#Kernel compilation
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🖥️ Learn how to enable virtual networking on Linux 4.1.15 with Forlinx's FETMX6ULL-C platform! Follow the detailed configuration methods for a seamless setup.
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i randomly found my matching ram at the cashies for 10$ today so now i'm up 2 32gb of ram.
time 2 compile many many things
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OC tober Day 11: Symbolism/Themes
They are very much cool jock girl 4 rich mean girl. Ellis is constantly draping her leather jacket around Isa's shoulders as she cools down and picks the viscera from her nails. Despite the fact Ellis could probably catch a bullet with her teeth, Isa insists on standing between her and danger, sometimes so proactively Ellis has to talk her "princess" down from some truly unhinged plans. Their players are married irl and it is a treat to watch them get to go nuclear for each other.
Reposting this gigantic illustration from our New York After the End vtm game 🧛♀️
This one is full of symbolism, from official vtm lore to real maps of nyc's watershed.
Ellis and Isa are the oldest vampires in our coterie, a gangrel and a lasombra respectively. Their shared penchant for vampiric history brought them together in the late 80's and they slowburned for a few decades before finally admiting their feelings in the "present" of 2007. Kindred weave a tangled web so Kath (my pc) is very glad to have these two nerds around to unravel the mysteries that pursue them. Ellis and Isa may be the brains, but they're also the brawn. Ellis can punch your heart straight out of your chest and Isa gleefully plumbs the depths of her mastery over shadows and the abyss to throw people around the room at the slightest provocation.

^one more for the road :)
#low kings#oc tober 2024#oc art#my stuff#vtm ocs#bweirdoctober#bweirdoctober2024#some of those books even have titles#what you need to know is isa is a finance bro#she's if shiv roy ate her brother. literally.#and ellis is interested in this thing called 'the truth'?? sounds fake idk#so she is compiling all the vampiric origin stories searching for the kernel of truth#if you know vtm lore#shes beckett part two
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til the dsi/3ds only lets you use fat32 sd cards. even though you can put games on there right?? and 3ds games are often exactly 4gb on the cartridge and fat32 only allows files up to exactly 4gb?? is there not any header shit that would make it larger as a file in a filesystem??? i guess maybe that makes it easier for me because afaict fat32 is hardcoded into the linux kernel where exfat is a module
#could also be just that the tinycore kernel is compiled with it i guess#i dont actually know tjat much about the linux kernel theres just so much shit involved#wait actually decrypted files might be a different size than the originals............ i wonder
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"I use Linux as my operating system," I state proudly to the unkempt, bearded man. He swivels around in his desk chair with a devilish gleam in his eyes, ready to mansplain with extreme precision. "Actually", he says with a grin, "Linux is just the kernel. You use GNU+Linux!' I don't miss a beat and reply with a smirk, "I use Alpine, a distro that doesn't include the GNU Coreutils, or any other GNU code. It's Linux, but it's not GNU+Linux." The smile quickly drops from the man's face. His body begins convulsing and he foams at the mouth and drops to the floor with a sickly thud. As he writhes around he screams "I-IT WAS COMPILED WITH GCC! THAT MEANS IT'S STILL GNU!" Coolly, I reply "If windows were compiled with GCC, would that make it GNU?" I interrupt his response with "-and work is being made on the kernel to make it more compiler-agnostic. Even if you were correct, you won't be for long." With a sickly wheeze, the last of the man's life is ejected from his body. He lies on the floor, cold and limp. I've womansplained him to death.
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Linux ask game
1 - what was your first distro? 2 - what was your biggest linux fuckup? 3 - have you ever run rm / on real hardware? 4 - do you dual boot or have a secondary machine with windows? 5 - did you change your default shell? 6 - are you afraid of git? 7 - what was the first machine you installed linux on? 8 - do you know your way around vim keybinds? 9 - what is your favourite non-os software? 10- biggest linux pet peeve? 11- biggest annoyance with the community? 12- do you like your current distro? 13- Xenia or Tux? 14- what software are you never using again? 15- stock distro or hours of yak shaving? 16- have you compiled the kernel?
#linux#ask game#i was gonna write 32 but im tired#feel free to add more questions#also probably wont be answering immediately#ok enjoyyyy
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So we all know that authors have their little things that they use every now and then, just something they go back to.
Now it’s rude to make fun of authors. However: I don’t know if I really consider SJM an author, and she happens to be a vile person in general, so here’s a list a bunch of people and I compiled of her overused phrases and things she should’ve done her research on before writing.
Overused SJM phrases:
-simpering smile
-watery bowels
-I didn’t let myself think about it
-vulgar gesture
-he climaxed with a roar
-seed
-kernel
-she bared her teeth
-claws and talons and teeth
-bellowed
-shook the mountains
-slid his hands into his pockets
-and —- and —- and —- and —-
-Picked lung off their shoulder
-invisible lint
-he came with a roar
-velvet wrapped steel
-his wings twitched
-his balls tightened
Running list of things SJM should have done her research on:
-village dynamics
-growing crops and flowers
-household duties in this time period (medieval???)
