sorry for all the posts today, but this one is very important: alternian video game edits.
i actually have reasonings for all of their blood types, and a few classpects, so i'll dive into them here:
monika:
i'm thinking that early in the game, during acts 1 and 2, she maybe masqueraded as a jadeblood or higher. only during act 3 does she reveal herself as a fuchsia to the protagonist.
gordon and alyx:
gordon is probably a tealblood, or somewhere around there. fairly high, but not too high, i think. alyx is an olive, and eli is an indigo. azian was probably a gold. (or lime?) i did have to keep gordon’s orange HEV suit, though. surely you understand.
okay, troll half life lore: i think on alternia, all the main characters in the half life franchise are like, olive or above. the rebels in follow freeman and the guards are all lowbloods, so that the player doesn't feel too bad about sacrificing them, or something like that. i think this would be something that would happen in an alternian video game, at least.
agent 47:
47 is actually a mutant, due to being manufactured in a lab. he's a weird ice-blue color. he's still got that piercing stare. i felt a little sad changing his iconic red tie, but i do have some thoughts on that as well.
obviously, red in human culture tends to symbolize passion, among other things, and in this case, violence and aggression, because it's the color of blood.
however, because trolls all have different blood colors, i think they might have different meanings attached to colors than humans typically do.
i think that typically, the colors that would most commonly represent aggression in alternian culture would be blue (cobalt and indigo) and purple. now, i know that the sea dwellers exist, but since the vast majority of trolls are lowbloods, they would have a lot more contact with the land-dwelling highbloods, rather than the fish. so, 47’s tie is blue. (i also just think it looks cool matching his eyes)
chell:
I made chell a bronzeblood. she’s a test subject, but not one of the special ones (astronauts, olympians, etc). she’s just another lab rat. (also, a lot of her outfit is orange…)
now for classpects! i only have two i’m sure of as of now:
gordon freeman is an heir of hope.
this one is fairly obvious to me. a common belief is that heirs have the ability to become their aspect, in a way. in half life 2, gordon quickly becomes the main symbol of the resistance on earth. for the rebels, he himself IS hope.
agent 47 is a prince of life.
again, it’s a common interpretation that princes are themselves void of their aspect, and they destroy that aspect in others. this is really literal, obviously, but as a hitman, 47 kills people. literally destroying life. as for his own lack of life in himself, it’s pretty simple as well. 47 is almost always described as entirely void of emotion and empathy. others often remark on his soulless stare, a lack of life behind his eyes. so, as a prince, he fulfills both criteria there.
holy hell, that was a lot of words. i didn’t intend to talk this much. feel free to add your own thoughts; i’d like to hear what others think. these descriptions were a bit rushed, and i don’t really consider myself to be very good at communicating my thoughts, so a lot of things may have been lost in translation. i’d be happy to try and elaborate on my reasonings for any of them.
(oh, also, please no alyx spoilers. i haven’t played it yet!)
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Secondo lied about being able to speak Swedish, and Terzo lied about *not* being able to speak Swedish
this is honestly one of the funniest things i've noticed in the Ghost lore 😂
when Secondo performed live in Sweden, he would speak some broken / mispronounced Swedish words and phrases on stage.
at Terzo's very first concert, he called out Secondo for lying. Secondo couldn't actually speak Swedish. he was just trolling, and Terzo thought that was a stupid prank. unlike his brother, Terzo admitted he did not speak Swedish, and he asserted he would not troll the audience by attempting to speak Swedish on stage. he re-iterated this several times at concerts in Sweden.
PAPA EMERITUS III: My imbecile brother has somehow fooled you into thinking he can speak some fucking Swedish– pidgin Swedish. No more of that! I do not speak Swedish, OK?
Linköping, Sweden (June 3, 2015) via Youtube and Instagram
PAPA EMERITUS III: How are you doing? It's nice to see so many of you here. What has it been, a little over a year? My brother told me about you. And you do know that I'm not gonna trick you with any fucking pidgin Swedish, huh? I know he fooled you into believing he could talk. He sounded like a fucking asshole.
Stockholm, Sweden (November 13, 2015)
... except Terzo was also totally lying because later in the same concert in Stockholm, Terzo yells at the audience in fluent Swedish.
PAPA EMERITUS III: FATTA DET HÄR FÖR HELVETE!
Stockholm, Sweden (November 13, 2015)
"FATTA DET HÄR FÖR HELVETE!" translates to something like "UNDERSTAND THIS, FOR FUCK'S SAKE!"
Terzo was so bad at maintaining this lie about not speaking Swedish. he continually insisted that he could not speak Swedish, but he also kept demonstrating that not only was he a fluent Swedish speaker, he was very familiar with the culture.
