynamic, Beauty and the Beast elements, Ancient Greek religion & lore. 18+ MDNI A/N: The Minotaur in this story is not an actual hybrid. Reader is Hecate’s initiate. Merry Christmas y'all! <3

EDIT: PART 2 HERE

The screams are the worst part.

They echo through the Labyrinth while you wait and wait and wait.

Even the very stones seem to cry and wail as you place your hope on Theseus who descended to this hell along with you and the human cattle. Seven young men and seven unwed women, meant to satisfy a beast...

And judging by the screams alone, it sounds like the monster is satisfied. It sounds like it's having a ball.

Fourteen lives have been lost, their blood swallowed by the earth as if Hades himself is drinking the crimson of Athenian youth in His feast. The flesh is the beast’s to devour: an underworld demon born of tainted lust.

Half bull, half man, you always thought the stories were only tales told by the fire to scare children. Turns out that the stories, for once, are true. There's something even worse in this maze, something cursed and foul... Hecate herself would shiver if She were here, in the womb of the earth, witnessing what you’re witnessing now.

You don’t actually see the Bull of Crete cut or hack or slash anyone, and you can only imagine what the monster does to the bloody, gutted corpses of the young. The only thing you see are the hollow, dark walls carved out of soil, sand, and clay, the intestine-like route dug deep into the earth. And you don't have to see the massacre: the screams tell you enough. The silence that follows betrays even more.

Your only light is flickering, waning: the candle will hardly last an hour. If the hero from Athens won’t arrive soon, you will have to leave this place. 

And oh, how you want to leave… You were a fool to follow him here. Blinded by love and hope, you thought Theseus of Athens would be your way out of Crete, but it’s clear that the only thing the young hero is capable of loving is fame. The only time his eyes turned to yours was when you said you might be able to help him with a small bundle of yarn.

Red as the setting sun or spilling blood, the thin woollen string is your only way out now. It’s ironic how a heap of twine is the only thing that can help you out of this hellhole, but the Fates always did possess a cruel sense of humour. Your silly daydreams might’ve cost your life, and even if you’re sworn to the dark goddess, you would rather die anywhere but here. In the darkness, all alone, with nothing but eyeless worms to keep company to your decaying bones.

The sudden draft from the outside world is warm but threatens to blow out your candle. It’s a sign from Apollo: if you don’t leave now, you’re dead. Theseus has to manage without you because you’re not dying in this underworld prison because of some man’s stupid lust for fame.

There's only deafening silence in the maze as you scurry up, taking support from the wall as your sight darkens for a moment. You rose too soon: you can’t even remember the last time you ate. And it appears that even the sun god has abandoned you because there's a faint echo of steps in the tunnel, and they don’t belong to a man. They’re too thick, unduly heavy, and it’s not a pair of sandals that are thumping against the soil.

So, Theseus is dead...

So much for the legend, the myth, the demigod.

Heart thumping in your chest and in the hollow of your throat, it threatens to drown the sound of approaching footsteps. They’re all dead, the people who descended here with you. The only thing you are right now is prey. You're being hunted; whether the Minotaur knows you're here or not, you know you're being hunted. You can feel it in your gut.

You cover the candle with one hand, hoping that the flickering light doesn��t reach around the bend. The falling thump of the footsteps stops, and you still your breath, hoping that the beast would turn around and search the other way.

You hear it sniffing behind the wall. It's trying to catch your scent in the air, the smell of dread and terror, sweat so thick it must reach his nostrils and make them flare with lust. Your heart is thundering in your chest, and the tunnel is so quiet that that you’re certain the creature will hear that, too. (Your heart always betrays you.)

And your luck is cursed.

The beast shifts. 

You can’t see him yet, but you can hear it: the scraping sound underneath his feet as he aligns himself anew, choosing the path that leads straight down to you.

“Hecate save me,” you whisper into the air that seems to grow denser as he approaches, loud thumps of feet now accompanied by metal grating against clay. 

