Horror Movie of the Day: Piggie (Cerdita, 2022)
Sara lives in a small rural town of Spain as a normal teenager who helps her family with the family butchery, dreaming of of romances and parties like any other would. There’s only one problem, though: she’s overweight, and thus, the target of some relentless bullying from the more popular girls at school who frequently call her “piggy”. All to the absolute indifference of her parents. This comes to a boiling point by the time they nearly drown her in the public pool through their pranks, as well as stealing her clothes. So when a humiliated and half naked Sara comes across a van on her way home where her tormentors have been kidnapped by a complete stranger, she keeps silence.
For that man was the one person to show her kindness, simply giving her clothes back… and driving away with the bullies.
Directed by Carlota Pereda, this Spanish production based on a short of the same name is as enthralling on it’s rhythm as its challenging on its subject matter. To help its case, though, the stylistic choices it brings to the table are on point. It’s initial warm pastel colors counterpoint the intense commentary about bullying, the expectations of normalcy and saccharine pop music juxtaposed to the abuse on screen, only to gradually devolve into something darker that culminates with the nightmare of desaturated greys you’d expect from a grindhouse film. All of which is enhanced by the stellar performance of Laura Galan, who despite being 35 at the time of filming completely captures the emotional instability of a tormented teenager.
It really begs the question of why would someone be required to show compassion for people that have given them misery their entire life, and criticizes the passivity and moral myopia that enables this environment to begin with. It keeps things simple where it oughts, while also displaying some elegant filmaking and not giving clear cut answers to the questions it raises.
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Cerdita (Piggy)
Movies watched in 2023
Cerdita (Piggy) (2022, Spain)
Director & Writer: Carlota Pereda
Mini-review:
I loved this way more than I thought I would. The representation probably isn't perfect, but it portrays fatphobia in a really harsh and unflinching light. Some people might find it too much, but I think Carlota Pereda made the right choice, showing how bullying and abuse can affect a person's psyche. Oh, and it was a fantastic move to show that fatphobia can happen at home as much as it happens outside. While there are strong doses of dark humor here and there, the movie is a pretty hard watch at times, so be warned.
All that being said, the movie's true power rests entirely on Laura Galán's bravura performance. She perfectly conveys her character's anxiety, confusion and terror. I couldn't help but relate to her, even as her situation escalates into something pretty crazy. Also, Carmen Machi's acting is as excellent as always, but I already expected that. Finally, I wanted to mention the cinematography and the sound design. The movie flawlessly captures the vibes of summer life in a small, rural-ish Spanish town, from the light to the background noises. So yeah, I will definitely keep an eye out for Pereda and Galán's future work.
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So I finally got around to watching this. I flipped between Spanish and English to see how bad the dub really was...ultimately I decided on English. The movie was interesting but Laura Galan is my age and can't really pass for a teen. The undertones of Stockholm syndrome were there totally but it seems like the writer didn't want to really commit to going there🤔. There were a lot of unanswered questions, also Sara (piggy) wasn't made likeable enough, I liked her but she wasn't really a sympathetic character...it was still worth watching though 🖤🌹🍷
Watch "Piggy - Official Trailer" on YouTube
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Ya tenemos disponible el 4º episodio de nuestra 3ª Temporada, seguimos creando episodios sobre programación de videojuegos.
🎙Aprendizaje y maestría con raylib para crear videojuegos
👉https://bit.ly/3teDurq
❤Invitado Ramon Santamaria @raysan5 ( raylib technologies )
Moderador: Roger Montserrat Ribes
Soporte: Laura Ripoll Galan
#raylib #c #cpp #gamedev
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Dua Lipa - illusion from tanumuino on Vimeo.
