#July 22 1965

[labyrinthofstreams]

Jewish Old Hollywood actresses

✡︎ Hedy Lamarr (born Hedwig Eva Maria Kiesler; November 9, 1914 – January 19, 2000)

✡︎ Lauren Bacall (born Betty Joan Perske; September 16, 1924 – August 12, 2014)

✡︎ Shelley Winters (born Shirley Schrift; August 18, 1920 – January 14, 2006)

✡︎ Theda Bara (born Theodosia Burr Goodman; July 29, 1885 – April 7, 1955)

✡︎ Paulette Goddard (born Marion Levy; June 3, 1910 – April 23, 1990)

✡︎ Sylvia Sidney (born Sophia Kosow; August 8, 1910 – July 1, 1999)

✡︎ Judy Holliday (born Judith Tuvim; June 21, 1921 – June 7, 1965. She took her stage name from "yom tovim," which is Hebrew for "holidays.")

✡︎ Alla Nazimova (born Marem-Ides Leventon; June 3 [O.S. May 22], 1879 – July 13, 1945)

✡︎ Piper Laurie (born Rosetta Jacobs; January 22, 1932 – October 14, 2023)

✡︎ Carmel Myers (April 9, 1899 – November 9, 1980)

[kwebtv]

TV Guide - September 19 - 25, 1964

Fall Preview:  1964 - 1965 Shows

ABC

12 O'Clock High  (September 18, 1964 – January 13, 1967)

ABC Scope  (November 11, 1964 – March 2, 1968)

The Addams Family  (September 18, 1964 – April 8, 1966)

Bewitched  (September 17, 1964 – March 25, 1972)

The Bing Crosby Show  (September 14, 1964 – April 19, 1965)

Broadside  (September 20, 1964 – May 2, 1965)

F.D.R.  (January 8, 1965 - July 23, 1965)

Jonny Quest  (September 18, 1964 – March 11, 1965)

The King Family Show  (January 23, 1965 – September 10, 1969)

Mickey  (September 16, 1964 – January 13, 1965)

No Time for Sergeants  (September 14, 1964 – May 3, 1965)

Peyton Place  (September 15, 1964 – June 2, 1969)

Shindig!  (September 16, 1964 – January 8, 1966)

The Tycoon  (September 15, 1964 – April 27, 1965)

Valentine's Day  (September 18, 1964 – May 7, 1965)

Voyage to the Bottom of the Sea  (September 14, 1964 – March 31, 1968)

Wendy and Me  (September 14, 1964 – May 24, 1965)

CBS

The Baileys of Balboa  (September 24, 1964 – April 1, 1965)

The Cara Williams Show  (September 23, 1964 – April 21, 1965)

The Celebrity Game (April 6, 1964 - September 13, 1964 / April 8, 1965 - September 9, 1965)

The Entertainers  (September 25, 1964 –March 27, 1965)

Fanfare (June 19, 1965 - September 11, 1965)

For the People  (January 31 – May 9, 1965)

Gilligan's Island   (September 26, 1964 – April 17, 1967)

Gomer Pyle, U.S.M.C.  (September 25, 1964 – May 2, 1969)

Many Happy Returns  (September 21, 1964 – April 12, 1965)

Mr. Broadway  (September 26 – December 26, 1964)

The Munsters  (September 24, 1964 – May 12, 1966)

My Living Doll  (September 27, 1964 – March 17, 1965)

On Broadway Tonight  (July 8, 1964 - March 12, 1965)

Our Private World  (May 5 – September 10, 1965)

The Reporter  (September 25 – December 18, 1964)

World War One  (September 22, 1964 - April 18, 1965)

NBC  

90 Bristol Court  (October 5, 1964 - January 4, 1965)

Branded  (January 24, 1965 – September 4, 1966)

Cloak of Mystery  (May 11 - August 8, 1965)

Daniel Boone  (September 24, 1964 – May 7, 1970)

The Famous Adventures of Mr. Magoo  (September 19, 1964 – April 24, 1965)

Flipper  (September 19, 1964 – April 15, 1967)

Harris Against the World   (October 5, 1964 - January 4, 1965)

Hullabaloo  (January 12, 1965 – August 29, 1966)

International Showtime (September 15, 1961 - September 10, 1965)

Karen  (October 5, 1964 – April 19, 1965)

Kentucky Jones  (September 19, 1964 – April 10, 1965)

The Man from U.N.C.L.E.�� (September 22, 1964 – January 15, 1968)

Moment of Fear (May 19 - September 15, 1964 /  25 May 25 - August 10, 1965)

NBC Wednesday Night at the Movies (September 16, 1964 - September 8, 1965)

Profiles in Courage   (November 8, 1964 – May 9, 1965)

The Rogues  (September 13, 1964 – April 18, 1965)

Tom, Dick and Mary  (October 5, 1964 - January 4, 1965)

[citizenscreen]

Constance Bennett (October 22, 1904 – July 24, 1965)

[twixnmix]

Ads for Wampler's Ballarena in Dayton

Duke Ellington - January 29, 1960

Lloyd Price - March 13, 1960

Fats Domino - October 22, 1961

Ike & Tina Turner - June 1, 1962

Jackie Wilson - May 19, 1963

Bobby Blue Bland - November 15, 1963

James Brown - November 20, 1964

Lloyd Price / Erma Franklin - August 15, 1965

Four Tops - July 9, 1966

[starchaseriseverything]

Birthdays (bc I can)

I put my own fancasts and my headcannon b-day'

