#Key and Peele

[artist-issues]

I saw you answer an ask on Toy Story, which was super interesting, and also say:

"It’s an incredibly good movie series. Not Toy Story 4. But the rest of the series."

I didn't actually see Toy Story 4 because I felt the first three tied the story up very well, and we got a really good arc through those first three. It just felt unnecessary, and what I did see from it didn't make me eager to go out and watch it.

Could you expand on where you think Toy Story 4 goes wrong? If the other three convey selflessness, living and finding purpose, then what does that Toy Story 4 try to convey? Does it contradict the others?

I think Toy Story 4 goes wrong by trying to make Woody selfish. I mean, you could say that he isn't selfish to leave Bonnie and his friends and embrace the "Lost Toy" lifestyle. You could say "he just went from taking care of one kid who didn't really need him anymore to taking care of every lost kid who could need him, and finding lost toys homes. That's what was happening with the lost little girl at the end!"

Okay, you could say all that, but you'd be wrong, because 1) that is not what was happening at the end. And 2) even if it were, that is not a selfless ending for Woody. Furthermore 3) it undoes all his character development and progression from the first three.

You didn't see the fourth movie, right? So let me break it down a little.

Woody's character progression goes like this:

1: Obsessed with being The Most Important Toy to Andy --> Remembering that what's great about being a toy is being there for Andy when he needs them, regardless of how often or special that is.

2: Fine with no longer being The Most Important Toy to Andy, but considering leaving because Andy will eventually not need him, ever --> Realizing that being there means being there, even if it's just to watch and love from a distance, instead of protecting yourself to no end.

3. Committed to Being There even if he's not needed --> But this includes being there for his friends, even after they choose to abandon him and the mission. (It's important to note that Woody only offers ((by getting in the box to Bonnie's)) to leave Andy if Andy chooses to give him to a kid who needs him more.)

The whole idea is that Woody belongs to someone. He's not his own. He's a toy. Toys belong to their kid; they don't have the right to just leave. If they did, they'd be bad toys. Because you never know how much a kid will be heartbroken, or whether or not they might need you down the road. Every movie before Toy Story 4 is Woody doubting that, but then coming back to it. That's why in Toy Story 3, when everyone is in Andy's Room sad because he won't play with them and he's about to leave, Woody is totally onboard with staying in the Attic for years—because maybe they'll get to be played with by Andy's kids. He's loyal, and selfless, because he knows he's not his own. He's willing to go to Bonnie only because it'll mean staying with his friends where they're needed; but ONLY if ANDY willingly gives them up.

Enter Toy Story 4.

Woody's having a hard time adjusting to Bonnie's Room because 1) he doesn't get played with, his role in the games is taken by Jessie. So he's right back where he was in the first movie, stuck in a closet watching another toy get played with. And 2) Dolly is the leader of the room, so he's not even really allowed to be helpful to his friends during their off hours, because she's got that covered. So he feels directionless.

UNTIL Bonnie goes to school for the first time. She's not allowed to bring toys. Dolly is fine with this but Woody goes anyway because he's sure Bonnie will need something.

And in this beautiful first portion of character development for Woody, he does not sneak out of the backpack and get Bonnie to gain comfort from him, her one and only toy, at daycare. Even though he totally could've. He could've seized his moment in her heart. But he didn't. Because he already learned that lesson in Toy Story 1-3: he doesn't need to be everything to the kid. He just needs to do what's best for the kid, and to do that, he has to be there.

So instead he throws her a bunch of craft supplies to play with when nobody sits with her. She gets distracted by making Forky, a toy made from a spork and some pipe cleaner.

Bonnie is, from that moment on and throughout the rest of the movie, without exception, OBSESSED with Forky. There is no other toy in her mind. But Forky is a lot like Buzz was in the first movie after learning he's a toy: he doesn't understand what's so great about that, and would rather go back to being trash. He keeps trying to jump in garbage cans while Bonnie's family takes a road trip. And for some inexplicable reason, none of the other toys really care about this. But Woody, knowing what Bonnie needs, basically posts a 24-hour suicide watch on Forky and keeps pulling him back over to Bonnie, out of the trash.

The problem is, Woody isn't that excited about this. He is just doggedly resigned to it as his duty. He keeps rescuing Forky and getting no love in return; Buzz sort of tries to be supportive and offer to help, but nobody else seems to care about Bonnie and Forky, and Woody thinks this is his only way to be useful so he really doesn't want their help.

