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driftwork · 11 months

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names, most surnames (2)

Allow me to apologize again for this partial list of names in the library, titles available on request…

amis, acker kathy, ackroyd peter, abbey edward, aldiss brian, alcott louisa, m. anonymous, aldiss brian editor, ackroyd peter, allende isabel, acker kathy, adair gilbert, adams richard, asimov isaac, alcott louisa m., austen jane, azhayev vasili, asimov isaac, austen jane, ableman paul, amis martin, atwood marga,ret adams richard, abish walter, burroughs edgar rice, benn melissa, butler samuel, blyton enid, beckett samuel, beckett samuel, blyton enid, billington rachel, burnford. sheila, burroughs edgar r,ice bentley phyllis, burney francis, burroughs edgar rice, burroughs edgar rice, compton-burnett ivy, bryant arthur, burchard johann, bryant arthur, brame charlotte, bryant arthur, boll heinrich, buckeridge ant,hony boston l.m., buchan john, brightwen mrs illustrated by f carruthers gold, bronte charlotte, bradbury ray, banks lynne reid, barr pat, betto fre,i baxter stephen, banks iain, bronte charlotte, bryant arthur, banks iain m illustrated by nick day, bradbury malcolm, bell adrian, ballantyne r,.m. balzac honore de, benson e.f, barth richard, barrie j.m, bainbridge beryl, bronte emily, ballard j.g, bronte charl,otte borden mary, black lionel , bellow saul, introduced b,y j. michael walton wilde oscar, salgado gamini, ready stuart, besier rudolf, salgado gamini, euripides, euripides, williams t,ennessee sophocles, ionesco. eugene, ibsen henrick, marillier chri,stabel jonson ben, bennett alan, ionesco eugene, brenton. howard, stoppard tom, pinter harold, aristophanes, arnold mathew, daisenberger j.a., stoppard tom, eliot t.s., creeley rob,ert chaucer geoffrey - edited by walter w. skeat, cronin a. j., carr j. l., cooper edmu,nd colette, chevalier tracy, cosse laurence, christopher joh,n chatwin bruce, collingwood h, cather willa, cattieuchlan, crane stephen, calvino italo, collier eric, cela camilo c,ela crichton micheal, carpino f. brancaccio di, comrie margaret s., chabon michael, crofts freeman wills, carre john le, crace jim, michael co,x and r. a. gilbert cheever john, cardetti raphael, coolidge clark, chevallier gabr,ial coxe harmon george, cronin a. j., cheyney peter, conway hugh, cullum ridgwell, christian catherine, crace jim, crace jim, dickens charles, dickens charles, dunn nell, defoe dani,el bernheim emmanuele, doctorow e.l., chesterton g. k., donleavy j.p., bronte charlotte, duggan alfred, delany samuel r. - petaja emil, durrell gerald, dallek robert, dickens charles, dickens charles, dalby richard ed,. dickens charles, chang jung, delacorta, dickens ch,arles dickens charles, conan-doyle arthur, du maurier daphne, dostoyevsky f.m, durrant valentine, durrant valentine, donoso jose, delillo don, delillo don, defoe daniel, defoe daniel, duke neville, colette, camus albert, cheever john, egan frank, eastwood helen, england barry, duke of windsor, eden emily, egan greg, edwardson ake, franken rose, fowles john, frzer douglas, fielding henry, frankau gilbert, featherstone don,ald fyson j.g., fitzgerald f. scott, fyfield francis, fletcher h.l.v., ford madox ford, fuentes carlos, fuentes carlos, fossum karin, fielding henry, fielding henry, fox gardner f., forester c.s., flaubert gustave, forsyth frederick, fitchett w.h., faulkner willi,am gallico paul, garfeld leon, galsworthy john, gaskin catherine, goldring douglas, greene graham, fletcher j. s., goldsmith olive,r grey zane, faulkner william, grisham john, greene graham, green f.l., delany samuel r, fenn george manville, gide andre, grimwood jon courtenay , gordimer nadine, grisham john, greene graham, greene graham, grass gunter, galsworthy john, gray malcolm, gou xiaolu, goldsmith oliver, greene graham, harsch rick, hill weldon, hall radclyffe, hibbert christopher, hanley james, hemingway ernest, hardy thomas, horvath odon von, conan-doyle arthu,r scott-giles c.w., kollings ken, herbert a.p., houellebecq m,ichel hawes james, holt anne, hopkins r. thurston, huxley aldous, hawkins paula, holwell william, indridason arnaldur, inoue yasushi, ishiguro kazuo, houellebecq michel, hesse hermann, hemingway erne,st hamilton peter f., howard cecil, hyland ann, jewett sara,h orne - with a preface by willa cather joinville & villehardouin, jelinek elfriede, james m. r., jonke gert, moyle j.b. (translator) - justinian, johns capt. w.e., jerome jerome k, jenkins elizabet,h jenkins elizabeth, james m. r., kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, kerr j. lennox, kipling rudyard, kilvert rev francis, kipling rudyard, kipling rudyard, kent nora, kipling rudyard, king stephen, kipling rudyard, kipling rudyard, kipling rudyard, khadra yasmina, khadra yasmina, kipling rudyard, kipling rudyard, lovell ann, koontz dean, lucas-philli,ps c.e. kafka franz, leyner marx, linklater eric, kipling rudyard, kipling rudyard, kennard mrs. edward, kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, leskov nikolai, leyner mark, lewis norman, carre john le, lee laurie, kilver francis - edited william plover, leyner mark, laver james, lear edward, lever charles, laing e.t., carre john le, longmate norma,n lane jane, lewycka marina, baker margaret, llwelyn davis w,eeks forestier-walker and bor wenstrom o. edmund and harlock walter e., rensschler eric, st. claire byrne muriel, day mabel (edited by), linklater eric, linklater eric, linklater eric, martel yann, lewis c. s., lee laurie, longford elizabeth, lewis c. s., mason a.e.w, maupassant guy de, maclean alistair, masters john, reich-ranicki marcel, melwood mary, mathews basil, mackenzie fait,h compton maxwell w. b., macleod m kathleen, mcwilliam candia, mee arthur, marquez gabriel garcia mendoza plinio apuleyo, maurois andre, maclean alistair, mankowitz wolf, masefield john, marryat captain, macnamara brinsley, morris william, murdoch iris, mandelstam. osip, morris william, murdoch iris, mustoe anne, morris william, morris william, bradbury ray, gifford barry, miller henry, maturin charles, millet lydia, mitchison naomi, michener james, mcewan ian, miln lousie, jordan mitford mary russell, menglong feng, munthe. alex, moran lord, nicholl charles, new yorker the editors, oppenheim e.phillips, o'neill jamie, oppenheim e.phillips, nin anais, nairne a, hughes-pa,rry j. powell anthony, ponsonby d.a., price anthony, pangborn edgar, pollard velma, priestley j.b, barry n. malzberg & bill pronzini, powell anthony, nabokov vladimir, porter sheena, peacock thomas love, pratchett terry ian ,stewart and jack cohen powell anthony, percy w. s., needham violet, raymond diana, russo richard, rice margery spring, rabelais, reed thom,as baines russ joanna, remarque erich maria, pearson hesketh, rezzori gregor v,on rolfe fr- frederick baron corvo, sayers dorothy l. sayers (translator), renault mary, raphael frede,ric phillips adam, robertson e.arnot, pavic milorad, robinson heath, rendell ruth, read miss, robinson heath, rice elmer, rackham arthur, rutley c. bernard, renault mary, steinbeck joh,n smith alexander mccall, spyris johanna, sabatini rafael, spalding francis, stables gordon, camus albert, sinclair upton, stowe harriet b,eecher shem samuel, sienkiewicz henryk, swift jonathan, samuel maurice, scott sir walter, scott paul, stowe harriet beecher, scott sir walter, skinner john, sterne laurence, sewell anna, stevenson d.,e. sitwell edith, strang herbert, surtees r. s., sidney sir phi,llip stout william, sigurdardottir yrsa, solzhenitsyn alexander, scott sir walter, stephenson neil, self will, styron william, scott sir walte,r scott sir walter, scott sir walter, slavicsek bill, sebold alice, smith f seymour, slaughter frank, seth vkram, trollope jo,anna henry fielding, trevelyan g. m., thelwell normal, trevor elleston, thompson flora, thompson flora, tey josephine, tyler j.e.a., tutton diana, tuchman barbara, tolkien j.r.r, duke of windso,r wheatley dennis, wilkinson gerald, wells h.g, rawnsley c,.f. and wright robert white patrick, winchester simon, waugh evelyn, wodehouse p.g,. walsh j. m., welles orson, wood mrs henry, wren p.c, waugh auberon, white. t. h., white t. h., westo kjell, webster jason, wain john, quin b. g., westall rob,ert white t.h, wodehouse p.g, wodehouse p.g, westerfield sc,ott wodehouse p.g, zweig stefan, wodehouse p.g, urquhart r.e., wyndham john, wodehouse p.g, wodehouse p.g, waugh evelyn, wallace edgar, vine barbara, white patrick, virgil, vesaas tarjei, varesi valerio, vine barbara, updike john, young francis brett, vaizey george, wilde oscar, verne jules, wheatley dennis, updike john, markham mrs, vine barbara, vine barbara, kilvert rev francis, kilvert rev francis, new towns act 1946 -, leyser henrietta, perry anderson malcolm bull jan breman rob lucas david simpson rachel malik alexander zevin marco d'eramo, shaw george bernard, shaw george bernard, shakespeare william, shaw george bernard, shakespeare william, shaw george bernard, shaw bernard, shakespeare william, shaw bernard, shakespeare w,illiam shaw george bernard, shaw bernard, shaw george bernard, shaw george bernard, shaw bernard, sturgess keith (edited), euripides, matsumoto ,seicho lewis naomi, lang andrew, goethe, aristop,hanes pevsner nicholas, alvarez a., de la mare walter, larkin phillip, townsend sue, kyd thomas, euripides, lawrence d,. h. anderson w.e.k., marvell andrew, allan c.f., de la mare ,walter illustrated by edward ardizzone mitchell tony, plath sylvia, hobbs jack and hobbs margaret, spender stephen, whittier john greenleaf, millay edna st. vincent, bridges robert, steakley james , arkell reginald, thompson francis, arkell reginald, townsend sue, stamp l. dudley, keats john, farmer john s. , gollancz sir isr,ael and day mabel and serjeantson mary s hood thomas, milton john, walsh michae,l (editor) barkow al, british sociological association, burgess tyrrell, bentley michael, braudel fernand, de botton alain, ardrey robert, barrow r. h., bennett joan, aylward j. d., albert marvin h., alford violet, ali ayaan hirsi, cookson mrs. nesfield, cecil david, cudlipp hugh, conway gregory j., ccta, beard patten, clarke mike, deighton k, doyle clare, cottrell leonard, the ecologist, ellis chri, furmston m.p. and simpson a.w.b, elton lord, arellano ro,bert williams reese, brandys kazimierz, rich adrienne, lee laurie, khorsandi shappi, midgley mary, blackburn robin , butler samuel, butler samuel, burroughs william s, brooke nichlas, d.s.pugh d.j.hi,ckman c.r.hinings moliere, hamilton ronald, hill christopher, hackforth-jones g,ilbert hartley john, hervey h.e., kynaston david, herrmann paul, gregory otto, clay a.j. mackenzie, gombrick e.h. and kris k, kingsmill hugh, lloyd christopher, jarvns matt, labour party research department, jacob e. f., krake ken, longmate norman, golding louis, jackson major ,donovan james philip, lethbridge t. c., liechti elaine, ladurie emmanue,l le roy morris desmond, malina f.j, p.m., mundy, john h. carroll noel , middleton john , perniola mario, maxton james, paz octavio, menzies gavin, plaskitt harold and jrdan percy, woodward c. vann, rowntree b.seebohm and lavers g.r., weill herman n., wellman paul i, victor weybrigh,t and henry blackman sell scruton roger, smith j.c., taylor g. rattray, the times, thompson james westfall, taylor arthur, kulke hermann and rothermund dietmar, thomas mary, diamond jared, bacigalupi paolo, johnston william r., woods william, woodward sir llewellyn, shaw josephine, williams christopher, sidebotham helen m., williamson james a., tuchman barbara, smith wm. dr. (on the plan of), tafuri manfredo, bussi michel, rose richard , rawlinson george, rayner robert m., tisserand robert, ibsen henrick, ackroyd peter, powys t. f., sansom william, byatt a.s., bertrand a. and guillaumin a., bryant arthur, palgrave francis t., trewin j.c, morton a. l., mathews hazel, c. johnson a. h., gregory e. w., brogan d.w, tuchman bar,bara howard elizabeth jane, howard elizabeth jane, kerr philip , burton mauric,e borman tracy, kumar manjit, bryant arthur, moers ellen, simpson jacqueline, longmate norman, leasor james, piggott derek, lewycka marina, duncan f. martin and duncan l.t., armstrong karen, rankin nicholas, catton eleanor, harrison harry and stover leon e., prose francine, jacob naomi, lovell terry, webb marion st.john, sheppard elizabeth sara, dickinson g. lowes, king laurie r, hawthorne james, levy yank, ley wilfre,d rooke kelman janet harvey and rev theodore wood, agar winifred and others, blom eric, house rich,ard field robert, van loon hendrick, hayward gallery, eitlinger l.d. a,nd holloway r.g. fougasse and mccullough, davison philip, turnbull agnes sligh, harrison sidney, ashley maurice, oakeshott w. ewart, steingarten jeffrey, linna vaino, brecht bertholt, benni stefano, winbolt s. e., plumb j. h., bryson bill, prebble john, knight margeret, quarrie bruce, spry constance, squires patricia, smith ali, hadley tes,sa eng tan twan, virno paolo, wilson sloan, campbell alan, cumming charles, pedly robin, clegg alec and megson barbara, holt john, laurie peter, motley john lothrop, beumarchais repertoire general du theatre francais, de la mare walter. mackenzie compton. farjeon elea,nor lord dunsany blackwood algernon etc... betz, bjork samuel, campbell alan, archer thomas ,and amelia hutchinson stirling dollimore jonathan and sinfield alan, deegan denise, holdsworth r.v., durband alan, douglas lloyd c., ash william, dyer gillian and baehr helen, lindop audrey erskine, percival maciver, bellamy h.s., robbe-grillet alain, frith henry, barnett richard, bumpus t. francis, bartholomews, harrow school, martin george, hayward gallery, ducros louis, defrates joan,na ali tariq, lowry malcom (edited by harver briet and margerie bonner lowry), colour, robinso,n francis benton dr micheal j., rankin robert, leonard. jonathan norton, edey maitland a., trippet frank, norton-taylor duncan, hamblin dora jane, edey maitland a., hicks jim, knauth. percy, dancona p and aeschlimann e, urwin e.c., joyce graham, leslie doris, oakeshott w. ewart, department of scial, and administrative studies oxford university grossman vasily, sinclair andrew, quennell marjorie and c.h.b, smith alexander mccall, crispen edmund, kipling rudyard, oscar wilde mervyn peake, proust marcel illustrated, by phillipe julian proust marcel, chesterton g. k., kipling rudyard, ardrey robert, pakenham elizabeth, bradford ernle, kohn george childs, mcmahon katherine, introduced by j. michael walton, allegro j.m., leakey richard e. lewin roger, sobel dava, lancaster john, ferguson neil, westlake mike, proust marcel ,illustrated by phillipe julian euripides, corvo frederick baron, ambler eric (editor), peacock thomas love, hamilton edward, schiller eric, rabelais, barnes ju,lian manchetter jean-patrick, indridason arnaldur, macculloch j.a., holwe w.v. and p,ountney m.t. burnell r.d., symons julian, kipling rudyard and balestier wolcott, farmer bernard j., macaulay rose, fisher h.a.l., winston richard, eliot george, cairncross alec, disraeli benjamin, litvinoff emanuel, cotterell arthur , peynet raymond, mitchison naomi , trevelyan g. m., ibsen henrick, euripides, thayer george, white patrick, froissart, muir anne ross, acton lord, fisher h.a.l., innes arthur d,. innes hammond, acton lord, trevelyan g. m., stein gertrude, minister of health and the secretary of state for scotland, royal commission on local government in england, committee on the management of local government, committee on the management of local government, committee on the management of local government, soros george, ullman james ramsey, girls own paper, girls own paper, fowles john and horvat frank, moore gerald, whyte william, h. taylor a. j.p., whitelock dorothy, zdenek marilee, valentine c. w., walker kenneth, thompson e. p., ward barbara and dubos rene, wedgewood c.v., robertson alec and stevens denis, ackroyd peter, aira cesar, aira cesar, skinner paul , johnson samuel, drinkwater john, wilson daniel h, stross charles, ackroyd peter, hoeg peter, aylett stev,e oman carola, jelinek elfriede, rohan zina, roberts ada,m vandermeer jeff, vandermeer jeff, vandermeer jeff, miske karim, russell sarah, naipal v.s., carrington neil. brodies notes, freeman anthony, corvo frederick baron, aylett steve, lovegrove james, baudouin charles, green miranda, gilliland alan, gll anton, hendy phil,lip kunstler junger, toulouse-lautrec henri (t.w. earp and g.w. stonier (translated into english by).), jefferson alan, richardson joy, lyons lewis, mathews john and mathews caitlin, pratchett terry, pratchett terry ,and baxter stephen robbe-grillet alain, west paul, pratchett terry and briggs stephen, mccaffery juliet, robert marcel and parmeggiani luigi - ilo-, storr vernon f., pratchett terry, mann philip, morris mary and o'conner larry , pratchett terry and baxter stephen, mcphee john, kightly char,les reeves compton, picard gilbert charles(editor), strong roy, clifton-tay,lor alex rupp gordon, tullii marci, goldsmith oliver, pinnow hermann, millington mal, atwood margaret, dickens charles, sterne laurence, everyman, caeser caius julius, wells h.g, kempis tho,mas a wynne pamela, pepys samuel, sterne laurence, scott sir walter, balzac honore de, jones edmund d., du maurier daphne, hutchinson lucy, weyman stanley j., browning robert, shakespeare william, chesterton cecil, stevenson r.l, trollope anthony, conan-doyle arthur, osborne charles, bresson robert, chalres pictet de geneva, lambourne nigel and renoir, parker steve, thomas graham stuart, watkin david, hill ian, hlasko ma,rek lee harper, kureishi hanif, boyle t. coraghessan, gombrowicz witold, gombrowicz witold, gombrowicz witold, gombrowicz witold, gombrowicz witold, gombrowicz witold, gombrowicz witold, montergueil g., liu ken, robbe-grillet alain, banks iain, hobb robin, murphy derv,la gooch steve, dallek robert, giordano mario, tourtellot arth,ur bernon mcewan ian, orton joe, stoppard tom, stoppard tom, dorfman ariel, clifforfd leech, gerlech lynne, mishima. yukio, kurkov andrey, sante luc, robbe-grillet alain, heinlein robert, shute nevil, benacquista tonino, carofiglio gianrico, powers richard, steer john, johnson b.s., edgeworth maria, lowry malcolm, lowry malcolm, willis roy , le queux william, committee on the ,management of local government delillo don, perry sarah, expenditure committee (trade and industry sub-committee), pratchett terry, jencks charles, ewing julia horatia, vandermeer jeff, carpentier alejo, acker kathy, sudjic deyan, lindsey martin, reitz deneys, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, eggers dave, yurick sol, emecheta buchi, bryson bill, bryson bill, smollet tobi,as kapitanial thomas, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, stengers isabelle, browning. robert, walbank f. alan (,ed1ted and arranged by) roberts adam, kipling rudyard, ruskin john,