Euphemia Braithewaite-Potter - January 4, 1907

Walburga Irma-Black - April 17, 1907

Fleamont Potter - May 15, 1909

Charlus Potter (Monty' brother) - August 19, 1900

Lucretia Black (Orion' sister) - August 3, 1914

Orion Black - September 30, 1920

Druella Rosier (Axel' sister) - December 31, 1928

Axel Rosier (Rosier twins dad) - November 14, 1930

Cygnus Black (Black sisters dad) - July 30, 1938

Adele Jacob-Rosier (Rosier twins mom) - June 7, 1938

Alphard Black - June 26, 1925

Rodolphus Lestrange - October 19, 1952

Rabastan Lestrange- September 21, 1954

Lucius Malfoy - July 1, 1954

Enid Pettigrew (Peter' sister) - January 30, 1962

Mason McKinnon (Marlene' brother) - December 20, 1952

Mitchell McKinnon (Marlene' brother) - June 25, 1955

Matthew McKinnon (Marlene' brother) - November 7, 1958

Maxwell McKinnon (Marlene' brother) - February 29, 1962

Petunia Evans-Dursley - January 10, 1958

Mavan Rosier (Rosier twins brother) - March 14, 1965

Annabella Rosier (Rosier twins sister) - April 16, 1968

Elizabeth Meadows (Dorcas' sister) - May 1, 1965

Fabian Prewett - September 30, 1958

Gideon Prewett - September 30, 1958

Molly Prewett-Weasley - October 30, 1949

Billius Weasley (Arthur' brother) - May 26, 1952

Arthur Weasley - February 6, 1950

James Potter - March 27, 1960

Remus Lupin - March 10, 1960

Sirius Black - November 3, 1960

Peter Pettigrew - August 31, 1960

Lily Evans-Potter - January 30, 1960

Mary Macdonald - September 16, 1959

Marlene McKinnon - August 1, 1960

Dorcas Meadows - April 2, 1960

Bartemius Crouch Jr. - July 9, 1961

Evan Rosier - June 20, 1961

Pandora Rosier - June 20, 1961

Regulus Black - December 31, 1961

Alice Fortescue-Longbottom - August 14, 1960

Frank Longbottom - September 14, 1959

Ted Tonks - March 20, 1953

Emmeline Vance - July 18, 1957

Rita Skeeter - December 19, 1951

Ophelia Zabini - January 15, 1951

Emma Vanity - February 28, 1960

Andromeda Black - October 10, 1953

Narcissa Black - July 19, 1955

Bellatrix Black - May 2, 1991

Tom Riddle Jr. - February 19, 1979

Mattheo Riddle - January 20, 1980

Aliana Riddle - January 20, 1980

Mandy Lestrange - March 13, 1985

Cara Lestrange - May 23, 1986

Delphini Riddle - August 16, 1987

Lorenzo Berkshire - December 17, 1996

Nymphadora Tonks - October 8, 1973

Nina Tonks (Nymphadora' sister) - June 13, 1978

Lucas Rosier (Rosekiller child) - July 21, 1985

Nicholas Rosier (Rosekiller child) - July 1, 1987

Draco Malfoy - June 5, 1980

Lila Malfoy (Draco' sister) - June 5, 1980

Artemis McKinnon (Dorlene child) - September 13, 1981

Aries McKinnon (Dorlene child) - October 17, 1982

Jack McKinnon (Dorlene child) - January 23, 1987

Harry Potter - July 31, 1980

Lillian Potter (Harry' sister) - July 31, 1980

Rose Potter (Harry' sister) - May 24, 1981

Leo Potter (Harry' brother) - February 16, 1983

Pansy Parkinson - August 1, 1980

Blaise Zabini - November 1, 1980

Teddy Lupin - April 11, 1985

Neville Longbottom - July 30, 1980

Juliana Longbottom (Neville' sister) - October 15, 1986

Nicky Longbottom (Neville' brother) - October 15, 1986

Penelope Vance (Emmary child) - November 12, 1988

Hermione Granger - September 19, 1980

Violet Granger (Hermione' sister) - May 14, 1979

Bill Weasley - November 29, 1970

Charlie Weasley - December 12, 1972

Percy Weasley - August 22, 1976

Fred Weasley - April 1, 1978

George Weasley - April 1, 1978

Ron Weasley - March 1, 1980

Ginevra Weasley - August 11, 1981

Luna Lovegood - February 13, 1981

Eclipse Rosier (Pandalily child or Luna' sister) - January 11, 1985

[margotfonteyns]

At The Christmas Ball: A Vintage Xmas Anthology

01 - At The Christmas Ball - Bessie Smith (1925) 02 - Santa Claus, Bring My Man Back To Me - Ozie Ware (1928) 03 - Papa Ain't No Santa Claus - Butterbeans & Susie (1930) 04 - It's Winter Again - Isham Jones & His Orchestra (1932) 05 - Jingle Bells - Benny Goodman & His Orchestra (1935) 06 - There's Frost On The Moon - Artie Shaw & His Strings (1936) 07 - I've Got My Love To Keep Me Warm - Mildred Bailey (1937) 08 - Christmas Morning The Rum Had Me Yawning - Lord Beginner (1939) 09 - Winter Weather - Fats Waller & His Rhythm (1941) 10 - Santa Claus Is Coming To Town - Bing Crosby & The Andrews Sisters (1943) 11 - Have Yourself A Merry Little Christmas - Judy Garland (1944) 12 - Let It Snow! Let It Snow! Let It Snow! - Connee Boswell (1945) 13 - Boogie Woogie Santa Claus - Mabel Scott (1948) 14 - Baby, It's Cold Outside - Pearl Bailey & Hot Lips Page (1949) 15 - All I Want For Christmas - Nat King Cole Trio (1949) 16 - What Are You Doing New Year's Eve? - The Orioles (1949) 17 - Midnight Sleighride - Sauter-Finegan Orchestra (1952) 18 - Silent Night - Dinah Washington (1953) 19 - White Christmas - The Drifters (1954) 20 - Rudolph The Red-Nosed Reindeer - The Cadillacs (1956) 21 - Warm December - Julie London (1956) 22 - Love Turns Winter To Spring - June Christy (1957) 23 - The Secret Of Christmas - Ella Fitzgerald (1959) 24 - The Christmas Song - Carmen McRae (1961) 25 - A Christmas Surprise - Lena Horne (1965) 26 - Santa Was Here - Lorez Alexandria (1968)

Download: flac / mp3

[lboogie1906]

James Charles Evers (September 11, 1922 - July 22, 2020) was a civil rights activist and former politician. He was known for his role in the civil rights movement along with his younger brother Medgar Evers. He was made the NAACP State Voter Registration Chairman in 1954. He took over his position as field director of the NAACP in Mississippi. He organized and led many demonstrations for the rights of African Americans.

He was named “Man of the Year” by the NAACP. On June 3, 1969, he was elected in Fayette, Mississippi as the first African American mayor of a biracial town in the state in the post-Reconstruction era, following the passage of the Voting Rights Act of 1965.

He was born in Decatur, MS to James Evers, a laborer, and Jesse Wright Evers, a maid. He was the eldest of four children. He graduated from Alcorn State University.

During WWII, he and Medgar Evers both served in the Army. He fell in love with a Philippine woman while stationed overseas. He could not marry her and bring her home because the state’s constitution prohibited interracial marriages. After serving a year of reserve duty following the Korean War, he settled in Philadelphia, Mississippi. He began working as a disc jockey at WHOC, making him the first African American disc jockey in the state. He managed a hotel, cab company, and burial insurance business in the town. He moved to Chicago. He began working as a meatpacker in stockyards during the day and as an attendant for the men’s restroom at night. He began pimping and ran a numbers game. He gained enough money to purchase several bars, bootlegged liquor, and sold jukeboxes.

At the time of his election as mayor, the white officers of the Fayette city police “resigned rather than work under a Black administration”, according to the Associated Press. He then outlawed the carrying of firearms within city limits. He was married to Christine Evers until their marriage ended in annulment. He married Nannie L. Magee (1951-74) with whom he had four daughters. He lived in Brandon and served as station manager of WMPR 90.1 FM in Jackson. #africanhistory365 #africanexcellence

[artorojo]

Top 100 military movies of all time.