“Hear me, flame-bearing guide... Darkness, protect me…”

He’s dragging bronze against the wall, announcing that he’s carrying a weapon with him, the strength of a bull apparently not satisfying enough if he wants to break your bones with metal.

Don’t blow out the candle... 

If you blow it out, you’ll die.

It’s a clear message, a knowing voice in your head that says it. It’s not young, it’s not old: just knowing. Alert. Wise beyond ages. 

So you still your breath and wait.

Shadows fill the curve of the tunnel just before he emerges: thick like thunder, a darkness so deep that even the name of the twilight goddess escapes your tongue. 

And he’s big. Bigger than the bulls you used to dance with, bigger than kings, or heroes, bigger than even Theseus, the man you thought was a myth walking. His head is enormous, bigger than the rest of him, awkward and rough like it’s not quite part of him even though he’s supposed to be half ox. 

The gigantic, horned figure stops when it sees you. Vast shoulders tense; the fat, double-edged sword falls to his side when he settles to loom between you and your only way to escape this place. You’re oddly thankful that the horrible screeching stopped, but then you notice that his blade is drenched in blood: actually, his torso, thighs, even the buckskin loincloth – the only garment this monster has chosen to wear – is spattered with red dots. 

The bronze tip drips with crimson, and the earth drinks it all. Hades is never satisfied: this beast is never full. Everyone who was sent down here is dead: everyone else has met their doom except you. You wonder if your mother would cry if she heard her only daughter died because she fell in love with a fool.

“I killed your hero,” the walls of hell boom. 

His voice is thick like tar, dark and foul like it’s the God of Earth himself speaking.

The flame in your hand quivers from fear, and you slowly remove your palm, the tiny candle illuminating the beast with warm homely yellow, making the prominent muscles of his chest even bigger. 

He’s carved like the statues in Athens, only, this giant is far hairier than the painted marble heroes of the city. The hair on his chest is thick and wild; it shoots down his abdomen and disappears underneath the loincloth, spreads over his inner thighs, even covers his shins in dark mats. He looks like a wild man, a beast indeed: sweaty, filthy and thick. But you never knew a beast like him could talk…

“A coward, that one,” he snarls, the voice reverberating oddly like it’s a human man speaking from under a wooden mask or inside a clay jug.

And you believe every word he says.

Theseus was strong and able-bodied, but he had built his strength just to show it off. This man’s body speaks of pure, ripe survival.

A hulking shadow with shoulders that barely fit the tunnels of the Labyrinth, with palms nearly twice the size of yours, he’s the myth walking instead of the hero whose blood now adorns that dull bronze blade. The Minotaur who survived his father’s wrath, his mother’s absence, these bleak surroundings, and all the heroes sent down to get his head… His weapon isn’t even sharp anymore, and still, he managed to cut through the sacrificial humans like butter. And what a horrific death it must’ve been to be hacked to pieces by a dull blade.

Is it evil of you to hope that the death of your “hero” wasn’t a quick one…?

Theseus was a fool and a coward, rotten to the core, but you saw all of that too late. He never cared about the human sacrifices or the king’s wrath; he never cared about digging into Pasiphae’s sorrow. He only cared about getting his face depicted on a pot or having his deeds played out in amphitheatres, his name uttered in song, accompanied by harp and flute.

“I know.”  

Your voice gets sucked into the earth: it doesn’t echo from the walls like his. It’s thin, damp, and frail, just like everything else meant to walk under the sun instead of stand buried under the earth.

But the beast before you tilts its head a little. It’s curious. 

Why would you say that? 

Why don’t you cry from hearing the news...? Why don’t you howl out your hero’s name and beg the gods to heed your grief? Why don’t you run away from a monster?

The candlelight is puny and weak, but it’s bright enough to bring out the eyes of an animal. You draw breath in the dampness of the earth when you finally see it: the bull’s head is devoid of eyes, and yet, the beast still has them. Blue as the summer sky, stern as the death grip of winter just before spring.

There’s nothing but ripped shreds of skin where the eyes should be, and instead of looking at you from the sides, they’re greeting you from the front. The horns are sturdy, but otherwise, the colossal head is a bit skewed... Thick patches of fur sticking out as if it was years and years old, and then – you realize it’s not his head; it’s only an illusion. 