Which is stupid. Because if he were really committed to being selfless and loving Bonnie, he'd let everyone help. Because the point isn't "how will I feel if I fail to do this on my own? What's my purpose?" That's selfish. It's "you-focused." The point should be "How can we get this job done best for Bonnie?" with no consideration of "self." That would be selfless, which is the point of Toy Story movies.

Anyway. I'll speed up.

Basically by Act 2 Forky comes to understand (thanks to Woody) how great it is to be a toy. But no sooner does he want to go back to Bonnie (on the road trip) than Woody suddenly gets distracted. His whole life's mission of doing what's good for his kid is derailed because he finds Bo Peep again. Meanwhile, Forky is captured by a villainous antique doll with no voice box, who is fixated on being bought by a little girl and thinks that if she had Woody's voice box her dreams would come true.

Bo Peep has been living as a Lost Toy. Basically the movie sets this up as if Lost Toys take care of each other, patching up injuries and having fun together even when no kids are around: they're just doing the same sort of thing that the reformed toys at Sunnyside Daycare do. But in a playground/fairground setting.

Bo Peep doesn't want to be with one kid. She wants to keep doing this more selfish lifestyle, where she can be played with whenever she wants, help toys whenever she wants, and avoid the heartbreak of a kid abandoning her.

Understandable.

But thats the opposite of everything Woody's learned in the last three (and a half) movies. He could've made the decision Bo Peep is making at any point in Andy's childhood. But he's already learned that being there means Being There, regardless of what the kid can do for you.

I mean, I hate to point it out, because I know people will try to make it an allegory for "staying in an abusive situation," even though that's NOT what I'm saying, but seriously—think back to Sid's House in the very first movie. They don't lead all the broken toys to a life of freedom. They force Sid to be a better kid, but the broken toys stay there. Because they're Sid's Toys.

Contrast that with the "hardship" Bo Peep has been through...Bo Peep just...got pawned off. She didn't have body parts removed and sewn onto other toys. She didn't get strapped to a firework or melted down. But she's treated like this revolutionary, independent, strong-woman toy who's introducing this great concept of freedom to Woody.

That's all wrong for Woody. And for most of the movie, he resists it, so that's good.

But what it comes down to, at the end, is Woody deciding to choose what he wants over his ideals of selflessness and loyalty. He wants to stay with Bo Peep (because romance) and he wants to be needed. Lost Kids and Toys "need" him more than Bonnie.

To be fair, they try to build up to this in a way that makes sense for his character. They try really hard, they do. They show that Woody is still selfless when it comes to the happiness of kids and toys; he willingly gives up his voice box so that Forky can go back to Bonnie, and the doll villainess can have a shot at her dream. They show that he's ready to support that villainess and help her find a kid she could be true to even after the kid she wanted rejects her. They show that he really was going to leave Bo, even at the very end, even though he didn't want to—and it takes Buzz insisting that Bonnie will "be all right" without him for Woody to give it all up.

They do try.

But that's the thing. The only way they could set up Woody's decision to abandon his friends and his kid for life as a Lost Toy was by centering it around this idea of "where I'm needed."

But 1) "where I'm needed" is too self-focused for Woody, because of all the reasons in Toy Story 2 and 1, and 2) you can't have it both ways. You can't say Woody's all about "where he can be of service best" and all about "what he wants." Those two focuses contradict one another, in Woody's case.

That's what it boils down to. They took the characters that are literally made to say, "live your life for others, love regardless of whether or not you're loved back," and they try to say, "nooo, actually, that's toxic, you have to do what you want, what feels most fulfilling to you, self-care, etc." And they do their best to shoehorn Woody into that by saying "what he's most fulfilled by is being needed."

That's all wrong for Toy Story. Woody developed away from making all his decisions based on where he's "needed" in Toy Story 2. Woody expressed loyalty to both Andy and his friends perfectly in Toy Story 3 by putting himself in Bonnie's box and letting Andy decide, his owner decide, where he should be.

And then Toy Story 4 comes along and says, "No, Woody gets to decide, and he decides where he's needed, and he's fine with separating from not only his kid, but his friends."

