#Literary Lego

[coffeeisfortheresponsible]

wait what were the bible references in ninjago. i caught the iron sharpens iron one but there were more??

ok well not really references but more so connections and parallels (intentional or not)

so obviously the one everyone’s brain jumps to would probably be lloyd and jesus and like,, yes because you know;

prophesied savior of the world, to destroy the hold evil had over humanity, arrives as a powerless child instead of a mighty conqueror, (grand)son of god

you get my point

but you know who really has more interesting parallels with jesus’s death?? garmadon.

he is, after all, actually the son of god in ninjago

oh and btw this is like where the idea that this is more me doing a literary analysis on this instead of saying these are direct parallels to one specific part of the Bible.

so let’s start with the idea of snakes. there’s a lot of them in ninjago and in the Bible, generally meant to symbolize evil in both contexts.

one snake in particular has extra significance, the great devourer, which parallels the serpent (satan) in the garden of eden. both are kind of this, embodiment of evil that find their way into a peaceful, early in time, garden or general sanctuary where humanity is still good. so in ninjago terms this would be the beginning of wu and garmadon’s lives before garm gets bit and turned evil. there’s also this interesting connection between the action of biting (eve with the fruit of knowledge of good and evil, which brought sin into the world, and garmadon being the one to get bit and this brings evil into the creation of god (fsm). but anyways now we have our tainted humanity and this conflict between good and evil in a way.

then we skip to the scene where garmadon and lloyd fight in ‘the final battle’ and you get this weird double parallels of jesus in both garmadon AND lloyd.

garmadon, the son of god, gets all the evil in the world placed into him, and he is publicly killed for it (i know he didn’t actually die but yeah it like cleansed him so same point still stands), when really he didn’t do anything wrong. he was bit by accident, almost the universe’s sacrifice. (jesuscore lol ok but actually think the crucifixion)

but you also have lloyd, who is the savior, who is the one doing the cleansing of evil, he is the light

dialogue parallels here:

overlord: “Where there is light, there will always be shadow”

lloyd: “Unless my light is bright enough!"

//

john 1:15

“The light shines in the darkness, and the darkness has not overcome it.”

not to mention garmadon’s name is the word Armageddon just mixed up so there’s that

oh and this was definitely intentional

[imminent-danger-came]

(4x10 The Jade Emperor)

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(4x14 Better Than We Found It)

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Jade Emperors smiling before their inevitable ends.

[nerevarswritingstuff]

TIaF Edits Teaser - Chapter 19

“You are just like Fengshe,” he mutters under his breath. “Nonetheless, it… was something made in haste. One that—admittedly—I do not look back on fondly…” Unsure of how else to end the conversation, he gestures for you to follow.

Fengshe?

“Who’s that?” You ask, following him through what looks like a more residential area, with fewer shops and more houses.

“Mm?” He takes you to a large stone wall that has certainly seen better days.

“Fengshe. You said I’m just like him.”

“In certain ways, yes,” he grumbles. “Fengshe is Mother Lihua’s son. Through technicality, because of his relation to Monkey King—he’s my uncle, despite him being close to my age, give or take a century or two.” He rolls his eyes in annoyance. “Likes to call me little brother to confuse everyone we meet… annoying.”

…

Miss Lihua has another son???

How deep does this shit go? Now you’re curious how this Fengshe character acts, and if Wukong knows anything about him—or Six-Eared Macaque.

[rinyaskyline]

LMK Season 4 special spoilers. I guess??? I think everybody's seen the special or went to find it after a moot talked about at this point tbh

So I'm in the Lego Monkie Kid fandom and I gotta say that people REALLY need to talk more about the other things happening in this special. Shadowpeach this, Shadowpeach that, why are we not talking about Wukong literally tearing through the scroll by force so he didn't have to relive his worst memories? What about Azure's entire arc and inability to control the power he stole????

MY MAN REALIZED HE WAS WRONG AND PROCEEDED TO SELF-SACRIFICIALLY DIE IN THE SPAN OF LIKE 2 MINUTES! AND WUKONG WAS HURT BY IT TOO IT WAS IN HIS FACE AS AZURE FADED AWAY!!!!!

Even if you don't wanna talk heavy plot points the outfits??? Y'all are sleeping on the crew Tang's new haircut rocks.

Don't mind my rambling in the tags my bff is offline and I have nobody to tell my musings to

[heabitfruity]

Silly Hobbies: Primarch Edition

Apparently I wrote too much according to tumblr, so I'm sorry if it's choppy :[

Lion El'Johnson - He actually really loves analyzing "literature"; but not normal literature like Shakespeare or Kafka. He likes analyzing things like The U.S Constitution and The Treaty of Versailles. He does this because he thinks it will help him diplomatically (it doesn't, nobody gets why he does it otherwise, not even his sons).

Fulgrim - This man knows how to dance to every K-Pop song known to man. He can throw it back to "Baby Got Back" and has tried to teach Sanguinius and Ferrus Manus how (It didn't go well, Ferrus threw his back out ). This man knows the exact choreography to "Womanizer", "Nude" and so many other songs.

Perturabo - He likes making useless contraptions; like infomercial level sort of inventions. He has invented bread-dogs, a time-machine to go back exactly two seconds for each use, a voice-recording recorder, etc. He uses Dorn to test it out, despite their... feelings for one another. He knows that Dorn will give him a blunt answer; even if he is told that the invention is "stupid".

Jaghatai Khan - He's really good at acrobatics, specifically everything with the asymmetrical bars; this man could easily escape a pack of dogs with a pen in his pocket (If anyone gets this reference I will be so proud). He attempted to teach Angron how to do the basics, but it didn't go that well; the man is just simply not flexible enough yet.

Leman Russ - This is a secret that he will take to his grave because he suffers from major internal misogyny. He knows how to knit, and he's REALLY good. He grew up on a planet that is 75% of the time below zero, of course the second he got ahold of yarn and wool he got to making warm things for his marine-sons! However, he plays it off as things like: "the citizens of Fenris have donated these for our cause".

Rogal Dorn - He likes making massive forts, societies and various massive structures in Minecraft, with Legos, Lincoln Logs, and those small, ceramic Christmas towns. They're usually quite extensive, but not extravagant. He will pester Perturabo and Magnus to look at them, and this often leads to debates about how these civilizations would function.

Konrad Curze - He teaches cooking classes; however, they are not pleasant. At the end of meal prep, all students are covered in blood due to Konrad butchering whatever protein they had prepared. The food actually tastes amazing, however the process of making it is certainly a battle within itself. Sevatar is his sous chef, which means he frequently has to do most of the work that isn't butchering.

Sanguinius - Honestly, animal rehabilitation. I know this sounds absolutely odd, but due to him having wings, he has to know how to keep a healthy batch of feathers! He's excellent at bird handling, and actually really enjoys it. He's saved at least 54 birds (he doesn't get to find many, his sons typically try to steer him away).

Ferrus Manus - Dude actually makes some really mean jewelry; like the man makes the permanent ankle chains, ring engravements, earrings (with the help of Fulgrim). He's made a lot for his brothers like Leman, Fulgrim, Magnus, and the Khan. They're all very appreciative (though Ferrus has to make Leman a special mixture so he doesn't chew through it by accident).