There’s a man under there. A full, grown man who’s made himself a terrible helmet out of a bull’s carcass. 

“You’re a man,” you say out loud, earning yourself another shift of the colossal head.

“...What?”

The muffled echo confirms it: he’s speaking from inside the bull, moving only slightly to get a better look at you. 

“You’re not a monster. You’re just a man.”

His eyes are wild but intelligent; they pierce you from inside the inanimate shield. The large chest heaves, his ribs flare like sails as he draws air through what must be the foul stench of a long-dead animal.

He takes a step, and you shrink, almost dropping your candle and the roll of red yarn.

“You think talking will save you, female?”

He speaks like a man, walks like a man, but his moves are an animal’s. Shoulders slightly hunched like he’s a bull about to attack, you recognize the way his muscles quiver from the times when you used to do bull leaping. You don’t dance with Rhea’s oxen anymore: your tasks at Hecate’s temple are more suitable and less wild for a maiden your age. Back when you were younger and more agile, you used to jump from the back of one bull to the next, clouds of dust swirling around you as you showed your prowess to the priests.

But you can’t charm this ox by dancing. This one can’t be tricked or fooled: he will pierce you with those horns or his brazen sword if you take even a step.

“I can get you out of here,” you wet your lips, noticing that the blue eyes shoot straight to your mouth when you do that. “I know the way out.”

“What makes you think I want out,” he says, so tight and tense that you fear he’s either about to leap at your throat or plunge his sword into your chest.

And you should be concerned about your own safety, not about his sensibilities – if he even has such things – but hearing this beast man’s reply is like drinking bile. 

Why would anyone want to stay here?

You don’t know if he eats human flesh; you don’t know if he had to in order to survive. Everyone knows why his father threw him down here, but no one knows he’s not half the things the people above say he is. And if half of it isn’t true, what other lies have been told about the Minotaur? 

Even most prisoners see the sun, yet this man has been deprived of that, too. He’s been robbed of mother’s love, of father’s mercy, of friends and foes, of mentors and guides. He’s been robbed of life, of stars, of fires and summer skies, of women’s giggles, of fistfights with fellow men. Of songs and plays, of festivals and games, of bull dances, and maidens that leap…

“Have you ever been up there…? On the surface?”

You turn your voice into soft water on pebbles, a soothing pour of persuasion and goodwill. His pecs contract, strong abs under thin hair and body fat bunch like you’re about to hit him there. You take a step, and now it’s his turn to shun away. It’s only half an inch, but he actually moves away from you. 

“I can take you there,” you offer gently. “Have you ever seen the sun…?”

It’s like talking to a starved predator, trying to entice them to follow you with a fresh steak in hand, hoping that the fanged mouth won’t take more than was promised if it decides to accept the offering.

And the beast accepts. 

“As a boy,” he grunts, a tad more softly. 

Those eyes are fixed on you, reminding you of horses when they’re slightly afraid. The glint of white and blue behind the carcass is fiercely alive, quite unlike the hollow, disinterested stare of the Athenian hero who was only interested in himself.

But this beast is interested. Oh, the Bull Man of Crete is wildly, fiercely curious about you. 

“You’ll take me to the sun,” he repeats, an affirmation rather than a question.

“Yes. To the surface. I promise.”

He moves. Like an animal who learned long ago to drive others into the corner so that he wouldn’t get forced there himself, he’s primal, sensual in the way that oracles in a trance are sensual.

Approaching you in silence that’s almost eerie, the hairs at the nape of your neck stand on end by the time he’s only an arm’s length away. Why announce his coming earlier if he can move so quietly?

“You’ll lead me to my father.” 

His gaze bores into you, and not even the warm draft from the tunnels can prevent you from shivering. He’s distrustful, and it’s no wonder. It must be odd that some girl with a candle and a bundle of yarn is suddenly waiting for him around the bend, and doesn’t even flee. He’s a behemoth, but he’s not stupid. A stupid man would not have been able to survive, let alone thrive in this place.