ellis john, hinton michael, chamoiseau patrick, martinez guillermo, willis connie, nemirovsky irene, rhys jean, joyce james, delillo don, mantel hilary, parker k. j., parker k. j., parker k. j., wilhelm richard, topol jachym, perez-reverte arturo, mcevoy j.p. and zarat,e oscar atwood margaret, sloterdijk peter, unit for research on the urban environment, perry steve, anderson kevin j, zahn timothy, hambly barbara, massey d, tucker paul hayes, anderson kevin j., smith p. robert, semprun jorge, crace jim, reynolds ingrid and nicholson charles, reynolds ingrid and nicholson charles bell ann, carre john le, grossman lev, tallis frank, hornby nick, tallis frank, newberry linda, coelho paulo, bryson bill, harris joann,e bond terance james, hopkins gerard manley, haviaras stratis, hoban russell, benson peter, pears iain, gray robert, wiggins todd, price richard, perez-reverte arturo, hoeg peter, flaubert gu,stave ivan illich irving k zola john mcknight, runyon damon, frei max, chaponnie,re paul fischer tibor, reynolds alastair, asher neal, vallois g. ,n. morton h.v., kalweit holger, gibbons stanley, brookmyre christ,opher holt anne, hemingway ernest, surtees r. s., reeves-stevens, judith and garfield kipling rudyard, gane chriss and sarson trish, hodgson joan, saadawi ahmed, barnes julian, hadley tessa, pratchett terry and baxter stephen, hijuelos oscar, johnson kenneth and lsbeth marguerite, phillips jayne anne, aylett steve, kube-mcdowell, michael p. tyers kathy, daley brian, wolverton dave, allen roger mac,bride mcintyre vonda, anderson kevin j, smith l. neil, zahn timothy, zahn timothy, zahn timothy, hamilton peter f., wells h.g, waugh evelyn, hughes roberts, earnshaw brian, confucius alfre,dd doeblin bates h.e, leuchenburg william e., gibson william, gibson william, twining william and miers david, terence morris and angus stewart, tolkien j.r.r, stewart. mary, corvo frederick baron, aldiss brian editor, perez-reverte arturo, king ronald, harris sam, harris sam, harris sam and hawaz maajid, klein richard, nabokov vladimir, lowell robert, euripides, harris sam, maugham w.somerset, pynchon thomas, nabokov vladimir, chand meira, jardine lisa, jardine lisa, reynolds alaistair, sartre jean-paul, gifford barry, de teran lisa st aubin, lanchester john, chen da, kafka franz, frei max, lefebrve noemi, mcewan ian, gray john, gray john, clowes daniel, foucault miche,l gray john, kant immanuel, ferrante elena, chambers becky, levy roger, claudel phillippe, dick philip k, wray j. jackso,n pratchett terry and baxter stephen, chambers becky, fiske john and hartley john, hebdige dick, maitland f.w., dick philip k, butler samuel, butler samuel, butler samuel, murdoch iris, murdoch iris, murdoch iris, pratchett terry and baxter stephen, glass rodge, de chirico george, hornby nick, lethem jonathan, coetzee j. m., millar martin, stallman richa,rd m. parrinder patrick, gombrowicz witold, hornby nick, hornby nick, gee maggie, dixey anne, hawes james, maconie 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gonzale,z forrest richard, delany samuel r., cadigan pat, damasio anto,nio damasio antonio, ackroyd peter, evans i. o. (editor), mcdevitt jack, van vogt a.e, stross charles, hamilton edward, pratchett terry, herbert frank, appia adolphe, king laurie r, brown eric, clifton mark and riley frank, mordern s. j., russell eric frank, kuttner henry, robson justina, tchaikovsky adrian, robson justina, mattelart armand and michelle delcourt xavier, dick philip k, cherryh c.j., pohl frederick and kornbluth c. m., graeber david, graeber david, robin blackburn, stiegler bernard, stiegler bernard and derrida jacques, llansol maria gabriela, benkler yochai, robinson kim stanley, anderson poul, jeter k. w., king lily, moorcock michael , leon donna, silverberg ,robert pratt tim, mcarthur maxine, moorcock michael , stephenson neil, carver jeffrey a., van vogt a.e, wollheim donald a. (editor), simenon georges, clarke arthur, mossman keith, okuda michea, and denise, gibson william, daly mary, sterling bruce , rankin ian, evans peter, j. coleman gabriella, edmund spencer, edmund spencer, patrick hamilit,on alexander moszkowski, jane austen, alexander moszkowski, christine brooke rose, helmuth plessner, zubrowsky

