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airoasis · 5 years

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Key & Peele - Turbulence - Uncensored

New Post has been published on https://bitcoinbetanews.com/key-peele-turbulence-uncensored-2/

Key & Peele - Turbulence - Uncensored

(Mark) he’s disgusting. Bernard? He’s disgusting. He is not even like her. He is an aircraft technician. I imply, come on. And he talks an excessive amount of. That is why I such as you. You don’t speak. You simply pay attention. – it is excellent. K. And the captain has became on the "fasten seat belt" signal. Bought a little bit turbulence coming up. Will have to be no crisis. Simply remain on your seat until the sign is grew to become off. Thanks on your cooperation. K.Excuse me. I am gonna go to the lavatory. Hi, excuse me. – Yeah? – Yeah. I’m gonna need you to take your seat. The "fasten seat belt" signal is on. Yeah, i’m just gonna go to the lavatory for a 2nd. I’m going to be correct back, ok? I comprehend what you wish to have to do. Unluckily, i’m gonna need you to notice the "fasten seat belt" signal. That’d be a lot favored. Proper, it can be just I read on the net that it’s no longer against the law for me to go to the bathroom at the same time the "fasten seat belt" sign is on, so… "Seat belt" sign is on. However is it towards the law, although? The sunshine is on. Is it towards the regulation? You see that there is a photograph of a seat belt on that signal.I know, but is it against the law, though? The "fasten seat belt" signal is on. However is it against the legislation, although? – "Seat belt" sign is on. – however is it towards the law? – however is it in opposition to the legislation? – "Seat belt" sign. – but is it in opposition to the law? – it can be on. – law. – "Seat belt" sign is on. – legal. – "Seat belt" signal is on. – Lawful. – "Seat belt" sign is on. – Sir, you’re being difficult. – regulation. – you are being very elaborate. – legislation, law, law. – Seat belt, seat belt. – no longer unlawful, no longer unlawful. – okay. – authorized. – Fasten– – legal. – Fasten your seat– – legal.- Sir. – I have to piss. And i must shit in the toilet. Can you reduce your voice? I have to piss, and i must shit. K, diminish your intensity. You are louder than me. You’re yelling in my face. Sir, you are the one who I suppose needs to tone it down proper now. You might be screaming at me. You’re hurting my eardrums. That wasn’t a phrase. You are not saying a word there. This can be a word. – that’s now not– – that’s a word. That is no longer a word. That is a tongue trick. K, sir. Sir, sir. If you need– i would not wish to. I might no longer like to sit down. What i might love to do is go take a shit in the bathroom…Because it is no longer towards the regulation. So i’m gonna go to the lavatory, k? Mark with a ok. And your captain has became off the "fasten seat belt" sign. Believe free to move across the cabin. Thank you for your cooperation. .

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batterymonster2021 · 5 years

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Key & Peele - Turbulence - Uncensored

New Post has been published on https://bitcoinbetanews.com/key-peele-turbulence-uncensored-2/

Key & Peele - Turbulence - Uncensored

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thetelevoid · 4 years

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Moving along on this Vampire Diaries rewatch-slash-first-time watch (and mostly spoiler-free) combination podcast, we’re talking about “Children of the Damned” (Season 1, Episode 13) and “Fool Me Once” (Season 1, Episode 14). LaToya is possibly now Jeremy Gilbert’s #1 fan, Jill just keeps hating on flashbacks, and The Vampire Diaries says the words “leverage” and “doppelganger” for the very first time. Plus, stick around until the very end (meaning, past the end theme) of the podcast for a special treat.

“A BLAST FROM THE PAST” (“Children of the Damned”) “SECRETS OF THE TOMB” (“Fool Me Once”)

The more AMPED logline this time around? Again, neither are all that AMPED… But my imagined cadence for “SECRETS OF THE TOMB” comes from this Key & Peele sketch, specifically once it gets to Passion of the Christ. So it wins on that alone.