And why should he trust you? Who is he supposed to trust in this maze when every person he has seen has either run away from him or tried to kill him? His father will slaughter him if he ever escapes the Labyrinth, so what else is a priestess in his kingdom but a squealing mouse, trying to feed him lies and then guide him to the surface and into a forest of spears? 

“No,” you shake your head slowly. “No, I promise I know the way. There will be no soldiers–”

You shut your mouth just before a huge palm closes around your throat. 

Gods, but he moves fast when he wants to… 

The candle and the yarn drop the instant his hand seizes your neck, strong fingers nearly meeting at the back as he squeezes your windpipe ever so slowly.

And he’s so close now. The carcass reeks of death, but the man underneath stinks of plain human sweat. His musk is a peculiar mix of blood, earth and soil, something both stale and invigorating, the thin sheen of sweat and dirt covering his muscles making him look like a common builder. It’s strange that the bull’s head hasn’t yet decayed in this place, that the man doesn’t reek of bodies and bones that must be scattered around like debris further down the tunnels. 

Another thing that’s strange is that he doesn’t seem to want to simply silence you.

He also wants to touch you.

A wide thumb strokes the underside of your jaw as he studies you. It slides down the column of your throat, the blue eyes gleaming with fascination when you swallow against him.

He drinks in the sight of you: the lips that part with fear, the frail collarbones that breathe against the side of his palm. The promising crevice between your breasts, the enticing softness of your teats. 

You can hear his breath grow heavy under ox skin and bone, the rugged, vicious helmet he has chosen to wear. What lies under, you can only imagine, wherein he has little left to the imagination when taking in the curve of your breasts, your nipples rising to peaks under the thin white linen only temple virgins use. 

Seeing your reaction to his touch makes him growl -- he actually growls like an animal, a deep, low rumble of approval rising up his throat when he sees how different your body is from his. How supple and cushy it is, soft and plump like a peach, covered only barely as if to tease a best like him. You wonder if he ever took pleasure in the maidens sent here by the king… If he ever thrust the sword between his legs into their weak bodies before giving them the mercy of his actual blade. Would he even know what to do with a woman, having lived here for so long?

“Please,” you whisper, bringing his eyes back to yours, the ice in them now liquid sapphire of pure want. 

Gods… You need to bring his attention back to your offer of help before he sees it more compelling to just stay here and play with his new, plump little mouse. Virgin or not, you wouldn’t survive a mating with this man. 

“I swear on Hecate’s torch that it’s not a trap. You have my word: I’m a priestess soon to be.”

He’s entranced. Hypnotized by your lips. You lick them to confirm your fears true: the man grunts with pleasure, out of instinct, absentmindedly like an animal who reacts to the sight of a fat, meaty bone. 

Oh, he might not know what to do with a woman… But he would try his best to find out. 

“Priestess…?” He rasps.

“It’s a holy woman,” you explain. “I serve the Goddess of the Crossroads.”

He snorts, either because he’s not impressed or because he’s downright amused by your vocation. The eyes, warmer, more demanding now, are far from the eyes of a bewildered beast.

“Little female of the crossroads... You will take me to the king. And then, I will kill him.”

He puts weight into his words, tries to make you understand. 

He wants you to guide him to his father. 

To the King who claims his son is half bull, to the husband who claims his wife was adulterous with an ox. To the King who demands tribute as virgins so that he can send them down to hell. The dark goddess screams justice, but you're at a horrible stalemate.

The gods will curse you for this… They will smite you with a bolt of lightning or drown you next time you cross the great sea if they see you’ve helped this half-beast escape. If you guide him to Minos, you’re a participant in kingslaying, and the gods never forget things like that.

“He’s your father and the king of Crete,” you whisper in fear. “The gods will strike you down–”

“Gods?” He spits. “I piss on the gods. I fuck their corpses and leave them to rot.”

You almost choke on the blasphemy levelled at you. The shadows creep closer, the stare behind the black fur is dark and amused, burning with the crooked wrath of a thousand years. 

