A small Kansas town is reeling after a baby-faced 23-year-old manipulated procedural technicalities to reinstall himself as mayor in one night, seemingly taking a page from the playbook used by former President Donald Trump after he was voted out of office.
Only, this time, it worked.
“People have said this reminds them of Germany in 1935,” Jeffery Jones, whose bid for a council seat in Goddard, Kansas, collapsed last week as Hunter Larkin abruptly took control, told The Daily Beast. “Like, ‘Hey, we don’t like you anymore and we’re gonna vote you out and put our own person in.’”
The convoluted machinations by which Larkin maneuvered his way back into power were described as “essentially, a coup” and reminiscent of a totalitarian regime, according to one recently departed council member. And while Goddard, a Wichita suburb with a population of just under 5,400, isn’t necessarily going to influence policy shifts on a national scale, the strategy used by Larkin—a right-winger who last year promoted an appearance in Goddard by accused sex pest and conservative kingmaker Matt Schlapp—could serve as a stark warning of what’s possible elsewhere.
“I have to hand it to Larkin,” Wichita Eagle columnist Dion Lefler wrote. “I’ve covered cities for a long time and have seldom seen a political takeover that was this sleazy, and yet this well-orchestrated.”
Larkin’s improbable ascent to office can be traced back to August 2020, when the then-mayor of Goddard stepped down amid a fraud charge for counterfeiting tickets to the local zoo’s “Zoobilee” charity fundraiser. Then-21-year-old City Council President Hunter Larkin was appointed to the job.
In November 2021, Larkin, who by day works as an accounting manager for a fiberglass oil field pipe manufacturer owned by a wealthy local family that has helped fund his political aspirations, was busted for DUI. He later pleaded guilty, receiving a sentence of probation and staying on as mayor until May 2022, when he resigned in the wake of a news report calling his ethics into question. Larkin said he was leaving office to focus on a statehouse run, but kept a seat on the city council.
“This campaign is about giving a voice to the people of our community and defending what so many of us hold dear, like voter integrity, the right to bear arms, protecting the unborn and keeping Critical Race Theory (CRT) out of schools,” Larkin’s campaign website thundered. “As your next Representative, I can promise that I will fight for just that!”
Vice-Mayor Larry Zimmerman was then appointed Goddard’s mayor, and has filled the position since—until last Tuesday night.
The agenda for that evening’s city council meeting didn’t appear particularly unique, at least on the surface; members would, among other things, consider a sign regulation amendment, discuss a road closure request for a Lions Club car show, and appoint a new city councilperson after a councilman named Michael Proctor relinquished his seat on Dec. 31.
Zimmerman nominated Jeffery Jones, who works as a hospice chaplain, for Proctor’s old job.
However, the vote ended in a tie. So Zimmerman instead nominated Aubrey Collins, a radio host and residential solar panel salesman who goes by “Cowboy Rip.” Collins’ candidacy was approved, and he was sworn in.
And, according to Jones, “That’s when everything kind of went haywire.”
As Collins was being seated, Larkin, who lost his bid for the Kansas legislature, immediately moved to amend the agenda and hold a non-public executive session to discuss “unelected personnel.” According to Lefler, the newspaper columnist, Larkin was eager to cast out City Administrator Brian Silcott, who has been critical of him in the past.
At this point, Jones left, thinking the meeting was over.
“Had I known what would happen next, I would have stayed,” he told The Daily Beast. “Because when they came back, that’s when Hunter asked for the election of a new mayor.”
When they returned, Larkin swiftly proposed removing Zimmerman as mayor, a motion which was approved by all except Zimmerman himself. Vice-Mayor Sarah Leland was then installed as mayor of Goddard—briefly. She immediately addressed the others, saying she felt she did not have “the capability to do these job duties… especially the current situation we are dealing with, so I would like to nominate Hunter, as I feel he can complete the steps that need taking.”
And with that, Larkin became mayor, switching seats with Leland, now his second-in-command. Larkin quickly moved to oust Silcott, who he considered a fly in the ointment, prompting now-ex-Mayor Zimmerman to quit his city council seat in protest.
“Before you get to that point, I’d like to tender my resignation from the city council, effective immediately,” he said, and walked out.
The council then filled Zimmerman’s empty council seat with resident Keaton Fish, a support staffer at a local special-ed school. As he took his position, Larkin introduced a motion to terminate Silcott’s employment. They then went to a second closed session to discuss Silcott’s firing, where the decision was consummated. (The next day, Assistant City Administrator Thatcher Moddie resigned.)