- hunting
-painting
-gardening
-dancing
-religion and mythology
-medicine
-battle
-sibling dynamics
-reading
-historically accurate diseases
-instrument playing
-international relations
-sizing in relation
-infastructure
-Do they breed as fast as humans though?
-Basic Biology and Anatomy
-economics
-money in general
-red hair
-Hybern vs Prythian
-PTSD, Trauma, Trauma Responses
-sexual trauma/assault/violence/exploration
-does divorce exist? is the bond/mating ceremony stronger then the marriage?
-reading disabilities
-any sort of art research
-chronic pain
-immigration control in fantasy cities?
-systemic issues within a city
-poverty in a city
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there was an article going around my social media elsewhere that was talking about how programming language design needs feminism. i think there are good notes in the article about English-centricism, and i can't speak as to whether or not the problems the paper identifies (emphasis on formal theory over "is this pleasant to use") are actually a problem, but i was struck by this quote (in the paper embedded at the bottom)
The current standards of evaluation in the PL community are set from a masculine perspective as well, valuing formalism and formal methods over user studies, quantitative over qualitative work, and the examining of technical aspects over context and people.
because... i had previously seen people argue that the "C is good enough, just don't write bad code lmao" attitude that you see a lot of the time is also masculine, because it's very individualist and "the compiler should get out of my way" type thinking. this came to a head recently with the whole Rust-in-the-kernel thing.
so we have a situation where in one case, formalism is masculine. in another, lack of formalism is masculine. and i think this is my problem with a lot of this sort of feminist stuff: it makes these big sweeping statements about how such-and-such behavior is masculine and doesn't consider cases where the opposite is also masculine.
i think the paper also oversteps by effectively using "feminism" to mean "ask[ing] why things are the way they are, and by that [examining] how we can make them more fair", regardless of whether or not gender has anything to do with it. so "feminism" sort of gets scope-crept in a way that i don't think is conducive; if i were to advocate for installing a wheelchair ramp or a curb cut, this is now feminism.
don't take this as a referendum on All Of Feminism, i'm just annoyed
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I Saw Solas's Origin in an Achievement Icon and It Opened My Eyes on 15 Years of Lore
— PART FOUR: if you haven't read previous parts, do it now! —
[ 1 ] [ 2 ] [ 3 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ]
Welcome, friends and travelers! I wanted to get some thoughts recorded before Veilguard's release so I could see if I am right about an absolute BOATLOAD of theories I have.
In short: I saw the achievement list when it was released. I have seen the backstory hints for Solas included in said list. AND MY MIND WAS BLOWN.
You have been warned: THIS COLLECTION OF THEORIES INCLUDES SPOILERS FOR EVERY DRAGON AGE GAME AND ALL PROMOTIONAL MATERIAL UP TO AND INCLUDING OCTOBER 18, 2024.
Come sit down with me. Make a nice cup of tea (and hide it from Solas). We've got a lot of unpacking to do.
(this photo isn't the spoiler, I just like it.)
Today's Discussion: What the Chant of Light Confirms about Solas, Mythal, and the Evanuris at large.
Ohhhh boy. Here's where we're really getting into the, 'If you haven't read the previous parts, you NEED to go do that, otherwise what I'm about to say will make a lot less sense,' portion of this series. So seriously: the previous parts are linked above. Go look at those.
Caught up? Good.
Today, we're going to look at how closely the Chant of Light follows everything I just talked about with Titans, the Fade, spirits-as-thoughts, and Solas-as-lyrium-spirit. For this exercise, I'll mostly be drawing on material that I have access to (both volumes of World of Thedas, plus my knowledge from all three games) but supplementing with what the Dragon Age wiki has compiled, as well.
Rather than go through the Chant from beginning to end (as I simply lack the space here), I'm going to break it down into topics.
Our topics are as follows:
Who—and What—Is the Maker?
The Word "Forgotten" in the Chant
The Maker's First and Second Children
The Jealous First Children: Demons Seeking to Conquer the Earth
Archdemons and Titans
Yes, I Have to Talk About Shartan
Veilguard Predictions Based on the Chant of Light

Who—and What—Is the Maker?
For anyone who hasn't gone through the whole thing and read every verse, let me begin by saying: the Chant of Light is a story writ by many hands over the history of Thedas. Some of it is (allegedly) written or recorded from Andraste herself, but many verses are taken from outside sources—even adapted from other cultures' legends.
But overall, it is a story that the Andrastian faith believes in: one with approved verses that the Chantries teach all their faithful. The Chantry has been a brutal organization throughout Thedas's history, but I still find value in using the Chant to piece together different takes on Thedas's ancient lore. Whether the events happened as described is up for debate, but they are historically significant, and I would argue that they contain kernels of truth no matter if one believes in the prophecies from Andraste or not.