“Perhaps I’ll fuck you too.”

It’s unnerving that you don’t find the threat wholly unappealing.

If anything, your eyes drift down to the hairs of his chest, to the two big muscles that resemble the work of the best sculptors in Athens. 

“Are you a virgin, female of the crossroads?”

His eyes search for your response: they want to see your fear and disgust. You swallow again, arduously against his hand, both caressing and testing you. 

The beast leans forward, as if weighing if he could somehow insult the gods by pillaging you. The rough hair of his chest meets the white cloth, it brushes against your nipples as he bends down to have a good sniff of you.

“You smell like a virgin,” he growls.

The hand leaves your throat, only to travel down your sternum. He grabs your breast nonchalantly, a little too roughly, the hot palm closing around the teat and squeezing it like it’s a toy. When you don’t react, he squeezes it again, this time hard enough to coax a whimper out of you.

“Sound like a virgin…”

Without warning, the hand dives straight between your legs next, palm forcing its way through your thighs and curving to cup your sex, moulding around it with barbaric thirst.

“Feel like a virgin, too.”

It’s thick, hot, and heavy, how he simply tries you through your dress. Fingers testing your folds, he’s clearly enjoying the subtle wetness he finds down there. You can hear another hitched grunt pushing up his throat, rugged and whiny this time, a broken groan that dissipates because of how dry his throat is. 

No man has ever dared to lay his hands on you... Many have wanted, but none have tried. Even drunkards and fools respect women who belong to the dark goddess.

But he doesn’t care about the wrath of Hecate. He doesn’t give a shit about the gods. He simply takes what he wants, what falls into his lap. The fifteenth offering, but he doesn’t seem to be interested in devouring your flesh. 

How easily he could simply yank that loincloth aside and drag your dress up. Force his cock into your tight, wet heat without uttering a word. You doubt that he would even take the trouble of laying you down on the ground for taking... Beasts rut when they want to: this man could fuck you against this wall if his loins demanded so, guttural groans being the last thing you hear before the candle goes out. 

You don’t know if you have to spread your legs for him before this is over, but you reckon you will do even that if it means you’ll see the sun again. You’ll endure every thick thrust, and gods be cursed, you wouldn’t even be solely disgusted if this half-animal chose to breed you... As shameful as it is, you would somewhat enjoy having him rut you like an animal in heat.

And you’ve gone mad, surely. 

You want to touch him too, just to test another theory. 

Deciding that it's a good idea to stick your hand into the maw of hell, your fingers lift. They meet his bicep, and the lewd panting stops.

He’s not even breathing… He’s just drowsy and drunk, looking at you with a mixture of soft sleepiness and awe in his stare. Like a dog who has never been petted, even his eyes drift half closed when he forgets to threaten you, now focusing solely on your hand. 

And you start to caress him, slowly, so slowly… Tracing the muscle all the way up where it meets the shoulder, you stroke even the thick cord that leads to his neck. The rest of him disappears under the bull, but the man behind it already shivers under your touch. He even bends his head a little in hopes that you would go under the mask and touch him there, and the gesture reminds you of an animal exposing its vulnerable areas, baring its very throat in submission. 

Braving a quick peek down, you notice that the buckskin cloth is stretched high and wide. His whole body is tense and immobile: you could cup him through the soft animal skin and he would probably shoot his seed from a single stroke of your palm. 

If this is not a virgin, you don’t know what is...

In a way, it would perhaps be wise to shove your hand down and disarm this man. That way, you would be safe for a few more minutes. Instead, you lay your palm over his chest, right over where his heart should be. 

“So do you, Bull of Crete...”

His gaze flickers.

The darkness hesitates, widens, nearly swallows the azure pools whole. But he doesn’t look irate or wild... Only shocked.

It’s an impasse. A thicket. His hand on you, your hand on him.

He surrenders first: the underworld budges before the utterly pure. You bless him with grace the instant he withdraws his hand from between your legs – slowly, reluctantly, like leaving a place that belongs to him. Or to which he belongs…

“I promise I’ll help you, Minos Tauros. But I need you to give me something in return.”

