#JS Williams

[thesearenotphotographs]

Fishbone and Son Rompe Pera at BRIC Celebrate Brooklyn! at Lena Horne Bandshell

On Saturday, June 29, 2024, Fishbone (of Los Angeles) and Son Rompe Pera (of Mexico City) performed sets at BRIC Celebrate Brooklyn! at Lena Horne Bandshell in Prospect Park. This was the first time in the season’s 46-year-history that punk bands were booked to play the bandshell.

I captured sets from both acts for BRIC Celebrate Brooklyn! and a few images from Saturday night are available in this gallery, and on the festival’s Instagram account here.

[tea-darling1]

i was feeling sad and needed something somewhat nostalgic so i drew some of the - ig you would call them "og" crew of crp's excluding jeff cause i dont have a design i like for him yet, idk he's greasy and hard to figure out. anyways enjoy the doodles, i might colour them if i get the chance

[ozmosiis]

vulcan headcanons

saw a post that briefly mentioned vulcan (as a species) biology / history headcanons so im gonna list mine and hope it becomes gospel !!!

warning im a fucking nerd.

Vulcans have increased neural density with a higher degree of parallel processing. This allows them to process multiple streams of thought at once, also allows for more advanced problem solving and emotional compartmentalization ... Cephalopods, like octopuses, do something similar and have complex neural architecture. if it helps... know what im ... getting at.

They have a double circulatory system. To survive the thin atmosphere and intense heat of Vulcan, their circulatory system bifurcated. A primary circulatory system oxygenates vital organs while a secondary circulatory system regulates body temperature and conserves water.

Vulcans have tails. They originally aided with balance, grasping, and maybe even self defense during early evolution. Their tails have the most sensory nerves out of any other part of the body, and serves as an auxiliary point for their touch telepathy. In Vulcans without tails (which is like a 3/4 of the population), they instead have vestigial nerve clusters that strengthens neural sensitivity in their hands and fingertips, which also is a part of why touch is so sacred in their culture.

Early Vulcans were pack predators, and used their telepathic links to hunt more efficently... their tails acted as stabilizers aswell.

Vulcan traditions are actually rooted in pack dominance, when physical contests determined leadership. Touch telepathy provided an advantage by allowing fighters to predict the other guy's intent before they struck.

Some Vulcans, particularly those who struggle with emotional control or embrace emotional experiences (like Sybok) experience phantom sensations where their tail would otherwise be. This manifests as an unconscious need to maintain physical contact with others during heightened emotional states.

Vulcan ears are adapted for radiative cooling, acting like heat exchangers to dissipate thermal energy. The large surface area and high vascularization, allow for excess heat to be expelled efficiently, very similar to the ears of jackrabbits and elephants.

Vulcans have enhanced visual acuity with the ability to see UV light, which allows them to live on the bright landscapes of Vulcan. Their retinas contain a higher density of cone cells attuned to UV and infrared spectrums.

hey guys hope u fucked with that all ... i really, really like eco science and biology. i am such a nerd i know. thats not even it all!!!!!!!!!!! if you want other species headcanons, lmk chat

[jeanmoroses]

tsc social media au interlude (ft. the sophomores!)

trojan sophomores + madeline

[couchsterfield]

Chatgpt generate me a list of luxury christmas gifts 😎😎

[iivingdead]

amber bennett the loml

her and mark are 10x better than eve and mark and the only people who think otherwise are misogynistic racist teenagers

like shes literally a realistic gf? she doesnt like how mark is leaving her all the time and SAYS she feels bad about it. like shes not selfish shes allowed to feel this way abt her bf

eve is js an enabler like until i see her yell at mark for sitting and contemplating her broken leg while his variants were killing thousands i will still not like them together im afraid

[theskyisthelimit06]

nah. cuz why is the top remind me of...

[ethan-acfan]

Thinking about when Joel and Ellie were traveling together and how Joel probably started to forget that Ellie is just a kid because she throws around curse words, kills infected without blinking, and will stab a grown man if provoked but he gets a scrap one day and Ellie insists he puts a Bandaid on it because "it will feel better dumbass" or she uses the word tummy instead of stomach.

