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#Mini Story
hogtiedwhorestories Β· 1 month
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i get what i want. i always have. every man that i wanted, i made sure to make him mine. my roommate knows this very well. she has always been trying to find that right guy, so she is always bringing guys to the apartment. this has always been great for me, creating a long line of guys that i can have my pick from. compared to her, i know these guys would rather be with me. i know this because if its a guy i want to sleep with, i make it happen. this has caused a bit of a riff between me and my roommate, but the way i see it, im giving her a lesson in the real world. life isnt always fair, and the hot girl always comes out on top.
thats why when she brought her latest guy to the apartment, i knew i had to have him. not only was he a hottie, but he is a doctor. jackpot! no way am i letting this guy get away. you better believe i fucked him after a couple visits to the apartment. i think this one really upset her. once she found out, i dont think ive ever seen her that mad before. oh well. she will eventually get over it. she always does.
ok. maybe not this time. maybe i really stepped over a line? the bitch drugged my drink and i woke up bound and gagged! once i get out these ropes, this is bitch is going down...although its going to be a little hard to get out of these ropes. she has me stuffed in this suitcase. while cramped into this small suitcase she explains how she researched online auctions for this kind of stuff? sounds like im going overseas?! this can not be happening!! i pleaded with her, i tried to apologize, but i dont think she understood me with the duct tape sealing my mouth. i guess the hot bitch doesnt always get what she wants...
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ruexvn Β· 11 months
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π™»πš˜πšœπšŽπš› π™±πš˜πš’
* ΰ©ˆβœ©β€§β‚ŠΛš* ΰ©ˆβœ©β€§β‚Š* ΰ©ˆβœ©β€§β‚ŠΛš* ΰ©ˆβœ©β€§β‚Š* ΰ©ˆβœ©β€§β‚ŠΛš* ΰ©ˆβœ©β€§β‚Š* ΰ©ˆβœ©β€§β‚ŠΛš* ੈ
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* ΰ©ˆβœ©β€§β‚ŠΛš* ΰ©ˆβœ©β€§β‚Š* ΰ©ˆβœ©β€§β‚ŠΛš* ΰ©ˆβœ©β€§β‚Š* ΰ©ˆβœ©β€§β‚ŠΛš* ΰ©ˆβœ©β€§β‚Š* ΰ©ˆβœ©β€§β‚ŠΛš* ੈ
πšƒπš˜πš‹πš’ πš‹πšŽπš’πš—πš πš’πš˜πšžπš› πš‹πš˜πš’πšπš›πš’πšŽπš—πš πš’πšœ...πšŒπš‘πšŠπš˜πšπš’πšŒ. π™Έπš πš‘πšŽ πšŒπš˜πšžπš•πš πš‘πšŽ πš πš˜πšžπš•πš πš πš’πš™πšŽ πšŽπšŸπšŽπš›πš’ πš–πšŠπš— πšŽπš‘πšŒπšŽπš™πš πš‘πš’πš–πšœπšŽπš•πš πšπš›πš˜πš– πšŽπš‘πš’πšœπšπšŠπš—πšŒπšŽ πš‹πšžπš πšœπš’πš—πšŒπšŽ πš‘πšŽ πšŒπšŠπš—πš πšπš‘πšŽπš— πš‘πšŽ πš›πšŽπšœπš˜πš›πšπšœ 𝚝𝚘 πšπš‘πšŽ πš˜πš—πš•πš’ πš˜πšπš‘πšŽπš› πšπš‘πš’πš—πš, πš‹πšŽπšœπš’πšπšŽπšœ πšπš›πš’πš’πš—πš πš‘πš’πšœ πš‹πšŽπšœπš 𝚝𝚘 πš•πš˜πšŸπšŽ 𝚒𝚘𝚞, πš‘πšŽ πš”πš—πš˜πš πšœ.
"f-fuck you... for t-t-touching.. MY y/n.." , πš‘πšŽ πšœπš™πš˜πš”πšŽ πšπš‘πš›πš˜πšžπšπš‘ πšπš›πš’πšπšπšŽπš πšπšŽπšŽπšπš‘ 𝚊𝚜 πš‘πšŽ πš‘πš’πš πšŠπš—πš πš‘πš’πš πš˜πšŸπšŽπš› πšŠπš—πš πš˜πšŸπšŽπš› πšπš‘πšŽ πš—πš˜πš  πšžπš—πš›πšŽπšŒπš˜πšπš—πš’πš£πšŠπš‹πš•πšŽ πšŸπš’πšŒπšπš’πš– πšŒπš‘πš˜πš™πš™πšŽπš πš’πš— πš™πš’πšŽπšŒπšŽπšœ. πš†πš‘πšŠπš 𝚍𝚘𝚎𝚜 πš’πš πš–πšŠπšπšπšŽπš› πšπš‘πš˜πšžπšπš‘? π™Έπšπšœ πšπš‘πšŽ πš–πšŠπš—πšœ πš˜πš πš— πšπšŠπšžπš•πš πšπš˜πš› πšœπš–πšŠπšŒπš”πš’πš—πš πš’πš˜πšžπš› 𝚊𝚜𝚜 𝚊𝚜 𝚒𝚘𝚞 πš πšŠπš•πš”πšŽπš πš‹πš’ πš‘πš’πš–...πš’πš— πšπš›πš˜πš—πš 𝚘𝚏 πšπš˜πš‹πš’ πš πš‘πš˜ 𝚠𝚊𝚜 πš‘πš˜πš•πšπš’πš—πš πš’πš˜πšžπš› πš‘πšŠπš—πš.
π™Έπšπšœ πš πš˜πš›πšœπšŽ πš πš‘πšŽπš— πš’πš˜πšžπš› πš˜πš™πšŽπš—πš•πš’ πšπšŠπš•πš”πš’πš—πš 𝚝𝚘 𝚊 𝚐𝚞𝚒 πš’πš— πšπš›πš˜πš—πš 𝚘𝚏 πš‘πš’πš– πšŠπš—πš πš‘πšŽ πš’πšœ πšŠπš‹πšœπš˜πš•πšžπšπšŽπš•πš’ πš™πš’πšœπšœπšŽπš πšπš‘πšŠπš 𝚒𝚘𝚞 πšœπš–πš’πš•πšŽ πšπšŠπš•πš”πš’πš—πš 𝚝𝚘 πšπš‘πš’πšœ 𝚐𝚞𝚒. πš‚πš˜πš–πšŽ πš—πš˜πš‹πš˜πšπš’. πš†πš‘πšŽπš— 𝚒𝚘𝚞 πšπš’πš—πšŠπš•πš•πš’ πšœπšπš˜πš™ πšπšŠπš•πš”πš’πš—πš 𝚝𝚘 πšπš‘πš’πšœ 'πšπš›πš’πšŽπš—πš' , πšπš˜πš‹πš’ πšπš›πšŠπšπšœ 𝚒𝚘𝚞 πšœπš˜πš–πšŽπš πš‘πšŽπš›πšŽ πšπš‘πšŠπšπš•πš• πš‘πš’πšπšŽ 𝚒𝚘𝚞 πš‹πš˜πšπš‘ πšπš˜πš› 𝚊 𝚏𝚎𝚠 πš–πš˜πš–πšŽπš—πšπšœ. π™·πšŽ'πš•πš• πš™πš’πš— 𝚒𝚘𝚞 πšŠπšπšŠπš’πš—πšœπš πšπš‘πšŽ πš πšŠπš•πš• πšŠπš—πš πšπšŽπšŸπšŽπš›πšŽπš—πšπš•πš’ πš”πš’πšœπšœ 𝚒𝚘𝚞 𝚊𝚜 πš‘πš’πšœ πš‘πšŠπš—πšπšœ πšπš›πšŠπš—πšπš’πšŒπš•πš•πš’ πšπš˜πšžπšŒπš‘ πšŠπš—πš πšπš›πš˜πš™πšŽ 𝚒𝚘𝚞 πšŽπšŸπšŽπš›πš’πš πš‘πšŽπš›πšŽ.