PAPA EMERITUS III: Good evening. How do you do? Alright, let me get this straight to you now: Despite the band being a Swedish band, I don’t speak Swedish, OK? But I can try. You wanna hear me try? You know, we got some awards which we are very thankful for, obviously. So I can say, “Jag är kåt, glad, och tacksam.” And I can say, “Plopp.” “Kexchoklad.”
Bandit Rock Awards 2016 (January 19, 2016)
“Jag är kåt, glad, och tacksam.” means "I am horny, glad, and thankful."
"Plopp" and "Kexchoklad" are the names of two Swedish chocolate candies.
PAPA EMERITUS III: I know for a fact that here in Skåne you like your potatoes, huh? Spettekaka. How fitting, because this song we’re gonna do right now does have a culinary theme that you might like.
Malmö, Sweden (February 25, 2016)
Skåne is the county of Sweden where this concert was performed.
Spettekaka is a Swedish dessert.
unless they're already very familiar with Swedish, an English speaker wouldn't know how to pronounce most of these words correctly, and Terzo does.
obviously, this is all because TF is Swedish and had trouble staying in character. but the lore implications are hilarious for Terzo HAHAHA. he loves to lie and he's so bad at it.
(BTW i actually don't speak Swedish! if you are a fluent speaker, feel free to correct my translations!)
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Using the Avatar state scenes as an example and saying this is katara relationship with aang is so vile 🤦♂️
https://www.tumblr.com/sunandmoongobrrr/662596151677190144?source=share
Ugh this take again. It honestly always exhausts me to see this because the thing about Aang going into the Avatar state is that it is, at it's core, a defence mechanism. Aang goes into it in life threatening situations, or otherwise, incredibly distressing situations. I've even pointed out its similarities to panic attacks:
Katara is an incredibly empathetic person, and she is able to emphasise with Aang's pain. Because a) she's just that type of person and b) her and Aang share the trauma of genocide and loss.
Katara's interactions with Aang when he is in the Avatar's state aren't based around tempering his anger, but providing comfort and reassurance. It almost seems that Katara just reminding Aang that she is there and that she cares is usually enough to calm him which makes sense. Because, at the core of it, Aang's greatest pain, likely the root of most of his nrgative emotions is that he is the last airbender. His people are dead, have been dead for ages. He is alone, the last of his kind, and it destroys him.
Aang: [To the winged-lemur.] You, me and Appa; we're all that's left of this place. [Looks at the lemur.] We have to stick together.
Enter Katara, who reassures Aang that she is with him, that she cares, that she won't leave him. Because she sees that he is hurting. She hugs him as normal people hug their friend when they are upset, and later, when their relationship is more established, it's just enough for her to make eye contact with him and remind him that she's there.
Katara : Aang! I know you're upset and I know how hard it is to lose the people you love. I went through the same thing when I lost my mom. Monk Gyatso and the other airbenders may be gone, but you still have a family. Sokka and I! We're your family now!
And I truly don't think Katara does this out of a sense of obligation or fear. She does this because she sees her friend, and later, romantic partner, is hurting. And she knows that pain intimately. So she offers her comfort. Of her own free will, because she cares.
Katara : Do you remember when we were at the air temple and you found Monk Gyatso's skeleton? It must have been so horrible and traumatic for you. I saw you get so upset that you weren't even you anymore. I'm not saying the Avatar State doesn't have incredible and helpful power ... but you have to understand ... for the people who love you, watching you be in that much rage and pain is really scary.
I think the emphasis on "the people who love you" is important here. Katara isn't afraid of the Avatar state itself. She is saddened and scared for Aang, because she knows he is in pain. And he is someone she loves, be that platonically, or romantically.
Side note; I always found it so cool that when Aang went into the Avatar State in the Avatar State episode and wreaked havoc on general Fong's base, Katara, who was literally in the middle of it, remained completely unharmed.
See, the theme with Avatar is that holding onto anger and pain can be incredibly self destructive. We see this, of course, with Zuko, but also with Aang and Katara.
Of course, we're shown how one's anger affects others, but we also see how painful it can be on oneself. Which is a very poignant theme that isn't often explored.
This is what Aang was trying to communicate to Katara in The Southern Raiders. And this is what people like this, who commented under OP's post don't get.
Oh, something crazy? Like for example going against her entire morality and do something she might regret for the rest of her life? That type of crazy? Hell, look at how strongly "The Southern Raiders" ties back to "The Puppetmaster", an episode about a victimised Southern Waterbender driven to near madness by her grief pain, and rage.
Aang isn't stopping Katara from feeling anger, he's trying to make sure she doesn't do something that will weigh on her and compromise her morals and ideals, because he knows how important they are to her.
