#chris williams

[coiour-my-world]

"Fractured" | Tipsoo Lake, Mt. Rainier National Park, WA

Photo: Chris Williams

[haveyouseenthismovie-poll]

[mikimeiko]

The Sea Beast (Chris Williams, 2022)

[courseyoulovemeyoudontknowme]

Bolt (2008, Chris Williams and Byron Howard)

28/05/2024

[jgthirlwell]

06.30.24 20th annual performance in Terry Riley's In C, performed by NYC In C.

Brian Chase - drums, Billy Martin - drums, Aba Diopsabar -percussion, Zach Layton - 17-string bass (electric), Luke Stewart - upright bass, Henry Fraser -electric bass, Ava Mendoza - guitar, Elliott Sharp - guitar, David Grubbs - guitar, Bobby Previte -percussion, Nava Dunkelman - vibraphone, Shayna Dunkelman - vibraphone, Levy Lorenzo -marimba, Matt Evans - marimba, Ursula Oppens - Steinway piano L, Adam Tendler - Steinway piano R, Qasim Naqvi - synth, Ben Vida - synth, Miya Masaoka - koto, Zeena Parkins - harp. Neel Murgai- sitar, Erica Dicker - violin. gabby fluke mogul - violin, Laura Ortman - violin, Joanna Mattrey - viola, Jessica Pavone - viola. Cleek Schrey - viola. Alex Waterman - cello. Andrew Yee - cello. Lester St. Louis - cello. Kaoru Watanabe - shinobue flute, Laura Cocks - flute, Katie Porter - clarinet, Peter Hess - bass clarinet Matana Roberts - soprano saxophone, Lea Bertucci - alto saxophone, James Fei - alto saxophone, Zoh Ambatenor - saxophone, Peter Gordon - bari saxophone, Katherine Young - bassoon, Kyra Sims - french horn, Nate Wooley - trumpet, Ben Neill - trumpet, Chris Williams - trumpet, Peter Zummo - trombone, Chris McIntyre - trombone, Marcus Rojas- tuba, Joan La Barbara - voice. Gelsey Bell - voice, Nick Hallett - voice, Tariq El Sabir - voice, Raquel Acevdeo Klein - voice, Isabel Crespo Pardo - voice, Angelica Negron -accordion

[disneytva]

Moana's Hei-Hei Is Next On Getting Paul Rudish and Asia Ellington Redesing For Walt Disney World Passholder Magnet.

There's a line where the sky meets the sea and it calls me, but no one knows how far it goes, one day I'll know, how far I'll go!.

Consider the coconut as Disney Television Animation, Walt Disney Imagineering and Disney Yellow Two Shoes Team team up for another Walt Disney World Passholder magnet this time featuring everyone's favorite rooster Hei-Hei from Moana in honor of EPCOT's Journey of Water, Inspired by Moana.

Walt Disney World Annual Passholders can head over to EPCOT for the latest magnet in their growing collection from January 29 to February 23, 2024

The redesing is done by Asia Ellington ("The Wonderful World of Mickey Mouse" Franchise) & Paul Rudish ("The Wonderful World of Mickey Mouse" Franchise) with animation by Mercury Filmworks.

[nudeelnn]

[the-poppy-outie-effect]

Things I want to see in the Sea Beast sequel

(The seabeastquel, if you will):

Little Jacob flashbacks! The little we know about the movie so far has indicated that it will be about Jacob learning parenthood with his newly adopted kid and- whoa, would ya look at that, his Own dad had to do the same thing! Parallels! Please and thank you!

More beasts. C'mon man, it's called The Sea Beast, we're gonna need more lil guys, creatures, if you will. You want them, I want them, give us more beasts

MS. MERINO. Listen, I know the Ms. Merino fanclub isn't nearly as big as the Jacob and Crow fanclubs, but I'm in love with her and I need more of her. She's the love of my life, pls Mr. Williams sir I need more

Idk if I'm just biased because I wrote a fic about it (The Honor of a Tired Old Man on ao3, check it out!), but for the love of all things holy I Need a Jacob and Crow resolution. You cannot expect me to believe Crow legitimately stopped caring about his kid after everything. He wanted to, sure, but no, he did not.