#names #ideology and discourse

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byneddiedingo · 11 months

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Frank Sinatra and Laurence Harvey in The Manchurian Candidate (John Frankenheimer, 1962)

Cast: Frank Sinatra, Laurence Harvey, Janet Leigh, Angela Lansbury, James Gregory, Henry Silva, Leslie Parrish, John McGiver, Khigh Dhieigh, James Edwards. Screenplay: George Axelrod, based on a novel by Richard Condon. Cinematography: Lionel Lindon. Production design: Richard Sylbert. Film editing: Ferris Webster. Music: David Amram.

Although Stanley Kubrick's Dr. Strangelove (1964) is by far the more celebrated film, The Manchurian Candidate is a more subtle and sophisticated satiric response to the Cold War. It may have fallen out of favor too soon because its subject, political assassination, became so sensitive just a month after its release, when John F. Kennedy was shot. For reasons that remain unclear, including Frank Sinatra's purchase of the distribution rights, it fell out of release for a long time, and only resurfaced occasionally on television until 1987, when, after a screening at the New York Film Festival, it became available on video. It's a loopy, scary, often hilarious, sometimes puzzling, and -- especially in any election year -- absolutely essential American film. Frankenheimer, who was one of the pioneers of American television drama in the age of shows like Playhouse 90, never developed a distinctive style in his movie work, but he knew how to tell a story, even when the story is as convoluted as this one. With George Axelrod, he adapted the 1959 thriller by Richard Condon, sometimes lifting dialogue directly from the novel. The results are occasionally enigmatic, as in the meeting of Marco (Sinatra) with Eugenie Rose Chaney (Janet Leigh) on the train, where the dialogue shifts into the surreal and seems to be laden with code. In terms of plot, the encounter -- probably the oddest meeting on a train since Cary Grant and Eva Marie Saint's characters encountered each other in North by Northwest (Alfred Hitchcock, 1959) -- goes nowhere: Leigh's character serves no further discernible role in the narrative. But the scene serves nicely to keep the viewer off guard as things grow increasingly bizarre. The weakest performance in the film is probably that of Laurence Harvey as Raymond Shaw. Harvey can't seem to be bothered to keep up an American accent, but somehow even that fits the ambiguity of his character. Angela Lansbury, as Raymond's mother (this is the point where it's usual to mention that she was only three years older than Harvey), is absolutely terrifying as one of the movies' greatest female villains. It earned her an Oscar nomination. James Gregory, as her Joe McCarthy-like husband, would not be out of place in the current presidential climate.

#The Manchurian Candidate #Frank Sinatra #Laurence Harvey #John Frankenheimer

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ao3feed-timkon · 2 years

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Reír Para No Llorar

read it on the AO3 at https://ift.tt/Cl39iZF

by MOONSAV

Una enemistad legendaria contempla su fin. El ciclo se detiene. El maravilloso juego del gato y el ratón, ya no tiene razón de ser.

El Joker acepta su derrota ante Batman. Con un simple "me rindo", lo único que queda por hacer es preguntar, ¿por qué? --- --- (No sé esribir resúmenes interesantes, estaré editando la historia constantemente. Créditos a los creadores de estos maravillosos personajes.)

Words: 4, Chapters: 1/1, Language: Español

Fandoms: Batman - All Media Types, Batman (Comics), DCU (Comics), Joker (2019), Superman - All Media Types, Justice League - All Media Types, Justice League of America (Comics)

Rating: Teen And Up Audiences

Warnings: Graphic Depictions Of Violence

Categories: F/F, F/M, M/M

Characters: Joker (DCU), Original Child(ren) of Joker (DCU), Lex Luthor, Original Clark Kent/Lex Luthor Child(ren), Original Clark Kent/Lois Lane Child(ren), Clark Kent, Lois Lane, Bruce Wayne, Justice League (DCU), Kon-El | Conner Kent, Jonathan Kent, Billy Batson, Shazamily Members (DCU), Batfamily Members

Relationships: Joker (DCU)/Bruce Wayne, Joker (DCU) & Harleen Quinzel, Joker (DCU) & Lex Luthor, Joker (DCU)/Selina Kyle, Pamela Isley/Harleen Quinzel, Oswald Cobblepot/Edward Nygma, Clark Kent/Lex Luthor, Selina Kyle/Bruce Wayne, Selina Kyle & Bruce Wayne, Tim Drake/Kon-El | Conner Kent, Jonathan Samuel Kent/Damian Wayne, Clark Kent & Lois Lane

Additional Tags: Non-Canon Relationship, Past Child Abuse, Past Alcohol Abuse/Alcoholism, Past Drug Addiction, Past Torture, Angst and Hurt/Comfort, Awkward Romance, Canon: Batman: White Knight, Joker (DCU) Has Issues, Past Joker (DCU)/Harleen Quinzel, Joker (DCU) Angst, Joker (DCU)'s Name is Jack Napier, Sane Joker (DCU), Everyone Is Gay, Tragedy/Comedy, Poor Life Choices, Enemies to Lovers, Friends to Enemies, Surprise Ending, Batman Identity Reveal, Bruce Wayne is a Bad Parent, Bruce Wayne is Bad at Feelings, Bruce Wayne Has Mental Health Issues, Bruce Wayne Tries to Be a Good Parent, Bruce Wayne Has Issues, Bruce Wayne is Bad at Communicating, Bruce Wayne Has Secrets, Mental Health Issues, Minor Clark Kent/Lois Lane, Clark Kent and Lex Luthor Reconciliation, Past Clark Kent/Lex Luthor, Clark Kent Tells Lex Luthor the Truth, Good Parent Lex Luthor, Lex Luthor Being an Asshole, Lex Luthor Knows Clark Kent is Superman, Lex Luthor is Kon-El | Conner Kent's Parent, Lex Luthor Needs a Hug, Internalized Homophobia, Implied/Referenced Homophobia, Lionel Luthor Being an Asshole, Daddy Issues, Everyone Has Issues

read it on the AO3 at https://ift.tt/Cl39iZF

#IFTTT #ao3feed #fanfic #timkon

2 notes · View notes

ao3feed-brucewayne · 2 years

Text

Reír Para No Llorar

by MOONSAV

Una enemistad legendaria contempla su fin. El ciclo se detiene. El maravilloso juego del gato y el ratón, ya no tiene razón de ser.