To properly discuss whether the Chant follows my theories, we first have to ask ourselves: what does the Chant suggest that the Maker is? To do this, we have to look closely at its creation story, and from the eyes of the one who supposedly witnessed him: the Canticle of Threnodies, and the Canticle of Andraste.
Right in Threnodies 1, it says this:
(4) From the waters of the Fade you made the world. As the Fade had been fluid, so was the world fixed.
Immediately, we can see that lyrium plays a major role in the Chant's creation story. If that's true, then the possibility exists that the Chant aligns at all with any of my prior theories. If that is the case, then the Chant of Light might aid us in predicting what's to come in Veilguard—especially with characters like Solas, so intertwined with Titan lore and lyrium.
From here, I went looking for additional references to the Maker, namely in Andraste 1.
(8) Lo! My eyes open'd, shining before me Greater than mountains, towering mighty, Hand all outstretch'd, stars glist'ning as jewels From rings 'pon His fingers and crown 'pon His brow.
The Wellspring of All said, "None now remember. Long have they turned to idols and tales Away from My Light, in darkness unbroken The last of My children, shrouded in night."
"World-making Glory," I cried out in sorrow, "How shall your children apology make?
Of course, we cannot forget one of the Chant quotes that Inquisition made famous!
(11) Here lies the abyss, the well of all souls. From these emerald waters doth life begin anew. Come to me, child, and I shall embrace you. In my arms lies Eternity.
Through all of these examples (and more that I simply do not have time or space to cite, with Veilguard so close), I can tentatively conclude: the Chant of Light is likely hinting to us that the Maker is a Titan.
But to test this theory, I wanted to go one step further. I wanted to see if the Chant of Light would suggest that the Maker is one of the Forgotten Ones.

The Word "Forgotten" in the Chant
To accomplish this next piece to the best degree possible, I actually moved the entire known Chant of Light into a google doc. Here's what I found when I looked for applicable mentions of forgot/forgotten.
(4) From the waters of the Fade you made the world. As the Fade had been fluid, so was the world fixed. (8) And so we burned. We raised nations, we waged wars, We dreamed up false gods, great demons Who could cross the Veil into the waking world, Turned our devotion upon them, and forgot you. —Threnodies 4.
We'll get to those "great demons" in a moment, but for now I want to draw attention to: "Turned our devotion upon them, and forgot you." That's one mention of the Maker being forgotten, in the first stanza we know from the Chant.
The Maker appears to Andraste (7) Eyes sorrow-blinded, in darkness unbroken There 'pon the mountain, a voice answered my call. "Heart that is broken, beats still unceasing, An ocean of sorrow does nobody drown. You have forgotten, spear-maid of Alamarr. Within My creation, none are alone." — Andraste 1
This comes from the first stanza of the Canticle of Andraste, and describes the first time the Maker appeared to her. She is describing what she is seeing: "There 'pon the mountain, a voice answered my call." She is evoking mountain imagery here, and even though she doesn't mention an abyss in this verse, it does come up elsewhere in the Chant (as we have seen).
That, and the Maker speaks to her: "You have forgotten, spear-maid of Alamarr. Within My creation, none are alone."
For one, we have a mention of forgotten, again. But perhaps even more crucially, we have this concept of "none are alone" within the Maker's creation. With everything I know now, I'm thinking of the concept of Isatunoll: the hive-mind feeling experienced by Dagna, Valta, and Harding.
(13) "World-making Glory," I cried out in sorrow, "How shall your children apology make? We have forgotten, in ignorance stumbling, Only a Light in this darken'd time breaks. Call to Your children, teach us Your greatness. What has been forgotten has not yet been lost." (14) Long was his silence, 'fore it was broken. "For you, song-weaver, once more I will try. To My children venture, carrying wisdom, If they but listen, I shall return." — Andraste 1
Another mention: Andraste addresses the Maker as "World-making Glory," which references the saying that Titans were the first Shapers of the world. Then, she says: "We have forgotten [...] Call to Your children [...] What has been forgotten has not yet been lost."
Again: references to the Maker as a being that was forgotten. Another reference to lyrium, in asking the Maker to call out to people. This reference is further enhanced with the Maker referring to Andraste as "song-weaver," suggesting that these songs are how she can speak to the Maker.
And to top it all off: "What has been forgotten has not yet been lost" is answered with, "If they but listen, I shall return."
Listen, for so long, made me think of commandments. Listening to the Maker's will. But now? Now I think we're supposed to think of listening to the Maker's song.
(3) I have heard the sound A song in the stillness, The echo of Your voice, Calling creation to wake from its slumber. (4) How can we know You? In the turning of the seasons, in life and death, In the empty space where our hearts Hunger for a forgotten face? — Trials 1
Just like Andraste has heard the song, the echo of the Maker's voice, calling creation to "wake from its slumber." It could not be more deliberate than that!