“The day and age where unelected bureaucrats ran this town is over,” Larkin later exulted. “This governing body is going to be more involved than ever before.”
This, Jones argued on Friday, is wholly disingenuous.
“Hunter said ‘we’re tired of being run by unelected bureaucrats,’ but I’m like, ‘Well, you’re kind of unelected.’ He was elected as a council member, no one voted him in as mayor [either time]. And right now, there’s a petition out for a recall.”
The recall campaign was started by Proctor, the councilman who quit office on Dec. 31. He called the situation in Goddard “a disaster.”
“He needs to go,” Proctor told The Daily Beast of Larkin, adding that he was baffled by the vice-mayor’s support for his mayoralty.
He said he will need roughly 168 signatures to move the proposal forward, and feels confident he’ll get them.
“Look, there’s complete outrage over this,” he told The Daily Beast. “Getting those votes won’t be difficult, there are plenty of willing participants.”
Proctor has also started a Facebook group called “For Goddard’s Sake,” where he is organizing and rallying support.
“This city is a joke!” one commenter wrote. “in who’s right mind is DUI kid a good choice for mayor after not being re-elected.”
“[H]unter has made it clear that he intends to turn the city into a rental community by helping his developer buddies build as many multi family dwellings as possible,” wrote another. “This is a very clear pattern all in the name of ‘growth’ and it is going to fundamentally change this town. He and his gang now make a majority and will be able to approve whatever Hunter’s little heart desires.”
“So where can concerned citizens file complaints?” wrote a third. “Surely we have a lawyer or three within reach who can help Goddard with its latest problem. Anyone?”
Proctor said he will be filing a report with the sheriff’s office, alleging campaign finance improprieties by Larkin which Proctor claims violate the Goddard city code.
“Somebody’s gotta do it,” he said. “Somebody’s gotta stand up. Otherwise, there’s a vacuum that’s going to be filled by somebody who shouldn’t be doing it.”
Replacing Silcott will also be a heavy lift, according to Proctor, who said Goddard last week “went from a city where up-and-coming city managers would love to come and work, to a bottom-of-the-rung situation, overnight. He’s delivered quite a mess.”
Fish did not respond to a request for comment on Friday. Zimmerman, for his part, told local outlet KWCH that Larkin’s maneuvering “wasn’t right.”
Brady Burdge, an assistant district attorney in Wichita who was in the running for a council seat but withdrew his name on Monday due to his heavy workload, said he found the Larkin situation “really unfortunate.”
“It is definitely troubling,” Burge told The Daily Beast. “The local level is where it all starts, and you definitely don’t like to see things like that happening in your own community… [Larkin] has had trouble in the past building trust with our community, and it looks like it happened again.”
Jones said he is not planning to fight the outcome of the election, and is “just going to let the chips fall where they may.” At the same time, he isn’t going anywhere, anytime soon.
“I feel honored that the mayor at the time selected me, but I’m not going to raise a fuss,” he conceded on Friday. “I told them at that meeting that I want to effect change within Goddard, and if I can't do it from the [city] council, I’ll do it from the community. And I’m going to be there at as many council meetings as I can, where I’ll be bringing up questions that the people want answered.”
For his part, Aubrey Collins said he is looking forward to his first experience serving in public office.
“I have no comment other than, we’re going to do the best we can for the city,” Collins told The Daily Beast. “I believe the steps that were taken will allow Goddard to win. Goddard is gonna win, based on what transpired.”
Before the council session concluded, Larkin remarked, “Today was a tough day. I know. Wasn’t fun, I don’t think anybody here enjoyed it. But I want you all to know it was done out of love.”
Larkin, who told local NBC affiliate KSN TV that he’s not concerned about any challenges to remove him, did not respond to multiple requests for comment by The Daily Beast.