Angron - He does extreme sports! It helps focus on something that doesn't direct his anger at things that he doesn't need to focus on. It's somewhat funny to think of him riding a BMX, but his absolute favorite is bungee-jumping! He has forced demanded that his sons and brothers try it to "toughen them up". However, nobody except Konrad wanted to. (They both had a great time! One of the few times they've actually bonded over anything.)

Guilliman - He enjoys grading papers... He enjoys signing up to grade the essays of AP classes on Terra and does it every year if he has the time. He takes the pleasure of learning things about literary merit from other people's perspectives, and every time it makes him consider becoming a professor (even though it would be highly impractical).

Mortarion - He enjoys escape rooms, especially with Konrad and Horus. They actually usually have a great time, though sometimes they have to stop Konrad from digging into the walls. He actually commissioned Perturabo to make an elaborate escape room with hatches and secret pathways all around a set of shipping containers. It was so fun that he actually decided to keep it. (He still discovers new routes and puzzles in it every time he goes in.)

Magnus the Red - He plays Dungeons and Dragons with Khan, Guilliman, Perturabo and Alpharius and Omegon. He ALWAYS is the Dungeon Master, no matter what. This is not because he is selfish and possessive (he is a little), but because nobody in the group can seem to maintain a regular gaming schedule. They have simply resorted to Magnus being the godly controller of their games.

Horus Lupercal - This man fishes. I'm sorry, he does the straight, white man fishing and poses. He takes pictures of the fish with the awkward raised arm but genuine smile. He sometimes gives the fish to Konrad, however, less so after finding out from his students what happens during his classes.

Lorgar Aurelian - He writes fanfiction. He likes to show Magnus and Horus his angsty stuff. This stuff is even enough to make Magnus cry a little. Lorgar, however, also writes smut. I believe that this man has never had the intimate touch of any person. Not because he's celibate, but because he's a bitch. The smut's written like in the early days of Wattpad. It's disastrously bad (Think "his meat-cicle entered her mound"). Leman found it one time, he tormented Lorgar for weeks with it.

Vulkan - He bakes! He has learned all the favorite sweets of all of his brothers, making sure to surprise them occasionally whenever they haven't spoken in a while. He loves it whenever there are big events, gives him a chance to see all of his brothers and see them enjoy his work. (There have been some small altercations due to people hoarding food)

Corvus - He likes fashion; but not in a New York fashion week way, more of an Edna from The Incredibles way. He uses the help of Ferrus and Leman to help sew cloaks, shape up boots, and they use Sanguinius and Fulgrim to model it to make sure it looks good and it works.

Alpharius Omegon - They like mimicking their brothers as much as possible; in a "try to look exactly like them" way. It is actually really impressive, even going past the uncanny valley vibe. This led to Mortarion walking in on two versions of himself standing at his bedroom door and it made him piss his pants; and nobody believed him when he told the rest of them.

[vampsired]

Hobbies JJK characters would have

cast ᯓ✦: gojo, geto, shoko, nanami, haibara, utahime

GOJO SATORU

1. eating/cooking - I feel like teen gojo mostly but older gojo would also find great joy in concocting heinous meals in the kitchen like his ‘ultimate sandwich’

2. wordle - doesn’t matter how good he claims to be, he has a meltdown and a half whenever he can’t get the answer in two tries. He’ll also gasp when he forgets to do his daily wordle and does it then and there.

3. map quizzing - he claims to be good, and with full confidence says the wrong answer. But will shove it in your face if he gets it right. He’ll go through a phase every couple of weeks trying to force anyone to vers him

GETO SUGURU

1. fixing/updating his motorcycle - he’d only be able to do this when he’s at his parents house bc it’s tedious work and needs a lot of time which he doesn’t rlly have when he’s at school.

2. music - I feel like teen geto would be swamped with school and missions most of the time to fully indulge himself into music, so when he gets more time I feel like he’d post

3. photography - defo the friend who takes pics of the sunset and sends it to you like you don’t have eyes yourself. But he’s a really good photographer, everyone ask him to take their photos when they’re out. He also has a bunch of digital cameras and loves going to photo booths

SHOKO IEIRI

1. amature barista - I think she missed good coffee when she’d go back home, so she took this up to satiate her coffee addiction. But then ended up having so much fun making it at home she got a full station when she got her own home.

2. swimming - she finds swimming relaxing, whether it’s the ocean, the pool or a lake. When she was young she had a lake near her house and she’d go swimming with her friends there all summer long, she hopes to take her friends one day.

3. collects mini toys - like mini purses and doll pieces, her fav is the mini hair dryer and straighter but she absolutely cherishes the ones utahime makes her <3

NANAMI KENTO

1. baking (duh) - although he doesn’t get into bread making until he’s older, I feel like teen nanami could make gooodd brownies and cookies that aren’t sickeningly sweet

2. reading (another obvi) - teen nanami would probably like those very long and complicated fantasy series and perhaps would like crime/thriller novels. But I feel maybe as nanami gets older he likes to read more literary fiction.

3. walks - I feel like he’d love to take the subway to a less crowded area and walk around with headphones in. He especially loves places with green landscapes or rivers

HAIBARA YU

1. comic and manga collector - loves seeing his collection grow over the years and loves sharing the stuff he has with his friends for them to enjoy also

2. legos - I feel like he has an impressive lego collection at his parents house but never dares to bring the larger ones to his dorm, he has smaller builds in his dorm which are still very impressive

3. board games - probably owns games you’ve never heard of, mostly plays with either you and nanami. But sometimes the group plays if they can get the rules down. But word of advice, don’t play monopoly with utahime or gojo 0.o

UTAHIME IORI

1. jewellery making - is the friend who has a lifetime amount of beads at her disposal. Loves making friendship bracelets for you and shoko, especially to mark like special events like holiday you guys go on or just for fun

2. painting - specifically flowers and landscapes, it reminds her of the place she grew up in and how her mother used to paint the summer flowers when she was growing up.

3. mini clay pieces - using air drying clay to make some little things like tiny mugs or tiny figurines like dinosaurs. When she made some little tortoises for shoko she screamed

© vampsired on tumblr. all rights reserved. do not cross-post, translate, copy in any way, etc.

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[canmom]

Two more Exordia interviews with Seth (via @eyeofanaxis), some great answers here both funny and serious. Shoutout to Grimdark magazine for using they pronouns.

The violence question in the first interview is particularly interesting - laying out a bunch of creative spec-bio off the cuff and then spelling out one of the themes in Seth's work that I find most compelling...

Underlying all this is a broader theme in my work, the question of whether violence is ultimately the Right Strategy in the universe—whether it’s possible to build a system which is cooperative, equitably helpful to all its contributors, resistant to outside attacks and proof against internal corruption and collapse. I really hope that is possible. I am not afraid of entropy but I am afraid of conquest and cancer, the two great threats to organized positive-sum systems.

...but I think the part people will find funniest is where they reveal it all started as a Bionicle fanfiction.

When I was in high school I wrote a Lego Bionicle fanfiction where the Bionicle world was invaded by aliens, and one of the aliens defected to the Lego side to help them fight back against her people. I thought she was a pretty cool character, because I was fifteen, so everything seemed pretty cool.

Second interview is mostly lighter, but has some all too real shit re the SFF 'community'.

