#Lore rewrite turned au

[cas-theghostking]

So what exactly is the Sonic warp au?

OH MY GOD ITS HAPPENING.

Hi, yes. Sonic warp is an au I started working on about a year and a half ago with a friends of mine.

The basic concept is that when Blaze uses the chaos emeralds at the end of 06 she is sent back in time, by alot. She ends up on Christmas Island and a hedgehog named Aleena finds her and fixes her up. (Blazes face got burned off) anyway, blaze Remembers what happens to Christmas island and warns Aleena of the danger, telling her to get her kids off the island. Her kids being sonia, manic, and sonic. In the og timeline sonia and manic didn't make it but now that they are, when blaze tries to go back to her reality, she can't. She ends up in the same kind of always on fire place as before but this time, she has to take care of a baby silver who litteraly doesn't know where he came from. And later, the younger version of herself. As for sonic, his life is pretty much the same bur we spliced it up with some TV show, fand dub, and spinoff lore. His adventures are familiar with a fun little twist.

It originally had a focus on just blaze and sonic but it grew far past that. There's two Blazes running around, sonics sibilings are there and being unhinged, cosmo from sonic x is there, shadow is a consistent charecter, charmy gets arrested for tax evasion, metal has t-girl swag, tikal and knuckles are besties, tails has an emo phase. Something that we did that I really like is give a bit of story with some of their parents, knuckles and his dad specifically was a cool thing that we had.

But yeah, this has been long in the making, it's got this kinda "x-men" vibe to it in how we treat the world around them. It's fun, it's weird, we spend a good chunk of the story traumatizing the charecters. It's a blast to be writing.

so feel free to ask more questions about the story and any of the charecters. We've been waiting for this. Thank you.

[festering-bacteria]

Lila, Felicity (Felix, she’s transfem in my au), & Sabrina! (Ik Volpina isn’t an actual miraculous user but it’s the closest I had to one at least until chrysalis’ design is revealed 💋)

[oh-shtars]

You said you loved to get asks about your AU

Weeeeell I wanted to know, what are your plans for Amaya? What’s her deal? Her backstory? Her personality? Tell us about the queen 👀

I’ll be honest here Anny, I have NOT done her redesign yet and she’s a character I’m so frustrated with right now because I keep getting stuck on creating her- jdksjdjsks

But I have worked out her backstory! It’s just her role in the actual RFTS!storyline that’s bothering me 😭😭

Character Plans:

See, just as I’ve made Magnifico a parallel of Star, I’ve made Amaya a parallel to Asha. Whereas RFTS!Asha keeps her dreams and desires to herself because she’s insecure and afraid to take charge, Amaya is also just as highly ambitious but headstrong and ruthless.

I have Asha to represent how “To achieve great things and for people to believe in your lead, you need to be the person to believe in your capabilities first. To be brave enough to take a leap of faith.” Amaya is the opposite. She has her dreams and desires, but she’s willing to do whatever it takes to get her way. Even if she needs to crack a few eggs to get it. I wanted her to represent how “Pursuing your dreams is great, but at the expense of other people and dragging them down to get there, is a very shtty thing to do.”

Amaya has a passion for discovering and desires to learn everything there is to the world of magic around her. I did say she was just an eviler version of Zarina, didn’t I?

The thing is though, she is willing to sacrifice certain animals and “poor unfortunate souls” as fuel for her experiments. So umm, yeah. I wonder what happens to the people kept in the castle’s dungeon-

She believes the reason that most of the magic in the world is unknown and undiscovered is because people are holding themselves back because of “sympathy and feelings.” Amaya didn’t like that one bit, so her main hobby and goal is to keep digging out for more. Always hungry for more.

Bonus Facts:

- Unlike Magnifico, whose trauma has prevented him from effectively learning magic, Amaya is actually competent with magic usage without the use of any certain artefact. No staff or anything.

- She’s skilled at disguises and making up fake stories or lies on the spot that are easy to believe. (As a reference to previous Disney villains who used this tactic)

- Similar to Asha who has a sketchbook around with her, Amaya keeps a notebook that she keeps her notes in. (I guess this can be the substitute for the ‘forbidden book’ in the canon movie. lol)

- Amaya has a pet sphinx cat whom I decided to call ‘Espino’. It means ‘thorn’ in Spanish.

- While everyone else is just a tool for her to use, she does feel genuine love and concern for her husband when he does spiral into a PTSD episode. She’s had no one else in her life for a while now and Mag was the only one who ever understood her, so she’s willing to aid him whenever she can.

- She likes horse-back riding in the woods and does so often to relax or collect ingredients for her experiments

- She hates the idea of anyone or anything holding her back from what she believes is her true potential.

- Amaya holds the calculative and strategic skills in her ‘brains and the brawn’ duo with Mag. Mag is more on delivery and force if necessary. She’s calmer and aids Mag whenever he’s stressed or having temper issues.

- She’s also quite a fan of novels and poetry and likes the sound of poetic and fitting endings. It’s the reason why she’s being so nice towards Asha because she sees her as a fun toy to play around with. Especially when it comes to considering the king and queen’s strong opinion about Tomás.

(Tomás used to be hers and Mag’s assistant before he was tragically killed died after strongly holding beliefs that oppose their rule. It’s quite an entertaining irony if they were to have Tomás’ own daughter follow in his footsteps. One that he obviously would’ve hated to see if he was still alive.

Magnifico disliked the idea of having an inquisitive annoying girl around his work. Like I said in my previous drawing, he finds Asha ‘unbearable.’ But oh well, anything for the wifey. Happy wife. Happy life.)

Backstory:

Amaya grew up a little typical girl in Rosas with big dreams of mastering and getting to know everything regarding alchemy and magic. It’s a whole world that’s surrounded by it and who knows how much is left undiscovered?