Whether you’re a Vampire Diaries obsessive or newcomer, join along with hosts LaToya Ferguson (@lafergs—Vampire Diaries obsessive), Morgan Lutich (@LorganMutich—Vampire Diaries obsessive), and Jill Defiel (@jiilbobaggins—Vampire Diaries newcomer) on their new podcast journey. Most importantly, get AMPED (and horny) along with them on this journey. Ya gotta get AMPED.

The Official CW Promo for “Children of the Damned”: https://www.youtube.com/watch?v=MoDOj6DceQU The Mystic Falls Event of the Week for “Children of the Damned”: 1864, a very good year The Official CW Promo for “Fool Me Once”: https://www.youtube.com/watch?v=1CNWn_dF9Og The Mystic Falls Event of the Week for “Fool Me Once”: Duke’s party Vulture’s “This Week in Comedy Podcasts” feature: https://www.vulture.com/2020/06/this-week-in-comedy-podcasts-a-couples-therapy-revolution.html Comedy Bang! Bang! + “A MAN’S GRAVE”: https://www.youtube.com/watch?v=OLwtBSxKWAM

#the televoid #music #podcast #soundcloud #the vampire diaries #the AMPire diaries #the cw #tv #ian somerhalder #paul wesley #nina dobrev #kevin williamson #julie plec #television

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zubairkhalid09 · 6 years

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Mission Grammar High School Branch Incharge & Teacher Male and Female Staff Required

Mission Grammar High School http://www.mis•lon.odu.pk Due to Expansion plan, we require following.

Post Qualification 1- Branch In charge Male/Female M.Sc / M.A, B.Ed 1 M.Ed

fluent in English, strong communication skills,

3-5 years experience in the same capacity in reputed institution. 2- …

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romvnova · 6 years

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Becoming The Raptor Wrangler: Chapter Four

“Holy shit.” The explicit word tumbles carelessly from Owen’s lips as he swipes his hotel keycard, the door unlocks and he pushes it open. The room’s luxurious and huge. Not one room but three joined rooms not including the monstrosity of a bathroom. He takes a moment to poke around, fingers skimming over the real Italian marble bathroom countertop. The mirror has a small wifi signal glowing blue in the left hand corner and an idle power button and his eyebrow rises.

Owen immediately feels highly uncomfortable knowing that this is where Mr. Misrani’d put him up: a fancy ass hotel room that was evidently made for a serious VIP. A room, mind, that Owen likely couldn’t even afford for an hour. And they were giving it to him during his stay on Isla Nublar: which was indefinitely …or for as long as the park still drew revenue and stayed open, at any rate.

He tosses his duffel bag on the bed, yanked the zipper open and pawed through it until he found a cream colored henley shirt. He pulled his sweaty shirt over his head, balling it in his hands, glimpsing around for a hamper to toss it into, before remembering the walk-in closet. He disappears into it, dropping the balled up shirt into the lined basket before stepping out.

“Jesus christ.” He snarls, hand shooting out to grasp the closet’s doorframe to steady himself as his heart pounds all the way up into his throat. Still trying to come down from the anxiety attack he’d gotten on the Main Street of being around so many goddamn people put him on edge. An already too-familiar red head standing by his bed in his hotel room with no warning damn near sent the war veteran into a second episode. “Don’t you knock?”

She turns around, startled — and that in particular was rather comical to Owen — as if she didn’t expect him to be there. Her eyes widen and she tucks a strand of her hair behind her ear, sheepishly, knowing she’s been caught. Her cheeks flush a bright red to rival her hair as her eyes linger, perhaps a bit longer than she’d have liked, on his bare chest.

“I —,” Claire takes a deep breath, squaring her dainty shoulders as she strolls nearer. “I did knock. You didn’t answer so I thought…” but she trailed off with no obvious intention of fully explaining herself.

“You’d just let yourself into my hotel room?” He finishes for her, giving a mocking nod. “Y’know if you wanted to be alone with me in my room all you had to do was ask.” He teases her with a cocky, lopsided grin, brushing past her. She makes a cute indignant noise in the back of her throat from behind him that causes a chuckle to rise in Owen’s own. It was inappropriate and he’d likely just broken five different fraternization rules right then and there but god, he can’t help himself. There was something about Claire Dearing that makes him want to banter with her.