[pvnks0ul]

ohhhh my mfkn god

[thesearenotphotographs]

Madness and Fishbone at Hammerstein Ballroom

On Thursday, May 30, 2024, English band Madness closed their first US tour in over a decade at Hammerstein Ballroom in New York, NY. They were joined by their tourmates, Fishbone, who played NYC for the first time with their new lineup, and will return for a free show in Brooklyn in a few weeks.

I covered the show for Impose Magazine and the full gallery of the sold out show is now available here.

[shyshyaaaaaa]

😳😳

I don’t know how to feel about this,, but uh woohoo relearning how to draw these little goofs! Honestly struggling so bad with whizzer for some reason, send help 😭

Edit: js finished the full drawing for whizzer! Added it to the post:333

Edit 2: fixed Marvin’s proportions a bit and like it more. Yipee!

[projectdivaar]

[featherdusterbelphie]

William T. Spears

[que3rduckling]

(For your jrwi pd x Batman crossover) hmmm do you think they’d confront William with the idea that he was in a lazarus pit??

OH MY FREAKING GODS YES

I love this idea sm

okay here's how i am imagining it would go:

William, who is very much trying to mind his own business and doing some more detectiving

Red Hood, emerging from the shadows beside him: How was the La-

William, who almost went intangible from the scare, screaming: AH- WHERE THE FUCK DID YOU COME FROM??

Red Hood: The Alley, duh. How was your little swim in that nice green pit?

William, confused asf: ... What?

Red Hood: Yk the Lazarus Pit. You look like, no offence, some who just came back from the dead. So how was your stay there?

William, who is even more confused now: I uh- I don’t know what you mean! I’m a normal alive human hahaha-

Red hood, raising an eye brow under his helmet: Game knows game. If you haven’t died before then I’m still in the fucking grave. So did you have fun?

William: I- I didn't go into any pit! I don’t even know what the hell that is! Can I please go back to my investigations-

Red Hood: bullshit

William: No- not bullshit!

Red Hood: Your telling me you didn’t get dunked in a green lake and then came back to life?

William: No I went to the spirit world and got thrusted back into the real world as a ghost like a normal person! Now what the FUCK is a Lazarus pit?

Red Hood:

William:

Red Hood: and I thought the Lazarus pit was a shit deal

William: I still don’t know what that is-

Red Hood: Doesn’t matter. You’ll probably learn soon

William: who-

Red Hood, who has now disappeared into the night

William: .. That was so ominous wtf

(also very side note i genuinely started shaking/pos when i got this ask bc A) you wanted to hear more about my silly lil crossover and B) i love your blog a lot lmao so tysm for sending this in!!!!!!!)

[randomfandomblabdom]

Fallen Order & Survivor Musical Themes

Has anyone done this yet? Here is a comprehensive list of all of the character themes/motifs found in the Jedi: Fallen Order and Survivor video games for anyone interested. I tried to give several examples of each and also included some of my own thoughts. You can listen to many or as few links as you want. If I missed anything please feel free to add on or let me know.

FALLEN ORDER CAL KESTIS - I'm giving Cal two separate sections because I'm pretty positive he now has two separate themes and in attempts to make it less confusing, I've decided to very creatively refer to them as Fallen Order Cal and Survivor Cal. I'm a genius, I know. Fallen Order Cal is consistently heard all over both games. It's his primary theme. It feels young and heroic and wide-eyed... Remember feeling like nothing could touch you when you were young? That's the sort of feeling I get from Fallen Order Cal. It's not happy per se but it's hope and optimism sprinkled with naive youthfulness and an undertone of solemnity. He's been through some serious shit but he's a kid, he's young. The grief and trauma are there for sure but they haven't encompassed him completely. There's still some hope behind those eyes, there's a healing journey to go on, and there's a chance to take on this Empire. It's only until Survivor that the theme starts feeling a little more grounded just like the transition from childhood to adulthood. Fallen Order Cal in Survivor feels a bit less magical, that youthful spirit has diminished, that hope has dwindled.