"y-your mine...not h-.. him... mine... stop t-t-talking with o..other men y-you whore"
π™·πšŽ'πš•πš• πšπšŽπšπš›πšŠπšπšŽ 𝚒𝚘𝚞 𝚜𝚘 πš–πšžπšŒπš‘ πšŠπš—πš πš–πšŠπš”πšŽ 𝚒𝚘𝚞 πšπšŽπšŽπš• πš‹πšŠπš πšπš‘πšŠπš 𝚒𝚘𝚞 πšœπšπšŠπš›πš πšŒπš›πš’πš’πš—πš, πš‹πšŽπšπšπš’πš—πš πšπš˜πš› πšπš˜πš›πšπš’πšŸπšŽπš—πšŽπšœπšœ. π™·πšŽ'πš•πš• 𝚍𝚘 πšŠπš—πš’πšπš‘πš’πš—πš 𝚝𝚘 πš›πšŽπš–πš’πš—πš 𝚒𝚘𝚞 𝚒𝚘𝚞'πš›πšŽ πš‘πš’πšœ πšŠπš—πš πš˜πš—πš•πš’ πš‘πš’πšœ πš‹πšžπš πšπš˜πš‹πš’ πš πš˜πšžπš•πš πš—πšŽπšŸπšŽπš› πš‘πšžπš›πš 𝚒𝚘𝚞 πš˜πš› πš‘πšŽ'πš•πš• πšœπš™πš’πš›πšŠπš•. π™±πšŽπšŒπš˜πš–πš’πš—πš πš‘πš’πšœ πšπšŠπšπš‘πšŽπš›? πšƒπš˜πš‹πš’ πš πš˜πšžπš•πš πšŠπš‹πšžπšœπšŽ πš‘πš’πšœ πš’πš–πš–πš˜πš›πšπšŠπš•πš’πšπš’ πšŠπš—πš πš–πšŠπš”πšŽ πš‘πš’πš–πšœπšŽπš•πš πš‹πš•πšŽπšŽπš πšŠπš—πš πšŒπš›πšŽπšŠπšπšŽ πš—πšŽπš  πšœπšŒπšŠπš›πšœ πšžπš—πšπš’πš• πš‘πšŽ πšπšŽπšŽπš•πšœ πš‘πšŽ πšŠπšπš˜πš—πšŽπš πšπš˜πš› 𝚜𝚘 πš–πšžπšŒπš‘ 𝚊𝚜 πš‹πš›πšžπš’πšœπš’πš—πš 𝚒𝚘𝚞 πš’πš πš’πš πš’πšœπš—πš πšπš›πš˜πš– πš’πš˜πšžπš› πš—πš’πšπš‘πšπšœ 𝚘𝚏 𝚎𝚌𝚜𝚝𝚊𝚌𝚒.
πšƒπš˜πš‹πš’ πš πš’πš•πš• πš πš’πšπš‘πš˜πšžπš 𝚊 πšπš˜πšžπš‹πš πš”πš’πš•πš• πšπš˜πš› 𝚒𝚘𝚞...πšŠπšπšžπš•πš πš˜πš› πšŒπš‘πš’πš•πš. πš‚πš˜πš–πšŽ πš•πšŠπšπš’ πšŒπšŠπš•πš•πšŽπš 𝚒𝚘𝚞 𝚊 πšœπš•πšžπš πšπš˜πš› πš πšŽπšŠπš›πš’πš—πš 'πšœπš”πš’πš–πš™πš’' πšŒπš•πš˜πšπš‘πš’πš—πš? π™³πšŽπšŠπš. 𝙰 πš–πšŠπš— πš•πš˜πš˜πš”πšŽπš 𝚊𝚝 𝚒𝚘𝚞 πš πš›πš˜πš—πš?(𝚝𝚘 πšπš˜πš‹πš’ 𝚊𝚝 πš•πšŽπšŠπšœπš) πšŠπš•πšœπš˜ 𝚍𝚎𝚊𝚍. πš‚πš˜πš–πšŽ πš”πš’πš πšŒπšŠπš•πš•πšŽπš 𝚒𝚘𝚞 πšžπšπš•πš’?...πš’πšŽπšŠπš‘ πšπš‘πšŽπš›πšŽ πš πšŽπš›πšŽ πšŠπš•πš˜πš 𝚘𝚏 πš–πš’πšœπšœπš’πš—πš πš”πš’πš πš™πš˜πšœπšπšŽπš›πšœ πšŠπš›πš˜πšžπš—πš 𝚊 𝚍𝚊𝚒 πšŠπšπšπšŽπš›.
π™·πšŽ πš’πšœ 𝚜𝚘 πšπš’πšœπšπšžπšœπšπš’πš—πšπš•πš’ πš’πš— πš•πš˜πšŸπšŽ πš πš’πšπš‘ 𝚒𝚘𝚞 𝚝𝚘 πšπš‘πšŽ πš™πš˜πš’πš—πš πš‘πšŽ πš πš’πš•πš• πš—πš˜πš πšπšŠπš”πšŽ πšŒπšŠπš›πšŽ 𝚘𝚏 πš‘πš’πš–πšœπšŽπš•πš πš’πš 𝚒𝚘𝚞 πšπš˜πš—πš πš‹πšŠπš‹πš’ πš‘πš’πš– πšπš‘πš›πš˜πšžπšπš‘ πš’πš πšŠπš•πš•. πšƒπš˜πš‹πš’ πš πš’πš•πš• πšŠπš•πš πšŠπš’πšœ πš‹πšŽ πš’πš— πšπš‘πšŽ πšœπš‘πš˜πš πšŽπš› πš πš’πšπš‘ 𝚒𝚘𝚞 πš πš‘πš’πš•πšŽ 𝚒𝚘𝚞 πšœπšŒπš›πšžπš‹ πš‘πš’πšœ πšœπšŒπšŠπš•πš™ πšŠπš—πš πš‘πš’πšœ πš‘πšŠπš—πšπšœ πšŠπš›πšŽ πš“πšžπšœπš πšπš›πš’πš™πš™πš’πš—πš πš’πš˜πšžπš› πš πšŠπš’πšœπš πš•πš’πš”πšŽ πš’πš πš’πš˜πšžπš› πšπš˜πš—πš—πšŠ πš›πšžπš— 𝚘𝚏𝚏. π™·πšŽ'𝚍 πšœπš’πš πš˜πš— πšπš‘πšŽ πšπš˜πš’πš•πšŽπš 𝚜𝚎𝚊𝚝 𝚊𝚜 𝚒𝚘𝚞 πš‹πš›πšžπšœπš‘ πš‘πš’πšœ πšπšŽπšŽπšπš‘ πšπš˜πš› πš‘πš’πš–, πšœπšžπš›πš™πš›πš’πšœπš’πš—πšπš•πš’ πš πš˜πšžπš•πš 𝚍𝚘 πšπš‘πšŽ πš›πšŽπšœπš πš‘πš’πš–πšœπšŽπš•πš. π™·πš’πšœ πš‘πšŠπš—πšπšœ πš πš’πš•πš• πš—πšŽπšŸπšŽπš› πš‹πšŽ 𝚊𝚠𝚊𝚒 πšπš›πš˜πš– 𝚒𝚘𝚞, πšπš‘πšŽπš’'πš•πš• πšŠπš•πš πšŠπš’πšœ πš‹πšŽ πš˜πš— πšœπš˜πš–πšŽπšπš‘πš’πš—πš. π™°πšœπšœ, πš‹πš˜πš˜πš‹πšœ, πšπš‘πš’πšπš‘πšœ, πš”πš—πšŽπšŽπšœ, 𝚏𝚊𝚌𝚎, πšŠπš—πš’πšπš‘πš’πš—πš. πš‚πš˜πš–πšŽ 𝚍𝚊𝚒𝚜 πš’πš˜πšžπš•πš• πšπšŽπšŽπš• πš’πš—πšœπšŠπš—πšŽ πš‹πšŽπšŒπšŠπšžπšœπšŽ πš’πš πš‘πšŽ πš’πšœπš—πš 𝚊𝚠𝚊𝚒 πš˜πš— 𝚊 πš–πš’πšœπšœπš’πš˜πš—/πšπšŠπšœπš” πšπš˜πš› πš‘πš’πšœ πš‹πš˜πšœπšœ πšπš‘πšŽπš— 𝚒𝚘𝚞 πš πš˜πš—πš 𝚐𝚎𝚝 𝚊 πš–πš’πš—πšžπšπšŽ 𝚝𝚘 πš’πš˜πšžπš›πšœπšŽπš•πš. πšˆπš˜πšžπš•πš• πšœπšπšŠπš›πš πšŒπš›πš’πš’πš—πš πšŠπš—πš πš™πšžπšœπš‘πš’πš—πš πš‘πš’πš– 𝚊𝚠𝚊𝚒 𝚊𝚜 𝚒𝚘𝚞 πš•πš˜πšŒπš” πš’πš˜πšžπš›πšœπšŽπš•πš πš’πš— πšπš‘πšŽ πš‹πšŠπšπš‘πš›πš˜πš˜πš–
"baby...i-its ok... y-you..you need me.. o-o-ok?"
π™·πšŽ'πš•πš• πš‹πš›πšŽπšŠπš” πšπš˜πš πš— πšπš‘πšŽ πšπš˜πš˜πš› πšŠπš—πš πšœπš’πš πš‹πšŽπšœπš’πšπšŽ 𝚒𝚘𝚞 𝚊𝚜 𝚒𝚘𝚞 πš πšŽπšŽπš™ πšŠπš—πš πš πšŽπšŽπš™. 𝙰 πšœπš–πšžπš πšœπš–πš’πš•πšŽ πš˜πš— πš‘πš’πšœ 𝚏𝚊𝚌𝚎 πš‹πšŽπšŒπšŠπšžπšœπšŽ πš‘πšŽ πš”πš—πš˜πš πšœ 𝚒𝚘𝚞 πš πš˜πš—πš πš•πšŽπšŠπšŸπšŽ. π™΄πš’πšπš‘πšŽπš› 𝚘𝚞𝚝 𝚘𝚏 πš•πš˜πšŸπšŽ πš˜πš› πšπšŽπšŠπš› 𝚝𝚘 πš‹πšŽ πš”πš’πš•πš•πšŽπš πš’πšœ πšžπš™ 𝚝𝚘 𝚒𝚘𝚞.