Perhaps it was the fact that he suspects she can not only handle it but return what he gives her tenfold.

“I wasn’t…” She inhales deeply and lets it out in a heavy sigh. “We’re on a tight time schedule, Mr. Grady.”

“Owen.” He corrects her automatically as he pulls his cream-colored henley shirt on and zips his duffel bag back up, turning to face her once more. “That’s fine.” He replies and holds his hand out to her. “First, give me that key card you used to get in here.”

She glares at him and procures a small, white keycard from her pocket and places it in his hand. His fingers curl around it in his palm and he smiles at her, causing her nostrils to flare as he moves around his bed to place it in the nightstand, making a show of closing the drawer.

“Please Mr. Grady. I was going to return it to the front desk when we left. Don’t insult me.” She rolls her eyes and scoffs, making it very clear that any idea of ‘them’ and ‘hooking up’ positively disgusted her.

Well good, Owen thinks in an internal huff.

“Word of advice, Miss Dearing?” He words it to sound like a rhetorical question because he’s going to give it to her anyway, whether she wants to hear it or not. “Don’t ever sneak up on me again. It’s disrespectful, I don’t appreciate it, and you could cause me to go into an PTSD episode.” It wasn’t meant to be a threat; just a warning, but he feels incredibly disrespected by her for just letting herself into his hotel room regardless of whether she knocked or not, her subtle insult of him didn’t help to soften the wound either. To be fair, he’d been as cruel as her but damnit if he didn’t feel justified in it.

“Now, I believe we’re on a tight time schedule?” He encourages her to lead the way with an errant gesture of his hand to the hotel room door. To Owen’s surprise Claire doesn’t lead him back out the front where all the guests flock like herds of sheep. Instead, she takes him out the back entrance for hotel staff.

“I’ll have your keycards set to unlock these doors so you can avoid Main Street.” She tells him distractedly over her shoulder as she types on her tablet, clutched once more in her grasp.

He’s begrudgingly grateful, and he wonders whether she’d been more observant to his panic attack on the Main Street than he’d originally assumed.

Which caused Owen to immediately reassess and analyze the scene in his hotel room. He thought Claire was being impatient. Barging into his room because they were on a tight time schedule as she didn’t hesitate to remind him the first chance she got …but what if he’d misinterpreted the whole thing?

What if, assuming she was more observant than he’d given her credit for, she’d been checking up on him. Not because of the schedule but because she’d seen his episode he thought he’d been slick in hiding?

“I’m sorry I startled you, Mr. Grady.”

“Owen.” Her cheeks flush a lovely shade of red as she catches his gaze from the other side of the black and blue Jeep they were going to be taking. Owen watches as she fusses with her hair as he climbs in the passenger side. It doesn’t completely hide her face but he suspects it helps to keep him out of her peripheral vision.

Owen grabs the roll cage bar over his head as she peels out down the dirt road. The Jeep’s suspension is built for the uneven terrain but speed isn’t graceful on the dips and bumps and it jars his teeth together.

“This is the raptor paddock and cage.” She says as she puts the Jeep in park in front of the giant metal construct. Construction workers are hard at work on it, welding and fusing it together in places.

“Is it safe?” He points to the catwalk as he hops out of the Jeep.

“Yes.” Claire replies and he wastes no time jogging up the stairs, taking them three at a time. He steps on the metal catwalk, fingers running over the railing as he looks below him at the ‘cage’. It’s an open space and in the far corner is the entrance into their massive paddock. It stretches far enough to allow the raptors to roam and run without feeling claustrophobic. Plenty of forest, a massive watering hole, and plains.

He looks over his shoulder as he hears the sound of Claire’s heels on the catwalk.

“I wouldn’t…—” He started, ready to grab her if it looked like she was in danger of losing her balance…or breaking an ankle. Once again, Claire Dearing navigated the metal grate of the catwalk in a manner that would, Owen doesn’t doubt, give a runway model a serious run for her money. She gives a soft clear of her throat and smiles at him, a bit smug a bit charming as he lean his hip casually against the short catwalk railing.