Also James C Scott gets a nod! I really gotta read Seeing Like A State.

[yamayuandadu]

The real life inspirations behind new characters in Touhou 19 (Unfinished Dream of All Living Ghost) While I haven’t been posting much about Touhou as of late, I felt obliged to put together the customary post about the inspirations behind the new characters. The new game genuinely renewed my interest. In contrast with similar write-ups pertaining to previous games the research is not entirely mine - some of the sections are a result of cooperation between me and @just9art. Without further ado, let’s delve into the secrets of the new cast. Find out if Biten is the first “Wukong impersonator” ever, when a tanuki is actually a badger, and why Hisami both is and isn’t an oni. Naturally, the post is full of spoilers. Also, fair warning, it's long.

1. Biten Son - sarugami + Sun Wukong

Sarugami means “monkey kami”, the monkey in mention being the Japanese macaque.To my best knowledge, the term is actually not used commonly in English - the results on jstor and De Gruyter are in the low single digits, Brill outright has nothing to offer. Translations are much more common.

Sarugami are particularly strongly associated with Mount Hiei. You might have heard of it because of its association with Matarajin, though in this case he’s not exactly relevant. Instead, it is believed the monkeys act as messengers of Sanno (the “mountain king”), Sekizan Myojin and Juzenji. Sanno himself could take the form of a monkey according to medieval texts, while Juzenji can be accompanied by a deity depicted as a man with a monkey’s head, Daigyoji, known from the Hie mandala. Sarutahiko is also associated with monkeys based on the similarity between his name and the word saru. Bernard Faure notes that despite the clearly positive portrayal of monkeys as semi-divine beings in service of these deities, their perception in folklore and mythology can nonetheless be considered ambivalent, because they could be viewed as aggressive. There are even examples of sarugami being portrayed as monstrous antagonists to be defeated by a hero. The best known tale of this variety is known simply as Sarugami taiji. It is preserved in the Konjaku monogatari. Here the sarugami is a fearsome monster who terrorizes a village and demands the offering of one young woman each year.

In contrast with the sarugami, I do not think Sun Wukong, one of the protagonists of the classic Chinese novel Journey to the West, needs much of an introduction. We reached the point where even in the west he is recognizable enough to warrant toys based on him (there’s a Lego Wukong on my desk right now). Biten's design has many callbacks to traditional portrayals of Wukong, including the staff (which in the novel is a pillar stolen from the undersea palace of a dragon emperor) and a very distinctive diadem (in the novel making it possible to pressure the unruly Wukong into obeying the monk he is meant to protect). As a curiosity it’s worth noting that “fake Wukong” is not a brand new idea - in the novel itself, one of the enemies of the heroes, Six-Eared Macaque, actually impersonates him for a time. Wukong is effectively himself a “divine monkey”, seeing as despite his origin as a literary character he actually came to be worshiped as a deity in mainland China, Taiwan and various areas with a large Chinese diaspora. The topic of Wukong worship itself came to be an inspiration for literature, starting with the excellent The Great Sage, Heaven’s Equal by Pu Songling, a writer active during the reign of the Qing dynasty, in the early eighteenth century.

2. Enoko Mitsugashira - “immortal yamainu” + Cerberus

Enoko gets the least coverage here, because there really isn’t much to say. Yamainu, “mountain dog”, isn’t really a supernatural creature, it’s an old term for either the extinct Japanese wolf, a type of feral dog, or a hybrid between these. It can also be used as a synonym of okuri-inu, a youkai wolf believed to accompany travelers at night.

There’s actually a distinctly Journey to the West-esque component to Enoko’s backstory, but I have no clue if this is intentional. In the aforementioned novel, many of the antagonists, who are generally demonic animals, are motivated by the desire to devour the flesh of the protagonist, the Buddhist monk Tang Sanzang, because it is said to grant immortality. Granted, given the obscurity of the figure Zanmu is based on - more on that later - perhaps this is an allusion to something else we have yet to uncover. Cerberus, being probably one of the most famous mythical monsters in the world, does not really need to be discussed here. The illustration is included mostly because I like Edmund Dulac and any opportunity is suitable for sharing his illustrations. I do not think it needs to be pointed out that Enoko's bear trap weapons are meant to evoke Cerberus' extra heads.

3. Chiyari Tenkajin - tenkaijin (+ mujina) + chupacabra

While my favorite animal youkai not yet featured in Touhou is easily the kawauso (otter), I was very pleased to learn we sort of got a mujina since I wanted to cover this topic since forever, but never got much of a chance. Technically Chiyari is actually meant to be a tenkaijin, which is not a mujina but a slightly different youkai (a will-o-wisp or St. Elmo’s fire-like creature, specifically) who in the single tale dealing with it takes the form of a mujina after dying, but as there is not much to say about it beyond that you will get a crash course in mujina folklore instead.

Today the word mujina is pretty firmly a synonym of anaguma - in other words, the Japanese badger. The animal does not substantially differ from other badgers, so I do not think much needs to be said about its ecology. However, historically the term could be used to refer to the tanuki regionally, or interchangeably to both animals, so in some cases if insufficient detail is provided it is hard to tell which one is meant. This ambiguity extends to the folklore surrounding them, and generally if you know what to expect from tanuki tales, which I’m sure most people reading this do, you will instantly recognize many of the plot elements typical for mujina ones. In other words, it is yet another yokai which typically takes the role of a shapeshifting trickster. Some supernatural phenomena could be basically interchangeably attributed to mujina, tanuki, kitsune or kawauso. Mujina are commonly described taking the form of Buddhist monks, which is one of the many similarities between them and tanuki.

The most famous depiction of a shapeshifting mujina comes from Toriyama Sekien’s Konjaku Gazu Zoku Hyakki (The Illustrated One Hundred Demons from the Present and the Past). The accompanying text compares the creature to the supernatural versions of kitsune and tanuki, and states that the artist relied on a tale according to which a mujina was able to successfully impersonate a Buddhist monk until accidentally revealing its tail. 

What makes the mujina special is that it is actually the oldest recorded example of a youkai of this sort. A mujina tale already appears in the early Japanese chronicle Nihon Shoki, dated to 627. It reports an incident of a mujina transforming into a human and singing somewhere in the Michinoku Province. I feel like this alone is a good example of why you should be wary of people who seek to present Nihon Shoki or Kojiki as historical truth. Western audiences as far as I know were first introduced to mujina by Lafcadio Hearn. To my best knowledge, the fabulous shapeshifting badgers however failed to gain the popcultural recognition enjoyed by tanuki and kitsune. They did appear in Shigeru Mizuki's stories every now and then, and I found a mascot character based on them, but overall there isn't all that much beyond that.

Naturally, there isn't much mujina in Chiyari's design, and she instead most likely owes her distinctly spiky appearance to the other inspiration behind her character, the chupacabra. Mujina are not really portrayed as bloodthirsty, but the poorly documented tenkajin apparently is, which is presumably why ZUN decided to connect Chiyari with the chupacabra, the best known modern blood-drinking creature, who first appeared in tall tales from 1995 and subsequently took popculture by storm after spreading from Puerto Rico to mainland USA and Mexico. I am not a chupacabra aficionado so I have little to offer here, sadly.