The unfortunate thing is that her family was against this passion of hers since, well, not everyone thinks magic is a necessary skill worth your time when you can do it by yourself the traditional way. While her parents didn’t mind how King Oliver and previous other rulers have always provided an easier living for their people with magic, they want to keep the family tradition of achieving things by themselves magic-free. It’s how their ancestors established their livelihood as farmers after all.

Rosas had the best reputation of being the most inclusive and welcoming kingdom, so people holding these magic-free beliefs still have their boundaries respected and allowed to refuse magical help if they wish.

But Amaya? Amaya didn’t want to follow her parents’ footsteps. She wants to pursue her own dream.

…..

Mag and Amaya’s love story is basically Royalty x Commoner.

They met when Mag was 15 and she was 14 and were best friends ever since. Back then in the past, when there wasn’t as much worries and things were a little more simpler. But Amaya’s parents progressively start discouraging her to interact with Mag as they believe his role as prince and the future sorcerer king of Rosas is influencing their daughter to take up magic too.

Until one day, Magnifico never heard from her again. And then years later as young adults, they found each other again in the woods, where Amaya had fled away from her home to secretly study magic on her own there. They bonded over feeling so pressured to give up on their initial desires just because their parents and life decided to be unjust and cruel to them.

“Like, don’t you ever just wish you could hold the world and shake it soo hard because you’re so mad? OMGG BESTIE, SAAME.”

👆That was the look Amaya gave him when Magnifico asked if she ever felt “helpless and trapped,” like he did. It was at that moment that Magnifico fell down a flight of stairs and head over heels for this woman.

Sooo, childhood friends, to losing each other for a bit, to finding each other again, and then to romance.

(Wait- wdym they’re like Simba and Nala too? Pfft-)

The thing is though, Amaya is a wanted outlaw. (Or criminal? Idk the right word. Do they mean the same thing?).

Her identity is not exactly known. The guards are aware that there’s someone stealing ingredients and breaking Rosas’ rules and safety regulations about studying magic. The kingdom bans the production or study of any magic that could actively harm or terribly curse animals and humans. Remember when I said Amaya couldn’t give a single flying sht about that? She just managed to keep her real name clean because of her skills in disguises.

Amaya’s state and Magnifico potentially withholding information lead to another father-and-son argument with King Oliver again.

But just to sum it up before this gets too long, Magnifico ended up taking his role as the next king with Amaya by his side. Upon obtaining his magic staff and finding the ability to collect wishes, he banned the usage of magic with the exception of him and his wife ofc. Under the excuse it’s for Rosas’ greater good and safety. In the castle, Amaya is finally given the freedom to explore the unknown. Something about “I’ll give the whole kingdom to you if you asked for it” and “I promise we’ll both get that world we both deserved.”

Which would be a sweet kind of thing if it were another couple in another innocent context…. :)

Idk, Anny. Might change things up a bit but let me know what you think. Thanks so much for the asks btw!! 💖

[pomellon]

I have this one au I’ve been poking at off an on again that I’ve only shared with a couple of friends so far. This is an old quick concept I made of Punz and the species most of the characters are. Call em euplerian, they’re a man made species originally meant to be used as lab rats 

[avocado-frog]

wrote a lot of ghost au content for Me instead of actual stuff for my wip but that's OKAY because i'm rotating thoughts about making up new characters and forming an actual thing out of it around in my brain

[moonmoonthecrabking]

i am losing it a bit where in season 6 we have a flashback to when stefan is 10 and damon is 18. something along those lines. but damon is still played by ian somerhalder who, at that time, was about 36. it also shows the age gap between damon and the rest of the gang and how, even with vampire rules, he should not be dating elena in a way that is condoned and encouraged by the narrative (or any of the girls, but in the early seasons he was evil and it wasn't depicted as a good thing). but yeah. that fucking took me out of it.

[rylxdreams]

I still can't get the unused concept art of Wish out of my head so I've been reading a lot of rewrites and looking at a lot of Wish redesigns...

So... I got inspired. I'm currently conceptualizing my own Wish "rewrite/redesigns", but with a twist. It's gonna be a spiritual "prequel", cuz idk I feel like being meta since we'll be using the original concepts before the final concepts/decisions made for the final movie XD

Many of my "prequel" characters will be stand-ins for the canon characters! So "Asha" will be renamed "Amala", "Magnifico" will be called "Mamoun", and so on. Think of Pokemon Legends: Arceus regarding the relations of these "OCs" with the canon characters.

Anyway, here are the designs I have so far! I only have the designs for Amala and the Star for now. Hopefully, I can get to draw the other characters soon, especially Mamoun and his wife.

The story will be called "Once Upon a Wish"

Here's an overview of what I have so far... Some details may change if I feel like my other choices serve the story better. (Also, small disclaimer, this is just a veryyy self-indulgent AU made by yours truly, so some details may not be accurate with the canon lore present in Wish)

The story takes place on the same island of Rosas, but from many years ago. If my research is right, canon Wish takes place in the 1200s, so maybe my "prequel" can take place in around the 900s-1000s. Rosas definitely wasn't called Rosas back then, but I'm still figuring out what to call it so I'm just gonna refer to it as "an island".

Amala is a shy, meek, but hardworking apprentice of the island's head sorcerer Mamoun (hence, her color palette looks similar to Mickey's outfit from The Sorcerer's Apprentice). Despite all her hard work in her magic studies, she doesn't really excel at using magic, making a lot of accidents during training. If there's anything she really excels at, it's the act of storytelling (She can draw/animate, sing, and write stories like fairy tales).