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TOP 2022
(31/12/2022)
Great recent movies (made since 2018) seen for the first time in 2022:
Les Passagers de la nuit(Mikhaël Hers, 2021/2)
Rachel Hendrix(Victor Nunez, 2022)
Memoria(Memory;Apichatpong Weerasethakul, 2021)
O Trio em Mi Bemol(The Kegelstatt Trio;Rita Azevedo Gomes;a.Éric Rohmer)
Ouistreham(Emmanuel Carrère, 2021)
The Ride(Ride;Alex Ranarivelo, 2018/9)
Pan de limón con semillas de amapola(Benito Zambrano, 2021)
Twist à Bamako(Mali Twist;Robert Guédiguian, 2021/2)
Mulher Oceano(Djin Sganzerla, 2020)
Greta(Neil Jordan, 2018)
Albatros(Xavier Beauvois, 2021)
À vendredi, Robinson(Mitra Farahani, 2022)
El Rey de todo el Mundo(Carlos Saura, 2021)
Great older movies (made before 2018) seen for the first time in 2022:
Saikai(Kimura Keigo, 1953)
Yuwaku(Temptation;Yoshimura Kōzaburō, 1948)
The Very Thought of You(Delmer Daves, 1944)
Dunia(Jocelyn Saab, 2005)
Strangers in Good Company/The Company of Strangers(Cynthia Scott, 1990)
Lawn Dogs(John Duigan, 1997)
What happened was...(Tom Noonan, 1993/4)
Tigerstreifenbaby wartet auf Tarzan(Rudolf Thome, 1997/8)
Rot und Blau(Rudolf Thome, 2002/3)
Yawaraka na hou(A Tender Place;Nagasaki Shunichi, 2001)
Tin ngai hoy gok(Lost and Found;Lee Chi-ngai, 1996)
The Journey of August King(John Duigan, 1995)
Off the Map(Campbell Scott, 2003)
Bed of Roses(Michael Goldenberg, 1995/6)
The Cake Eaters(Mary Stuart Masterson, 2007)
Trigger(Bruce McDonald, 2010)
Lian’ai yu yiwu(Love and Duty;Bu Wancang=Richard Poh, 1931)
Sparrows Dance (Noah Buschel, 2013)
Aoi sanmyaku+Zoku aoi sanmyaku(The Green Mountains 1+2/Blue Mountains 1+2;Imai Tadashi, 1949)
Du hast gesagt, dass du mich liebst(You Told Me You Loved Me;Rudolf Thome, 2005/6)
Yūwakusha(The Enchantment;Nagasaki Shunichi, 1989)
Nishi no majo ga shinda(The Witch of the West is Dead;Nagasaki Shunichi, 2008)
Hachi-kō Monogatari(Kōyama Seijirō, 1987)
Spoken Word(Victor Nunez, 2009)
The Missing Person (Noah Buschel, 2008/9)
The Devil Makes Three(Andrew Marton, 1952)
Christmas in Connecticut(Peter Godfrey, 1945)
Berlin Chamissoplatz(Rudolf Thome, 1980)
Rauchzeichen(Rudolf Thome,2005/6)
Among the Living(Stuart Heisler, 1941)
Voice in the Mirror(Harry Keller, 1958)
Glass Chin(Noah Buschel, 2013/4)
The Mule/Border Run/La frontera del crimen(Gabriela Tagliavini, 2012)
BigEden(Thomas Bezucha, 2000)
Endoretsu warutsu(Endless Waltz;Wakamatsu Kōji, 1995)
Keith Richards:Under the Influence(Morgan Neville, 2015)
Kōfuku no genkai(The Limit of Happiness;Kimura Keigo, 1948)
Friends(Elaine Proctor, 1993)
The Stone Boy(Christopher Cain, 1983/4)
Frau fährt, Mann schläft(Rudolf Thome, 2003/4)
Pêcheur d’Islande(Pierre Schoendoerffer, 1959)
Awdat mowatin(Return of a Citizen;Mohamed Khan, 1986)
Les Portes tournantes(The Revolving Doors;Francis Mankiewicz, 1988)
Remarkable recent movies:
Ras vkhedavt, rodesac cas vukurebt?(What Do We See When We Look at the Sky?;Aleksandr Koberidze, 2021)
Degas et moi(of 3e Scène)(Arnaud Des Pallières, 2019)
Ergej irekhgüi namar/Harvest Moon (Amarsaikhan Baljinnyam, 2021/2)
Viagem ao Sol(Journey to the Sun;Ansgar Schaefer & Susana de Souza Dias, 2021)