4. Hisami Yomotsu - yomotsu-shikome

Judging from what I’ve seen on social media and on pixiv, Hisami is shaping up to be one of the most popular new characters (she’s my fave too). In sharp contrast with that, her basis is pretty obscure. So obscure that there isn’t even any historical art to showcase, as far as I can tell (note that this blog claims night parade scrolls might have something to offer, though - I was unable to verify this claim for now, sadly). As we learn from her bio, she is supposed to be a yomotsu-shikome. They’re called the “hags of Yomi” of Yomi in Donald L. Philippi’s Kojiki translation. The term shikome can be literally translated as “ugly woman”. Nothing about them really implies femme fatale leanings we are evidently seeing in Touhou but I’m not going to complain about that. Yomotsu-shikome appear only in the Kojiki and the Nihon Shoki, and in both of these early chronicles they are portrayed as servants of Izanami after she died and came to reside in Yomi, the land of the dead. Nihon Shoki states there are only eight of them. The distinct grape vine motif present on Hisami’s clothes seems like an obvious reference to Izanagi’s escape from Yomi following his meeting with Izanami, portrayed in the myth recorded in both of these sources. When the yomotsu-shikome started to pursue him, he threw a vine he used to hold his hair at them. The plant instantly bore fruit, which the entities started to eat. They later resumed the chase, but were once again held back, this time by a bamboo shot. According to the Nihon Shoki, they eventually give up after he creates a river from his piss (sic) to keep them away.

Yomotsu-shikome are sometimes compared to oni by modern researchers. Noriko T. Reider in her monograph about oni argues that alongside hashihime and yamanba (pictured above) they can be effectively grouped with them. Another researcher, Michael D. Foster, is more cautious, and states that despite clear similarities it’s best to avoid conflating oni-like female demons with female oni proper, especially since the latter have a distinct iconography and a distinct set of traits. Norinaga Motoori, the founder of kokugaku or “national learning”, a nationalist intellectual movement in Edo and Meiji period Japan, claimed that oni were based on yomotsu-shikome, which is a pretty dubious claim. It is ultimately not certain when the term oni started to be used, but it is safe to say it has continental origin. And, of course, oni permeate Japanese culture in a way yomotsu-shikome do not.

5. Zanmu Nippaku - Zanmu

This was the toughest mystery to solve, and I am fully indebted to 9 here, since they figured it out, I am merely depending on what they directed me to. Research is still ongoing, and it feels like we just started to untangle this mystery, so you can safely expect further updates. Zanmu appears to be based on the Buddhist monk… well, Zanmu. You can learn a bit about him here or on Japanese wikipedia; it seems there are quite literally 0 sources pertaining to him in English, and even in Japanese there is actually very little. Their names are not written the same, ZUN swapped the sign for “dream” from the original name for one which can be read as “nothingness”. If the unsourced quote on wikipedia is genuine, the reason might be tied to the personal views of the irl Zanmu. What little we’ve been able to gather about him is that he was active in the Sengoku period, and apparently was regarded as unorthodox and eccentric. This lines up with Zanmu’s omake bio pretty well. Seems the real Zanmu was also unusually long lived, and was able to recall events from distant past in great detail, though obviously the figure of 139 years attributed to him in a few places online has to be an exaggeration.

Yet more puzzling is the reference to Zanmu’s familiarity with Ikkyo you might spot in the linked article. Whether the famous Ikkyo who you may know from the tale of Jigoku Dayu is meant is difficult to determine. The chronology does not really add up; on the other hand the logic behind associating one eccentric semi-legendary monk with another in later legends isn’t particularly convoluted. As 9 pointed out to me, if ZUN was aware of this link, and the same Ikkyo really was meant, it is not impossible the connection between Zanmu and Hisami is meant to in some way mirror that between Ikkyo and Jigoku Dayu. As you can easily notice, it’s pretty clear the historical Zanmu was male. It does not seem his Touhou counterpart is, obviously.  I would say we should wait for more info until declaring that we have a second Miko situation on our hands, with a male historical figure directly reimagined as a female character without any indication we are dealing with a relative rather than the real deal. There’s still relatively little info to go by so I would remain cautious (though naturally this is not meant to discourage you from having headcanons).

Neither me nor 9 were able to find any connection between the historical Zanmu and oni… so far, at least. Therefore, what motivated ZUN to make Zanmu an oni remains to be discovered. As a final curiosity, on a semi-related note it might be worth pointing out that while not as common as their male peers, female oni are not a modern invention, and already appear in setsuwa from the 13th century. A particularly common motif are tales describing a woman turning into oni due to jealousy or anger. Further reading:

Jason Colavito, The Secret Prehistory of El Chupacabra (2011)

Bernard Faure, Gods of Medieval Japan vol. 1-3 (2015-2022)

Michael Daniel Foster, The Book of Yokai. Mysterious Creatures of Japanese Folklore (2015)

John Knight, Waiting for Wolves in Japan. An Anthropological Study of People-wildlife Relations (2003)

Noriko T. Reider, Japanese Demon Lore (2010)

[candysharkart]

something tells me Louis would be a huge monkey king fan. that’s all. do with this what you will.

not sure if you meant just the myth in general or smth specific (i think theres a popular lego show im not that familiar w/) n i also dont know much about the myth myself..... BUT he would probably be into either/both

i like the idea of luis getting VERY into like.... anime/manga literary analysis? he wants to better understand the diff reoccurring themes he sees in what he likes!! i could see that being a story he's gotten real into while researching

[semisolidmind]

I was wondering something about Wukong, is he an Oc or is he from a show? If he is from a show where can I find it? I’m actually super curious!! :D

......ok, so—

the guy you see me draw? primarily based off the show lego monkie kid. it's good. you should watch it.

however, the character of sun wukong himself is a very (very very) famous one from the Chinese literary classic "the journey to the west." a pop culture icon. fr, the guy is everywhere.

im nowhere near qualified to clue you in to all the details about this dude (I mostly draw the silly guy from the lego show and follow the beats from osp's video series on the story). i suggest doing some research if you want more than a surface level understanding.

[pedges-world]

The One With Pedge and Jett:

This morning I awoke to discover my favorite social media writer is temporarily exiting the literary fandom, and I had the difficult duty of notifying Pedge the Therapist of this possibility. He promptly burst into tears. I gently reminded him that this is slightly unprofessional therapist conduct, and later we could have some chocolate chip cookies, if that would help.

I was hoping he might offer some words of wisdom for the writing fandom, but he has currently passed out from grief in the kitchen, and I am fanning him with a frond from Roman Centurion days. But as he recovers I would first like to offer my support and encouragement for any artists who need to protect their creative sensibilities. Pedge the Therapist calls us “The Sensitives” and he’s correct in the best SENSE of the word. Artists are seekers of truth, beauty and love and it’s important to protect that process. 

Pedge has a bad case of the sniffles, but I have gone on to remind him that art is a very personal and intimate expression of self, and anyone willing to do that is deserving of our support. For that matter, I’ve also recently heard of some digital plagiarism and bullying tactics that make personal expression even more challenging than it already is.