Another mention, also, of a "forgotten face."
To me, these mentions of forgotten affirm that the Maker is one of the Forgotten Ones, and is definitely a Titan. That tells me that, until I am proven otherwise, I can read the rest of the Chant of Light as though Maker-as-Titan is true, and can see what other developments stem from that initial truth.
Namely: What does the Chant say about spirits and people, in relation to the Titans?

The Maker's First and Second Children
To understand the (possible) creation of the spirits and the elvhen, we are back to the Canticle of Threnodies, stanza 5. The first of the Chant's Canticles, it's an introduction not just to the text, but to the world of Thedas as understood by Andrastians.
Again: it may not be a precise literal description of events, but I maintain that if the Chant of Light truly didn't matter, BioWare wouldn't have made it that long, or paid as much attention to cadence/meter as they did.
The crux of the earlier portion of this Canticle is that the Maker produced two sets of children, and the first eventually grew envious of the second (more on that later). For now, let's examine what is said of the creation of the Maker's first children.
(1) There was no word For heaven or for earth, for sea or sky. All that existed was silence.
I am going to interpret this one very liberally. It is not said that there were no heaven, earth, sea, or sky—but that there was no word for those things. That, I interpret to mean that there was no distinction between heaven and earth. Remember that, throughout codices from ancient elvhenan, "sky" often refers to the Fade, and "earth" often refers to the Titans' domain, the Abyss, or the waking world.
Either way: there was no Veil, and so there was no distinction between the Titans' domain and the Fade.
Then the Voice of the Maker rang out, The first Word, And His Word became all that might be: Dream and idea, hope and fear, Endless possibilities. And from it made his firstborn.
There are two things worth noting here:
the "Voice of the Maker" is something I interpret to mean the song of lyrium: the song of the Titan that the Maker is.
"Dream and idea, hope and fear/Endless possibilities" sounds a lot to me like the Maker is creating his first children with thoughts. Thoughts conveyed through the song of lyrium, maybe?
Originally, these "first children" famously showed no sense of ambition. They were given the Fade, but did not do anything with it. They only reflected what already existed. (Though I do want to note that this city apparently had lyrium for cobblestones.)
He called forth A city with towers of gold, streets with music for cobblestones, And banners which flew without wind. [...] But their songs Were the songs of the cobblestones. They shone with the golden light Reflected from the Maker's throne.
The Maker apparently realizes his mistake: only giving the spirits the Fade.
The realm I have given you Is formless, ever-changing.
But the solution to that mistake?
So the Maker turned from his firstborn And took from the Fade A measure of its living flesh And placed it apart from the Spirits, and spoke to it, saying: Here, I decree Opposition in all things: For earth, sky For winter, summer For darkness, Light. By My Will alone is Balance sundered And the world given new life.
The Maker took living flesh from the Fade. That's not the thoughts existing in the Fade; that's the lyrium from the Fade. To that living, now sentient lyrium, the Maker spoke, and declared opposition in all things.
Now sky and earth are separate things. The Veil is not yet created (we'll get there), but we have this concept of two opposing schools of magic, like earthbending and airbending (to forever keep with the A:tLA examples through this series).
So far, this is lining up with my previous theories. But, what, exactly, are the Maker's second children made of?
(5) And no longer was it formless, ever-changing, But held fast, immutable, With Words for heaven and for earth, sea and sky. At last did the Maker From the living world Make men. Immutable, as the substance of the earth, With souls made of dream and idea, hope and fear, Endless possibilities.
Now, the waking world is immutable, and there is opposition in magic. And from that opposition, the people are created. Not humans, but people. Their bodies are "immutable, as the substance of the earth" (meaning lyrium, I believe), "with souls made of dream and idea, hope and fear/Endless possibilities."
The exact same phrase: the Maker's thoughts are the souls of his second children, just as they were the first children's entire being. This proves that the people of Thedas have spirits for souls, but also that all spirits come from the Maker's thoughts.
When I tell you I almost choked, realizing that.
But I still want to ask the Chant of Light: in all this story, where do we find the Evanuris?
And the Chant has answered in full.

The Jealous First Children: Demons Seeking to Conquer the Earth
When I first read the Chant of Light, I had not pieced together that heaven and earth were synonymous with Fade and Abyss. Now that I have, I see the Evanuris plain as day in Threnodies 5.
(7) Now, with their Father's eye elsewhere, the firstborn At last created something new: Envy. They looked upon the living world and the favored Sons and daughters there, covetous of all they were. Within their hearts grew An intolerable hunger. Until, at last, some of the firstborn said: "Our Father has abandoned us for these lesser things. We have power over heaven. Let us rule over earth as well And become greater gods than our Father."