Illusions Perdues(Xavier Giannoli, 2021)
Petite Solange(Axelle Ropert, 2021)
Pacifiction/Tourment sur les îles(Albert Serra, 2022)
Where The Crawdads Sing(Olivia Newman, 2022)
The Batman(Matt Reeves, 2022)
Jaula(Ignacio Tatay, 2018)
Prapti(Receipt;Anuraag Pati, 2021)
Limbo(Soi Cheang, 2021)
Avec amour et acharnement(Both Sides of the Blade/Fire;Claire Denis, 2021/2)
Armageddon Time(James Gray, 2022)
Beurokeo(Broker;Kore-Eda Hirokazu, 2021/2)
America(Ofir Raul Graizer, 2021/2)
Faridaning ikki ming qo’shig’i(2000 Songs of Farida;Yalkin Tuychiev, 2020)
El sustituto(The Replacement;Óscar Aira, 2020/1)
Pokhar Ke Dunu Paar(On Either Side of the Pond;Parth Saurabh, 2022)
The Gigantes(Beatriz Sanchis, 2021)
Farha(Darin J. Sallam, 2021)
In My Own Time:A Portrait of Karen Dalton(Rich Peete & Robert Yapkowitz, 2020)
Barbarian(Zach Cregger, 2022)
Between Earth and Sky(The Lie;Veena Sud, 2018//20)
Watcher(Chloe Okuno, 2021/2)
A Christmas Mystery(Alex Ranarivelo, 2022)
A Hollywood Christmas(Alex Ranarivelo, 2022)
Les Intranquilles(Joachim Lafosse, 2021)
Unrueh(Unrest;Cyril Schäublin, 2022)
Malintzin 17(Eugenio & Mara Polgovsky, 2016//21/2)
Coda(Siân Heder, 2020/1)
Work in progress, Agosto 2022(José Luis Guerin, 2022)
A pesar de todo(Despite Everything;Gabriela Tagliavini, 2019)
They’ll Love Me When I ‘m Dead(Morgan Neville, 2018)
Pretend It’s A City(Martin Scorsese, 2020)
The Glorias(Julie Taymor, 2020)
Land(Robin Wright, 2021)
Chavalas(Carol Rodríguez Colás, 2020/1)
Alam(Firas Khoury, 2022)
Remarkable older movies:
Watashi no Niisan(My Older Brother;Shimazu Yasujirô, 1934)
Liu mang yi sheng(Doctor Mack;Lee Chi-ngai, 1995)
Hunt the Man Down(George Archainbaud, 1950)
Happy Here and Now(Michael Almereyda, 2002)
Hold That Co-Ed(Hold That Girl;George Marshall, 1938)
Transcendence(Wally Pfister, 2014)
Mr. Fix-It(Allan Dwan, 1918)
Down Home (Irvin V. Willat, 1920)
The Tall Stranger(Thomas Carr, 1957)
Pagdating Sa Dulo(At the Top;Ishmael Bernal, 1971)
Maowid ala ashaa(A Dinner Date;Mohamed Khan, 1981)
Zawgat Ragoul Mohem(The Wife of an Important Person;Mohamed Khan, 1987)
The Eclipse(Conor McPherson, 2009)
El Rebozo de Soledad(Roberto Gavaldón, 1952)
Desert Hearts(Donna Deitch, 1985)
Manhandled(Lewis R. Foster, 1949)
Accused of Murder(Joseph Kane, 1956)
The Marauders(Gerald Mayer, 1955)
Ramuru/Aibu(L’Amour/Caress/Love;Goshō Heinosukē, 1933)
Amerasia(Wolf-Eckart Bühler, 1985)
Careless Love(John Duigan, 2012)
Sieben Frauen(Formen der Liebe III)(Rudolf Thome, 1989)
Flirting(John Duigan, 1990/1)
One Night Stand(John Duigan, 1984)
Mouth to Mouth(John Duigan, 1978)
Kissed(Lynne Stopkewich, 1996)
Strike!/All I Wanna Do!(Sarah Kernochan, 1998)
In Old Kentucky(George Marshall, 1935)
Hei jun ma(A Mongolian Tale;Xie Fei, 1995)
Kojima no haru(Spring on Lepers’ Island;Toyoda Shirō, 1940)
Jack Higgins’ ‘A Prayer for the Dying’/A Prayer for the Dying(Mike Hodges, 1987)
Whispering City(Fedor Ozep, 1947)
Maytime in Mayfair(Herbert Wilcox, 1949)
Derby Day(Herbert Wilcox, 1952)
Hell’s Half Acre(John H. Auer, 1954)
Without Honor(Irving Pichel, 1949)