Gay people. Listen, this is already a very queer world, just make it official. I vote for Ms. Merino to be Sapphic and have a wife and for it to be me

More Crow backstory pls. Also, just more Crow. I love this crusty old man and I know for a fact that The Sea Beast tumblr would riot in the streets if their favorite gilf wasn't back for the sequel. More Crow please

More worldbuilding, simply because what we already have is so interesting and I desperately want to know what else they would do. How to other societies deal with the beasts? What do they think of the hunter society, especially now that it's collapsing.

Speaking of that collapse, PLEASE show me the revolution. I need details. This world is so fascinating I need to know about the revolution so bad

And finally, what jobs have old hunters started filling? I've made speculations about trade and fishing vessels, and I know that fishing and privateering is a popular headcanon. Maybe some of them go for actual piracy? I think some should go for actual piracy... as a treat.

Drop your thoughts in the tags and reblogs! I'm hyped for the seabeastquel, lmk what you think!

[cinematitlecards]

"Big Hero 6" (2014) Directed by Don Hall & Chris Williams (Animated/Action/Adventure/Comic Book)

[tjkl895]

Coaches Chandler, Williams and Miklus (https://www.sjanickiphoto.com/2023-2024-College-Wrestling/2024-02-23-Michigan-State-Vs-Central-Michigan/125-157lbs-Michigan-State-Vs-Central-Michigan-22324)

[coiour-my-world]

"The Cosmos" | Mt. St. Helens, WA || Chris Williams

[nerds-yearbook]

On the January 4, 2014, "Revenge of the Myth" episode of the Mythbusters, the team tested the Star Wars myths could Luke swing Leia cross the Death Star chasm with his belt grappling hook, could the Ewoks destroy a Chicken Walker with two logs, and could Luke survive in the carcass of a tauntaun? All the main cast, with the exception of Kari Byron, have worked on Star Wars movies. ("Revenge of the Myth", Mythbusters, event)

[dustedmagazine]

Patrick Higgins — Versus (Other People)

Drawing from contemporary minimalism, electro-acoustic improvisation and electronic structures, the title track of Versus debuted in Berlin on a configuration of 75 surround system speakers. Even on headphones, the physicality and spatial design strikes you. Over 18 minutes, Higgins develops a twinkling planetarium of electric guitar notes augmented with keyboards and laptop treatments to produce a soundscape of composed and improvised elements. Subtraction is the first impression, then an increasing pressure as Higgins forms his atoms and they develop into nebulae. There is forward motion and moments of stasis and plateau, the evolution paused to take stock before branching out again. Higgins also plays with frequency. Cracks, buzzes and rumbling sub bass drones that vibrate through your viscera.

Drummer Bobby Previte guests on “Sirocco” as launchpad and counterweight against which Higgins builds propulsive intensity. He begins playing behind Higgins’ cascading circles then joins him as they explore tempo and repetition with increasing intensity. By the end, you imagine Jaki Liebezeit playing along to a Steve Reich composition. Previte also appears “Catalyst” which begins in a swathe of  Oval like glitch and buzz. Previte plays as if his kit is coming apart, Higgins like he’s trying to free a Friends of Dean Martinez track from the white noise of  malfunctioning roadhouse signs. “Faceless (Pulse)” is deconstructed dub, unshackled from all but the most rudimentary of beat and bass. Higgins scratches guitar notes across the surface as if ice skating over an active volcano.  “The Outside Doesn’t Dream of Itself” appears as an almost random sequence of disconnected thoughts, a subconscious fusillade of synaptic grenades which form patterns in the absences left by detonation. A sinewave felt more than heard is the threshold to “Little One”, after a minute a deep drone heralds the entrance of trumpeter Chris Williams, pensive but clarion clear in echoing space. It’s the most straightforward moment of Versus and acts as a sweetener for the album coda.  On “Aporia” (an irresolvable logical disjunction), Higgins breaks his music into its constituent parts and watches them try to get along. It sounds like a mechanoid rebel without a cause self-destructing on cognitive dissonance. A daring end to a brilliantly conceived and performed album on which Higgins embraces contradiction - physical and cerebral, control and chaos, composition and improvisation – and finds accommodations between and within extremes. Listen at volume to get the full visceral effect.

Andrew Forell

[fieldcinema]

The Sea Beast, 2022 Dir. Chris Williams

[jgthirlwell]

04.05.24 Chris Williams at the Ende Tymes festival at TV Eye

[ifthesewings--couldfly]

Netflix’s The Sea Beast is being criminally slept on.

Prepare to be spammed by appreciation for this movie.