In the codices of the Trespasser DLC and the Temple of Mythal, there are constant references to the Evanuris wanting to tame or dominate the Titans, the "Void," or the "land." The ancient elves ask Elgar'nan to help them "tame the land." Mythal is praised for "striking down the pillars of the earth." The Evanuris, namely Mythal and Elgar'nan, carried on an endless war with the Forgotten Ones.
The Chant goes on.
(8) The demons appeared to the children of earth in dreams And named themselves gods, demanding fealty.
Remember part 2 of this series? Remember the Mythal lullaby from the Deep Roads portion of Trespasser? (I was lovingly informed about a small mistranslation, which I shall correct here.)
Ir sa tel'nal Mythal las ma theneras Ir san'a emma Him solas evanuris Da'durgen'lin Banal malas elgara Bellanaris, bellanaris. Isatunoll Mythal grants you dreams Lyrium within Becomes Solas evanuris Little stone boy Never granted (connection to many spirits) Forever, forever
Cole says, "He didn't want a body, but she asked him to come. He left a scar when he burned her off his face."
It sounds exactly like the Chant describes: Mythal feeding dreams to Solas, only to bring him into a body he did not want, and apply vallaslin (a geas?) that he did not ask for.
Therefore? The Evanuris are the Maker's first children, as far as the Chant of Light is concerned.
But I've still got questions. Namely: What came next?
Archdemons and Titans
As for the Evanuris's eventual fate—being imprisoned at the same time as the Veil was created? They've employed interesting wording.
And a mighty voice cried out, Shaking the very foundations of heaven: "Ungrateful children! I gave you power To shape heaven itself, And you have made only poison. As you crave the earth, the earth shall be Your domain! Into the darkness I cast you! In tombs of immutable rock Shall you dwell for all time."
I question who this "mighty voice" belonged to. I do not believe Solas is the maker, but I do wonder: was Solas acting in conjunction with his Titan here? During the exact moment of the creation of the Veil, he still would have had access to his non-sundered Titan. Would he still have heard the song/call, and made the Veil at the Titan's behest?
Regardless: this piece of the Chant speaks about the imprisonment of the archdemons in the Abyss, the same domain as the Titans.
It goes on to specify what happened next:
(11) Those who had been cast down, The demons who would be gods, Began to whisper to men from their tombs within the earth. And the men of Tevinter heard and raised altars To the pretender-gods once more, And in return were given, in hushed whispers, The secrets of darkest magic.
This serves to confirm a theory that I'd held for a long time: that the Evanuris whispered to the priests of old Tevinter through their archdemons. Trapped in their fade-jail, they could not act themselves, but may have used their archdemons as puppets in order to convince the Magisters to come open the door to the Golden/Black City, that they might be released.
Overall? It sounds like the Chant of Light exactly confirms every one of my theories on the Titans, the Forgotten Ones, spirits-as-thoughts, the Evanuris, and the Archdemons. I may not have been able to examine the entire Chant here (can you imagine how long this post would be if I did?) but what I have presented so far exactly aligns with my theories from the last instalment.
Now, the question you're all here for...

Yes, I Have to Talk About Shartan
I know, I know. Shartan is one of the most widely debated figures in the Chant. And I'm sorry to say, I'm no more sure than the rest of you.
But I've never quite believed that Solas himself is Shartan. He says he slept for millennia after the creation of the Veil, after all. But I cannot deny all that we know of Shartan: that he freed elven slaves, that he held fast in his convictions, and that he is rumoured to have been Andraste's lover.
It seems damning, doesn't it? Surely someone so invested in freedom must be Solas, especially an ancient elf who looks so much like Solas himself.
But what if Shartan wasn't one person?
(3) My Maker, know my heart: Take from me a life of sorrow. Lift me from a world of pain. Judge me worthy of Your endless pride. — Transfigurations 12
We can guess that the Maker is a Titan. We know Solas came from a Titan. We can guess that Solas was still able to hear his Titan when the Veil was created. We also know that there were many lyrium coffins in the Deep Roads during the Descent DLC. The Maker's first children whispered to many stone-spirits just like Solas.
We also know the Forgotten Ones are named by their qualities, just like spirits and demons.
The Maker instructs Andraste to carry wisdom to the people, that he might return. Who is to say that the Maker is not the ultimate Wisdom/Pride aspect, and we just haven't seen it confirmed yet?
And if there are many wisdoms and prides that are tied to the Maker-Titan, then there is absolutely reason to believe that any of those lyrium-spirits-turned-corporeal elvhen could strongly resemble Solas not just in appearance, but in convictions.
Two elven translations point me to this conclusion, as well:
Ar-melana dirthavaren. Revas vir-anaris: this is Fen'Harel's secret password for the spirits in Trespasser. I believe it loosely translates to, "I now promise knowledge. Freedom for we-Anaris." • This translation GREATLY interests me, because Anaris is the name of one of the Forgotten Ones. "We-Anaris" implies that there are many elvhen that come from Anaris, and these specifically may be the slaves Solas was trying to free.