π™°πšπšπšŽπš› πš’πš˜πšžπš› πš•πš’πšπšπš•πšŽ πš‹πš›πšŽπšŠπš”πšπš˜πš πš— πš‘πšŽ πšœπšπšŠπš›πšπšŽπš πšπš’πšŸπš’πš—πš 𝚒𝚘𝚞 πšœπš–πšŠπš•πš• πš–πš’πš—πšžπšπšŽπšœ 𝚘𝚏 πšŠπš•πš˜πš—πšŽ πšπš’πš–πšŽ πš‹πšžπš πšπš‘πšŠπšπšœ πš’πš, πš‘πš˜πš πšŽπšŸπšŽπš›, πš‘πšŽ πš—πšŽπšŸπšŽπš› πšπšŠπš’πš•πšŽπš 𝚝𝚘 πš›πšŽπš–πš’πš—πš 𝚒𝚘𝚞 πšπš‘πšŠπš 𝚒𝚘𝚞 πš—πšŽπšŽπš πš‘πš’πš–.
"see?...i-if i wasnt h..he here... then who knows wha...what he'd do to-to you"
π™Ύπš‘ πšŠπš—πš πš‘πšŽ πš‘πšŠπšπšŽπšœ πš’πš πš πš‘πšŽπš— 𝚒𝚘𝚞 πšπš˜πš—πš πšπšŽπš•πš• πš‘πš’πš– πšπš‘πš’πš—πšπšœ. 𝚈𝚘𝚞 πšπš’πšπš—πš πšπšŽπš•πš• πš‘πš’πš– 𝚒𝚘𝚞 πšœπšπšŠπš›πšπšŽπš 𝚊 πš—πšŽπš  πšœπš‘πš˜πš ? πš‘πšŽπšœ πš‹πš’πšπšŒπš‘πš’ πšŠπš•πš• 𝚍𝚊𝚒. π™³πš’πšπš—πš πš‹πš˜πšπš‘πšŽπš› 𝚝𝚘 πšπšŽπš•πš• πš‘πš’πš– 𝚒𝚘𝚞 πš πšŽπš›πšŽ πšπš˜πš’πš—πš 𝚝𝚘 πšπš‘πšŽ πš–πšŠπš•πš• πš πš’πšπš‘ πšπš›πš’πšŽπš—πšπšœ πš πš‘πšŽπš— πš‘πšŽ 𝚠𝚊𝚜 𝚘𝚞𝚝? 𝚒𝚘𝚞 πš πš˜πš—πš πš‹πšŽ πšŠπš•πš•πš˜πš πšŽπš 𝚘𝚞𝚝 𝚘𝚏 πšπš‘πšŽ πš‘πš˜πšžπšœπšŽ πšπš˜πš› 𝚊 𝚏𝚎𝚠 𝚍𝚊𝚒𝚜. π™·πšŽ πš πš˜πš›πš›πš’πšŽπšœ πšπš˜πš› 𝚒𝚘𝚞, πš’πšœ πš πš‘πšŠπš πš‘πšŽ πšŒπš•πšŠπš’πš–πšœ.
π™·πšŽ πš•πš˜πšŸπšŽπšœ 𝚒𝚘𝚞 𝚜𝚘 πš–πšžπšŒπš‘ πšπš‘πšŠπš πšπš‘πšŽ πšπš‘πš˜πšžπšπš‘πš 𝚘𝚏 πšπšŠπš”πš’πš—πš 𝚒𝚘𝚞 𝚝𝚘 πš‘πš’πšœ πš˜πš•πš πšŠπš—πš πš›πš˜πšπšπš’πš—πš πšŒπšŠπš‹πš’πš— πš’πš— πšπš‘πšŽ πšπš˜πš›πšŽπšœπš πšœπš˜πšžπš—πšπšœ πš•πš’πš”πšŽ πš‹πš•πš’πšœπšœ. πšƒπš˜πš‹πš’ πš–πšŽπšŠπš—πšœ πš πšŽπš•πš• πš›πšŽπšŠπš•πš•πš’, πš‘πšŽπšœ πšπš›πš’πš’πš—πš πš‘πš’πšœ πš‹πšŽπšœπš 𝚝𝚘 πš•πš˜πšŸπšŽ πšœπš’πš—πšŒπšŽ πš‘πšŽ 𝚠𝚊𝚜 πš—πšŽπšŸπšŽπš› πšπšŠπšžπšπš‘πš. π™Ώπš˜πš˜πš› πš•πš˜πšœπšŽπš› πš‹πš˜πš’ πš“πšžπšœπš πš—πšŽπšŽπšπšœ 𝚒𝚘𝚞.
* ΰ©ˆβœ©β€§β‚ŠΛš* ΰ©ˆβœ©β€§β‚Š* ΰ©ˆβœ©β€§β‚ŠΛš* ΰ©ˆβœ©β€§β‚Š* ΰ©ˆβœ©β€§β‚ŠΛš* ΰ©ˆβœ©β€§β‚Š* ΰ©ˆβœ©β€§β‚ŠΛš* ੈ
418 notes Β· View notes
the-modern-typewriter Β· 2 years
Text
"We're the same, you and I," the villain murmured. "It's not enough to be good at life. It's not enough to pass." They pressed their forehead to the hero's. "You want to be great. To be special. To be everything."
"No."
"Yes," the villain said, not unkind. "No one normal needs to be a hero, love."
The hero swallowed, eyes wide.
"And sometimes," the villain crooned, caressing their cheek. "Doesn't it just kill you that we might just be good, just be mediocre, after all?"
1K notes Β· View notes
jinowills Β· 21 days
Text
I've been brainstorming these stuffs in my mind lately, I have to get them out
Jealousy
#1
You: I want a pet.
Fox: No.
You: Why?
Fox: I will get jealous.
#2
You: Fine, I want a plushie then.
Fox: I suppose that is acceptable.
You: *carry the plushie everywhere*.
Fox: *Rips it*.
You: Why.
Fox: *jealous fox noises*.
55 notes Β· View notes
luvghostie Β· 2 years
Note
Michael Myers, Otis Driftwood, Leatherface, Brahms Heelshire reaction to their s/o shouting β€œWho’s ever there I have a gun and I’m not afraid to kill myself” and they are holding a fucking hanger because they got scared by a sound
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β•°β”ˆβž€ 𝐒𝐋𝐀𝐒𝐇𝐄𝐑𝐒 π‘π„π€π‚π“πˆππ† π“πŽ π“π‡π„πˆπ‘
𝐒/𝐎 π˜π„π‹π‹πˆππ† β€œπ–π‡πŽβ€™π’ 𝐄𝐕𝐄𝐑 𝐓𝐇𝐄𝐑𝐄 𝐈
𝐇𝐀𝐕𝐄 𝐀 𝐆𝐔𝐍 𝐀𝐍𝐃 πˆβ€™πŒ ππŽπ“ π€π…π‘π€πˆπƒ
π“πŽ πŠπˆπ‹π‹ πŒπ˜π’π„π‹π…β€ 𝐁𝐔𝐓 π“π‡π„π˜β€™π‘π„
π‡πŽπ‹πƒπˆππ† 𝐀 𝐇𝐀𝐍𝐆𝐄𝐑.ೃ࿐
GN Reader
TW: violence mentioned, talk of unaliving, semi-angst, and language
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Brahms was coming back from making you two drinks. It was a rather cold and windy day at the heelshire manson. That being said, he knew the perfect beverage! Hot Chocolate. It wasn't uncommon for the two of you to cuddle closely together during this season. You needed the warmth and you knew Brahms would love the psychical touch.
Once he was on his way back he heard you yell. β€œWho's ever there I have a gun and I'm not afraid to kill myself!” What? Who was in the house besides you and him?! Throwing the drinks on the floor, brahms made his way to you. You reside in his room in the walls. How would anyone besides you knew where they were at?
When Brahms walked in he saw you armed with a hanger. He didn't think twice about it since he you were scared. β€œY/N what's wrong? Is there someone here?!” Brahms inquired, rushing to put his arms on you. As the embrace collided with your body you tried not to laugh. You knew there wasn't anything serious. It was just a small noise that startled you after all. Giving a simple hug back you answered, β€œNo, Brahms, it's just you and me. I promise.”
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Michael wasn't the type to worry much about people breaking in. He knew if anyone did they wouldn't last long. However, hearing you screaming and threatening to unalive yourself startled him. No way someone actually came in. Well, no one in their right mind. Michael would take care of the person for good. The last thing the male wants is for you to be scared when he's near. Your protection and safety are key for him.
Michael took his knife in hand and charged to the room. Upon entering he was confused. Why were you holding a hanger? He looked around for any signs of someone inside. Yet, the room was clear, and no one was there besides you two. No animal, no open window, nothing. So what scared you?
Michael titled his head in a questioning manner. You couldn't see it but you knew his eyes lingered on you trying to understand. As you gathered your composure you found it humorous actually. β€œI-I’m sorry,” you said, throwing the hanger to the side. β€œI thought there was a ghost or something.” That's when it clicked to Michael. He wasn't upset, if anything it was cute to the male.
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Bubba was away for a while with his family. In return, you were left alone. It wasn't all that bad though. You could watch TV, explore the house, and maybe get some cleaning in. The Sawyers left their house in pretty messy shape after the murders. It couldn't hurt to tidy up the weapons and bleach the blood-stained carpets.