1. Saving Private Ryan (1998)

2. Apocalypse Now (1979)

3. Full Metal Jacket (1987)

4. Platoon (1986)

5. Black Hawk Down (2001)

6. Das Boot (1981)

7. The Thin Red Line (1998)

8. Paths of Glory (1957)

9. Hacksaw Ridge (2016)

10. 1917 (2019)

11. Dunkirk (2017)

12. Patton (1970)

13. Gallipoli (1981)

14. We Were Soldiers (2002)

15. Bridge on the River Kwai (1957)

16. The Deer Hunter (1978)

17. The Hurt Locker (2008)

18. Letters from Iwo Jima (2006)

19. Zulu (1964)

20. Black Book (2006)

21. Stalingrad (1993)

22. The Battle of Algiers (1966)

23. The Longest Day (1962)

24. The Bridge at Remagen (1969)

25. Zero Dark Thirty (2012)

26. Jarhead (2005)

27. The Patriot (2000)

28. Tora! Tora! Tora! (1970)

29. Master and Commander: The Far Side of the World (2003)

30. Enemy at the Gates (2001)

31. Glory (1989)

32. The Great Escape (1963)

33. All Quiet on the Western Front (1930)

34. The Wind That Shakes the Barley (2006)

35. Lone Survivor (2013)

36. Kelly's Heroes (1970)

37. The Green Berets (1968)

38. The Alamo (1960)

39. The Messenger (2009)

40. 13 Hours: The Secret Soldiers of Benghazi (2016)

41. 12 Strong (2018)

42. The Last of the Mohicans (1992)

43. The Pianist (2002)

44. Rescue Dawn (2006)

45. The Beast of War (1988)

46. A Bridge Too Far (1977)

47. Behind Enemy Lines (2001)

48. Inglourious Basterds (2009)

49. The Boys in Company C (1978)

50. Red Tails (2012)

51. Battle for Haditha (2007)

52. Courage Under Fire (1996)

53. 5 Fingers (1952)

54. Company of Heroes (2013)

55. The Finest Hours (2016)

56. Windtalkers (2002)

57. Battle of the Bulge (1965)

58. The Nightingale (2018)

59. A Midnight Clear (1992)

60. Attack on the Iron Coast (1968)

61. Sergeant York (1941)

62. Empire of the Sun (1987)

63. The Pacific (2010) - Mini-series

64. The Desert Fox: The Story of Rommel (1951)

65. The Pacific (2010) - Mini-series

66. Enemy at the Gates (2001)

67. The Monuments Men (2014)

68. Days of Glory (2006)

69. Fires on the Plain (1959)

70. The Steel Helmet (1951)

71. Battle of the Damned (2013)

72. Memphis Belle (1990)

73. Crimson Tide (1995)

74. Attack on the Iron Coast (1968)

75. Sergeant York (1941)

76. Empire of the Sun (1987)

77. The Pacific (2010) - Mini-series

78. The Desert Fox: The Story of Rommel (1951)

79. Enemy at the Gates (2001)

80. The Monuments Men (2014)

81. Days of Glory (2006)

82. Fires on the Plain (1959)

83. The Steel Helmet (1951)

84. Battle of the Damned (2013)

85. The Longest Day (1962)

86. The Bridge at Remagen (1969)

87. M*A*S*H (1970)

88. Jarhead (2005)

89. The Patriot (2000)

90. Tora! Tora! Tora! (1970)

91. Master and Commander: The Far Side of the World (2003)

92. Glory (1989)

93. The Great Escape (1963)

94. All Quiet on the Western Front (1930)

95. Platoon (1986)

96. Come and See (1985)

97. Hamburger Hill (1987)

98. The Red Badge of Courage (1951)

99. Born on the Fourth of July (1989)

100. Fort Apache (1948)

[whencyclopedia]

Battle of Britain

The Battle of Britain, dated 10 July to 31 October by the UK Air Ministry, was an air battle between the German Luftwaffe and British Royal Air Force and allies during the Second World War (1939-45). The Luftwaffe failed to achieve air superiority, necessary for any future invasion of Britain, and so the RAF won a precious victory that finally stopped the westward expansion of Nazi Germany.

The Fall of France

Germany attacked Poland on 1 September 1939, and so World War II began. German forces swept through the Low Countries and France in 1940. The British Expeditionary Force in France, cut off from the south of the country, was obliged to withdraw 340,000 men in the Dunkirk Evacuation of May-June. Paris was occupied on 14 June. The French government surrendered on 22 June. The unthinkable had happened, France had fallen, and it was now expected that the German leader Adolf Hitler (1889-1945) would next invade Britain in Operation Sea Lion. First, it was essential to establish air superiority if the invasion fleet was to safely cross the English Channel. The commander-in-chief of the German Air Force Hermann Göring (1893-1946) promised Hitler that his Luftwaffe would destroy Britain's air power by directly engaging fighter planes and bombing airfields and aircraft factories. As the British Prime Minister Winston Churchill (1874-1965) told Parliament on 18 June: "The Battle of France is over. I expect the battle of Britain is about to begin" (Overy, 9).

Britain was hardly ready for the war that so swiftly came to its shores. In total, the RAF had lost 931 aircraft and suffered over 1,500 casualties in the defence of France, including the loss of over 500 pilots. The RAF desperately needed more pilots and aircraft to defend Britain in the coming months, which would prove to be a pivotal period of the entire five-year conflict. According to the secretary of Air Chief Marshal Hugh Dowding (1882-1970), the Commander-in-Chief of RAF Fighter Command, Dowding "said he knew full well he could never win the war but he was very conscious of the fact that he was the one man who could easily lose it" (Holmes, 132). The British people were already prepared for the worst. Thousands of children had been evacuated from cities, air raid shelters were being built in people's gardens, the blackout (where no non-essential lights were to show at night) was being enforced, and everyone carried gas masks. The question was where, when, and how would the Germans strike?

Continue reading...

[n0vadroid]

FStS Character Intros

Here are the character intros for From Strangers to Lovers 😁 The story starts off in the middle of May, 2002 and it takes place in Los Angeles mostly but also in Hollywood.

Robaire Dumont

Age - 21 (turning 22 in 2002)

Birthday - July 23rd, 1980

Zodiac sign - Leo

Likes - Gogo, coffee, traveling, books, music, singing,

Dislikes - Phlegm, olives

Gogo Parker

Age - 21 (turning 22 in 2002)

Birthday - July 4th, 1980

Zodiac sign - Cancer

Likes - Robaire, Junto (her dog), Japanese pudding, coffee, rain

Dislikes: Raspberries, cough syrup

Miranda Del Flores

Age - 22

Birthday - March 6th, 1980

Zodiac sign - Pisces

Likes - Natalie, dresses, strawberry lemonade, modeling

Dislikes - Stalkers, kiwi

Natalie Bennett

Age - 22

Birthday - January 11th, 1980

Zodiac sign - Capricorn

Likes - Miranda, cookies, suits, driving, cuddling with Miranda

Dislikes - Homophobes, raisins

Ken Parker

Age - 24

Birthday - January 2nd, 1978

Zodiac sign - Capricorn

Likes - Avani, eer, comedy, takoyaki, dogs

Dislikes - Cats, spiders

Avani Khatri

Age - 22 (turning 23 in 2002)

Birthday - December 10th, 1979

Zodiac sign - Sagittarius 

Likes - Ken, shopping, pictures, snowflakes, hearts

Dislikes - Sand, cucumbers

Jesse O'Connell

Age - 25 (turning 26 in 2002)

Birthday - June 22, 1976

Zodiac sign - Cancer

Likes: Veronica, pottery, his family, art, his friends, kid photos

Dislikes: Unrollable sleeves, people who bad mouths his family

Veronica West Cassidy

Age - 26

Birthday - April 21st, 1976

Zodiac - Taurus

Likes - Jesse, her family, caramel, rock music

Dislikes - Flies, mustard

David Davis

Age - 22 (turning 23 in 2002)

