#Main Story Posts

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.

[rubyfunkey]

The Rehabilitation of Death by @bamsara

didnt have time to clean this like i wanted but i needed to get this scene out of my head desperately. im good now

[bisexualgoth]

all workers' strikes are good. yes even if they're inconvenient. even if they're making your life harder. even if you don't get to watch your favourite tv show. workers fighting for their rights is ALWAYS a good thing

[potato-lord-but-not]

PLEASEEEE SHOW US THE OLDER FAROE DRAWING I BEG OF THEE

HERE YA GO SIR 🗣️🗣️ and I have more… for later ‘,:^)

[silverwhittlingknife]

So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!

No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)

25 Feelings Dick Has About Tim

This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!

OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:

WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3

Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)

I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!

Below the cut:

I hate him and find him infuriating (#1-5)

On second thought, he's endearing & fun (#6-10)

Grief is complicated & he's all tangled up in mine (#11-15)

I love him & think highly of him (#16-20)

I rely on him & though it's hard for me, I trust him (#21-25)

I hate him and find him infuriating (#1 - 5)

1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)

2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)

3) He is so nosy about stuff that is MY business (Robin 0)

4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)

5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)

On second thought, he's kinda endearing (#6-10)

6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)

7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)

8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)

9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)

10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)

Grief is complicated and he's all tangled up in mine (#11 - 15)

11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)

12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)

13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)

14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)

15) Life sucks, so what. I sucked it up so he should too (RR 1)

I love him and think highly of him (#16 - 20)

16) He’s the closest thing to a brother I’ll ever have.  If someone hurts him I will hurt them harder. (Nightwing 6)

17) I can't handle the idea of losing him. (Nightwing 97)

17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)

18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)

19) In my head he’s the responsible one.  (Gotham Knights 10)

I rely on him, and though it's hard for me, I trust him (#20-25)

20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)

21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)

22) I trust him.  When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)

23) I want him to trust me (Red Robin 12)

24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)

25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)

Final rambling thoughts:

TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.

SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.

And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf

All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.

But that's not Dick's version of the story!!!

Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.

And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --

-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3

[princesskuragina]

When a relationship is "like family" but in a bad way. "Like family" in the sense that it becomes the only allowable place to seek care. In that it legitimizes the isolation and violence of an us-vs-them mentality. In that it creates hierarchical power structures and conditions where abuse and control are both easily rationalized and near impossible to break out of. Where the only way to escape your subjugation is to stop being the child and become the parent, starting the cycle anew. And this is both expected and encouraged. Where you feel obligated to repay your caretaker by becoming the kind of person they want you to be. Where everyone looks a little too much like you.

[thekidthesuperkid]

No Bruce is not "fine with being friends with people who kill all the time"

1) if you're referring to Diana she doesn't kill people all the time, she only kills in very extreme circumstances when she's forced to bc theres no other option, and it's only happened like three times total

2) Bruce very much is not fine with it when Diana kills. When she killed Maxwell Lord, it was written for the sole purpose of breaking up the Trinity for Infinity Crisis drama reasons, and Diana killing was chosen because Bruce (and Clark) would not be fine with it. At all

3) if you're referring to Ghostmaker, Bruce also isn't fine with him killing people and tries to stop him

4) if you're referring to Oliver Queen, they're not friends

5) if you're referring to Talia, Bruce also isn't fine with her killing people, and continuously has conflict with her about it

6) if you're referring to Helena, they're not friends and also Bruce treats her almost worse than Jason

7) if you're referring to Jim Gordon, Bruce still isn't fine with it, but also the copganda around him kinda makes consistent moral characterization a lost cause for Bruce in relation to him

8) I know you're not referring to Clark because nobody making this argument actually reads super comics let alone 80s super comics so none of you know about the Zod storyline, but Bruce didn't even know about that therefore its irrelevant

9) in case you might be referring to Harvey, Bruce also hasn't been friends with him since he became Two Face

