#Is that a lot of people at once? Maybe yeah but also I'm evil or something

[elf-simp]

which aesthetic™ color are you?

Dust Rose

My friend, you are hella aesthetic. Everything about you is thoughtful and intentional, from the way you present yourself to the way you've constructed your space. You'd probably make the most impressive cakes. You have a few close relationships that you've poured yourself into, and you both value the little every-day moments you have together. That said, sometimes you get a bit lost in the details and forget to take a holistic look at your life. Who have you left behind? Are you happy, or do you just look it? Remember to have an honest check-in with yourself sometimes.

Thank you for tagging me @oneiroy!

I will now cast Powerword: Tag upon: @dreadwyrmz @cindernet-explorer @mythandral @yloiseconeillants @cantspelldragoonwithoutgoon @azure-dragonsinger @khajiitclaws and @biblicallyaccurateviera

[deeply-unserious-fellow]

I've seen a lot of people comparing Huskerdust to a healthy version of Stolitz and it's kinda got me thinking... Staticmoth as the evil fucked up version of Fizzmodeus.

THINK ABOUT IT!!!!! The parallels between Val and Ozzie are obvious. Like that man wants to be Ozzie so bad it's insane, from the way he dresses to the way he decorates to straight up OWNING A ROBO FIZZ, Val clearly wishes he was the embodiment of Lust. But are there parallels between Vox and Fizz? Actually, surprisingly yeah. They're both showmen, like aggressively so. They're very public figures, with their face all over every product in Hell(albeit Vox is doing it a lot more purposefully then Fizz). Fizz's antagonism towards Blitzø is actually pretty reminiscent of Vox's towards Alastor(except Fizz and Blitzø have a lot more baggage lmao), and they even share some aesthetic similarities! Specifically the colors of Fizz's robotic limbs matching Vox's overall color scheme. Which speaking of robots, that's probably their biggest similarity overall: they're both partially made of technology. I hesitate to say cyborg because Idk how much that applies to Vox, since object heads aren't typically classified as cyborgs as far as I know, and we don't actually know how much of Vox is organic(also cyborg is just one of those words I have an inexplicable dislike of Idk-), but like. Think cyborg I guess. Like Vox is a LOT more of a dick and probably doesn't have a very tragic backstory? Maybe? Unclear. But the similarities are undeniable.

Okay, now that individual parallels are out of the way, how could their relationship to eachother parallel Fizzmodeus? Starting with baseline aesthetics: they got the height difference. It's not as dramatic as Fizz and Ozzie's but TO BE FAIR, Huskerdust are the same way(their height difference is obvious, but not as massive as Blitzø and Stolas'). Staticmoth is also very buisness-partners-with-benefits and some hints at deeper feelings, which is how we were introduced to Fizzmodeus. I don't think Val and Vox feel the need to hide their romantic feelings? But tbh it could go either way we haven't seen much of their dynamic yet. That's kinda where the similarities I could spot find because see previous sentence, so let's move onto the differences!

I think a good way to breakdown what makes Staticmoth toxic Fizzmodeus is actually by bringing Alastor and Blitzø back in to compare and contrast how Val handles Vox's rivalry with how Ozzie handles Fizz's. In Radio Killed the Video Star, the only reason Val tells Vox that Alastor is at the hotel is to piss him off. He clearly enjoys Vox's reaction, and keeps egging him on. Teasing him about it. Which like, friendly teasing between partners is well and good, but Val is clearly just doing it cause he wants to see a fight and doesn't care about how distressed Vox is about this. Vox goes off on his own and sings a fuckin banger, gets publically humiliated, causes a massive blackout. Val doesn't really do shit to help him out, just kinda sits there and. Idk watches? Unclear what the other Vees are actually doing because most of Stayed Gone takes place in funny TV land where Vox is capable of bending reality to his whim for the sake of visual interest. But what Val is actively doing during the musical number isn't important so who cares. What's important is that he egged Vox on, convinced him that confronting Alastor right then was a good idea, and then just sat back as Vox got so pissed off he had a meltdown. Which I SWEAR I'm not trying to dramatize this scene it just sounds really fucking bad when you write it all down from this perspective. I think it's also worth noting that all of this is DIRECTLY AFTER Vox did the exact opposite for Val, calming him down so he doesn't make a fool of himself in public.

Meanwhile compare that to how Ozzie handles Fizz and Blitzø's relationship. During House of Asmodeus, once Fizz realizes Blitzø is there, he starts publically roasting him about how shitty his love life is. Ozzie encourages him, and even gives him a little congratualtions in the background when Verosika joins in for changing the subject, but the difference here is that House of Asmodeus takes place in a much more controlled environment, so it's less likely either of them will have to face consequences for being assholes. There's also how Ozzie's encouragement is just a lot more genuine. Like "yeah babe, go insult that guy who traumatized and abandoned you whoo!" rather then "hey hey look there's that guy you hate. You should go fight with him lmao show him who's boss." Then there's the ending. At the end of both Stayed Gone and House of Asmodeus, Vox and Fizz eat shit and die. Don't worry they're both fine like immediately after, but while in House of Asmodeus Ozzie immediately rushes over to Fizz to make sure okay, we uh. Do not see Vox interact with anybody but Alastor in the direct aftermath of his eating shit and dying, which is fair because he's in his weird little gamer cave. Then we skip straight to the Vees having a meeting to decide what they're gonna do about Alastor, and we don't really know what any of them were doing in the interim between the end of Stayed Gone and the meeting, so uh this part of the comparison kinda falls flat. But again something worth noting is that Val just straight up. Does not care about Alastor during the meeting scene. He's sitting there bedazzling his fucking gun BY HAND with school glue and rhinestones, not even paying attention to the meeting, despite being the one to get Vox all riled up about Alastor IN THE FIRST PLACE.

In short: Val encourages Vox to fight Alastor without thinking it through, doesn't bother to help out during the actual fight, and then immediately stops caring the moment the fights over. Meanwhile Ozzie, while encouraging Fizz to pick on Blitzø, backs him up the whole time, and while still supportive of his boyfriend, doesn't actively encourage Fizz to do things that would get him hurt. Ozzie also supports Fizz by refusing to let Blitzø have an Asmodean crystal because he knows Fizz wouldn't like it! Which is the exact opposite of pissing your partner off on purpose so you can watch a fight!!! And if that isn't enough evidence for you, then uh. I guess you could compare how Val treats... just everybody around him, really, with how Ozzie does(but that's more individual character analysis than relationship analysis). Or you could talk about how fed up with Val's shit Vox clearly is in comparison to the mutual support of Fizzmodeus. Or how. Val throws a glass at Vox. And breaks his phone. And then Vox has to scream in his face to get him to listen-

Idk how to end this so uh. DEMON ATTACK RAH!!! 👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹👹

[appocalipse]

Congrats! How huge! Can I shop?! 🛍️

There's an antique lock and key set and a pair of velvet gloves that look like they have my name written all over them (or a smutty friends to lovers with Steve Harrington where maybe we're partners in a game - drinking game at a rager, yard game at a bbq, board game on a game night, chicken at the pool party...I'm not picky - and celebrating our winning streak gets...a little out of hand 😉😉)

thank you, angel ♥ i got more than a little carried away with this one lol 6.4k words | cw: fingering, oral sex, unprotected sex 18+ only! mdni! literally the smuttiest smut that ever smutted

amy's flea market ♥

"Ready?" Steve asks.

No. Fuck, no.

“Yeah,” you respond. Steve smiles that almost evil smile of his and dives down so you can climb onto his shoulders. Again. You can't believe you're doing this again.

It's the third round of chicken fighting that you and Steve are participating in, and as you climb onto Steve's shoulders, you try not to think that you're climbing onto Steve's shoulders.

Steve. Your friend Steve. The guy you have the world's biggest crush on...no, fuck that. It's more. You know it's more, but you're afraid to admit the stronger word.

Because Steve is Steve. He's off limits.

Which doesn't make it any easier for you to try not to think about the way his big, warm hands are now on your thighs, holding on tight so you don't fall off his shoulders, where you're sitting in nothing but a bikini, his head between your legs...

"1, 2,3...go!" Robin yells, sitting on the edge of the pool with her feet in the water. You raise your arms as the team in front of you advances, the girl's arms stretched in hopes of pushing you off Steve.

But you and Steve are, apparently, invincible today.

It happens faster this time; next thing you know, the girl's grip slips, and you are the one who ends up pushing her into the water, her partner also losing his balance in the process. They laugh and the crowd — including Robin — goes wild. The adrenaline surges through your veins as you realize you've won. Again. Steve keeps you up there for one more moment, just so you can throw your arms in the air, giggling, enjoying your third victory in a row. Then, he carefully lowers you down into the water. 

When he emerges again, wet hair sticking to his forehead, he's grinning at you as he grabs your wrist, making you raise your arm one more for the crowd.

You giggle.

Steve sighs. It's that laugh of yours, the one that makes his heart skip a beat every time. 

"I think that's enough for today," you say, lowering your arm and grinning up at him, a bit dizzy from the adrenaline of the victory and the heat of the sun on your skin. 

Steve suddenly feels dizzy too, for a completely different reason.

He unsuspectingly watches as a fat drop of water travels down your lower lip, to your chin, your neck... and then you turn around, moving in the direction of the pool ladder. Against his better judgment, he follows.

Once out of the pool, you look around. 

"D'you want me to grab a clean towel for you?" Steve offers, ever the gentleman.

"Towel, yeah, that would be great..." you murmur, feeling ten times more self-conscious now that the two of you are out of the water. You don't even know most of the people here… "Can I come with you?"

Steve coughs.

The pool party had started earlier that day. The only clean towels remaining in that house now are in his bathroom. 

In his room.

And you're all wet.

For God's sake. That's the last place where he should be alone with you right now. 

But, like an idiot, Steve nods, "Sure, let's go." 

He leads you through the living room, past a group of people who are sitting on the floor, drinking and laughing, to the stairs, taking them two at a time. You're a little out of breath, but manage to keep up with his long strides until he reaches the top. The hallway up here is a lot dimmer, but you can still see the soft, warm sunlight coming from beneath his bedroom door. It's strange how you've never been in his room before. Countless times in his house, sure, but never his room.

Steve clears his throat and then opens the door, stepping aside to let you enter first. 

It's... not what you expected. It's not messy like the stereotypical rich boy's room, but it's not pristine either. It's neat, orderly, but... lived in. There's a king-sized bed in the center of the room, covered with a duvet that looks like it's been slept in. A small nightstand on each side of the bed, with a lamp and a few framed photos on top — you're even in some of them with him and the kids. The walls are painted a soft, warm blue, and there's a big window next to the bed, letting in the bright sunlight.

The air smells like... like him. Like soap and hairspray.

Steve clears his throat, drawing your attention back to him. He's still shirtless, so it's not like that's hard to do. "Here, take this," he says, tossing a towel in your direction. You catch it reflexively, feeling the softness of the fabric against your bare skin.

"Thanks," you murmur, rubbing your hair with it. 

The sound of laughter from downstairs seeps in through the partly open window. Steve is standing on the other side of the room, a towel loosely draped around his neck, and maybe it's that mysterious drink Robin offered you earlier making you imagine things, but there's a strange tension in the air and you're under the distinct impression that Steve is consciously avoiding you as you dry off.

You wonder what he's thinking. 

Steve clears his throat again, seeming to steel himself for something. "Um... I'm gonna go grab a drink. You... you want one?" he asks, not quite meeting your eye.

"Sure. And...can you get my dress? I left it downstairs earlier."

Steve nods, turning away from you so fast you almost wonder if he's mad. He disappears into the hallway, and you hear the click of the door being closed behind him, followed by the distant sound of footsteps as he makes his way downstairs.

Left alone in his room, you wander over to the bed and sit down on the edge, now wrapped in your towel. The duvet is soft against your bare skin, and the pillows smell like him. You can't help but wonder what it would be like to curl up here with him, to feel his warmth surround you as you drift off to sleep.

Probably not the kind of thought you should have in your friend's room.

The door opens again, and Steve steps back in, two glasses of something clear and fizzy in his hand. "Here you go," he says, handing you one of them. You take the drink gratefully, sniffing at it before taking a sip. It's some kind of spritzer, sweet and tangy. "And here's your dress."

It's draped over the curve of his arm. Steve sets his own drink on the nightstand before sitting down on the bed beside you, extending his arm so you could take the dress.

You do take it, but make no move to put it on. "I didn't know you were that good at chicken fighting," you say, trying to make it sound light-hearted.

Steve smiles. "Pretty sure it was all you."

"Of course not," you playfully nudge him. "We're a team."

He looks at you for a moment, his expression unreadable. Then, he reaches for his drink and takes a generous sip. "Yeah, a team," he repeats softly.

"What?"

"Nothing."

He studies you for a moment, taking another sip of his drink. The silence stretches between you. You wish you knew what was going through his mind, if he was feeling the same things you were.

"It is something," you quietly insist.

Steve looks at you, his eyes flickering uncertainly. "I don't know what you mean," he says finally, but there's a catch in his voice that betrays him, a hint of vulnerability that you've never heard before.

You stand up. He looks at you like you had just slapped him. 

"I'm still wet," you explain. Then, way too quickly for your embarrassment to go unnoticed, you add, "from the pool, I mean! Not...I don't want to make a mess of your bed or anything, you know...I mean, by sitting there while I'm wearing a wet bikini and-"

Steve cuts you off with a laugh. "Hey, hey," he says, reaching out to take your hand. "It's okay. You're fine. You can sit here." He squeezes your hand gently, and there's a warmth in his touch that sends a shiver through you. "And if you did make a mess, I'd clean it up. No worries."

You sit down again. Better than awkwardly standing there. 

"Very gentlemanly of you," you murmur, a small smile tugging at your lips.

Steve shrugs, returning your smile. "I'm not that bad, am I?" he asks, his voice teasing.

"The worst. But you're a good partner in chicken fighting, though."

Steve swallows hard.

"Just that?"

There is a moment of silence, as you and Steve stare at each other. You know exactly what he means, what's behind that question, behind the look he's giving you right now, studying your face like it's the first time he's seeing it. At least...you think you know. 

He puts his glass aside again. You open your mouth to say something, but he's faster.

"I need to go."

"Wait-"

He doesn't wait. Steve is on his feet in a second, almost at the door in two. 

But you, somehow supernaturally faster…you grab his wrist. You grab his wrist with both hands and oh God, Steve's not quite sure what to do with you now. He doesn't respond, doesn't move. You tug at his arm, wanting him to turn around, look at you. He doesn't.

"Steve."

His name feels like a whisper on your lips. It's not loud, but it's urgent. 

Steve is having a hard time remembering why he's supposed to keep his distance from you. He turns around to look at you, your hand slipping down to his, still not letting him go…and he realizes it was a bad idea.

The desperation in your eyes mirrors his own, and before he knows what he's doing, Steve is leaning in, hands grabbing your face, mouth finding yours, lips parting. 

He's not gentle, not soft. 

You moan into the kiss and Steve kicks the door closed without looking, his hands finding your waist as you cling to his neck, the towel falling at your feet. Your lips part and he slips inside, tasting you, feeling the warmth of your breath on his skin as you gasp, stumbling back as he pushes forward.

The bed is soft but cold beneath you as you land, Steve on top of you, pinning you down."God," he groans into your neck. "Sorry."

You giggle. "God, sorry?"

He groans in reply, lips moving against your neck as he continues to kiss his way down your collarbone. "I mean it," he whispers, his voice hoarse with desire. "I shouldn't be doing this."

"M' not...complaining."

Steve laughs roughly into your skin, pressing his lips to the dip between your breasts and finally looking up into your eyes. He pauses for a moment, searching for something there. You can see the uncertainty in his expression, the fear of losing control, of what will happen if he really lets go.

"Do you want me to stop?"

"No," you say automatically.

He chuckles at your answer, a soft, low sound that vibrates through your chest. "You're sure?" he whispers, leaning in to kiss you again, this time softer, slower. "Because I don't want to hurt you. I don't want to take advantage of you."