When Bubba arrived home he looked for you immediately. He knew you loved him and wouldn't leave but he worried. If you wanted to leave it would've been the perfect opportunity to do so. Searching the downstairs part of the house he heard a yell. β€œWho's ever there I have a gun and I'm not afraid to kill myself!” his eyes grew wide as he took in what you said. You couldn't possibly hurt yourself. He... He loves you.
As the other family members finally got inside the they were greeted by Bubba running upstairs. When he found you he went right toward your side. Bubba didn't speak a word, he only made small noises of sadness. You were able to understand and felt guilty for scaring him as well. You frightened him so much he didn't even notice the hanger in your hand. β€œI'm sorry big guy, I thought someone broke in,” you said, hugging him tightly. β€œI swear I'll give you lots of cuddles tonight.”
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Otis went out with Tiny and RJ for a while leaving you in the company of Baby. She and you were very close together. Getting with her older brother was bound to make you guys talk sometimes. Especially, when you needed to vent. She understood everything you said never judging how you felt/acted. Even if it was about Otis she'd never tell him a single thing. What happens in Baby's room, stays in Baby's room.
Baby fell asleep early due to feeling relatively sick. As soon as you noticed she was out cold is when you began to feel scared. The Firefly house was big. Not to mention, they had a mad doctor living underground. You tried not to think about it most of the time but the topic came to mind. What would happen if he need a new patient? Would they sacrifice you?
Otis finally got home, kicking his boots off meters from the front door. When he got to baby's room he heard you yell in fear. Only, he heard the last part. β€œI'm not afraid to kill myself!” slamming open the bedroom door he saw a comical sight. β€œWhat the fuck are you doing with a hanger?” he asked between laughs. Your face turned beat red from embarrassment. You swore there was someone else in the room before he came in. It wasn't long before the interaction spread throughout the family.
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bliz-lol Β· 4 months
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@k1stune look at these fanarts (:)
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β€œI’ll still get you for the sake of audio... even at sea”
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arty-e Β· 5 months
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Faziah's Mini Story
tw death, blood and religious trauma and fear
Faziah was the first born between her and her twin sister, Tanya, only by 10 minutes in 11,442. She was a serious child who knew her destiny would end up making her the King of Jokers, a high priestess, just like her father the then current king off jokers, high priest Taye Tzoker, that presided over jokers. Take taught both his daughters Jokers and Imara ideology, their beliefs and their values. Faziah studied very piece of scripture she could find analysing every word her fae ever said to mortals becoming more zealous with each word she read; while Ranya took a much more literal approach of Imara’s teachings; to be free and run free.
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When Taye felt Faziah was ready he took her down to catacombs that lay in the temple they lived in, and revealed the true purpose of their role; to protect and hide away ancient artefacts that had been left behind by the fae. In there Faziah all sorts of strange things that no one had understood since the forgotten kingdom. Her father explained many people had tried to break in and steal the artefacts but had only ever failed. Now it was her turn to take up her predecessors mantle and protect them at all costs.
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As the twins grew older they both went their operate ways with two entirely different purposes; one understanding their role the other going off to put their teachings into practice to see the world. Faziah helped her father day in and day out eager to take his place one day, she helped manager and care for temple in the jokers capital Oasisa. Their temple was some the few where pilgrimages started across all of cards where people searched for the blessings of the fae a difficult and grand achievement most devout attempted to do. On one of her days caring for the temple and traveller fell in exhausted from days of travel, traversing the vast desert that made up most of jokers. Faziah took care of the traveller herself and found herself falling in love with him. His name was Gyasi Abebe, a joker native who was devout to the fae and had been following Imara’s teachings to almost a T who had decided that pilgrimage was his calling and wished to complete. The two bonded and fell in love over the time they spent together and Faziah feared he would not come back from his pilgrimage so did everything she could to prevent him from leaving. But in the end she let him go with him promising to come back to her.
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Years went by and Faziah barely heard anything about her love or her sister who she both missed dearly. Her father passed and she became the king of jokers, the high priestess. Left alone to rule Jokers on her own with no support from the people she held close to her heart. 5 years passed when finally a worn down traveller came back into her temple looking for her. Gyasi had travelled to all five holy sites in cards but had only received 3 of the blessings but he did not care he wanted to be back with Faziah. The two became a couple ruled over Jokers together happily presiding over their temple and people.
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As the years went by the couple was so focused on their kingdom and temple they spent all their energy on it. The priests of jokers started to grow impatient with the couple for not having children to succeed them, faziah even refusing to adopt. Soon even Gyasi got impatient as he had also wanted to start a family with her. But Faziah kept putting it off saying there was too much to do and her time needed to be focused on other things and by the time she was ready it was too late. Her body had already gone into menopause and she could no longer have children. Her priests and Gyasi tried to persuade her that they could still build a family with children they could adopt but she refused. She wanted her blood to carry on her families line, to keep protecting the artefacts her ancestors swore to do.
Faziah tried to search for alternative ways to have a child and then she remembered Imara. Her fae, the most rebellious and troublesome of all the fae who enjoyed hiding away in the mortal world. Imara loved to bestow wishes and curses onto mortals that either pleased them or annoyed them. Faziah rationalised that since she had been such a devoted follower that surely Imara would bless her with her desire to have a child. So she went looking for Imara.
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Faziah travelled across Jokers looking for any information she could get in order to find Imara. It took her two years before she finally found the out of place cottage that sat on the desert dunes of jokers. When Faziah entered the home she was shocked to find her childish her fae truly was and not some mysterious all knowing creature she had assumed they were. Faziah begged Imara for a child that was from her and Imara promised to give her just that. But Imara explained they never gave wishes without a price. They wanted Faziah to give them a specific artefact that lay in the catacombs in her temple. They explained they had sent many mortals to fetch it for them but each time they had failed but now the king of jokers could get with no problem. Faziah hesitated but agreed. Imara plucked out her soul and ripped in half before placing half of into her womb and the other half back into her body before sending her away back to her temple.
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Faziah got back safely with her new child growing within her, Gyasi overjoyed at finally having the family they both wanted and the priests pleased that there would be no confusion if Faziah were to die without an heir. They had a beautiful little girl who they named Kalila and they adored her. But Faziah hesitated getting what Imara wanted. She questioned in her mind why Imara even wanted the artefact in the first place and why if they need it so much could they not get it themself. The more she thought the more she realised that the catches weren’t meant to keep them from mortals but to keep out the Fae
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Imara enraged from being denied what they were owed decided Faziah no longer got their wish and blessing but would receive a curse instead. Faziah only noticed the eyes watching her at first, with strange shadows following from here to there but when her sister’s body was discovered just outside the city, missing her eyes she knew she had lost imara’s favour, questioning if she even had it in the first place. She and Gyasi raised Kalila for nine years in peace until Gyasi was taken from her by a strong illness no one had seen before. Having gone blind and his eyes in excruciating pain until he died Faziah knew it had been the work of Imara and was well aware Imara would go after Kalila next.
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Faziah was overly protective of Kalila growing up forbidding her from doing the most mundane things in fear she would be in danger. She did not even teach Kalila about Imara, though Faziah was still devout and zealous in her beliefs about Imara they had distorted into fear rather than reverence. Kalila never understood why her mother was over protective of her as Faziah never explained anything to her. It just made Kalila more adventurous trying to escape her other’s grasp. And in her many attempts to escape she ended up falling in the arms of a young merchant Yonas. He was young and handsome and had seen the world. He told her stories of grandeur and his travels and she fell instantly. However Faziah was not pleased. She tried her best to keep her daughter away from that β€˜rapscallion’ but it only made Kalila more determined to be with him. In the end Faziah gave in but gave strict rules for Yonas to follow including not leaving the temple like her daughter.
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Faziah carried on watching them fearing that one day Yonas would take her daughter away placing her in danger. But when the couple had their son Isaac she felt all her worries melt away as she fell in love with her grandson almost immediately. She finally felt she made it out and that Imara had finally left her and her family alone. But they hadn’t.
One night when Isaac was 4, Faziah peacefully in her bed when she heard the screams and cries of her grandson. She ran out of her room and there she found Kalila and Yonas dead in their bed, their eyes missing. All she could do was cry as she held her daughters body with Isaac clinging onto her.
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Faziah had lost everyone she held dear and the only person she had left was her little grandson. She taught Isaac everything about the fae and imara, something she never did with Kalila and warned him never to trust them. That they weren’t to be worshipped but to be feared, to follow their rules and they would leave you alone. As she aged she grew and grew more paranoid and spread that paranoid to Isaac before leaving him alone with all this fear.
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1ris5starlight Β· 2 months
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Grilled cheese
(An old meme)
(Context: Moon is hungry)
It's early morning, Sun has just woke up and is in the kitchen preparing breakfast, when he hears a sleepy Moon walks in.
Moon goes to Sun.
Moon: *half asleep* I'm hungry.
Sun: So lick that coat, you smell like a-
Moon: *has an idea* Grill me cheese.
Sun: Wha-?
Moon: *sparks in his eyes* *grabs Sun by his shoulders* Grill me a cheese.
Sun: I'm not grilling you a cheese!
Moon: *crying ugly and dramatically*
Sun: *tired and confused* wha-
Moon: *cries more*
Sun: *irritated* oh for God's SAKE.
Literally 5 seconds after:
Sun: *grilling a cheese*
Moon & Dazzle: *watching Sun like two cats, with smile on their face*
(Dazzle woke up after Moon asked Sun to grill him a cheese).