Amala also has a little sister Ayah, who I can imagine is the Lilo/Anna to Amala's Nani/Elsa. Ayah is spunky and cheerful, but she has an illness that makes her disabled. The sisters are orphans, but they live under an old family friend they affectionately call Grandpa Dabir. Dabir is a retired bard turned doctor who was part of a troupe with 6 other former bards, all of whom he and the sisters still interact.

That's all I can share for now. Feel free to ask me any questions about stuff about this AU!

[quelend-underground]

It may have taken him a long time and a lot of self-growth, but he's finally found someone who actually cares :)

-------

Finally! a proper lore drawing for my AU! which ofc remains nameless for now, but is also a rewrite of the storyline featured in my Burn Scars comic some years back. Nevertheless, im rlly happy with how this turned out even if its not the most detailed artwork i've made this month .3.

photos by themselves;

[gold-rhine]

Inazuma Rewrite part one

This is bullet points rewrite for Inazuma general plot structure, bc I think it had so much potential, but was horrifically scuffed in game. If I keep something from canon unchanged, I’ll just say so without retelling the entire thing to keep the length down, bc it’s gonna be A LOT already.

Some disclaimers: I’m not trying to fix every single problem, just what I see as major structural failures. I will reference my problems, but you can read my explanations on them more in depth in my “inazuma ranting” tag.

This is also not envisioned as free for all fanfic where I can write whatever I want, but aimed to be actually feasible to see in game, bc it’d be unfair and I want to show that Inazuma could be improved in the same constraints that hoyo writers had. So please don’t ask why I didn’t do wildly inconsistent thing that would be cool, but genshin would never actually do.

I’m aiming to retain all relevant lore and achieve basically same worldstate in the end, including character arcs, for the most part, because I presume them to be integral to the larger strategic plotline of the game. Which means I can’t drastically change characterization and major plot beats like the decrees, rebellion, Raiden has to be a sympathetic ally in the end, etc. I’m also trying to keep genshin’s general tone and modus operandi, bc like, target audience includes 13 yolds and I can’t just “make Inazuma good” by turning it into like, a gruesome and complex power struggle of political factions like Fallout New Vegas.

List of main issues I want to address: pacing in general, rebellion pacing especially, lack of impact and continuity of effects of vision loss on people, lack of setup for the stasis vs transience aka ei vs makoto conflict, character arcs: raiden, ayaka, kazuha, kokomi, yoimiya, kujou sara. And more! 

Initially I wanted to make a single post, but it’s already 3k and I’m only up to Raiden’s first duel and I plan to cover post-archon quest content too, like Raiden and Yoi story quests, so I decided to split it up instead of posting like 20k monstrosity. So remember, this is for now mostly a setup.

EDIT: Part 2

Raiden’s motivations\Reasons for vision hunt

Ok, so one of the biggest principal changes is that vision hunt and sakoku decree are active Raiden’s decisions, instead of Fatui’s plot that she’s just passively allowing to happen. Raiden closed the country, but she’s ok with Fatui starting a civil war and selling delusions, bc it doesn’t “affect eternity”, like??? I honestly think that the current plot of her people dying in a civil war meant nothing to her is much worse than her starting vision hunt decree out of misguided plan to ultimately do better for people.

I mean ok, we have to have closed borders to reference Japan’s history, sure, but like, the whole point of isolationist policies like this is to prevent the outsiders’ influence on the country. So she should not be ok with Fatui schemes at any point.  

I mean, if it was fallout new vegas AU, I’d keep it to show that dictator doesn’t not care about foreign powers exploiting it’s people as long as it profits the empire and helps to keep people subjugated, but like. Then raiden can’t be uwu waifu. So we gonna give her good intentions and integrity, but misunderstanding of humanity due to closing herself off instead.

Now to why would she close the country and institute sakoku decree. I want to tie this in with another plotline that is just. Kinda floating at sidelines at the moment, but I think could work nicely in tandem. The Scaramouche destroying Raiden Gokaden, the five schools of weapon smithing, which were canonically highly valued by Raiden.

I’m not gonna recount Scara’s entire plotline, but basically he went on a misguided crusade against Raiden Gokaden and managed to cause fall of 4 out of 5 weapon-smith schools.

Game says that he like, tampered with the schools and covertly led to their ruin, which like?? They never found anyone guilty, like the most prized weapon art smiths of your country fall apart and you’re like oh well, I guess Yashiro commission is just bad at it’s job?

There is a plot point in this story where Isshin weapon smiths, unable to replicate a faulty design that was Raiden’s commission tampered by Scara, were scared of Raiden’s wrath and decided to flee to Snezhnaya. I want to change it to be that there is an event, where ALL weapon schools receive same commission at the same time, and Scara tampers with it.

Just as in canon, scared smiths, but now from 4 schools, not one, are manipulated by Fatui to flee to Snezhnaya, But we add a new NPC, the most talented blade smith who had a vision. Fatui frame him as the ring leader, as if they were running not to save their lives because of the tampered design, impossible to fulfil, but that this was a betrayal because of his ambitions.

After this, Raiden has legitimate cause to feel like her eternity is threatened. She sees weapon art schools, one of the most prized country’s traditions being ruined in a moment because of what she thinks is ambitious hubris of one vision holder, who colluded with outsiders. So she closes Inazuma and declares a vision hunt, to prevent this from ever happening again.

But ironically, in truth it was the fault of not just Fatui, but specifically a puppet without a vision that she herself created and failed to supervise. This brings the main idea of the plotline from “Fatui evil, Raiden passive” to “Solipsist goddess who doesn’t understand humanity tries to protect her people by locking them in stasis and taking their ambitions, but the real case of tragedy was her negligence and lack of empathy all along, and this is what needs to be changed.”

Interlude and plot setup

We start with similar plotline. Traveler tries to go to Inazuma, learns that it’s closed, talks to Inazuman NPC to learn more. Here we’re introduced to the general idea that Inazuma was closed off due to one traitor blade smith with a vision who sold off Raiden Gokaden to Fatui.