“We’re going to have four ACU guards stationed at each corner of the cage,” She points to the spots on the wrap around catwalk. “Armed with non-lethals, of course, as per our safety regulations.”

“You put twelve amps in those raptors, it’ll destroy their trust in me in an instant.” Owen tells her.

“So …what? You’d rather risk being killed?” Claire questions him.

“I’d rather ACU not interfere with my work.” He tells her, taking a step closer to her.

“It’s company protocol. There has to be at least four ACU guards per carnivore paddock while the trainers and handlers are working with them.” Claire tells him simply, her tone implying that he’s not going to negotiate it with her.

“Fine,” Owen agrees watching as Claire’s shoulders sag a little with relief. “But while they’re stationed in my paddock, with my raptors, they’ll listen to me. If I tell them to hold fire, they better damn well hold their fire.”

Claire blinks up at him, clearly deliberating the terms he gives her. “I can manage that.” She eventually murmurs in compromise.

“Good.” Owen says before he turns away from her and walks the rest of the catwalk, eventually following her down the stairs and back to the Jeep.

“Owen Grady, this is Dr. Henry Wu.” Claire introduces them as the elevator doors open to the incubation lab. It’s sterile and white and reminds Owen of a military medical facility. Out of all the scientists there, Dr. Wu is the only one wearing a bespoke black suit.

Owen shakes the doctor’s hand.

“Dr. Wu, this is Owen Grady. He’ll be spearheading Project IBRIS.” Claire says as he leads the way down the corridor of glass walls and doors. As they move past, Owen glimpses around him with muted fascination. He’d never been one for science, but there’s something methodical about watching them work: extracting DNA from amber samples. Playing with double helix’s suspended on touch screens in their areas, mixing genomes.

“What’s the survival rate of the hatchlings?” Owen asks as Dr. Wu leads them down a secondary hallway and presses his hand against the reader to unlock the door with a soft hiss. Claire takes a step to the side to allow Owen to pass before her, as he comes to stand before the two large nests, each nest holding six velociraptor eggs.

“The typical rate is two per nest, but it’s a bit of a lottery, Mr. Grady. Sometimes it’s two, sometimes it’s one …sometimes it’s none at all and the process starts all over.” Owen feels his brows furrow at the utter lack of emotion in Dr. Wu’s voice as he says it. Owen isn’t sure if the man is just apathetic or if, after years of dealing with failed incubations he’s just grown …desensitized.

Owen frowns but leans closer to examine the next that Dr. Wu hovers around, hand pressing against a draw diagram with neat scribbling written on it. He looks down at in surprise.

“What’s this?”

“Ah, each raptor hatching has mixed DNA with a different reptile to give them all a unique appearance. I thought it would be easier for you to tell them apart that way.” Dr. Wu makes it sound like it’s an generously altruistic act but Owen can’t help but feel insulted.

“How incredibly kind of you.” Owen deadpans sarcastically, letting out a low grunt of pain as he feels Claire step on his toes in a clear warning.

“Sorry, Mr. Grady.” She murmurs in an apology that sounds sincere but he knows damn well isn’t. She puts on a good show for Dr. Wu.

If Dr. Wu noticed the silent battle of stares happening between Claire and Owen he pays no attention to it, or rather draws no attention to it. Instead, he lets the band of his black rubber gloves snap against his wrists as he puts them on and points to four eggs in the oldest nest.

“As you can see these eggs have stress fractures along the egg shell. I estimate they’ll hatch within the next couple of days or so, but I’ve taken the liberty of syncing this tablet,” Dr. Wu gestures to it and Claire grabs it off the table for him and hands it out to Owen. “to these monitors. I want you here from sun rise to sun fall watching them, but the tablet’s alarm is set to go off if they begin to show increased signs of activity. Your employee ID card will get you into the lab’s elevator and into this room exclusively.”

“Alright.” Owen agrees. He knows the importance of being here when they hatch, of imprinting upon them the moment they’re born. It’ll jumpstart and further help to cement the bond he’ll work to create with them.