Words: 4, Chapters: 1/1, Language: Español

Fandoms: Batman - All Media Types, Batman (Comics), DCU (Comics), Joker (2019), Superman - All Media Types, Justice League - All Media Types, Justice League of America (Comics)

Rating: Teen And Up Audiences

Warnings: Graphic Depictions Of Violence

Categories: F/F, F/M, M/M

source https://archiveofourown.org/works/40710345

#IFTTT #bruce wayne #batman #the dark knight #the cape crusader #gotham #dc universe #ao3 #ao3feed

0 notes

spiderandthesims · 3 years

Text

1880s Names

Boys

Abel, Abraham, Adam, Addison, Adelbert, Alexander, Alfred, Aloysius, Alphonse, Ambrose, Amos, Anderson, Andrew, Angus, Anthony, Anton, Archibald, Art, Arthur, Aubrey, August, Augustine, Augustus, Avery

Girls

Ada, Adelaide, Adele, Adeline, Agatha, Agnes, Alice, Alma, Almeda, Alta, Anastasia, Angeline, Anna, Annabelle, Anne, Arizona, Augusta, Augustine, Aurelia, Aurora

Boys

Barney, Benjamin, Bennett, Bernard, Bishop, Bradford

Girls

Beatrice, Bernadette, Bess, Bessie, Beulah, Birdie

Boys

Carlton, Carson, Casper, Cassius, Cecil, Charles, Chauncey, Chester, Christian, Christopher, Clarence, Claude, Clement, Clifford, Coleman, Conrad, Cornelius, Curtis

Girls

Camille, Caroline, Catherine, Cecilia, Celestia, Celestine, Celia, Charity, Charlotte, Christine, Claire, Clara, Clarice, Claudia, Clementine, Conception, Constance, Corda, Cordelia, Cornelia

Boys

Dallas, Daniel, Darius, David, Dennis, Dewitt, Dorsey, Douglas, Dudley, Dwight

Girls

Daisy, Delia, Della, Delphia, Docia, Dollie, Dolly, Dolores, Dora, Dorcas, Doris, Dorothy, Dove, Dovie, Drucilla

Boys

Early, Edmond, Edward, Edwin, Eldridge, Eli, Elias, Elijah, Elliott, Ellis, Ellsworth, Elmer, Elton, Elwood, Emerson, Emery, Emil, Emmett, Enoch, Ephraim, Erasmus, Erastus ,Eric, Ernest, Ervin, Erwin, Eugene, Everett, Ezra

Girls

Edith, Edmonia, Effie, Elaine, Elda, Eldora, Eleanor, Elise, Eliza, Elizabeth, Ella, Elma, Elnora, Eloise, Elsa, Elsie, Emily, Emma, Emmaline, Era, Erma, Erna, Ernestine, Essie, Esta, Estella, Estelle, Esther, Ethel, Ethelyn, Etta, Eudora, Eugenia, Eula, Eulalia, Eunice, Euphemia

Boys

Felix, Ferdinand, Francis, Franklin, Frederick, Fredrick

Girls

Fanny, Fay, Felicia, Fern, Fidelia, Flora, Florence, Florida, Francis

Boys

Gabriel, Garrett, General, George, Gideon, Giles, Golden, Gregory

Girls

Geneva, Genevieve, Georgia, Georgie, Goldie, Grace, Gwendolyn

Boys

Harmon, Harold, Harris, Harrison, Henry, Hollis, Homer, Horace, Howard, Howard, Howell, Hugo

Girls

Harriett, Hattie, Henrietta, Hester, Honora, Hope, Hortense

Boys

Irving

Girls

Imogene, Indiana, Iona, Iris, Isadora

Boys

Jack, Jackson, Jacob, James, Jasper, Jeremiah, John, Jonathan, Joseph, Josiah, Judson, Jules, Julian, Junius

Girls

Jane, Josephine, Judith, Julia, Julie, Juliet, June

Boys

Kenneth

Girls

Kathleen

Boys

Lawrence, Lawson, Leander, Leonard, Lewis, Lionel, Logan, Lucien, Lucius, Luther, Lyman

Girls

Lacy, Lillian, Lilly, Louise, Lucia, Lucille, Lucinda, Lucretia, Lucy

Boys

Major, Malcolm, Marcus, Marshall, Martin, Mason, Mathias, Matthew, Maurice, Maxwell, Michael, Miles, Milo, Milton, Monroe, Morgan, Mortimer

Girls

Mabel, Madeline, Magnolia, Marie, Mary, Matilda, Maude, May, Melinda, Mildred, Millicent, Millie, Minerva, Minnie, Miriam, Missouri, Mollie, Mona

Boys

Nathan, Nathaniel, Neil, Nelson, Newton, Nicholas, Noah, Noel, Norman, Norris

Girls

Netta, Nettie, Nevada, Nona, Nora, Norah, Norma

Boys

Oliver, Oren, Orson, Otis, Otto, Owen

Girls

Odelia, Odessa, Ola, Olive, Ona, Opal, Ophelia, Ora, Orpha, Ottilie

Boys

Patrick, Percival, Percy, Peter, Phillip, Pierce, Pleasant

Girls

Pansy, Parthenia, Patience, Pearl, Penelope, Permelia, Philomena, Phoebe, Polly, Priscilla, Prudence

Boys

Quincy

Boys

Raymond, Richard, Richmond, Robert, Rodney, Roger, Ross

Girls

Rita, Rosalie, Rose, Rowena, Ruby, Ruth

Boys

Samuel, Seymore, Sidney, Silas, Simon, Solomon, Stanley, Stephan, Sterling, Stewart, Sylvester

Girls

Samantha, Sophronia

Boys

Thaddeus, Theodore, Thomas, Thorton, Tillman, Timothy, Tobias, Truman

Girls

Tennessee, Thelma, Theodora, Theodosia, Theresa, Tillie

Boys

Ulysses

Girls

Una

Boys

Valentine, Vernon, Victor, Vincent, Virgil

Girls

Vera, Verona, Vesta, Victoria, Viola, Violet, Virginia, Vivian

Boys

Walker, Wallace, Walter, Warren, Watson, Webster, Wesley, Wilber, Wilbert, Wilbur, Wiley, Wilfred, Willam, Willard, William, Wilson, Winfield

Girls

Wilda, Wilhelmina, Wilma, Winifred, Winnifred, Winona

Girls

Zella, Zora

#1880s #baby names #sims 4 decades challenge #ts4 historical #This is part one of a series of posts #if you have trouble naming sims especially for the decade and historical challenges feel free to use this as a resource #i went thru the top 1000 names of the 1880s in the ssa name census and picked the ones i liked and hated the least lol #txt

324 notes · View notes

belamourelysianlimerence · 3 years

Text

(N) sfw f/o interviews under 53xy tag

Dreams under dreaming of you tag

Notes contains more

F/O LIST

• Erik Destler {The Phantom of The Opera}

• Mr. Hare {Adventures in Wonderland}

• Jack Frost {The Santa Clause 3}

♡Children♡

Emily

• Jareth {Labyrinth}

• The Doctor 11, 12, 13 {DW}

♡Children♡

Joanna

Jackson

Harvey

• Dick Solomon {3RFTS}

----------------------------

• Joker {The Dark Knight}

• Joker {Joker Blogs}

• Severus Snape

♡Children♡

Sebastian

• BeetleJuice~Lawrence -♡Axel BeetleBlum~Laurie - ♡Anastasia BeetleBright~Larry - ♡Soren

• Count Olaf

----------------------------

• Willy Wonka

• Child Catcher

• Rumplestiltskin {OUAT}

♡Children♡

Bambi

Bear

Thorne

Kade

Giselle

Benjamin

Tomas

Kieran

• Hector Barbossa

♡Children♡

Paradise

• Tony Stark

----------------------------

• Tarrant Hightopp {AIW}

♡Children♡

Greer

Donut

• Edward Scissorhands

• Graf Von Krolock(D.S) {Tanz Der Vampire}

♡Children♡

Helios

• Sherlock Holmes {RDJ}

• John Pruitt/Paul Hill {Midnight Mass}

----------------------------

• Durza(Carsaib) {Eragon}

♡Children♡

Carsaib

• Captain Jack Sparrow

• Rat King(John) {The Nutcracker 3D}

• Balem Abrasax

• Edward Hyde {Mary Reilly}

----------------------------

• James Hook {Hook}

♡Children♡

Rodger

• Fegan Floop

♡Children♡

Shirley

Duval

• Roach {The People Under The Stairs}

• Loki

• Glitch/Ambrose {Tin Man}

----------------------------

• Kurt Wagner

♡Children♡

Kurt Jr.