We go to Beidou’s tournament, which goes basically the same, we meet Kazuha and watch a beautiful cutscene about his dead friend who challenged Raiden to a duel, and now Kazuha tries to find someone who can reignite his vision. I will actually add changes to Kazuha’s storyline, but it be will later.

then we arrive to Inazuma, go through the same bureaucracy loops with Thoma on Ritou, to show the barriers to outsiders and also to illustrate how Thoma is the best fixer when he manages to drop a fee from 1 mil to like 10 gold by promising to have a dinner with government official.

But we’re cutting the second part of Ritou, with the boring plot about like merchant from Mond scamming people with the local police and then Traveler delivering love letter or whatever. I mean, we can keep this as an optional side quest, if like hoyo thinks the lore about love letter is essential for the Ayato’s quest or smth, but not as an Archon quest.

Instead, we put a part of Yoimiya’s quest there. I think Yoi’s quest is relevant enough to stay in the Archon quest, unlike Ayaka’s, but it’s slapped into a place where it ruins pacing. So instead, we’re cutting it up in parts and inserting it into main storyline.

On Ritou, while doing bureaucracy bullshit, we meet Yoimiya, and play the part of her quest about her helping a guy with a vision to escape from his former best friend, who is now a guard hunting him. It helps to show the rift that vision hunt brings not only with the outsiders, but with inside of the country as well.

Ghost of Makoto\Transience setup

another key point that I think is integral to fixing Inazuma is planting seeds for Makoto’s reveal from the start. I really like the Stasis vs Transience conflict from raiden’s second story quest, where raiden believed in eternity as lack of change, a perfect state maintained until the rest of time, while her twin Makoto believed in eternity as never-ending change, where people’s dreams constantly evolve, nature of them chasing these dreams never changes.

but it feels like it came out of nowhere and raiden just speedruns character development in like an hour, so a lot of people ended up feeling like it was just about Raiden mourning her sister, instead of raiden coming to understand makoto’s belief system and through that unlocking makoto’s final connection and then being able to let go.

so we need to first of all, introduce makoto’s ideas of transience from the start, and also empathize the conflict of them with raiden’s stasis.

and it doesn’t mean we’ll spoil the reveal about the second raiden shogun! we don’t have to ever use makoto’s name, just her title as a raiden and sprinkle her ideas throughout the land. We know hoyo area designers can do that stuff really well (guizhong’s relics being scattered all over liyue, rukkhadevata’s shadow in the aranara quest).

like, it’s strange that Makoto primarily ruled and shaped country by herself while Ei was just a warrior, yet we do not have Makoto’s influence visible. We need to add ideas of transience into fundamentals of Inazuma,

“Transience is the dream of the nation of thunder. We find the greatest joys in mortal life in fleeting dreams, for is life itself not like the shadow of the thunder? Pursue your dreams into the clouds if you wish, and enjoy the unexpected silence of the dim lamp-lit nights.” - Guide to Transience talent book.

add these ideas all over the place, esp near sakura. And let’s draw player’s attention a couple of times specifically to the internal contradiction of these ideas of transience being integral to inazuma and raiden’s current hatred of change.

like, we need even 13 yolds and twitch streamers to remember this, so lets make paimon say like

“Huh, this shrine to raiden shogun says that eternity is the pursuit of fleeting dreams, but doesn’t raiden shogun fucking hates dreams?? I wonder, what made her change her mind about them to the total opposite!“

this and more subtle puzzles\locations with focus on transience for people who pay more attention will add the much needed setup for makoto’s reveal

Kamisato siblings

ok, first things first, Ayato being absent without any explanation while his little sister is plotting treason and his malewife Thoma is about to be executed on the streets is unacceptable.

like I know it’s marketing or whatever and he’s not being released but we need his model, hoyo. If we 200% CAN’T have his model, we need to come up with solid excuse why he’s not here. Like idk, he’s helping the war refugees or smth

And we need hints at his presence\influence throughout the story. Like oh, here’s group of refugees who were helped by Yashiro commissioner, they are relocating to new homes, I guess Ayato is really busy. Oh, here is Fatui’s camp where everyone is slaughtered and boba tea cups are littered around, I wonder what is up with that.

and also, Ayaka is organizing resistance behind his back, and we never meet him bc Ayaka actively tries to hide traveler from him.

bc like, Ayaka doesn’t have a development arc in archon quest. She’s just kind of there, being perfect. Like in her story quest that hoyo makes you do at gun point, you like, go on a date, learn that she’s lonely and has trouble connecting with people due to the pressure of having to project an image of perfection and societal distance, do an investigation to uncover her late mother’s fox fursona roleplay diary which she used to cope her with own societal pressure. Which like. Ok, sure, but but this wet socks quest is not an archon quest material. It should be just a normal story quest.

no, Ayaka’s real conflict is wanting to prove herself to her brother, bring real difference to the world. This is her ambition, she literally gained her vision while fighting Ayato in a training, she wanted to show him that she’s strong enough to handle responsibility, he named her Shirasagi Himegimi after she won that fight

but during a civil war, watching people suffer, her role as a cultural figurehead is not enough. She wants to help, but she’s afraid to act, because this will undermine Yashiro Commission and her brother worked so hard to build it back up after Raiden Gokaden fall. so she organizes resistance behind her brother’s back in secret, to help, but without compromising Kamisato name

this basically tracks with what happens in game, but we spell it out and expand on this later.