Shar•tan: I believe, as with all the Evanuris, this name is actually a title. While I could not guess the meaning of the word "Shar," I do know that the word "tan" means "three." • I wonder if Shartan, therefore, is a collection of three people, potentially all from the same Titan as Solas. Anaris, maybe?

Veilguard Predictions Based on the Chant of Light
Whew! I have a lot of Veilguard predictions, but to keep this post from being tumblr-breakingly long, I'll keep this list to the ones that come strictly from the Chant of Light.
I believe we will find out more about the Chant of Light by not only being in Minrathous and knowing Neve, but by seeing the Chant's events referenced by the ancient elves and even in Solas's memories.
I believe we'll get, if not confirmation, at least a hint on whether Solas's Titan is the Maker.
I believe that, since Veilguard is all about prophecies coming true, that we will hear the "Voice of the Maker" ring out to us in Veilguard—likely through a Titan waking. • I'm going to bet that this is in or near Kal'Hirol, the thaig closest to Kirkwall, which is near where the red lyrium idol was found in DA2.
I believe we're going to find out more about the potential link between Andraste and Mythal (there are bajillions of theory posts out there about them; I didn't have time here!)
I believe we'll see an Archdemon's old prison and see how that (potentially) affected Titans and/or their hearts.
I believe we'll see someone who remembers being made out of lyrium—even if that someone is Solas.
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As ever, if you got this far, thank you!! All your engagements on these continue to make my week.
Also: I am trying my hardest not to consume full-game-review spoilers! As these reviews go live tomorrow (10/28), you may see me not reading my notifications/replies, and appearing here only to continue posting my theories.
But if you feel like sticking around anyway, stay tuned for: The Evanuris Story So Far, As Best As I Can Guess It.
#dragon age#dragon age: the veilguard#veilguard spoilers#dragon age the veilguard#dragon age: the veilguard spoilers#datv spoilers#da:tv#da:v#da4#da4 spoilers#dragon age theory#dragon age meta#da theory#da meta#solas#the chant of light#evanuris#mythal
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This really is a true story, and she doesn't know I put it in my comic because her wifi hasn't worked for weeks.
Cautionary [Explained]
Transcript Under the Cut
Linux: A True Story: [Cueball talks on a cell phone.] Week One: Phone: Hey, it's your cousin. I got a new computer but don't want Windows. Can you help me install "Linux"? Cueball: Sure.
[Cueball's cousin sits in an office chair with her laptop on her lap. She is on the phone.] Week Two: Cousin: It says my XORG is broken. What's an "XORG"? Where can I look that up? Cueball: Hmm, lemme show you man pages.
[Cueball's cousin crouches on the floor with the laptop on her lap. She is still on the phone.] Week Six: Cousin: Due to auto-config issues, I'm leaving Ubuntu for Debian. Cueball: Uh. Cousin: Or Gentoo. Cueball: Uh oh.
[Cueball's cousin lies on her stomach with the laptop on the floor. On the floor are several pieces of paper and a book. Cueball stands to her left.] Week Twelve: Cueball: You haven't answered your phone in days. Cousin: Can't sleep. Must compile kernel. Cueball: I'm too late.
[Box with text:] Parents: talk to your kids about Linux... Before somebody else does.
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What happens when you start your computer ? ( Booting a computer )
We studied this in the lecture today, and it was quite interesting. What makes something a hundred times simpler than it is? Creating a story about it. That's why I made this super fun dialog that will help you understand it all.
I've set up a drive to compile everything I create related to the Linux operating system. Feel free to explore it for more details on the topics discussed in the conversation below. Check it out here.
Have a fun read, my dear coders!
In the digital expanse of the computer, Pixel, the inquisitive parasite, is on a microventure with Binary, a wise digital guide. Together, they delve into the electronic wonders, uncovering the secrets hidden in the machine's core.
Pixel: (zooming around) Hey there! Pixel here, on a mission to demystify the tech wonders . There's a creature named Binary who knows all the ins and outs. Let's find them!
Binary: (appearing with a flicker of pixels) Pixel, greetings! Ready to explore what happens inside here?
Pixel: Absolutely! I want the full scoop. How does this thing come alive when the human outside clicks on "start"?
Binary: (with a digital chuckle) Ah, the magic of user interaction. Follow me, and I'll reveal the secrets.
(They traverse through the circuits, arriving at a glowing portal.)
Pixel: (inquiring) What's the deal with this glowing door?
Binary: (hovering) Pixel, behold the BIOS - our machine's awakening. When the human clicks "start," the BIOS kicks in, checking if our components are ready for action.
(They proceed to observe a tiny program in action.)
Pixel: (curious) Look at that little messenger running around. What's it up to?