You remove your hand too. Softly, slowly, like a horse master who trains and tames wild things. All words seem to have escaped his tongue: he only grunts, unsure of what a beast like him could give you in return for your help.

“You must promise to be kind to me.”

“Kind...?”

“I need you to behave,” you explain. “No bad things on the way up... No fucking.”

Everything else, he seems to accept, but during the last sentence the Minotaur blinks at you, utterly confused.

“But... You smell like you want to fuck.” 

Your jaw drops open a tiny bit. Then you remember that a priestess of Hecate doesn’t gawk.

“I don’t–How would you know that…?”

The beast only shrugs. Then he leans forward and takes another sniff as if to prove it’s true that you want his cock inside you.

“You smell good,” he grunts. “Different... Female, not afraid.”

“That doesn’t mean I want to…”

He even raises his hand to inspect the slight wetness there. Fascinated by the thin film on his fingers, he rubs his thumb in it, probably thinking about bringing it under his mask to get a good sniff of your juices too.

You grab his wrist without thinking, mortified to your core by the prospect of him getting high on your slick. 

“Look. We need to leave before the candle burns out.”

The obsessive stare threatens to swallow you once more, so you let go of his wrist and steel your resolve. Scooting down to grab your things, you try to ignore the violent erection still pointing straight at you.

Hecate keep you from offering yourself to this man out of your own free will...

And you don’t have a torch, only a candle and a skein of blood-red yarn, but you know the way out, so there’s hope. There’s always hope.

“I need you to promise me,” you turn at the mouth of the tunnel, seeing that he’s still standing there, in the place where he almost took you like his first whore. As if waking up from a thrall, he straightens to his full height, picks up his sword and looks like a half-human, half-bull once more.

“I promise,” comes a booming voice from under the animal skull. “No fucking… I’ll behave.” 

You nod. There's a sense of trust in the air. A promise of hope... It's mutual, invigorating -- life-giving, like the sun and blood in your hands.

You don't know if the son of Minos has ever smiled in here, but from the quick glint in his eyes, you suspect that he's smiling right now, the man under that animal mask. Somehow, it reminds you of the stars in the sky.

“Lead the way, maiden.”

[prokopetz]

Your long and arduous journey has led you to this, the final confrontation. You thought you knew what to expect, but just as you struck the final blow, your ultimate foe's eyes gleamed with unnatural light as they proclaimed…

THIS ISN'T EVEN MY FINAL FORM

A game for 4–6 players

Introduction

This Isn't Even My Final Form is a GMless tactical minigame for 4–6 players. You'll take on the roles of a party of heroic adventurers nearing the end of a world-spanning quest to defeat a great evil, the Final Boss. Unfortunately for them, each time they think they've won, the Final Boss assumes a new, even more horrifying form, and the struggle begins anew. Is there any end to this conflict? There's only one way to find out!

What You'll Need

This Isn't Even My Final Form requires a dozen six-sided dice, as well as a way of keeping track of a few important numbers – a shared text document or some scrap paper will suffice.

Update 2023-10-30: Print-and-play card decks are available here:

http://penguinking.com/this-isnt-even-my-final-form/

Character Creation

Choose two of the following actions to be your Party Member's Class Actions: Strike, Heal, Buff, Debuff. If you'd rather determine this randomly, roll on the following table.

1. Strike, Heal 2. Strike, Buff 3. Strike, Debuff 4. Heal, Buff 5. Heal, Debuff 6. Buff, Debuff

Give your Party Member's Class a name which suits your Class Actions. Also give your Party Member a name; it is traditional but not obligatory for your Party Member's name to have exactly five letters.

Playing the Game

Play is divided into a series of Phases. During each Phase, one player takes on the role of the Final Boss. That player's Party Member does not participate in this Phase; they're trapped, lost, incapacitated, or otherwise separated from the party or unable to act for the duration of the Phase. All other players take on the roles of their Party Members.