“Well,” Owen pulls up an office chair and lowers himself down into it. “Best get started.” He says dismissively.

Dr. Wu takes his exit then, not needing to be told twice until it’s just Claire and Owen. She procures a sleek, white phone from her pocket and holds it out to him. Gingerly, Owen takes it. Like everything in this lab it looks highly breakable.

“Company work phone. It’s pre-programmed with everyone’s numbers. ACU, Dr. Wu, the park rangers are all on your speed dial.” Owen thanks her, watching her as she hesitates for a moment before she glimpses back over her shoulder and exits the lab room, heading back the way they’d came. Owen rubs his eyes and stretches in the chair before he turns his gaze to the two nests, his eyes drawn to an egg in the second nest. It’s a bit bigger than the others: not noticeable upon first glance and it’s shell is almost a matte pearlescent color with tiny, iridescent blue vein-like marks, easily missed if one wasn’t studying the egg as intensely as Owen finds himself. He stretches out a finger to touch the egg, the rough texture of the shell warm beneath his fingertips. He follows an iridescent blue vein’s path along the egg with a gentle trace of his fingertip and recoils his hand and drawing in a sharp breath when he feels the egg thrum like a heartbeat. Owen’s brows furrow before he decides he better not touch them again, lest Dr. Wu catches him.

He looks like the kind of man who’d love nothing wrong to read him the riot act and given that Owen’s fairly sure Claire’s already given herself that power he doesn’t want the two of them to gang up on him. He settles back in the chair, watching the monitors and comparing them, making sense of the scientific mumbo-jumbo enough to have a grasp on what he’s looking at and what he’s looking for.

#becoming the raptor wrangler #owen grady #claire dearing #henry wu #jurassic world #jw

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prankvids · 4 months

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The Most Gullible Prison Guard Ever - Key & Peele

https://PrankVids.com the,most,gullible,Key & Peele,Key and Peele,Jordan Peele,Keegan-Michael Key,keey & peele,Key & Peele full episodes,key and peele show,kay and peele,prison guard,gullible,prison break,prison,jail,bust,sketch comedy,funny,funny video,comedy videos,funny jokes,funny clips,key and peele prison guard,jailbreak,

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liveindiatimes · 4 years

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The Twilight Zone season 2 review: Jordan Peele’s reboot has neither the wit nor wisdom of Netflix’s Black Mirror - tv

https://liveindiatimes.com/the-twilight-zone-season-2-review-jordan-peeles-reboot-has-neither-the-wit-nor-wisdom-of-netflixs-black-mirror-tv/

The Twilight Zone season 2 Cast – Jimmi Simpson, Gillian Jacobs, Billy Porter, Daniel Sunjata, Gretchen Mol

They say you get the government that you deserve. But what they don’t say is that you also get the Twilight Zone revival you deserve. On both accounts, we appear to have been short-changed.

The second season of the science-fiction anthology series, available in India on Voot Select, continues to suffer from what I’ve decided to call the John Carter Jinx. It’s an affliction that affects properties that have inspired countless imitators, but in the process been overtaken by them, to the point that few remember their relevance at all. While John Carter, the film, was a legendary box office disaster, despite the original novels having inspired everything from Star Wars to Avatar, Jordan Peele’s Twilight Zone reboot is a pale counterpart to Black Mirror, or even the recent Tales From the Loop.

Watch the Twilight Zone season 2 trailer here

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Neither has it been able to live up to its own illustrious legacy. The Twilight Zone has been revived on several occasions, none coming close to the original. Without exception, the highlights of the new episodes are Peele’s brief appearances as the Narrator. There he stands, a stoic expression on his face and a crisp three-piece suit on his back, doing a fine job of amping you up at the beginning of every episode, only for the episode itself to let you down.

Of the three provided for preview — there will be 10 in total — none boasts the wit or wisdom of the original 1959 series, created and narrated by Rod Serling. You Might Also Like, written and directed by Oz Perkins (son of Psycho star Anthony), comes the closest to capturing the retro vibe that fans associate with the Twilight Zone. It builds upon a premise that feels both contemporary and campy, although I cannot, of course, reveal any details about it here.