β˜†End♧
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selenacrest Β· 6 months
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How I imagine Celestia's reaction after Space Riders Episode 3:
*A few hours later. In Celestia's office*
Celestia: Wait, what?😳
Bobby: Exactly Lady Celestia, DogDay blushed for the person who saved himπŸ™‚β€β†•οΈπŸ˜
DogDay: *blush* T-that's not true!πŸ˜΅β€πŸ’«πŸ˜³πŸ˜–
Bobby: He's blushing again and he stuttered, he lost the argument!😏
Celestia: My little boy is getting off the ground, so proud! I'm imagining the childrenπŸ₯ΉπŸ₯°
DogDay: *blush* AAAAAAAHHHHHHHHHH😫😳
@onyxonline AU Creator
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aleydraw Β· 2 months
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Why I'm HAPPY?
Eng. Version
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buckysdoll24 Β· 26 days
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Part 4- Scar and Sally meet
⚠️Warning- Angst, Fluff, Mentions of Deaths, Talks of war, death, and R@pe, Tension between the OCS, and more!!⚠️
⚠️Just a reminder Oc is 19 and legal before someone starts ⚠️
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3rd Pov
Sally Clearwater was still lying asleep on the sofa when the other warriors wished to leave and their High clan leader wasn't leaving." She's fine, we have to go and hunt the rest so we can return home," One warrior spoke.
"No! Mama saved me from them she deserves your respect and your loyalty!" Kat'ei yells as he holds Sally. Scar Kat'ei's father was intrigued by the small human who saved his son and created a small bond in a matter of almost 35 hours.
"We will stay, you may go and hunt, "Scar tells his warriors who were quick to leave. Kat'ei laid on Sally nuzzling her and purring clicking away in the hopes of waking her up.
"Who is this human, pup?" Scar asks." A female warrior, she hunted food, provided a home and saved me from them. She didn't steal me, she protected me like a mom should be doing," Kat'ei spoke.
"No others around here?" Scar wonders." No alone, she was terrified for me and almost sacrificed her life for me," Kat'ei whimpers as he nuzzles Sally.
Scar checks Sally's vital signs." She's okay, not harmed just needs to wake up," He tells his son. Suddenly Sally began to stir and the two waited by the staircase for her to wake up.
*
I begin to stir and wake up on my sofa and I see my cabin is empty of the humanoid aliens are gone but the others are still on the floor.
"Huh was that a dream or am I going mad?" I muttered to myself as I sat up."No, it wasn't a dream mama," Kat'ei appears and hugs me." You're okay?!" I smiled hugging him when I saw another him appear behind us.
I moved Kat'ei behind me." If you're angry with the boy leave him alone. I told him to come here, I protected him, fed him till you could find him. If your mad at someone be mad at me," I said firmly.
It lifted its arm to use its translator." I am not angry, I am thankful you protected my pup and I came because he told me the other aliens were here," He spoke." You're his father?" I said as he nodded in agreement.
"Right, I got a bone to pick with you!" I said with a look." How fucking dare you leave a six-year-old alone in the woods with fucking killer aliens roaming around?! He isn't a fucking warrior!! He's a kid!! Who needs protection not training idiot!! You are so lucky I found him and brought him back here!!" I shouted.
"Another thing! You've trashed my place!! So you can clean my fucking place up!! And bloody take your war elsewhere!" I said annoyed.
He looked shocked that a small human told him off." Now that's off my chest, I'm Sally Clearwater, 19 and human you are?" I asked." Scar Yuatja high clan leader and over 100 years old," Scar tells me.
"Huh, you are old! And have a child? Your biology must be very good with ageing and reproduction," I said with a smile.
Scar's mouth clicks as he nods." No mate?" I asked him." No, his mother was a how you say on earth?" Scar asks." An egg donor?" I said with a smile." That, I wanted to secure my bloodline, but no mate," Scar smiles." And you?" Scar wonders.
I froze at that," I have no one, everyone I know died before the aliens and after. My mom got taken and I found her ripped apart, I saw my classmates get attacked by the spider-like creatures and ripped apart," I said sadly.
"They are called xenomorphs the black aliens and the spider-like creatures are face huggers," Scar tells me." They are ugly bastards, so are you the hunters who kill them?" I asked him.
"We are, we will help fight back we've helped before," Scar tells me." Kat'ei shouldn't have come here you know this," I tell him as Kat'ei hugs my torso.
"I am glad I came, I met you, mama," Kat'ei smiles." Did you fix his translator?" Scar wonders." I did, and you need to fix his tracker so only your kind can find him. Fix your mistake, not him you," I said with a look.
Scar gulps at this," I was meant to fix it but I had to help Earth," He mumbles." I haven't been to the city but I've heard over my radio that some are fighting back some are giving up and letting the aliens use them and some are capturing people to give to the aliens in exchange for food," I tell him.
"Has anything else happened to you before we came here?" Scar asks sitting by me. I gripped my goggles." I don't want to talk about it," I muttered." Want something to eat?" I asked getting up.
I began to cook 4 pieces of steak for the two Yuatja kind in my home." I have to rebuild my home, I am not leaving this place," I said to myself.
Scar came up to me," You got hurt in the city didn't you?" He said." I got r@ped, molested and I almost got stolen," I tell him pushing him back.
"Get back from me, I don't like people in my space," I said firmly as he gripped my arm." We don't harm our women on my planet we worship them," Scar says softly.
"Good for them, humanity has turned bad when it's broken and the men don't think. Why do you think I'm here Scar?" I said sadly as Kat'ei nuzzles me and clicks away.
"So why are you here Scar?" I asked him." My kind are hunters and those aliens are the prey, we are here to get rid of them for good and help you out," Scar tells me." And you don't have any bad intentions do you?" I asked him.
"No, we don't have any quarrels with humans," Scars says." Good, thank you for coming to help I guess?" I smiled a little bit as Kat'ei yawns.
"Come on let's put you to bed unless your father wishes for me to stop," I said looking at Scar. Kat'ei looks at his dad with a please look," I'll allow it as he's bonded to you," Scar nods softly.
I take Kat'ei to his room," You're safe now, your father is here, so you must go to him if you need him," I smiled as Scar appeared." That's where he sleeps so go to bed with your child," I said with a smile before heading to my own bed for the night.
I lay in my bed thinking about how Scar helped me and I opened up the door, I came face to face with Scar." I guess I should say thank you for saving me, you didn't have to but you did. So thank you for doing that," I said with a gentle smile.
"You're welcome, my son told me everything when he communicated with me," Scar smiles the best he could as I could work out Yuatja don't smile much.
"He's a good person, but you need to understand you can't bring him on these missions if you are gonna leave him alone," I tell him.
Scar nods in understanding," You can rest with your son and get back to the war to help the humans who want to fight with you. I'm not moving anywhere near the city as I'm moving again," I tell him before going back into bed.
I lay in bed and looked out the window when the door creaked open and Kat'ei came inside." Don't go, I want you to come with us," Kat'ei says sadly and he climbs into bed and nuzzles me." I can't, I have to move. I'm not brave," I said gently stroking his hair as his father entered the room.
"You are Yuatja now, you protected my son and saved him and you have many trophies of your kills on the floor of your home that makes you brave and a warrior of my tribe," Scar tells me.
"You just accept me even though I'm human?" I asked." Yes, I've seen you fight, through his camera here," He pointed to Kat'ei's communicator." He's bonded with you also, Yuatja pups bonded with those who are truly motherly and he's chosen you," Scar says.
I looked at Kat'ei and nodded in agreement with his father." So what I come with you to the city fight then other creatures off and you all leave?" I asked." Yes, you'd be free of them and able to start again," Scar nods in response.
"I will think about, now sleep both of you we got a lot of work tomorrow," I said laying down as Kat'ei nuzzled into my stomach and held my stomach and holding me close.
I thought Scar had left when I felt the bed drip and I felt him behind me holding me close to him as if he wished to hold me in his arms and his son was purring and clicking away in his sleep.
I felt his arthropod-like mandibles clicking away above my head as he nuzzles into my body and I sort of felt safe in Scar's arms like something told me he was meant to be by my side.
But I know it's a foolish feeling to have and I know when this is all over he'll leave with Kat'ei and then I have to start again somewhere alone and that's okay.
Now tomorrow is another day, and I plan to maybe help fight back and create new inventions and communication systems for the world not that anyone would appreciate it.
Little did I know, I had to fight and protect but I'm sure it will be a worthy battle and hopefully end to this three year terror.
Part 5 is here!
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sbcwolfie Β· 2 months
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And here is the one without the textπŸ’œ
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ruexvn Β· 9 months
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π™²πš›πšŠπš£πš’ π™Έπš— π™»πš˜πšŸπšŽ
* ΰ©ˆβœ©β€§β‚ŠΛš* ΰ©ˆβœ©β€§β‚Š* ΰ©ˆβœ©β€§β‚ŠΛš* ΰ©ˆβœ©β€§β‚Š* ΰ©ˆβœ©β€§β‚ŠΛš* ΰ©ˆβœ©β€§β‚Š* ΰ©ˆβœ©β€§β‚ŠΛš* ੈ
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* ΰ©ˆβœ©β€§β‚ŠΛš* ΰ©ˆβœ©β€§β‚Š* ΰ©ˆβœ©β€§β‚ŠΛš* ΰ©ˆβœ©β€§β‚Š* ΰ©ˆβœ©β€§β‚ŠΛš* ΰ©ˆβœ©β€§β‚Š* ΰ©ˆβœ©β€§β‚ŠΛš* ੈ
"πš‘-πš‘πšŽπš’ πš‹πšŠπš‹πšŽ?.. πš πš‘πšŽπš›πšŽ πšπš‘πšŽ 𝚏𝚞-πšπšžπšŒπš” πšŠπš›πšŽ πš–πš’ πš“πšŽπšŠπš—πšœ?"