The Final Boss player's first order of business is to describe what the current Phase looks like. The Final Boss player can roll 1–3 times on the following table (re-rolling duplicates) to decide on a theme, or use it as inspiration for their own theme. To use this table, roll a six-sided die twice, treating the first roll as the "tens" place and the second roll as the "ones" place, yielding a number in the range from 11 to 66.

11. Beasts 12. Bells 13. Blood 14. Bones 15. Chains 16. Chaos 21. Cubes 22. Eyes 23. Fire 24. Flowers 25. Food 26. Games 31. Gears 32. Glass 33. Gold 34. Hands 35. Holes 36. Ice 41. Iron 42. Light 43. Mazes 44. Meat 45. Mirrors 46. Music 51. Orbs 52. Order 53. Plague 54. Shadow 55. Slime 56. Space 61. Spikes 62. Teeth 63. Time 64. Trees 65. Weapons 66. Wings

Once the Phase has been defined, set the party's Momentum to zero. Momentum is a value which will increase or decrease over the course of the Phase; it has a minimum value of zero, and no particular upper limit.

Play proceeds in a series of rounds, as follows.

The Final Boss Attacks

The Final Boss always goes first in each round. Roll one die:

1–3: The Final Boss chooses one of the following actions. 4–5: The Final Boss chooses two of the following actions. You may not target the same Party Member twice; however, you may use the same action on two different Party Members if you wish. 6: The Final Boss does nothing this round. On its turn next round, it does not roll and instead uses its Ultimate Attack.

Wound: Inflict the Critical Condition on a single Party Member. If the chosen Party Member already has the Critical Condition, it's replaced with the Down Condition and the party loses one Momentum.

Imprecate: Inflict the Cursed Condition on a single Party Member.

Envenom: Inflict the Poisoned Condition on a single Party Member.

Bewilder: Inflict the Confused Condition on a single Party Member.

Counter: If you're targeted by the Strike or Debuff actions this round, after resolving that action, perform the Wound action on the Party Member who targeted you. You may counter any number of actions in this way.

Dispel: Remove the Buffed and Protected Conditions from any number of Party Members.

Enrage: The Final Boss rolls two dice and takes the better result on its next action. The party may cancel this benefit with a successful Debuff action; doing so removes the extra die instead of forcing the Final Boss to roll twice and take the lower result.

Ultimate Attack: This action can only be chosen by rolling a 6 during the previous round. When the Final Boss uses this action, choose Cursed, Poisoned, or Confused: you may perform the Wound action AND inflict the chosen Condition upon any number of Party Members, in that order. (i.e., Wound each targeted Party Member, THEN Curse/Confuse/Poison any who remain standing.)

The Final Boss player describes the outcome of the chosen action(s) in as much or as little detail as they like; control then passes to the other players.

The Party Acts

After the Final Boss has attacked, each Party Member who doesn't have the Down condition chooses one of the following actions, in any order the players wish. After choosing any action other than Defend, the player rolls their dice pool, which is a handful of six-sided dice constructed as follows:

Start with a number of dice equal to the party's current Momentum (initially zero, though it will grow over the course of the Phase)

Add one die if you're performing one of your Party Member's Class Actions

Add one die if your Party Member currently has the Buffed Condition

Add one die if your Party Member currently has the Critical Condition

Roll all of the dice together, and find the highest result. Ties for the highest result have no special significance; for example, if you rolled four dice and got 1, 3, 5 and 5, your result is 5. If you'd ever end up with zero or fewer dice for any reason – either because your dice pool was empty to begin with, or because some effect obliged you to discard every die you rolled – you receive an automatic result of 1.

If an action requires you to target a specific Party Member or make other choices, you can wait and see the result of your roll before making those decisions.

Strike: You attack the Final Boss. Roll your dice pool:

1–3: Nothing happens – either the attack misses, or the Final Boss turns out to be immune to whatever you just did. 4–5: The attack strikes true. The party gains one Momentum. 6: Critical hit! The party gains two Momentum.

Special: If you roll triples or better (i.e., at least three of the same number) on a Strike action, the Final Boss' current Phase is defeated, and you move on to the next Phase. It doesn't matter what number comes up triples.