"How could you possibly take advantage of me?" you ask, sounding almost annoyed.

Steve smiles. "I don't know. I just..." He trails off, pressing a quick kiss to your chin. "I just want this to be right."

You can feel his hesitation, his worry, but you don't want to push him away. You reach up, gently cupping his cheek, and look into his eyes. "I want to."

"You want to?"

"Yes."

There's a moment where the weight of what you've just said seems to press down on Steve, making him pause. He looks into your eyes, searching for any sign of doubt or fear, but finds only the truth. He exhales shakily, looking like it takes every ounce of his self-control to do so. "Tell me you're not drunk."

You reach up, tracing his jawline with your fingers. "I'm not drunk."

"Fuck..." he mutters, trying to concentrate as you trail your fingers down his neck, over his collarbone. "Really? Don't lie to me."

You smile, shaking your head in disbelief. "I'm not drunk," you repeat. "I had like…two drinks. Are you drunk?"

Steve laughs, a choked-up sound. "I've had more than that," he admits. "But I'm…I'm okay." He looks at you for a long moment, like he's trying to commit your face to memory, just in case. Then he leans in, kissing you softly, his lips moving against yours with a tenderness that belies his earlier urgency. "But even if I were drunk, you're welcome to take advantage of me anytime."

You smile against his lips, wrapping your arms around his neck. "I'll keep that in mind," you whisper, feeling a rush of affection for him. Steve groans into the kiss, pressing your back against the mattress as his hips move between your legs. His skin feels hot against yours, his muscles tense, and with nothing but the thin fabric of your bikini bottom and his swim trunks between you, there's little left for the imagination.

"Steve," you breathe out as he kisses his way down your neck, nipping at your skin with his teeth. His name feels heavy in your mouth, like you've been holding it there for years and it's finally been given the chance to be spoken. "Steve…"

"You keep saying my name like that and I'm going to lose it."

You feel the wet heat of his mouth as he kisses his way back down your neck, over your collarbone. His fingers are patient, too patient as they trail up your sides, over your ribs, stopping just shy of your breasts like he's afraid he'll go too far, too fast, too soon.

"Can I-"

"Yes."

His laughter is soft as he pulls back to look at you, eyes half-lidded and mouth slightly parted. He brushes a strand of wet hair away from your face, tracing the line of your jaw with his thumb. "You don't even know what I was going to say."

"What were you going to say?"

He smiles, pressing a soft kiss to your lips. "Something about wanting you. About how I can't believe I'm finally here with you." His fingers drift lower, tracing the curve of your neck before one hooks playfully under the delicate string of your bikini top. "I was going to ask if I could touch you."

You nod, feeling the anticipation building inside you. "Yes," you breathe, arching into his touch. "Please."

His smile is slow, almost wicked. He lets go of the string and instead cups your breast, thumb tracing the hardening peak of your nipple through the thin fabric of your top. Your back arches further, and a soft moan escapes your lips as his fingers find purchase and squeeze. He pulls back slightly, watching as you close your eyes, your chest rising and falling rapidly. "Is this okay?" he whispers, tracing a circle around your nipple with his finger.

"Yes," you manage to choke out.

Steve hums in understanding, his touch growing more confident as he cups your breast in his hand, squeezing gently before circling your nipple with his thumb. The sensation is almost too much, making your hips twitch against his as you arch further into the touch. 

He wonders for a moment if he should take it further, if he should untie the knot and push the bikini top down, revealing your breasts to his touch...would you be okay with that? Or should he keep going, teasing you until you beg? His eyes flicker down to your lips, watching as they part slightly with each shallow breath, how your tongue darts out to wet them. 

You're so beautiful, he thinks, almost dizzy from the sight of you.

He can feel the warmth between his legs, the insistent pressure as his cock strains against the fabric of his trunks. You'll be the death of him, he's certain. He's already so fucking hard and you're not even naked yet.

He leans in, lips brushing against your ear as he whispers, "Can I?" 

He kisses your neck, your collarbone, your shoulder. And then his fingers slide lower, tracing the line of your stomach, pausing at your navel… 

"Can I touch you here?"

The feel of his fingers tracing the line of your stomach, so close to where you ache for him to touch, is almost too much to bear. You chuckle as you arch your back, offering him more of your skin, more of yourself, then grabbing his wrist when he doesn't seem convinced, guiding his hand lower. 

"Please," grinning, you run your fingers through his hair with your free hand, feeling the dampness there as it clings to the strands, "stop asking."

He smiles against your skin, his fingers finding the soft, warm skin of your inner thigh, tracing up and down, so close to where you're aching for him. "You're sure?" he whispers, his voice low and teasing. "You're sure you want this?"

"Steve Harrington, you-"

But you can't even finish the sentence before he's kissing you, his mouth warm and wet and demanding as his fingers finally slip between your legs, sliding beneath the thin scrap of fabric and you gasp into his mouth, arching into his touch, forgetting whatever insult you were going to say.

You feel the rough pad of his index finger against your clit, and then he's pressing, circling, teasing.

"Fuck."

"You're so wet," he breathes, watching your face. "So fucking wet for me, honey, God," His fingers move faster, his touch more demanding as he presses deeper, finding your entrance and circling, circling, wanting to push inside. 

You grip the back of his head, your other hand clutching at the duvet beneath you, your hips arching off the bed as his fingers move in a blissful, insistent rhythm. It's been so long since anyone has touched you like this, since you've felt this kind of need and desire, but this…this is even better than you could have imagined. This is Steve, your Steve.

"I want you inside me," you pant before you can think twice about it, your words breathless and urgent. "Please."

Steve hums, his fingers still working their magic as he leans forward, kissing your neck, your shoulder, your collarbone. "I want that too," he whispers, and then he's pushing the bikini bottoms aside, throwing them across the room, revealing your wet, aching folds to his gaze, moving to trail wet, open-mouthed kisses down your stomach, over your hip, and finally to the juncture of your thighs. 

Shit. He parts your legs with his shoulders, bending his knees to kneel between them. "Let me make you come first."

With...his mouth?

You prop yourself up on your elbows to look at his face, more than a little self-conscious now. "Wait, but you...you're gonna...?"

He wraps his arms around your hips, holding you still as he leans in, his breath warm against your exposed skin. Curiously, he asks, "You don't want me to?"

You shake your head; no, of course you do. But the idea of him going down on you...it's so intimate. So much more than just having sex. "I just..."

He looks up at you, and there's something in his eyes that makes you forget whatever you were about to say. Something that makes you feel safe and wanted and desired. "You just...?" he whispers, his lips brushing against the soft skin of your inner thigh.

It's hard to concentrate when he does that. You squirm a little, but his hold on you is surprisingly firm.

"I just..." You close your eyes, taking a deep breath. "I just haven't had anyone do that for me in a really long time." It's true; the last time you can remember was with a boyfriend years ago, and even then it was more of a "be polite" thing than anything else. But with Steve...it feels different. "Do you *really* want to? Because you don't have to if-"

You feel him smile against your skin as he continues to gently kiss his way up your thigh. "I want to," he whispers, and the way he says it, the sincerity in his voice, makes you believe him. "I really want to. But, um…only if you want it too."

You open your eyes, watching as he looks up at you, waiting for your answer. He looks so hopeful, so eager. If he wants this, if he wants to make you feel this good...how can you say no?

With a shaky breath, you nod, your fingers threading through his hair. "Okay," you whisper. "Okay."

Steve hums in satisfaction. You feel a shiver run down your spine as he slowly pulls your legs wider apart, resting his elbows on the bed as he leans in closer, his hot breath fanning across your folds. His hands grip your hips, holding you steady as he gazes up at you, watching your reaction, almost daring you to tell him to stop. 

You watch, mesmerized, as he tilts his head, licking his lips before he leans in, pressing a gentle, open-mouthed kiss to the very center of you. 

Boy... does he know what he's doing.

Your eyes flutter shut as he begins to lick and suck, his tongue dancing over your most sensitive skin, his fingers curling into the flesh of your hips, urging you to arch into his touch. You gasp, feeling your whole body tense, your hands tangled in his hair, your nails almost digging into his scalp. He moans, his breath hot against you, and you realize he's watching your reactions, taking cues from your body. 

"Good?" he asks, as if you're not already on the verge of coming. 

But you can't answer, can't form a coherent thought, let alone a word. So you nod.  Frantically so, head thumping against the mattress. He smiles against your skin like he's won some sort of prize, and then you feel the slip of his fingers, two of them easily sliding inside you, tight but wet enough to be ready. You cry out, his name a desperate plea falling off your lips as he thrusts his fingers deeper, curling them up to find just the right spot. 

"Oh, God..." you moan, your hips bucking up against his hand. "Steve..." Your fingernails dig into the duvet, your back arching as he expertly works his fingers inside you.

Steve seems to sense that you're getting close, the way your hips are moving erratically against his hand, the way your breath is coming in short, ragged gasps. He looks up at you for a moment as if to gauge your reaction, a small smile playing at the corners of his lips. He keeps his fingers exactly where they are while he leans up over your body to kiss you, propping himself up on one elbow.

"You taste so good," his voice is a whisper against your lips as they part beneath his. "So wet. God, I want to feel you around me." 

"Yes, please."

Your enthusiasm makes Steve grin against your lips. "Please?" he muses. He's hard, of course he is hard in his swim trunks, cock straining against the fabric as it leans against your thigh. But he doesn't want to rush this. Not with you.

"Steve," you admonish, sliding your hands up his arms.

His fingers are still moving, but more slowly now, less urgent. It's almost as if he's teasing you, drawing this out. Your hips rock up against his hand, and you feel a surge of wetness between your legs as you arch your back, seeking more contact. His lips find yours again, tongue sliding against yours as he thrusts his fingers deeper, curling them to hit just the right spot. You moan into the kiss, your body trembling as the pleasure builds, your fingers tangled in his hair.

"Oh God," you say in a shaky voice. "Steve, please..."

He groans against your lips, curling his fingers deeper inside you, searching. "Please what?" he whispers as he kisses along your jaw, teasing, not mean, never mean, but drawing it out just a little bit more.

In lieu of an answer, you find yourself arching your back in a desperate manner. His fingers brush against something deep inside you, something that has you gasping and tightening around him, close too close. His fingers find the rhythm you've been craving, your orgasm building, building, building.

"That's it," he whispers against your neck, his own breath hot and uneven. "That's it, baby."

And you do. It's unlike anything you've ever felt before, a rush of pleasure so intense it makes your vision blur, your skin warm all over. 

Steve, watching your expression as you come apart beneath his touch, feels the warmth of your release coat his fingers, the tightness of your body around them. God. It's a heady sensation, knowing that he can make you feel this way.

His fingers are slick with your wetness as he pulls them free and gently pushes you back onto the bed. You're lying flat on your back again, and he's grinning as he looks down at you like you're the most beautiful thing he's ever seen.

"You're...very good at this," your voice is a breathy whisper as you glance up at him, a flush rising in your cheeks. You chuckle, wrapping your arms around his neck, bringing him down for a gentle kiss. Steve's skin is warm beneath your fingertips, his kiss featherlight soft against your lips. "Do you want-"

"Yes," he cuts you off with a husky laugh, leaning down to nip at your neck. "If you do," His hand finds the string of your bikini top, finger following along it all the way up to the bow. With a practiced flick, he undoes it but doesn't yet pull the fabric away, watching your eyes as he lets the knot slide free, half expecting you to tell him to stop. You don't, though. You watch him, your chest rising and falling with every breath, and something in his chest aches at the sight.

"You can take it off," you reassure, feeling a blush creep up your neck. "It's just me." 

You hope that comes across as playful and confident, but maybe you don't seem so convincing when you're still a little breathless, a little sensitive, so you decide to take matters into your own hands and reach up, fingers shaking only a little, to pull the cups of your bikini top down and away from your chest. 

Steve watches you, his expression somewhere between adoration and awe as you reveal yourself to him like a fucking gift unwrapped. 

"You're unreal," he breathes. "You're so..."

When he reaches out to touch, just the very tips of his fingers brushing against the sensitive flesh, you try to encourage him by arching into the contact.

"So fucking beautiful," he whispers, leaning down to kiss your collarbone. "I can't get enough of you." 

His hands slide down your sides, over the smooth skin of your hips, and then lower still, cupping your ass. He pulls you closer, pressing your body against his, slowly grinding against you. "Do you want..." he tries, an urgent edge creeping into his voice. "Do you want me inside you?"

Steve looks like he's about to explode at the mere suggestion, his expression a mixture of raw desire and aching need. You're about to reply when he nips at your neck, his teeth grazing the skin there. You momentarily lose your words.

"You're killing me," he half groans, half laughs, his hips moving harder against yours as he pushes himself as close to you as he possibly can. You can feel him through the thin fabric of his swim trunks, hard and insistent, and you're sure it wouldn't take much more of this teasing before he loses control completely. "Just say the word," he whispers, kissing along the line of your jaw, "and I'll give you anything you want."

"Can I...can I touch you?"

You feel Steve stiffen at your request at first, his body tensing beneath your fingers. "Of course you can," he breathes, a shudder working its way through him. "You can do whatever you want, baby."

You reach down, fingers shaky in your eagerness to please. You grasp the hem of his trunk and tug gently, almost hesitant, but he's already cooperating, kicking them off and letting them fall to the floor without so much as a second thought.

"Oh,"  you breathe, eyes widening as you take in the sight of him, naked and perfect in front of you. Steve's cock is already hard, a bead of pre-cum glistening at the tip, and you can't help but reach out and touch it, tentatively at first, but then more confidently, wrapping your fingers around the base of him and waiting to gauge his reaction.

"Oh, fuck," he moans, closing his eyes as you stroke him. "That feels...that's so good."

Your fingers feel warm and soft around him, and with each gentle stroke, he feels himself growing harder and harder, unable to contain the pleasure building inside of him. He opens his eyes to look down at you, watching your expression as you touch him, your focus solely on the way your fingers slide up and down his length.

Before you can get too carried away, though, Steve's hands are grabbing yours, guiding them away from his cock rather urgently. "If you want me inside you," he pants, a strained smile tugging at his lips, "you're going to have to stop that." His voice is a little shaky, a little rough, and you can tell he's struggling to keep himself in check.

You grin up at him. "I...do want that."

Steve's answering smile is a little more confident now, and he leans forward, brushing the pad of his index finger across your lips, tracing the shape of your bottom lip as he does so. "I think you've had enough teasing today," he whispers, hand moving to cup your neck, his thumb rubbing gently over your pulse point. "You really want this?"

"Yes," you breathe, unable to keep the word from slipping past your lips. "Yeah, I do."

Steve's thumb continues to trace circles around your pulse point as he leans in, pressing his lips against yours. His kiss starts gentle, a mere brush of his mouth against yours, "Yeah? Can I?" sliding his hand down your stomach, between your legs, he adds, "Fuck, yeah, you're...you're wet enough."

You gasp into his kiss as he brushes his fingers against you. "Yeah," you moan, arching your hips up into his touch, with a grin, "Yeah, I am, I...you're gonna make me beg or something, huh?"

"I'd never make you beg for anything, sweetheart."

His fingers move in a slow circle, spreading your wetness around your entrance, making sure you're as ready for him as you can be.

You reach up, wrapping your arms around his neck. You pull him closer as he begins to shift between your legs, his hand coming back up to gently guide himself towards your entrance, and then he looks down at you, searching your eyes for some sign, some reassurance, before he's pushing inside, slowly, gently, taking his time to ease his way into you. 

You gasp at the feeling of being stretched, filled, but at the same time it's perfect, it's...right.

He leans forward, bracing himself on his arms, and watches as you arch your back, your lips parted in a silent moan. "More?" he whispers, his voice a rough rasp. "Should I...?"

"More," you breathe, meeting his eyes.

And Steve gives it to you. He slides deeper, pushing in farther, stretching you just enough to make you feel so full of him. You're tight and he's impatient, but he makes sure he doesn't rush, doesn't force it. You feel the muscles in his back and arms tensing as he fights against the urge to go harder, how much he wants to lose control and just fuck you into the mattress.