Getting Traveler to help

next, let’s throw out the weird edging introduction where traveler is not allowed to see Ayaka the first time. like??? bro, we’re friends with 2 archons and heads of their governments, you’re not that important. and it can’t be to protect her identity, bc like. You go to Kamisato estate! You’re told who she is! If you wanted to betray her, that would be enough already.

another awkward thing is that Traveler, who agrees to do every stupid quest they meet, suddenly refuses to help the resistance.

I think we should reframe their convo a little, like Traveler says hey I’d love to help, but my primary goal is to get info about my sibling from an Archon, so I don’t want to go against her.

To which Ayaka says oh, I totally get you, you see, I am myself a culture figurehead and a nominal princess and I can’t speak up against the decree, bc that will hurt Yashiro Commission. But I’m not asking you to fight Raiden Shogun in a duel or smth, I’m just asking you to help people with the resistance, which we do totally in secret. No one will know! Also, how are you going to see Raiden? She’s locked up and doesn’t appear in public. But my big brother is a head of the Commission, if anyone can get you an audience, it’s him. So help me help people and I will ask him to help you see Shogun!

she secretly believes that after traveler sees ppl suffering, they will change their mind and help willingly, same as in canon, but she’s more subtle about it

Rebellion connection

my other problem with vision hunt is that the 3 quests they force you to do about meeting people who lost their visions are like. not good. The concept is interesting, but they are just kinda boring and meandering. They lack dramatic impact. They could do better. So we’re not doing these 3 quests rn, but don’t worry about it, we will get to the effects of vision loss

Instead, ayaka sends us to help Yoimiya and we do the same quest we do in archon quest - help her to free someone from prison dungeon. It goes the same, we get to the dude being mistreated by cops, Kujou Sara steps up and lets us go

But then it’s like, we need to get this dude out of Inazuma city. Cops know he escaped! They will just come for him again! There is only one place that will take him and it’s the watatsumi rebels.

Common complaint about Inazuma is that other countries feel like found families and Inazuma doesn’t, bc characters from resistance and rebellion basically don’t interact, and it’s true. And like, we can get them together! Thoma knows Kazuha, Kazuha knows Gorou, Gorou in canon went to recoinsanse missions to Narukami island.

So, Gorou visits the tea house to pick up the Vision Dude, and the gang has the hotpot meet up. Everyone is there (except Kokomi bc ok hoyo, we’re saving up for dramatic battle reveal, and i think her reveal would fuck up banner schedule). Ayaka, Thoma, Yoimiya, Kazuha, Gorou. and Teppei! Who is here bc he was recruited by Gorou. He’s actually from Narukami island, not Watatsumi, and he had nothing to do with visions, but he’s an idealist, he believes in freedom, so he joined rebellion. fun times are had, Ayaka tries to play srs bsns lady host, but breaks into giggling at The Shenanigans, Gorou is overly polite but adorable and apologizes to Ayaka about The Shenanigans in which everyone but him participates, Yoi is a life of party and the Shenanigans and later has to be bodily stopped by Kazuha from organizing fireworks right here, right now, Thoma and Teppei both get sick from eating Ayaka’s nasty cakes that she threw into soup, bc Thoma is just into oral stuff and Teppei is so earnest and eager to prove himself and impress ppl, haha comic relief, look how sweet and funny this guy is and all characters get along so great with him

bc like, I think Teppei has a problem of a) not having enough screen time b)not having any interesting characterization moments to make him stand out 3)not having other playable and already likeable characters interact with him

so this scene can serve not only to bring that “unlikely bunch of people becoming friends and working together” connection to life, but also to endear Teppei to the players

Vision Loss Effects\ Yoimiya and Thoma

ok, next Ayaka asks Traveler to do that one quest about martial arts master losing their vision. I think it’s the one quest from 3 about vision loss with most drama, but the real reason is that it introduces Yae Miko and we need to do this before leaving for the rebellion. Like, in theory, it could be switched to another, better quest that lets us meet Yae Miko, but honestly, this is not one of Inazuma archon quest problems so I can’t be arsed. Feel free to imagine a cooler intro instead.

when we go back to tea house, we learn that Yoimya’s vision has been taken away. She has been recognized in that last prison raid and the guards came for her later, and she didn’t fight bc there were kids and her old father around.

She’s completely changed. Her innate optimism, her belief in people and their dreams has been drained from her like a sunshine from a dark cellar. But she’s still Yoimiya!! She came here to warn you bc she still cares even if she had her own joy taken from her. She tries to smile and reassure you that it’s ok, she’s fine, but her smile is visibly strained, she’s never had to fake it before so she doesn’t know how. She wears a vision, but it’s a fake one, because her pops said that maybe having it here would help and she agreed, tried to pretend for him that it does help, bu. It very obviously doesn’t.

Ayaka is horrified. She apologizes to Yoimiya, tries to think of ways to help her, but Yoi just laughs humorlessly. “It won’t ever touch you, princess.”

She’s immediately disgusted at herself and apologizes, tries to take it back, this isn’t her, she would never say this, and not to her friend! But also, it’s so hard to care now and she can’t remember why it’s so important to care at all.

Ayaka is shaken. Bc it’s true! She is a privileged noble, vision hunt will not come for her! She is playing at the resistance from the safety of anonymity, while people like Yoimiya actually risk themselves and pay the price!

And this is when the news that Thoma was arrested and about to be 100th vision taken at the feet of the statue comes. Tenryou commission truly strikes back.

Ayaka is in uproar. She’s ready to go herself and fight for Thoma, especially after Yoi’s words. She’s sick and tired of being a perfect princess, she can’t allow any more of her friends, her family come to harm because they don’t have her protection. Clearly Thoma being a theatrical execution is a blow specifically against Yashiro commission and Kamisato family in particular, and if Shogun has beef with her, well, she can settle it with HER instead of going after her friends!