Birthday - September 11th, 1980

Zodiac sign - Virgo

Likes - Gogo, cocoa, cars, soccer, bartending, his family, his friends

Dislikes - Bar fights, oranges (because he’s allergic)

Aaron Zhou

Age - 22 

Birthday - February 5th, 1980

Zodiac sign - Aquarius

Likes - T, sports, dancing, sweatbands, Hip Hop, dumplings

Dislikes - Spiny cacti, sharing his feelings

Aaron Martinez Topher

Age - 19 (turning 20 in 2002)

Birthday - November 20th, 1982

Zodiac sign - Sagittarius

Likes - Z, hype, overalls, sweets, hats

Dislikes - Banana peels, scars

Aaliyah Jackson

Age - 21 

Birthday - March 2nd, 1981

Zodiac - Pisces 

Likes - Perris, spending money, clubbing, heels

Dislikes - Gogo, not getting her way

Davina Dumont

Age - 47

Birthday - March 15th, 1955

Zodiac - Pisces

Likes - Antoine, steak, cooking competitions, wine

Dislikes - Ants, headaches

Antoine Dumont

Age - 46 (turning 47 in 2002)

Birthday - December 1st, 1955

Zodiac - Sagittarius

Likes - Davina, Gardening, veggies, black coffee, vegan hot dogs

Dislikes - Steak, hot sauce

Kyoko Olsen

Age - 24 (turning 25 in 2002)

Birthday - August 3rd, 1977

Zodiac - Leo

Likes - Finneas, kitties, peaches, babies, sweet tea

Dislikes - Fish, smudging her glasses

Finneas Olsen

Age - 25

Birthday - January 28th, 1977

Zodiac - Aquarius

Likes - Kyoko, dogs, button ups, bacon

Dislikes - Mud, thunder

Terena Smith

Age - 36 (turning 37 in 2002)

Birthday - October 30th, 1965

Zodiac sign - Scorpio

Likes - Managing, spa days, burgers, magazines, cooking

Dislikes - Crazy fans, ignorance

Tae-young (Tae Young) Lee Lim

Age - 17 (turning 18 in 2002)

Birthday - October 21st, 1984

Zodiac sign - Libra

Likes - Wildlife, spicy food, painting his nails, stuffed animals

Dislikes - Overcooked noodles, roaches

Runa Furuta

Age - 34 (turning 35 in 2002)

Birthday - August 8th, 1967

Zodiac sign - Leo

Likes - Yuko (her cat), chocolate covered strawberries, flowers, rice

Dislikes - Ranch, grapes

[frankendykes-monster]

Countdown to Halloween 2023, Ranked

43. Swamp Thing (1982)

42. Curse of Bigfoot (1975)

41. The Haunting (1999)

40. Orca (1977)

39. Teenagers Battle The Thing (1958)

38. The Beast (1975)

37. Don't Go in The House (1979)

36. Countess Dracula (1971)

35. Hillbillys in a Haunted House (1967)

34. Beware! The Blob (1972)

33. Alien Space Avenger (1989)

32. Baby Blood (1990)

31. Shriek of The Mutilated (1974)

30. The Mutations (1974)

29. Phase IV (1974)

28. Curse of The Faceless Man (1958)

27. The Sadist (1963)

26. Jennifer (1978)

25. The Wasp Woman (1959)

24. Noroi: The Curse (2005)

23. Girls Nite Out (1982)

22. The Monster of Piedras Blancas (1959)

21. The Cat and The Canary (1927)

20. Tell Your Children (Reefer Madness, 1936)

19. The Company of Wolves (1984)

18. It's Alive (1974)

17. The Wolf House (2018)

16. Michael Jackson's Halloween (2017)

15. The Girl Who Knew Too Much (1963)

14. The Omega Man (1971)

13. Gamera: Rebirth (2023)

12. Student Bodies (1981)

11. Night Caller From Outer Space (1965)

10. Inhumanoids (episodes 1 - 5, 1986)

9. Blind Woman's Curse (1970)

8. Maniac (1980)

7. The Child (1977)

6. Zombie 3 (1988)

5. Return of The Living Dead (1985)

4. Spider Baby (1967)

3. Basket Case (1982)

2. Messiah of Evil (1973)

Godzilla (1954)

Woof. Okay. This has been a mostly disappointing viewing experience.

Critical difference between this year's countdown and the past two is that now that I have stable employment, there is far less time to be watching horror films. I normally begin the countdown in September but we started in July of this year and still barely managed to crack 40, with my original goal being a full 100 this year. Timing. As such a lot of my plans and possible viewings were cut short and compared to last year specifically we fell back on a lot of "seen it already" at least for the top of the list.

This year's batch of viewings were largely blah, but a step up from the shitshow I put myself through last year (watching nearly every Texas Chainsaw sequel does things to a person). As such it'll be difficult to conjure up words for a decent chunk of these mostly because yes, these movies exist, I watched them, I would not recommend that you yourself watch them. That is all. If I write briefly on a given film that's not necessarily an indictment of its quality as there a decent number of these that I saw and enjoyed it's just their impact might be a bit fleeting. You will know which ones I actively disliked. I mostly just want to write about the top five or so but I will play fair.

Our grand loser this year is Swamp Thing, the DC Comics adaptation by Wes Craven. I watched this pretty much entirely because I finally got the Alan Moore Swamp Thing run in paperback this year after quite some time of having it on my to-buy list. Longtime Rachael/Ray/Ratchet fans may recall me reading it in early 2019 alongside [REDACTED]. Still one of the best Moore comics, and a second volume of Swamp Thing wouldn't have been possible without the success of this film. For context I did read the early Swampies by Len Wein and Bernie Wrightson and my general reaction to those was a'ight but there was definitely material for a serviceable film adaptation there. This is not that serviceable film adaptation. I'm not hung up on details like how Abigail has no connection to Arcane now despite being his niece in the comics, but this film is just kind of painful in how relatively unambitious it is which is saying something for Swamp Thing sword fighting another human mutation at the end of this. It's just silly and stupid and not scary or awe inspiring or anything, the Swamp Thing suit sucks, the action sucks, any sense of pathos is not there or gone, it stretches for 30 minutes too long like it's a padded TV pilot, the only highlight is being able to see Adrienne Barbeau's breasts. Fuck this it's a miserable experience to sit through. My mistake for watching a Wes Craven film that doesn't have "Scream" in the title.

Our next shitter is the two-for-one abomination that is Teenagers Battle The Thing (1958) and Curse of Bigfoot (1975); these are the same movie except Curse of Bigfoot has a 25 minute opening scene framing device that is bizarre given that "The Thing" of the original film is a Native American mummy of some sort unearthed by a group of white high school students. It's the rare personal pet project movie made for fun by some locals but the only highlights are the occasional kill scene, Curse of Bigfoot ranks lower just for making me sit through it longer. Blah.