He takes you like he's been dreaming of it for years, like he's never going to get the chance to feel you like this again. Slowly.

"Steve," his name rolls off your tongue like a sigh the moment he's all the way inside you, your muscles clenching around him in an attempt to hold him close. 

He tries to remember how to breathe, pressing his lips to your shoulder. He feels you squeeze around him and muffles a sound between a moan and a growl against your skin, "Can I move?"

"Yes, I...yes."

He pulls back slightly, just enough to adjust his angle, and then pushes back inside you. The sensation is almost too much, the way your body seems to fit so perfectly around him, the way your muscles clench and release, drawing him deeper still. Fuck. You're so wet that he can feel himself sliding easily in and out of you. The sounds of your skin slapping against his is a perfect counterpoint to the gasping, keening noises you're making into his shoulder.

He knows he won't last half as much as he'd like if you keep that up.

"God, that's it," he growls, the words lost in the movement of his hips against yours. "Tell me how it feels, sweetheart." One of his hands slides down between your bodies, cupping your aching clit, rubbing in a tight circle as he thrusts into you. The sensation is overwhelming, too much and not nearly enough all at once.

Your legs twist, one hooking behind his back for leverage, and you arch into his touch, your nails digging into his shoulders as you feel the tension building, the familiar tightness coiling in your core. "So good," you moan, thrusting your hips up to meet his, wanting more of that friction, more of his skin against yours. "Can you go...faster, please?"

He's lost to the sensation of your body moving against his, the feel of you slick and hot and tight. He's close, so close, but he doesn't want this to be over yet. He pulls back slightly, only to slam back in harder, the head of his cock hitting the spot inside you that makes you arch your back and gasp.

His hand moves faster on your clit, circling and pressing, and you're so close now, so close, you can feel it building, making you shiver and writhe underneath him. Steve leans down, lips finding the skin of your neck, sucking and nipping as he thrusts harder, deeper, faster.

"Yes," you moan, arching into his touch, your nails digging into his shoulders. "Fuck, yes."

Steve lets his hand move from between your legs to the back of your knee, hooking it there, holding you open to him as his cock slides in and out of you with a harsh, wet sound. You feel so full of him, stretched and sore and aching in the best way possible. 

He's so close now, the tension in his body almost painful as he fights against the urge to come before you do. Steve watches your face as you writhe beneath him, lips parted and flushed, eyes glazed over in pleasure  like you can't quite focus. It's the most erotic thing he's ever seen. He doesn't want this to end. Being inside you like this, feeling the way you move against him...he doesn't think he'll ever get enough.

Your nails scrape down his back, leaving little red lines in their wake. Steve thinks he's going to lose it every time you do that.

"Fuck," he groans, the word caught in his throat as he thrusts harder into you. The sounds of your skin slapping against his makes it almost unbearable and he has to think of something else, anything else, to keep from coming. "Feels good, sweetheart?" he whispers, his hand moving between your legs again, this time finding your clit and rubbing in a steady, circular motion.

You arch into his touch, your hips moving in time with his thrusts. "So close," you moan, your voice shaking. "I...I..."

Steve feels the tension building inside you, knows that you're close. He watches your face, the way your eyes have almost rolled back in your head, the way your lips are parted and your breath coming in quick, shallow gasps. 

He leans down, taking one of your nipples into his mouth, sucking and teasing as pushes inside to the hilt, holding you there, feeling your body trembling beneath him. You cry out then, your back arching off the bed, and Steve feels you tighten and pulse around him, gripping him like a fist as you come. 

The sensation is almost too much, but he somehow manages to ask, "Can I come inside you?"

You nod, your eyes closed tightly, and he thrusts once, twice…then one last time, feeling himself spill inside you as he moans, body tensing and then relaxing, spent. 

Steve collapses on top of you without pulling out, sweaty bodies sticking together. He somehow finds the energy to kiss your shoulder, your neck, your ear, nibbling and sucking until you laugh, shifting beneath him.

"You're heavy," you tease, but you don't really mind. It feels right to have him pressed against you like this, his heart thumping against yours, his breath warm on your skin.

He chuckles, nuzzling deeper into the crook of your neck. "Sorry," he mumbles, before pulling himself up enough to look down at you. You're beautiful, even with your hair tangled and your lips swollen from his kisses. "Do you want to get cleaned up?" he asks, running a hand through his sweaty hair.

"I think I love you."

The words tumble out of your mouth before you can stop them, and for a moment, you're not sure if you should take them back. But then Steve's eyes widen, his lips part in surprise, and you know it's too late. You've said it.

"Sorry, I shouldn't...I mean, I-"

Steve cups your face in his hands, his eyes wide and serious. "I love you too," he says, his voice a little unsteady. "I have for a long time." 

He leans in, pressing his lips to yours gently, then more firmly, as if he's making sure this is real, that you feel it too. 

But you feel it too.

God, you feel it too.

[ultimateinferno]

So an Illumination Zelda movie was announced to possibly be in the works and...

There's been a lot of back and forth on the Mario movie. Mario, at least has a default amount of whimsy that you must by into, which Illumination has a degree on, even if their specific style misses the mark.

Zelda, meanwhile, holds 0 irony. However, it's also fucking weird, and if I were to guess, an Illumination style movie will have a compulsive need to comment on how weird it is. Yet what makes Zelda's weirdness work is it takes itself completely seriously. Rock people eats rocks. There's clowns that will shoot Link out of a cannon. Beedle peddles a flying store. The Legend of Zelda has zero hint of irony in its heart—Mario often doesn't either but some of the RPGs have shown the cheekier side.

If Zelda does need to comment, it does it in two ways:

Link is the only one disarmed by it and the joke is often at his expense. The people around him are insane. Tetra is shooting him out of Canon in a barrel towards a prison. BUT he doesn't complain. He doesn't get angry. He simply rolls with the punches to get the job done and if he needs to be dragged by a great fairy into a flower to improve his armor than so be it, as long as it saves Hyrule.

Link is the only one who thinks it's normal. He's fucking insane. Yeah, he'll strike full conversation in nothing but his undies in a blizzard, that's on you for making things weird. Once again, it's all about rolling with the punches. He does what needs to be done, and if people need him to save they day, let the professional do the work.

At the end of the day, the Legend of Zelda as a world and narrative is unbelievably earnest with itself. It's a story about a knight rescuing a princess from an evil sorcerer. It's story has been told to death for over 35 years now, and it still believes whole heartedly in it. I think corporate animation struggles with something like that.

But maybe I'm being a bit of a contrarian here

[dandylovesturtles]

Sidelined AU Info Post

Alright, I guess we're doing this

CWs: mentions of internalized ableism, struggles with mental health

Timeline:

all of S1 is the same as in canon up until End Game

however, after Splinter turns over the helmet to Draxum, Draxum does not put on the armor, but chooses to put Leo inside instead, realizing that whoever goes in will probably have something horrible happen to them. that's detailed in this fic

unlike Draxum, who gets spit out of the armor immediately, Leo ends up trapped inside. from Leo's perspective, he is only vaguely aware of what's happening outside (it's a bit sunken place-ish, with him seeing snatches of events like through a grainy television), and he has only small amounts of influence over what the armor does

once Feral Shredder is on the loose, he pretty immediately starts destroying the Hidden City. Draxum realizes that he has inadvertently released a great evil on his people, the exact opposite of what he wanted, and he turns to the Hamatos to help him stop it. obviously they don't want to work with Draxum, but they have to get Leo back so they take the help

it takes them two days, during which the Shredder moves up to start terrorizing New York as well, but eventually they get him subdued. I'm not 100% on what goes down yet or whether Big Mama gets involved (I'm leaning toward not), but Leo fighting from the inside is a big help

Leo is removed from the armor and is in really bad physical shape; meanwhile the Shredder is subdued for now. in the immediate aftermath, the Foot Clan manages to get ahold of the Shredder and take off with him

he's too weak to do anything immediately but he is very much a Looming Threat the family is aware of

Draxum leaves for awhile at this point because none of them want him around and seeing Leo in the aftermath did wake him up to "oh yeah that's just a kid and I did that to him," also he's feeling real bad about that whole "accidentally almost destroying the yokai and also maybe the world" thing

meanwhile, Leo is severely weakened, but there's not anything that the family can do to hasten his recovery. they can only get him hooked up to an IV for fluids and nutrients and wait

it takes Leo a few days to become fully lucid again; during that time he tries to fight anyone around him off or sometimes pushes his family away to "protect" them

eventually Leo does regain lucidity, he tells everyone he's fine but he's Super Depressed. he's also lost his mystic powers completely.

Splinter also retreats a bit at this point, because he feels guilt for handing the helmet over to Draxum instead of trying to find a different way to rescue his boys, which isn't a great thing for him to do but his mental health is also not doing very well (someone get these guys some therapy)

in the meantime the bros and April manage the best they can, they all have different approaches but I'll go into detail about that in the next section

there's no treatment for Leo's condition outside the most boring one: time, exercise, and diet. unsurprisingly he hates this

Healing Bad Times abound, as shown in this fic

eventually the boys have to go out on a mission again. Leo, feeling useless, listens in on the comms from the lair, and ends up catching something the other boys' missed, meaning he's able to save them from a trap or something idk exactly what the point is he makes himself useful

this opens up a new path for Leo, one his brothers very heavily encourage

with a new goal in mind, Leo starts taking a lot better care of himself, actually following his physical therapy routine, spending time gaining new skills, and accepting help in the form of mobility aids. his physical and mental health both start making big improvements

this also helps his dad's mental health, everyone is doing better even if things aren't perfect

Donnie builds Leo a command center modeled after the bridge of Jupiter Jim's ship, he absolutely loves it. whenever the boys+April are on missions, Leo is in his command center helping from the background

eventually Leo has gotten to the point where he has enough strength for day to day life most of the time, he still isn't fighting baddies on rooftops but he can get to a store and back without collapsing on a good day and that's pretty good!

the Foot Clan has been a much bigger threat in this version of S2 and it's clear they're up to something big

of course right when Leo is starting to feel stable and happy again, that's when they launch their final attack

a lot of the finale events go down similarly to how they do in canon, minus Battle Nexus New York. they get Karai back but then she dies, Shredder destroys their home (including Leo's command center :c ), everything is Bad

Leo gets his mystic powers back the same way his brothers do, though he needs a little bit of an extra helping nudge from April/Karai, since he didn't think that was a thing he could still do

everyone getting their mystic powers is emotional but it's especially emotional for Leo. he didn't even know what ninpo was before today, but he knew after the Shredder it was like some part of his soul got locked away, and now that he can feel it again he finally feels whole

it gives him a burst of adrenaline so he can participate in the fight, though he doesn't do much of the actual battling, instead getting his bros where they need to be for the big hits (I mean this is basically what he does anyway haha)

it takes Donnie exactly .02 seconds to figure out how to use his own mystic powers to support Leo physically so that helps

after this, Leo becomes a more constant part of the team in the field, though he still primarily works as support and only gets into direct fights when he feels like he has to

instead of being made leader like in canon, Leo and Raph become co-leaders. Leo's own leadership abilities have improved massively, but Raph has more experience in the field, so having the two of them working together means they cover each other's blind spots, and the division of labor is less stressful for both of them

since Leo's already been through his character development and this tension is gone the movie events play out totally differently but I haven't gotten that far yet lol. I'm sure the apocalypse still happens somehow, though, I'd hate to lose Casey Jr

happy ending whooo

Relationships

Raph

Raph feels a lot of guilt about what happened to Leo; he was supposed to protect his little brothers and he didn't, and now one of them has permanent physical disabilities as a result. add to that it was Raph's idea to be heroes in the first place and yeah... he's not doing great

because of this guilt, Raph's instinct is to essentially baby Leo - he wants to take care of his every need as soon as it arises. this makes Leo feel stifled and infantilized, and drives a wedge in their relationship (the same one Raph is driving between himself and Mikey, in fact)

his and Donnie's distinctly different approaches to the situation also mean that they get into arguments often and can't really deal with being around each other, leaving Raph feeling isolated at the start (and thus pouring more attention and effort into Leo, which compounds the problem)

Raph dealing with his own guilt and trying to find the balance between helping Leo while also respecting his need for independence, boundaries, and dignity is a big part of his journey in the AU, and it also improves his relationship with Mikey and Donnie as he gets better at those skills

Donnie

Donnie is not dealing well with the fact that there's nothing to fix. they can only be patient and work incrementally to improve Leo's condition

he distracts himself by putting all his energy into making the lair accessible for Leo, building him mobility aids and doing everything he can to help

he also has a hard time understanding why Leo won't do the things that will help him (at first), because doesn't he just want things to go back to normal? doesn't he want to help himself? why won't he just do what he obviously has to do, Donnie does not understand

Leo is deep in denial at first, and he feels like he breaks down and starts doing physical therapy and using mobility aids and doing basically any of the things that will help him, that means it's not going to magically get better, it's going to take time and effort and it will probably never be fixed, just improved, and he hates that so much he's choosing to treat this like a temporary cold or flu that will blow over any day now

Donnie doesn't understand that so he takes Leo's refusal as a rejection and animosity abounds!

breakdowns and admissions of feelings will eventually happen

Donnie and Leo together come to grips with the idea that there is no fixing this and there is no return to how things were before but they can work toward a new normal that's just as good

Mikey

this one is a little bit too big for Dr. Delicate Touch and Dr. Feelings

Mikey tries, but he is just a kid, and with their dad emotionally retreating too there's just too many feelings for him to deal with on his own

he's gonna play family therapist until he breaks

he's frustrated because he can see what each of his brothers need to do to feel better but they just! won't! they won't do it, and he doesn't know how to make them

he's really stressed

it's Mikey that realizes that Leo needs goals to work toward to get himself motivated to take care of himself, and it's Mikey who pushes the hardest for Leo's new role in the team

sometimes Mikey will challenge Leo to something silly, like who can make the most throws of a paper ball into a trash can, just to push Leo into exercising

he finds other little ways to help the others too, but he still can't solve the big problems on his own

meltdown ensues

Mikey has to learn to take care of himself, too, while the others have to learn they can't lean so hard on him for all their emotional problems

April

the only one holding on around here. it helps that she doesn't actually have to live in the powderkeg

takes a rationally minded approach to all these problems, kind of functioning like family therapist along with Mikey but in a healthier and more controlled way

helps get them resources from above ground

Leo opens up the most about his feelings about his physical condition to her first, because she strikes the best balance between being a sympathetic ear without coddling him

she's also stressed, but she has an outside support network so she's handling it better

Splinter

fully blames himself for what happened to Leo and has a hard time getting over it

depression in full swing

it means he can't easily get out of bed to help his kids, but then he feels bad because he isn't helping them, which worsens the depression, which makes it hard to get out of bed... a vicious cycle

when Leo starts working on his condition he gets a pact out of his dad that they will both work on being healthier together

maybe they manage to find an actual therapist eventually idk lol

either way, Splinter and Leo grumpily sitting over their plate of broccoli and then Leo says "bet I can eat more pieces than you" and it's on son

he's trying his best

Leo's Condition

Leo came out of the armor severely dehydrated and malnourished, even more so than any person should realistically be after two days; just keeping him from dying of the dehydration was the most immediate struggle

the main issue is that Leo's life force, mystic abilities included, were basically sucked out, leaving his body catastrophically physically weak

his muscle mass can come back with time and diet

the bigger problems are the bone density and chronic fatigue. while Leo can improve these, they'll never be back to where they were before the Dark Armor

his reduced bone density means he has to be careful doing anything physical because the chance he can break a bone is much higher than average, and he stands to suffer more from that break than the average person

he'll eventually get to where he can go through his day-to-day life just fine most days, and can even do some of the physical things he enjoyed before, he just has to be careful and know his limits. he'll never be pulling the 1440 off the halfpipe again, but he can still skateboard as long as he's careful.

even when recovered (as much as he can be), he has bad days and days when the fatigue is really strong. how Leo feels on a bad day is up in the air; sometimes he's at peace with it and generally cheerful, happy to be around his family even if he spends most of the time in his chair or on the couch dozing in and out. other days the depression rears its ugly head and he can get a bit nasty and bitter again. his family is much more patient with him on days like that than he is with himself.

in the beginning Leo also has brain fog and sensitivity to light and sound. these clear up over time, especially once Leo starts making more effort to exercise his brain. he starts reading a lot more and doing puzzles, especially things like sudoku and word puzzles, which helps a lot. thankfully these changes aren't permanent

his inner ears were also damaged a bit, this also heals up largely on its own, sometimes he still has difficulties hearing his brothers if they're whispering or far away but it's not so bad he needs assistance

Leo's Devices

Wheelchair

this is obviously the one Donnie had the most fun building and it shows. this baby is tricked out. Leo also likes to suggest improvements often, some for actual functionality but many just because he thinks it would be cool (like neon lights on the spokes)

it is blue obviously. do you even need me to tell you that?

it's fully electronic but Leo can also wheel it around freely if he wishes. Leo likes to wheel himself when he has the energy because it's good exercise he doesn't have to go out of his way for and he just likes feeling like he's moving himself under his own power. but when he's not feeling up to it he just drives it with the electronic controls instead

it has handles that extend and retract. being allowed to touch the handles is a major sign of Leo's trust and initially it's only for his bros + April + Splinter. Leo hates being moved when he doesn't actually ask to be moved, and he also hates being tipped backwards so his fam knows not to do it even as a joke (and it's so heavy that tipping him is kind of hard, anyway). someone touching the handles or messing around with them without permission gets you immediate backlash from protective siblings

that said Leo has them extended often so he can hang things off them, even though Donnie constantly gripes that that is not their intended purpose!