πšƒπš˜πš‹πš’ πš‘πšŠπš πšœπš™πšŽπš—πš πšπš‘πšŽ πš™πšŠπšœπš πšπš’πšŸπšŽ πš–πš’πš—πšžπšπšŽπšœ πšœπšŽπšŠπš›πšŒπš‘πš’πš—πš πšπš˜πš› πš‘πš’πšœ πš—πšŽπš  πš™πšŠπš’πš› 𝚘𝚏 πšŒπšŠπš›πšπš˜ πš“πšŽπšŠπš—πšœ πš πš’πšπš‘πš˜πšžπš πš•πšžπšŒπš”, πšžπš—πšπš’πš• πš‘πšŽ πš πšŠπš•πš”πšŽπš πš’πš— πš’πš˜πšžπš› πšœπš‘πšŠπš›πšŽπš πš›πš˜πš˜πš– πšŠπš—πš 𝚜𝚊𝚠 𝚒𝚘𝚞 πš‘πšŠπšŸπš’πš—πš 𝚊 πš›πšžπš—πš πšŠπš’ πšœπš‘πš˜πš  𝚝𝚘 𝚊 πš–πš’πš›πš›πš˜πš›.
"πšœπš˜πš›πš›πš’...πš’ πš“πšžπšœπš πš•πš˜πšŸπšŽ πšπš‘πšŽ πš“πšŽπšŠπš—πšœ 𝚒𝚘𝚞 πš‹πš˜πšžπšπš‘πš, πšπš‘πšŽπš’πš›πšŽ 𝚊 πš‹πš’πš πš•πš˜πš˜πšœπšŽ πš‹πšžπš", 𝚒𝚘𝚞 πšœπšŠπš’πš. πšŽπš—πšπš’πš—πš πšπš‘πšŽ 'πš‹πšžπš' πš πš’πšπš‘ 𝚊 πšœπš‘πš›πšžπš
πšƒπš˜πš‹πš’ πš›πš˜πš•πš•πšœ πš‘πš’πšœ 𝚎𝚒𝚎𝚜 πšŠπš—πš πšŒπš˜πš–πšŽπšœ πš‹πšŽπš‘πš’πš—πš 𝚒𝚘𝚞 𝚊���𝚍 πš”πš’πšœπšœπšŽπšœ πš’πš˜πšžπš› πšŒπš‘πšŽπšŽπš”, πš‘πšŽ πš•πš˜πš˜πš”πšœ 𝚊𝚝 𝚒𝚘𝚞 πš πšŽπšŠπš›πš’πš—πš πš‘πš’πšœ πš“πšŽπšŠπš—πšœ πš’πš— πšπš‘πšŽ πš–πš’πš›πš›πš˜πš› πš‹πšŽπšπš˜πš›πšŽ πšœπš™πšŽπšŠπš”πš’πš—πš πšŠπšπšŠπš’πš—
"𝚘𝚏𝚏. 𝚠𝚎 𝚐𝚘𝚝 𝚊 𝚍𝚊𝚝𝚎 𝚊-πšŠπš—πš 𝚒𝚘𝚞 πš™πš›πš˜πš–-πš™πš›πš˜πš–πš’πšœπšŽπš 𝚝𝚘 πš πšŽπšŠπš› 𝚊 πšœπš”πš’πš›πš 𝚏𝚊-πšπš˜πš› πš–πšŽ.."
"πš πšŽπš›πšŽ 𝚒𝚘𝚞 πšŠπš‹πš˜πšžπš 𝚝𝚘 𝚜𝚊𝚒?..."
"𝚏𝚊𝚐𝚐𝚘𝚝? 𝚒𝚎𝚊-"
"πšπš˜πš‹πš’ 𝚒𝚘𝚞 πšŒπšŠπš—πš 𝚜𝚊𝚒 πšπš‘πšŠπš!!"
π™·πšŽ πšœπš‘πš›πšžπšπšœ πšŠπš—πš πš πšŠπš•πš”πšœ 𝚊𝚠𝚊𝚒 πš‹πšžπš πš—πš˜πš πš‹πšŽπšπš˜πš›πšŽ πš™πš•πšŠπš’πšπšžπš•πš•πš’ πšœπš–πšŠπšŒπš”πš’πš—πš πš’πš˜πšžπš› 𝚊𝚜𝚜 𝚝𝚘 πš πš‘πš’πšŒπš‘ 𝚒𝚘𝚞 πšπš•πš’πš™ πš‘πš’πš– 𝚘𝚏𝚏 πšŠπš—πš πš‘πšŽ 𝚍𝚘𝚎𝚜 πš’πš πš‹πšŠπšŒπš” πš πš’πšπš‘ πšœπšžπšŒπš‘ 𝚊 πšœπš–πšžπš πšπš›πš’πš—. 𝚈𝚘𝚞 𝚍𝚘 πšŒπš‘πšŠπš—πšπšŽ πš’πš—πšπš˜ πšœπšŠπš’πš πšœπš”πš’πš›πš πšπš‘πšŠπš 𝚠𝚊𝚜 πšœπš’πš–πš™πš•πšŽ πšŠπš—πš πš“πšžπšœπš 𝚊 πš›πšŠπš—πšπš˜πš– πš‹πšŠπš—πš 𝚝𝚎𝚎 𝚘𝚏 πšπš˜πš‹πš’πšœ, πš•πšŠπš’πšŽπš›πš’πš—πš πšπš‘πšŠπš πš πš’πšπš‘ 𝚊 πšœπš πšŽπšŠπšπšŽπš› πšπš‘πšŠπš πš–πšŠπšπšŒπš‘πšŽπš. 𝙰 πš™πšŠπš›πš 𝚘𝚏 𝚒𝚘𝚞 πšŠπš•πš›πšŽπšŠπšπš’ πš πšŠπš—πšπšŽπš 𝚝𝚘 πš‹πšŽ πš‹πšŠπšŒπš” πš’πš—πšπš˜ πšœπš˜πš–πšŽ πš™πšŠπš—πšπšœ πš‹πšžπš πš–πš˜πšœπš πš™πšŠπš›πš 𝚘𝚏 𝚒𝚘𝚞 πšπšŽπš•πš πšŠπšπš˜πš›πšŠπš‹πš•πšŽ! πšƒπš˜ πš πš‘πš’πšŒπš‘ 𝚠𝚊𝚜 πš˜πš‹πšŸπš’πš˜πšžπšœπš•πš’ πšπš‘πšŽ 𝚌𝚊𝚜𝚎 πš’πš—πšπš˜ πšπš˜πš‹πš’πšœ 𝚎𝚒𝚎𝚜 πš πš‘πš˜ πš‹πšŠπšœπš’πšŒπšŠπš•πš•πš’ 𝚎𝚒𝚎 πšπšžπšŒπš”πšŽπš 𝚒𝚘𝚞 πš πš‘πšŽπš— 𝚒𝚘𝚞 𝚐𝚞𝚒𝚜 πšπš’πš—πšŠπš•πš•πš’ πš•πšŽπšπš πš’πš˜πšžπš› πšœπš‘πšŠπš›πšŽπš πšŠπš™πšŠπš›πšπš–πšŽπš—πš.
πšπšŽπšπš›πšŽπš πš’πš–πš–πšŽπšπš’πšŠπšπšŽπš•πš’ πšœπšπš›πšžπšŒπš” πšπš˜πš‹πš’ πš•πš’πš”πšŽ πšπš‘πšŽ πš‹πšŠπšœπšŽπš‹πšŠπš•πš• πš˜πš—πšŽ 𝚘𝚏 πš‘πš’πšœ πš‹πšžπš•πš•πš’πšŽπšœ πšœπšπš›πšžπšŒπš” 𝚊𝚝 πš‘πš’πš– πšπš‘πšŠπš πš˜πš—πšŽ πšπš’πš–πšŽ πš’πš— 𝙿.𝙴 πš‹πšŽπšπš˜πš›πšŽ πš‘πšŽ 𝚠𝚊𝚜 πš‘πš˜πš–πšŽπšœπšŒπš‘πš˜πš˜πš•πšŽπš. π™Ώπš˜πš˜πš› πš‹πš˜πš’ 𝚠𝚊𝚜 𝚜𝚘 πš’πš—πšπšŠπšπšžπšŠπšπšŽπš πš πš’πšπš‘ πšπšŽπšπšπš’πš—πš 𝚝𝚘 𝚜𝚎𝚎 𝚒𝚘𝚞 πš’πš— πšœπš˜πš–πšŽπšπš‘πš’πš—πš πšπš‘πšŠπš πš’πšœπš—πš πš‘πš’πšœ πšŒπš•πš˜πšπš‘πšŽπšœ πš‹πšŽπšπšπšŽπš› πšœπšπš’πš•πšŽπš πš˜πš— 𝚒𝚘𝚞 πšπš‘πšŠπš— πš‘πš’πš– πšπš‘πšŠπš πš‘πšŽ πšŠπš•πš–πš˜πšœπš πš’πšπš—πš˜πš›πšŽπš πšπš‘πšŽ πšœπšπšŠπš›πšŽπšœ πšπš‘πšŽ πš–πšŽπš— 𝙰𝙽𝙳 πš πš˜πš–πšŠπš— πš πšŽπš›πšŽ πšπš’πšŸπš’πš—πš 𝚒𝚘𝚞. πš‚πšžπšπšπšŽπš—πš•πš’ πšπš˜πš‹πš’πšœ πš‘πšŠπš—πšπšœ πšŒπš•πšžπšπšŒπš‘πšŽπš πšŠπš›πš˜πšžπš—πš πšπš‘πšŽ πšœπš’πšπšŽπšœ 𝚘𝚏 πš’πš˜πšžπš› πš πšŠπš’πšœπš 𝚊𝚜 𝚠𝚎 πš πšŠπšπšπš•πšŽπš πš‹πšŽπš‘πš’πš—πš 𝚒𝚘𝚞 πš•πš’πš”πšŽ πšŠπš— πš’πšπš’πš˜πš.