Binary: (explaining) That, Pixel, is the bootloader. It plays courier between the BIOS and the operating system, bringing it to life.
Pixel: (excitedly buzzing) Okay! How does the computer know where to find the operating system?
Binary: Ah, Pixel, that's a tale that takes us deep into the heart of the hard disk. Follow me.
(They weave through the digital pathways, arriving at the hard disk.)
Pixel: (curious) Huh? Tell me everything!
Binary: Within this hard disk lies the treasure chest of the operating system. Let's start with the Master Boot Record (MBR).
(They approach the MBR, Binary pointing to its intricate code.)
Binary: The MBR is like the keeper of the keys. It holds crucial information about our partitions and how to find the operating system.
Pixel: (wide-eyed) What's inside?
Binary: (pointing) Take a look. This is the primary boot loader, the first spark that ignites the OS journey.
(They travel into the MBR, where lines of code reveal the primary boot loader.)
Pixel: (in awe) This tiny thing sets the whole show in motion?
Binary: (explaining) Indeed. It knows how to find the kernel of the operating system, which is the core of its existence.
(They proceed to the first partition, where the Linux kernel resides.)
Pixel: (peering into the files) This is where the OS lives, right?
Binary: (nodding) Correct, Pixel. Here lies the Linux kernel. Notice those configuration files? They're like the OS's guidebook, all written in text.
(They venture to another partition, finding it empty.)
Pixel: (confused) What's the story with this empty space?
Binary: (smirking) Sometimes, Pixel, there are barren lands on the hard disk, waiting for a purpose. It's a canvas yet to be painted.
Pixel: (reflecting) Wow! It's like a whole universe in here. I had no idea the operating system had its roots in the hard disk.
(They continue their microventure, navigating the binary landscapes of the computer's inner world.Pixel gazes at the screen where choices appear.)
Pixel: What's happening here?
Binary: (revealing) This is where the user picks the operating system. The computer patiently waits for a decision. If none comes, it follows the default path.
(They delve deeper into the digital code, where applications start blooming.)
Pixel: (amazed) It's like a digital garden of applications! What's the enchantment behind this?
Binary: (sharing) Here, Pixel, is where the applications sprout to life. The operating system nurtures them, and they blossom into the programs you see on the screen.
Pixel: (excited) But how does the machine know when the human clicks "start"?
Binary: It's the BIOS that senses this initiation. When the human triggers "start," the BIOS awakens, and we embark on this mesmerizing journey.
#linux#arch linux#ubuntu#debian#code#codeblr#css#html#javascript#java development company#python#studyblr#progblr#programming#comp sci#web design#web developers#web development#website design#tech#html css#operatingsystem#windows 11
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Hold my beer it’s time to compile a kernel
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It is finally finished!! I am done and is so happy!!!
This is an AU exploring the concept of Sūn Wùkōng/Dàshèng as a Yaksha and Tu Di Gong, rather than being a Yaoguai Warlord during his later years reigning as the Monkey King.
This AU follows the beginning (with some changes here and there) up until Wùkōng's shenanigans with Ao Guang, then he went on a separate path from Wu Cheng'en's novel.
In this iteration our favourite Monkey explored the realms as he burned up time, but then he took a particular interest in the humans' ways of producing food. Since Dàshèng was so used to the grandeur and bounties of Huagoushan (being surrounded by such lush forests and mountains that never withered nor died) he sort of took pity on them before deciding to help them grow their crops much better.
But this is just the very much shortened summary of the beginning of this AU, and I have compiled some research and even more lore in my Google Documents just to expand on this idea more.
This— Westward To Tathāgatagarbha Lore Google Documents
This is the Google Document of my AU, which I highly recommend for you to read! It explains all the other details and such on this story! I did my best on making them but there would be still mistakes that I have yet to find, but it should be decent!!
This is a more casual look for Dàshèng/Wùkōng for this AU as well as some brief pointers! I made this before the portrait so some things might have changed.
(Don't mind him holding a cup of beer it's fine.)




Taken from the server (with some hints for the next half of the archives/docs) which instantly kickstarted this whole thing haahahjjjss, but it really was so fun talking about it to others! They gave me more inspiration that I can handle.
And what is Tathāgatagarbha you ask? (Brief)
In Buddhist philosophy, Buddha-nature is the potential for all sentient beings to become a Buddha or the fact that all beings already have a pure buddha-essence within. "Buddha-nature" is the common English translation for several related Mahayana Buddhist terms, most notably tathāgatagarbha and buddhadhātu, but also sugatagarbha, and buddhagarbha. Tathāgatagarbha can mean "the womb" or "embryo" (garbha) of the "thus-gone one" (tathāgata), and can also mean "containing a tathāgata". Buddhadhātu can mean "buddha-element," "buddha-realm" or "buddha-substrate"
The Chinese translated the term tathāgatagarbha as rúláizàng (如来藏), or "Tathāgata's (rúlái) storehouse" (zàng). According to Brown, "storehouse" may indicate both "that which enfolds or contains something", or "that which is itself enfolded, hidden or contained by another." The Tibetan translation is de bzhin gshegs pa'i snying po, which cannot be translated as "womb" (mngal or lhums), but as "embryonic essence", "kernel" or "heart".