DIRECTOR: @tanumuino
PRODUCED BY: @underwondercontent PRODUCED BY: @primocontent
DIRECTOR OF PHOTOGRAPHY : @nikitakkkuz
PRODUCER: @karensauri aka @holadrama
EP UNDERWONDER CONTENT: @frankborin
EP UNDERWONDER CONTENT: @ivannaborin
UK EP FREEAGENT / UNDERWONDER CONTENT : @freeagentuk MD / EXECUTIVE PRODUCER PRIMO CONTENT: @corarodriguezl
RECORD LABEL: @warnerrecordsuk COMMISSIONER: @theresaadebiyi
MANAGEMENT: Radical 22
MANAGER: @dukagjinlipa
DAY- TO- DAY MANAGER: @fiagold
PRODUCER: @peterjabbott
EA: @maisy_nicholson
PA: @oliviagmoss
MARKETING DIRECTOR (RADICAL 22) : @quart3y MARKETING DIRECTOR (WARNER): @sir_lotts MARKETING COORDINATOR (WARNER): @_oscarmarley
PRODUCTION DESIGNER: @nightwindow
1st AD : @oleksiismoliar
EDITOR: @carlosfontclos
CHOREOGRAPHER: @charmladonna
ASSOCIATE CHOREOGRAPHER: @sharon.june
ARTISTIC SWIMMING CHOREOGRAPHER: @paulaalcorta
COLORIST: @timmasick @Company_3
DUA LIPA · STYLIST: @lorenzoposocco
TALENT STYLIST: @joecarayol
DUA LIPA · MAKE UP: @katiejanehughes
DUA LIPA · HAIR ARTIST: @peterluxhair
TALENT MAKE UP & HAIR ARTIST: @andreatrenadomakeup @valverde.x
CASTING: @marti.mendez.g @alba_ss @samxvazquez @maxcargnello @aliciaypablocasting
PRODUCTION MANAGER: @annasalgado21 Dani Molina
POST COORDINATOR: @juliaparis19 @OnlyPostproduction
1ST PRODUCTION COORDINATOR: @marti.mendez.g
2ND PRODUCTION COORDINATOR: @martamurm
PRODUCTION ASSISTANT: @neusflotats @juliaescu @alba_ss @martadelportillo LOCAL 1ST AD: @vi_____cho
2ND AD: @judit.vilarrasa
3RD AD: @__a.rov @santiago.tamagnone
SCOUTER: Edu Giménez
LOCATION MANAGER: @bufoorador
LOCATION ASSISTANT: @el_eremin
PRODUCTION RUNNER: @marcros9 @aleixumeixu @paulaynapmoc @mverneti @mikey.pages @msenpi Pau Arévalo @igor.szpakowski @julianahestrada @lauratal0 @raulbehindyou Mateo Bravo @nuriabestit
2ND CAMERA OPERATOR: @lucascasanovass 1
ST AC: A camera @hectorjuol
1ST AC: B camera @tentaclepop
1ST AC: C camera @raul.mulas
2ND AC: A camera @sancheztejera 2ND AC: B camera @albiac
VTR: Dani Garcia
VTR Assistant: @vicrodic
VTR Trainee: @joan_albos
DIT: @pablodval
DATA WRANGLER: @miriambowi
CAMERA GIMBAL OPERATOR: @xaviguillen
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DRONE PILOT: Pedro Nuñez @octocamvision
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KEY GRIP: @luiskee @Gripsupport
GRIP: Adriá Argüelles, Andy Marturan @Gripsupport
CRANE OPERATOR: Jordi Galan, Pedro Diez @servicevision_scorpio
GRIP: Dani Vazquez, Agustín Casal, Manuel Pertiñez, Ruben Adser @servicevision_scorpio
GAFFER: @rafaramirez68 @sipublicidad_
BEST BOY: @alex_narnet @sipublicidad_
SPARKS: @cristobalmarincastro @geraldojr75 @el_guiri_catala @joanplanasc @cinejoan @julia.r.j @quiquecantero @canaldamoreno Jesús Estarregui @tonibernabegracia @la.lucera @nicoaranat @elhhector
ART DIRECTOR: @teresamontanuy
ART ASSISTANT: @julcomin
PROPS BUYERS: @jordimarticasas @nurietakayak