"πšžπš‘ πšπš˜πš‹πš’?"
"πš™-πš™πšŽπš˜πš™πš•πšŽ πšŠπš›πšŽ πšœπšπš›-πšœπšπšŠπš›πš’πš—πš.. πšπšžπšŒπš” 𝚘𝚏𝚏! πšπšžπšŒπš” 𝚘𝚏𝚏!"
"πšπš˜πš—πš πšœπšπš›πšŽπšœπšœ πš‹πšŠπš‹πš’ πš“πšž-"
"πš—πš˜πš πš–πšŽ. 𝚒𝚘𝚞.. πšπš‘πšŽπš’πš›πšŽ πšœπšπšŠπš›πš’πš—πš 𝚊𝚝 πšπš‘πš’πšœ 𝚌𝚞𝚝𝚎 πš‹πš˜πšπš’ πšπš‘πšŠπšπšœ πšŠπš•πš• πš–πš’πš—πšŽ...πš–πš’πš—πšŽ! πš–πš’πš—πšŽ!"
πšƒπš˜πš‹πš’ πš”πš—πš˜πš πšœ πš‘πšŽ πš‘πšŠπšœ πš—πš˜πšπš‘πš’πš—πš 𝚝𝚘 πš πš˜πš›πš›πš’ πšŠπš‹πš˜πšžπš, πš’πš˜πšžπš› πš“πšžπšœπš 𝚊𝚜 πš’πš—πšπšŠπšπšžπšŠπšπšŽπš πš πš’πšπš‘ πš‘πš’πš– 𝚊𝚜 πš‘πšŽ πš’πšœ πšπš˜πš› 𝚒𝚘𝚞 πšŽπš‘πšŒπšŽπš™πš πš‘πšŽ πšπš˜πšŽπšœπš—πš πš”πš—πš˜πš  𝚊 πš•πš’πš–πš’πš... πšŠπš—πš πš—πšŽπšŸπšŽπš› πš πš’πš•πš•. π™±πš’ πšπš‘πšŽ πšπš’πš–πšŽ 𝚒𝚘𝚞 πš‹πš˜πšπš‘ πš›πšŽπšŠπšŒπš‘ πšπš‘πšŽ πšπš’πš—πšŽπš› πš‘πš’πšœ 𝚜𝚠𝚎𝚊𝚝𝚒 πš‘πšŠπš—πšπšœ πšŠπš›πšŽ 𝚠𝚎𝚝 πš˜πš— πš’πš˜πšžπš› πšœπš’πšπšŽπšœ πšŠπš—πš πš’πšπšœ πšœπš˜πš–πšŽπš πš‘πšŠπš πš—πš˜πšπš’πšŒπšŠπš‹πš•πšŽ, 𝚒𝚘𝚞 πš‘πšŠπšŸπšŽ 𝚝𝚘 πš›πšŽπš–πš’πš–πš πš‘πš’πš– πš’πš˜πšžπš› πš‹πš˜πšπš‘ πš‘πšŽπš›πšŽ 𝚝𝚘 πš“πšžπšœπš 𝚎𝚊𝚝 πšŠπš—πš πš›πšŽπš•πšŠπš‘ πšŠπš—πš πš—πš˜πš 𝚝𝚘 πš πš˜πš›πš›πš’ πšŠπš‹πš˜πšžπš πš—πš˜πšπš‘πš’πš—πš πš‹πšžπš πšŽπšŠπšπš’πš—πš πšŠπš—πš πšπš˜πš’πš—πš πš‹πšŠπšŒπš” πš‘πš˜πš–πšŽ πš˜πšπš‘πšŽπš›πš πš’πšœπšŽ πš—πšŽπš πšœ πš πš’πš•πš• πš™πš˜πš™ πšžπš™ πšŠπšπšŠπš’πš— πšŠπš‹πš˜πšžπš πš‹πš˜πšπš’πšŽπšœ πšπš˜πšžπš—πš πš’πš— 𝚊 πšπšžπš–πš™πšœπšπšŽπš›. π™Ώπš˜πš˜πš› 𝚍𝚞𝚍𝚎 πš πš‘πš˜ πš πšŽπš—πš πšπšžπš–πš™πšœπšπšŽπš› πšπš’πšŸπš’πš—πš πšŽπš‘πšŠπšŒπšπš•πš’ πšπš‘πš›πšŽπšŽ πš–πš˜πš—πšπš‘πšœ 𝚊𝚐𝚘 πšŠπš—πš πšπš˜πšžπš—πš 𝚊 πš‹πšŽπš‘πšŽπšŠπšπšŽπš πšŠπš—πš πšπš’πšœπš–πšŽπš–πš‹πšŽπš›πšŽπš πš‹πš˜πšπš’ πš•πš’πšπšπšŽπš›πšŽπš πšπš‘πšŽπš›πšŽ, πš‘πšŽπšœ πšŠπš•πš›πš’πšπš‘πš 𝚊𝚝 πšπš‘πšŽ πš™πšœπš’πšŒπš‘ πš πšŠπš›πš πš—πš˜πš .
𝚈𝚘𝚞 πšŠπš—πš πšπš˜πš‹πš’ πšπš˜πš—πš πšπšŠπš”πšŽ πš•πš˜πš—πš 𝚝𝚘 πšπš’πš—πš’πšœπš‘ πšŽπšŠπšπš’πš—πš. π™°πšœ 𝚒𝚘𝚞 πš πšŠπš’πš πšπš˜πš› πš’πš˜πšžπš› 𝚝𝚘 𝚐𝚘 πš‹πš˜πš‘: πšπš˜πš‹πš’ πš’πšœ πšπšŽπš–πš˜πš•πš’πšœπš‘πš’πš—πš πšπš‘πšŽ πš›πšŽπšœπš 𝚘𝚏 πšπš‘πšŽ πš‹πšžπš›πšπšŽπš› πš’πš— πšπš›πš˜πš—πš 𝚘𝚏 πš‘πš’πš–. π™ΆπšŽπšπšπš’πš—πš πšœπš•πš˜πš™πš™πš’ πšŠπš—πš πšœπš–πšŽπšŠπš›πš’πš—πš 𝚜𝚞𝚊𝚌𝚎𝚜 πšŠπš•πš• πš˜πšŸπšŽπš› πš‘πš’πšœ πš•πš’πš™πšœ πšŠπš—πš πšŒπš‘πšŽπšŽπš”, 𝚒𝚘𝚞 πš πš’πš™πšŽ πš’πš 𝚘𝚏𝚏 πš‘πš’πš– πš˜πš—πšŒπšŽ πš‘πšŽπšœ πšπš’πš—πš’πšœπš‘πšŽπšœ πšŠπš—πš πš‘πšŽ πšπš’πšŸπšŽπšœ 𝚒𝚘𝚞 𝚊 πššπšžπš’πšŒπš” πš”πš’πšœπšœ 𝚝𝚘 πšπš‘πšŠπš—πš” 𝚒𝚘𝚞 πš‹πšŽπšπš˜πš›πšŽ πš‘πšŽ πšπš›πš’πš—πš”πšœ πšœπš˜πš–πšŽ 𝚜𝚘𝚍𝚊. π™Έπš 𝚠𝚊𝚜 πš πšŽπš’πš›πš πšπš˜πš› πšπš˜πš‹πš’ 𝚝𝚘 𝚎𝚊𝚝 𝚜𝚘 πššπšžπš’πšŒπš”πš•πš’ πš’πš—πšœπšπšŽπšŠπš 𝚘𝚏 πšœπšŠπšŸπš˜πšžπš›πš’πš—πš πšπš‘πšŽ 𝚏𝚘𝚘𝚍 πš•πš’πš”πšŽ πš‘πšŽπšœ πšπš˜πš—πšŽ πšœπš’πš—πšŒπšŽ 𝚒𝚘𝚞 πš‹πš˜πšπš‘ πšœπšπšŠπš›πšπšŽπš πšπšŠπšπš’πš—πš. π™Έπš πš˜πš—πš•πš’ 𝚒𝚘𝚞 πš”πš—πšŽπš  πš‘πš˜πš  πš–πšžπšŒπš‘ πšπš‘πšŽ πšπš›πš˜πšžπš™ 𝚘𝚏 πš‹πš˜πš’πšœ 𝚊𝚝 πšπš‘πšŽ πšπšŠπš‹πš•πšŽ πš‹πšŽπšœπš’πšπšŽ 𝚒𝚘𝚞 𝚐𝚞𝚒𝚜 πš‘πšŠπšŸπšŽ πšœπšπšŠπš›πšŽπš 𝚊𝚝 πš’πš˜πšžπš› πš•πšŽπšπšœ, πšπš˜πš‹πš’ πš‘πšŠπš πšπš’πšŸπšŽπš— πš’πš˜πšžπš› πšπš‘πš’πšπš‘πšœ 𝚊 πšŒπš˜πšžπš™πš•πšŽ 𝚜𝚚𝚞𝚎𝚎𝚣𝚎𝚜 πš‘πšŽπš›πšŽ πšŠπš—πš πšπš‘πšŽπš›πšŽ 𝚝𝚘 πšπš’πšŸπšŽ πšπš‘πšŽπš– 𝚊 πš‘πš’πš—πš πš‹πšžπš πš’πš πš˜πš—πš•πš’ πšœπšŽπšŽπš–πšŽπš 𝚝𝚘 πš–πšŠπš”πšŽ πšπš‘πšŽπš– πš–πš˜πš›πšŽ πš’πš—πšπšŽπš›πšŽπšœπšπšŽπš πš’πš— πšœπšŽπšŽπš’πš—πš πšπš‘πšŽ πš›πšŽπšœπš 𝚘𝚏 𝚒𝚘𝚞.