The Who of You, directed by Key & Peele alum Peter Atencio, is a handsomely shot entry, but bafflingly written. About an unemployed actor whose desperation takes him down dreary paths, the episode crumbles under its own weight, and even at 46 minutes long, feels like an eternity.

Jimmi Simpson in a still from Meet in the Middle.

Meet in the Middle, directed and shot by Matthias Herndl, is utterly gorgeous to look at, and also the most accessible. Inspired partially by Spike Jonze’s Her, the chapter stars Jimmi Simpson as a loner who strikes a telepathic connection with a woman named Annie, played by Gillian Jacobs in a mostly voice role. But while Her made startling observations about modern romance, and Black Mirror’s similar Hang the DJ satirised the idea of finding a soulmate, Meet in the Middle doesn’t fully explore the potential of its premise. Simpson is terrific as the unstable Phil, shot in soft focus that isolates him from the world, but the episode ends with a bit of an unmotivated letdown.

Also read: Tales from the Loop review: In bleak times, new Amazon show is a brighter alternative to Black Mirror

As it turns out, Peele’s involvement in the show feels as tertiary as his short on-screen appearances. The reboot has none of the brilliance of his two feature films — Get Out and Us.

There is, of course, no shortage of television and cinema inspired by The Twilight Zone for you to enjoy instead. As a quick remedy for this disappointment, I’d recommend Amazon’s recent The Vast of Night — a stripped-down sci-fi spectacle that announced director Andrew Patterson as one to watch out for.

Follow @htshowbiz for more The author tweets @RohanNaahar

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chakytron · 3 years

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Meeting Bigoted Parents - Key & Peele

Meeting Bigoted Parents – Key & Peele

Meeting Bigoted Parents – Key & Peele Category Comedy Description: A woman’s parents don’t hide their dislike of her new fiancé. About Key & Peele: Key & Peele showcases the fearless wit of stars Keegan-Michael Key and … TopTrengingTV Hunting the most trend video of the moment, every hour every day 24/7. Youtube Video Data Published At: 2021-02-01T21:00:02Z Tags: [‘toptrendingtv’, ‘trend…

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jerepars · 7 years

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Heartthrob Story Notes

Hyperlinks appear in blue (underlined on mobile). The story is here.

I wrote this after watching Riverdale all the way through three times (Season 2 doesn't premiere until October 2017 and Season 1 only has 13 episodes). I've definitely overanalyzed the charactsuers, their key moments, their relationships. Everything.

I've loved TV shows before, loved pairings on TV shows before, but I don't think I've ever been so emotionally invested as I am in Bughead to the point where I wanted to write something. I've only ever been inspired to write by music and hockey, really.

So. In my overanalysis of the show and the situations the characters have been put through, it dawned on me that Archie isn't actually the heartthrob he's presented as. Sure, he's an All-American jock with a pretty smile and nice abs. But when you peel back all the layers, see what his problems are, see his cluelessness about basically everything, you're left with what he really is--in my opinion--just a fuckboy.

And so emerges the true heartthrob of Riverdale, Jughead Jones. He's literally in all of the best scences (exhibits: fighting with Betty, calling his mom, when he goes to see FP). He's pretentious but smart. He's the emo loner kid stealing the audience's hearts, stealing Betty's heart.

Damn this show for their perfect portrayal of Bughead. Watching it feels so real, what it really felt like to be a teenager.

Wanting so badly for Bughead to be endgame and believing Jughead is the real heartthrob of Riverdale, I came up with this.

I sat thinking for a long time that I don't really have any good original ideas because wow, I looked, and the Bughead shippers have it covered really well. When it was about to be Father's Day, while re-watching Bughead clips for the umpteenth time, I sighed at something adorable and audibly said "aw, Juggie".

That became it, the story. That's the tl;dr version of the story, really, just "Juggie!"