• Hades

• Vorik

• Armand "Andrei-Amadeo"(D.S) {Lestat Musical}

• Lestat De Lioncourt {IWAV} {TVL}

----------------------------

• Mr. James Patrick March {AHSH}

• Tate Langdon {AHSMH}

• Frik {Merlin}

• Lionel Sweeney {Fur}

• Willard Stiles

----------------------------

• Kyle Spencer {AHSC}

• Nathan Wallace {Repotgo}

• Quasimodo {THOND Musical German}

• Frank N Furter

• Anne Lister {Gentleman Jack}

----------------------------

• Joker(J.L) {Suicide Squad}

• Scarecrow {The Wiz}

♡Children♡

Dove

• Riff Raff {RHPS}

• Eachuin Maclean {Sleepy Hollow}

• OPEN

----------------------------

• Gabriel

• Sportacus "Íþróttaálfurinn" <Eeth-oh-tah-owlfooreen> & Robbie Rotten "Glanni Glæpur" <Glan knee G lie pur>

♡Children♡

Trausti

• Spock

• OPEN

----------------------------

• Larten Crepsley {TVA}

• Newt Scamander {FB}

• Pennywise(Bill)

♡Children♡

Strahd, Messalina

• OPEN

----------------------------

• Peter Pan (Cathy Rigby)

• Niles [The Butler] [[The Nanny]]

• Michael [The Good Place]

♡Children♡

Abigail-Kiana-Pandora

• Thistledown [Johnathan Strange and Mr. Norell]

• Arthur Fleck

-------------------------------------------------------

31 notes · View notes

mia-paintings · 2 years

Photo

Portrait of Sir Edward Walpole's Children, Stephen Slaughter, 1747, Minneapolis Institute of Art: Paintings

Portrait. The painting represents the four children of Sir Edward Walpole, all of whom can be easily recognized according to their ages. Laura, the eldest, married in 1758 the Hon. F. Keppel, Bishop of Exeter. Maria, the second, married in 1759 James, second Earl Waldegrave, and in 1766 the Duke of Gloucester (1736-1807). Charlotte married in 1760 Lionel, fifth Earl of Dysart (1738-1789). The boy, Edward, who became Colonel Walpole, died unmarried, aged thirty-one, in 1771. The bird in the painting is a Cuban Amazon parrot, either imported, or the artist may have copied it from a book. Size: 43 1/16 x 34 1/4 in. (109.38 x 87 cm) (canvas) 44 x 44 in. (111.76 x 111.76 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/10462/

#artsmia #stephenslaughter #minneapolisinstituteofart

6 notes · View notes

elcinelateleymickyandonie · 3 years

Text

Ernest Cossart.

Filmografía

Cine

1916: The Pursuing Vengeance, de Martin Sabine.

1935: The Scoundrel, de Ben Hecht y Charles MacArthur.

1936: El gran Ziegfeld, de Robert Z. Leonard.

1936: Three Smarts Girls, de Henry Koster.

1936: Murder with Pictures, de Charles Barton.

1937: Angel, de Ernst Lubitsch.

1937: Champagne valse, de A. Edward Sutherland.

1939: Zaza, de George Cukor.

1939: Tower of London, de Rowland V. Lee.

1939: Three Smart Girls Grow Up, de Henry Koster.

1939: The Light that Failed, de William A. Wellman

1939: Lady of the Tropics, de Jack Conway.

1940: Kitty Foyle, de Sam Wood.

1940: Tom Brown's School Days, de Robert Stevenson.

1941: Skylark, de Mark Sandrich.

1942: Kings Row, de Sam Wood.

1945: Love Letters, de William Dieterle.

1945: Tonight and every Night, de Victor Saville.

1946: Cluny Brown, de Ernst Lubitsch.

1946: The Jolson Story, de Alfred E. Green

1947: Love from a Stranger, de Richard Whorf.

1949: John Loves Mary, de David Butler.

Teatro (Broadway)

1908: The Girls of Gottenberg, música de Ivan Caryll y Lionel Monckton, letras de Adrian Ross y Basil Hood.

1910: Mrs. Dot, de William Somerset Maugham, con Billie Burke.

1910: Love among the Lions, de Winchell Smith a partir de F. Anstey, con Ivan F. Simpson

1911: The Zebra, de Paul M. Potter a partir de Marcel Nancey y Paul Armont.

1912: The Typhoon, de Emil Nyitray y Byron Ongley a partir de Menyhert Lengyel.

1914: Marrying Money, de Washington Pezey y Bertram Marbugh.

1915: Androcles and the Lion, de George Bernard Shaw.

1915: The Man who married a Dumb Wife, de Anatole France, con Isabel Jeans.

1915: El sueño de una noche de verano, de William Shakespeare, con Isabel Jeans.

1915: The Doctor's Dilemma, de George Bernard Shaw.

1915: Sherman was right, de Frank Mandel.

1920-1921: The Skin Game, de John Galsworthy.

1921: The Title, de Arnold Bennett, interpretada y dirigida por Lumsden Hare.

1922: HE Who gets slapped, de Leónidas Andreiev, adaptada por Gregory Zilboorg, con Richard Bennett, Margalo Gillmore, Edgar Stehli, Henry Travers y Helen Westley.

1922: From Morn to Midnight, de Georg Kaiser, adaptada por Ashley Dukes, con Allyn Joslyn, Edgar Stehli, Henry Travers y Helen Westley.

1922-1923: Seis personajes en busca de autor, de Luigi Pirandello, adaptada por Edward Storer, con Florence Eldridge.

1923: The Love Habit, adaptación de Gladys Unger a partir de Pour avoir Adrienne, de Louis Verneuil, con Florence Eldridge.

1923: Casanova, de Lorenzo De Azertis, adaptada por Sidney Howard.

1923-1924: Santa Juana, de George Bernard Shaw, con Henry Travers.

1924: Seis personajes en busca de autor.

1924: The Steam Roller, de Laurence Eyre.

1924-1925: Cándida, de George Bernard Shaw, con Pedro de Cordoba.

1925-1926: Arms and the Man, de George Bernard Shaw, con Pedro de Cordoba y Henry Travers.

1926: The Chief Thing, de Nikolaï Evreinov, adaptada por Leo Randole y Herman Bernstein, con Romney Brent, Edward G. Robinson, Lee Strasberg, Henry Travers y Helen Westley.

1926-1927: Loose Ankles, de Sam Janney.

1926-1927: What never dies, de Alexander Engel, adaptada por Ernest Boyd.

1927-1928: The Doctor's Dilemma, de George Bernard Shaw, con Margalo Gillmore, Alfred Lunt, Henry Travers y Helen Westley.

1928: Marco Millions, de Eugene O'Neill, escenografía de Rouben Mamoulian, con Robert Barrat, Albert Dekker, Margalo Gillmore, Alfred Lunt, Vincent Sherman y Henry Travers.

1928: Volpone, de Ben Jonson, adaptada por Ruth Langner, con Albert Dekker, Margalo Gillmore, Alfred Lunt, Vincent Sherman, Henry Travers y Helen Westley.

1928-1929: Caprice, de Philip Moeller, con Douglass Montgomery.

1929: Becky Sharp, de Langdon Mitchell, a partir de La feria de las vanidades, de William Makepeace Thackeray, con Etienne Girardot, Arthur Hohl, Basil Sydney y Leonard Willey.

1930: The Apple Cart, de George Bernard Shaw, con Violet Kemble-Cooper, Tom Powers, Claude Rains y Helen Westley.

1930: Milestones, de Arnold Bennett y Edward Knoblauch, con Beulah Bondi y Selena Royle.

1931: Getting Married, de George Bernard Shaw, con Romney Brent, Dorothy Gish, Henry Travers y Helen Westley.

1931: The Way of the World, de William Congreve, con Walter Hampden, Gene Lockhart, Kathleen Lockhart, Selena Royle y Cora Witherspoon.

1931: The Roof, de John Galsworthy, con Henry Hull y Selena Royle.

1932: The Devil passes, de Benn W. Levy, con Eric Blore, Arthur Byron, Mary Nash y Basil Rathbone.

1932: Too true to be good, de George Bernard Shaw, escenografía de Leslie Banks, con Leo G. Carroll y Claude Rains.

1933: The Mask and the Face, de W. Somerset Maugham, con Leo G. Carroll y Humphrey Bogart

1933-1934: Mary of Scotland, de Maxwell Anderson, con Helen Hayes, Edgar Barrier, George Coulouris, Philip Merivale, Moroni Olsen y Leonard Willey.

1935: Accent on Youth, de Benn W. Levy

1937: Madame Bovary, de Benn W. Levy, a partir de Gustave Flaubert, con Eric Portman y O. Z. Whitehead.

1945: Devils Galore, de Eugene Vale.

1948: The Play's the Thing, de Ferenc Molnár, adaptada por P. G. Wodehouse, con Louis Calhern, Francis Compton y Faye Emerson.

1949: The Ivy Green, de Mervyn Nelson, con Hurd Hatfield.

Créditos: Tomado de Wikipedia

https://es.wikipedia.org/wiki/Ernest_Cossart

19 notes · View notes

mihrsuri · 3 years

Note

6, 7, 14, 35, 36 for the Tudors

6.Favourite f/f ship: Mary Boleyn/Jane Seymour is absolutely top tier (Mary Boleyn is the lesbian of the entirely not straight Boleyn Family the end ;)). I tend to like Anne/KOA within the OT4.

7.Most innocent ship: I’m writing them but baby Thomas and Mihrimah are just adorable sweet babies <33333.

14.Character that you can’t imagine in any ship: I actually don’t think there’s anyone. Like I might not like it at all (I do not ship T.Seymour with anything but FUCK OFF INTO THE SEA but I can imagine ships. Unfortunately) but I can definitely imagine them. In OT3 verse I can absolutely imagine ships for Norwich and Lionel they are just…awful.

35.Ship that you have kinda love/hate relationship with: On the hand I absolutely see Charles Brandon/Henry Tudor on the other hand I’m sorry to say that in my head it is Deeply Weird in that it’s like We Aren’t Going To Discuss This Just Bros Being Bros Yearning (one sided but what if…) though I also think ‘Just Bros Who Also Have Sex’ and ‘Bisexual But Like We Aren’t Talking About It‘ so it’s delightful but its also a very weird take. (Though tbh I also tend to write Charles as being in love with Henry and Henry is like..bisexual but loves Charles in a brotherly way)

36.Characters that you can’t decide if you prefer as ship or brotp: On the one hand I really love the idea of George Boleyn/Edward Seymour/Jane Rochford Boleyn but I’m also into the platonic version of them as snarky buddies. I mean they are snarky buddies regardless though.

the questions

#meme #lil and her ridiculous aus #shipping meme

1 note · View note

kevrocksicehouse · 4 years

Photo

Edward Norton, America’s most worthwhile “difficult” actor is 51 today. A few movies that were totally worth it.

Monty Brogan in The 25th Hour. D: Spike Lee (2002). Norton is a convicted drug dealer on his last day of freedom before starting a prison sentence in this melancholy film, one of Lee’s best. He fills the role with regret and self-loathing especially in a long speech castigating everything he hates about New York city, the world, his life, concluding with “No. No. f--- you Montgomery Brogan. You had it all and you threw it all away you dumb f---!” A great film about growing up too late.