Speedrunning through a bunch of these because theyre all varying degrees of bad and I don't want to spend any longer writing about these than you probably do reading about them: The Haunting is awful and I don't even super care for the original film so adding shitty CGI monsters and a moral lesson of "it's about family!" doesn't help. Orca is a shitty Jaws cash-in that's like a reverse Moby Dick where the sea animal hunts down the human, nice finale where the orca and shitty poacher guy are fighting it out in the Arctic but otherwise avoid. Don't Go in The House is a mysoginistic torture porn movie that really doesn't sell the "seemingly normal guy is a closet nutcase" thing even though movies made before and after have done it well (see Maniac several paragraphs below). The Beast is advertised as this really scandalous porno film but most of it is French aristocrats sitting around in stuffy rooms arguing about real estate. I think I only watched Countess Dracula for its inclusion in the "if this is her vibe I would fucking cum" meme and it's barely worth bringing up at all. Hillbillys in a Haunted House has an absolutely lovely Tennessee country soundtrack that I wish I could listen to without having to watch the actual movie which is devoid of both scares and laughs. Beware! The Blob gives off the feeling of sitting at a funeral for a family member that was just distant enough for you to be aware of them but not actually be upset but it's still a funeral so it's not like you're smiling, stick with the 1988 Blob film. Alien Space Avenger has some decent gore effects but that's all I can recall from it. Shriek of The Mutilated has one of the best titles for an otherwise uninspired yeti movie that has a needless third act twist about it being a cover for a cult and blah blah blah fuck you. Baby Blood has an alien mutant whatever crawl up a woman's vagina into her womb and she has to eat people to feed it and yeah I'm actually struggling to remember what happens here. The Mutations has a scene where a guy cuts into a tree and it bleeds, I think he's played by Donald Pleasance. Yeah, it's like Freaks except it plays to the freak show straight so you get to laugh at all the outcasts of society, no thank you.

Some odds and ends that I'd say are decent-to-pretty-good: Phase IV has some footage of ants and synth music. All you need is some footage of ants and synth music. Curse of The Faceless Man employs a rarely seen archetype of the living statue monster, it's cute. The Sadist is another starring vehicle for Arch Hall Jr., who was also the star of last Halloween's Eegah! (1962), though this film is a bold trendsetter for the 1960's with Hall being a unhinged killer holding people for ransom until they can fix his car and he can make a getaway. The film lives and dies by Hall's performance and it's mostly the latter until we get to an absolutely superb final act with him hunting down his remaining victims, it makes the whole film worth seeing. Jennifer is an oddball that plays out mostly like a character drama ("It wasn't my fault Daddy it was that stupid hillbilly bitch Jennifer") that suddenly remembers that it's supposed to be a cash-in of Carrie (1976) in the last 20 minutes and cue our titular character being able to summon and control snakes to send after her tormentors. Girls Nite Out is a plodding meandering slasher that's oddly hypnotizing considering so much of it takes place in pitch-black night and the killer is wearing a bear mascot costume with serrated knives hidden under the glove, not sure what fully to make of it. The Monster of Piedras Blancas is made up of leftover parts from the Gillman, Mole People, and Metaluna Mutant, but still manages to star in a decent enough film that gives a sense of what a series of monster attacks would do to a small seaside community. The Cat and The Canary is "cute" for lack of a better term being a horror comedy before the former genre had fully crystalized. Reefer Madness is horror adjacent more than anything but a hilariously good time about how the use of "marihuana" will drive today's youth into becoming crazed fiends and get involved in organized crime.

We can do this.

The Company of Wolves has an excellent story book like setting an atmosphere that you can't get in films nowadays and it's a shame that it's mostly remembered for its transformation sequences. it's Alive is the best Larry Cohen film by default of not sucking but it's still not "great", genius however for playing the concept of mutant newborn killer baby completely seriously without any sense of humor to the proceedings. The Girl Who Knew Too Much is almost a parody of giallo films which is interesting given those hadn't fully sprang up in 1963; absolute highlight is the main character being interviewed in bed by doctors and reporters and the like that yes she did see a murder and no she doesn't drink. I've always been fascinated and haunted by I Am Legend and while The Omega Man doesn't really capture the novel to a superb degree it's so beautifully shot that it lands high in the rankings for that alone. Night Caller From Outer Space is hilarious to me because of how it shifts halfway through from a Hammer-esque mystery about a meteorite with radioactive properties to a film about an alien that lures women in through a modeling advertisement. Blind Woman's Curse I've mentally confused with Irezumi for a while now (haha all 1960's Japanese genre films where woman have large animal tattoos on their backs are the saaame), and it's one I mostly watched for being directed by Teruo Ishii, but there's enough bloody yakuza fights and cats licking up blood for me to stick around; not the strongest Meiko Kaiji vehicle compared to Female Prisoner Scorpion or Lady Snowblood. Maniac I find mostly interesting as a precursor to American Psycho (2000) but also it's probably the only serious film to successfully pull off it's ending trope (which I will not spoil here). The Child is an absolutely lovely 1970's only-a-dozen-people-made-this-and-not-much-more-watched-it horror that oozes atmosphere, I could watch stuff like this all day. Aaand Zombie 3 is far and away the best film that Lucio Fulci has been involved with that I've ever seen. I love random scenes and set pieces of ghouls just massacring people that are shit out out of luck.

Okay, now for the ones I actually want to write about.

The Wasp Woman is one that sticks in my head way more than any other random monster movie that Roger Corman directed in the latw 1950's. I've said on here and Letterboxd that it could have served as a standard pop-feminist piece about how the cosmetology industry is built on misogyny and invariably a monster is accidentally created because of that, but this most recent viewing has made me sort of "get it" because that might be what the film is going for considering Susan Cabot's performance leads me to believe that she is aware that she is becoming a homicidal wasp monster but views it as a tragic means to an end where she still has the ability to have a new advertising campaign with her as the star. Tragic. This is why you don't wear make up.

Both Noroi: The Curse and The Wolf House are ones I didn't care for whatsoever but I put them in places on the ranking that I thought were fair given that people should probably watch them regardless of my personal thoughts. Noroi's format didn't really lend itself to the escalation of tension and reveal of information that the plot demanded and I found myself thinking it meanders quite a bit. The Wolf House was an odd one where everything that was happening onscreen bounced off of me mostly because I felt intimately aware that I was watching a movie, that someone had made something and that I was now being shown it. Blah. People like these so don't let me stop you.

Our animated offerings this year...

Michael Jackson's Halloween more than anything feels like an unlicensed creation that later had an English fan dub commissioned, not something that actually aired on CBS twice. Any laughs that I found in this thing were the unintentional type as we open up with Bubbles talking and being Jackson's chauffeur; you know exactly what you're getting into. Very little of the plot is explained but I'm assuming Jackson (who has no lines given this was made posthumously) orchestrates a dark fantasy adventure to hook two...teenagers? People in their late 20's? And convince them to follow their dreams of performing instead of working a deadend dayjob. I'm not sure who the actual audience for this was given it feels like so much of it was made for children but I will say anything that has this much of Michael Jackson's music in it can't be all bad, though I'm not sure why they didn't largely stick with tracks from the album Thriller (in the contention for best album ever, I don't care).