SET DRESSER: @tupakart Juan Carlos Sabaté / Santiago Mario Giacometti Balmaceda SET DRESSER ASSISTANTS: @juandiego_thielen Alícia Jansen Avecilla / Groppo Nahuel Andres / Josefina Soledad Nicolás @deruders Carlos García Robles / Agustín Elizalde Areste @pvallve @agrageometry @andrearodbel @dg.yanez @lucasavile0 @homesick20
WATER RING AND BENCH BUILDER: @Santi_p.seoane
TOWER BUILDER: @inextremisfilmservices
DUA LIPA · STYLIST ASSISTANT: @raeannhayden
DUA LIPA · SEAMSTRESS: Allison Ozeray @all_is_on_ozer_ay
DUA LIPA · MAKE UP ARTIST ASSISTANT: Laura Asturgo @lauraasturgomakeup
DUA LIPA · HAIR ARTIST ASSISTANT: @tomarnett
DUA LIPA · NAILS: @nailsbymh
TALENT STYLIST ASSISTANT: @julspuig @andreagoldfinger
2ND STYLIST ASSISTANT: @laurajuesas @cccmolina
Seamstress: Rosa Perez
HAIR AND MAKE UP ARTIST ASSISTANT: @piliurenaantolin @laurasansp @veromejias_makeup @jesus_alameda_ @juliavargasco @piliurenaantolin @aliciarobles @luromeromakeup @mechivelasquesmakeup
ASSISTANT CHOREOGRAPHER: @sammileejayne
AGENT: @amckdance
MAIN DANCERS: @chebarrettdavis @berreteagasergio @k_anehorn @benhukin @lamaarmanning @zaccmilne @edmunro @thanhjasonnguyen @antoniospinelli.it @samxvazquez
ARTISTIC SWIMMERS: @txellmas_ @bertaferreras @paularami @blankitole @cris.arambulacs @marinagarciapolo @alisincro31 @iristiocasas @sarasaldanalopez @estelferreras @claudiaballero @nuriamartinmora @valeriia.parra @xuulss @dennisgonzalez.
ARTISTIC SWIMMER: @dennisgonzalez.04
WATER POLO PLAYERS: @lucasdelgadomusic @nacholg @Davidresmes @lexroyo
@dooriiann_
DIVERS:
@biel_clemente24 @albertodevoraramos @adrigclosa @marti.llop
TOWER CASTING: @victorrmula @guillemtome @arnaubnt @borjarichartp @enric_so @manuel.betancurt_ @lukaslatorre @joshidk @santiaylon @felixbalado @dembelfaty_ @arenow__ @exon.arcos @b0rjapalaci0s @pablo_fab18 @ikerelviraa @arovinar @naiaracabanilles @juan.pilotto @napasten
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Víctor Oscar Juaranz / Agus Aquaro Remedan / Tsega Guillermo Tricas Cameo
ACROBAT MANAGER: @maxcargnello
FX: @inextremisfilmservices
FX SUPERVISOR: Juan Carlos Davila Ramos
FX SUPERVISOR: Lluís Rivera Jove
FX TECHNICIANS: Roger Salvany Reyes, Joan Bartolomé Guillén, Jesús Manuel Duran Martínez, Juan Fuentes Rodríguez, Alex Andrés, Sergi Escuin, Raúl Rodríguez, Victor García, Roger Méndez Camps, Jonathan Álvarez Jiménez, Julian Garcia Arévalo
SET BUILDERS: Javier Cuartielles, Eric Pérez Gutierrez, Gerard Peña Pujol, Ricard Barriga, Sergi Dalmau Soler, Luís Nevado, Xavi Molas, Jordi Fernández Moreno, Iván Miguelez Fernández, Guim Adell Martínez, Sergio Pablo González Santamaria, Salvador Donato Fenómeno, Ezequiel López Sanabria, Hernán Caruso
LIFE GUARD: Lucas Resquín Reina SCUBA: Victor Soler, Lucía Osorio STUNT PERFORMER: Alicia Garcia
SOUND · PLAYBACK TECH: @jord_salin SOUND · PLAYBACK ASSIST: @ncsoundmixer
EDITOR ASSISTANT: @bernatudina
VFX: @romafx @evtukhov.fx @olyaoliviya Karina Kuzmytska POST STUDIO: @onlypostproduction