Heal: You attempt to restore the party's strength. Roll your dice pool:

1–3: You may remove the Critical Condition from a single Party Member. If no Party Member has the Critical Condition, nothing happens. 4–5: You may remove the Critical Condition from any number of party members OR you may remove the Down Condition from a single Party Member. 6: You may remove the Critical and Down Conditions from any number of party members.

Buff: You attempt to bolster a party member. Roll your dice pool:

1–3: You may grant the Buffed Condition to a single Party Member OR remove a Condition of your choice other than Critical or Down from a single Party Member. 4–5: You may grant the Buffed Condition to a single Party Member AND remove a Condition of your choice other than Critical or Down from that Party Member, if they have one. 6: You may grant the Buffed Condition OR remove a Condition of your choice other than Critical or Down to any number of Party Members. You may choose a different option for each targeted Party Member.

Debuff: You attempt to weaken the Final Boss. Roll your dice pool:

1-3: Nothing happens – it turns out the Final Boss was immune to that effect. 4–5: The Final Boss rolls two dice and takes the lower result on its next action. 6: The Final Boss rolls two dice and takes the lower result on its next action AND the party gains one Momentum.

Defend: You may grant the Protected condition to a Party Member of your choice. Do not roll.

Based on the outcome of your roll (if applicable), describe the outcome of your action in as much or as little detail as you wish.

Once each Party Member has acted, return to "The Final Boss Attacks" to begin the next round.

Ending the Phase

As noted above, rolling triples or better on a Strike action results in the immediate defeat of the current Phase. Alternatively, if all Party Members simultaneously have the Down Condition, the Final Boss player's Party Member suddenly breaks free or arrives on the scene and rescues everyone in a stunning deus ex machina; this also ends the Phase, but does not count as defeating it.

In either case, reset the party's momentum to zero, remove all Conditions, and move on to the next Phase. The role of the Final Boss passes to a different player, with preference given to those who haven't yet had a chance to be the Final Boss; the previous Final Boss player resumes playing their Party Member.

Continue until the party has defeated a number of Phases at least equal to the number of players, or until mutual agreement has been reached that all this has gone on quite long enough.

Conditions

Some actions can impose Conditions upon the individual Party Members. Conditions can be positive or negative, and last until specific conditions for their removal are met.

Buffed: Your strength has been boosted. When rolling your dice pool, you roll one extra die.

Confused: You've lost your wits. When the party acts, your action is determined by rolling a d6 – 1: Strike; 2: Heal; 3: Buff; 4: Debuff; 5: Defend; 6: do nothing this round AND remove this Condition. This Condition is also removed if you gain the Critical Condition while under its effects. You may choose targets normally if the rolled action requires them. Confused Party Members always act before their un-Confused peers; if there are multiple Confused Party Members, the Final Boss decides the order in which they act.

Critical: You are badly wounded. Desperation lends strength, and so this Condition adds one extra die to your dice pools; however, if you suffer the Critical Condition a second time, it becomes the Down Condition instead.

Cursed: You've been afflicted with misfortune. Discard your highest result after rolling your dice pool, but before applying your chosen action's effects. If there's a tie for the highest result, discard all of them; for example, if you roll four dice while Cursed and get 1, 3, 5 and 5, your result is 3. If the Condition causes you to discard your only set of triples of better on a Strike action, the Phase does not end.

Down: You are incapacitated by injury or foul enchantment. When the party acts, you may not choose an action; your action remains lost even if this Condition is removed before the end of the round. When you gain this Condition, remove all other Conditions, and the party loses one Momentum. (This is not in addition to the Momentum loss noted by effects which inflict this Condition – those are just reminders.) You may not gain other Conditions while this one persists.

Poisoned: You're afflicted by a poison, plague, or death-curse. If you have the Poisoned Condition after resolving your action for the round, you gain the Critical Condition. If you already have the Critical Condition, you instead gain the Down Condition, and the party loses one Momentum.

Protected: The next time you would gain any Condition other than Buffed, remove this Condition instead. You also remove this Condition if you take any action other than Defend on your turn.