Mike Shiner in Birdman or (The Unexpected Virtue of Ignorance) D: Alejandro G. Innarritu (2014). Norton got an Oscar nomination for his portrayal of a manipulative, narcissistic acting genius (perhaps a riff on his own perfectionism) and he deserved it. He’s the very personification of Theater’s film snobbery (“The only thing that is real on this stage is this chicken. So, I’m gonna work with the chicken”). He’s also pretty hilarious.

Lionel Essrog in Motherless Brooklyn. D: Edward Norton (2019). In this underrated and audacious adaptation of a Jonathan Lethem novel, he’s a detective with Tourette’s whose verbal explosions are clues to his own mind. While he investigates the murder of his mentor and uncovers a blackmail plot threatening the unscrupulous “urban renewal” i.e. Gentrification plot by a thinly-disguised Robert Moses, his malady, which he describes as “I can’t stop pickin’ things apart.. twistin’ around, reassembling ‘em. Words and sounds, especially” following that with “I got threads in my head man!’ works like a subconscious computer. It’s pretentious acting but damn, does it work.

#edward norton #25th hour #birdman #motherless brooklyn

11 notes · View notes

a-dinosaur-a-day · 5 years

Text

Irritator challengeri

By José Carlos Cortés

Etymology: The One That Irritated

First Described By: Martill et al., 1996

Classification: Dinosauromorpha, Dinosauriformes, Dracohors, Dinosauria, Saurischia, Eusaurischia, Theropoda, Neotheropoda, Averostra, Tetanurae, Orionides, Megalosauroidea, Megalosauria, Spinosauridae, Spinosaurinae

Status: Extinct

Time and Place: Between 110 and 108 million years ago, in the Albian of the Early Cretaceous

Irritator is known from the Romualdo Member of the Santana Formation in Brazil

Physical Description: Irritator was a Spinosaurid, so the weird crocodile-mimicking theropods that roamed the Cretaceous landscape across the Southern hemisphere (and some of Europe). Irritator, however, is not known from very much material, despite having loads written about it. It was one of the smaller members of the Spinosaur group, only about 7.5 meters long and not weigh more than one tonne - which may actually indicate it could have still had some sort of fluffy integument, though this still seems unlikely based on its ecology. As a Spinosaur, Irritator would have been fairly bulky, with a long and vaguely crocodilian skull. Its skull also featured a long thin crest going from the midline to the eye, where it flattened into a bulge - this was probably some sort of display structure. Little is known of the rest of its skeleton, but it is known to have had a long and well-clawed hand. It probably had some sort of sail on its back, but it probably was a shorter one, and whether or not its legs were a normal size is unknown.

By Alexander Vieira, CC BY-SA 4.0 (Irritator is on the far right, in green)

Diet: Irritator would have mainly fed upon fish and other aquatic organisms.

Behavior: Irritator, being a Spinosaur, spent most of its time in the water, swimming about and searching for food. Since it was rather small, it would have been able to fit in smaller streams of water than most of its other relatives. Though, since it probably still had fairly decent legs, it also would have spent a good amount of time on the land, surveying the shore for food and seeking out prey. Its long snout would then be used to grab fish and other animals from the water, using the lightweight instrument to grab food it might not be able to reach otherwise. While swimming, it would be able to use that snout to reach even more food than before, ducking its head underwater or doing the reverse to hide from land sources of prey. Its very powerful neck muscles would have also been extremely helpful in grabbing and holding onto thrashing prey.

By Fred Wierum, CC BY 3.0

Irritator was probably warm-blooded, and used its sail more for display than for keeping warm. This display structure may have been able to change color based on blood circulation or environment in order to send different messages to other members of the species. The crest on the center of the snout also probably served similar features, for displaying to one another. It seems likely that Irritator, like most other dinosaurs, took care of its young; but there is no evidence either way to support that hypothesis.

By PaleoGeekSquared, CC BY 3.0

Ecosystem: Irritator lived in the Romualdo Environment of Brazil, which was a basin of lakes surrounded by rivers and other wetland environments, filled to the brim with a wide variety of plantlife. Nearby was the burgeoning Atlantic Ocean, making this a Spinosaur’s favorite place of all. Here there were a wide variety of early flowering plants like magnolias, seagrasses, and lilies - all of which were associated heavily with this aquatic environment. There were many types of ray-finned fish, which would have been the primary source of prey for Irritator, as well as lobe-finned fish which would have also been decent sources of food. Sharks seem to have been rare. There were plenty of turtles too, including one of the earliest sea turtles Santanachelys. This was the land of extreme pterosaurs, including Anhanguera, Arirpesaurus, Barbosania, Brasileodactylus, Cearadacytlus, Maaradactylus, Santanadactylus, Tapejara, Thalassodromeus, Tropeognathus, Tupuxuara, and Unwindia. There was also a Notosuchian, Araripesuchus. There were other dinosaurs there too - the compsognathid Mirischia and the Tyrannosauroid Santanaraptor, which would have mainly fed on small animal prey.

By Scott Reid

Other: Irritator was found as part of the illegal fossil trade, initially mistake for a pterosaur, then a maniraptoran, before being finally identified as a spinosaur. The confusion surrounding this fossil - and the fact that the snout had been artificially elongated by the fossil traders - lead to its name. Its position within the Spinosaurs is well supported, and it seems to have been at least somewhat closely related to Spinosaurus itself, rather than Baryonyx on the other end of the family tree.

~ By Meig Dickson

Sources under the Cut

Allain, Ronan; Xaisanavong, Tiengkham; Richir, Philippe; Khentavong, Bounsou (2012-04-18). "The first definitive Asian spinosaurid (Dinosauria: Theropoda) from the early cretaceous of Laos". Naturwissenschaften. 99 (5): 369–377.

Amiot, R.; Buffetaut, E.; Lécuyer, C.; Wang, X.; Boudad, L.; Ding, Z.; Fourel, F.; Hutt, S.; Martineau, F.; Medeiros, A.; Mo, J.; Simon, L.; Suteethorn, V.; Sweetman, S.; Tong, H.; Zhang, F.; Zhou, Z. (2010). "Oxygen isotope evidence for semi-aquatic habits among spinosaurid theropods". Geology. 38 (2): 139–142.

Arden, T.M.S.; Klein, C.G.; Zouhri, S.; Longrich, N.R. (2018). "Aquatic adaptation in the skull of carnivorous dinosaurs (Theropoda: Spinosauridae) and the evolution of aquatic habits in Spinosaurus". Cretaceous Research. In Press: 275–284.

Aureliano, Tito; Ghilardi, Aline M.; Buck, Pedro V.; Fabbri, Matteo; Samathi, Adun; Delcourt, Rafael; Fernandes, Marcelo A.; Sander, Martin (2018-05-03). "Semi-aquatic adaptations in a spinosaur from the Lower Cretaceous of Brazil". Cretaceous Research. 90: 283–295.

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Text

Charles Mingus

Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz double bassist, pianist, composer and bandleader. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians and composers in history, with a career spanning three decades and collaborations with other jazz legends such as Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie, Dannie Richmond, and Herbie Hancock.

Mingus' compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty, and Mingus Orchestra, to the high school students who play the charts and compete in the Charles Mingus High School Competition. In 1993, the Library of Congress acquired Mingus's collected papers—including scores, sound recordings, correspondence and photos—in what they described as "the most important acquisition of a manuscript collection relating to jazz in the Library's history".

Biography

Early life and career

Charles Mingus was born in Nogales, Arizona. His father, Charles Mingus Sr., was a sergeant in the U.S. Army. Mingus was largely raised in the Watts area of Los Angeles. His maternal grandfather was a Chinese British subject from Hong Kong, and his maternal grandmother was an African-American from the southern United States. Mingus was the third great-grandson of the family's founding patriarch who was, by most accounts, a German immigrant. His ancestors included German American, African American, and Native American.

In Mingus's autobiography Beneath the Underdog his mother was described as "the daughter of an English/Chinese man and a South-American woman", and his father was the son "of a black farm worker and a Swedish woman". Charles Mingus Sr. claims to have been raised by his mother and her husband as a white person until he was fourteen, when his mother revealed to her family that the child's true father was a black slave, after which he had to run away from his family and live on his own. The autobiography doesn't confirm whether Charles Mingus Sr. or Mingus himself believed this story was true, or whether it was merely an embellished version of the Mingus family's lineage.

His mother allowed only church-related music in their home, but Mingus developed an early love for other music, especially Duke Ellington. He studied trombone, and later cello, although he was unable to follow the cello professionally because, at the time, it was nearly impossible for a black musician to make a career of classical music, and the cello was not yet accepted as a jazz instrument. Despite this, Mingus was still attached to the cello; as he studied bass with Red Callender in the late 1930s, Callender even commented that the cello was still Mingus's main instrument. In Beneath the Underdog, Mingus states that he did not actually start learning bass until Buddy Collette accepted him into his swing band under the stipulation that he be the band's bass player.

Due to a poor education, the young Mingus could not read musical notation quickly enough to join the local youth orchestra. This had a serious impact on his early musical experiences, leaving him feeling ostracized from the classical music world. These early experiences, in addition to his lifelong confrontations with racism, were reflected in his music, which often focused on themes of racism, discrimination and (in)justice.

Much of the cello technique he learned was applicable to double bass when he took up the instrument in high school. He studied for five years with Herman Reinshagen, principal bassist of the New York Philharmonic, and compositional techniques with Lloyd Reese. Throughout much of his career, he played a bass made in 1927 by the German maker Ernst Heinrich Roth.

Beginning in his teen years, Mingus was writing quite advanced pieces; many are similar to Third Stream because they incorporate elements of classical music. A number of them were recorded in 1960 with conductor Gunther Schuller, and released as Pre-Bird, referring to Charlie "Bird" Parker; Mingus was one of many musicians whose perspectives on music were altered by Parker into "pre- and post-Bird" eras.