Aang: The monks used to say that revenge is like a two-headed rat viper. While you watch your enemy go down, you're being poisoned yourself.
Hell, he even supports and believes in her, letting her take Appa and believing she would make the choice right for her. Which she did, in the end.
Aang: I wasn't planning to. This is a journey you need to take. You need to face this man. But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him.
And no, I don't think he was trying to save face, since he has never had a problem disagreeing with Katara before, for example in the Avatar State episode, where he followed his sense of duty as the Avatar, despite acknowledging and valuing her criticisms of the matter.
Aang and Katara's relationship is one of mutual support, particularly in helping alleviate each others pain, since they are both genocide survivours, both lost a parental figure to the fire nation, both value their cultures and desperately try to perserve them etc.
I think some excellent aymbolism of this can be in how Aang tries to help Katara with her dismay and discomfort around losing her mother's necklace, something she's expressed was very valuable to her due to her loss. First by making a symbollic replacement, and then risking himself by retrieving the necklace from Zuko.
I also genuinely enjoy that in both of these instances, Katara put the necklace on herself? Like it would be so easy to just make a cliche meaningful scene where Aang puts it on her and "proposes" but theres almost something more appealing to me of Katara taking the necklace from Aang and putting it on completely on her own.
Katara does not need Aang to calm her down when she's angry, because, with the exception of the Southern Raiders, her anger is usually benign squabbling which is completely normal 14 year old behaviour. Wheras for Aang, his anger usually rears its head on rare occasions when he's in deep distress.
But Aang is there to comfort Katara, to bolster her confidence, to support her, make sure she's having fun almost whenever she needs it.
These are just a few examples of Aang providing comfort to Katara.
These actions may not be as bombastic and awe worthy as Katara ripping Aang out of a state of deity like power, but they are nonetheless important to Katara and make a big difference.
Aang and Katara's live language with each other is providing comfort, in any way they can. Be it by alleviating anger and pain, making the other feel good about themself, or connecting over the horrific genocides that brutally deprived them of their loved ones. You know, just normal couple things 💗
And this is where I could slander Zutara, but I'll simply tactfully say that Zuko... prioritised things other than Katara's comfort and happiness.
Also, incredibly rich that one of OP's examples of Aang going into the Avatar state out of anger was in the comics. OP neglected, however, to include the scene leading up to this where Aang is extremely calm and nonconfrontational until Zuko grabs Katara and refuses to let go of her despite both Aang and Katara telling him he's hurting her and then attacking Aang after Aang knocks him away from Katara.
Like hun this is not a good look.
And another point I'd like to raise is this persob in the comments who apparently watched the show blindfolded.
why are we still here just to suffer etc etc. Like have you folks even watched the show why do you have beef with a twelve year old who commited the crime of loving a girl his age. If you're that fucking upset about it you can just not have him do that in your mind palace you don't have to pick violence.
Aang is a genuinely amazing character who deserves so much more than what his haters say. It's fine if he's not your fave character I just don't understand why people have to be dicks about it.
Genuinely the only good thing I get from examining this type of bullshit rethoric is that it lets me inspect Kataang more closely and find new things I genuinely love about it.
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Hii Maddy, do you have any recommendations for getting into Fear and Hunger without playing the games? Are there any good play throughs maybe? Im so intrigued by the world and characters but I doubt I'd have the free time and patience to really dig into the games </3
✧ദ്ദി( ˶^ᗜ^˶ ) OF COURSE!!!! Here's a bunch of Fear & Hunger recommendations!! As a warning: Most people who upload Fear & Hunger content sadly have to use a mod that censors nudity and some of the gore because of YouTube and Twitch's policies.
So if you see pine cones everywhere that’s why.
Connordawg: Click Here
He has a very fun edited letsplay of both games!
Frapollo94: Click Here
I'm OBSESSED with watching his Fear & Hunger challenge videos. I've learned a lot about the games' mechanics and bugs from him.
NoCommentaryArchive: Click Here
Their entire channel is just scenes from both Fear & Hunger games.
Omni World: Click Here
They also upload scenes from both Fear & Hunger games.
Shadow the Axolotl:
Part 1: Click Here Part 2: Click Here Part 3: Click Here
They have a great three part series going over the time line in chronological order. I also like that they acknowledge what endings are canon.
Pugsr: Click Here
They have a video about Le'garde and one about the God of the Depths that I like.
Lucky: Click Here
She makes these AWESOME analysis videos about different topics within Fear & Hunger. Lucky's voice is also extremely soothing.
Fear & Hunger Wiki: Click Here
Highly recommend using this wiki instead of the fandom wiki.
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166h, I finally finished Baldur's Gate 3! What a game!