Sr Hueso is another person who gets handle-touching-privileges pretty fast, and he's also the one Leo asks to move him most often because he thinks it's really funny. he hams it up every time. Hueso is exasperated but does it anyway

(if Hueso adds a few extra wheelchair-accessible tables to Run of the Mill no one has to know)

the chair can also be moved by S.H.E.L.L.D.O.N. this is mostly just for emergency situations, or times when the chair is somewhere Leo is not. Shelldon is a very good boy who does not move the chair without Leo's permission.

it has a billion storage spaces and little hidey holes and it can sync with Leo's phone to play music and it also has a charge port for his phone and yeah basically anything Leo and Donnie can come up with goes into this thing. it's a behemoth

Donnie also made Leo a lighter-weight chair with fewer features that he most often uses when he's good using his walker/cane/braces but wants to clear a larger distance first, and eventually Donnie makes him an athletic wheelchair so he can play games like wheelchair basketball

Walker

the walker is also blue but there's nothing particularly special about it

Leo hates using it because it feels like an old person thing. even if realistically he knows there are plenty of reasons people use them, including his own situation, culture is culture and it makes him feel bad no matter what rationality states

so basically once he doesn't have to use it he doesn't

as they all get more comfortable with Leo's situation and he starts openly using humor to cope, jokes about Leo's chair and cane become pretty commonplace in the fam (all good-natured of course). they know the walker is too much of a sore spot though, and poking fun at it is the fastest way to get Leo to do something stupid, so no one does. it's better to just pretend it's not there

Crutches/Canes

he eventually ends up with a variety of these, with different levels of support depending on what he's needing on a given day.

some of the canes are more fashionable than others. this is important to him.

Leo pretty much always has one of these on hand just in case, even on days where he feels alright to walk on his own

he is not afraid to bonk a brother with a cane or crutch but he does so knowing they are free to retaliate

Leg Braces

Leo doesn't need these every day but they're a pretty standard part of his wardrobe at this point

they start out plain but get increasingly elaborately decorated as time goes on because he, Donnie, and Mikey can't help themselves

like the walker, the braces are in the "don't make fun of" zone, though Leo is happy to get positive comments about them and doesn't really need their presence ignored

Other Mobility Aids

Leo has a variety of things to help with his loss of grip strength, difficulties bending over, tremors, etc. all of them are either made by Donnie or ethically "acquired" by April

he drives everyone crazy by leaving them in random places and then forgetting where they are. Donnie starts installing locator tags on everything they give Leo

jokes about these are fine, Leo makes them often himself and has silly names for all of them (this also drives Donnie crazy)

[shadow4-1]

Your hubby let u sleep with his friends ??? okkk girll i see you living the life we all want too (share ur secrets😣)

Oops I forgot I said that. Well...yes it's true. I've slept with a handful of my husband's friends (all of it was talked about beforehand, planned out, etc.)

Both my husband and I are bisexual. All of his friends he's had for years - since they were babies pretty much. They're all exceptionally close and they've experimented a lot together before I ever even came into the picture.

Besides my husband, none of them have girlfriends or wives (they're all in their late 20s now). I used to think it was a red flag but now I just realize they're all just tied to each other and fulfil their emotional needs that way. In fact, two of them are identical twins. They were suspicious when they met me at first (but after I witnessed a couple of them kissing my husband, let's just say they quickly came to realize I was definitely the girl for him).

(This picture is almost 10 years old. That's my husband in the blue jacket with half his friend group. We went out to a club, so all of us were piss drunk in the back of that taxi.)

Now, I'm not going to generalize Scottish men/people. I'm just going to give ya'll a rundown on what I've learned/observed over my multiple trips to Scotland. I've noticed that they tend to -

- Be chivalrous. Not a single guy I met (husband or otherwise) was rude or didn't use his manners the whole time I was there. And if they were amongst friends they had no issue with calling each other out for their bad behavior. Now that, that was nice to see. (So, yes, Soap's definitely has his manners and knows how to follow decorum well.)

- Be loud. Almost every man I met was boisterous and bright. Even the quiet ones (once I got them to talk) were animated. The culture over there is different than America (where I'm from), everyone seems to know everyone. So no one is seemingly scared of "strangers", they're usually pretty curious. (So, yes, Soap's talkative and interesting personality checks out.)

- Fight. Now, this one is because I spent a lot of time in bars. Again, unlike America, it's different. They don't carry guns (maybe a knife but even that's not the norm). Usually it's just a lot of posturing, yelling, and intimidation. But, if they actually decide to swing, usually the crowd will break it up and/or throw them outside. Fighting over there is kind of seen as a necessary evil. (So, yes, when they say Soap is a bit of a hot head and hops into fights I can definitely confirm it.)

- Welcome with open arms. I'm a plus size POC and most of the people you'll find in Scotland are Caucasian. You'd think there'd be some friction between me and the locals, but no. Not once was I ever treated unfairly by anyone. In fact, people loved to chat with me. I spent a lot of my time talking with strangers. (So, yes, Soap not batting an eye at Ghost and his ridiculous get up is on brand. He cares much more about getting to know the person underneath.)

I could go on. Maybe one day I'll be able to live my retirement years in Scotland. It's beautiful and green and walkable. Also they have Irn Bru, Jammie Dodgers, and my absolute favorite - Bairns Sausage Rolls. I'd immigrate just for those haha!

So yeah, I know a think or two, and Soap is a pretty great Scottish representation in my opinion. My husband is indifferent to him but maybe it's because he seems the similarities haha. If you want to hear more about my trysts I have no problem sharing! I've seen a lot and done alot in my short time here on Earth and trust me when I say I'm not stopping anytime soon! 😂

[autistichalsin]

So here's a hot take.

I see a lot of people saying that it would be fun to have a way to make Halsin worse. And I agree that it would totally be cool to be able to corrupt Halsin!

However, I don't think his canon arc would make the most sense leading to the Shadow Druids. Those are the tiny hints Larian dropped, yeah- the Shadow Druids being sent by Ketheric to corrupt the Grove to make them less of a threat against him, the Shadow Druids noting they are going to Baldur's Gate next, Halsin's brief moment of doubt that they were right. And a lot of other media love playing the ecoterrorist angle. So I can see why it's where a lot of people's minds go.

But from a characterization standpoint, I can't see it. Halsin dealt with the Shadow Curse for over 100 years. It cursed his home, and his childhood best friend who was the physical embodiment of nature. If he survived literally 100 years of darkness without being particularly moved to join the Shadow Druids, I just don't see how the sufferings of Baldur's Gate would push him into it. Those are much less personal stakes.

So, if we were to get a darker Halsin route, I would propose one of two things;

1. Introduce a failure state for act 2 that doesn't result in Halsin staying behind in the Shadowlands.

The easiest thought is that maybe doing part of the quest but not finishing it would result in him staying behind, seeing that there is hope to break it now, while doing nothing makes him think he's no closer to solving it than he was before, so things are unlikely to deteriorate while he goes with the player to solve the Absolute crisis.

Or if we wanted to make it REALLY awful, make it possible for Thaniel and/or Oliver to actually die, breaking Halsin's heart completely in the process. With his friend gone for good, his last hope gone, and with the Dead Three to blame directly, Halsin could become clouded by grief. Maybe it makes his story mirror Ketheric's in a sad way; Ketheric lost Isobel and became a monster, Halsin loses Thaniel and, while not becoming a monster per se, takes a darker, extremist path to avenging him, vowing to let nature reclaim Baldur's Gate in his memory.

Basically, what I'm getting at here is that there's nothing personal enough in Baldur's Gate proper to inspire such a radical shift. Canon, as it is, lets us see his momentary temptation and go "yeah makes sense" but there needed to be far more if I was going to buy his transformation to a Shadow Druid. This would provide that deep pain that cults are so good at preying on.

2. Similar to the above, but pushing it back to act 1. Make it so that the Grove raid, instead of being triggered by the player directly, can also be triggered by inaction; maybe once the player speaks to Minthara/frees Sazza, a timer starts for long rests, and at the conclusion, if the leaders aren't killed, the goblin leaders show up at the Grove. Halsin being freed already lets him fight on your side to stop them, while Halsin still being a captive lets the raid complete.

Similar to the above, Halsin's rage and grief at the defilement of nature then drives him into it. At first he just seeks out revenge, but later, after seeing the Shadow Curse and having those particular wounds opened back up (this one could proceed the same as canon) he gets pushed into something more methodical.

Shadow Druid Halsin could be a lot of fun IMO, but we would need something more than we have to establish a motive. Seeing sadness in a city for the first time wouldn't be enough to cause Halsin to drop every principle he has about nature being a balancing act between good and evil, darkness and light, order and chaos. For him to be pushed so firmly to an anti-society view, he would need to witness something far worse. So those are the two scenarios I can think of that would give just the little push, the sense of personal, direct harm, that would cause Halsin's morals to shift so drastically.

[eeldritchblast]

Thoughts on Halsin

I want to preface this by saying I don't have anything particularly against Halsin as he is in game. But I do find him lacking in depth, when compared to everyone else.

Even without knowing that he was added as a full companion last minute, I would probably have guessed as much simply because there's not much to him beyond the role he plays in the Shadow-Curse quest of Act 2. This is lampshaded with dialogue about how he himself feels consumed by his determination to end the curse. But to me, that just feels like a cop-out. Imagine any other character looking at the camera and just saying "yeah I know I don't have much character beyond what happens to me in the plot, too bad?"

But I think the worst crime about his lack of development, is the fact that because he doesn't have a lot else going on, he feels a little overly sexualized to me; like he's just there for the player to thirst after because he's this big, bulky man. Now, to be clear, I don't care that he's horny, and I definitely don't care that he's poly. (My GF is a poly lesbian, and honestly I could see myself having more than one romantic relationship , too, if someone else was ever interested in me like that and cool with it.) What I'm trying to say is, because he's lacking in other areas, leaving those traits being of his few you can list, it makes them feel of less value, and makes him feel more like a sex prop. And if you're gonna have a character with rape victim as part of his background like Halsin has, then that's the last thing you want, I think.

So, what more could be done with Halsin?

I once made a joke that someone should draw Halsin in a "Big Auntie Energy" shirt. For those of you who aren't Native, let me try to translate: In most if not all Indigenous Nations, we often call women who are champions of our cultures and communities "Auntie", whether they are actually literally your aunt or not. An Auntie is someone you dearly love, and trust to guide you. Halsin already plays something of a mentor figure to the protagonist—indeed, dev notes even call him "avuncular"—so why not lean into it further by showing what he does for others, too? Pretending that there was more development time allotted, here's what I would've liked to see...

"This place crawls with life, but little of it flourishes. I see refugees, unhoused. The destitute, unwanted. Orphans, unloved. … I wish there was a better way. I wish everyone could see the sun, have a full belly, and know nature as a friend. There is a balance that is yet to be found." —Halsin

After ending the Shadow-Curse, Halsin says he needs to find a new purpose. I feel like his purpose could easily align with his horror of the inequalities of Baldur's Gate. Instead of just talking about how awful it is, why not allow the player to challenge him to try and change things, then? For example, I like to imagine Halsin telling stories to the orphans in Rivington, providing them comfort and someone to look up to. Or another example: Halsin helping out in or maybe starting some kind of charity meal program. It's small, but it's enough to say that he could actually grow a little as a person within the game's story. And it would add at least a little bit of engagement on the player's end as well, instead of feeling like the relationship with Halsin, platonically, is one-sided.

This all doesn't come from nowhere, by the way. If you exclusively romance Halsin, he says goodbye to the player in the end because he is leading a group of people into Thaniel's realm to start a new life. But personally, I feel like this is too great a leap back into an Archdruid role he specifically rejected, because he didn't like it. It also would've been nice to get this kind of dialogue without having to romance him; to know what lies ahead for Halsin as a friend, too.

Now, that's the good ending. But almost all the companions in BG3 have a "good" and "evil" ending. I feel like this really adds a lot of insight into the characters, because they feel real through it; we all have the potential to make good and bad choices, after all. So what could be Halsin's evil-aligned ending? Well, remember when he questions if the Shadow Druids actually have a point? How about giving the player the opportunity to push him further down that path instead... Shadow Druid Halsin, holy shit.

Now, there's one more thing I want to circle back to: Halsin's past. He very casually speaks of his time as a captive in the Underdark. And maybe it was so long ago that he's long dealt with such trauma, but still, I really wish there was a way to say "hey bud, that's really fucked up and I'm sorry that happened to you." But there's not a single dialogue option that allows you to express sympathy, besides just saying "that's awful", which doesn't cut it. Halsin himself says, "sometimes I think people look at me and imagine my feelings can't be hurt." Not allowing the player to be sensitive to his feelings goes exactly against this message not to judge a person's emotions by physical appearances.

Anyway, Halsin is a character that I think has a lot of potential, but doesn't quite reach it in game. I think it's great that he was given a bigger role due to popularity, but I just wish that role was expanded on to the same degree as the other companions.

[babacontainsmultitudes]

Let's Talk About Lincoln And His Dads, Okay?

I think people claiming that Lincoln and Grant "aren't so different after all" because, like everyone else in the show, they both have blood on their hands, have mostly missed the mark on where the core of Lincoln's issues with his dad(s) lie in the first place.

Moreover, I'm tired of people insinuating that Lincoln's troubles pale in comparison to Normal's or Scary's or Hermie's, and I'm tired of people saying that Lincoln is overreacting, or that Lincoln is a hypocrite for calling out his dad's behavior, or that he is in the wrong for setting boundaries, or that he's ungrateful, or that he's responsible for ensuring his dad's emotional wellbeing and not the other way around!

*breathes* So let's. Let's finally talk about Lincoln and Grant (and Marco also him).

[WOAH THERE! Hey you, yeah you, this is a long-ass post, mhm, it's one of those, so please keep that in mind before venturing below the cut. Maybe grab yourself a drink or a bite to eat first, yeah? Additionally, sorry the transcript stuff is a bit messy in this one, tumblr has a 30 image limit and well, I had to find workarounds. Also, I haven't yet added alt text for the transcript screenshots- I plan to when I have a bit more energy for it, but I apologize for any inconvenience this may cause in the meantime!]