10) I can't think of any others right now but whoever you're thinking of I can guarantee that if Bruce knows they killed someone and thinks its possible to influence them, there has been a storyline about him disapproving of them killing

11) if you're referring to Harley Quinn for some reason, they also are not friends

Like I dont get where you're coming from and also Bruce Wayne is very much not fine with his friends killing people

[firestorm09890]

"Is he called the 'Viper' because he bites people" -woman who likes to bite whatever she can and does not realize she's a vampire

"No, it's a figure of speech. He sounds irritating but is probably a good strategist" -military strategist many find irritating to deal with because mentally she never left The War

"Whoever made this corridor purple with nothing in it must be a terrible leader. You always need to think about morale" -the same woman, whose usual solution for low morale in her teammates is "stop whining. manager we should kill them"

"the sephirot should have just had a fistfight instead of badmouthing each other for eternity" -Outis again

"Hod is too overprotective" -you'll never guess

[poorly-drawn-mdzs]

I want you whipped into shape!

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[loxare]

On their wedding day, he put his hand to her cheek and called her the most beautiful woman in the world.

He could have been correct, from an objective standpoint. Truly, she was one of the beauties in town. Her curls always in perfect order, her smile plump and joyous, her figure comely, even hidden modestly beneath clothing. From an objective standpoint, he was wrong, as nothing about beauty is objective, but none in the town would have disagreed with his assessment.

They spent several years together, in loving bliss. They built their house together, they planted their garden together, they grew together.

And then came the day that a hole in reality opened beneath him. Without thought, she jumped in after, a bare half second after he vanished.

When she opened her eyes, she was somewhere else. The stars were different, and wrong. There was the wrong number of moons, and the sun was the wrong colour. But the worst, most egregious wrong was that he was not there next to her. This, she could not abide.

She had nothing to her name besides her labour, but that she had in abundance. She travelled, from town to town, trading hours of work for food and board. She taught herself to draw, and she drew her love. Over and over, she drew him. In the dirt, on walls, on her own clothes. Asking, always asking, if any had seen him. Eventually she acquired paper and ink, and drew her husband again. Her inquiries became easier, more frequent, although the answers never changed. For none had seen her love.

She learned many things as she travelled. She learned how to fix a carriage wheel. How to tend to livestock and how to weed a garden far larger than the one she had known. She learned to shape a bowl from clay and to chop timber and to carve wood. She learned to fight off brigands who would take from her her sparse money, her life, or worse.

She learned other things, about this place she was in. It was a place where many came, and few left. A nexus one called it. A refuse heap, another said. But the method of arrival was always the same. One moment in the familiar, the next falling into the strange. But the people were the same, for all that they were often of alien appearance. Some looked down upon her dirt covered hems and worn boots. Some ignored her. Most were willing to at least listen to her question, to look at her picture, so carefully drawn. To keep an eye out, and pass on a message should they find him.

Time passed, and passed, and passed. The world she came from did not have things such as magical crystals or soul mates or wizards, or if it did they had none of the power that those here did. Regardless, one town she stayed in recommended she find the local witch, for they specialized in red strings of fate.

And so she did. The witch gave her a bowl of stew and a comfortable chair, and then listened when she spoke, and looked carefully at the drawing. It was a different one. She had drawn many, over the years, as the old ones wore out, and as her skill increased. And the witch said that they did not know if he was indeed her soul mate, but if he was, then the red string of fate that they revealed would lead her right to him. She need only follow it.

It was not an easy ask. The witch wanted a blanket woven by her own hands in payment. And so she stayed in the town, longer than she had stayed anywhere. She traded her labour and her art for thick wool, and weaving lessons. It was near winter before she had a result she was pleased with, carefully folded in her arms to be presented to the witch. The blanket was unfolded immediately upon delivery, shaken out to its fullest extent. The blanket was scrutinized, for quality of the weave or for something else that she could not fathom. Finally, the witch nodded their head. They turned back to their cottage, moving to close the door. She protested, concerned about her end of the bargain, but needn’t have worried. For around her finger was tied a red string which hadn’t been there before. The end led off, through the woods.