Mingus gained a reputation as a bass prodigy. His first major professional job was playing with former Ellington clarinetist Barney Bigard. He toured with Louis Armstrong in 1943, and by early 1945 was recording in Los Angeles in a band led by Russell Jacquet, which also included Teddy Edwards, Maurice Simon, Bill Davis, and Chico Hamilton, and in May that year, in Hollywood, again with Teddy Edwards, in a band led by Howard McGhee.

He then played with Lionel Hampton's band in the late 1940s; Hampton performed and recorded several of Mingus's pieces. A popular trio of Mingus, Red Norvo and Tal Farlow in 1950 and 1951 received considerable acclaim, but Mingus's race caused problems with club owners and he left the group. Mingus was briefly a member of Ellington's band in 1953, as a substitute for bassist Wendell Marshall. Mingus's notorious temper led to his being one of the few musicians personally fired by Ellington (Bubber Miley and drummer Bobby Durham are among the others), after a back-stage fight between Mingus and Juan Tizol.

Also in the early 1950s, before attaining commercial recognition as a bandleader, Mingus played gigs with Charlie Parker, whose compositions and improvisations greatly inspired and influenced him. Mingus considered Parker the greatest genius and innovator in jazz history, but he had a love-hate relationship with Parker's legacy. Mingus blamed the Parker mythology for a derivative crop of pretenders to Parker's throne. He was also conflicted and sometimes disgusted by Parker's self-destructive habits and the romanticized lure of drug addiction they offered to other jazz musicians. In response to the many sax players who imitated Parker, Mingus titled a song, "If Charlie Parker were a Gunslinger, There'd be a Whole Lot of Dead Copycats" (released on Mingus Dynasty as "Gunslinging Bird").

Mingus was married four times. His wives were Jeanne Gross, Lucille (Celia) Germanis, Judy Starkey, and Susan Graham Ungaro.

Based in New York

In 1961, Mingus spent time staying at the house of his mother's sister (Louise) and her husband, Fess Williams in Jamaica, Queens. Subsequently, Mingus invited Williams to play at the 1962 Town Hall Concert.

In 1952 Mingus co-founded Debut Records with Max Roach so he could conduct his recording career as he saw fit. The name originated from his desire to document unrecorded young musicians. Despite this, the best-known recording the company issued was of the most prominent figures in bebop. On May 15, 1953, Mingus joined Dizzy Gillespie, Parker, Bud Powell, and Roach for a concert at Massey Hall in Toronto, which is the last recorded documentation of Gillespie and Parker playing together. After the event, Mingus chose to overdub his barely audible bass part back in New York; the original version was issued later. The two 10" albums of the Massey Hall concert (one featured the trio of Powell, Mingus and Roach) were among Debut Records' earliest releases. Mingus may have objected to the way the major record companies treated musicians, but Gillespie once commented that he did not receive any royalties "for years and years" for his Massey Hall appearance. The records, however, are often regarded as among the finest live jazz recordings.

One story has it that Mingus was involved in a notorious incident while playing a 1955 club date billed as a "reunion" with Parker, Powell, and Roach. Powell, who suffered from alcoholism and mental illness (possibly exacerbated by a severe police beating and electroshock treatments), had to be helped from the stage, unable to play or speak coherently. As Powell's incapacitation became apparent, Parker stood in one spot at a microphone, chanting "Bud Powell...Bud Powell..." as if beseeching Powell's return. Allegedly, Parker continued this incantation for several minutes after Powell's departure, to his own amusement and Mingus's exasperation. Mingus took another microphone and announced to the crowd, "Ladies and Gentlemen, please don't associate me with any of this. This is not jazz. These are sick people." This was Parker's last public performance; about a week later he died after years of substance abuse.

Mingus often worked with a mid-sized ensemble (around 8–10 members) of rotating musicians known as the Jazz Workshop. Mingus broke new ground, constantly demanding that his musicians be able to explore and develop their perceptions on the spot. Those who joined the Workshop (or Sweatshops as they were colorfully dubbed by the musicians) included Pepper Adams, Jaki Byard, Booker Ervin, John Handy, Jimmy Knepper, Charles McPherson and Horace Parlan. Mingus shaped these musicians into a cohesive improvisational machine that in many ways anticipated free jazz. Some musicians dubbed the workshop a "university" for jazz.

Pithecanthropus Erectus

and other recordings

The decade that followed is generally regarded as Mingus's most productive and fertile period. Over a ten-year period, he made 30 records for a number of labels (Atlantic, Candid, Columbia, Impulse and others), a pace perhaps unmatched by any other musicians except Ellington.

Mingus had already recorded around ten albums as a bandleader, but 1956 was a breakthrough year for him, with the release of Pithecanthropus Erectus, arguably his first major work as both a bandleader and composer. Like Ellington, Mingus wrote songs with specific musicians in mind, and his band for Erectus included adventurous musicians: piano player Mal Waldron, alto saxophonist Jackie McLean and the Sonny Rollins-influenced tenor of J. R. Monterose. The title song is a ten-minute tone poem, depicting the rise of man from his hominid roots (Pithecanthropus erectus) to an eventual downfall. A section of the piece was free improvisation, free of structure or theme.

Another album from this period, The Clown (1957 also on Atlantic Records), the title track of which features narration by humorist Jean Shepherd, was the first to feature drummer Dannie Richmond, who remained his preferred drummer until Mingus's death in 1979. The two men formed one of the most impressive and versatile rhythm sections in jazz. Both were accomplished performers seeking to stretch the boundaries of their music while staying true to its roots. When joined by pianist Jaki Byard, they were dubbed "The Almighty Three".

Mingus Ah Um

and other works

In 1959 Mingus and his jazz workshop musicians recorded one of his best-known albums, Mingus Ah Um. Even in a year of standout masterpieces, including Dave Brubeck's Time Out, Miles Davis's Kind of Blue, John Coltrane's Giant Steps, and Ornette Coleman's prophetic The Shape of Jazz to Come, this was a major achievement, featuring such classic Mingus compositions as "Goodbye Pork Pie Hat" (an elegy to Lester Young) and the vocal-less version of "Fables of Faubus" (a protest against segregationist Arkansas governor Orval Faubus that features double-time sections). Also during 1959, Mingus recorded the album Blues & Roots, which was released the following year. As Mingus explained in his liner notes: "I was born swinging and clapped my hands in church as a little boy, but I've grown up and I like to do things other than just swing. But blues can do more than just swing."

Mingus witnessed Ornette Coleman's legendary—and controversial—1960 appearances at New York City's Five Spot jazz club. He initially expressed rather mixed feelings for Coleman's innovative music: "...if the free-form guys could play the same tune twice, then I would say they were playing something...Most of the time they use their fingers on the saxophone and they don't even know what's going to come out. They're experimenting." That same year, however, Mingus formed a quartet with Richmond, trumpeter Ted Curson and multi-instrumentalist Eric Dolphy. This ensemble featured the same instruments as Coleman's quartet, and is often regarded as Mingus rising to the challenging new standard established by Coleman. The quartet recorded on both Charles Mingus Presents Charles Mingus and Mingus. The former also features the version of "Fables of Faubus" with lyrics, aptly titled "Original Faubus Fables".

Only one misstep occurred in this era: The Town Hall Concert in October 1962, a "live workshop"/recording session. With an ambitious program, the event was plagued with troubles from its inception. Mingus's vision, now known as Epitaph, was finally realized by conductor Gunther Schuller in a concert in 1989, a decade after Mingus died.

The Black Saint and the Sinner Lady

and other Impulse! albums

In 1963, Mingus released The Black Saint and the Sinner Lady, described as "one of the greatest achievements in orchestration by any composer in jazz history." The album was also unique in that Mingus asked his psychotherapist, Dr. Edmund Pollock, to provide notes for the record.

Mingus also released Mingus Plays Piano, an unaccompanied album featuring some fully improvised pieces, in 1963.

In addition, 1963 saw the release of Mingus Mingus Mingus Mingus Mingus, an album praised by critic Nat Hentoff.

In 1964 Mingus put together one of his best-known groups, a sextet including Dannie Richmond, Jaki Byard, Eric Dolphy, trumpeter Johnny Coles, and tenor saxophonist Clifford Jordan. The group was recorded frequently during its short existence; Coles fell ill and left during a European tour. Dolphy stayed in Europe after the tour ended, and died suddenly in Berlin on June 28, 1964. 1964 was also the year that Mingus met his future wife, Sue Graham Ungaro. The couple were married in 1966 by Allen Ginsberg. Facing financial hardship, Mingus was evicted from his New York home in 1966.

Changes

Mingus's pace slowed somewhat in the late 1960s and early 1970s. In 1974, after his 1970 sextet with Charles McPherson, Eddie Preston and Bobby Jones disbanded, he formed a quintet with Richmond, pianist Don Pullen, trumpeter Jack Walrath and saxophonist George Adams. They recorded two well-received albums, Changes One and Changes Two. Mingus also played with Charles McPherson in many of his groups during this time. Cumbia and Jazz Fusion in 1976 sought to blend Colombian music (the "Cumbia" of the title) with more traditional jazz forms. In 1971, Mingus taught for a semester at the University at Buffalo, The State University of New York as the Slee Professor of Music.

Later career and death

By the mid-1970s, Mingus was suffering from amyotrophic lateral sclerosis (ALS). His once formidable bass technique declined until he could no longer play the instrument. He continued composing, however, and supervised a number of recordings before his death. At the time of his death, he was working with Joni Mitchell on an album eventually titled Mingus, which included lyrics added by Mitchell to his compositions, including "Goodbye Pork Pie Hat". The album featured the talents of Wayne Shorter, Herbie Hancock, and another influential bassist and composer, Jaco Pastorius.

Mingus died, aged 56, in Cuernavaca, Mexico, where he had traveled for treatment and convalescence. His ashes were scattered in the Ganges River.

Musical style

His compositions retained the hot and soulful feel of hard bop, drawing heavily from black gospel music and blues, while sometimes containing elements of Third Stream, free jazz, and classical music. He once cited Duke Ellington and church as his main influences.