This post is already too long but also, if you try to spin it so Woody's still in-character and selfless by helping Lost Toys find kids, it starts to make no sense. If the Lost Toy lifestyle is so great, because you can pick up playtime with kids and put it back down whenever you feel like it—and you should, because kids will always get older and throw you out—why should Woody ever help Lost Toys find a kid to go home with? Why wouldn't he say, like Bo, "hey that's nice but eventually they'll grow up, it's a dead-end, just stay out in this playground with us. That's what's best for you. Be a Lost Toy like us."

The only possible answer to that question, which IS supposedly Woody's fulfilling ending, is, "Because maybe some toys just 'want' to go home with one kid. And if they do, they should be allowed to do what they want. And Woody can help them, because helping them is what he wants."

Allll back to "what YOU want" which is the opposite of being a toy. Anyway. The horse is dead, I'll quit beating it.

[wanqiqis]

[derekfoxwit]

For those wondering:

 https://www.bustle.com/articles/186641-tim-burton-explains-why-miss-peregrines-home-for-peculiar-children-features-a-predominantly-white-cast

https://www.usmagazine.com/celebrity-news/news/tim-burton-slammed-for-comments-about-diversity-in-movies-w442854/

[slimmwrites]

I watched Wendell and Wild and couldn't resist making fanart. The storyline, the characters, and the nostalgia I felt with its connection to other stop-motion films like Coraline, ParaNorman and Corpse Bride❤️ also Raúl reminds me of Yadriel, and I choose to believe they're the same person in different universes🥴

[heblankhard]

Idk why i decided i needed to do an edit of this key and peele skit but here it is

[moccimu]

Commissioned work for the new stop-motion masterpiece Wendell and Wild!

Go check it out! What a fantastic movie.

[mikelogan]

TJ MIKELOGAN'S HALLOWEEN 2023 EVENT ↳ Day 2: A Halloween comedy

Key & Peele Halloween Episodes 2x06 Michael Jackson Halloween 3x07 Sexy Vampires 4x06 Scariest Movie Ever

@lgbtqcreators creator challenge - comedy

[astralbondpro]

Key & Peele // S01E01: Lil Wayne

[thundergrace]

[missveryvery]

"Your jacket, though!"

Based on the "Meegan, Come Back" sketch by Key and Peele

Turning around and making sure he's following and giving him the horniest look and Feng Xin also turning around to see if he's looking is so fucking FengQing.

Feng Xin: Are you kidding me?

Mu Qing: No!

Feng Xin: Seriously, you've gotta come back in the bar right now.

Mu Qing: You come back in the bar!

Feng Xin: Mu Qing, I don't even fucking know Qingxuan!

Mu Qing: Yeah, right!

Feng Xin: I'm sorry! You left your jacket!

Mu Qing: Yeah, well, why don't you give it to your new fat ugly girlfriend?

Feng Xin: I haven't even met her yet!

Mu Qing: Whatever!

Feng Xin: You left your jacket, Mu Qing!

Mu Qing: Oh, throw it in a river!

Feng Xin: Why would I fucking do that?

Mu Qing: I don't care, I'm over it!

Feng Xin: Fine! God.

Feng Xin: Mu Qing!

Mu Qing: Leave me alone!

Feng Xin: Your jacket, though!

Mu Qing: No!

Feng Xin: Seriously, Mu Qing!

Mu Qing: You start buying drinks for everybody as soon as she comes over. I mean, who does that?

Feng Xin: Mu Qing, come back to the bar!

Mu Qing: You're literally an asshole!

Feng Xin: How is that possible? I can't be an asshole. I got arms and legs and a head!

Mu Qing: Where's my jacket?

Feng Xin: I have your jacket!

Mu Qing: Fine.

Feng Xin: Do you want it?

Mu Qing: No!

Feng Xin: You know wha...

Mu Qing: Eat it!

Feng Xin: Why would I do that? You know what? I'm not following you anymore! I'm done!

Mu Qing: Fine! I'm over it!

Feng Xin: Fine!

Feng Xin: Mu Qing, come back to the bar.

Mu Qing: No!

Feng Xin: Mu Qing! Mu Qing! Mu Qing!

Mu Qing: Uh-uh! No! Uh-uh!

Feng Xin: Mu Qing, do you want your fucking jacket?

Mu Qing: No!

Feng Xin: Seriously, come back to the bar.

Mu Qing: You go back to the bar.

Feng Xin: I'm gonna throw this jacket in the water.

Mu Qing: Oh, nice. That's really nice.

Feng Xin: What do you want me to do, Mu Qing? Damn!

Mu Qing: Kiss my butthole, okay?