When I started writing I just intended for it to be some light fluff, Betty and Jughead in the future, as parents, and instead of their kid calling him her dad for the first time, she calls him what everyone else that loves him calls him. I think it got a little darker as I went along, adding in the backstory. I think that makes sense because it's not actually a light show, despite being a "teen drama" on The CW.

As per usual with my story notes, there is an awful lot of overexplaining below. I've linked a lot of clips from the show which may or may not be spoilers. I think this drabble still makes sense if you've never seen Riverdale or if you don't care to, but they're there if you so choose.

These mornings were tough. Waking up at the crack of dawn to the sound of a crying baby through the baby monitor. Not that these kind of mornings were new per se - there had been a period of time, during his sophomore year of high school when he set his alarm for this time, when he had been living in a tiny closet at Riverdale High School. Somehow that had been a better alternative than staying in the trailer park with his usually absent alcoholic father.

The first paragraph is a reference to the opening scene of 1x07 (0:00 to 1:10), where Jughead wakes up from a dream in the closet at the high school, where he's been living, and he has to explain himself when Archie catches him.

Given the so-called destiny he’d believed his two best friends were meant to have, Jughead hadn’t planned on falling in love with Betty Cooper. He’d always thought his destiny was to remain the weird loner kid, always on the outs. It took until they were sophomores in high school for Jughead to realize Betty was it – the light at the end of the tunnel waiting to envelope him and pull him out of the darkness. And as it turned out, where darkness and light were concerned, they evened each other out. Facing her own demons, her own darkness, Jughead had been her spot of light seeping through.

It was a delicate balance between the two of them until they got out of Riverdale. Just as quickly as he'd put on the leather Southside Serpents jacket, she'd made him vow it was only temporary, to protect himself and to protect them. She made him take an oath that one day when he took it off, it would be for good and he would never put it back on again. Betty had made him promise the civil war in Riverdale wouldn't be the nooses around their necks, and hand in hand, they would make it out of their devil town not just to live, but to thrive.

I was listening to the Bright Eyes cover of "Devil Town" a lot while I was writing backstory about Jughead's past and their town, Riverdale. In the same way that the narrative talks about the delicate balance of light and dark and of Betty and Jughead, I like the way the song sounds light but is talking about darkness.

And, come on, how could I not give The Jacket a shout out?

Years later, on the day he married Betty, at the wedding reception, while giving the maid of honor’s speech, Veronica had quipped about the irony of it all. Jughead had gone from the brooding Holden Caulfield-esque loner outsider to the heartthrob of his own novel, because he was the one who ended up marrying the beautiful blonde cheerleader to have the happily ever after with.

In 1x07, again, Veronica actually refers to Jughead as Riverdale's version of Holden Caulfield (1:11 to 3:15) after a "Scooby Gang" meeting where Jughead puts his arm around Betty and the group doesn't know about them yet.

He had written a novel. It had been about Jason Blossom’s murder and its impact on Riverdale. But the narrative was from Jughead’s perspective. He was a constant in the book’s pages because of his connection to all those involved, most notably FP, his father. When the book sold well, even Hollywood had come knocking on his publisher’s door. They’d wanted the film rights to the novel, they wanted to sensationalize the most terrible thing to happen in Riverdale, to tell the story of his teenage angst. They’d even dropped the name of the actor who they would target to play his own ‘character’—a former Disney star with a sharp jaw, slightly nasal voice, and gigantic social media following.

Jughead never did sign on the dotted line for the project but it was true that he was a living, breathing cliché of the American Dream, and he loved it. He’d grown up to be the heartthrob of his own life. He was reminded of that every time Betty smiled at him, and now, every time Sadie did, too.

Last sentence of the first paragraph: that's just me, breaking the fourth wall, in a sense because um, the description is literally Cole Sprouse, who plays Jughead. I did this to amuse myself more than anything else, really. Maybe I think his voice is a little nasal. Not that that's necessarily a bad thing. I think it suits him. Alluding all the way back to the Archie comics, I think it suits Jughead's character, too.