Mingus espoused collective improvisation, similar to the old New Orleans jazz parades, paying particular attention to how each band member interacted with the group as a whole. In creating his bands, he looked not only at the skills of the available musicians, but also their personalities. Many musicians passed through his bands and later went on to impressive careers. He recruited talented and sometimes little-known artists, whom he utilized to assemble unconventional instrumental configurations. As a performer, Mingus was a pioneer in double bass technique, widely recognized as one of the instrument's most proficient players.

Because of his brilliant writing for midsize ensembles, and his catering to and emphasizing the strengths of the musicians in his groups, Mingus is often considered the heir of Duke Ellington, for whom he expressed great admiration and collaborated on the record Money Jungle. Indeed, Dizzy Gillespie had once claimed Mingus reminded him "of a young Duke", citing their shared "organizational genius."

Personality and temper

Nearly as well known as his ambitious music was Mingus's often fearsome temperament, which earned him the nickname "The Angry Man of Jazz". His refusal to compromise his musical integrity led to many onstage eruptions, exhortations to musicians, and dismissals. Although respected for his musical talents, Mingus was sometimes feared for his occasionally violent onstage temper, which was at times directed at members of his band and other times aimed at the audience. He was physically large, prone to obesity (especially in his later years), and was by all accounts often intimidating and frightening when expressing anger or displeasure. When confronted with a nightclub audience talking and clinking ice in their glasses while he performed, Mingus stopped his band and loudly chastised the audience, stating: "Isaac Stern doesn't have to put up with this shit." Mingus reportedly destroyed a $20,000 bass in response to audience heckling at the Five Spot in New York City.

Guitarist and singer Jackie Paris was a first-hand witness to Mingus's irascibility. Paris recalls his time in the Jazz Workshop: "He chased everybody off the stand except [drummer] Paul Motian and me... The three of us just wailed on the blues for about an hour and a half before he called the other cats back."

On October 12, 1962, Mingus punched Jimmy Knepper in the mouth while the two men were working together at Mingus' apartment on a score for his upcoming concert at The Town Hall in New York, and Knepper refused to take on more work. Mingus' blow broke off a crowned tooth and its underlying stub. According to Knepper, this ruined his embouchure and resulted in the permanent loss of the top octave of his range on the trombone – a significant handicap for any professional trombonist. This attack temporarily ended their working relationship, and Knepper was unable to perform at the concert. Charged with assault, Mingus appeared in court in January 1963 and was given a suspended sentence. Knepper did again work with Mingus in 1977 and played extensively with the Mingus Dynasty, formed after Mingus' death in 1979.

In addition to bouts of ill temper, Mingus was prone to clinical depression and tended to have brief periods of extreme creative activity intermixed with fairly long stretches of greatly decreased output, such as the five-year period following the death of Eric Dolphy.

In 1966, Mingus was evicted from his apartment at 5 Great Jones Street in New York City for nonpayment of rent, captured in the 1968 documentary film Mingus: Charlie Mingus 1968, directed by Thomas Reichman. The film also features Mingus performing in clubs and in the apartment, firing a .410 shotgun indoors, composing at the piano, playing with and taking care of his young daughter Caroline, and discussing love, art, politics, and the music school he had hoped to create.

Legacy

The Mingus Big Band

Charles Mingus' music is currently being performed and reinterpreted by the Mingus Big Band, which in October 2008 began playing every Monday at Jazz Standard in New York City, and often tours the rest of the U.S. and Europe. The Mingus Big Band, the Mingus Orchestra, and the Mingus Dynasty band are managed by Jazz Workshop, Inc. and run by Mingus' widow Sue Graham Mingus.

Elvis Costello has written lyrics for a few Mingus pieces. He had once sung lyrics for one piece, "Invisible Lady", backed by the Mingus Big Band on the album, Tonight at Noon: Three of Four Shades of Love.

Epitaph

Epitaph is considered one of Charles Mingus' masterpieces. The composition is 4,235 measures long, requires two hours to perform, and is one of the longest jazz pieces ever written. Epitaph was only completely discovered, by musicologist Andrew Homzy, during the cataloging process after Mingus' death. With the help of a grant from the Ford Foundation, the score and instrumental parts were copied, and the piece itself was premiered by a 30-piece orchestra, conducted by Gunther Schuller. This concert was produced by Mingus' widow, Sue Graham Mingus, at Alice Tully Hall on June 3, 1989, 10 years after Mingus' death. It was performed again at several concerts in 2007. The performance at Walt Disney Concert Hall is available on NPR. Hal Leonard published the complete score in 2008.

Autobiography

Mingus wrote the sprawling, exaggerated, quasi-autobiography, Beneath the Underdog: His World as Composed by Mingus, throughout the 1960s, and it was published in 1971. Its "stream of consciousness" style covered several aspects of his life that had previously been off-record. In addition to his musical and intellectual proliferation, Mingus goes into great detail about his perhaps overstated sexual exploits. He claims to have had more than 31 affairs in the course of his life (including 26 prostitutes in one sitting). This does not include any of his five wives (he claims to have been married to two of them simultaneously). In addition, he asserts that he held a brief career as a pimp. This has never been confirmed.

Mingus's autobiography also serves as an insight into his psyche, as well as his attitudes about race and society. It includes accounts of abuse at the hands of his father from an early age, being bullied as a child, his removal from a white musician's union, and grappling with disapproval while married to white women and other examples of the hardship and prejudice.

Scholarly influence

The work of Charles Mingus has also received attention in academia. According to Ashon Crawley, the musicianship of Charles Mingus provides a salient example of the power of music to unsettle the dualistic, categorical distinction of sacred from profane through otherwise epistemologies. Crawley offers a reading of Mingus that examines the deep, imbrication uniting Holiness-Pentecostal aesthetic practices and jazz. Mingus recognized the importance and impact of the midweek gathering of black folks at the Holiness-Pentecostal Church at 79th and Watts in Los Angeles that he'd attend with his stepmother or his friend Britt Woodman. Crawley goes on to argue that these visits were the impetus for the song "Wednesday Prayer Meeting." Emphasis is placed on the ethical demand of the prayer meeting felt and experienced that, according to Crawley, Mingus attempts to capture. In many ways, "Wednesday Night Prayer Meeting" was Mingus's memorial, homage, to black sociality. By exploring Mingus' homage to black Pentecostal aesthetics, Crawley expounds on how Mingus figured out that those Holiness-Pentecostal gatherings were the constant repetition of the ongoing, deep, intense mode of study, a kind of study wherein the aesthetic forms created could not be severed from the intellectual practice because they were one and also, but not, the same." Gunther Schuller has suggested that Mingus should be ranked among the most important American composers, jazz or otherwise. In 1988, a grant from the National Endowment for the Arts made possible the cataloging of Mingus compositions, which were then donated to the Music Division of the New York Public Library for public use. In 1993, The Library of Congress acquired Mingus's collected papers—including scores, sound recordings, correspondence and photos—in what they described as "the most important acquisition of a manuscript collection relating to jazz in the Library's history".

Cover versions

Considering the number of compositions that Charles Mingus wrote, his works have not been recorded as often as comparable jazz composers. The only Mingus tribute albums recorded during his lifetime were baritone saxophonist Pepper Adams's album, Pepper Adams Plays the Compositions of Charlie Mingus, in 1963, and Joni Mitchell's album Mingus, in 1979. Of all his works, his elegant elegy for Lester Young, "Goodbye Pork Pie Hat" (from Mingus Ah Um) has probably had the most recordings. Besides recordings from the expected jazz artists, the song has also been recorded by musicians as disparate as Jeff Beck, Andy Summers, Eugene Chadbourne, and Bert Jansch and John Renbourn with and without Pentangle. Joni Mitchell sang a version with lyrics that she wrote for it.

Elvis Costello has recorded "Hora Decubitus" (from Mingus Mingus Mingus Mingus Mingus) on My Flame Burns Blue(2006). "Better Git It in Your Soul" was covered by Davey Graham on his album "Folk, Blues, and Beyond." Trumpeter Ron Miles performs a version of "Pithecanthropus Erectus" on his CD "Witness." New York Ska Jazz Ensemble has done a cover of Mingus's "Haitian Fight Song", as have the British folk rock group Pentangle and others. Hal Willner's 1992 tribute album Weird Nightmare: Meditations on Mingus (Columbia Records) contains idiosyncratic renditions of Mingus's works involving numerous popular musicians including Chuck D, Keith Richards, Henry Rollins and Dr. John. The Italian band Quintorigo recorded an entire album devoted to Mingus's music, titled Play Mingus.

Gunther Schuller's edition of Mingus's "Epitaph" which premiered at Lincoln Center in 1989 was subsequently released on Columbia/Sony Records.

One of the most elaborate tributes to Mingus came on September 29, 1969, at a festival honoring him. Duke Ellington performed The Clown, with Duke reading Jean Shepherd's narration. It was long believed that no recording of this performance existed; however, one was discovered and premiered on July 11, 2013, by Dry River Jazz host Trevor Hodgkins for NPR member station KRWG-FM with re-airings on July 13, 2013, and July 26, 2014. Mingus's elegy for Duke, "Duke Ellington's Sound Of Love", was recorded by Kevin Mahogany on Double Rainbow (1993) and Anita Wardell on Why Do You Cry? (1995).

Material loss

On June 25, 2019, The New York Times Magazine listed Charles Mingus among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.

Awards and honors

1971: Guggenheim Fellowship (Music Composition).

1971: Inducted in the Down Beat Jazz Hall of Fame.

1988: The National Endowment for the Arts provided grants for a Mingus nonprofit called "Let My Children Hear Music" which cataloged all of Mingus's works. The microfilms of these works were given to the Music Division of the New York Public Library where they are currently available for study.

1993: The Library of Congress acquired Mingus's collected papers—including scores, sound recordings, correspondence and photos—in what they described as "the most important acquisition of a manuscript collection relating to jazz in the Library's history".

1995: The United States Postal Service issued a stamp in his honor.

1997: Posthumously awarded the Grammy Lifetime Achievement Award.

1999: Album Mingus Dynasty (1959) inducted in the Grammy Hall of Fame.

2005: Inducted in the Jazz at Lincoln Center, Nesuhi Ertegun Jazz Hall of Fame.

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