Gamera: Rebirth is one I feel like I'm on the outside on compared to most other tokusatsu fans because I didn't really *love* to a serious degree even though, yes, Gamera is finally back. The first three episodes are mostly just kind of a slog for me with the backhalf not doing enough to retroactively make me think highly of it, though giving off End of Evangelion vibes may make me consider that a second viewing must be in order down the line. Rebirth's strongest attribute is that it feels like it takes into consideration and influence from every prior era of Gamera, no stone is left unturned, and it's a marked contrast from how every recent Godzilla property only captures a single facet of their respective character. But that also creates unique issues like how a lot of criticism of ongoing US military presence in Japan is undercut so there can be a white kid in the main cast (because white children were always present in half of the Showa series) or having the ancient civilization that genetically engineered the kaiju now being malicious and actively sacrificing children as a means of reshaping the world gives me vaguely anti-semitic tones, I don't know, Gamera is still here, I guess.

"I was just a little twerp who liked Scooby-Doo and Smurfs, now I was viewing Cthulhu mutants ruin the Earth."

Everyday that we have Inhumanoids is a gift. Inhumanoids is another Hasbro/Sunbow production like G. I. Joe, Transformers, or Jem and The Holograms, and it is truly tragic that it never got anywhere near that level of attention compared to its siblings. The fact that a 1980's action figure tie-in cartoon is named for its antagonists is only the start; the series follows a small paramilitary outfit of scientists named Earth Core that are tasked with more or less saving the world alongside the Mutores, elemental beings, when the Inhumanoids, eldritch abominations, are unleashed. The degree of world-building beyond your typical "good guys vs. bad guys" affair is astounding with villainous humans and virtuous monsters abounding, but Inhumanoids is mostly magical and remembered for saying fuck all to any type of broadcast standards. Seeing giant monsters destroy cities, undead armies, and spelunking deep into the Earth (where nightmares begin...) are just standard fair here, as are witnessing the actual Inhumanoids such as Metlar (basically the devil) or D'Compose (giant undead entity that can zombify people by touching them and uses his ribcage like a jail cell) in action. The first five episodes here are the pilot movie of sorts for the series which only lasted thirteen overall, and they get more grissly from here on out, but maybe it's best that Inhumanoids is the short lived cartoon and no the cartoon that went soft as early as its second season. I will never not love this show, to this day it's one of my favorite animated series from any decade, much less the 1980's.

Back to our regularly scheduled live-action programming...

Student Bodies is a fascinating film for a myriad of reasons the first of which is that there were somehow enough slasher films by 1981 for there to be a comedy poking fun at all the already established genre-cliches. It's essentially Scary Movie (2000) a full 20 years ahead of the curve only actually funny in spite of the subject matter frequently being as juvenile and prejudiced; but it also reminds me quite a bit of Scream (1996) with stuff like two killers working together. All I know is I was in for a decent time when the film opens with three identical shots of a house just with different framing text: "HALLOWEEN," "FRIDAY THE 13TH," "JAMIE LEE CURTIS' BIRTHDAY" and then the killer, The Breather, calls the opening kill girl doing nothing but breathing heavily, she hangs up, he calls back with "I SAID [heavy breathing]."

Return of The Living Dead is one of those films that should have destroyed the any artifically-imposed boundaries between "high" and "low" art. Every aspect of this film is brilliantly made, it just so happens to be made for stuff like Scooby-Doo music overlaid on top of thunderstorms over graveyards where one female character is stripping to the concept of dying. Media involving ghouls is incredibly oversaturated, and this was still the case in the 1980's where a film like this had to redefine the rules to make it so killing ghouls was basically a non-option. It only recently struck me on this viewing that that's the whole purpose of removing virtually all weaknesses they have, to keep the characters as the nail instead of the hammer. Compared to the Romero films, there's never a point where anyone is in control of the situation, it just escalates further and further until there is literally no way out. Taking that into consideration, there's no way this film couldn't have been a comedy that frames people getting swarmed and eaten by ghouls as hilarious.

The soundtrack and the faux-punk sensibilities lend this a daft feeling of "you shouldn't be watching this" in spite of it not being one of the MOST gory horror films of the 1980's. I still don't get how this never broke into the mainstream. I mean somehow people know that ghouls (in this film) speak and only eat brains but I can't go down to Target and get a Tarman action figure like I can one of Michael Myers. As such Return of The Living Dead remains a criminally overlooked film regardless of its subject matter. It's made me laugh and cringe and feel disgusted and revolt at the concept at dying but mostly it's made me feel a delicious sense of joy at seeing corpses rise out of the ground to the tune of "Do you wanna party? IT'S PARTY TIIIME!" Some of you need to sit in the corner and think about your life choices for making stupid shit like Re-Animator (1985) or fucking Shaun of The Dead (2004) more popular than this, fuck you.

The act of watching Spider Baby is like discovering the missing link. For as much as 1960 gave us an explosion of horror (Eyes Without a Face, The Ship of Monsters, Psycho, Jigoku, Black Sunday, etc.) and Night of The Living Dead (1968) reins as the perennial transition point of the genre, Spider Baby is the road by which we go from The Cat and The Canary and The Old Dark House to the likes of The Texas Chainsaw Massacre and Eraserhead, it's magical finding an essential piece of a genre you love so much. Both the former and latter points of comparison are apt as a family of now only children [and their butler] suffering from Poe-esque hereditary illness have their condemned house set upon by distant relatives and everything slowly unravels.

Lon Chaney Jr. is an actor who for the longest time I felt never got a proper chance to shine wherein the last 25 years or so of his career was spent playing as side character actor in independent films. Spider Baby is his crowning achievement. Seeing him smile through almost tears on several occasions as he has to play bridge between worlds of sanity and madness and lie to everyone that he has some sense of control over the situation is brilliant in ways I always knew he was capable of but had never seen before this point. Bravo.

I will never not love Basket Case with everything I've got. This is the epitome of 1980's horror and my clear pick for best of the decade. It has everything from being a grungy putrid grindhouse spectacle to being an intimate character drama to everything presented through a wry ironic lense where you can't tell if any "bad" performances are all done on purpose. Between this, Brain Damage (1988), and Frankenhooker (1990), there is literally absolutely no reason why Frank Henenlotter shouldn't be more popular than Stuart Gordon, Brian Yuzna, and Lloyd Kaufman *combined*. It's tragic that the world of cinema being enclosed and captured by studios again in the late 1980's prevented us from getting more from him, but realistically could we ask anymore than what we already got from Basket Case? I could watch this every day and never grow tired of it. I will never stop making more and more people watch this.

If Basket Case is the apex of 1980's horror, then Messiah of Evil is the same for 1970's horror. This is one of the most efficient horror films ever made in how not a single frame is wasted, the opening scene is literally a guy running from unseen force, seeking refuge, getting his throat slit, cue title card with synth music that then leads us to a sunburnt hallway as our narrator descends into acceptance of complete lack of control of the situation. Every night shot in this film must be 50 - 75% completely black with whatever headlight or store front there is just making the scenery look like a dollhouse that our characters are trapped inside. There's so many shots of people running away or walking down streets that make them look tiny as the camera is so far.

Every scene is an exercise in building up dread. There's no point where the film relents, something awful is not only coming, it's already here and there's nothing anyone can do. What I love particularly is that the mystery being laid out doesn't offer any answers because there's another mystery on top of what our characters find out only too late. Layers upon layers of dread that even the titular Messiah of Evil isn't the center of. The world is a cruel fucking place where this film languishes in obscurity whilst shit like The Exorcist enjoys mainstream attention. A lot of my taste amounts to "why isn't this thing I like more popular" and cases like Messiah of Evil vindicate me.