Big Night(Stanley Tucci & Campbell Scott, 1996)
In Old Arizona(Raoul Walsh & Irving Cummings, 1929)
Storm Over Lisbon(George Sherman, 1944)
Chant d’hiver(Otar Iosseliani, 2015)
Die rote Zimmer (Rudolf Thome, 2010)
Das Geheimnis(Rudolf Thome, 1994/5)
Der Philosoph(Rudolf Thome, 1988/9)
Winter of our Dreams(John Duigan, 1981)
Just Married(Rudolf Thome, 1997/8)
Ins Blaue(Into the Blue;Rudolf Thome, 2011/2)
The Sky Pilot(King Vidor, 1921)
Wine of Youth(King Vidor, 1924)
The Family Stone(Thomas Bezucha, 2005)
Les Deaux Souvenirs(Happy Memories;Francis Mankiewicz, 1981)
Istoriia Grazhdanskoí Voíny(Dziga Vertov & Nikolai Izvolov, 1922)
Jes’ Call Me Jim(Clarence G. Badger, 1920)
Jubilo(Clarence G. Badger, 1919)
Marguerite Duras:Worn Out with Desire to Write(David Wiles & Alan Benson, 1985)
Bestsennaia golova(V boevom kinsbarnike 10)(A Priceless Head;Boris Barnet, 1942)
Taifuken no onna(Ōba Hideo, 1948)
The Hasty Heart(Vincent Sherman, 1949)
A Kiss in the Dark(Delmer Daves, 1948/9)
Anesthesia(Tim Blake Nelson, 2014/5)
The Half-Breed(Stuart Gilmore;uc.Edward Ludwig, 1952)
The Two Fister(William Wyler, 1927)
Croupier(Mike Hodges, 1997/8)
Paranoid(John Duigan, 1999/2000)
The Leading Man(John Duigan, 1996)
Aucun regret(Emmanuel Mouret, 2015)
Tout le monde a raison(Emmanuel Mouret, 2017)
Invisible Agent(Edwin L. Marin, 1942)
Full Body Massage(Nicolas Roeg, 1995)
Saya no iru tousizu(Saya:Perspective in Love;Kimata Akiyoshi=Izumi Seiji, 1986)
Race Street(Edwin L. Marin, 1948)
The Wife(Tom Noonan, 1994/5)
Molly(John Duigan, 1998/9)
The Phenom (Noah Buschel, 2015/6)
Live A Little, Love A Little(Norman Taurog, 1968)
Café Com Canela(Coffee with Cinnamon;Ary Rosa & Glenda Nicácio, 2017)
And Now Tomorrow(Irving Pichel, 1944)
On An Island With You(Richard Thorpe, 1948)
One More Tomorrow(Peter Godfrey, 1946)
Il tradimento(Passato che uccide)(Riccardo Freda, 1951)
The Magnificent Dope(Walter Lang, 1942)
Hands Up!(Clarence G. Badger, 1926)
Venus im Netz/Venus.de-Die bewegte Frau(Venus Talking;Rudolf Thome, 2000/1)
Les Bons Débarras(Good Riddance;Francis Mankiewicz, 1980)
Beverly of Graustark(Sidney Franklin, 1926)
Millennium(Michael Anderson, 1989)
Gibraltar(Fedor Ozep, 1938/9)
Great movies watched again:
JLG/JLG(Autoportrait de décembre)(Jean-Luc Godard, 1994)
Yuki fujin ezu(Mizoguchi Kenji, 1950)
The Ten Commandments(Cecil B. DeMille, 1956)
They Were Expendable(John Ford;coll.Robert Montgomery, 1945)
The Civil War(from How The West Was Won;John Ford, 1962)
The Private Life of Sherlock Holmes(Billy Wilder, 1970)
The Bitter Tea of General Yen(Frank Capra, 1932)
Return of the Texan(Delmer Daves, 1952)
You Can’t Take It With You(Frank Capra, 1938)
Kiss Me Deadly(Robert Aldrich, 1955)
Desert Fury(Lewis Allen, 1947)
Japanese War Bride(King Vidor, 1951/2)
Storm Warning(Stuart Heisler, 1950/1)
The Circle(Frank Borzage, 1925)
There’s Always Tomorrow(Douglas Sirk, 1955/6)
A Romance of the Redwoods(Cecil B. DeMille, 1917)
Shockproof(Douglas Sirk, 1949)
Sergeant Rutledge(John Ford, 1960)
Bad Girl(Frank Borzage, 1931)
Interlude(Douglas Sirk, 1957)
The First Legion(Douglas Sirk, 1950/1)
Captain China(Lewis R. Foster, 1950)