Traveler stops her. This is what they want. If Ayaka openly moves against the Shogun, the entire Yashiro commission falls. Even if Ayaka is in the right! No, it’s the Traveler who will go to save Thoma

But traveler needs raiden’s good will for the info, they can’t confront raiden openly, it was the deal from the start!

But at this point traveler has seen too much, the divide in the country, the change and suffering of their own friends, and they can’t allow all of Yashiro commission take the fall.

This is when the Traveler decides to take a stand.

ACT 2

[cocoapowderpictures]

Trapped.

Hello again, Wish Rewrite fandom! Last night, I spontaneously decided to create another piece of fanart for the amazing @oh-shtars's RFTS!AU. I was hesitant about posting it because I wasn't entirely happy with how it turned out, but I spent so much time on it that I figured I'd share it anyway.

I was incredibly inspired by the latest RFTS!AU lore drop, which delved deeper into Sueño's mindset while he was trapped with the royal couple. Flicker, your angst always hits me hard (in a good way). The victim-blaming Sueño endured was especially impactful. I aimed to capture that in my piece, particularly by highlighting the cuffs around his wrists. I think it was mentioned that these cuffs were an extra safety precaution that prevented Sueño from leaving Rosas, making it easier to recapture him. Having such a visible symbol of powerlessness on his wrists must have been pretty hard on his psyche.

I also originally had a starry night background, but then I remembered a piece of lore from a while back, which mentioned that Magnifico kept the nights cloudy so the other stars from the Astral Realm couldn't reach Sueño.

Alright, that's all for now. Maybe I'll get around to drawing the other characters from the RFTS!AU (and some other Wish Rewrite AUs) as well. Toodles!

[rongrii]

Laughing with one another, falling with one another

Screaming with each other, we were screaming from the agony

Are you our friend? A lonely friend? Are you one of our friends living in this hell?

Kukio - Hole Dwelling

First of all, this song slaps real hard. Second, it fits perfectly into concept of my au

Lore: Basically, it’s a ghost centered FNAF au. My main focus here is William being a soul just like kids he killed, I thought it would be an interesting turn. I am still working on rewriting this whole thing in the background so that’s why I didn’t post much about it, so sorry!

This artwork pictures limbo with souls of deceased children where William is trapped as well. Souls of kids don’t even remember who they were, staying in this infinite swirling hell of agony, the only emotion that carries them and that they remember. They are unaware like animals, drops of water creating sea of pain trapped in this limbo, stuck between life and death.

I will post FNAF, but more rarely? Maybe, I don’t know

This piece was hard to work on, probably because of perspective. But I like how It turned out, and plus rhythm of this composition is really cool imo :D

I will try to write this au into something interesting, you just need to wait as my brain is hard with coming up with a full, detailed plot so quickly. Stay tuned!

[tossawary]

As I post about rereading SVSSS for lore and characterization, and about sometimes ignoring canonical details for the sake of whatever story I want to tell / explore in fanfiction for fun, I want to make it clear that I don't make these changes because I think it makes a "better story" or that I can write a "better story". I don't even like using the term "fix-it" for my canon divergence AUs that avert some in-universe tragedy, even if it is the "correct" fandom term in some cases, because I don't think that SVSSS is a story that needs to be "fixed".

(Honestly, a lot of my minor alterations to canon's details are because I can't remember what exactly canon is and can't always be bothered to hunt for one sentence (which I may or may not remember existing at all) across multiple volumes, especially when I don't always think strict faithfulness to canon is that crucial to the main concept of what I'm doing. I wrote PINTWILF and several other fics before the official English translations were fully released, when checking minor details was an even greater pain in the ass. Sometimes, I'm cooking without the recipe in front of me because I just want to eat.)

Like, I have criticisms of SVSSS, definitely. When I first started writing SVSSS fic, I was more frank about this (fond but less fond of the characters and world than I am now), and I've talked about things I wished the story expanded on more. I think it has flaws. I know those flaws are a dealbreaker for many people. But it's not my story. I can't tell MXTX's story better, because I believe that every author's story belongs to them and only they know what they're trying to achieve, even when I may personally think that the story might have been stronger if it had done something differently or I'm ignoring some minor detail specifically because I don't really like it.

It's awkward, sometimes, occasionally being told by someone that they enjoyed my fic more than the original story. It's very flattering (I can't pretend I don't have an ego) and I don't think anyone means any harm by this, people enjoy stories or don't for many different reasons (enjoyment is not necessarily an indication of quality and I think engaging with fandom can often be more fun than just reading a story on its own by yourself), but it is a little awkward, especially when SVSSS is not an English / western story. I have an advantage appealing to western readers. Reading a translation of the original story, I know there are details of SVSSS going over my heard, references I'm missing, nuances I don't recognize, even as I endeavor to keep learning. I personally enjoy some of my fics more than SVSSS itself because I associate them with good experiences and a lot of them appeal to me personally in some way or another (all of my favorite tropes! we all have favorite tropes!), but they are built on the back of someone else's original work on the other side of the world, and I want to be respectful of that.

I don't want to compete or fix. I'm not trying to compete or fix, I think I would fuck it up if anyone seriously set that task on me, and I don't think that's a good way to view anything. I want to explore and appreciate. I'll type up a lengthy post at some point as to why I'm generally not interested in concrit on my fics (honestly, mostly it's because I'm not interested in being told that a reader hates the present tense and wishes I would rewrite the entire story, which has happened to me before), but I hope that doesn't come off as disinterest in the original story or its cultural context, or as me thinking even a little bit that any of my stories are flawless and/or better than the original.

I want to make a "why would you put two bad bitches (compliment) against each other like this?" joke here, but I also want to be clear: I think MXTX is by far the badder bitch (compliment) in this situation.

(Turning off reblogs, btw, because this post skews more on the personal side.)

[mikodrawnnarratives]

I finished the pretty gorls ON TIME!