Despite Jughead's non-conformist attitude as a teenager, I feel like it's appropriate for him to accept the American Dream, be proud to have it even, in this adult version of him. In 1x04, when he's whining about the Twilight Drive-In closing one of the first things he mentions is "a nail in the coffin of [...] the American Dream," and he's upset something good he's held on to is being taken away. I think part of the reason Jughead becomes isolated and non-conformist and a self-proclaimed loner is not because he doesn't want the American Dream, but because he's always thought someone in his shoes can't ever have that.

He caught her arm before she could saunter off and pulled her into his lap. He kissed her on the mouth hard, one hand ghosting up under the shirt she was wearing to graze at the bare skin of her upper thigh and one hand cupping the back of her neck. He sighed, content, and for a moment was transported back to a moment—their first moment—in her childhood bedroom surrounded by floral wallpaper.

There were times when he still felt like he did back then, crawling through her window to comfort her after they’d found Polly at The Sisters of Quiet Mercy, while also nervous, at a loss for words because he wanted to kiss her so badly, to let her know what the connection they’d forged while investigating Jason’s murder meant to him.

Basically just a reference to everything Bughead in 1x06 leading up to their first kiss in Betty's floral bedroom. Juggie called it their moment, so I called it their moment.

“Nearly everyone in my life who loves me has called me ‘Juggie’ at one point or another,” Jughead reminded her. “What’s one more?”

Cereal forgotten, Betty moved her hand under her chin, thinking about his statement. He was right. She called him that. Archie called him that. Jellybean called him that. It was a short list, but Betty knew it was the only list that mattered to Jughead.

I think the first time he's called "Juggie" on the show is actually in 1x03 when Betty recruits him for the school paper. Archie calls him that later on. They're both sort of wrong about only the shortlisted people calling him this, because in the opening scence of 1x13, Pop Tate calls him Juggie as he slides over the coffee (1:01 to 1:06; WARNING: major spoilers in this clip!).

Oh, did you think I was kidding about how thoroughly I've watched this show? No, no. I'm neurotic.

I still think it's a valid point though. Jughead doesn't like very many people so it makes sense that very few would ever get so close to him to call him Juggie.

“Who's your daddy?” Jughead made a face and kicked Betty lightly under the table. “Please never say that again, Betts. It's creepy.”

I couldn't write this and not make reference to the whole "daddy" war thing the Riverdale cast had going on. Obviously.

Also, I am trash and I hate myself.

He gave her that look, the one he saved just for her. The look that meant he loved her completely, entirely, with everything he had. She'd seen that look before, when they'd told each other for the first time they loved each other, and on their wedding day, and when Sadie was born.

First, he takes the beanie off. Then the look Jughead gives Betty when he tells her he loves her (0:53). Then the look Jughead gives her when she tells him she loves him (1:04). That's the look. Oh, my heartstrings.

I wrote this listening to Tegan and Sara's Heartthrob and Paramore's After Laughter and The Gaslight Anthem's American Slang. At the end of it all, what it really is, is a love letter to Bughead, I think. It's an exercise in writing that I hope is a launching pad that gets me back to hockey stories.

Doing this all weekend was fun. It immediately took me back to how consumed I get when I am writing. I don't have writer's block, because I never do. I don't have time to write.

I want to make time to write.

We'll see.

#je repars notes

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isgrow · 5 years

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Ultimate Fighting Goes to the Next Level - Key & Peele

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Two ultimate fighters make their case for why they’re going to win the big match, but one of them clearly takes it more seriously than the other.

About Key & Peele: Key & Peele showcases the fearless wit of stars Keegan-Michael Key and Jordan Peele as the duo takes on everything from “Gremlins 2” to systemic racism. With an array of sketches as wide-reaching as they are cringingly accurate, the pair has created a bevy of classic characters, including Wendell, the players of the East/West Bowl and President Obama’s Anger Translator.

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being published on http://mybecause.com/ultimate-fighting-goes-to-the-next-level-key-peele/

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airoasis · 5 years

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Key & Peele - Turbulence - Uncensored

New Post has been published on https://hititem.kr/key-peele-turbulence-uncensored-2/

Key & Peele - Turbulence - Uncensored

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