The term tathagatagarbha first appears in the Tathāgatagarbha sūtras, which date to the 2nd and third centuries CE.
There will be more to this in the future when I'm finished researching more about it.
Also, speaking of people that inspire me, I'm calling my dear friends here who I think might like this: @digitalagepulao @kaijufluffs @sketching-shark @lavaflowe @sixteenthchapel @jttw-monkeybusiness and @hcdragoncat !!
Special thanks to Pardal and Grandpa Sun for getting me to write more of this too :D I had such great fun!
I have so much more to add to the docs and here but this is all for now :) and honestly this is one of the greatest projects I've started aside from the older ones. I'll come back again soon with more additions and art! And lore (And maybe some interactions with a few West Heaven occupants??)!!!
#xiyouji#jttw#jttw au#jttw fanart#journey to the west#journey to the west au#journey to the west fanart#jttw sun wukong#sun wukong#sun wukong fanart#the monkey king#monkey king hero is back#monkey king: hero is back(2015)#art#swk fanart#swk#nezha reborn#monkey king reborn#Westward To Tathāgatagarbha#Westward AU#dasheng#hinduism#hindu mythology#budhism#buddhist mythology
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been trying to install gentoo for forever
I thought it'd be easy because I have so much experience with Linux and how it generally works, messing around with the actual system a fair amount
but like gentoo is a whole different beast
it might be due to the fact that it's a different kernel config (I've only ever extensively used Debian) but like
it's also annoying how I have to wait so long for things to compile. I'm kinda considering setting up some sort of compilation server on my more powerful computer at home or something that outsources the compiling to it but idk how to do that
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On Keeping Good Habits
I, like everyone else with any productive hobby, have more ideas and things I want to try than time and skill to implement them. I'll start on developing something and then either life or that next great idea comes by, then suddenly whatever I was working on is lost to time, usually in some sad partially-implemented state.
For projects like mine, modern source control is a godsend. New idea? Create a branch. If it works out, merge. If it gets abandoned, forever stare wistfully at the branch that went nowhere that can't be deleted because surely inspiration & inclination will one day lead back to it (it won't).
Of course for that to work one has to ... use ... source control.
I have a GitHub account. I have repositories for my projects. I even have some branches for developing new ideas.
My recent multi-user BASIC kernel was developed on a working branch on the repository for that particular homebrew project. And I branched off that to add a supervisor console to the kernel.
And when I got it working I ... went straight into developing a new idea without so much as committing the working version to the development branch.
Once I got the machine running again last week, I had some minor changes I wanted to make to the kernel code. Which of course is when I realized what I had done.
What followed was hours of trying to bring together the last unstable commit and the current incomplete mess. I even pulled out ghidra to disassemble the one good ROM I had to compare against. Hours of reverse-engineering my own project to figure out what I had done, instead of adding the new feature I wanted to add.
All because I hadn't kept up with my repository.
I've cleaned up the mess, and was able to get the code back to compiling byte-by-byte identically to what was on the good ROM. But that time is gone. It's not likely I'll be making the same mistake again any time soon.
Sometimes good habits come from lessons hard learned.
(and the real hell of it is — I use git for my paying job every day and would never make such a mistake there...)
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Randomly thinking about The Truman Show at 3 AM (as one does) and I’ve really zeroed in on the moment at the very end, where Truman’s boat hits the wall. Because- this is a movie I’ve grown up with, and I’ve found that, as I age, there are things I didn’t really understand as a child, even if I liked the movie or whatever in question, but age just let’s me understand things I didn’t give much thought to when I was younger, whether out of lack of interest or simple inability to understand.
Anyway.
The moment Truman hits the wall, is the moment the show is well and truly over, because that’s when it becomes actually real for him. The reality of his life, made tangible. I can imagine- for all the evidence Truman had compiled about his life, all the weirdness he’d witnessed and all the pieces he’d put together, there still must have been a small kernel of doubt. Some little seed that still believed the lie that was his life. And then. The wall. The perfectly painted horizon, right there for his fingers to touch. Proof. Something that he couldn’t be ushered away from, or explained away. The wall of his world, of his cage.
And that was the moment it was all over. Because the whole conceit of The Truman Show the reality show lay in Truman’s ignorance. That was the whole point! The point was that Truman was a real person in a sea of actors, and with Truman’s knowledge of the situation, he just became another actor. Christof wanted to shove the cat back in the bag, for things to go back to how it was, but you can’t. It’s done. It’s over.
In reality, there was no way Truman wasn’t going to walk through that door, because there would be no point not to.
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