Part 1/4: "Honesty is hardly ever heard, and mostly what I need from you"

Lincoln is certainly a pacifist at heart (in more recent times important examples of this include Lincoln's refusal to harm Scary in the Swallows household, as well as Lincoln being the only one of the teens to successfully avoid using violence in front of d00d during their most recent standoff with Willy), and in good paladin fashion functions as the group's moral compass the majority of the time.

Despite this, Lincoln's morals are not so simplistic and idealistic as to not differentiate between different motives for violence, nor does he view acts of violence in and of themselves as signs that a person is "evil" or "irredeemable". He can for example, see the difference between the acts of Willy and those of the kiddads, as he tries to explain when confronted by the other teens on the matter:

In fact, even after Grant tells Linc all of this during the incursion:

Lincoln's primary goal is still to save his dad first and foremost, then offer him the room to explain himself, without immediately chalking him up as a bad person because of what he has done.

Lincoln certainly doesn't approve of Grant and his violence, though he can understand that things are seldom black and white. But the killing is far from the only issue here. In fact, it's not even the main issue.

Grant creates a foundation based on trust and accountability whose importance in the Li-Wilson household is hammered in from the very first episode.

And we see throughout the early episodes of the season just how strongly Lincoln believes that Grant would never lie to him.

Then of course the incursion point encounter happens. There are several elements of this encounter that we will gloss over for now and go back to later, but of immediate importance is the fact that this interaction serves as direct confirmation for Lincoln that his dad has in fact been lying to him his entire life.

Additionally, he learns that Grant possesses a deep hatred of himself, wants to die, perceives himself as "broken beyond repair", and fears that Lincoln will somehow wind up just like him. That's a lot for one kid to have dropped on them, let alone all at once and without warning!

So- Lincoln wants to confront his dad after this both because he wants his dad to explain himself and take accountability for his dishonesty and for his actions more generally, and because he is concerned for his dad's wellbeing.

Now let's look at how Grant has, over the course of the season, responded to Lincoln's attempts to get him to take responsibility for his actions, and talk about his mental health:

The first thing Grant does is pull a classic Wilson "we'll talk about it later". Then the very next thing he does is lie to Lincoln again, now pretending that his plan is to fix things with Erin by offering her a gift (when of course he's actually set out to steal the sun)

Then as a deflection when Lincoln further tries to confront him about the lying, he indirectly equates everything he has kept secret from Lincoln (see the incursion point stuff) to "little white lies" and, contrary to the philosophy he so heavily instilled in Lincoln, argues that sometimes lying can protect the people one cares about:

Which as a point of interest I would like to compare and contrast to something Lincoln says in an earlier episode:

"lies can protect" vs "protecting is also trusting"- anyways moving on,

From there Grant's plan to steal the sun eventually comes to light (heh) and gets foiled, forcing the teens to be the mature ones in the situation and try to negotiate something with Erin. While he is certainly disappointed by everything going on, however, Lincoln's priorities vis-à-vis Grant are still, first and foremost, to ensure that he is safe, and when time allows for it get an apology from him and get him to talk openly about everything he has withheld. At this point in time Lincoln, while obviously angry at his dad, still very clearly cares about his dad and just wants to be able to talk with him without all the lies or deflection or excuses.

Then the teens are backed into a corner when their attempts at negotiation go sour, and ultimately wind up helping Grant steal the sun. Once that is over, Lincoln tries to confront his dad again, now with regards to some of the things he said about himself:

(Do note that last bit especially as it will be of relevance in the next section)

Then after Grant ignores the other teens when they try to talk to him, Lincoln calls him out and once again asks him to apologize, in part for having told Lincoln previously that they were dangerous and that he was not to hang out with them:

(as you might have guessed, Grant does not apologize).

Then it is established that the "zone of truth" in the Li-Wilson household isn't actually a spell but an agreed upon promise between Marco, Grant, and Lincoln to tell only the truth when someone calls upon the zone of truth, further cementing the degree to which honesty is an important Li-Wilson family value. Whilst in the zone of truth, however, Grant beats around the bush with regards to his intentions, and the teens ultimately decide that they do not want him to come along with them to the church of the doodler, as he is untrustworthy, in addition to Lincoln saying that he needs some space for his own sake. Grant then pretends to respect this decision, though he is in fact once again lying through his teeth, and sneaks back on later.

Before exiting the bus for the first time, however, Lincoln tries to get his dad to open up a bit about his feelings. Grant's response?

Time after time after time, Grant refuses to confront himself and address anything from what occurred at the incursion, and in fact adds on to everything with a whole new slew of lies, and with each failed attempt at connection the rift between Lincoln and Grant increases. And Lincoln, true to his values and how he was raised, is not a hypocrite in wanting openness and accountability from his dad. Lincoln is not and has never acted like he is perfect and beyond making mistakes, but Lincoln takes responsibility for his actions, even when the degree to which he is actually complicit in the crime at hand is questionable. He writes a letter to the families of the firemen because he feels responsible for their deaths. He apologizes to Taylor for lying to him about the bracelets and helps not only Taylor but also Nicky escape the clutches of the FBI, even though the consequence of doing so could easily have been his own death. When he thinks he may have inadvertently lead Hero on, his immediate decision is to take accountability for it and clear things up. All of this in addition to consistently apologizing to his friends when he thinks he may have hurt them for one reason or another.

This is also an important thing to consider when we talk about the place of violence in the show. Yes all the characters, including Lincoln himself, have had to kill at some point or another for the sake of survival and protecting the ones they love. But Lincoln does not use the blood on his hands to justify violence in future decisions. Despite the fact that he has had to kill before, Lincoln, as mentioned in the beginning of this essay, continues to try incredibly hard to act as pacifist whenever he can, choosing to protect those around him with as little collateral damage as possible. Does he have a perfect track record? No! Does he still try his damned hardest to choose kindness and mercy? Absolutely! And this is an important distinction especially between Lincoln and Grant.

And then Grant kills Terry. Now Lincoln must shift his priorities towards protecting his friends from his dad, but in running after Scary still finds himself forced to confront him. So what does Grant have to say regarding his actions?

Both Lincoln and Scary are right to be furious with this response, Terry Jr. is dead and all Grant can offer in response is what is essentially another excuse. Grant's mental state does not absolve him of responsibility or accountability for his actions, which as Lincoln points out (and repeats later) consist not only of the singular choice of shooting Terry, but of every choice he has made before and after that. "I'm sorry your dad is broken" obviously doesn't bring Terry Jr. back, but perhaps more importantly demonstrates that Grant is still not willing to reflect on his actions any further than that and work on himself moving forward.

So Lincoln does what is perhaps the most difficult thing he has done in his life, and disowns his father. This is not a rash, impulsive decision. As established, Lincoln has given Grant many chances throughout the season to address his behavior and at least fucking *talk* with Lincoln about his mental state, but he refused. He refused, not because he means harm, but because Grant truly believes himself to be fundamentally broken and irreparable, and doesn’t see the effect that his own suffering is having on his son. This, in addition to continuously failing to take Lincoln seriously and treat him as more than a little kid, both in failing to listen to Lincoln's voices of concern as well as in disregarding any of his proposals to go about things differently (whether that means avoiding violence, trusting rather than lying, or both).

So when Lincoln says:

"It's not about what you just did now, Dad. It's all your choices. You chose me. There wasn't some passion, or, or just a kid. You chose me as your kid, knowing you were broken. You can't take that back. And… I love you, and I hate that you made me love you, when… you are who you are and you knew it."

This isn't Lincoln saying that Grant should not have had a kid because he is mentally unwell or has trauma, it is Lincoln saying that Grant continues to make choices without acknowledging his agency in those choices and the effect they have on those around him, instead choosing to pin his mistakes on his perceived brokenness without any resolution to do something about that.

And before you say, "but Grant didn't have a choice in becoming Lincoln's parent since he saved him from the Titanic":

This simply isn't true, as strictly speaking there was nothing stopping Grant and Marco from putting Lincoln up for adoption if one or both of them did not feel themselves to be ready or capable of taking care of a child and

Ignoring Lincoln's exact phrasing, "choosing to be a parent" is not just about the literal choice to have a child, it's about every choice you make before and after that. It's choosing not to express your concerns over parenthood with your spouse, which based on Grant's track record:

-Is definitely in-character for him. Conversely, in Marco's case, it may be choosing not to ask your partner about their feelings on the matter (because, really, asking Grant on the spot while literally on a sinking ship if he's okay with adopting the baby they just found is kinda rough). It's choosing not to go to therapy (not that we know whether Grant specifically did/does or not but all the same). It's choosing not to apologize when your child is upset with you because of something you did. It's choosing not to take them or their friends seriously. It's choosing to lie instead of trust. It's an endless amount of choices that Grant (and Marco) made every step of the way!

As a final note for this section, what's particularly unfortunate is that even with Lincoln's disownment, Grant still has failed to show any major signs of change. Note this telling exchange (from episode 40):

Grant: I-I understand that. I just thought. Just something that just occurred to me. Hey Dood.

Dood: Yeah?

Grant: Why did you kill those two guys?

Dood: Because I love you so much and I wanted to protect you.

Grant: Okay. That's all I wanted to know.

In which Grant is still making excuses rather than owning up to or apologizing for anything or striving to change his behavior in the future. What's great about Grant's "point" here too is that the two guards that d00d killed were absolutely unnecessary deaths, so this example does anything but work in Grant's favor.

Part 2/4: "My mother hates her body, we share the same outline"

But this is only part of the problem. As aforementioned, we learn early on and see repeated on multiple occasions that Grant thinks ill of himself to the point of believing that he deserves death, and does not want Lincoln to be anything like him.

This affects Lincoln in two major ways. Perhaps most obviously, it leaves Lincoln greatly concerned for his dad's wellbeing, which in turn acts as his main motivation for trying (and failing) to get Grant to explore and explain those feelings. Additionally, however, Grant's self-loathing also has a passive but deeply damaging effect on Lincoln's self-worth. The most important indication of this is when Lincoln says:

"Okay. Look, Scary, I just... You know what? I don't even care. I just needed a friend and I don't know… I don’t know what you're going through, but… no, my dad always said you can't love somebody unless you love yourself, right? Well, last time I asked him if he loved himself, he… He doesn't. So… I don't know, so maybe he doesn't love me either. And you seem to know what that's like, and, you're my friend! You're dealing with these things and I'm just here. I just, I don't know! I don't love myself either! I don't know! But I know that more people will die if we can't do this together, and you're the only person, like, in this group— I mean you guys are, I mean— [sighs] Look, you can go. I'm not going to stop you. You go if you want to go. I'm done."

Also classic Lincoln move to say he doesn't care then proceed to hug Scary through an Eldritch Blast. In this essay, on why people misuse the word "apathy" in applying it to Lincoln,

Though the issue comes up again in a less obvious but very interesting way when Lincoln says that:

Which I assume probably seems pretty out of left field. To explain a bit what I'm trying to get at here, consider the following scenario:

Your parent, who you care about immensely, possesses certain qualities (say, idk, intrusive thoughts or mood swings or delusional thoughts or *something*) that they possess great shame over, and truly, wholeheartedly believe makes them "evil" or unlovable or even outright deserving of death. Of course, you do not believe that your parent is any of these things, it hurts to see that they feel this way about them-self, so you try your best to support them, even if you know deep down that you are their child and this should not be your responsibility. Your parent does not see the effect that their mental state is having on yours, does not take your voices of concern seriously, and mostly leaves you feeling like you are talking to a wall.

This hurts already, but it gets worse. You are your parent's child, and you are human, and so you inevitably find yourself with some of the characteristics that your parent loathes so much in them-self. Maybe you have similar thought patterns. Maybe you've made similar mistakes. Your parent doesn't love them-self because of these qualities that you now see in yourself, so how can you be sure that they do not hate you for them too? Do they believe that you deserve to die for these things as well? Your parent obviously assures you to the contrary, after all, they love you more than anything. But your parent fails to offer any meaningful line of distinction between their flaws and yours (after all, there isn't one, not really), and continues to assert that, unlike you, they really do deserve to die. Your parent is a hypocrite, and their reassurance does little to convince you.

Hopefully that makes some sense. With regards to the "dreams about killing my dads" part, mostly what I'm trying to say is that these dreams, while certainly very different from Grant's conscious thoughts about violence, still tread the line of mimicking them to some degree, and Grant's "I deserve to die because of how my brain works, don't be anything like me because that's bad!" really doesn't leave Lincoln with a healthy way to process and interpret this fact about himself, even if these dreams don't actually say anything about who he is as a person.

Anyways all that to say, on multiple levels Grant's unwillingness to even try to love himself and treat himself better has been having effects on his son that he can't even begin to realize, in addition to everything discussed in the first bit.

"But baba," I hear you say, "what about Marco? Why has Lincoln seemingly disowned both of his dads?"

Part 3/4: Three is the loneliest number

Well, I think there's a couple things going on here. For one thing, I think in a sense Lincoln sees his dads as kind of a "package deal", which is to say that from his pov disowning Grant means Marco would have to pick a side, and though it pains him immensely (as we see evidence of on several occasions), Lincoln would ultimately rather give up Marco than have Grant be left alone without either of them, because he will always love and care about Grant, and because he's selfless that way.

Additionally, for a good long while, Lincoln doesn't actually appear to harbor any resentment towards Marco:

However, this later part of the season has brought with it a new wave of disillusionment, and in its wake Lincoln has finally come to question the last major issue characterizing his relationship with his parents: social isolation.

We have known from basically the first episode of the season that Lincoln has lived a very isolated, lonely life, and that the only reason he's even going to public high school now is because he finally convinced Grant to let him:

As a side note, I have seen discussion of the fact that since Lincoln was rescued from the Titanic, it's possible that he was homeschooled solely because he did not legally exist. The above statement from Matt seems to work against this theory, in addition to the fact that if Lincoln was missing legal papers to get into elementary school... That would also prevent him from going to high school. Also, I mean. If you actually were to find an abandoned baby there's a whole legal process you're supposed to go through, and since Lincoln surely wouldn't have any close blood relatives around, that would still leave the possibility for Grant and Marco to adopt him legally if they wanted to (and if they chose not to go through said process, that's kind of on them?). Which isn't to say that this theory is out of the question, but in any case being homeschooled is one thing, whereas the actual degree of social isolation Lincoln goes through growing up is way more than just that, as we will delve into.

Now, we know that Grant eventually puts an end to Lincoln and Normal seeing each other on the basis that Lark and Sparrow are dangerous, which... Itself is actually fair tbh, in particular given what we now know about Hero. Not fair to Lincoln or Normal, obviously, but understandable. Much less acceptable, is the fact that Lincoln actually grows up without any friends his age whatsoever:

We understand of course that the motives behind this extreme social isolation are not malicious or otherwise done with ill-intent, but that doesn't make this even remotely okay! Of course then Lincoln is very clingy and perhaps even territorial over his dads, to the point where one of his biggest fears is his parents having another child who would take some of their attention away from him- they've created an environment in which they are basically all he has!

As a direct result of this, Lincoln gets lonely very easily, and when he finally does make some friends of his own, he will do anything and everything for them, even if it means risking his own life (at least then he isn't alive and lonely!)

This is also why Lincoln is so especially distraught after the loss of Mr. Kicks, a digital avatar whom he considered his best (and only) friend.

Additionally, Lincoln's fear of returning to his lonesome childhood creates an unfortunate scenario in which he cannot be honest with his dads about the fact that he is being bullied at school

Even though that is definitely the case (and in fact we see it first-hand on many occasions), because to do so would run the risk of his dads taking him out of public school, and that, to him, is worse.

Lincoln beginning to view this aspect of his childhood (the isolation but also the over-protectiveness and overbearing attitude more generally) for what it is is why Matt's intros have recently shifted from "schooled at home" to "schooled in prison", in addition to pretty directly saying that high school was like heaven compared to his home life (in episode 40), and I don't think Lincoln is even remotely in the wrong for looking back at his isolation and thinking "hey, even if you had good intentions, that was kind of fucked up actually, and I need to distance myself from you for my own sake."