2022 Version

2021 Version

(I'm also going to reblog them right after this is posted)

I'm gonna ramble under the cut about the designs n stuff but you can scroll past that to get to the timelapse if u want.

@jotg-miraculousrewriteau is where you'll see any updates about this story/au/rewrite I have going on if you get interested. It'll take some time before I get around to writing it but I'll be trying to draw more. I'll list some reasons for why I haven't gotten much out recently under the cut. Not abandoning the au tho!

This one was a STRUGGLE and part of it was because I still liked last year's and because my interest in ml has taken a back burner with other interests BARGING IN this year.

Not to say that I don't want to work on my rewrite anymore, but I'm probably gonna do some more rewatching so I can get fully back into it again. I can't really plop down what I've come up with for the rewrite and be satisfied anyway, so I'm stuck until I get the thing written and drawn.

THAT ASIDE, I changed up their posing again and included updates to the character design. I don't know if what I've drawn Marinette in here will stick for her redesign as far as outfits are concerned, but I don't really like the previous outfit I gave her anymore so I needed to work with something new.

Overall I like how this turned out, even if I'm a bit unsure abt other areas.

Specifics: Once again, I liked coloring and drawing Marinette more which shouldn't be a surprise since I have more to work with in her design. I made the foolish mistake of not including her freckles in the past, so now I'm amending for that. She's sort of matching her bf now.

I included some lore bits abt Tikki and Marinette's complicated relationship here that I haven't talked abt before. Marinette is not doing anything to Tikki intentionally, but I have a plot line in the story I have planned that involves how the kwamis went from deities to kwamis. Got caged in the miraculous. And the consequences that follow.

INcluding Marinette and Tikki gaining a strained relationship for the majority of the story.

But that's all I'll say on that for now.

You might notice Marinette's skintone has changed a bit from other redesigns. What happened was, when I was first coming up with ideas for the rewrite, I was going off of critisysms I saw a lot and noting them down. One, was that Mari didn't look like she was biracial and her skin tone should reflect that. Now. I was young and figured "Oh okay! So. Lets look up what average chinese skintones are!" ...I found the racist color swatches that got pretty close to yellow and I ignorantly changed her skin tone to that.

So! Now her skin tone is closer to canon's and I've decided anything about her heritage isn't something I'll tackle in my rewrite/au since I'm not qualified. I still have some things I've changed so she looks similar to both parents, but no more of that skin tone.

Lol I didn't get the timelapse started until the basic sketches were completed

[trashyreptilian]

I bet you guys didn't think I'd be making another post this month. But unlike the last two posts, this ones unrelated to them and just a tad bit more on the positive side.

Wasn't sure when I should bring this up but I'm feeling okay to do this now. This is about my "Best Friend" AU. For the past week, I've given it some thought and decided to turn it into an original project. It was that, or dropping it entirely like an unwanted child. Luckily, the AU had barely stuck to the canon lore or story that I feel like it was due to become its own thing at some point. Shame I didn't have the gull to do that way fucking sooner. Oh well, better now than never, right?

Best Friend AU is changing into "Replica Hysteria", it's own little thing, original universe and all that. Meaning that it isn't an AU anymore, and I don't associate it with TMC either. I went through a writing frenzy these past days, going over some of the world-building/lore I had and did rewrites where need be. Now that I feel pretty much done with that, I'll be moving onto doing new reference sheets for the characters.

So yeah- That's all I have to say here. I'm open to answering questions if there might be any.

[raycatzdraws]

Your dark crystal lu au has me giggling and kicking my feet. I would love to hear more about it!!! What inspired Hyrule to leave the caverns? Are the Zelda's the Madras?

>:D

I wrote a lot so it's going under a read more:

Wanderlust? Wanting to see more of the world? Seeking out a missing princess? A calling? A summons by Aughra? It could be a number of things! I'm still figuring out how I want to integrate the Zelda lore and timeline into that of The Dark Crystal.

What I do know is that I think I want Hyrule to be apprenticing under Aughra. Assistant turned apprentice. He really does do a lot of grunt work. Go here, fetch that, oil the entire orrery, crawl around in the Sog swamps for this one specific plant. But he has a strong connection to the song of Thra and an insatiable desire to listen and learn so Aughra teaches, and gives him tasks most would think crazy, and he stays. She keeps telling him asides about this snarky sharp tongued apprentice she had before who did a bunch of cool stuff but then ran off and is shirking his duties!!! and Hyrule's like, "gee I'd really like to meet this guy you keep comparing me to smh"

As for the Zeldas, yeah! They're the princess and Maudras. These are bound to change but at the moment, the trio Artemis, Dot, and Lullaby are Maudra to the Vapran clan together. Dusk of the Drenchen, Fable is Spriton with strong connections to the Castle of the Crystal, Dawn with the Grottans, and Aurora spends her time with both the Vapran and Grottan clans. I think the Sifa hierarchal structure would be a little looser. Most seek council from the Sifa elders and soothsayers. Tetra's out and about sailing with her crew. When she needs to speak for the clan that's when you know things have really gone to shit. Flora is a princess from an age past who now travels but spends a lot of time with the Vaprans. I'm realizing now I've forgotten Stone-in-the-Wood. I might place Lullaby, Dot, or Flora there instead. Still a wip!

Which leaves Sun. There's Thra, and then Mithra from the Power of the Dark Crystal comics. I don't want to add another clan because there being 7 is significant. But maaaaybe I could just be like, you know what, what if there were just gelfling living on floating islands who have been up there of since the Age of Innocence or Golden Age or whatever and forgotten. And they're not part of any clan necessarily.