ONLINE: @sazzpineda
BEAUTY VFX PRODUCER: @maxcoltt
BEAUTY FX: @digitalbeautywork
BTS STILLS: @elizabethmiiiranda BTS VIDEO: @aysiamarotta
BTS CONTENT: @amitybloc
BTS STILLS: @the_yukka
PRODUCTION TRUCK DRIVER: Eric Fernandez
CAMERA TRUCK DRIVER: David Fons
ART TRUCK DRIVER: David Miranda, Jose Carlos Garcia AMBULANCE: Abdelaziz Dalouh
NURSE ON SET: Jacobo Solís
PHYSIOTHERAPIST ON SET: Jacobo Fernández
LABOR RISK: Salvador Tremps, Guillermo Bermudez, Leonardo Baza
SUPPLIERS: Service Vision, Zeferino, Grip Support, SIP, SIP Generators, Octocam Vision, Zig Zag Rental, Soul Food, Mars Seguridad Integral, A&R Production Service SL,
Cuchara de Palo, Blaze Prod Stuff, Aeroshoot, WRS, Ophiura Image Works, Mirco Werner P. Claes, Quadis, Badabus, Nurse On Set/ Inedit Kingdom, Rental Homs, Enelmo, Universal Plataformas Aéreas, Mudanzas Juan, Travel Face, Montgomery Kent, Geseme
VERY SPECIAL THANKS: Olimpic Artistic Swimmers, Txell Mas Pujadas, Berta Ferreras Sanz, Paula Ramírez Ibáñez, Blanca Toledano Laut, Alisa Ozhogina Ozhogin, ris Tió Casas, Sara Saldaña López
SPECIAL THANKS: Nico Springsteen, Martin 27, @gimaguas , La Manso, Eduardo Fedriani @ritualprojectsparis , Antonin Dansicare @antonin_the2nd @cajonthesastra, Diana Martinez Montero, Isabel Roca, Maia Kalina, Luisina Sánchez, Christopher Izquierdo, Sara Renteria, Alejandro Gil, Judith López and Carla Saavedra from LANE Casting, Mathilde Michaud, Berta Baliu Franquesa, Sonia Navarro Eriquez, Josep Aymerich, Piscines Municipals de Montjuic, Silvia Cumellas, Port 2.000, Ivan Rodriguez, Escola Betania, Ariadna Molina, Montse Manrique, El Amparo Marchán Mingorance, Yago Hortal
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TOC: International Journal of the Sociology of Language Vol. 2023, No. 282 (2023)
ICYMI: Frontmatter
pp. i-iv
Raciolinguistic perspective on labor in the Americas
Introduction to this special issue
Lara Alonso, Laura Villa Galán
pp. 1-14
Língua e raça no Brasil colonial
Cristine Severo, Sinfree Makoni
pp. 15-53
Indexing whiteness: practices of categorization and racialization of social relations among Maroons in French Guiana
Isabelle Léglise, Clémence Léobal, Bettina Migge
pp. 55-7
Language, race and work in the Caribbean: a Bakhtinian approach
Luis Galanes Valldejuli
pp. 77-90 http://dlvr.it/SspqRg
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Along with writing on here. I'm going do movie reviews. Old & new.
Piggy (2022)
I'm not much into horror now days but Piggy sparked my interest last year. Judging from cover you would think it's super gory but isn't. The bullying is a substitute for the gore. I loved this movie tho and the only complaint if it even counts as complaint, is English overdub isn't that great. Laura Galan is amazing in it. The ending didn't end like I thought it would. This movie is somewhere in my top ten now. ****
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