πšƒπš‘πšŽπš›πšŽπšœ πšπš’πš–πšŽπšœ πš πš‘πšŽπš— πš‘πšŽ πšŒπš˜πš–πšŽπšœ πš‹πšŠπšŒπš” πšŠπšπšπšŽπš› 𝚊 πš–πš’πšœπšœπš’πš˜πš— πšŠπš—πš πš‘πšŽ 𝚜𝚎𝚎𝚜 𝚒𝚘𝚞 πšπš’πš‘πš’πš—πš πšœπš˜πš–πšŽπšπš‘πš’πš—πš πš’πš— πš’πš˜πšžπš› πšŠπš™πšŠπš›πš πš˜πš› πšπšŠπš”πš’πš—πš 𝚜𝚝𝚞𝚏𝚏 πšŠπš™πšŠπš›πš πšŠπš—πš πšπš˜πš’πš—πš πšπš‘πš’πš—πšπšœ πš‹πš›πšŠπš—πš πš—πšŽπš . π™·πšŽ πš“πš˜πš”πšŽπšœ πšŠπš—πš πšŒπšŠπš•πš•πšœ 𝚒𝚘𝚞 'πš–πšŠπš— 𝚘𝚏 πšπš‘πšŽ πš‘πš˜πšžπšœπšŽ' πšπš˜πš› πš πš˜πš›πš”πš’πš—πš πš•πš’πš”πšŽ πšπš‘πšŠπš. πšƒπš˜πš‹πš’ πšŠπš•πš πšŠπš’πšœ πšπš’πšπšžπš›πšŽπš πš πš˜πš–πšŠπš— πš•πš’πš”πšŽπš 𝚝𝚘 πš•πš˜πšžπš—πšπšŽ πš‹πšŠπšŒπš” πšŠπš—πš πšœπš’πš πš™πš›πšŽπšπšπš’ 𝚜𝚘 𝚊 πš™πšŠπš›πš 𝚘𝚏 πš‘πš’πš– πš•πš’πš”πšŽπš πšπš‘πšŠπš 𝚒𝚘𝚞 πš πšŽπš›πšŽπš—πš πšπš‘πšŠπš 𝚠𝚊𝚒. π™ΆπšžπšŽπšœπšœ πš‘πšŽ πšπš˜πšŽπšœπš—πš πš–πš’πš—πš πš‹πšŽπš’πš—πš πšπš‘πšŽ πš•πšŠπš£πš’ 'πšπš’πš›πš•πšπš›πš’πšŽπš—πš' 𝚊𝚝 πšπš’πš–πšŽπšœ
π™Ύπš— 𝚍𝚊𝚒𝚜 πš πš‘πšŽπš›πšŽ 𝚒𝚘𝚞 𝚐𝚞𝚒𝚜 𝚍𝚘 πš—πš˜πšπš‘πš’πš—πš πšŠπš›πšŽ πšπš‘πšŽ 𝚍𝚊𝚒𝚜 πšπš˜πš‹πš’ πšπšŽπšŽπš•πšœ πš πšŽπš’πš›πš πšŠπš—πš πš–πšŠπš’πš—πš•πš’ πš‹πšŽπšŒπšŠπšžπšœπšŽ πš˜πš— πšπš‘πš˜πšœπšŽ 𝚍𝚊𝚒𝚜 𝚒𝚘𝚞 πšπš›πš’ 𝚝𝚘 πš•πšŽπšŠπšŸπšŽ πš‘πš’πš–.
"𝚘-𝚘𝚞𝚝 πš πš’πšπš‘ πšπš›πš’πšŽπš—πšπšœ?...𝚒𝚘𝚞 πš‘πšŠπšŸπšŽ πšπš›πš’πšŽπš—πšπšœ"
π™·πšŽ πš–πšžπšπšπšŽπš›πšŽπš πšπš‘πšŠπš πš•πšŠπšœπš πš™πšŠπš›πš 𝚝𝚘 πš‘πš’πš–πšœπšŽπš•πš. π™·πšŽ πšπš‘πš˜πšžπšπš‘πš πš‘πšŽ 𝚠𝚊𝚜 πšπš‘πšŽ πš˜πš—πš•πš’ πšπš›πš’πšŽπš—πš 𝚒𝚘𝚞 πš—πšŽπšŽπšπšŽπš, πš πšŠπšœπš—πš πš‘πšŽ πšŽπš—πš˜πšžπšπš‘? πš—πš˜? π™΄πšŸπšŽπš›πš’πšπš’πš–πšŽ πš‘πšŽ πšŒπš˜πš—πšŸπš’πš—πšŒπšŽπšœ 𝚒𝚘𝚞 𝚝𝚘 𝚜𝚝𝚊𝚒 πš‹πš’ πšŽπš’πšπš‘πšŽπš› πšœπšŒπšŠπš›πš’πš—πš 𝚒𝚘𝚞
"πšŒπš–πš˜πš— πš‹πšŠπš‹πš’... 𝚜𝚝𝚊𝚒 πšŠπš—πš πš’-πš’.. πš’ πš πš˜πš—πš πš”πš’πš•πš•..𝚝-πšπš‘πšŽπš–."
π™Ύπš› πš–πšŠπš—πš’πš™πšžπš•πšŠπšπšŽ 𝚒𝚘𝚞
"πš“πšžπšœπš πšπš˜πš—πš πš•πš˜πšŸπšŽ πš–πšŽ πš‘πšžπš‘?...πš–πš–πš”...πš’πš– πš“-πš“πšžπšœπš πšœπšπšžπš™πš’πš πšπš˜πš› πš πšŠπš—πšπš’πš—πš 𝚒𝚘𝚞 𝚝-𝚝𝚘 πš–πš’πšœπšŽπš•πš"
π™ΌπšŠπš’πš‹πšŽ πš‘πšŽ'πš•πš• πšπš’πšŽ 𝚒𝚘𝚞 𝚝𝚘 πšπš‘πšŽ πš‘πšŽπšŠπš πš‹πš˜πšŠπš›πš.
"πš’πš– πšœπš˜πš›πš›πš’..πš’ πš›πšŽ..πš›πšŽπšŠπš•πš•πš’ πšŠπš–... πš“πšžπšœπš 𝚜𝚝𝚊𝚒..𝚠-πš πš’πšπš‘ πš–πšŽ.."
π™·πšŽ πš“πšžπšœπš πš•πš˜πšŸπšŽπšœ 𝚒𝚘𝚞 𝚜𝚘 πš–πšžπšŒπš‘. π™³πš˜πš—πš πšπšŠπš”πšŽ πš’πš πš™πšŽπš›πšœπš˜πš—πšŠπš•. πšƒπš˜πš‹πš’ πšŠπš•πš•πš˜πš πšœ 𝚒𝚘𝚞 𝚝𝚘 𝚍𝚘 𝚊 πšπš›πšŽπšŠπš πšπšŽπšŠπš• 𝚘𝚏 πšπš‘πš’πš—πšπšœ πš˜πš— πš’πš˜πšžπš› πš˜πš πš— 𝚘𝚏 πšŒπš˜πšžπš›πšœπšŽ. π™Άπš›πš˜πšŒπšŽπš›πš’ πšœπš‘πš˜πš™πš™πš’πš—πš πšπš˜πš› 𝚒𝚘𝚞 𝚐𝚞𝚒𝚜? 𝚐𝚘 πšŠπš‘πšŽπšŠπš πš’πšπšœ πš—πš˜πš πš•πš’πš”πšŽ πš‘πšŽπšœ πšπš‘πšŽ 𝚐𝚞𝚒 πš πšŽπšŠπš›πš’πš—πš πšŠπš•πš• πš‹πš•πšