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#KOBY HAS SO MUCH SCREEN TIME
cineflections · 8 months
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You know, if there was one manga that would be adapted to live action and succeed, I never would have guessed it to be this one.
I'm ofc talking about the One Piece Live Action on Netflix
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A whole day binge right after release, I was READY, and thankfully, I was not disappointed. There are cuts and streamlining of the story, characters coming in earlier than in the manga/anime, and some of the emotional bits don't hit as hard as in the original. Still, I can feel the love the production team has of One Piece. The characters are goofy and lovable, but they are also serious and straight-faced.
One thing that I noticed throughout was the constant close up to faces and sometimes straight on, as if almost breaking the 4th wall. The very first scene with Luffy is like this, but there he DOES look into the camera directly, but the pov of the camera is revealed to be a newsbird. It's like a statement that they know this is a silly pirate romp, they know that some people will not take this seriously, but they will not do 4th wall breaks silly, but in-universe silly. Does that make sense?
I laughed at several points in the show, big and wide smile on my face and pointing at the screen several times...
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But I do wonder how much of my laugh was on the show's on merit or if I was only calling back on the the source material. At times I did feel the straw hat crew not being as iconic as in the manga/anime. The extreme reactions, the over the top noises and actions, at the same time I realize that real people generally don't act like that.
I appreciate the show runners attention to details. Putting stuff in to tease future arcs, adapting some cover stories, some of the complete unhinged behaviors of characters (Garp I'm looking at you!).
This show adapted Romance Dawn, orange town, syrup village, baratie, and arlong park.
There are so many moments that are almost scene by scene taken from the manga. Luffy in the barrel and meeting Koby. Alvida with her giant spike club. We got to see some pre-captured Zoro moments (particularly him killing a baroque works agent!), Nami being a sneak.
Then we meet the one and only clown Buggy! They hammed him up, they made him a showman and a real clown (with a real bulgy nose as well, props!). I loved Buggy. Goddamn what a show stealer. Excellent casting, his devil fruit was show cased so well and it looked good!
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Usopp's introduction is the most changed. The kids are gone and the Black Cat pirates never call in the entire crew or Jango. Instead of the fight on the slope by the beach it's instead in Kaya's house from which they cannot escape. The actor for Kuro nailing the mannerism and hand movements, altho his "teleporting" looks a bit wonky.
With Baratie we are finally introduced to Sanji! Who's British now 😆. And Mihawk's introduction tho! Badass and just so over the top and goofy. I love him so much! This is where we got the biggest change where we instead get Arlong and crew coming in smashing the place up (a tiny bit). Arlong may not be as tall as he should be but I love the practical approach instead of CGI, which means he actually feels present! All the fishmen we see are guys in costume and prosthetics!
Arlong Park felt a bit more rushed than the earlier parts, but I do think they nailed *that* scene tho.
If the bar for live action adaptation was below the ground, I would say now there's a new bar, which is on the ground 😅. I think it's a solid show but it might be my bias talking. I do have some gripes tho.
One thing that was constant in East Blue Saga was how much village people hate or are scared of pirates. I think they got the marines right, and the pirates, but they failed to really have the village people be a character in their own right. In the manga and anime the villagers are mostly a monolith who will think and act alike in situations and be part of the happenings either by watching or fighting. We got just about none of it here, except a mention in Arlong Park. They did some really good and cool world building with lots of people populating the sets in the background - but that's it, they're just extras to fill out the screen. There are ofc a few exceptions but I felt it was not enough.
I wish they had Luffy be more agile when using his gum-gum powers. Whenever he springs a pistol or a whip is stands in place, which I found boring (and they did so well with Zoro's fights!). I do think the explanation is that they decided for Luffy to be coming into his powers as we go. That we will learn with him all the things he can do (him not knowing he can blow himself up like a balloon proves this). I hope that in season 2 (please netflix!) they show the growth in his fighting!
But to end this long post. I just wanna say how much I fucking love the dude playing Mihawk. Goddamn he's so fun. MVP.
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For the straw hats, I would say that Usopp feels the closest to manga version, and Luffy feels the most distant from it. But I don't dislike this, and I think the actor for Luffy has so much potential to really make the role his own.
It will never be "just like" the manga and anime, but that's ok! It's a new adaptation (in live action) made by people you can tell loves the source material and really really tried to make it work! I respect that, and I respect this show. Please watch it on Netflix! It's a fun and silly time, just like it should be!
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animebw · 8 months
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So the live action One Piece is really, really good.
I know, far from the first person to say it. But it really must be stressed how absolutely bonkers it is that One Piece, of all anime properties, is what breaks the live-action adaptation curse in the West. So many attempts at adapting far more live-action friendly stories like Death Note and Cowboy Bebop ended up complete disasters, and yet it's perhaps the most unabashedly cartoonish anime franchise, the one defined by how it takes advantage of drawing and animation to portray people, places and things that would be completely unfeasable in the real world, that shows how to translate this medium to live action without losing what makes it special in the first place. It's not a perfect adaptation, but it pretty much nails everything it needs to, capturing the heart of this story in all its most important moments and making smart changes that serve its new form as a binge-worthy Netflix drop. So let's talk about the things I liked, the few areas I think it fell short, and how I think future seasons should play out! Spoilers, obviously.
The Good:
-The most important thing to get right was the casting, and they nailed it: all the Straw Hats and their supporting cast are just about perfect. Inaki Godoy just is Luffy, Emily Rudd does a fantastic job shouldering the season's core emotional weight as Nami, Vincent Regan steals the show every time Garp is on screen, and Jeff Ward is an absolute riot as Buggy. Special shout-out as well to Morgan Davies for nailing Koby's expanded screen time.
-Speaking of, I love how Koby and Helmeppo's title-card story is fleshed out into a proper B-plot throughout this season. Following their journey under Garp's command is a perfect way to introduce us to the Navy's inner workings and the more explicitly political side of the story up front, as well as foreshadowing plenty of future story beats to come.
-The action. Is. So. Good. Thank god we're finally remembering how to film proper hand-to-hand brawls, cause every punch-up is a blast to watch.
-Luffy actually has more of an arc here than he does in the manga! Manga Luffy can be a pretty static character a lot of the time, which I know is kind of his appeal, but this adaptation gives him a bit more to work with as he grapples with the responsibility of being a captain and the consequences his mistakes can have for his crew.
-Seriously Buggy is so fucking funny they nailed him so perfectly
-Putting more of a focus on Nami's struggles throughout the season was a great way to give it more structure for a binge format. Her emotional journey is really the heart of this adaptation as we watch her go from a paraniod recluse to fully embracing the Straw Hats as her new family.
-One benefit to being live action and produced in America? Way, way less casual sexism. Dare I hope that future seasons will avoid ruining Sanji's character among other pitfalls Oda fell into? Fingers crossed!
-The production design is immaculate. It strikes the perfect balance between the wacky cartoonishness of One Piece's world and the demands of filming in live action.
-Fantastic soundtrack too! It knows just where to deploy instrumental renditions of We Are while charting its own musical identity.
The Bad
-Some of the dialogue is a liiiiiiittle cringey? I know dialogue has never been OP's strongest suit, but there are definitely a few moments that feel overly anachronistic and "how do you do fellow kids?" There's a moment Buggy jokes about toxic fandom that really made me roll my eyes (especially since the OP fandom has by and large really embraced this adaptation, so it comes off like a cheap shot at a demographic of haters that doesn't even really exist).
-While the camerawork and editing are pretty great, the color grading is very much... not. Can we please stop shooting everything in boring desaturated yellows and greys and start lighting our night scenes so we can actually see what's going on?
-Shockingly, it's the strongest parts from the manga- the backstories- that I feel suffered the most here. Some of that's due to most of the child actors not being that great, which, well, that's a risk you take with child actors. But it also cuts out a lot of the personal culpability that made a lot of those backstories so compelling? Like how Sanji used to be pretty wasteful with food until his experience stranded on an island taught him how important it was to respect every bite? That aspect of his character is completely missing in his flashback here.
-Hoo boy, they made some... choices with how they depicted Arlong's crew. I know the Fishmen are a big racism/discrimination metaphor, but between the trap music that plays whenever they show up, their overall "urban gangsta" fashion aesthetic and the design of Arlong Park, the fact Arlong himself is played by a black actor... there is some coding going on here, is my point. And considering how much I hated the direction this story arc went in Fishman Island, that does not give me confidence in this adaptation's ability to escape sucking just as much on that front.
Future Season Wish List:
Season 2: The Alabasta saga, starting with the arrival at Roguetown and ending with Vivi's send-off
Season 3: The Water Seven saga, maybe with a brief stop in Skypiea beforehand but not long enough to get bogged down in there like the manga did
Season 4: Possibly controversial, but I think this should take us to the timeskip. Spend an episode or two in Thriller Bark but cut out all the bullshit, one episode in Sabaody for the Shit Gets Real(tm) section, one episode in Amazon Lily, then onto Impel Down and the Marineford showdown, with one episode dedicated to the fallout of that battle and getting us to the timeskip.
Season 5: Big focus here should be Dressrosa IMO. If you must spend some time in Fishman Island then do it, probably don't need that much time in Punk Hazard since barely anything happens there, then get into the thick of Dressrosa.
Season 6: This should be the Wano season. One episode in Zou, maybe a couple in Whole Cake Island to set up Big Mom, (honestly we might not even need the extra Sanji backstory if this adaptation gets rid of his worst traits), then get straight into Wano so you have all the time you need for all those moving parts. Also, Gear 5 Luffy in live-action should just be him turning into his anime self Roger Rabbit style. Tell me that wouldn't rule.
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sanaserena · 7 months
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YAY, OPLA is still in the top 10 - top 4 most streamed last week - this week, in it's sixth week of airing! See ↓↓ from here: Twitter Link
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In my personal opinion, that's looking good. It's also interesting to compare OPLA's streaming stats week by week compared to several other shows in the top 10 (but in saying that... I haven't had time to do a full comparison, just bits here and there, so I can't say anything for sure...still, it's very interesting to look at!! And considering, I usually don't have the time or effort to follow any other show in such detail... but One Piece has such a special place in my heart!)
I finally am back round with screenshots from Episode 6 - and my thoughts on the episode. I also really loved this episode, the cast has so many good moments, and I love how we see the crew bond and develop through one of the biggest trials of the Straw Hat pirates friendship.
Highlights of Ep 6:
Do you know how much I love these sets? Why sometimes I love live action? Because we get to see even more sides to the manga panels, to the anime scenes that probably weren’t important or thought about at the time. For example, I love that we get to see more of the inside of the Going Merry (we do see this in the manga, but there's something more intricate and detailed about the live action's adaptation)
The interactions between Koby and Garp. The more times I re-watch OPLA, the more I like these interactions. I like them because we get to see Koby develop and how Garp becomes his and Helmeppo's mentor (something we only see in cover stories in OP, before their big appearance at the end of a specific arc, where the Koby and Helmoppo have clearly grown up.)
The interaction between Garp and Mihawk. This is OP only, and we see a different kind of Warlord/Marine interaction past the East Blue Saga in the One Piece Manga. I liked that this was introduced in OPLA season 1, it does so many wonderful things like, give us more Mihawk time (those who know, know how rare he is in the manga, but beloved despite those rare appearances), show us more of how the Warlord system works/or does work, and of course hammers in other plot points for OPLA. (Also, Steven John Ward is such a magnificent Mihawk.)
The interaction between Sanji, Usopp, and Luffy. When Luffy speaks of Wado Ichimonji, and pronounces the name completely wrong in a very Luffy way, sometimes I ask myself, do I love this line in OPLA because I know it’s a very Luffy trait from the manga, or do I love it because Inaki delivers this line so well?
This episode gives us more wonderful expressions from the cast. Taz is such a fantastic Sanji and Jacob is pretty good as Usopp. They're both great in this episode. I've heard some people complain that Usopp and Sanji were done a bit dirty in season 1, but truthfully, I have high hopes that the showrunners will give them more space for development in season 2 now that they've been introduced. If you squash everything into season 1, that only leaves less space for character development on screen later on. So I'm looking forward to seeing OPLA develop some of our favourite OP characters in their way, but faithful to Oda's vision.
I love how they did Sanji's backstory. They did not skimp on the truth behind Zeff's leg, which the anime does, and the manga is a little more brutal on.
You know, sometimes I had my doubts, before OPLA was released, on whether Craig Fairbrass would make a good Zeff. There were so many white actors and I like hmmm. But, damn it all, he’s perfect. He brings Zeff alive with so much zest and flavour. Both in present and the past flashbacks. It was wonderful. (Also, it does make me laugh every time I see his braided mustache jumping when he speaks, love it.)
Christian Convery is also fantastic as young Sanji. He acts wonderfully. He's like a little angelic cherub, and thus for the extended starvation period, he was a little too fleshy, however, this is a child (and we can't ask him to starve just for acting at his age, and for something like this in a tv series, I'd much rather the vfx went to the bigger elements, like Buggy's devil fruit powers, Luffy's devil fruit powers, the Sea King, etc.), and his acting still managed to convince me that he had been starving for days.
And as usual, I can't fit all the screenshots here ... see Part 2: Here, and Part 3: Here.
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littlefankingdom · 8 months
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I watched the One Piece live action and here are some notes I took.
I'm a huge One Piece fan since I was like 10-ish? And so, I have a lot of thoughts and feelings about it. It had a lot of impact on my personality (Nico Robin is my role model). This live action adaptation matters to me and I'm going to rant. Spoilers ahead.
The director is a woman, and one of the two writers is a woman. Manga and anime are male dominated hobby (and the comic's world is sexist), so the live action of the most popular shōnen being run by women is so great, imo. Also, it's pretty successful, in contrary to other attempts, so it's a win for women.
Garp's actor is a very handsome man. Wtf, they made Garp hot. He also has a beautiful Welsh accent, which is great because it's an accent that gives a "tough guy" impression. At least, it does for me.
Luffy's actor is perfect. This Luffy is slightly different from the original one, but he's perfect in his own way. I will die and kill for him. Also, him being brown with a white grandpa is so good, it had a racial gap between the two of them, where there are already a generational one and a moral one. Like, the white grandpa in the army do not understand how his brown grandson do not like the gov, because he doesn't see it from where he is when the kid does.
Alvida's actress is so beautiful, she's so pretty. I suddenly support women's wrongs.
Damn, the violence is going up a notch (Roger executed on screen, Mr 7's body cut in half, MERRY IS FUCKING KILLED,...)
The actors for Koby and Helmeppo are queer (They/Them pals) Oda is, once again, showing his support to the trans community.
I do not like the colors. It's too dark for One Piece, imo. Look at how saturated the colored pages are, I would have preferred it to be more saturated. I know, this is because of the CGI (issues are less perceptible this way), I'm going to need to make some edits. But, they didn't have to do it to the costumes too. Like, Buggy, except from his hat, his outfit is not flashy like it should be. Would help with the colored hair if it was more colorful and flashy.
Young Luffy wear the same shirt as in the manga is a nice touch.
THERE'S A CAVENDISH'S WANTED POSTER IN SHELLS TOWN!
Dead bodies smell strongly, and Zoro is bringing half of one in a bar???
Episode 2 is pure art. I love it so much.
Buggy is attractive, wtf. I find him more pretty than Shanks.
Bogard is so cool looking. I'm gonna die if Hina is introduced one day (she's going to be so cool)
They changed the "If you’re gonna point your gun toward someone, you better use it" scene. The new one is cool, but the original is iconic.
THE MUSIC WHEN LUFFY REALIZES THAT SHANKS LOST HIS ARM! It's like the orchestra is interrupted, incredible, love it.
Nami and Zoro's siblings' energy is so strong.
Kaya and Nami interraction about the dress "it belonged to my mother" is so good, Nami gets uncomfortable because she also lost her mother and knows how it is to cherish her memory. But Kaya is nice and share it with her, which break her view of rich folks.
The decor's department must have had the time of their life for this show. It's a great job.
Zoro wanting to wear black and drink wine in the 3 episode, he's already embodying being Mihawk's adopted brat.
Kaya makes the oof roblox sounds when she slapped Usopp.
Usopp x Kaya let's gooooooooooo my boy deserves the best (Oda confirming a romance with one of his protagonists is huge)
Zoro IMMEDIATELY trying to look at something else the moment Kaya kisses Usopp.
Luffy sitting on Going Merry with "We Are" playing... Art.
Without a cook, they are eating pasta, with some fruit and drink (just like me, fr).
Garp is wrecking a brand new ship!
Episode 5 Title Card, my beloved.
Mihawk music, and voice, and character: beautiful.
"Oh, I do like your hat." Mihawk to Luffy upon meeting him, great.
Sanji needs to stop talking about food, I'm getting hungry but I'm broke and a terrible cook.
"Oregano is for savages!" 😂 ok kiddo.
Me watching Zoro nap for a whole episode because of 1 cut: "Bro, you’re going to go through so much worse, you better stop whining rn"
The "YES, YES WE DO" after Sanji says "heard you guys need a cook" is so good.
Sanji is, like, the only one after Nami to have the most experience sailing, they fucking need him.
Buggy coming back all the time is perfect. Love him.
Having Bell-Mere slaps Nami was not ok. Y'all are ruining a character I loved.
Sanji knows a man that can cook well is attractive.
Usopp and Luffy are 17 and drinking, and Koby is 16. Underage drinking baby 🍻
Garp is already having the crisis he has during Marine Fort Arc, it’s going to be difficult for him.
Buggy be swinging being carried by Sanji, who's fighting.
Luffy breaking Arlong's sword axe thingy is badass.
The fishmen are so ugly and weird looking
Buggy saying "I'm gonna get out of here" with 🖕🤡🖕(If we ever get young Ace, I expect so much vulgarity from his little shit mouth)
Usopp exploding star was badass.
Sanji's ass after Mouton Shot.
Zoro "Yeah, you're gonna fit in just fine" means you're as crazy as all of us
Sanji opening is arms for Nami and Nami ignoring him to hug her bros, lol.
Arlong Park destruction be crazy.
Sanji little laugh.
Luffy is a true bestie to Usopp.
It’s the confrontation from after Seven Arc
It's Logue town after right? Like, where Luffy's father is introduced? With the comparison to Roger? But they just compared them, are they going to do it again?
The wanted poster is the exact same, with usopp in the background.
Employee of the month lol.
Alvida and Buggy meeting, the bad bitches.
Mihawk and Shanks!!! (Shanks gave him the "ableist pos" look, lol)
Smoker introduced -> Logue Town
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reddstarr-exe · 9 days
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warranted by your recent post I have arrived to ask ur very much wanted opinion on ur personal cobymeppo head cannons on what u think their dynamic is like, like- what things from the anime and live action do you prefer over the other and take as final canon and what are the things that you just simply refuse to acknowledge or dont personally like about whats said or occurred between them? basically just certain personality traits or scenes and stuff
Oh! Their dynamic huh… I never really thought of that before 😅😅😅
Well I haven’t got to the point where I see them again (I’m on punk hazard) but I try to answer this question as best as I can 😁
The Live Action
There’s a lot of things that I preferred in the live action. (since it was the hook that reeled me into the world of kobymeppo/meppokoby 🤭)
They have more interaction and meppo doesn’t have as much of a golden stick of nepotism up his ass (as he did the episode of kobymeppo in the anime) he’s more (how do i say this) gentle and low-tempered,
i just can’t wait to see their interactions when they do the adaptation of the diary of kobymeppo!! *squeal* and i can’t wait to see their interaction with one another at marineford too!
i can’t wait to see them as chore boys as well🤭
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Anime
I was watching the anime before i watched the live action, but around the end of water 7 when we see their glow ups i had that ultimate thought (“wait, do people ship koby and helmeppo together?”)
after searching it up and with that thought in hand, i went to go watch opla (not because of the ship thing i watched bc my brothers were watching it too)
and after the infamous bar scene and looking through tumblr for like minded folks my life and view on them has never been the same since (the kobymeppo fungus entered my brain) so watching the anime after opla was a breeze 😁 (it was not 😭)
When I first started marineford, every time they were together on screen i couldn’t help but smile 😭😭 ace’s death wasn’t even the worst part of the arc for me, it was me seeing the pink and yellow speckled flower of shounen-ai blooming in front of me🩷💛
just seeing them together made me TWEAAAK‼️‼️‼️😭😭
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What I Don’t Like About The Canon
The vivre cards and due to them the “age gap” between them. and the no-funners that persist on using them. (whether they acknowledge it or not) This is the ONLY thing that i don’t like about the canon
The vivre cards state that koby pre-ts is 16 while helmeppo is 20 (4 year gap)
Ocean (cobymeppocean) made some age headcanons for them and I really like them so i have those headcanons too but some no-funner on twitter (the screenshot was taken on nitter bc i didn’t have twitter back then, do NOT find this person’s account i block on both twitter and here.)
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they were pretty much shitting on his headcanons and they didn’t even bother to CENSOR HIS USERNAME.
be aware, their ages have been ambiguous for YEARS it was only in 2018 that their ages have been “confirmed”. The ages strawhats have been confirmed since VOLUME 4 (over TWO DECADES AGO.) that’s too many years too late!
And along with the yamato/kiku trans “discourse” is actually the main reason why i refuse to see the vivre cards as actual resources for ANYTHING one piece related.
But with that, that’s really all i have to say about them, really! I love them so much 🥰
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styomi · 8 months
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My impressions regarding OPLA
I've never been shy about naming One Piece as one of my favorite, if not the favorite, anime/manga of all times. It's comedy, story arcs, character building, world building, etc, all of this makes it a great piece of entertainment and simply a wonderful journey to go on. So, here are some of the things I really liked and those which I liked a little bit less in the OPLA. (which was still really great in my opinion!)
SPOILERS for OPLA and One Piece under the cut
What I enjoyed:
Sanji. Let me just kick this off by saying that LA Sanji does such a great job. From the casting to the subtle differences and normalization of his 'quirks', Sanji is such a great character in OPLA. He is the perfect foil and 'calming down' factor for the lackluster Strawhats gathered up until the Baratie arc. While his flirting in the og makes him a bit obnoxious for me, the toned down version of OPLA is just on point. Everything is executed perfectly. The vocabulary he uses, the cooking, the fighting, the flirting, I'm just in love with OPLA Sanji. His backstory packs a punch, as it always did, and it doesn't feel rushed or forced. The crying is also on point. The only thing which could've been improved on was his leaving of Baratie.
Sets. The visuals are perfection. Like, this was it. It was One Piece. The world was there, in live action. All the little cultural details added and portrayed were absolutely stunning. I could see exactly where the budget went. It was on. point. I have nothing to add. It's perfection.
Fight scenes. All of the fans of the og I've spoken to were slightly worried about the adaptation of typical shonen fights, abundant in OP, being presented in OPLA. Needless to say, they were a perfect balance of flashy and entertaining, without going over the top or running for too long. Even Kuro's style was adapted amazingly for the live action. Here, I only have to add that Zoro and Nami seemed to overshadow Luffy a bit when it came to fighting, and this was a tad of a pity. With a little bit more screen time for the theatrics at the beginning of OP (where everyone is shocked to find out that Luffy has eaten a Devil Fruit), the issue could've been solved.
The pacing. Another thing which typically turned away anime watchers from OP og was the sheer size of the massive franchise. OPLA solves this issue very well, condensing and separating flashbacks, including them at different moments in order to provide for a more watchable show. Simply, great.
Side characters. I could go on and on about the amazing casting and screen time awarded to the side characters in the OPLA. Let me just list some of them who impressed me: Koby, Helmeppo, Buggy, Kuro. They shined. Every single moment of them was pure perfection. I was particularly impressed with Koby's portrayal. I was also on board with the slight addition of horror to Kuro and the Syrup village arc. I was completely in love with how Buggy ate up every scene he was in, going from a terrifying villain to a funny antagonist who is in for the ride with the main crew. Helmeppo's showcasing was perfect. I'm just impressed. I was shook. No other comments regarding this. Simply on point.
The different point of view. It's no secret that the og focuses heavily on the Stawhats. Their stories and development take the majority of the show, which is amazing. Still, the addition of little details, for the og fans, was definitely a treat. If I were to name an example, Mihawk's decimation of Don Krieg is a highlight. Small scenes which were off-screen in the og, being added to the OPLA, were satisfying to watch.
In conclusion, there were a lot of things I adored about the OPLA, but these were the ones I really wanted to highlight.
What I didn't like:
Zoro. As someone who was a firm simp for Zoro from the beginning of the og, I was a little disappointed with the OPLA version of him. The switch from 'a strong dumbass' to 'angsty swordsman' was a little bit too much for me. Simply, it seemed more like a Sasuke interpretation of Zoro, than Zoro. Like it was Sasuke acting as Zoro, or something similar. This, in turn, changed his relationships with the rest of the crew. The most painful one for me was his relationship with Luffy. Og Zoro never really disrespected Luffy nor was he ever visibly annoyed with his captain. OPLA Zoro is just... annoyed. Which makes one think - why does he even join the crew? Not to say that I hated OPLA Zoro, there were really some amazing moments to him. All the fight scenes were great, especially the Mihawk duel one. His oath to Luffy was also amazing. However, the 'unspoken first mate who is the backbone of Strawhats' really became a 'angsty man with anger issues and obsession with alcohol', which is, sadly, a simplification of his character.
Garp. While I agree that the depth added to Garp in the live action was great, too much time was given to him. If the focus had been more on Koby and less on Garp, I would've enjoyed the live action more. Especially the build up of Luffy's confrontation with Garp was anticlimactic in the end, where there seems to be no point in the tension which had been made previously. Simply, his appearance at the end of Water 7 was much more impactful.
Nami's arc. Nami's arc is one of my favorites from the og. Her emotional journey from hating pirates to loving Luffy and trusting him was too flat in the OPLA. Og Arlong was terrifying. Og Bell-mère's story was heart wrenching. Og Nami's decision to go with Luffy was inspiring. This arc was a huge set up for later developments with fishmen and it was simply amazing. One of the many situations where I applauded Oda later on when he expanded on the universe seamlessly. In the OPLA, this is missing. While Arlong is still terrifying, he doesn't quite pack the punch he did in the og. Luffy doesn't struggle nearly enough to defeat him, which makes later development of the universe, with Arlong as a strong character, hard to believe. Bell-mère's death made me sob like a baby in the og. It just passed by me in the OPLA. Just.. whoosh. I didn't feel enough. The emotional stakes weren't high enough. The build up wasn't there. Still, the scenes with Nami and Luffy in that arc were on point. Though, I did miss the situation where Luffy walks away from hearing Nami's story. And, I was admittedly impressed with Usopp's first highlight fight, which was left in the OPLA. Altogether, while this arc should've been the crown jewel of the first season, I felt like it really wasn't. The Mihawk duel was a much better scene.
Stawhats. I liked all of them - individually. However, their dynamic as a crew felt a bit off-kilter. Nami and Zoro openly saying 'not a crew' to Luffy all the time didn't sit right with me. Them agreeing on not being a crew simply left a sour taste in my mouth. The core of my issues with Stawhat dynamics is probably due to the change in the Zoro-Luffy relationship, which is the most charismatic in the og. Sure, Zoro wants to smack Luffy half of the time, but he doesn't. Nami is the one who disciplines the reckless captain. Luffy is the one who brings them together. The sheer disrespect (yeah, quoting here the OPLA 'mutiny') is what made their dynamics odd. And then, Usopp and Sanji being fully on board and invested made it strange. It should've been Zoro who provides the example, not Usopp and Sanji. Zoro, though, is not the one to give the faith, but instead to give the annoyance. In the end, Luffy could've definitely been more selfish. Og Luffy is charismatic because we never know what to expect from him. He's captaining how he sees fit, without consulting anyone. And it works. Og Luffy is admired because he is so eccentric. OPLA Luffy lacks that. He is unsure of himself, which makes him hard to like. While he surely is Luffy and he does an amazing job with all the necessary scenes, he lacks that conviction. And, in the end, it's his passion and conviction which makes OP so lovable, in my opinion.
To conclude, with a little more addition to recklessness and that dynamic of 'Jesus what is he doing but oh well I'm joining because it's fun' Zoro would've been on point, which would've solved the Strawhats issues. A little more time dedicated to Nami's arc would've made it pack more of a punch. A little less time to Garp would've tickled us to know more, later on. This was all solvable.
Does this mean that OPLA is not a good show? No. It's a great show. It's certainly one of the more amazing live adaptations I've seen, second only to the Kenshin movies. It's watchable, for both new fans and old fans. It makes the old fans want to re-watch or re-read the og. It makes new fans want to watch and read the og. It is visually stunning. The casting is amazing. It gives depth where needed. It makes the show appealing to all genders, races and ages of audience members. However, there is room for improvement.
Long story short, I'll be eagerly waiting to see if the dynamic of Strawhats and the climactic fights of arcs and the emotional build up in them are improved upon in the later seasons. Hopefully, we will see more of Luffy's charisma in the later episodes.
What did you think of OPLA?
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punkclownfreak · 1 month
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one piece characters that i desperately need more of
buckle up. this is a long post because i’m gonna pick one from almost every arc i’ve seen so far. i’m an absolute fiend for characters with little to no screen time, so this is my way of showing love to some of the minor characters from one piece !!
koby
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i know he shows up from time to time, but i would really like more of him. he’s so sweet and cute and i’m a kobylu truther and i need him to give up being a tool of the state so he can sail the seas with his boyfriend and his boyfriend and his boyfriend and-
vivi
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i know she eventually shows up again, but i so badly wish she joined the straw hats. this list is kinda becoming “characters i wish were straw hats/that i ship with straw hats,” but i promise a lot of the characters are here for other reasons besides those two !! but yes, namivivi is so real it hurts. i remember virtually mourning the loss of vivi when she didn’t join the strawhats, even though i knew it was coming. i will rep namivivi til the day i die.
wyper
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wyper is the reason i made this list. he means everything to me. he is the best native rep i have seen in anime and it hurts me how under loved he is in the fandom. people call him annoying or too violent but he perfectly captures the rage that builds when people have had to live under colonization for generations. he is so close to my heart and i’m slowly starting a collection for him so i can make a wyper ita bag !! i just want to see more of him, whether he show up to say hi to the strawhats every hundred eps or so, or if they cut back to skypeia to show how they’re doing, i just miss him so much. anyone who says to skip skypiea is at best stupid and at worst a racist freak that hates native people.
kiwi & mozu
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these literal queens are the other reason i made this list. i love them so much and they’re just so funny. they’re amazing sisters and i wish we could see more of them !!
cindry
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she is adorable and so so tragic. i don’t necessarily wish she continued showing up in the series, i just wish we had more of her in thriller bark. they don’t really explain the whole “her body remembers who she was even though her soul is gone” thing and i wish they explored that more. she’s also absolutely hilarious and i wish she was more loved in the fandom, despite how small a character she is (though i know she does have a few die hards).
shakky
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she’s just literally so cool. she’s gorgeous and her relationship with rayleigh is amazing. they love each other so much but they both give each other enough space to do pretty much whatever they want !! their relationship seems to be somewhat canonically open since she flirts with brooke and i just think she’s a really cool character. also she used to be queen of amazon lily ?!?? how fucking cool is that !!
queen iva
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i know her legal name, but most of her friends call her iva so i will too. she is a star, and i absolutely love her. i want more of her so bad, i want her to be a reoccurring character and I WANT IT NOW. not much else to say, she just slays so hard.
madam shyarley
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why was she such a minor character ? she had such a cool character design, is the sister (i’m not sure if by blood or by adoption/found family) of arlong, and has fortune telling powers, for what ?!?? three episodes ?!?? a tragedy. she deserved better.
aaaand now we’re all caught up !! i haven’t finished punk hazard yet so i’m going to finish here !! i’ll try to remember to do another one of these once i’m caught up !!
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zonaenthusiast · 8 months
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One Piece Live Action
EPISODE 1: ROMANCE DAWN - review
Here is the first of my reviews on what I liked and didn't like about the first episode of the live action. I have been writing as I watched the episode for the second time, so it is written in chronological order with references to future episodes.
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To begin with, I was very happy with Roger's execution scene. I have to admit that, as soon as Garp appeared giving the previous speech, I doubted if it was like that in the manga. I had to look it up and I'm still hesitating, but I couldn't find anything about Garp being present that day. It's a pretty cool addition, it makes a lot of sense: Roger originated the great age of piracy while Garp is a very proud marine who works every day to erradicate it, his face when Roger says his last words is magnificent. And for those who watch the live action without knowing the original story it means nothing, but for those of us who do know what Garp and Roger really are to each other it was great.
From the beginning you start to notice that the characters are slightly different (I think the Luffy in the manga wouldn't know what mutiny means) but Oda was right when he said that there are things that maybe his Luffy wouldn't say, but it looks good because the words are spoken by Iñaki. Luffy for me is the one who behaves the most different from his original version and I'm not sure he convinces me all the time, but I think our Luffy would be very difficult to translate to the screen by a real actor without being unbearable. Luffy's case is more obvious but it will happen with Nami and Sanji as well, their personalities are very intense and for a live action it was necessary to tone them down.
Alvida is wonderful from the first minute, the actress is a 10/10 in all her scenes (Ilia, please call me, I am free on weekends), confident and menacing and sometimes ridiculous. Perfect. Koby more of the same, Morgan Davies has done a great job playing the scared Koby from the beginning. I loved the first scene of Luffy and Koby together.
What I didn't like so much is the battle against Alvida, the action is one of the weakest points of the series and they have been smart to reduce it just to the necessary because most of them are just barely good enough.
However, one of my favorite things about the live action is how they've connected the characters from the different arcs, especially the villains, it gives it a greater scale that in the manga we didn't see until much later. In the Marineford saga especially, we started to see that many characters know each other because of x or y, because they have a common past, because they did business together, whatever. I thought it was smart to add something like that already. In this chapter, for example, we have Morgan mentioning that he was the one who arrested Kuro.
I say this because adding the fun fact that Zoro killed the previous Mr 7, something that in the manga is only mentioned in passing a whole saga later and has no importance and using it to justify his presence in Shells Town, is brilliant to me. The my favorite is number 1 thing? Foreshadowing at its best if we have a second season.
I'm also of the opinion that while Luffy has the worst action scenes because in the end seeing the fruit is weird at times, Zoro has the best ones. Fellow Zoro stans, I don't know if you feel the same way I do but they are a delight to watch for me. Mackenyu, you are glorious.
Shanks... I liked him but my god, the hair. What is that, is that a wig? is that his hair with a bad dye? I don't know but it looks terrible, the whole wig thing in live action is a complaint I have. The series has opted for an artificial look on purpose and you can tell, similar to the series A Series of Unfortunate Events (and it was a good idea because the gyojins probably would not have worked otherwise), but the hair department doesn't convince me. Also, Makino seemed a bit weird to me, if she hadn't been characterized at the beginning I wouldn't have thought it was her, but then she has a scene with Luffy (small Luffy, you did great too!) in which I did appreciate her personality better.
Another thing about this live action… is that it's not subtle at all, Oda is a master of show don't tell and the difference starts to show soon. Luffy doesn't go around asking people what their dreams are in the manga (he does it only in very few occasions) and I think they could have worked on the script a little more to see how Luffy, without asking directly, inspires people to tell him those things.
We move on to the bar, the moment when Luffy, Zoro and Nami see each other for the first time (kind of, because Luffy and Nami notice Zoro but he doesn't notice them and Luffy and Nami don't seem to notice each other either). Very well done too, I loved it and it's one of my favorite scenes in the whole live action. Luffy eating with Coby, Zoro picking a fight (my god, he is FINE) and Nami taking advantage of the chaos to get what she needs. The stuff with Zoro, Rika, Helmeppo and the rice balls, even if it's different, makes me infinitely happy that it was kept because it's important to understand that Zoro is much less of a dick than he appears to be.
Luffy, tell Sanji about the rice balls, this fandom is begging you.
I also found it curious that they have chosen to insist a lot on Zoro being a bounty hunter, we see Zoro emphasizing several times throughout the live action on the money they provide him, and it's striking because it's not like that at all in the manga. It gives him less of a sucker vibe and that makes me a little sad because I really like that Zoro became a bounty hunter because he needed to eat and he didn't know how to get back to his village. I like my men dumb as a rock. I assume they did it that way because they wanted to tell us what he is but what he doesn't want to be, just like it happened with Coby and it's going to happen with all the mugiwara, so Luffy can ask him the question about what his real goal is.
Anywat, both the first time Luffy and Zoro talk and Luffy and Nami talk inside the navy base are perfect, you can see the differences in their personalities from the first moment. I will always defend that meeting Luffy changes the lives of all the mugiwaras but the most obvious changes are in Zoro and Nami (maybe Robin), they owe Luffy their literal personalities.
I think Zoro breaking into Helmeppo's room while the latter is naked and acting cool with the Wado Ichimonji is cinema, I'm glad they included it. The haircut was a great touch.
Luffy and Nami's shenanigans inside the navy base, from the safe robbery to the fight in the courtyard where they are joined by Zoro... I really like that. The part where Zoro is about to leave but decides to turn around and fight them fits his personality from the beginning very well but it's actually pretty Nami coded too, she has a scene like that in Orange Town in the manga where she almost leaves but in the end feels bad for leaving them to their fate and comes back. Zoro and Nami are very similar and this live action highlights it a lot, we'll see that (episode 5, my beloved).
The battle against Morgan is short and concise, and I repeat: I think they did very well not to drag the action out longer than necessary. The part of Zoro carrying the safe and leaving Nami speechless before such a display of brute force I personally liked it a lot, it's a clear reference to the scene of Luffy and the cage in Orange Town in the manga.
The Shells Town escape also is a great idea. I already wrote a post about why I don't agree at all that Zoro's loyalty to Luffy is immediate and Nami certainly isn't loyal from the start. That they don't say yes to Luffy, but that it's more of a we have to get out of here and right now these other two people are the only allies I have works very well with them because it's exactly how they started in the manga as well.
To finish with this first review, I want to mention a last point in favor of the live action: increasing Garp's presence in the saga and making him the big antagonist present in all the arcs, I will go deeper into this in other chapters. It's very important to see how his relationship with Koby develops (and to think that this was written before the recent events in the manga, good lord).
And Buggy has the best first appearance of all. My king.
ko-fi
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roseaesynstylae · 11 months
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I was just thinking about the Cover Stories and what they seem to be doing in the long-term. So, here are my thoughts.
Buggy's Crew Adventure Chronicles: This one is pretty basic. It shows how Buggy escaped after his defeat and teamed up with Alvida. It's pretty much tying up loose ends and showing how things happened off-screen.
Diary of Koby-Meppo: This is similar to the above, showing Koby and Helmeppo's training and revealing what happened to Morgan. Something new happened as well, debuting a character who would go on to be significant in the future. In this case, it was Garp.
Jango's Dance Paradise: This one shows what happened to Jango and Fullbody after the Syrup Village and Baratie Arcs. It also introduced Hina.
Hatchan's Sea-Floor Stroll: This one expanded on Hatchan, explaining how he ended up becoming a nicer person and running a takoyaki stand. It also introduced Camie (who's one of my favorite minor characters) and Pappagu.
Wapol's Omnivorous Hurrah: This was the one who made me start wondering about the various cover serials. I'm convinced that the whole reason Oda wrote this was just to give Wapol an excuse to attend Reverie and save Vivi. Seriously, how long has Oda been planning things out?!
Ace's Great Blackbeard Search: This one felt more like a slice of life, providing everyone a nice moment before we all had our hearts ripped out. It introduced Lulusia Kingdom, which ends up being destroyed to establish that the main, over-arching antagonist of the story is not screwing around.
Getatsu's Accidental Blue-Sea Life: This one seems to have been tying up loose ends and giving a secondary villain a new life. I'm kind of wondering if Gedatsu and his resort will come back in the future.
Miss Goldenweek's "Operation: Meet Baroque Works": It's similar to the above, redeeming some minor villains and showing their nicer sides. I don't have a lot to say about this one.
Enel's Great Space Operation: This one is one that I'm expecting to come back in some way. I mean, it revealed that the Skypeians come from the moon, that there are robots on the moon, and Enel's taken over. I just-- It has to come back. Things have gotten weirder and weirder and the history and lore of everything is getting clearer, so this has to have some importance.
CP9's Independent Report: This is one of my favorites. I like that they showed a more sympathetic side (working hard to get Lucci medical treatment, saving a town from pirates [even if Lucci does go too far], Kalifa accepting and planting a flower from a little girl). I like that we get to see Spandam getting the hell scared out of him. I also like that they stay villains after that. I mean, I like people becoming better, but I like variety in how antagonists end up.
Straw Hat's Separation Serial: This one just fills us in on what the Straw Hats were up to while Luffy was pushing himself to the limit and getting emotionally destroyed (thank you so much Akainu). It also sort of explains how they trained over the time skip.
From the Decks of the World: It's just nice to see everyone again and see what they've been doing. It doesn't foreshadow the future or expand the lore, but it doesn't have to.
Caribou's Kehihihihi in the New World: Why is this guy still here? I'm guessing that he's going to end up like Wapol. That's the only real reason I can imagine why he got this spotlight. If nothing else, we saw X Drake again.
Solo Journey of Jinbe, Knight of the Sea: It's nice to see Jinbe being his nice and helpful self. Plus, we get to see another not-so-bad minor villain getting a better deal.
From the Decks of the World: The 500,000,000 Man Arc: Again, it's nice to see everyone.
The Stories of the Self-Proclaimed Straw Hat Grand Fleet: I just like seeing Barto being himself. Plus, the expansion on Cavendish and the others is nice. And Baby 5 gets a happy ending!
"Gang" Bege's Oh My Family: They might come back. Plus, Lola is happy!
Germa 66's Ahh... An Emotionless Excursion: We get updates on the Charlottes and Vinsmokes. And they're likely to come back in the future, given that Judge and Caesar Clown have teamed up.
My prediction for the next Cover Serial is that the focus will be on X Drake, Yamato, or King.
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tietensgo · 7 months
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note: spoilers
As I did for Squid Games and Alice in Borderland, I am going to jot down my thoughts about One Piece Live Action, which turned out to be an overall good watch, even though I was /genuinely/ afraid it would suck.
OPLA had big shoes to fill, as the One Piece IP is quite well known and beloved. In my view, the Netflix show understood where it could bring a unique perspective, which helped the execution greatly. For example, the speed, superhuman movements, and over-the-top expressions of the anime would be a stretch to represent accurately in live action; even with cgi, I struggled to feel the epic nature of the devil fruits or fighting abilities being used to their full effect (the initial fight against Captain Alvida, for example). Instead, I enjoyed when the show leaned into amplifying the setting of the world and emotions of the characters, which was amazing! The grime of Alvida's ship, Luffy's backstory on Dawn island (the young!Luffy casting was spot. on.), watching Usopp try to load a cannon for the first time, the exploration of what Zoro and Nami talk about when they're not keeping the captain out of trouble - in my opinion, these were the moments that shined brightest for the show.
Pacing. If you've sat through 1000+ episodes of the anime as many have and felt the buildup of tension over /years/, the treatment that the show gives some plot points can feel frustratingly brief. Sanji's goodbye at the Baratie was not half as emotional as it was in the anime, and the moments when the crew was supposed to band together (e.g. feet on barrel on the Going Merry) felt less impactful because we hadn't had as much time to be endeared to the Straw Hat Pirates and root for them as a group. (For example, if the show had included Morgan's backstory of cruelty from the anime, his defeat would have felt farrrrrr more satisfying). However, I have to acknowledge that rapid pacing is expected in the live action, because the anime is decades old and OPLA has to condense a lot of material into a reasonable run time; for an eight-plus hour series, it managed to rarely feel slow (though it did happen), and that's a feat.
Characters. Koby was perfect. The right amount of nervous, the right amount of ambitious. Buggy was a revelation. His character is kind of a running joke in the anime, so I was ready to wish him off screen as soon as he appeared, but I loved Ward as Deke in Agents of S.H.I.E.L.D. and the genuineness he added to Buggy's CLAP FOR ME OR DIE behavior made the performance not just intense but somehow nuanced. Nami asking (after Sanji's wink) if there was something wrong with his eye. Luffy drinking milk while others ordered beer. The adaptations of Hawkeye and Garp. You can just imagine the work that went into the fishmen makeup- the list goes on. As I mentioned, I think this attention to detail in adapting the appearance and interactions of the characters was probably what the series did best. Of course there were... interesting takes (bright neon hair in a world of muted color, Nami turning from dollar-sign-eyes loving money in the anime to eat-the-rich in the show, Nami keeping the secret of her involvement with Arlong from Nojiko) but these differences I think make OPLA its own production - a TV show with its own lore - and leave room for people to go back and watch the anime and fall even more in love with the characters and their deeper stories there.
Helmeppo. Helmeppo is so much. I love the 'let's all shit on Helmeppo' jokes. More. Moarrrrr of this.
Extras. I appreciated all the extra touches like the title screen of each episode being modeled after the focus character of the episode and the wanted posters being half anime half live action; it made the production feel like it was made by people who cared that the adaptation was done right. I loved hearing hints of We Are in the soundtrack, and the den den mushis were toooo cute. Altogether, good stuff for my one piece brain. It helped me get through the scenes of Go with Garp.
TLDR; The interpretations of the characters and the realistic settings were highlights of OPLA. The Going Merry, Kaya's mansion, Morgan's naval base, the Baratie and Arlong Park were all stunning to see in live action. However, while the fight scenes were well made, they didn't quite compete with the heights set by the anime, and the story is really condensed, leaving some heartfelt moments coming off as shallow or leaving them out of the plot altogether. This can be a struggle if you're looking for the intricate, mysterious, multi-layered world from the anime. But those still traumatized from memories of live action atla (2010) or dbz (2009) can breathe a sigh of relief as we hold out for sustained quality for this adaptation in future seasons: overall, OPLA is worth watching. A great introduction for newcomers to this amazing series and a pretty good adaptation for long time fans as well.
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mrsarnasdelicious · 27 days
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MeChat NSFW Alphabet - J [Jack off (masturbation headcanon)]
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Adonis Cosmelis: He doesn't want to think of you too much, but here he is, leaned against the bathroom mirror, spreading lube generously over his cock to simulate your sopping wet cunt. zhe strokes himself in an almost hurried way. He groans your name when he cums, all over hte sink. He knows he's too far gone on you.
Blaize Everbleed: Gets HORNY during the last part of his pregnancy. He constantly needs to get off. Thr postate milimg vibe is perfect for desperate moments such as these. He's on his belly, humps a pillow, whining your name, begging for you to fuck him. Cums like, four times in a row.
Calle Malmberg: He doesn't usually do this. It is just to relieve himself of the tension that is building between you and him. But he's bought a fleshlight just for the occasion and he is going ham on it, his eyes squeezed shut. He thinks of you, naked in his bed, moaning his name and he cums too quickly for his taste.
Cedric Casier: It's all he has, alone in his cell, gazing at your pictures. He wishes he could climb through the screen and touch, but he can only touch himself, working his cock with a spit slick hand, whispering to himself how badly he needs it to be you. He does his best not to groan too loud as he cums.
Corey Moore: He is thinking of you all the time lately. And when he thinks of you, he almost instantly becomes horny. He carefully works himself to full hardness. He lets his thoughts of you run wild. The feel of your lips, the taste of your cunt, your need for him when he told you you belong to him. He finished quick and loathes that it is not inside you.
Dance: She's on the pole, feeling powerful, everyone around her is turning mindless, partying till they drop. She revels in your eye on her. Her hips undulate, the metal warming to a fever pitch. She tugs aside her thong and grinds against it until she squirts, wet and hot, all over the pole.
Dare: He's always keen to get off, with or without you. He doesn't care he's in public. He just wips his dick out and dares anyone within earshot to watch him. He enjoys their eye on him. He edges himself, for as long as he likes. Then he makes himself cum, thick gushing ropes of jizz.
Drink: Doesn't care to be seen. He's got his hand in his boxers while sampling the finest whiskeys. A little spills over his chin while he rubs his glans between thumb and fingers. It's the flavour and the alchohol that truly get him his rocks off. He spends himself in his hand and licks himself clean.
Elijah Silva: They only get themselves off when you explicitely allow them to. And they don't dare ask you for permission. But when they are allowed, they record their moans for you. They beg for your permission to cum, edging their huge throbbing cock until you count them down. Their climax is explosive and they thank you profusedly.
Flynn Knightly: His resting mood is horny. He's fapping more often than not. And Gods is he loud. He likes it when you listen though your shared wall. He'll spill the filthiest dirty talk and all but scream your name as he cums.
Glenn Hobbs: He just can't keep his hands to himself, especially not when he is all alone. It's the best way to stop his mind from wandering. He'll grab his latest toy and get himself going. He edges until he's begging. Begging you even though you are not there. He cums hard, making a mess. The post nut clarity sucks, so he starts all over again.
Johnny Roe: He doesn't do this often. There is a bit of guilt attached to getting himself off like this. But sometimes he tension runs so high, especially when he is thinking of you. He'll try to be quick about it, but ends up dragging it out, stroking himself almost to completion a few times before exploding in a climax that leaves him sort of shaking and panting.
Koby Bates: Only practises self love when he finds himself missing you too much. He is fantasizing about you, mostly letting his mind work in getting him off. He strokes himself slowly. He is definitely edging, not wanting it to be over too swift. He cums in his own hand and gets up to wash his jizz off at the nearest sink.
Lan Ying: Tends to get aroused very swiftly when just discussing bondage with you. During the conversation he is respectful and gentle. But once you have left him alone, he slowly edges himself to a shudder climax, while he pictures you in the sex swing, bound a gagged, looking so amazing at his mercy. He moans your name, praising how great you are while he cums.
Leclerc Hardwood: He can hardly handle himself when you wear slightly sexy clothes. He's so into you that his body goes haywire. He hides himself away in a bathroom you have no access to and tries to swiftly stroke himself to completion. He does not quite succeed, his imagination running away with him. He cums all over the sink and his nice suit. And when he comes face to face with you, he is a bit flustered.
Optimo Lynx: The more you give him, the more he wants. But you will of course not always be available. So he'll have to help himself out. He pictures you, fantasizes about being intimate with you as he strokes himself slowly to completion. He edges himself a little, not wanting the good feeling to end. He whimpers as he cums, whining out your name.
Oscar Dawson: He has a wild fantasy, so his imagination runs wild with him, thinking of you and Percy. He can't help himself, he just has to get off. He strokes himself swiftly, but it still takes him a good bit to cum, because he focusses on his imagination more than his touch. His orgasm is rather drawn out and he moans your and Percy's names over and over.
Percy Montgomery: Usually gets off in the shower to unwind. He is a bit of a no fuss no muss guy when he gets off on his own. He simply strokes himself with a bit of lube in his hands, mind focussed on the feeling and the hot water on his skin. It brings him to completion quite swiftly, painting the shower wall with his seed.
Philip Aluredes: He isn't much for lending himself a hand, he has many other ways to get off. By sheer thought or telepatic touch. Though he secretly indulges himself in a bit of pillow humping, wings beating steadily against the air with every slow grind against your pillow. He marks your most personal of belongings with his ethereal seed.
Serge Halphen: Really only touches himself like that when sexting, cuz he knows he can get laid perfectly well. But when you text him something raunchy, he just has to adress it. Of course he has a fleshlight and of course he sends you pictures. When he cums he even films himself, filling the fleshlight with rope after rope of his hot seed.
Shion Komatsu: You are on his mind almost constantly. And his mind wander, quite often. He gets hard swiftly and he just can't help himself. He steps away, fiddling with his fly, growling that he needs you, even though you are not there. He strokes his hard throbbing cock, trying to be swift, but not quite succeeding. He cums in his cupped hand and washes his hands before returning to what he was doing.
Social: Let's be real, he does everything for the view and the click. So he is smirking for the camera while giving his followers a full on show. He is like a pro OF model, knowing just what angle to use and how to move his body. He could probably make money with it, but all he wants is clicks and views, that is how he gains his power.
Tamura Blood: The tension between you is ever rising. It is evident that you feel the same, but Tamura is hesitant to act on it. All he can do is lean against the wall you share and slowly stroke himself to completion as he knows you on the other side, so near but so far. He grits his back teeth in order not to moan as he cums all over his pricey suit.
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oliverslove · 2 years
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do you have any updates on episodes 14+? i’ve been hearing about major changes in the scripts and i’m super curious when they’ll upload the data into the game, thank you so much for everything you do!!!
i know somethings about episode 14+ but only small snippets since i have access to the episode descriptions until episode 25! some of the more 'important' spoilers will be under the cut, to do with the rumours of major changes i really can't confirm anything the scripts look the same to me but there have been small changes e.g. changing charlie to eddie in the scripts, take everything without a source or proof with a massive grain of salt. fusebox does sometimes take out small lines of dialogue or scenes like in the recent episode they removed some dialogue were dana could of called mc her best friend in the villa when chatting with her about the entire suresh situation. now for the spoilers:
-some upcoming challenges/events are sexy rescue, excess baggage, double dates (according to a description & hinted at by a bg), brunch, speed dating & casa (of course).
-the next recoupling is on ep 17/18 and a girl will be leaving, the one girl that is most likely safe is kat as episode 24 mentions her by name in the title.
-most of the future islanders have data in the game and i wouldn't be suprised if their assets are added already but fusebox has made it so its difficult to actually see the game assets in the game files, but other data already shows what body types/poses future islanders will have e.g. emma a future islander has thabi's pose/body type, when you could see the characters assets by looking up certain future characters you would see a placeholder image of whichever s4 body type/pose they are listed to have.
-the drama in the future seems to be heavily centered around mc post ep 13 i really don't know what it is but the descriptions mention mc being from & centre of the drama multiple times.
-there has been new character added to some of the data and they are quite literally called 'unknown' my personal guess is that its the casa boy thats hinted at on the ads, its also suggested in the files that this person has kobis pose/body type so do with that information what you will.
and just a note with prom/finale outfits creation screens exist but no outfits have been added at this point.
if i find anything more out i will update you all!
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bas-writes · 1 year
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So, I watched the RED Movie yesterday. I have very mixed feelings. I'll explain everything under cut since I want to talk about scenes & plot & involved characters.
So far, a short non-spoiler review:
-> if you're not 100% sure you DON'T want to see the movie, don't hesitate and get yourself a ticket, this is one of those made to be enjoyed in cinema, the experience won't be the same at home
-> if you want to see this only to see your blorbo in action...you most likely will be disappointed, unless your blorbo is Koby, Barto or Usopp
-> if Uta's design & everything told about her in promo materials didn't convince you to like her...you most likely will be disappointed too
-> ...actually, you will have much more fun, if you stop treating it as a movie and start to think about it as high budget music video with Ado's pirate-sona. a big animated fanfic with a quirky OC
-> if you can wait, do yourself a favor and watch it AFTER you read this week's chapter, you will thank me 🤭
And now to the juicy meat.
I went to cinema knowing well this is NOT a movie for me. I'm a manga-only fan, I know anime only in bits and RED is my first OP movie ever. The info revealed in campaign didn't make me enthusiastic, especially given how much they push Uta on the pedestal. Frankly, if not for sis who really wanted to see it, I'd not move my ass to cinema.
But I did. And much to my surprise, I did enjoy it lol Wouldn't call it a good movie (maybe it is for OP standards, no idea), but wouldn't call it a waste of time either. Just a fun thing to watch together with a bunch of nerds, so you can make weird noises when your faves show up.
Uta for me was the weakest point of the movie. Not because I find her a bad-written character (I actually like what they made with her but that's later), but because she has like, 0 chemistry with characters on screen. Her relationship with Shanks and Luffy are limited to very short flashbacks and a few scenes with Shanks at the very end. Luffy and Uta interact with each other but I just...didn't get a feeling they're old friends reuniting after years. I mean, compare it to how Luffy reacted to Ace in Alabasta. Everytime Luffy and Uta met, it felt like a staged scene, and given that a majority of movie is played in alter-reality, controlled by Uta's mind, it gives one whole additional layer of that weird, fake feeling.
Following with the weak points: there's a whole lot of characters who do NOTHING. If we cut all the fight scenes but the finale, a good part of the cast has nothing to do. They just...are. Because they're Strawhats/popular characters. But even with those fight scenes... Zoro, one of the most important characters in the serie, got more or less the same screen time as a fucking chibified fursona of a ship. Even Shanks and Luffy, 2 of 3 main pillars of the movie, don't do that much. Really.
Honestly, fight scenes but the last one disappointed me. I'm a simple One Piece simp: I want to see my blorbos flexing muscles in crazy fights. I know this is not the essence of plot, but it's the flavor. One Piece wouldn't be One Piece if it wasn't boiled in broth made of bloody, sweaty tits, goddammit. In RED majority of fight scenes are edited like AMVs. With insane graphic quality, but with the same chaos and level of cuts and edits. Plus Uta being Uta through majority of screen time. Which is...UGH. The way she fights is really interesting! Whenever she does it, the jaw just drops! I wanna see her fighting with that power! Not look at heavily edited idol performance!
Luckily, at some point movie finally chills down and lets the plot breathe. And once it stops being an AMV on speed, it becomes quite interesting. Especially with the way it flashes out those few characters who got something to do. BIG kudos for choosing less obvious ones for pushing the plot motor: Bartolomeo, Koby, Blueno, Usopp (feat. his daddy issues). Koby was the absolute MVP. Holy fuck. I hope this is just a foretaste of what we're going to see in manga.
Fan theories connoisseurs will be over the moon with the number of symbols and wink winks. Not gonna lie, I focused on lyrics on purpose, to avoid sensory overload from those shaking AMVs and was surpirsed how much info is hidden in them. Like one, big teaser for the upcoming events.
I wonder how many connections will be revealed later. The robots from library? Hell, guess what just happened in chapter 1065 👀 They weren't lying that events aren't canon - but lore definitely is.
The animation & music combo is INSANE. Especially when they let Ado sing instead of pushing her to perform as a candy idol girl (the opening song made my skin crawl jesus christ that was horrible). Gods, the more crazy Uta gets, the better songs get and when the music goes low ohhhhh yes, that's the good shit.
NO FANSERVICE. IN ONE PIECE MOVIE? MORE LIKELY THAN YOU THOUGHT! Except for one very toned panties joke and one not-moving panel from the credits there's literally no fanservice. Null. Zero. Nada. And they let female characters fight to their fullest! Nami, Robin and Brulee do in comparison as much as other background characters.
The final is. IS. I swear, it's one of the best directed fights I've seen in One Piece EVER and hello, forget about the non-anime thig, I watched the famous Katakuri vs Snakeman and the Rooftop. The combo of powerful music, smooth animation, characters cooperating in perfectly-balanced yet unexpected teams, the multi layered attack lead by Usopp and Yasopp, Snakeman-Nika fusion & Shanks finish, fuck, I swear, I was shaking.
I hope this is how final fight in OP will look like. A whole team of our faves from various fractions against Im maybe? 👀
Loved how balanced the humor was. Characteristic for One Piece yet, tamed. Nothing too perverted, nothing too gross, everything chaotic as fuck. Love you, Bepo.
But my favorite part is probably the way they handled the conflict and the case of who's a villain. Don't wanna say too much cause imho this is something everyone should interpret according to their own judgement, but liked how they placed the core in the moral dilemma between bringing relief and utopia for the cost of freedom and remaining free but having to face the reality (oh, someone was inspired by The Matrix). Should I run into lie to comfort myself? Is it a wise idea to try and shield someone from consequences of their actions, even if they were not fully conscious? Does one have a right to decide what's good for others?
If not for the BULLSHIT finish, I'd say the second part saved the movie in my eyes. Sadly, it added to a bad aftertaste. Well, at least I have the OST. And soon-to-come shirtless snake gifs.
Overall, not a tragedy, thing more enjoyable than irritating even if you are easily distracted by things you don't like (like me lol), worth spending money and time even if for just watching an AMV on big screen.
And the obligatory traditional number scale: 4/10 as a stand alone movie, 6/10 as a meat for OP fan, 10/10 of Law's hairy leggies my beloved.
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fablecore · 10 months
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if it helps with your apprehension at all, apparently Oda was pretty heavily involved in the live-action adaptation?
https://www.themarysue.com/no-really-eiichiro-oda-was-deeply-involved-in-the-live-action-one-piece/
that isn't a guarantee it will be good, of course, but it is comforting to know they cared a lot about his opinion. that's a step in a good direction(? i have qualms with Oda, personally, but still)
frankly, what i care more about is how apparently the cast became really good friends and care deeply for one another. i think they even have a group chat? and i forget his name, but the actor of Luffy is very sensitive and cries a lot in gratitude about his new friends (he's very sappy and so sentimental 🥺) and even teared up when the group was filmed to watch the trailer for the first time
https://www.tiktok.com/t/ZT8Jpgdb8/
even if i end up hating the movie, i do love this cast. theyre so sweet to one another, i really hope they get to film together more so they have excuses to hang out and enjoy one another's company.. 🥺💗🥺💗🥺
also Koby's actor makes me CACKLE. i cant find the post anymore, it's lost in my Likes i guess, but there was one documenting the cast's instagrams (under some theme, i forget) and as a bonus "this has nothing to do with the theme, but i had to include it anyway" moment, it had Koby's actor posting about a hater having DMed saying he BETTER NOT play Koby as gay to which the actor replied "Well now I'm going to play him even gayer" which 😚🤌 love that
yes, oda's involvement makes me think this will at least be better than netflix bebop. but it's okay if i still end up not liking it! i can suffer an infinite number of mediocre adaptations of one piece, because i love the manga so much. i'll definitely still make fun of them though
hmm i think the cast tends to play up the whole "we're the real life versions of so-and-so" "this is real usopp and real nami hanging out, this is real sanji cooking" etc etc and a lot of fans eat it up and see them as real life straw hats. which is... well, out of everything on the internet blurring reality and fiction this is pretty benign. it's nice to hear the actors became good friends in real life, but i don't have an opinion either way/have little interest in their personal lives. happy for them and the fans, i guess!
that's shocking considering the canonically homosexual thoughts koby has had for luffy. i hope they on screen kiss
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whereeammii · 2 years
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the litg s4 cast in my celebrity au idk if i’ll actually write or not…
warning: most of them are actors because it’s easier to make them interact with each other that way.
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will: mc’s co-star and love interest on their very popular tv show. think game of thrones, the walking dead, bridgerton type hype. they’re not the main characters but they are the fan favorites. he’s known in the industry for being very upfront about his flighty and non-committal habits.
angie: known by her fans and within the industry as “the scream queen” angie is horror movie royalty. many people even forget her debut role was on a medical drama and often get surprised when they see her in anything other than a horror film. she does make a badass villain though.
thabi: this girl is buff and beautiful so i elected to make her an olympian athlete. originally, i wanted to choose snowboarding but i also like the idea of her and gymnastics. tbd. she oftentimes forgets she’s also famous and claims her two celebrity crushes are will and her fellow senior olympian henrik.
najuma: full-time model, part time actress. after experiencing all the amazing things a model can, she admittedly got a little bored. which is why she took up acting on the side. she thinks it’s important that other girls who look like her see themselves in her modeling jobs though which is why she will never quit altogether.
lexi: she did start on broadway but then she took up a role in a sitcom and her career skyrocketed. it’s something that everyone associates her with and her character is a fan favorite. this, unfortunately, makes it easier for her to amass a loyal following and get away with a more underhanded attitude. she is notoriously hard to work with.
hazeem: one of the most respected and talented directors in the industry despite his younger age. some call it nepotism considering one of his own parents was a huge director themselves—and perhaps that does play a part in it—but you can see with each of his movies that he actually has the skill to back it up.
james: a highly coveted screen-writer and while he has a big heart and impeccable manners, it’s common knowledge that he’s actually quite picky about the projects he takes on. he puts his all into every project so he wants to make sure it’s something he genuinely likes and will enjoy working on.
kobi: when he first stepped into the spotlight, it was alongside his childhood friend cora. the two of them formed a duo band together and for a good few years they did amazing. in the end, they decided to split up but only because kobi recognized cora needed more room to shine and he felt much more comfortable as a behind the scenes producer anyway.
bruno: a rapidly rising comedy actor and token comedic relief. people often ask him if he ever wants to do something different—and maybe he does, but if it ain’t broke don’t fix it and all that. he’s enjoying himself and his gigs for now and that’s all that matters.
youcef: once in the fashion industry, always in the fashion industry. starting out his career as a super model, youcef eventually decided to make the switch to fashion designer. he had far too many ideas for him to just be content with looking pretty. these days, plenty of his pieces can be seen in the closets of A-listers.
valentina: most commonly known for her most popular role playing a regina george type character. given how intense her vibes are and how well put-together she often looks, it always surprises people to learn how chill she actually is. she has some of the best online interactiveness with her fans and many of them feel like they genuinely know her.
juliet: she fancies herself a triple threat, but truly the only thing on her roaster is her job as a super model. admittedly an impressive feat. even so, any sort of interview or event with her becomes far more tedious than it needs to be when she has a habit of giving out unsolicited advice.
tom: another pretty english boy but tom takes this in stride. it took a lot of courage for him to pursue this dream instead of the one his parents had planned for him so he always does his best to be as authentic as possible…even when he’s playing a part.
cora: once known as part of a two-person band with her best friend kobi, cora is now a widely popular soloist. while it was her dream, she had some reservations about leaving him behind, but now he’s her producer so they still face it all together. now if only she could do something about those pesky commitment issues…
kelly: another actress in the show with mc and will. she got her ‘big break’ while she was working at a bakery in year 12. originally, she was aiming for broadway but instead fell in love with film. her small hometown will forever boast that they are her origins.
tiffany: a comedian with her own show on netflix. has a great community with her fans and does livestreams and other interactive activities often. used in tons of memes and referenced a lot. think john mulaney.
oliver: never actually aspired to be famous. believe it or not, his grandmother was actually a famous actress herself and as he got older, people often approached him with job offers. he was content to work as a tattoo artist but he decided to go to one audition with his friend. he spent so long pretending he didn’t like acting, that he never realized how good he was at it. nowadays he mostly does movies but he did just get casted in a highly anticipated exclusive mini series.
dylan: a professional volleyball player. there’s not much else to it. he does his best to be devious but he’s not quite as successful as his current girlfriend lexi yet he still somehow manages to get off the hook. blame corruption. most people claim she deserves better than him but they’re more alike than people think.
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pure-kirarin · 2 years
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could we still submit random asks? if so, could we know who your top 5 one piece women and men (separate) are? I looove making these lists in my head and you seem to have really good taste !! 🙈
Of course of course! You can always send your random asks, I love them, I use them as little breaks whenever I study hehe, so they're really fun to answer for me.
This is a very hard yet interesting question. I don't know which criteria you'd like me to pick to classify my favourite characters but let's see!
TOP 5 One piece men
Luffy
Doflamingo
Sabo
Ace
Brook
TOP 5 One piece women
Robin
Perona
Pudding
Tashigi
Ulti
Explanation for my choices under the cut:
It was really hard, and I honestly didn't give it much thought apart from the first ones in each list. So, Luffy is my all time favourite character. He is a comfort character to me. He just taught me a lot of things and for me he is the best written MC.
Doflamingo is another amazingly written character, he's also my favourite villain <3 I like his characterization, he feels extremely real to me. He is charismatic, but also nuanced as a villain. I like the tragic aspect of his personality, he feels like he's out of some play or novel.
For Sabo, how could I not include my husbando and best boy? Unfortunately, he didn't have a lot of screen time, however, I see a lot of potential in him, and some of his traits are really appealing to me in a subjective way. I can't wait to see more of him!
About Ace, I'm a sucker for big brothers haha. But I also love ASL as a trio! I love this character so much, he is also a big comfort to me. Reading Ace's novel gave me more insight into his personality. I like how cheerful he is, but also that part of darkness, the weight of all of that pain that he had to live with </3
Brook-- I think we can all agree that I have a thing with characters that surpassed their past. I like how optimistic he is and how funny he acts. I love his calm yet chaotic aura. He's such a comfort character for me as well and his past is one of the saddest in the whole series. He waited for over 40 fucking years, he has probably seen things none of us did and still, he's always so cheerful! >o< He makes me so happy everytime.
Other fav characters include: Yamato, Fujitora, Rayleigh and Koby, but due to very little screen time I can't really add them here.
I won't give reasons for Robin because I think that I made a long time ago...Oh fudge, I can't find it...Well let's just say that she's perfect? She is a very mature character, I really love how gentle and kind she is. She is also very interesting! I love her design, her introduction, everything about her. I like how she uplifts people as well >o< like, she never drags people down! Her "I want to live" moment inspired me a lot. She taught me so so much. I cried many times watching Enies lobby. Honestly, I love her with all my heart and no other female character comes even close to how much I love and admire her.
For perona & Pudding (link to a post I did about the reason I like them)
I like Ulti for similar reasons, I simply kin her. I find her very funny and amusing. I like her relation with Page One. One of things I like most is that she's very strong, her fight with Yamato was so cool!
About Tashigi- I think she's an interesting character overall, won't go into details because I need to go back to study, but I can't wait to see more of her =) she seems to have strong values, but her values seem supple. She is a part of the new generation of marines that aren't as dogmatic and that seem enlighted. She seems like a very fair person. She also has many cute sides to her.
Other female characters I really love are : Dadan, Tsuru, Nami, Shyarly.
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