Oh my! Pedge, put that down! That’s my favorite vase! Stawwwwwp! I’m sorry, Pedge is pursuing the therapeutic technique of throwing a well timed temper tantrum, I just wish he would use the plethora of stuffies I have, rather than my Lego Sets. Alright good, Pedge, get it all out! Injustice should make us angry! Afterwards, we can seek out every opportunity to extend kindness, gratitude and love. 

I know, Pedge. He says, “This is why we can’t have nice things”. Put that whiskey back, it’s only 11am in the morning! Good heavens. I will take this moment to remind us that other than his extensive time at Tisch, deconstruction of the human condition through the arts, and apparent love of shrooms, Pedge the Therapist is not a a registered clinician. HOWEVER, he would like to remind us all that kindness is the tool of the day and please continue to protect your inner artistic child with a ferocity only paralleled by Marcus Acacius.

Sigh. Alright, we had a good cry, engaged in primal scream…actually later we might enjoy some healthy sexy time activities to release our inner aggression. Pedge is also asking about those chocolate chip cookies. With that, I say a hearty thank you to ALL the beauty and artistry I continue to enjoy within and without.  You continue to inspire me.

Yes, Pedge we can now have some cuddle time and listen to “Purple Rain”.

Sending love. Sending cookies. And sending Pedge :)

[quotidian-oblivion]

Not-Yet-Written Fic Game

Tagged by @chemical-processes!! Thank you so much for tagging meeee. Especially in writer games, i love them <3

Post about some of the fics you plan on writing

I'm gonna do both batfam and Merlin for this one. You can put down any number of wips. I have so many, but I think I'll choose 10 😅 Feel free to ask about any of them!!! I'd love that ^^

No pressure tags: @sardonic-sprite @igotthisaccountunderduress @pericreatesstuff @foursixtwonineoh-pieces-of-lego @foineswoine-writing

@uncertainwallflower @cygnusdoesthings @blightwritesfic @wakkoroni

A Dance Across the Stream [BBC Merlin]

A slave!Arthur fic where I really pump up the angst. Arthur has been a slave for so long that people are starting to lose hope that he's even alive. His slavers decide to auction him since his past status, health and general looks will get them a pretty penny. He's collared by magic that hurts him if he doesn't listen to his masters' orders. As he stares down blankly at the faces and hands rising eagerly to buy a slaved prince, he hears a voice-

"Twelve hundred and thirty gold pieces!"

For the first time in months, Arthur dares to raise his head. Because he knows that voice. Has heard it incessantly rabbiting on, talking his ear off several times a day before his capture.

But it can't be him. It can't be Merlin. Because the bid for him was only open to sorcerers. And Merlin can't be a sorcerer.

2. Let Me Die, Let Me Drown, Lay My Bones In the Ground [BBC Merlin]

(I'm cheating a little bit cuz this is actually written but) My first fic where I really unleash my angst weapons. I wanted to test my limits. And I did.

The storm that had passed through Albion didn't only bring devestation, it brought a party belonging to the king, queen and princess of a distant land on the edge of Albion's maps. As per propriety and courtesy, Camelot was required to hold a feast and provide accommodation for them. The feast started off smoothly, the royals of Camelot getting along quite well with the royals from Harden.

But a single questioned changed everything. Including the destiny of Arthur and Merlin.

"What are your stances on magic?" Uther asked.

3. Doesn't have a name yet, but the wip doc is named 'My Limits Tested Through Merlin' [BBC Merlin]

While writing LMDLMD (the above fic), I discovered that the angst I put in there was not actually my full limit. I could push further. I could write worse. So I started this multichap wip. And it's going splendidly. Honestly, this fic is such a good jar to add my inner demons to. And I decided to work in some foreshadowing, juxtaposition, symbolism and all that lovely fun literary devices stuff because I found that I actually enjoy that process. So this might just be my best mutlichap fic yet!

Summary: That the kingdom they traveled to was peaceful was a lie. That the king was a good and fair man was also a lie. That Merlin, Arthur, and the Knights of the Round Table would be safe was the biggest lie of all. 

As Merlin scrubs the floor beneath the king's feet, despite the pains and bruises on his body, he wonders if escape will also be a lie. 

4. Empire For Two [BBC Merlin]

Part two of a two-part series. I've finished writing the outline and currently it's standing at 50 chapters, but as it gets written it might increase. Since it's MASSIVE and too much for me to take on alone, my lovely fwens Joan (@tireddruid) and Tristi are helping me with it! Joan's alpha and beta-ing while Tristi's gonna be a co-writer. For once, I'm not gonna start posting after it's written, but post as we write each chapter.

A Golden Age AU where I fix the fucking show.

5. Tim gets de-ages to a toddler fic [DC]

I've finished the outline for this too and it's currently standing at 21 chapters and I've already written 2. @mispeltnostalgia is beta-ing it ^^ And it's angsty. And fluffy! Majority of it is fluffy! But the angst at the end and major character death tag kind of overshadows the 19 chapters of fluff 😅 I also do a character study of Jason here. It's very enlightening.

Inspired by the very first fanfic I ever read (by choice) and Tim gets de-aged to a toddler because of a mistake Jason made. Jason's bonds with the family is already fragile and this mistake might just drive a further wedge between him and them. So he keeps the mistake a secret.

But the fact Tim is a toddler isn't. The batfam try their hardest to look after Tim while trying to find a way to age him back. Tim's an adorable kid but... there are warning signs. Too many warning signs. It makes everyone question just how well they had known Tim and his personal life.

For some reason, the toddler seems attached to Jason. And surprisingly, Jason seems to go actually well when dealing with him.

But after an explosive fight between Jason and the rest of the family, when Alfred opens the doors to the bedrooms, he finds both the toddler and the crime lord gone.

6. I Quit (not the actual fic name, just a wip name) [DC]

It started with a crack-genre scene where Tim accidentally resigns being Robin over the phone.

It quickly escalated to Tim running from the Bats, trying to cure Jason of his Pit Madness, and raising a 10-year-old assassin Damian when Talia mistakenly dumped the kid on him. Fully outlined, 19 chapters, I'm probably gonna start writing this soon.

7. Found Him [DC]

Not a multichap fic but a series with oneshots and twoshots and threeshots! Why? Because I was lazy and didn't bother with filling chapters. Why? Cuz I wanted to get to the action bits. Why?

Because this, my friends, is an evil!Tim Drake AU >:)

Tim wakes up in Titans Tower before Bruce and Dick can show up. He wakes up and all he sees is blood.

His blood.

He is in excruciating pain, but for some cruel reason, he can still think and feel clearly. His mind is not a haze, he has all his memories and he is very well aware of the carnage that has been made out of his body. Very well aware of the person who created the carnage out of his body.

In a Red Robin #4-esque style, Tim crawls out and sloppily secures the wounds that bleed the most, then grabs a bike and collapses in the middle of the road. The emergency services think he's a normal civilian boy since Tim had torn his Robin uniform and had ridden out in the blacks underneath. They manage to save his life but the damage was done.

Tim had snapped. He thought he was alone. And nothing was going to convince him otherwise.

8. All 'Board Mind Games [DC]

Inspired by Zugzwang written by sardonic-sprite. Ra's keeps kidnapping Tim and forcing him to play different board games from different cultures (cuz I like representation) and each member of the batfam is kidnapped along with him and with every time Tim loses, he gets to choose between forms of torture or being Ra's heir. Ra's gets what he wants either way because he wants Tim as his heir, but he also wants to see Tim suffer because he blew up his League's operations.