What I really need to figure out is the cause for all the guys to be in one place. Do I want time travel and they're all from different eras and are jumping between them like they are in the LU comics and fanworks, do I want a singular timeline and they've all been living congruently the whole time with their own adventures, or do I want some kind of event to have happened which has caused their times to collapse into a singular and now they're all here in one place with their Zeldas? ¯\_(ツ)_/¯ there's a lot of possibility! The Dark Crystal already deals a lot with ideas of threes and triangles so three timelines and three virtues for the triforce and there being nine heroes (divisible by three) already works suuuper well.

And then there's the villans. In loz there's Ganon but in TDC the Skeksis are already a formidable adversary. They have a thirst for power and everlasting life that's already pretty interesting. There's the darkening too, which could be a stand in for the idea of Ganon, just like an evil tainting the land instead of an actual person. Idk!

And since I want it to be in Thra, where in the timeline should it be? During the Age of Division before the events of AoR, far far past the events of the later comics in the Second Age of Harmony with Kensho and Thurma, or create something new and rewrite the timeline altogether? lol I need to reread Power of TDC and read the other comics.

There's A LOT but it's fun.

[2h3llandb4ck]

Finally took on Blitz!

I took some notes from the Helluva Boss critical community and tried to tweak his lore to make him a bit better (this includes a huge overhaul on the shxtshow that is Stolitz. Stolas defenders, pack it up.). So here we go, here’s my take on Blitz Bucko!

.

.

In the late 90’s, a family of imps scraped together enough money to open their own circus for the underworld-born to enjoy. Was it small? Quite so. Was the family passionate about it? Absolutely. But the ones who were the most passionate about the Bucko Circus was Blitzo Bucko and his mother Jewel Bucko. Blitzo and his brother Fizzarolli weee the circus’ most popular clowns, with their sister Barbie Wire being the best trapeze artist. The circus was doing great…

Until the fateful day they put on a performance for the glorified meteorologist Stolas Goetia.

The young owl, who had just turned 13, fell in lust with Blitzo. He decided to purchase Blitzo for a last-minute “play date”, which discomforted the young imp. But AWWW! The poor little owl caught feelings…

The two didn’t talk again after that.

The next morning, Blitz’s birthday came around. While Fizzarolli put on a special performance for Blitz, the circus staff focused solely on Fizz. Blitzo was knocked back, accidentally stumbling into a few torches for an upcoming show. It set fire to the tent, and ended up burning most of the family. While Blitz tried to save Barbie and Fizz, he heard his mother cry out for help. Wanting to save his mother, Blitz gave an apology to his siblings before running to Jewel.

It was too late. She was only able to use the last minute of her life to hand Blitzo her prized skull amulet, and give him a warm departure with a smile.

It was all Blitz’s fault.

For the last few days of his teen hood, Blitz conceptualized a unique business idea; what if he was hired to assassinate someone who wronged a damned soul? It was groundbreaking, it was an amazing concept… but to achieve it now with how poor he was? It would be difficult. He garnered the help of his college friend Moxxie, and soon the duo set out to start up the basics of their business; renting an office space, setting up prices, getting weapons, hiring another assassin and a receptionist… it all went well until they realized.

How are they going to get to the living world?!

Blitz sought the help of a succubus named Verosika. The two got along well and she allowed them to use her Asmodean Crystal to gain access to the living world. They were going well until Verosika fell in love with Blitz. Blitz was hesitant to pursue this relationship, and harshly turned her down. They broke up, and she released a hit diss track dedicated to the horrible, non-reciprocal imp. Moxxie and his girlfriend Millie suggested they go visit the Goetia and ask to borrow the grimmoire, a magic book that can access the living world. Should be easy, right?

If Blitz could count being forced to give in to Stolas’s clingy, twisted delusion that they were childhood friends and then strike a disgusting affair/deal to let Blitz keep the book for business, then sure. It’s easy.

And finally, the Immediate Murder Professionals were ready to get out into the living world and take care of client’s targets. Happy ending!

…

But wait. Blitz NEEDS to fall in love with Stolas! It needs to happen! It’s all in the textbook plan for Stolas’s perfect romance story! If Blitz stood up for himself, he’s an ASSHOLE. A grimy, disgusting imp who has to let poor Stolas love him!

Let’s try this again.

.

.

.

.

And that’s my take on Blitz! In my au/rewrite of HB, he’s trying to wake up from a Wandavision-like phenomena where Stolas is in control (and the reality he creates is basically what the canon HB show is). Not wanting any of that and wishing to get his justice, Blitz seeks the help of a human demonologist who is also able to see through Stolas’s thick veil of lies. This former circus performer, adoptive father, and businessman wants to save his employees and daughter before they are lost to the owl’s lies.

And here are some headcanons + tweaks to his character!

- Blitz is a pretty closed-off introvert who wants to make it to another day. He is absolutely determined to free the people he cares about from the twisted world that the Goetia owl prince has built. Also he’s not creepy or a huge dxckwad.

- Despite what Stolas tries to paint him as, Blitz isn’t a huge jerk. He’s really not very confrontational and would rather have someone resolve their issues first before taking it out on him.

- He and Verosika are on good speaking terms after she is freed from the control. She gives him some assistance at times to help him carry on in the twisted reality he’s in.

- The target-like symbol on his forehead is meant to represent how Stolas has turned Blitz into a target, a creature to be preyed upon just because he said one wrong word to someone.

- He’s genuinely trying to reconnect with his siblings and puts his energy into his found family. Although Barbie needs more time, Blitz and Fizz are on okay terms, with the latter even helping him in his mission.

- He isn’t as vulgar as his canon self, although he can let his emotions get the better of him, leading to some raw outbursts. He is quick to apologize and take accountability for them afterwards.

- Follow up to that, if he did meet his canon self, he’d probably need ibuprofen afterwards.

That’s all! Goodnight tri state area!