"Godzilla is the son of the atomic bomb. He is a nightmare created out of the darkness of the human soul. He is the sacred beast of the apocalypse." - Tomoyuki Tanaka

Generally a yearly trend is that a #1 pick for Halloween is self-evident to me and this year it was Basket Case for all of 30 seconds until I picked Godzilla back up.

There's something to be said how Godzilla isn't quite a horror monster? Terrifying but not necessarily creepy, but what power do things that go bump in the night have against the destruction of everything you know? Everytime I watch Godzilla is like the very first time, when flashing lights out at sea destroy fishing ships I have no idea what happened, or at least any much of a clue as anyone in film does when we're told that the entire ocean exploded.

Godzilla is a reptile, but lacks scales and its entire body is coated in keloid scars. In 1954 Godzilla must have been the largest monster every committed to film, trains are derailed from running against its ankle and bell and radio towers are throttled for being a sensory inconvenience. Godzilla's first on-screen appearance on Odo Island is obscured by a hurricane but the impression is clear; you can't fight Godzilla in the same way you can't fight a natural disaster. When Tokyo is reduced to complete ruin amidst a sea of flames, it's an onslaught of destruction never before seen in a film of this genre. Survivors being afflicted with radiation poisoning shows that Godzilla will claim victims long after being driven back to sea.

There's a sheer apocalyptic dread to all of this sensed by all the characters. Love tries to exist on the edge of annihilation. There's nothing that can be done but persevere and maybe hope tomorrow will be better. A scene that always strikes me is when Serizawa is adamant about not using the Oxygen Destroyer until forcibly confronted with the results of one night of Godzilla making landfall in Japan. The absolute pain felt by everyone in the finale starts here, things couldn't play out any differently as the "scientist of the century" can't join in and celebrate his victory.

Godzilla is a rare perfect film. I will never tire of it.

[moodboardmix]

Jane Mallory Birkin (14 December 1946 – 16 July 2023)

Jane Mallory Birkin was born in London in December 1946, daughter of British actress Judy Campbell and Royal Navy commander David Birkin.

She had lived in her adopted France since the late 1960s and apart from her singing and roles in dozens of films, she was a popular figure for her warm nature, stalwart fight for women's and LGBT rights.

She first took to the stage aged 17 and went on to appear in the 1965 musical "Passion Flower Hotel" by conductor and composer John Barry, whom she married shortly after. The marriage ended in the late 1960s.

Before venturing across the Channel aged 22, she achieved notoriety in the controversial 1966 Michelangelo Antonioni film "Blow-Up", appearing naked in a threesome sex scene.

But it was in France that she truly shot to fame, as much for her love affair with tormented national star Gainsbourg, as for her tomboyish style and endearing British accent when speaking French.

It was on the set of the film "Slogan" in 1969 that Birkin first met Gainsbourg, who was recovering from a break-up with Brigitte Bardot, and the two quickly began a love affair that captivated the nation.

That same year they released "Je T'Aime... Moi Non Plus" ("I Love You... Me Neither"), a song about physical love originally written for Bardot in which Gainsbourg's explicit lyrics are punctuated with breathy moans and cries from Birkin.

The song was banned by the BBC and condemned by the Vatican.

Following the breakup of that relationship in 1981, she continued her career as a singer and actress, appearing on stage and releasing albums such as "Baby Alone in Babylone" in 1983, and "Amour des Feintes" in 1990, both with words and music by Gainsbourg.

Gainsbourg's drinking eventually got the better of the relationship, and Birkin left him in 1981 to live with film director Jacques Doillon. However she remained close to the troubled singer until his death in March 1991.

It was around this time that she inspired the famous Birkin bag by French luxury house Hermes, after chief executive Jean-Louis Dumas saw her struggling with her straw bag on a flight to London, spilling the contents over the floor.

She wrote her own album "Arabesque" in 2002, and in 2009 released a collection of live recordings, "Jane at the Palace".

She is survived by two daughters the singer and actress Charlotte, born in 1971, and Lou Doillon, also an actress, born in 1982. She also had a daughter, Kate, who was born in 1967 and died in 2013.

(Reporting by John Irish Editing by David Goodman and Frances Kerry)

(Jane Birkin & Serge Gainsbourg - Je T'aime,...Moi Non Plus)

Rest in peace to the Timeless Style Icon and Epitome of Effortless Chic

[breaniebree]

Kismet Characters & Trees Part One:

Patrick Finnigan (1938) MUGGLE m. Maureen O’Connolly (1942) GRYFFINDOR (1965): 1. Kathleen “Katie” Finnigan (1967) GRYFFINDOR m. Jason White (1965) NA(1997): a) Saoirse Kathleen White (4 January 1998) NA  2. Darcy Finnigan (1974) HUFFLEPUFF m. Penelope Clearwater (1976) RAVENCLAW (2008): a) Norah Shay Finnigan (7 September 2005) HUFFLEPUFF— father is Jonathan Pepper (1973) RAVENCLAW — m. Jake Longbottom (7 September 2005) HUFFELPUFF (2030): aa) Deanna Shay Finnigan (31 January 2026) — father is Edward Crabbe (27 September 1997) SLYTHERIN — m.  Jackson Sirius Black (22 October 2026) GRYFFINDOR (2055): i) Norah Edwina Black (2060) HUFFLEPUFF bb) Jude Neville Longbottom (21 June 2033) HUFFLEPUFF cc) Anna Darcy Longbottom (19 April 2036) RAVENCLAW 3. Seamus Finnigan (12 October 1979) GRYFFINDOR bf. Dean Thomas (16 September 1979) GRYFFINDOR

Merrick Thomas (1926) GRYFFINDOR m. River Smith (1935) RAVENCLAW (1958): 1. Sunshine "Sunny" Dusk Thomas (1961) GRYFFINDOR affair with Kellan Jabari Morgan (1947) NA a) Dean Merrick Thomas (16 September 1979) GRYFFINDOR bf. Seamus Finnigan (12 October 1979 (GRYFFINDOR) 2. Meadow Moonlight Thomas (1962) RAVENCLAW (d. 1997)

Neville Longbottom (28 July 1980) GRYFFINDOR m. Hannah Abbott (19 April 1980) HUFFLEPUFF (2002): 1. Jacob “Jake” Franklin Longbottom (21 January 2007) HUFFLEPUFF m. Norah Finnigan (7 September 2005) HUFFLEPUFF (2030): a) Deanna Shay Finnigan (31 January 2026) HUFFLEPUFF — father is Edward Crabbe (27 September 1997)— m. Jackson Sirius Black (22 October 2026) GRYFFINDOR (2055): i) Norah Edwina Black (2060) HUFFLEPUFF b) Jude Neville Longbottom (21 June 2033) HUFFLEPUFF c) Anna Darcy Longbottom (19 April 2036) RAVENCLAW 2. Ava Alice Longbottom (1 July 2008) m. Gideon Weasley (19 August 2004) GRYFFINDOR (2029): a) August “Auggie” Gideon Weasley (5 July 2033) HUFFLEPUFF b) Caleb Neville Weasley (11 June 2035) RAVENCLAW c) Reed Jacob Weasley (15 March 2037) GRYFFINDOR

Thank you to @ellieoryan7447 for taking the time and effort to create these.