This fic I am so so so incredibly excited for because I am adding brain factors in it. Here is a plan for one of my chapters:

Damian — Barjees — Fear gas — "Be the person you needed when you were younger" (or Ideasthesia)

9. Talons (not the actual title) [DC]

What if Bruce didn't arrive in time to adopt his sons? What if the Talons did?

And what if, years later, Batman comes across four child assassins in Gotham whose eyes are screaming help?

10. Danny meets Tim (not the actual title, obvi) [DC x Danny Phantom]

Not very outlined, but the idea has been written down. During Tim's Red Robin arc where he's traversing the whole globe to find Bruce, one of the places he stops at is Amity Park. He heard about how ghosts are a regular here so maybe he can find something? Proof whether or not Bruce is alive?

Who he finds instead changes the whole trajectory of Tim's life.

~

And those are some of my wips! I am 100% planning on writing and posting all of them. They've all been outlined (except the last one) and are very much ready to be written or posted. I keep getting ideas after ideas for fics though so don't know when I'll be writing them 😂 Rest assured, I'm too excited to delay some of these wips.

[o-uncle-newt]

I guess the only person who can really be trusted to describe the greatness of Agatha Christie is Dorothy L Sayers...?

A while back, the always-sharp @thesarahshay sent me an ask that caught me up on something that I'd carelessly written in some tags- I said that Agatha Christie was good at writing romance into her detective fiction, without really elaborating. I then spent multiple paragraphs attempting to elaborate, I'm not sure with how much success. Essentially, and you can click above to see for yourself, my thesis was that while Sayers was a much better literary stylist (and certainly better at writing romance) than Christie, when writing a detective novel, her seams show; Christie had a natural talent for knowing exactly what belongs in a detective story and creating and fitting all the right pieces together that create a seamless detective story, including motivations drawn by romance (though I think the actual romances are among the weaker elements- still MUCH better than those written by most of her peers, for the record).

I'd had trouble putting into words what I wanted to say (there was a convoluted metaphor about Barbies and Lego in there), and I'm not sure I was too convincing; but turns out that the person who said what I wanted to say the best was, in fact the great DLS herself.

There's a fabulous book that I 100% recommend called Taking Detective Stories Seriously, which is a compilation of about two years' worth of detective story reviews that Sayers wrote. I hadn't heard of most of the authors, and even when I had heard of the authors I'd rarely read the books, but it didn't matter, frankly. She's just such a great writer, so thoughtful and incisive and passionate about both the genre and good craftsmanship (not to mention good English), that everything she has to say including on novels that haven't been in print since the 30s is worth reading. She has generally great taste, though she has a much higher opinion of Margery Allingham than I do and doesn't like Ellery Queen's The Siamese Twin Mystery as much as I'd thought she might (though the fact that a character in it insulted Unnatural Death may not have helped lol); but she also likes, to pick two very different writers who I too enjoy, HC Bailey and Mignon G Eberhart, and so she clearly has a good eye. (It's also entertaining to see her slowly force herself to admit that she likes Perry Mason...)

BUT ANYWAY.

She has three reviews of Agatha Christie books in the volume: Murder on the Orient Express, Why Didn't They Ask Evans, and Three Act Tragedy. She reviews all of them very positively, but it's her review of Three Act Tragedy (in my opinion, funnily enough, the weakest of the three) that she really gets to the core of Christie's genius. And it's actually fitting that it's for a book of hers that's on the more meh end of the scale- because it just shows how even meh Christie has an element of genius that other authors have to work hard for even in their best works.

She says:

Some time ago this column contained the statement that Hercule Poirot was "one of the few real detectives." It was a well-sounding phrase, and I have no quarrel with it, except that I am not quite clear what it meant. What I meant to write and what I thought I had written and what I now propose to write clearly with no mistake about it was and is this: Hercule Poirot is one of the few detectives with real charm. Plenty of authors assure us that their detectives are charming, but that is quite another thing. I don't know that Mrs Christie has ever said a word about the matter. She merely puts Poirot there, with all his little oddities and weaknesses, and there he is- a really charming person. And it is true, too, that he is "real," in the sense that we never stop to enquire whether his words and actions are suited to his character; they are his character, and we accept them as we accept the words and actions of any living person because they are a part of himself. Le style c'est l'homme. Indeed, when Mrs Christie is writing at the top of her form, as she is in Three Act Tragedy, all her characters have this reality. She does not postulate a character- retired actor, West End mannequin, family retainer- and put into its mouth sentiments appropriate to its station in life. She shows us character and behavior all of a piece. However surprising or enigmatic the behavior, we believe that everything took place just as she says it did, because we believe in the reality of the people. Poirot is charming, not because anybody says so, but because is is, and all her other people exist for us in the same objective manner. This is the great gift that distinguishes the novelist from the manufacturer of plots. Mrs Christie has given us an excellent plot, a clever mystery, and an exciting story, but her chief strength lies in this power to compel belief in these characters. [emphasis mine]

Sayers then proceeds to compare another author (or rather authors, the husband and wife pair GDH and M Cole) to Christie in this regard, moving on to another review. But in these three paragraphs she has, I think, said it better than anyone- that Christie's skill is in her naturalness, and how that naturalness compels us to believe in and immerse ourselves in her world. She is effortless and seamless.

To be clear, Sayers praises a lot of people in this book, and a lot of people's writing; but mostly she is praising their skill and ability to create what they have created. Here, she isn't quite praising that- she's praising the fact that the final product is so good that you can't even see the craftsmanship behind it, and that's, I think, what separates Christie from her peers. It's a power, and not one that can be broken down by a critic. She just has it.

I've said before that I don't think Sayers had this as a mystery writer, and I think she'd probably be the first to agree with that assessment; she certainly had a seemingly effortless skill as a prose writer (as these reviews show), but as a novelist she took construction seriously and wanted us to know this. That said, another person who I don't think has this, who I mention because he's someone who a lot of people compare Christie to (often negatively), is John Dickson Carr.

I've seen plenty of people say that Carr is a more sophisticated version of Christie, not just in mystery construction but in writing style, and equally prolific, creative, and versatile. I don't agree with this on most counts, but I think, honestly, that Carr is fine- but you can see the seams easily. He might have been prolific but his formulae are visible and his writing required intentionality on his part. By which I mean- Carr when he's trying to be funny is generally hilarious. Carr when he's trying to be scary is generally spine-tingling. But Carr when he's just trying to get to the next good bit is dull and mechanical. He needs to be paying attention and making an effort in order to be good, and we notice him doing this. Christie never has this problem; even when the actual stuff she's writing isn't high quality, she's never dull. Everything feels purposeful and organic, somehow.

Obviously, all of this is fundamentally subjective, and if there's one redeeming element it's that an incredibly smart lady agrees with me (by my interpretation, at least) and says it extremely well. But I'll be holding on to this one, if nothing else.

[secretlythepits]

Legos, Teeth, Nightmares

I’m not taking care of myself. I’m not taking care of business. I have no time to waste but that’s all I’m doing. I’ve noticed my unhealthy coping behaviors creep up and now I’m worried. I’m using this post to help me— I don’t know— I need help.

