Sorry to ask but why did you call Adria sexist? What has she done?
I don’t mind the question. I think it’s important to back up my claims so here we go.
If you watch her interviews, she's weirdly consistent about this really odd opinion she has about women.
Here she basically says men and women have different attributes when it comes to strength and toughness (which is sexist). Talking about her character that is known to "talk like a woman, walk like a woman," I don't even know what this means. But it comes off that she thinks there exists a single way a woman should act. Her character being a typical feminine-damsel type also implies her preference for this stereotype.
Reading through her other interviews she has a very narrow idea of what a woman should be, especially when it comes to ‘taking care of men’ and whatnot. I want to be clear it is one thing with having personal preferences to how you want your female characters to be presented, which is totally fine, preference is preference. But why this is problematic and moves past mere preferences is because she is saying one is better than the other. That women should be represented in this certain way.
She's done this not with just her latest character, but a lot of them.
Here she says her character is a "real woman" implying that there is a way to be an authentic woman as opposed to an inferior type. She also implies that her character is a real woman because she takes care of people. I don't feel the need to explain the issue with idealizing this.
It's again, her weird notion there's a difference between "tough" and "strong". Here she adds that women should 'own their femininity,' as if the opposite is what women are experiencing.
Not that this completely applies but it’s common for women who perceive other women to be adopting too ‘boyish’ of traits, to believe they are misogynists and rejecting their own kind. But this generally isn’t true— and the real issue with this is that it’s actually those that show conventionally masculine traits that are typically a minority and/or marginalized across women. Studs, butches, and tomboys helped pave the way and redefined culture for all women. In reality, they can be considered the epitome of feminism – proving that you don’t have to look, think, or act “like a woman” to be a woman.
It's, again, fine she may have had a preference. But to make a whole career where women are meant to be portrayed a certain way is such a red flag for me. Especially when she likens herself to them.
The rest of her snippets, to be very honest, it's just a bad fucking vibe I get from her, man. Like why would you say this?
and this?
"Sexist," one might say, might be a rather strong claim for someone who may, arguably, insist on a certain portrayal for women?
No, it fits because not only is this "preference" already largely overrepresented in media, but there are several ways of being sexist. The actress especially is exhibiting what is known as benevolent sexism, a more socially accepted form of sexism prevalent among both men and women.
Examples of benevolent sexism include:
basing a woman’s value on her role as a mother, wife, or girlfriend
focusing attention and praise on someone’s appearance rather than their other attributes
believing that people should not do things for themselves, such as manage money or drive a car, because of their gender
A lot of these can be done without intentional malice very easily! It could be seen as a complement telling someone "wow! I love your braids and lipstick, you really look like a real woman," or "my character is special and great because she is such a good friend and so loyal to this male character" without adding anything else. These, no matter the intent, are still very stupid and sexist to say.
I guess it's important to note where I am coming from and it is that I fucking hate toxic radfems. I hate how lesbian spaces drown out studs and mascs. I hate terfs and people who gatekeep identities because a certain representation isn't good enough for them. And while this actress's crimes are likely a misdemeanor compared to these awful gatekeepers, I cannot stand the stupidity of any hint of lateral violence. Especially when you’re relatively rich and famous you have a responsibility to not hold people back.
I can see that for others it’s not a big deal, hence “socially acceptable”. But it’s ideas she spouts like these that are poisonous to progress. The point should be that there should be no expectation for women. You can be anything you want because you want to. It's when I see comments to the things she says that make my blood boil like “yea! I love women who aren't so in our face ” (aka I don't want female characters with agency or opinions or as the lead) or “this is what a real woman is, sensual and feminine” (aka sexualized, long hair, tits, and ass).
I’m not above giving her the benefit of the doubt that she’s just kind of dumb. Like she’s not out here with a tradfem agenda or whatever. Outside of sexism she’s just bad at explaining anything. This is the last time I’ll probably criticize this woman because I already blocked her tag and she’s a flop anyway so she's easily ignorable. I really hate hating on women because they’re criticized enough, but there is a standard to be met when it comes to being aware and respectful. I wish I was cherry picking but I found all these interviews in like a 20 minute Google search and that's pretty damn telling of her career. She's also like 30 something years old. It's difficult watching a full adult infantilize her own character or see people believe she's "just naïve" when you can just say that they're being sexist.
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Yo the writing in this movie is weak as shit
Like, the animation looks good and there are some fun segments, but why is the writing so fucking WEAK???
This is fuckin' embarrassing.
41 years since Miyazaki's Castle of Cagliostro established Lupin could be likeable, and you have somehow made a movie in which Lupin threatens a girl with sexual assault and then also there is a sympathetic Nazi character?????
And! AND! what is this shit?? What is this utter laziness??? EXPLAIN TO ME HOW THIS NOTHING-ASS PLAIN WHITE BREAD CHARACTER DESIGN IS NOT JUST ANNA FROM FROZEN??? EXPLAIN IT TO ME.
And she's next to the Lupin characters, who are so dynamic and alive! She looks like an unfinished 3D model base this is nothing.
And, more importantly, will someone please explain to me why this horrendously-written character is present for the climax instead of anyone in the Lupin gang???