CAL KESTIS

THE PATH OF THE THREE SAGES

PEACEKEEPERS

A FRONTIER WELCOME

ABOVE THE CLOUDS

A STEP TOO FAR

SURVIVOR CAL KESTIS - So, I originally thought this was a minor key variation of a section of Cal's theme but I've since realized that it technically is a completely separate theme. That being said, thanks to @foxykatie425 in this insanely detailed reply to my frustrations regarding this theme that put what I was hearing into musical terms way out of my element in terms of explaining, I've realized that I may have been somewhat correct. I don't know if the two themes are actually connected, that would be a question for the composers but at the very least, it's definitely a secondary darker theme for Cal as it only ever plays in reference to him and I'd wager a guess that it's the main theme of Survivor as a whole. Compared to Fallen Order Cal, Survivor Cal feels drained, heavy, tired, burdened, and above all else, dark and foreboding. There is a genuine weight to this theme that just feels sinister. There is a hint of Fallen Order Cal there but as that post says, it almost feels like it's on the verge of falling apart. He's not the same man he was five years ago and the fact that this theme is the first thing you hear music-wise in the game and accompanies your very first view of him is an incredible way of subconsciously telling that to your audience right off the bat.

DARK TIMES

ABOVE THE CLOUDS - note: this theme and Fallen Order Cal switch back and forth constantly in this track and I find that so interesting.

NOVA GARON

NIGHTSISTER MERRIN - Merrin's theme is interesting to me because it doesn't sound anything like the type of music you might use to accompany a witch or magic user. It's not necessarily fantastical or whimsical or anything of the sort. In fact, it sounds more like something you might use for a superhero. It's a little bit timid or unsure or even afraid in Fallen Order but god damn has it built in confidence and strength once Survivor rolls around. The only time you hear that sort of timidness to it again is during the first kiss on Jedha which has such interesting implications for her being a nervous wreck in that moment. I also adore how it sounds as an action cue which you hear several times throughout Survivor. It sounds like it comes straight from the best MCU movies and yes, I do mean that as a compliment.

TO DATHOMIR

PEACEKEEPERS

MERRIN

THE WILL OF THE FORCE

TRIDENT

FLIGHT

CAL & MERRIN'S LOVE THEME - Look, I genuinely did not think they would actually go through with making Cal and Merrin canon, I honestly thought they'd chicken-shit out and I was certainly not expecting them to get any sort of love theme if they did but here we are... and we somehow got both. Cal and Merrin are canon and they got a love theme. Holy fucking shit. It just has all that warmth and sweetness of a friend-to-lovers romance too.

FIELDS OF DUSK - ORCHESTRAL VERSION

CAMPFIRE

A STEP TOO FAR

THE ABYSS

BD-1 - I said in my post regarding my thoughts on the Survivor score that these two video game scores are quite possibly the closest we've ever gotten to a John Williams sound from a composer(s) who is in fact, not John Williams. Not that every piece of Star Wars music has to sound like the big man himself, part of the reason The Mandalorian theme was so positively received was that it was such a different sound for Star Wars but I stand by what I said: this is the closest a composer has gotten to a John Williams sound and they have clearly done their research. Some people might not know this but R2 and 3PO have a very small motif heard throughout the films. It's not played very often and is sometimes not very noticeable but it's there and BD-1's motif is not only similar but definitely sounds like it exists within the same universe. I also love that droids are so often musically presented as very childlike, innocent, and mischievous. BD in particular has a very playful energy.

BD-1 AND THE BOGLINGS

MERRIN

THE WILL OF THE FORCE

TRILLA SUNDURI/SECOND SISTER - Trilla's theme legitimately activates my fight or flight response and when I say that, I mean mostly my flight response cause you won't find me messing with this shit. It's very much in lieu of the famous Psycho violins which were written to heighten your senses by emulating screams. I wish we got more of it cause it's intimidating as fuck and a piece of dark side art.