I’ve been watching a lot of tv. This is what I do when I numb down. I’m rewatching This Is Us. So, themes. But also, catharsis.

I’m not eating consistent meals. I skip, forget, and I feel starving. Sometimes I stay starving and sometimes I make a poor choice. Or, i’ll make a good choice but then the rest of the meals are thrown off.

I’m not exercising or even walking. Part of this is due to my sprained ankle, though I think walking would be good at this point. Part of it is a heat wave making most of the day too hot so have a narrow window to make it happen. But the biggest thing is that I feel utterly paralyzed so I’m sitting on the sofa thinking about all that I need to do that I’m not doing and feeling ashamed and overwhelmed. It feels like I just CAN’T.

I need to complete important paperwork. I made good progress and just stopped. It still needs to be done.

I haven’t worked on my business since I came back. I need to get it up and running, but my mind is not in that head space. This is a needed income source.

I need to make a bunch of appointments for myself and the kids, but I haven’t because I don’t know what my husband’s doctors schedule will be. That’s stupid. I should just set them and adjust if necessary, but I CAN’T.

All I want to eat are carbs and sweets.

My body composition is changing rapidly due to perimenopause and these behaviors are making it worse. This greatly affects how I feel about myself.

I’ve been having so many sleep issues. Last night I had a dream where I was getting married in a couture LEGO dress, but as I was getting ready, all of my teeth fell out. I was naturally distressed and then I realized that I must have bone cancer. The dream lasted forever and I kept running around, looking for help, but nobody seemed to care enough to even try to help me. My husband was like, ok, you have to just deal with it. It’s still time to get married. I was freaking out and nobody could recognize the emergency. I felt so lost, panicked and alone.

The PET scan results will come in any day or maybe in a week. I am on edge. They will be the most telling. Biopsy is tomorrow.

I need support, but I don’t even know what to ask for. What can my friends do? I can’t talk to my husband about it because he is overwrought.

What I wish:

I want to remember to stay in my lane. Eyes on my life. Keep moving forward with my goals.

I really want to prioritize my own health and wellness. I want to lose weight and build strength. I want to feel inside of my body again. I like that feeling.

I want to renew my spiritual practices because they ground me, renew my energy, and bring me peace. (I’ve been avoiding them too.)

I want to make progress on my to do list so I have less to worry about.

I want unlimited amounts of good chocolate.

I want to sink into a good book, literary fiction that captivates me wholly.

I want to sleep through the night.

I want to know how to feel more supported while not having any of this touch my husband.

I want to be able to approach my day with a spark of go get em.

I don’t know how.

[weaselandfriends]

Web Original, Recently Witnessed

In a previous post, I mentioned some web fiction I'd recently read. This time, I'll highlight some web original content outside of the literary sphere. While I have some experience with literature, I'm completely untalented in other mediums, so my assessment of this content is no better than a layman's. However, I still thought it worth highlighting.

1. Journey to EPCOT Center: A Symphonic History by Kevin Perjurer (Defunctland)

Perjurer has been putting out excellent documentary-style content on theme parks and their rides for years now, but while his production quality is consistently high, his videos often live or die based on the core level of interest his subject engenders. For instance, his video on notoriously awful ride Superstar Limo (with a general focus on notoriously awful theme park California Adventure) is an incredible watch, while his video on a random assortment of small, local Santa Claus theme parks across America isn't quite so compelling. He's no Jon Bois (of 17776 fame), a documentarian capable of rendering extraordinary seemingly the most banal of subjects.

Journey to EPCOT Center, however, is unlike anything Perjurer has ever put out before. It completely eschews Perjurer's typical voiceover narration style of documentary, instead stitching together music, audio of news reports and press releases, and dramatizations of Disney boardroom meetings to create a seamless narrative. Beyond the unique style and presentation of the piece, however, is the incredible artistry on display in several of the segments. Some of the biggest highlights:

12:00 to 16:14: A neon light animation detailing the vision and plan of EPCOT, which gradually transforms into a 3D map that the camera travels through

16:52 to 21:03: An impressively animated series of newspaper articles detailing Disney's struggles finding signatories for its world showcase; the video comments indicate some shots of the moving newspapers were created practically, with Lego conveyer belts

38:46 to 44:27: A puppet show dramatizing Disney's efforts to seek international sponsors

There are numerous other impressive, inventive, and creative segments as well, with unique animation and visual styles. The video rarely repeats the same trick twice.

The funniest part is that all of this is in service to a topic I would personally consider quite boring. EPCOT is such a Disney-buffs-only type of subject, neither Disney's greatest success nor its greatest failure. The incredible skill on display is all aimed toward depicting a fairly corporate, backroom-style story about men in suits trying to secure handshakes. There's an almost propagandistic feel to it, an extolling of capitalist bigwigs that feels completely at odds with Perjurer's visionary style.

In a way, it's reminiscent of United Passions, a FIFA propaganda film meant to make its executives look good in the wake of real-life controversy. On the other hand, though, Perjurer's exceedingly loving depiction is appropriate for Walt Disney's final passion project, Disney himself being a man who, for better or for worse, was as much of a dreamer and visionary as he was a cutthroat businessman. EPCOT, as the video tells you, was designed as an optimistic reaffirmation of the American free enterprise project, and as a complement to that vision Perjurer's video could not be more accurate. Unlike United Passions, this video was also made independently, not financed by Disney to make itself look good in the eyes of the public. Metatextually, it poses a fascinating question: Is there value to corporate art? Can a corporation create something of true beauty? Perjurer's video suggests it can.

2. The Mind Electric Animation - Lonely-Man's Lazarus by Daisy

Perjurer is probably familiar to many of my readers, so this next entry is more obscure, something I stumbled on almost by chance.

A friend of mine is big into animatics, which as far as YouTube is concerned is about setting music (usually Broadway or Disney musical numbers) to sketchy, storyboard-style art. I'm not a major Broadway fan in general, so these have never appealed to me much, although I've been shown several.

This one, though, rather generically titled "The Mind Electric Animation" (after the song it features), caught me entirely off guard. The first notable element is that the animation is monstrously more fluid than a typical animatic, though it retains the sketchy/storyboard art style and traditional animatic sensibilities toward character design (very "Tumblr," if I had to put a word on it). Secondly, the music, rather than being from Hamilton or Heathers or some other popular musical, is from the itself rather arcane album Hawaii: Part II by Joe Hawley (under the name ミラクルミュージカル). Hawaii: Part II is, as far as I can tell, a concept album detailing the story of a man who goes insane after his girlfriend is murdered (possibly by himself), with a strange secondary subtext of possibly being metaphorical for the 9/11 terrorist attacks. The lyrics are certainly open to interpretation.

The animatic combines these elements with heavy inspiration from a different concept album, potentially the most famous one ever made: Pink Floyd's The Wall, with specific nods to the film adaptation's animations for The Trial and Empty Spaces. There is no skimping on detail, with some sequences absolutely bursting with bizarre visuals. The ultimate result is absolutely trippy, abstract, and surreal, which are some of my favorite things for something to be.