And so she followed it. She followed it through fallen leaves. She followed it across rivers. She followed it through snowbanks and through melt waters and through hot summer sun. Finally, she followed it into a clearing on a mountain. And fell to her knees in despair. For in this clearing was nothing but moss, and the end of the string, fading into nothing.

She did not have long to weep however, as a hole in reality opened above her, and down he fell. Without thought, she moved to catch him.

He was just as he had been on the day she had left him. And as he opened his eyes, she suddenly felt ashamed. For he was here, perfect and whole and young. But it had been years and years for her. Her hair was frizzy and knotted. Her lips were thin, her hands were rough, and her figure both hard and flabby at once.

But he opened his eyes, and he called her name, and she nodded. And he smiled at her, and called her the most beautiful woman in the world.

On a truly objective standpoint, he was incorrect. Both because beauty was not within the realm of objectivity, but also because there were many women who could be called more beautiful, subjectively.

But she also knew that he was speaking nothing but the honest truth. For he loved her. He loved her, he loved her, he loved her. He loved her hair, frizzy as it was. He loved combing it free of knots, and helping her braid it in the mornings, and loved tucking flowers into it, to surprise her when she looked in the mirror. He loved her smile, and loved seeing it, and loved being the cause of it. He loved it when she spoke to him, when she told him of the things she had done, and what she had learned. He loved her art, even as he blushed darkly at being her only subject. She taught him what she knew, and delighted when he found particular pleasure in pottery. They travelled, to find a home that suited both of them. The first time she defended him from brigands had been a terrifying and yet exhilarating experience for them both.

And they built a house. With a room full of paper and clay. And a garden, and a loom. And always, forever, she was the most beautiful woman in the world.

[ruegarding]

see the problem w adaptations is that they get too confident. if you're changing something, it needs to be better than the original. it needs to add something. every. single. change. if you start changing everything bc u want to or bc you can, you start losing the things that made the original story good and unique.

[melodiousoblivionao3]

Nikki Hiltz specifically cropping KA out of this photo for their story is incredibly iconic

[thatswhatsushesaid]

psa that the day there are no jgy stans left on tumblr dot com is the day i am dead

but rest assured i'll go to my grave exactly as i lived: obnoxiously proclaiming to everyone within earshot how great lianfang-zun is. narratively, metaphorically, spiritually. sexually, too, like why limit myself. i like to keep my options open

[egophiliac]

I feel like F/P/S was still a pretty weird one, even by Lance's standards.

sorry for (in an ironic twist) not doing much Ride Kamens art now that it's actually started; I've been pretty slow going through it and I feel weird posting about things I'm not caught up on! though I'm. definitely gonna have to set aside some time to actually get through episode 13, after what they posted today. (w-what did they do to my Leon) (NOBODY TELL ME I HAVE TO FIND OUT ON MY OWN) (LEOOOOOOOON)

[clownowo]

a little bit obsessed with this guy

[cubbihue]

To Peri and Jordan, it might he better at looking into making Dev a Fairy. I mean, he's a neglected kid so desperate for fatherly love that he TEAMED UP with Anti Faries, and nearly mamaged to take over Fairy World completely just for a chance that his father would love him.

There's no telling that a Anti Fairy might try going after him again, and use him again, and have the events repeat. Least as a Fairy Dev could be monitored more. He's arguably a unique case like Timmy is; if not one that can warrant more danger if not careful. (Plus I don't think the memory spell worked on him considering he always wears sunglasses)

Despite your pleas, your ask has gone unanswered.

We can't be spoiling the future to our dear itty bitties! That'd be just so rude!!! No, no we can't have that! Not when the future is already set in stone!! Not when it's unavoidable! Not when the consequences must come to pass and pass they shall!!

Soon, Dev will attempt to take over Fairyworld. He will have his memories wiped. The human world will forget about Fairies. And someone will have to bear responsibility for it.

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