As I knew very little about DnD rules when I started, I have to say the entire combat system and how to use skills and what they really do didn't make sense to me at first. The game gives no explanation, seeing a weapon being 1d6 or 1d8 meant nothing because what it means is never explained. There's no tutorial. You know DnD or you don't. And when I say nothing is explained, I mean nothing. You play and the game never proposes you a small tutorial about DnD basics. Very strange. So you have to go find the answers yourself.
Bugs also prevented me to finish an important companion quest. I'm a bit bitter about this one, I really wanted to finish it but if what I read is true, then it's really because of a bug. Ah well, the outcome was also interesting, just not the one I was planning.
The end was also sort of bugged, I had to manually end all the conversations, and had to pass what seemed to be a transition black screen at the very end, and I hope I didn't miss anything because of that.
In spite of that, the game is really good, very rich, so many things to do and discover, long side quests, good romance (forever thankful for the updated kiss scene with Halsin) and good writing. The characters are nuanced and complex, as are the events, which makes a lot of decision sometimes very difficult to make. Everything has consequences and it's quite impressive how a choice you make early in the game will have consequences throughout the game, sometimes even a lot later with no mention of it for a very long time.
I'd recommend this game even if you don't know DnD. It's a very good RPG, just know that you have to read about DnD rules before to play the game more easily. I also feel like the PS5 version is less easy to play than the PC one, less flexibility with the UI and various other things, so if you have a good gaming PC, it's a better choice for this game for sure.
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A 44 year old man goes to a K-Pop Concert
I promised you a report on the K-pop concert that I, a 44-year-old accountant, went to a couple of weeks ago with my wife and daughter in Toronto. So here it is.
The band we saw were Ateez. They're my daughter's favourite band and my wife's second favourite. I know most of my mutuals are similarly aged like me and may not be familiar with them so let me give you a brief primer on Ateez.
Imagine the most attractive eight men you can think of, just unfathomably beautiful specimens of aesthetic perfection, and make them sing songs that somehow combine the subjects of 'dancing like nobody is watching' with 'we live in a dystopian hellscape that we must all work together to overthrow'. Give them an ongoing music video story lore that literally nobody - not even the band themselves - understand, so that online discussion of their visual motifs looks more like the fevered rantings of a conspiracy theorist, complete with speculation about alternate realities and time being a Moebius strip. There is also a giant sand timer, for some reason.
That's Ateez. That's what you need to know.
Now, K-pop concerts are very different to the gigs I've been going to for the last 28 (!) years. There's no support act, for a start. Also the band perform for like, three hours, with breaks for costume changes and interpretive dance. Furthermore, hanging above everything is the constant looming threat of mandatory military service.
So this being my first such concert, I wasn't sure what to expect. What happened was difficult to explain, but I will try as I am already six paragraphs into this write-up and I'm too invested to stop now. Here goes:
In his Wicked + Divine comics series, Kieron Gillen places modern pop icons as deities, feeding upon and gaining strength from the worship of their fans at the altar of musical performance. I thought I understood that metaphor. I thought I understood it AS a metaphor. I was wrong, because that night Ateez WERE Gods with a capital G and we were their worshippers, a crowd emanating adoration (in the religious and non-religious senses), bestowing strength upon them and gaining their strength in return.
If that sounds weird, it probably is. But as pointed out above, I have lived over four decades and never yet experienced anything like the overwhelming passion of that crowd, the utter abandon with which they conveyed their love for the band.
"But Fuiru, what of the actual music?" you ask. Thinking back, there was a moment in one of their songs - I can't remember which - where I watched the stage, and the people around me, taking it in, and I thought, "Man, I just love Music". But that doesn't answer your question, sorry.
Ateez's music is bloody great. As a tiresome indie/rock/metal kid I'm resisting the urge to add the usual tiresome indie/rock/metal caveat of "...for pop music" because honestly that does it a disservice. They have some genuinely amazing songs. Halazia is an absolute fucking masterpiece that descends into furious hardcore breakbeat. Bouncy is a big, brash racket that somehow is also a perfect pop song. Utopia, Wonderland, and Guerrilla are similarly superb. The obligatory boy band slow number is represented by Dancing Like Butterfly Wings which will make you cry because you will forever associate it with your twelve year old daughter being pointed to and waved at by her favourite Ateez member (Seonghwa) because of her Seonghwa-branded lightstick.
That might just be me, though.
So in summary: being a 44 year old dad at his first K-pop concert rules and you should endeavour to partake in the experience if the opportunity arises.
Finally, for any Atiny reading this: my bias would be San or Seonghwa but my wife and daughter said they were taken so it’s Mingi. My concert outfit (designed and created by my offspring) reflects this.
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