Feng Xin: Good! Fine! Fine! Then I'm going! I'm leaving right now!

Feng Xin: God damn it!

Feng Xin: Mu Qing!

Mu Qing: No!

Feng Xin: Like, seriously, your jacket!

Mu Qing: No!

Feng Xin: But it's your jacket, though!

Mu Qing: Whatever!

Feng Xin: Mu Qing!

Mu Qing: No!

Feng Xin: I have your j...

I have your jacket.

Mu Qing: I'm over it!

Feng Xin: Seriously, Mu...

[mannyblacque]

I watched this last night because I noticed Jordan Peele was involved. I was just expecting a fun stop motion animation movie.

I was not expecting:

Racially and ethnically diverse cast ✓

Positive trans portrayal ✓

Anti for-profit prison message ✓

Kick ass afro-punk soundtrack ✓

It makes my heart happy to see so much positive portrayals of diversity set to rock music by BIPOC musicians. 🙂

[howlingday]

Can you also do the Key and Peele African Warlord sketch please? Love your submissions by the way, if I hadn’t said it yet

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Thank you. I appreciate your appreciation.

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Ilia: High Leader Taurus! Huntsmen are at the edge of the village! There are not many of us left. Should we surrender?

Adam: Surrender... is a luxury I cannot afford. If I am found, they will capture me and torture me for weeks. That is not how I intend to go. I want you, my most trusted soldier, to take my life. That is... my final order as your High Leader.

Ilia: Yes, sir! (Stabs him)

Adam: AGH! AGH! AGH! WHAT THE HELL ARE YOU DOING?! AAAAAAAAAARGH!

Ilia: I-I was trying to kill, sir!

Adam: Not with that! There's a gun to my side!

Ilia: Oh, right! Sorry!

Adam: It's amazing! Three sword wounds, and not one of them in a vital organ!

Ilia: Got it!

Adam: Okay! Now kill me, Ilia, please!

Ilia: (Fires)

Adam: AAAAAAAAAAGH! WHY THE KNEE?!

Ilia: I thought you'd want an open casket!

Adam: YOU! ARE! AN IDIOT! Agh...

Ilia: There's no need to be mean about it...

Adam: Shoot! Me! In the head! Now, you stupid bitch!

Ilia: Right. (Lifts gun) So long, you evil son of a- (Click!)

Adam: ...Do you just insult me as you were about to shoot me?

Ilia: Well, you insulted me, and I thought... Well, I thought you would be dead. ...Sorry. (Hits him with the gun butt)

Adam: OW! WHAT IS THE MATTER WITH YOU?! THERE'S SHELLS IN THE DRAWER! Agh... H-Hurry, Ilia! I'm in agony...

Ilia: (Throws a washbin at his head)

Adam: WHAT IS WRONG WITH YOU?!

Ilia: I'm sorry! I couldn't find the shells, so I tried something as quick. Uh, but don't worry! I found something just as good! (Holding steaming pot)

Adam: What are you do- AAAAAAAAAAAGH! STOP! STOP! (Runs outside) I SURRENDER! I'M HIGH LEADER ADAM TAURUS AND I SURRENDER!

Ilia: HIGH LEADER, WAIT! THEY'RE GOING TO TORTURE YOU!

[bellamer]

Iiiiii just think its kinda funny that I've only seen white people hating on Wendell & Wild and saying that it's not good and that it's a trash movie.

I bet $100 and all of my Bubba Sawyer merch that if this movie was made by Tim Burton and if his racist ass did what he does best and had all of the characters be skinny white people with dark bags under all of their eyes and Wendell or Buffalo Belzer was played by Johnny Depp and Sister Helley was played by Helena Boham Carter, they'd be eating this shit up and calling it the "best new Halloween movie ever"

I'm right and y'all fucking know it.

[demigoddessqueens]

Sometimes a family is a girl, two brother demons and their demon father, the friend she made, and a nun.

Seriously this movie was amazing and deserves every bit of attention!!

[thecoolguy24601]

Who is the most cursed child

Young Jake (Free Birds)

Young Kanan Jarrus (Star Wars: The Batch Bad)

Young Jordan Peele (Key and Peele)

[mikelogan]

MIKELOGAN’s 5K FOLLOWER CELEBRATION || GET TO KNOW ME MEME FAVORITE EPISODES [1/10]

Key & Peele 4x03 "Old Ladies and Satan" (2014)