Not that Lincoln wanting freedom from his overbearing dads is a new thing! I mean apart from what one can logically infer from Lincoln convincing Grant to let him go to public school, Matt does drop a bunch of telling details here and there such as Lincoln's favorite sound being "the silence of being home alone and free". It's just that now is when these feelings are finally starting to come to the surface.

It is also something that Lincoln naturally would hold against both Grant and Marco, because they are both aware of and responsible for this aspect of his upbringing (whether Marco acted actively or as an enabler in the matter notwithstanding- though I would look no further than both Grant and Marco getting red cards the one time they tried letting Lincoln play soccer with other kids to observe how that family dynamic plays out), hence feeling the need to cut himself off from the both of them in order to set a long-overdue boundary. That said, to be honest with you, I really don't think he's actually all that upset with Marco, and would mostly just like to see him again.

If the events of the Titanic help to ease any aspect of Lincoln's frustration, it would be this one. Not in the sense that it magically makes what Lincoln went through growing up okay, but it does still recontextualize Grant and Marco's degree of overbearingness and (part of) why they are how they are, and I absolutely think that Lincoln would have sympathy for that.

So, where does that leave us?

Part 4/4: What remains (+ the case study of Scary)

"But baba," you say, "Grant and Marco are not just their mistakes! They've both done so many things right as parents, and they love Lincoln more than anything!"

I turn to you, tears in my eyes. "I know," I say, "I know, but that does not contradict or erase the fact that they have inadvertently hurt Lincoln in many, many ways, and he has a right to be upset with them, and express that, and set boundaries if he feels the need to."

You sigh. "So do you think Grant is a good dad or a bad one?" you ask.

I shake my head. "He's just... He's just a dad. A dad who's had a rough swing of things from the beginning. He never meant to hurt Lincoln, and I truly believe he's got a good heart, but I want to see him try harder. I need to see him try harder than he currently is to better himself, for Lincoln's sake as much as his own."

Is... More or less how I feel. I absolutely agree that as a parent Grant obviously gives a shit, and my intention here is absolutely not to say "hey actually, Grant is awful!"

As I mentioned at the very beginning of this essay, however, collectively I have found over the course of the season that Lincoln's trauma and struggles have gone severely understated and undermined, sometimes to the point of even turning him into the bad guy or depicting him as acting dramatic for a decision that I think was very brave of him, actually. So... It does feel necessary to me to point out that, as much as I care about Grant and recognize that he's suffered immensely too, he's still made a lot of mistakes over the course of the season, and still has a lot of room to grow as a person.

As things currently are, I would not blame Lincoln if he did not forgive Grant by the end of the season. Do I think that's what's gonna happen? No lol.

If you'll excuse a mini side-tangent, because for now I don't really want to make this a separate post, the mid-season evolution of Lincoln and Scary's relationship is actually a great case study for Lincoln's capacity for forgiveness, in addition to his inability to give up on people:

Tony Pepperoni's murder is, I would argue, an attack against Lincoln most personally (relative to the other teens). Aside from Lincoln having the strongest pacifistic tendencies of the group, it's in his home, it's in front of Marco, as established in the 3rd section Tony Pepperoni, by virtue of having been over for dinners at the Li-Wilson household before, is someone Lincoln knows more personally than the other teens and one of the only people in his life he could have possibly approximated to a friend. Most importantly though, Scary goes behind Lincoln's back in letting Willy out and disclosing the location of the party, and that is a significant breach of trust.

So Lincoln kicks Scary out of the house (and more or less out of the group by extension) because protecting the others from her is the most important thing at that point in time (sound familiar?). For the next bit, Lincoln's behavior towards Scary becomes a juggling act of keeping a close eye on her to make sure she doesn't cause more harm (and yes, it's also when they are meanest with each other), but also keeping a close eye on her to look after her (a notable example of this being that he doesn't leave her behind in the hall of mirrors, even when it would have been easier and perhaps even "beneficial" to do so in the context of the anchor quest).

And yet despite all the mutual hostility, Lincoln without question also fights the hardest to get Scary back. He breaks the pick as a sign of trust (and as Freddie put it: "that's love babeeey") and to show her she's welcome back in the group, follows through on this decision despite the fact that it creates a temporary rift between him and the others (Normal and Taylor) who oppose her return (perhaps a good time to also say as a reminder that Lincoln was the most against letting Willy out in the first place), breaks a door down to protect her from Willy even when everyone else in the house treats him as crazy for doing so, refuses to fight Scary when she goes on the offense, and hugs her through a god damn eldritch blast because he can't let her leave and hurt more people but still cares about her to the point that he would literally choose to die before hurting her or giving up on fighting for her. Like, if that's not love and forgiveness, I don't fucking know what is. This in addition to him encouraging the others to go easy on her and otherwise looking out for her past that point.

So do I think Lincoln Li-Wilson has it in him to forgive Grant in spite of it all? That is a resounding yes from me. Will the events of the Titanic facilitate this if only by painting Grant's situation in a more sympathetic light and showcasing some of his virtues? Totally, I mean, there's a reason Anthony decided to make the arc go this way. But will I be a bit disappointed if this forgiveness comes without any major growth on Grant's part? Also. Also yes yeah.

MM. I DON'T REALLY KNOW HOW TO END THIS ONE TBH. Heh. Well, thank you for one thing, for taking the time to read a post this long. If you're reading this not too long after I posted it I am most definitely pacing around rn going "oh god they hate it!" but uh. Well that's a me problem lol. Anyways, I hope this proves to be at least somewhat insightful? ...Yeah no apart from that I really am struggling to end this properly and honestly I'm real sleepy lol so I'll just say again (whether you agree with the points listed here or not) THANKS FOR HEARING ME OUT Y'ALL AND TAKE CARE.

[triviallytrue]

so yeah i finished NGE

What a show! Can honestly say that I liked it more than I was expecting to. Usually it takes me a couple months to fully decide how I feel about something though.

Let's start with the ending. I had to google some things to tie up loose ends, but once I did I was pretty impressed by how well everything tied together. There were a lot of hidden details that I had missed during the first watch, and the supplementary material cleared a lot of things up for me.

I don't really see how the show's ending and the movie can be reconciled with one another, but it seems like a lot of people regard them as two separate possible endings.

I think the show's ending was unacceptable as a stand-alone, but after watching the movie I appreciate it as a more upbeat end to Shinji's journey. The movie is a lot more complete, but it's also a huge bummer - everyone loses! Instrumentality fails so Seele loses, Gendoh dies and doesn't reunite with his wife, so he loses, the angels all get defeated, and the Third Impact does happen and devastates the planet, so humanity loses. Maybe if Shinji knew how badly the world had been devastated he would've decided instrumentality was the lesser evil.

Or maybe that's too realism-brained and I'm supposed to be thinking about it more metaphorically. Meh.

In retrospect, I find myself unimpressed with Gendoh. He seems to have managed to fail upward by harnessing/exploiting more talented people than himself, all to fail at achieving a selfish and uninspiring final end.

Misato... well. I think I misjudged her initially due to a mixture of internet rep and those early jokes about Shinji being her boyfriend - I don't really think she had any grooming intentions toward Shinji. I think she found herself in the rare "what if a white person had to say the n word to defuse an atomic bomb" scenario. She was dying, she was out of options and faced with the extinction of humanity, and she took what she thought was her best shot. It wasn't pretty, but neither was the Third Impact, and if Shinji had gotten out there before Asuka was beaten, maybe it could've been avoided.

Various parts of the show felt rushed to me. Ritsuko's relationship with Gendoh (how does this man pull this hard? inexplicable), Suzuharu not dying but then essentially being treated as dead the rest of the show, various aspects of Rei's arc, Kaworu only being there for a little over an episode - there's so much to this show, and I think it would've been better if they had more episodes to tease some of the knots out.

I'll talk about Rei, Asuka, and their respective relationships with Shinji on a different post.

[maingh0st]

thoughts on holly black's tithe

fair warning that this isn't really going to be a book review—I went into this book predisposed to enjoying it, and I generally had a good time. rather than a comprehensive review, I just have some loose silos of thoughts I wanted to share. it's still a long post, but I'm not attempting to cover everything! so without further ado (some spoilers ahead):

let's get this out of the way

Tithe was Holly Black's debut YA novel, and it reads like it. it's a good debut—she's clearly a skillful author even this early in her career—but there are some choices (pacing, phrasing, etc) that read as slightly amateur. one of these choices was, in my opinion, including multiple POVs. maybe this is a controversial take, but I would've enjoyed this book more if Roiben's POV hadn't been included. it would've increased narrative tension, led to more intrigue about his character, and allowed us to get to know him along with Kaye (rather than being privy to his secrets and Deep Inner Turmoil from the jump).

I can't remember where I saw this, but someone said that reading Tithe feels like talking to a teen who's just figured out they can swear & make sex jokes, and yeah, that's accurate—but I also found it strangely endearing. Kaye is a teen, and her ~quirky~ teenager-ish musings on boys, alcohol, fashion, etc feel believable. which leads, unfortunately, to the next thing I've gotta address:

Kaye is 16 years old, and most of the time, she reads like a 16 year old. on the other hand, we're never told Roiben's exact age, but the man has lived a lot of life by the time we meet him. now I'm pretty lenient toward the idea that the Folk age differently than humans, so it's not really an exact number that's the issue, but the sheer chasm in life experience between them. I quite enjoyed both characters on their own, and conceptually, I feel like they work well together on a personality level, but yikes guys. the story even highlights that Kaye hasn't gotten her license yet because of her age; meanwhile, Roiben is waxing melodramatic about how many people he's killed in his years of tortured servitude to his evil queen. this age gap combined with the insta-lovey nature of their relationship* made this book feel... well, about as dated as it is.

*they have great chemistry once they're actually having conversations & getting to know one another! I really enjoyed their banter! but that's well into the book, and well after they've already been acting mutually infatuated

laughs nervously while looking at sjm

okay I'm not going to harp on the above points, I just wanted to get them out of the way. but now let's play a game: let me tell you about a plot from a popular YA novel, and you tell me which book I'm describing.

there is an evil queen with beautiful red hair and pale skin. she holds her court beneath a large hill. the court itself is ghastly—full of bloodshed, debauchery, riddles, and cruel games. unfortunately, an immortal fey man has found himself magically bound to her power, and while he tries to carve out pockets of agency in minor ways, his forced loyalty to his queen requires him to compromise his morals and cultivate a fearsome, bloody reputation.

a young woman who was raised in the human world finds herself swept up in the machinations of this court. the man fears for her, because she is vulnerable, but her presence also makes him feel hope, and her strength and cleverness surprise him. many shenanigans ensue, and they kill the wicked queen.

I mean. there are notable differences, of course, but I just noticed too many acotar parallels. anyways. holly black did it better

reading a faerie's pov

I've already established that I love Kaye, but guys, I really do love Kaye. I love that she takes initiative and moves the plot along (breaking her glamour too early is a great example of this—she could've gone along with the Grand Plan, but her curiosity led her to act faster). I like that Holly allows her to be selfish and think ugly things, but still try to do good and be kind. I know these books have less buzz than tfota, but I find myself fascinated that there's not really Discourse about the Kenny situation (for a tldr: Kenny is Kaye's best friend's boyfriend. Kaye accidentally glamours him to be infatuated with her. when she learns how to remove that glamour, she first takes the time to taunt him publicly and humiliate him with his own desire for her. personally, I like that Holly wrote her doing this and then feeling remorse about it, but it is objectively pretty shitty, both to him and to her best friend).

I also like the way Kaye is believably fey. she's playful and blunt and mostly uncaring about social conventions. repeatedly throughout the book, she'll make a decision without deliberating on it beforehand (which at first, as a reader, feels jarring), but then as she's facing the consequences, she processes her choice and often feels regret or course-corrects in some way. it feels very fae to jump into something because it seems fun, then only once you're in the thick of it realize that Oops, My Actions Have Consequences

threads left undone/questions that weren't answered—or maybe I'm a bad reader

who tried to kill Roiben at the beginning of the book? it's a Seelie arrow, but I thought there would be more plot relevance to this attempt on his life. do Seelie fae often try to murder him? it seemed like a significant one-off event, but as it stands at the end of Tithe, it was just the narrative's way of leading Kaye to find him

Kaye pricked her finger on a thorn in Lloyd's jacket pocket, and I now understand that this was (I guess?) meant to connect Lloyd to Nephamael (the knight with the thorn-lined cloak). but hey, this is a magic book, and I really thought there would be some magical significance to Kaye pricking her finger

is Kaye Fierch her true name? Does she have a true name that she's unaware of? How are true names given / received?

what secrets are guarded by the Court of Termites?? I know this isn't really a plot hole because Kaye is so new to the world of the Folk, but I'm just putting it on the record right here that I really hope we learn some of these Deep and Dark Secrets that were teased

because this post has gotten long, I'm going to create a separate one with bullet points of things we learn about/are reminded of re: how the faerie world works. I kept track of these for the fic I'm currently outlining, but also because it's fun to pay attention to little worldbuilding details :)

[dani-says-stuff]

Myrtles Plantation

❥ Back to the Control Center

❥ Nate Hardy Masterlist

- note the reader is afraid of dolls in this one - also my love for Amanda spills through... a lot... but I think it adds character, spice, and humor, so I'm leaving it in

━─━────༺✧༻────━─━

Nate Hardy x fem!medium(?)reader

Summary: Based on this request

« could u do a nate x reader (in a relationship) at the haunted plantation?? like she sees something and amanda lets them know it was evil??? »

Thanks to this anon for reminding me this was in my drafts

Thank you for my first request anon!! so so so sorry it took so long!

I hope this is what you were looking for, I kinda went off the deep end with it lol

Word Count: 4.1k

Warnings: language, hauntings, evil spirits, creepy stuff, inconsistent capitalization, my disregard for run on sentences and “pRopEr gRammAr”, unedited ramble writings bc i just wanted to finally get it published for y’all, maybe incorrect timeline? technically? bc i can’t remember if Nate was in a video with Amanda before this one…

Dialogue Key:

Y/N

Nate

Sam

Colby

Amanda

Spirit Box

━─━────༺✧༻────━─━

You and Nate were currently in his car, driving to the plantation for Sam and Colby's video.

Nate was nervous. That much was obvious from the tight, white-knuckled grip he had on the steering wheel. You could practically see the the tense emotions rolling off his skin in waves. You however, were practically buzzing in excitement.

You opened up the camera app on your phone to record a little clip. One you would either post to your instagram story soon, or you'd send it to Colby to put before the video... you hadn't really decided what you were going to say yet.

First, you brought the camera really close to your face, barely anything other than your forehead, eyebrows, and eyes in frame, "Ok so- I don't really know where this clip is going to be shared yet... or if it'll be out at all... but Nate is being boring and having a panic attack and I'm super excited and want to talk to someone about it."

You extended your arm, full face now in view as you smiled widely at the front facing camera, "Guess what!" you yelled, "We're filming with the boys again!" you spoke, flashing the camera to show Nate as he drove, "and that's not even the best part... drumroll please... the love of my freaking life is coming with us!" you squealed.

Nate's eyebrows furrowed, barely sparing a glance in your direction, instead keeping his eyes on the road, "Babe, you already showed me?"

"Oh not you." you scoffed, rolling your eyes, "You're just my boyfriend."

"Mhm..." he hummed, blinking a few times trying to figure what exactly it was he was failing to understand, "Yeah no. I don't get it N/N... pretty sure 'love of my life' and 'boyfriend' are the same thing." 

You tilted your head pondering the thought for a moment, ultimately shaking your head innocently, "Nah, it can't be. There are two very different people that take up those positions." 

"Oh really?"

"Oh yeah." you turned your gaze, meeting the side of his face,"You may be my boyfriend, and I love you so, so, so, very much..."

"But?"

"But.." you grinned turning to face the camera, "The love of my life is the wonderful and beautiful Amanda~" you sang, moving your phone forward once more blowing kisses at the screen.

"Oh my gosh! I'm so excited!" you yelled, shaking the screen for emphasis.