Like, let me be absolutely fucking clear: All this girl actually does in the movie is nearly cause a second Holocaust. Literally, her actions are the thing that allows the Third Reich to nearly regain power. That is the only thing she actually succeeds in. She fails at every other thing she tries to do!
And I don't care that she feels bad about it! I don't care that she did it accidentally! The fact is, this is literally the only impact the writers gave her in the story! The only explicitly Jewish character that survives the movie! They just! Didn't catch the optics on that, I guess! They don't give her something heroic to do later in the film that has any tangible weight to it, either! The old Nazi character does that! They just plum forgot about Laetitia I guess! Too bad she takes up 60% of the screentime in this film!
I mean, this movie starts with a Nazi shooting a Jewish man in the head, and then that Nazi raises that man's granddaughter as his own in order to trick her into doing Nazi shit for him. In the first scene he interacts with her in a parental capacity, it is clear that she fears being beaten by his metal cane. That Nazi then goes on to be framed in a sympathetic and undeniably warm light by the film. He actually does more for the good guys than Laetitia does! His death is given way more weight than the Jewish character he kills at the beginning.
Gods, this is shit. This is so fucking disrespectful.
I mean, if Laetitia was a golden retriever, the plot would have changed literally not at all.
In fact, it would have absolutely been an improvement because then her actions, characterization, and relationships with the other characters would have made sense. She would have been way more likeable too!
GENTLEMEN, If your female character could easily be replaced by a lamp, a prized possession, or a Pomeranian, then you have fucked up.
"Arf! Arf arf! Grrrrrr!!!", "MANGY DOG!!"
And Laetitia is, no mistaking, the main character of this film. THIS film. You know? The film called Lupin that is supposed to be about Lupin except it's actually about the world's most generic girl reacting to Lupin??
And all this focus on Laetitia comes at the expense of time with the Lupin gang!
Fujiko has like 4 lines!
Goemon has like, 6!
No one in this movie has a character arc, WITH THE EXCEPTION OF THE LITERAL ABUSIVE-PARENT NAZI CHARACTER.
OOPSY DAISY.
Anyway, the main value of this movie is that Jigen is so so so so hot. But damn. I do think he could've still been hot in a non-shitty film. 🤔🤔🤔
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The existence of this Rosaline movie makes me so MAD, because SHE WAS NEVER IN A RELATIONSHIP WITH ROMEO. SHE TOOK A VOW OF CHASTITY, AND SAID THAT SHE WAS JUST GONNA NOT BE IN LOVE.
SHE. REJECTED. HIM.
SHE WAS NEVER INTERESTED IN BEING WITH HIM AT ALL.
And then they just...make a whole movie from her supposed perspective (which is loosely based on a book which...hoo boy we’ll get to that in a second), where the premise is that she’s jealous and wants to break him and Juliet up? That she’s so in love that she has to win him over again? (Also, how do they justify her knowing that they’re together? The entire point is that no one knows Romeo and Juliet are in love?? I know this is an adaptation, but Jesus Christ.)
WHY DID YOU PICK THIS CHARACTER. TO HAVE THIS STORY WITH. THE WHOLE POINT OF HER CHARACTER IS THAT SHE CHOOSES NOT TO BE WITH HIM. THAT’S WHAT OPENS THE DOOR TO HIM MEETING JULIET. IF ROSALINE IS DEEPLY INTO ROMEO, THE ENTIRE PLAY DOESN’T WORK.
Are we saying that she was just “““playing hard to get”””? That she was toying with his heart for fun? That when she told him no, she really meant “yes”?? I THOUGHT WE LEFT THAT BEHIND OVER THE COURSE OF THE LAST DECADE, I THOUGHT WE DECIDED THAT WAS BAD???!!?
Don’t even get me started on the book this is based on, where that general premise is that Rosaline is just an Innocent Average Girl, and her cousin who is Beautiful™ and vOLaTiLeLY uNsTAbLe and cRaZy comes and “takes” her poor unsuspecting boyfriend who is completely blameless for his own terrible behavior away from her while being called a “slut” the whole time. (I doubt much of this carried over into the actual movie, because that’s being billed as an ironic rom-com, and I highly doubt ANYONE would try to make that genre work while keeping this premise 100% intact.)
WHY WOULD YOU EXPAND THIS CHARACTER LIKE THIS. WHY. WE STUDY THIS PLAY IN SCHOOL AS AN EXAMPLE OF LITERARY STRUCTURE AND POETIC LANGUAGE AND FORESHADOWING AND HOW TO WRITE A TRAGIC NARRATIVE AND FOR WHAT. FOR PEOPLE TO NOT TAKE AWAY ANY OF THE INTENDED MEANING FROM THIS PLAY???!?!?!? I AM SCREAMING SO HARD I WILL BREAK THE EARTH’S CRUST UNTIL I AM SUBSUMED INTO HELL.
If you’re going to adapt something, you’ve gotta make it clear that you have some significant understanding of the original work. Retellings are fine! They can even have different functions or deconstruct tropes or be unexpectedly edgy! But it’s 1000% obvious when you don’t have any knowledge or engagement with the source material, and that is a problem. It’s ignorant, it’s lazy, and everyone involved deserves better.
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