Passage West(Lewis R. Foster, 1951)
The Invisible Man(James Whale, 1933)
Slávnyí malyí/Novgorodtsy(Boris Barnet, 1943)
Alyonka(Boris Barnet, 1961)
Hurry Sundown(Otto Preminger, 1966)
Gideon’s Day(Gideon of Scotland Yard;John Ford, 1958)
Anjô-ke no butôkai (Yoshimura Kôzaburô, 1947)
The World Moves On(John Ford, 1934)
Black Tuesday(Hugo Fregonese, 1954)
The Raid(Hugo Fregonese, 1954)
One Way Street(Hugo Fregonese, 1950)
Seven Thunders(Hugo Fregonese, 1957)
La Femme d’à côté(François Truffaut, 1981)
Double Messieurs(Jean-François Stévenin, 1986)
Fighter Squadron(Raoul Walsh, 1948)
State of the Union(Frank Capra, 1947/8)
The Lady Eve(Preston Sturges, 1940/1)L
Shchiedroe leto(Boris Barnet, 1950)
The Year My Voice Broke(John Duigan, 1987)
Liedolom(Boris Barnet, 1931)
All I Desire(Douglas Sirk, 1953)
Illegal(Lewis Allen, 1955)
L’Homme qui aimait les femmes(François Truffaut, 1977)
Very good movies watched again:
Crack-Up(Irving Reis, 1946)
Twilight For The Gods(Joseph Pevney, 1958)
Wide Sargasso Sea(John Duigan, 1992/3)
Ivanhoe(Richard Thorpe, 1951/2)
Polustanok(Boris Barnet, 1963)
Odnazhdy nochyu(Dark is the Night;Boris Barnet, 1944/5)
Mystery Submarine(Douglas Sirk, 1950)
Battle Hymn(Douglas Sirk, 1956/7)
Tomorrow Is Forever(Irving Pichel, 1945/6)
The Gypsy Moths(John Frankenheimer, 1969)
Amok(Fedor Ozep, 1934)
I’ll Be Seeing You(William Dieterle, 1944)
The Lady(Frank Borzage, 1925)
Torrents of Spring(Jerzy Skolimowski, 1989)
Starií naezdnik(The Old Jockey;Boris Barnet, 1940)
The Honeymoon Machine(Richard Thorpe, 1961)
The Flame(John H. Auer, 1947)
The Jack Knife Man(King Vidor, 1920)
Cheyenne (Raoul Walsh, 1947)
Dakota(Joseph Kane, 1945)
Singapore(John Brahm, 1947)
The Brasher Doubloon(John Brahm, 1947)
Junior Bonner(Sam Peckinpah, 1972)
Family Plot(Alfred Hitchcock, 1976)
La Femme et le Pantin(Jacques de Baroncelli, 1928/9)
My Reputation(Curtis Bernhardt, 1946)
The Reluctant Debutante(Vincente Minnelli, 1958)
Annushka(Boris Barnet, 1959)
Stranítsy zhizni(Boris Barnet & Aleksandr Macheret, 1946//8)
The Lady Pays Off(Douglas Sirk, 1951)
Schluss-akkord(Detlef Sierck=Douglas Sirk, 1936)
Whirlpool(Lewis Allen, 1959)
City That Never Sleeps(John H. Auer, 1953)
April! April!(Detlef Sierck, 1935)
Byzantium(Neil Jordan, 2012)
Too Many Husbands(Wesley Ruggles, 1940)
All The Brothers Were Valiant(Richard Thorpe, 1953)
Crosswinds(Lewis R. Foster, 1951)
Casbah(John Berry, 1948)
The Eagle and the Hawk(Lewis R. Foster, 1950)
Body of Lies(Ridley Scott, 2008)
La larga noche de los bastones blancos(Javier Elorrieta, 1979)
Wives Under Suspicion(James Whale, 1938)
Home Before Dark(Mervyn LeRoy, 1958)
Podvig razvedchika(Boris Barnet, 1947)
The Two Mrs. Carrolls(Peter Godfrey, 1947)
Barricade(Peter Godfrey, 1949/50)
Escape Me Never(Peter Godfrey, 1947)
The House of the Seven Hawks(Richard Thorpe, 1959)
Sugarfoot(Edwin L. Marin, 1950)
Room For One More(Norman Taurog, 1951/2)
El Paso(Lewis R. Foster, 1949)
Jamaica Run(Lewis R. Foster, 1953)
Vértigo(Antonio Momplet, 1946)
The Manchurian Candidate(John Frankenheimer, 1962)
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