Regardless, it's an impressive work of animation for a single person to make; the video description states it took 15 months, which is more time than I've spent on any one of even my longest works. The creator themselves is somewhat enigmatic from what I could tell, despite having a whole host of social media platforms. They seem to be working on a web comic, but trying to find any concrete information on what it is actually about was difficult. Nonetheless, whoever made this certainly has an abundance of creative vision and talent. Though I've seen skilled artists sit down to create something narrative before and flub it utterly (an example that comes to mind is Ava's Demon), so who knows if what is on display in this animation will make it into that web comic. Even if it doesn't, the animation by itself is incredible, so check it out.

3. The Skibidi Toilet podcast guys are for real by Mikhail Klimentov / Built By Gamers in general

Built By Gamers has been on my radar for some time (ever since seeing this video) as an absolute masterclass of performance art. The voice, the emphasis, the little oddities here and there, the way the two hosts so often ignore direct questions posed by one another, it creates something inimitably uncanny. This interview by Mikhail Klimentov, who I am familiar with primarily through his esports journalism, only adds new layers to what was already a convoluted question of irony and sincerity.

There are a few concrete insights, most shockingly to me that the creators of Built By Gamers (Todd Searle and Peter Armendariz) got their start in esports. But despite the title that seems to clearly suggest their videos are sincere, the actual interview is far less conclusive. For instance, this exchange:

It's evident to me that you guys take this very seriously. You feel as though there's a lot of craft behind these videos. Tell me about the stuff that a viewer won't see: the behind-the-scenes stuff that you're thinking about as you're working on these videos. Armendariz: A lot of people think it's ChatGPT. That's a big thing that people think that we do. But a lot of it is actually well crafted, through hours — like we'll spend hours on one script and really thinking about how we can get someone to react. It doesn't matter if it's them laughing, if it's them feeling sad, or them hating on one of us, our main goal in our videos is to get someone to feel something. The hard truth is that people don't realize how many hours we spend on one video to get that one line. I think that's what people don't really understand. We’ll spend like two hours on one line. Searle: Our tone, like how we talk — it’s on purpose. I have to get into character for it. Armendariz: Todd has a voice, bro! He didn't think he'd be good at telling stories, and I have him tell every single story because he has this campfire story voice. And sometimes he'll hit a line and I'm like, “No, no, you’ve got to hit it harder.” And we'll spend like 30 minutes trying to hit the line, or hitting the hook just the right way.

Followed immediately by:

People really don't know what to make of you guys. They don't have a sense of whether you're serious, whether you're in on the joke, whether there's a joke at all. I'm curious if you can clear that up. Searle: We want it to be everything you just said. We want people to think we're serious. We want camps of people who don't think we're serious. People who think that we're A.I. We kind of want to keep it, I guess, vague in that regard. Like we want you to believe… what we are — and that's OK. Armendariz: I think sometimes we'll play into different communities. So, like, some people will say, ‘You guys sound like you got brain surgery.’ So then we’ll make the most cringey video that's like super brain-rot, you know? We just kind of mess around and have fun.

So are they just messing around and having fun, or are they spending hours trying to nail specific lines just right? Are they sincerely trying to tell a story that gets an emotional reaction or are they just trolling, which also gets an emotional reaction? The biggest troll of the interview, targeted specifically at me, was this response:

Can you tell me what those writing principles are? Armendariz: I think a big writing principle that everyone should follow is, it's really important to show, don't tell.

People who have talked to me elsewhere know I am a massive enthusiast of the ubiquitous Mr. Beast, not necessarily because I like his content (though I do think he puts together some strong game show/Wipeout-style videos), but because of the story behind him: That he is an extreme, almost insufferable perfectionist, who analyzes video success and failure to a scientific degree, doing experiments with thumbnails, video lengths, et cetera, all to take detailed assessments of the results and perfectly calibrate his videos in mathematical fashion. It's a type of rigor that flies in the face of the casual, wastefully generous persona he cultivates in his videos proper.

I think many people have this innate idea that a work of art's quality is somehow tied to the effort expended to produce it. (Even I have it. Notice how for both of the first two entries in this post I mention the effort or time or craftsmanship of the work in question.) This is the kind of sensibility that causes a layman, who knows nothing about painting, to prefer a Caravaggio to a Rothko. But this sensibility is both conceptually and often practically wrong; Rothko, for instance, engineered his own paints, creating custom blends of materials (including non-paint material, like egg) to form paints of a perfectly specific color or gloss or sheen, a process often completely unseen by a casual glance at the finished work.

Subsequently, there's a reason they're called writer's workshops, that writing is so often described as a craft: It's an attempt to imbue writing with a sense of effort that makes it more palatable. The stereotype extends to the artist who sneers at quote-unquote "low" art, thinking "If I was willing to lower myself, I could create that slop and make millions too." In my experience, though, the people creating this "low" art are often expending absurd amounts of effort and exhibiting incredible skill to create something perfectly engineered for success. I, certainly, have found zero success in attempting to broaden my own audience, even when I make attempts at it; it's not something that's easier to do if you're just willing to try.

I also increasingly fail to believe in the stereotype of the miserable cynic artist who creates something they think is garbage because they know that'll be most popular. Those people don't last long; those who succeed in the popular sphere are people who are genuinely passionate about what they create, even if it looks like dreck to everyone else (including the millions who consume it).

I've been kicking around an idea for a story about Mr. Beast for some time now, exploring these concepts in even greater depth. That won't happen in the immediate future, but it's something to look out for.

[heygerald]

Your headcanons about Tom feel so accurate! Do you have any about Parker you can share with us?

Of course, thanks for asking!

Parker was the type of kid growing up that loved to follow her older brother around because she had a hard time making her own friends. Colt was as gracious as a kid could be about it, and though he ditched her half the time, he also didn't let anyone make fun of her. Which lots of kids did, as she was a total bookworm, who picked up her sense of witty humor from reading Bronte, Austen, and Coleridge way too much.

She became more social as she grew up, made lots of friends during her time at college, and even had a semi-succeasful career as a literary agent for most of her twenties... but, it never felt right to be across the country from her brother, having to hear about him getting a spot on Miami Vice from a voicemail, and not being able to get time off when he breaks his leg in a stunt gone wrong.

Colt can't believe that she would quit her job for him, and so Parker shrugs, "seriously, Colt, I thought I was going to die from either carpool tunnel or boredom, and I'm not sure which was better" she would joke, while sleeping on his couch as she couldn't afford anything better.

They don't say it often since they're not the ooey-gooey type family, but Colt is her best friend in life, and she's his. He doesn't mind one bit that she's cramping his style. Where he used to ditch her when they were kids, Colt has now grown used to taking her with him everywhere he goes.

It takes eight months of walking LA before Parker stumbles across Brian's Bookmine. It's old and musty and entirely empty when she walks in. But the owner is pleasant to talk to, and together they chat for a few hours about his inventory. She's never seen such an eclectic selection of books. That very same night she gets a job working for him, stocking and sweeping and everything else that's demeaning.

A year later she buys it.

The 'n' has even started to fade off the sign, but when Parker thinks about renaming the store, something doesn't feel right, so she elects to rebrand. The Bookmire seems more fitting anyway, given that it's not exactly pretty, but deep inside is a treasure.

Colt brings her a Lego flower set when she buys it, and even though they're both broke, building the little kit on the dirty floor of her very own store while watching a Miami Vice rerun on the corner TV is one of her favorite memories ever.