The brown haired male next to you laughed at your actions, "Babe, be careful, you're going to make 'em all dizzy." 

"True" you shrugged, focusing your phone once more, "anyways, you've probably guessed it by now, but we're doing another investigation tonight!"

You flipped the camera, showing nothing but trees surrounding the vehicle, "We're currently in the middle of nowhere- but that's because this location is a little different than usual."

"Yeah, instead of like a house with like- other neighbors around it and stuff" Nate spoke up, "were going to a plantation, in the middle of just like- trees" he shivered awkwardly, hissing in discomfort, "so if we get in trouble or something there's nothing for miles."

You scoffed, pulling the view back on yourself, "Yeah I guess, but that's fine because nothing is going to go wrong!" you exclaimed happily 

"Mhm, and how do you know that?"

You winked at the camera, patting the area over your chest, "I have a good feeling about it."

"Yeah ok then- remind me how you feel when we actually get there."

You laughed loudly at you boyfriend, finally getting a small crack of a smile across his lips. "Anyway, that's all for right now. See-you-all-when-we-get-there-bye-bye" you rushed, quickly ending the video.

As soon as he could tell you stopped recording, Nate spoke up, "now what was that for?" 

"Updating the public" you shrugged, starting a quick conversation with Colby over text.

Hey~ might've just filmed a little intro clip for you

You're welcome of course

And you better use it

I put a lot of effort into it

Oh really?

Obviously

Send it over

I'll check it out

About 2 minutes later after your mini vlog went through, he responded 

Oh yeah, thats going in

You're good if I do a little editing over it?

Ofc

━─━────༺✧༻────━─━

Later, when viewers clicked on the video, they would be greeted to a huge tone shift between the first 2-3 minutes of the video, versus the of it.

First, your little intro, which basically became a fan cam for Amanda. Bright hearts and anime blush- the whole nine yards.

Broken, of course, every once in a while with a freeze framing on your real partner. The video going gray scale, with rain and violin music playing in the background.

Then, hard cut straight to the footage outside the plantation. ━─━────༺✧༻────━─━

Soon, the group of five were all stood before Myrtles plantation, waiting for the tour to begin.

Sam turned to Nate, camera pointed to him, "Are you excited?" 

"Dude- I- just-" your boyfriend sighed dramatically, bringing his hands up to rub at his eyes. You, however, could be seen lurching forward in laughter at his reaction, "It just like everytime you bring me on one of these."

You walked up, placing a hand on his shoulder, trying to calm your breaths, "Yeah, so thats a no." you looked up at him, pouting when he met your gaze, "He's very nervous"

"You look terrified." 

"I can tell by your- genuine face of excitement right now"

Nate forced a sarcastic smile on his face that turned out more of a grimace, "Oh yeah? This face? Right here?"

You struggled to hold back your laughter, "All excitement from him on the way up here"

He turned his head, looking down at you as you were still holding onto his shoulder, "You know, usually you're a bit more cautious about these things."

You shrugged, "But we have Amanda here this time," you gestured to her, "There's finally someone else to help me keep you guys from doing something stupid."

━─━────༺✧༻────━─━

The five of you entered the house, deciding to take a quick look around before the tour guide arrived.

Almost immediately upon entering the door, something caught your attention- and no it wasn't the smell the boys were busy commenting on.

Hung on the wall of the foyer, there was a mirror. You couldn't quite put a finger on it, but you could tell there was something strange about it.

For now, you just assumed it was how dated the mirror looked. Nothing from today looked like that. 

Soon, the boys called you over to the steps, wanting to take a peek upstairs. Sam and Colby had already made their way up with Nate following behind them, leaving you and Amanda  still on the first floor. 

"Hey" you tapped the blondes shoulder, "Just to- uh, to make sure... you feel that too, right?" you asked, looking up the stairwell. 

She hummed, "Yeah, thats probably because of what happened on the 17th step." 

You simply nodded enthusiastically despite having not clue what the significance of that specific step was, "Oh yeah of course. Just making sure I wasn't the only one feeling that sense of impending doom" you joked

Amanda laughed breathily at your phrasing, "Yeah, after events like that, they tend to leave a heavier, darker feel behind." 

━─━────༺✧༻────━─━

You didn't find out till later that night, it wasn't just a slip down the stairs, but a death on the 17th step.

Thanks a lot for leaving that out Sam. 

━─━────༺✧༻────━─━

By the time you made it up the flight of stairs, the group had entered one of the bedrooms. Everyone was inside except for your boyfriend, who stood before the doorframe waiting for you. 

"Hey babe..." he spoke scratching the back of his neck awkwardly, grabbing your hand with the other, "so, just like a heads up, there's like... a shit ton of creepy ass dolls in there." 

Your eyes widened looking up at him, "What?"

"Yeah, like the entire mantle?" he gestured with his hands, "Just- completely covered." 

"I don't wanna go in there" you shook your head quickly, eyes still wide as saucers gripping his hand tighter. 

"Just- just don't look to your right when we walk in?"

You squinted you eyes at him, "...why?"

Nate shrugged, "Oh you know, there might be one that is kinda-sorta positioned to look at you when enter." he spoke nonchalantly as he dragged you through the door. 

You glared up at the brunette, "what?"

"By the way, we have to sleep here tonight-" the both of you heard from further in the room, "So someone is getting the room with the creepy doll staring at you."

You knew your friends- so without even thinking you threw your pointer finger up, touching your nose. 

"Woah, woah, woah" you rushed when the other three looked in your direction with shit eating grins, "No I did it- it was Col-"

"Nope, I'm safe" the black haired man cut you off.

You looked up slowly, glare pointed directly at your shocked boyfriend, who hadn't done it in time. "I'm going to kill you."

You looked over his shoulder, seeing the dolls for the first time. You quickly dropped his hand running over past Amanda and out to the next room, "Nope! I just wont be sleeping with you."

Nate quickly followed, arms extended "Wait babe! No please! Don't leave me alone!" Leaving a laughing Sam and Colby behind, filming the entire thing. 

━─━────༺✧༻────━─━

"Sam" you spoke up once the tour was over, "next time we do one of these things you've got to tell me more than just 'oh were going to a haunted mansion'" you mocked 

"What's up?" he laughed, "What do you mean?"

"Oh you know" you gestured around, speaking with your arms, "yellow fever death child, owner of the house killed on the steps, poison murders, voodoo queen death, ghost mirrors-" you listed propping your hands on your hips, "I could go on and on." 

"It's haunted Y/N, what did you expect?"

"Not this!" you shrieked.

━─━────༺✧༻────━─━

Soon, the five of you began the investigation in Chloe's room, each wearing a set of clip on earrings. Thanks to your wonderful, amazing boyfriend, you and Amanda were wearing the hoops. 

In addition to the earrings, Amanda came with some gifts with the four of you. she gave Colby a crystal to help amplify his empathic skills, and evil eye bracelets for both Nate and Sam. 

"These are just because I felt bad getting something for Colby and not you two." she spoke handing over the bracelets.

The raven haired man gasped, bringing his hands up to his chest, "She has a favorite!"

Nate placed his hands up on his waist, popping out his hip, "Well that's ok." he shot back sassily, dangly earrings swishing by his neck.

The blonde girl however, hummed in agreeance with Colby reaching back into her bag, "Yep, but it's not you." setting off scandalized gasps from the two men and hysteric laughter from sam. Amanda approached you with a small bag usually used for jewelry.

You took it smugly, leaning forward to kiss her on the cheek, "Thank you m'love"

"of course darling" she played along, "I heard you also have some abilities, so I picked out three things to help" she spoke as you opened the bag, pouring the items in your hand, "Ok, so this one is Labradorite" she pointed to the darker, slightly iridescent one, "It is one of the best crystals for enhancing abilities, it extends your awareness, helps you connect with the spiritual world and can be very grounding and helpful for mediums." she moved to the brighter crystal, "This one is Angelite, the same as Colby's-" 

"oh." the mentioned male scoffed playfully, crossing his arms, "I see how it is... I feel very special now." 

"-and the last one," Amanda pointed to a pitch black stone that was attached to a corded necklace, "is Black Tourmaline, which is really good at protecting and shielding you from bad energy. It can basically cleanse you from any unwanted energy that comes your way." 

"Ok!" sam exclaimed, "Now that we've handed out the gifts and the pity gifts" he raised his wrist up to the camera, making the rest of you laugh, Lets get on to the investigation!"

━─━────༺✧༻────━─━

The group decided to move on to the seance room after very little seemed to be happening within Chole's room. 

"I hated this room earlier" Nate shivered next to you, "It just... I don't know, it's just weird."

You nodded as you followed him in, "Yeah? Now imagine feeling heavy when you walk in" 

"Really?" he looked down at you, "What do you mean?"

"It's just like what Amanda said earlier," you shrugged softly, "it's just very heavy in here, it feels tight." 

You let go of Nate's hand, leaving him as he went to look at a painting in the corner, approaching Amanda instead. You stood next to the blonde as she looked up at the mirror that faces the one in the other parlor. 

You shifted you gaze between her and the mirror quickly, "So... whatcha lookin at?"

She gestured you to stand next to her facing the mirror, never once moving her own gaze from the glass, "so look up there," she pointed at a specific area, "and unfocus you eyes- almost like youre trying to look through the mirror" she explained. 

Within a few seconds she could feel you tense beside her, causing the blonde to grin, "you see it?" 

"yeah" you breathed, nodding slowly, "yeah I see it" 

"Yo wait" Nate whipped around, "see what? exactly?" he moved up behind you, placing his head over your shoulder, squinting his eyes to find whatever the two of you seemed to see, "I dont see it"

"I keep seeing things move behind me" Amanda spoke

"I cant see anything specific" you added, "but I can see shapes moving" you explained gesturing up to point in the direction of the areas you spoke of, "like I saw something move like this" you dragged you hand, "and something over there" 

Amanda hummed in affirmation, "yep, where you just pointed, between this wall in the candles, there's someone" she moved her other hand, "and over here, where you saw something move, there was some kids." 

"thats crazy"

"are you feeling anything right now?" Nate questioned, as Colby moved to flip off the lights.

The both of you answered simultaneously, gaving very opposite answers,

"No."

"Yes." 

and for the first time in what felt like hours, you and Amanda broke your gazes from the mirror turning to each other instead.

"You really dont feel that?"

she shook her head, "no, I'm seeing them. I feel that someone is here, like I have full goosebumps"

"N/N" Nate placed a hand on your shoulder, "what are you feeling?"

You looked back to the mirror, looking for anymore blurs, only to see nothing, "It felt like- happy? I guess? Like you know that feeling of when you'd go to the park when you were younger and you were just like- excited? it felt like that."

Amanda nodded slowly in thought, "well, that could be the kids I saw, they did look pretty happy."

"but now" you spoke up once more, causing the boy's eyebrows to furrow, "now it just feels crowded. I cant pull one emotion from another. Its so weird." 

"the energy in here is insane" Amanda agreed, "I feel like if we did a seance at the seance table- we could get some pretty gnarly stuff"

━─━────༺✧༻────━─━

So, that what the group did. you broke out the spirit box, and immediately you were greeted with several hellos. 

"Is there any sign you could give us of who were talking to?" Sam spoke up, "a name, an occupation?"

Kate

Colby looked up with squinted brows, confused at the sound "what did that say"

"it said Kate" you responded from next to Nate, hand on his arm, "im pretty sure it said Kate"

"yeah" Amanda added, "I wrote Kate right before it said that"

"is it true that this room is a portal?"

you stepped back at the question, making Nate look to you in concern "guys I just got really nautious-" 

Evil

"oh no-no-no- I don't like that" you rush out, placing yourself on the other side of the doorframe, "i'm definitely not a fan of that"

Sam, Colby, Nate and Amanda continued to speak to the spirit box within the room while you stayed in the hallway. Nate moved from the group and closer to you to make sure you were ok.

"Can you tell us how many spirits are in here with us right now?"

three 

from the doorway, you couldve sworn you saw a flash of green reflect in one of the glass window panes. Green, like the head wrap Chloe was said to wear. 

"do you think.." you trailed off moving closer to your boyfriend, "could Chloe be one of them?" you whispered. 

he stepped out of the room upon seeing your expression. You seemed paler than usually and he could almost see you shaking with wide glassy eyes staring back at him. He wrapped his arms around you, rubbing your back to give you some semblance of comfort. 

Nate, his chin resting in your head, repeated your words louder to for the group still inside the room to hear, "Was that Chloe?"

Me

Look 

you whimpered, pressing your face into his chest, "nope. tell Amanda to look at the window-"

"-that candle just got so bright at the far end-"

"-yeah that one." you mumbled, "the window by the candles. I saw something green over there."

the brown hared man nodded, raising his voice to cut off the trio 's conversation on the candle's, "Amanda? N/N said to check around that window. She said she saw something green flash overthere earlier." 

"Yo! What?" sam exclaimed excitedly, moving to you both with the camera while Amanda looked by the window pane, "What happened? what did you-"

 he was cut off by Nate shaking his head quickly above you, "not right now" he whispered to the blonde, "later." 

Sam nodded understandly, moving to film Amanda by the window, "You see anything?"

"no, not anymore." she stated, "its all clear, whatever it was must've moved by now."

━─━────༺✧༻────━─━

A few rooms and a short reenactment later, it was time for solo investigations. Well, at least it was solo for Sam and Colby, you, Nate, and Amanda were able to go out on the porch together.

The three of you were given the spot where Chloe's picture was taken, and had decided to take turns doing the Estes Method. Amanda was first up in the rocking chair. 

"I've got some information"

"woah" Nate turned to the camera to you, who was laughing softly from shock.

"We didnt even ask anything yet," you looked into the camera lens, "and were already getting answers? this is crazy"  

Nate hummed, "Yeah this is insane- what type of information do you have?"

"lets go"

"Go where?" you questioned, "where do you want to go?"

after a few minutes you received no response. you shrugged, looking over to Nate, "I don't know, you ask a question" you laughed, "it doesn't like me I guess"

He shrugged at your statement, readying his next question "Chloe, did you put yourself at risk to get the information?"

"ready"

you squinted at one another, "are you ready to put yourself at risk?"

"for the information?" Nate added on. 

"yes" 

you shook your head with a smile, " I guess she's ready ti talk"

"yes"

"Chloe was it you that they photographed in this alleyway?"

"Accident"

"You didnt intend to be in the photo?" 

You turned around, looking off the balcony as Amanda shivered, brushing her arms, "something just touched me" 

Nate turned his head, looking your direction as you gazed out onto the dark field, "Babe?" he whispered, "You alright?" 

"yeah" you muttered, scanning the yard, "yeah, I just got that feeling that something was watching me." you shook your head and rolled your shoulders, "it was probably nothing."

Nate nodded slowly, continuing his questioning of Amanda rather than you, glancing at your from the corner of his eye to make sure you were alright. "Chloe, does guilt keep you here?"

"I knew it was wrong"

You and Nate brought Amanda out of the trance to add a trigger object, things for more intense from there. The answers seemed more and more on the nose, and the small inkling you had of being watched quickly increased tenfold.

You soon felt like you spent less time engaged in the investigation, and more time peering over your shoulder.

"it was the family name"

"Woodruff? Did you hear Woodruff?" Nate rushed, "are you trying to tell us about the Woodruff family?"

"It went silent" Amanda exclaimed, "like full complete silence for a full 'Mississippi' and then it started again"

"it was in the house"

"Are you tired" 

"I hope you don't mind" Nate mentioned, gesturing too the plant, "We have oleander in Amanda's hand-"

"I know"

"-was the death an accident or was it an act of revenge?"

"Nate" you whisper, looking out into the yard, "I...I don't think this is a good idea anymore."

his eyebrows furrowed, peering at you while keeping the camera on Amanda, "Why? What's up"

 you sighed, "I just- I think we should stop. something doesn't feel right." you tore your gaze from the dark, looking up to him, "something's wrong-"

"its time to wrap up-"

The blonde spoke removing the blindfold and headphones, "I swear, it said, 'its time to wrap up'"

"See!" you gasped hitting the man's arm, "told you!"