[citizenscreen]

Ross Martin (March 22, 1920 – July 3, 1981), always enjoyable to watch. Pictured in a publicity photo for “The Wild, Wild West” series (1965-1969)

[opera-ghosts]

„WALKÜRE“ R. Wagner / FIRST ACT

Some Sieglindes, Siegmunds and Hundings

Maria Müller (29 January 1898 – 15 March 1958); Czech-Austrian lyric/dramatic soprano, Emanuel List (22 March 1888 - 21 June 1967; Austrian-American bass and Franz Völker (31 March 1899 – 4 December 1965); dramatic tenor, Bayreuth, 1933

Maria Müller as Sieglinde, Bayreuth, 1937

Martha Leffler-Burckhardt (16 June 1865 -14 May 1954); German soprano as Sieglinde, Bayreuth, 1908

Rose Pauly-Dressen (15 March 1894 – 14 December 1975); Hungarian dramatic soprano as Sieglinde, Frankfurt, ?

Martha Selle as Sieglinde, Breslau, ?

Florence Easton (25 October 1882 – 13 August 1955); English dramatic soprano as Sieglinde, Berlin, ?

Marie Thoma as Sieglinde, Schwerin, ?

Elvira Herz as Sieglinde, Berlin, ?

Adolf Gröbke ? (26.5.1872 -16.9.1949); German tenor as Siegmund, Rotterdam, ?

Lauritz Melchior (20 March 1890 – 18 March 1973); Danish-American heldentenor as Siegmund, Bayreuth, 1924, 1925 and 1931

Fiorenzo Tasso (1901 - 29. 3. 1976); French tenor as Siegmund, Milan, 1945

Carl Braun (2 June 1886 – 24 April 1960); German bass as Hunding, Bayreuth, 1925, 1927, 1928 and 1930

Lorenz Corvinus (20 July 1870 - 18 January 1952); German bass as Hunding, Bayreuth, 1908

[aphroditesknife]

Today marks the 51st anniversary of the enactment of US-backed Martial Law in the Philippines by the late president/dictator Ferdinand Marcos Sr. One of the darkest days in the history of the country and spanning for about a decade, many human rights violations, killings, tortures, enforced disappearances, military and police abuse of power, economic downfall, environmental damages, famine, media blackout (except for those approved of the regime), and overall corruption. All for the so called "fight against communist insurgency." The Marcos family and their allies basically lived like royalites while the Filipino people suffered.

Ferdinand Emmanuel Edralin Marcos Sr. served as the 10th president of the Philippines for 20 years from 1965 to 1986. He ruled under martial law for nine years from 1972 until 1981 but kept most of his martial law powers until he was deposed in 1986. Under his regime, violence was used to enforce civil control over the citizens of the Philippines, resulting in thousands of documented cases of human rights violations.

But many people to this day continue to refer to this time as the "Golden Age" of the country, that life was good for "law abiding citizens." Here are some numbers that debunks this popular myth.

Data from the image:

Sept. 21, 1972: Date of Proclamation No. 1081 placing the Philippines under martial law.

49: Persons from the Greater Manila Area immediately arrested on Sept. 22, 1972, by the military, among them three senators, three congressmen, two provincial governors, four delegates to the Constitutional Convention and eight newsmen. First on the list was opposition senator and main political rival Benigno “Ninoy” Aquino Jr.

Sept. 23, 1972: Press Secretary Francisco Tatad announces the imposition of martial law and reads the Marcos proclamation in a nationwide televised broadcast. Marcos himself went on air at 7 p.m. to formally announce the proclamation

12-4 a.m. – Curfew was put in place

Jan. 17, 1981: Marcos signs Proclamation No. 2045 lifting the implementation of martial law ahead of the first papal visit of Pope John Paul II in February.

107,240: Primary victims of human rights violations during martial law

70,000 people arrested, mostly arbitrarily without warrants of arrests*

34,000 people tortured*

3,240 killed by the military and the police*

*Amnesty International

464: Closed media outlets after declaration of martial law

$683 million: Worth of Marcos assets in various Swiss banks declared as ill-gotten based on a July 2003 the Supreme Court ruling

$5-10 billion: Estimated alleged ill-gotten wealth plundered by the Marcoses during two decades in Malacañang

6,281: Number of Marcos laws from September 1972 to February 1986

2,036 presidential decrees

61 general orders

1,093 executive orders

1,409 proclamations and other issuances

1,525 letters of instructions

157 letters of implementation

Info from image:

Military Power

By the time martial law was in effect, the Philippine Army had an estimated strength of 17,600; the Philippine Navy with 8,000; Philippine Air Force with 9,000; and the Philippine Constabulary with 25,500.

Info from images:

Poverty

Poverty worsened over the course of the Marcos era. Whereas about 4 out of 10 families were poor before Marcos took office, 6 out of 10 families were poor by the end of his rule.

Moreover, as the graph on the left shows, this is a consistent trend across the different regions of the nation, with some regions reaching as high a rate as 7 out of 10 families below the poverty line. Only two regions saw a marginal decrease in the number of poor families: the Ilocos Region and Cagayan Valley.

Daily wages of Filipino agricultural workers declined by about 30%, such that if a farmer earned Php 42 per day in 1972, he would only be earning about Php 30 in 1986. The wages of farmers even went as low as nearly half of the pre-Marcos values in 1974, right after the declaration of Martial Law (middle graph).

On the other hand, for skilled and unskilled workers in urban areas, the graph on the right shows the change in their wages from pre-Marcos to EDSA values. Skilled workers are workers with some special knowledge or skill, often having gone to college or technical school; unskilled workers are workers without this level of training.

Info for images:

Deforestation

In addition to factors relating to the domestic economy, another way of assessing the Marcos regime is through its impacts on the nation’s natural resources and the environment. The graph specifically gives us an idea about how Marcos’s policies affected the country’s forest cover over the course of about 20 years.

Supposedly, about 90% of the Philippines’ 18.7 million hectares of uplands, including more than 11 million hectares officially classified as timberlands, is publicly owned. In practice, fewer than 200 individuals controlled a large fraction of the country’s forests.

In pursuit of economic gains, Marcos and his cronies’ uncontrolled exportation of timber led to a drastic reduction in forest cover. This cascades into dire environmental impacts including flooding, landslides, and even the worldwide phenomenon of global warming.

I could add more to this post, but that would be way too long.

To this day, the Marcos family, their allies, and supporters, paid or not, continue to deny these facts and claim that the Marcos family were good for the Filipino people and the country.

We must continue to remind the people of this dark time in the history, to not let history be erased and be replaced with lies, to remember the sacrifices made by the victims of Martial Law and their families, and to not let history repeat itself.

Never Forget!

Never Again!

sources:

https://philstarlife.com/news-and-views/649814-martial-law-by-the-numbers?page=6

https://martiallawmuseum.ph/magaral/martial-law-in-data/

https://newsinfo.inquirer.net/1167808/fast-facts-the-marcos-martial-law-regime

The Martial Law Museum and the Bantayog ng mga Bayani sites are good places to start reading more about this.