FIGHT AND FLIGHT

TRILLA

THE WILL OF THE FORCE

CERE JUNDA - Don't hate me but I haven't quite fallen in love with Cere's theme yet. That's not to say it's bad by any means, it's absolutely beautiful. It has such a deep melancholy vibe to it, like an inescapable sadness. It almost has a feeling of failure to me weirdly enough.

THE PATH OF THE THREE SAGES

DESERT RUINS

SIEGE

THE VISITOR

ENO CORDOVA - I've mentioned this before but again, for people who might not know: the music that is widely considered to be the main theme of Fallen Order - so much so it was primarily used during the recap at the beginning of Survivor - is Cordova's theme. It's such an interesting artistic choice because I think many people would've made it either Cal's theme or given the entire game its own theme in general. I listen to this one a lot honestly. It's so calming and safe feeling.

THE PATH OF THE THREE SAGES

FAILURE IS NOT THE END

ENO CORDOVA'S THEME

THE NARKIS ANCHORITES

BODE AKUNA - Yes, Bode does have a theme and you know what? It slaps. I really like it. It's very adventurous and feels quite friendly which is ironic as hell. It does get some heart-wrenching renditions nearer to the end of the game. It's the music that swells when he force-pushes Cal and everyone collectively shits themselves. Oh, it also has some dark renditions as well.

ABOVE THE CLOUDS

A STEP TOO FAR

BROTHERS

THROUGH DARKNESS

RAYVIS - As far as I can tell, Rayvis does not have a set theme but he is usually accompanied by high-playing strings and his boss fight music is the best example of that. I actually don't think a lot of Rayvis moments ended up on the score soundtrack which... how dare they.

WARRIORS CODE

DAGAN GERA - I thought Dagan didn't have a theme for the longest time but it turns out he actually does have a tiny motif that I do wish had been more thoroughly realized in the score because it's so menacing and I absolutely love it. It's most prominently heard during his last confrontation with Cal. He is also usually accompanied by low-playing horns. Not always but usually.

RELEASE ME

TO THE RESCUE

GRAND OCULUS

KATA AKUNA - I'm going to rant about this one for a second, okay? I have spent the last few weeks wondering what the hell the melody that plays throughout the track Through Darkness is. I was sitting here plucking out melodies on a piano app (cause I don't own a keyboard) and was like, "Okay, it's not Cal's theme, it's not Bode's theme, it's not Merrin's theme... what the hell is that series of notes??" Yes, I'm aware that not every note has to mean something but these just felt like they did. It's played at such an emotional point in the game and for two scores that already work heavily around themes and motifs and musical ideas, it didn't make sense to me that this little series of notes would mean nothing, especially at such a poignant moment. Funnily enough, it only just occurred to me while making this post that it's fucking Kata's theme. At least I think it is. Well, motif. It's not a fully developed theme but it definitely has the makings of one. That's not even me making a wild guess either, these notes appear in other places in the story that feature Kata.

NOVA GARON

THE ABYSS

THROUGH DARKNESS

GHOST STAR - I'm adding this for fun because I think it's gorgeous and I love it but it leads me to ask: why has there been no official release of Ghost Star? With or without vocals? This is a genuine question. It does not appear on the Cantina album nor is there even a snippet of its melody on the score album. It makes me wonder if the song was maybe added later into production? Trust me, I love the orchestral cover that has been going around and people are obviously seeking it out cause the track has gained thousands of streams in the months since the game was released. It was at 10k the last time I looked on Spotify and it's currently at 24k as of writing this. I'm just genuinely surprised EA/Respawn or hell, even Lucasfilm hasn't capitalized off that.

GHOST STAR

GHOST STAR W/ VOCALS

Thank you most sincerely if you made it all the way here :)

I liked this. I should do this for more scores lol.

[isolate-ignore-ibuprofen]

”what the skib or whatever you kids say these days” ahh