Amanda looked between the two of you, both of your eyes were wide and your posture screamed that you were both worried, "what's going on?" 

Nate set the camera down on the bannister, still filming, as he went to get all the equipment together, "N/N was just talking about how something feels wrong and we should quit." he looked up at the blonde, "she's been feeling weird this whole time"

The two continue talking while you walk further up the porch. The feeling of being watched became stronger and stronger as you surveyed the yard, eventually catching a glimpse of something off to the side. You leaned over the wood and squinted, trying your best to get a better look. 

Soon, you saw it. 

"Guys" you muttered, trying again louder when they didn't respond "Guys!" 

Nate looked up seeing how far down the porch you'd wandered, "N/N? what's going on?" 

you looked at them eyes wide, "There's someone out here." you panicked, "please, please tell me you're almost done because there's someone in the yard and they're getting closer."

Nate straighted his back, looking into the grass too. he didnt see anything at the moment, but you were so far down and it was dar enough that it could simply be that he was too far. He waved his arm gesturing you over to them, "N/N I need you to come down here right now" 

For all he knew, that was some psyco trying to add a new spirit to the home. That spirit, would not be you if he had anything to say about it. 

"oh my god" you yelled, running up beside the two, "its getting closer."

The brown haired man moved to shield the two of you, shoving the equipment you three brought out to you an Amanda, only keeping a flashlight, "Go inside."

"but-"

"Y/N go inside."

"Wait" Amanda spoke up, peeking around the man's shoulder, "to the left?"

you were shaking at this point, "yeah, It followed me down from that side"

The blonde moved forward, pulling the flashlight from Nate's grip, illuminating the patch to see nothing there, "There?" 

you tilted your head in confusion, "well... yeah? it was-"

Amanda turned off the flashlight and the both of you were greeted with the dark figure once more, this time it was only about 10 feet from the railing. 

"oh my god" you breathed, heart hammering in your chest.

The urgency in your boyfriend began to dissipate, believing that while a spirit following his girlfriend wasnt the best- it was better than her being followed by an actual crazy person.

However the seriousness of the blonde nearly doubled once she caught sight of the glowing red eyes. "You are not allowed to be here." she spoke stern, making you stiffen even further, "you do not have permission to follow us or come any closer."

"Amanda, what is happening?" you spoke, eyes trained on the humanoid figure before you. 

"move back to the door" the blonde spoke softly to you and nate, before strengthening her voice once more, "You do not have the right to follow us into the home, you must stay out here." 

Once the door closed, the blonde watched the figure through the window until it dissolved into the air. 

"you see that stuff all the time?" you stuttered, clinging to Nates arms that wrapped around your waist, "like thats what a ghost is? I've never actually seen something like that before" 

"no." the blonde spoke turning to face you, "that... Y/N, that wasnt a spirit. that was a demon."

[krockdove]

You know, after watching the last batch of Earthspark, I was really disappointed for a number of reasons. I was angry about it.

But then I learned the producers were treated terrible by Paramount and had no choice but to end a lot of things in season one, now I'm not mad at them at all. I instead curse Paramount forever.

so....I'll write some headcanons I was looking forward to in Earthspark. I maybe do a series of related posts. Today is about one of the most important characters, Starscream.

Warning! This post contains spoilers.

Let me make one thing clear: I have no beef with his redemption. No, rather, I believed that Earthspark would do it as a matter of course. I never once doubted it.

The one of themes in Earthspark is "Second Chance". Starscream is the character in the Transformers franchise who most deserved a second chance, the character who could become the most dramatically three-dimensional with a second chance. Even though S1C was made under pressure to wrap everything up quickly, his redemption eventually came, which is what the show was meant to do from the beginning. The problem is, because the story had to be wrapped up in one season, all the dramatic plot points, connections between moments that should have been important, and characterizations were weakened across the board.

We are happy with his Redemption, but this is Earthspark. Not TFP. That means, we once had the opportunity to explore Starscream's character much more deeply. Not just in one episode, but a few.

Especially since I was serious about what was hinted at in the Warzone episode, I was disappointed that it wasn't used in the story.

I've seen several theories about that episode, the conclusion was that Starscream was caught in the Space Bridge explosion and was officially declared dead. I was actually pretty sure. That's why his appearances were low throughout the season, and he survives the explosion, BECAUSE Allspark revives him and fuses with him, right?

It makes it natural for Megatron to talk about the battle like that way and reveal his trauma, especially if he thought he lost both Shockwave and Starscream because of his actions. (This explains Soundwave's anger too.)

So Starscream was treated as dead, but actullay he was secretly imprisoned by the evil GHOST. He was unconscious when it happened, so it would have taken him a long time to figure out what was going on. He doesn't know that others to think he's dead. He sees his comrades locked the cell and thinks Megatron has really abandoned them.

This misunderstanding would have been a very important source of conflict when he was later reunited with Megatron. I even expected him to be the one to reveal the truth about GHOST.

I was almost certain that the GHOST and Mandroid plots would carry over into S2, so I thought it would be a conflicted ending with Starscream revealing the truth at the end of S1. It would have been nice if Starscream's character to be explored at the beginning of S2, along with his redemption, and the past war story.

And that would have made for some interesting drama not only between him and Megatron, but also with Optimus.

Imagine if that really happened. Starscream insists GHOST is wrong. How do you think Optimus and Megatron would take it?

Yeah, I can hear their doubts up here.

The point is, Starscream is seen as untrustworthy. Megatron would have a 50/50 chance of trusting him, but Optimus certainly wouldn't. From his perspective, Starscream would be seen as trying to drive a wedge between him and Megatron and reignite the war. In this situation, no one is lying, but someone ends up being unfairly labeled a liar. Optimus would compromise for the sake of the people he cares about, but they wouldn't include Starscream.

And I think this is the perfect moment for Hashtag to appear!!

Like, she's going to show up and be one who believes Starscream. If she believes in him, so do some of the Terrans – not all of them for now – but eventually the Hashtag and the Terrans believe in Starscream, and it would be really touching if that led to his redemption!

(also it inspires Terrans to dig into the truth of the GHOST themselves)

After it was revealed that he had an Allspark inside of him, he must have had an internal conflict. When he realized that the hope of his home planet and their people lay within him, could he handle it?

He struggles with it, but eventually does something heroic to help the Terrans. Maybe he uses the power of Allspark.

Terrans believe in Starscream when even Optimus doesn't, and it changes him, it would have fulfilled the show's message – Everyone deserves their second chance.

[celiciaa]

GILBERT VON OBSIDIAN EVENT STORY....

CHAPTER ONE.

Make me feel alive.

translations are not 100% accurate. expect mistakes.

MINORS DNI.

The chilly season is approaching as Christmas and the end of the year approaches and everyone's hearts are filled with excitement.

The scene that unfolds regularly once a month at the Obsidian Castle was still happening right before my eyes.

Gilbert: Hey, Walter—….can you stop dragging the little rabbit to your stunt?

Gilbert: She threatened me by saying, "If you don't go to the infirmary, you're banned from touching me"….you know?

Lord Gilbert, who was sitting on the bed, buttoning his shirt, and turned his red eye to me, clearly sulking.

Gilbert: I’ll kill you if you're close to the little rabbit.

Walter: If you'd just come in for your regular checkups, I wouldn't have to.

Walter: I can’t keep relying on Roderich most of the time. Even he has his limits.

Gilbert: Your regular checkups are too frequent. Besides, it's a hassle.

Walter: Your body needs a little extra caution. You just had a high fever the other day.

Gilbert: Everyone gets fevers. Even healthy people.

Walter: How many times do I have to tell you that you are prone to serious illnesses? Do you want to make your fiancée cry again?

Gilbert: Of course. I want to make her cry. A lot actually.

Emma: ….Lord Gilbert.

The other day, Gilbert seems off strangely, and when I touched him, unlike the usual coldness on his skin, it was rather warm,

I remember going to call for Mr. Walter in panic mode when I saw that he was not even breathing normally.

(I was really, really worried, but Lord Gilbert didn't seem to care at all.)

Gilbert: You’re exaggerating, Emma.

Emma: I couldn’t help but worry about you.

Gilbert: You poor thing.

(…No good. He is clearly enjoying himself.)

Walter: Roderich, your master is too evil.

Roderich: Doctor, he is also your master.

Walter: Dammit.

Gilbert: Hm, what’s that? You want a salary cut?

Walter: I am honored to serve such a wonderful master like you!

Gilbert: Hehe, I see.

(I'm getting used to this atmosphere lately.)

Lord Gilbert tends to avoid involving himself with people more than necessary.

However, he seems to have some patience/tolerance with his close aides, Mr. Roderich and Mr. Walter.

Their conversation was too dangerous to be considered friendly…but they often had a lively time together.

(Right! Since Lord Gilbert’s close aides are here.)

(And his regular check-up was completed successfully….)

Emma: Come to think of it, it's almost Lord Gilbert's birthday.

Emma: How do you celebrate it?

Walter and Roderich: …

Emma: Um…

(Huh…what’s with that atmosphere?)

Mr. Walter, who is usually so talkative kept his mouth shut, along with Mr. Roderich the moment I brought up the topic of his "birthday".

The expressions on their faces were so tense that it couldn’t be dismissed easily.

(Maybe I said something wrong.)

Emma: Could it be that birthdays don’t celebrate in obsidian?

Gilbert: No, regular families do celebrate it properly. Birthdays are special in any country.

Emma: Then what’s with this atmosphere…

Emma: You mentioned the other day that it was almost your birthday, didn’t you, Lord Gilbert?

Gilbert: Yeah. You seem to care about that sort of thing.

(So, it's not a taboo or something….)

Mr. Walter and Mr. Roderich both lowered their heads.

Only Lord Gilbert continued to smile as usual.

Gilbert: My birthday is something celebrated by those who want to die.

 ▸       [  next ]

[pluckyredhead]

I've been meaning to ask for a while, since you've read so much more Supers books than me, but what are your thoughts on Kon being retconned as Clark and Lex's lab grown love child? Asides from that one mind-controlled-into-shaving-his-head incident, did that ever factor into anything again? Is it even still canon? If it were up to you would you keep it and try to do something interesting with it or just sweep it under the rug and pretend it was never true?

I think it would be a great retcon if they ever did anything with it aside from one (1) incredibly stupid story.

Because the thing is, originally Kon's human donor was Paul Westfield, and genuinely, who the fuck cares about Paul Westfield? He was only relevant for, like, a year. He's a footnote at best.

But Lex? There's so much potential there:

How does Clark feel about it? Does he trust Kon less? Does he feel guilty about that? Does he defend him to people (Batman) who would question him?

What are Lex's plans? You can't tell me he would sic Kon on other heroes once and give up. Lex always plays the long game. He has to have other Machiavellian schemes. What if Kon gets the clone plague again and Lex has the cure? What if he built in a vulnerability other than kryptonite? Most interestingly, what if Lex cares?

And of course, most importantly, how does Kon feel about it? We've seen him ignoring it and then moping about it. And I think it was his Adventure Comics run where we saw him tracking his own behavior to see if he was more like Superman or Lex. But what if a story really interrogated the fact that Kon is a very different person than Clark? (Especially in light of Jon, Clark's mini-me.) Kon likes money; Lex is a billionaire. Kon loves attention; Lex is functionally a supervillain because he's jealous that people like Superman more. Kon is a sweet boy but he's not a shining paragon of virtue. Is that because of Lex's genes? Is everything good about Kon simply Superman's genes? Is Kon is own person with free will that exists beyond picking a donor to emulate? Is a clone a person at all? Let's get into it, DC!

If it was up to me, I would write two stories about it:

First is the story where Kon and Lex actually develop a relationship. Kon and Clark has never been close, and Kon has rarely had a stable home or consistent parental figures (Rex was untrustworthy, Dubbilex got written out a lot, Guardian died and came back as a child, Pa died, Ma lived but Kon died and then got retconned into another dimension...). Kon is primed to fall for lovebombing, especially if Lex is doing one of his regular "no, really, I'm Redemption Arc-ing for real this time!" routines. Especially right now with a trillion Supers Clark likes better hanging around Metropolis, and Lex swearing he's going to be Good...what if he stopped trying to convince Clark, and started trying to convince Kon? What if he spent time with him, and listened to him, and took his side against Clark, and let's be real, probably spent money like water on him? And what if Lex, despite himself, discovered that...he actually cared about his clone son?

Of course, Lex's self-interest would eventually win out. We see this over and over again, where he sacrifices his relationships on the altar of his ambition, where he just can't quite love anyone else as much as he loves being evil. And yes, Kon ends the story hurt, but also with another reminder that validation needs to come from within and not from a billionaire who wants something from you, even if he is your other dad.

(And maybe Clark is reminded that he has failed Kon. Again. Ahem.)

The second story I would write is the one where Lex goes to jail and Kon somehow inherits Lexcorp and many billions of dollars and is cartoonishly irresponsible with all of it. Lex gets out of jail and there's a giraffe in his office and all of his doomsday devices are full of Zesti Cola.

But yeah, instead DC does nothing with it. Literally a few months ago they had Clark and Kon and Lex all having a conversation about a villain Lex created and gave TTK to - so like, talking explicitly about how Lex created Kon, too - and aside from Kon being mildly snide, that was it. That was it! DC WHY ARE YOU LIKE THIS. WHAT IS THE POINT OF SETTING UP SOMETHING SO JUICY AND THEN LEAVING THAT JUICE UNSQUOZE.

[justanotherblogger]

My theory is that Mimzy was once Alastor’s best friend, he maybe even thought he might have been in love with her at one point, in that manner aroace people who don’t know they’re aroace often do, that she was then sacrificed by this cult, and that Alastor had them infiltrated and taken down every member of that cult over decades, losing more and more of himself each time as those he killed grew less and less directly connected to the crime, “sorry you just got in my way, maybe I enjoy it just a little bit does that make me insane”, but that in the act of doing so, that contradiction of righteous intent and pure depravity, along with whatever ritual for power the cult had initially started upon, let’s say in honour of Roo (the root of all evil in the Hellaverse, a character yet to be introduced), and that on Alastor’s eventual death, he then found himself in Hell all-powerful, and set about bringing down those Overlords beneath his power continuing this moral code, until he hit a wall, finding himself having ended all Overlords less powerful than him / otherwise came to his senses on meeting Mimzy again and finding her to have gone to hell, recognising that “weren’t you an old pal of mine” and really nothing more and deciding mere power, entertainment is all he now desires. But that still, out of obligation, that he must kill Lucifer, the Devil, for a sense of completion, while still being allowed to exist himself afterward. Which leads to whatever deal he ended up trapped in seven years before the events of the series, and him getting Charlie to make a deal with him to “harm no one” at a certain point in the future: to ensure that when the time comes that he will be able to kill Lucifer, and the one person able to stop him won’t be able to. To really make Alastor a true Exterminator, more measured, the embodiment of how the road to Hell is paved with good intentions.

Huh, interesting take! I didn't think the Insane song was canon, but maybe I was just misinformed. I've never really thought of Alastor having his path of vengence and righteousness leading him towards hell, but I can see a lot of potential with it!

How Alastor had been barely keeping it together in his life already, and the one person he really cares about gets killed by a freaky cult? Yeah, I'd understand his murder spree now.

Maybe the cult ate Mimzy's body for the ritual, and Alastor returned the favor, starting his cannibalistic tendencies. But I'm not sure because Mimzy didn't have any indication of that on her sinner form from what we've seen.

I also saw a similar theory with the exterminator Alastor part, where he might've originally been in heaven, but when forced through the exterminator program, let his violent tendencies take over.

I do like the cult part. Maybe this caused what Alastor was referring to when he had his interlude in the finale song, with red eyes (that I just noticed after a rewatch) following him from his crash sight to the radio tower.

Those eyes look very similar to Roo's concept art. Maybe Roo found him because he killed a lot of her followers and made a contract with him to keep him under her thumb in the long run, making sure he doesn't interrupt her plans again.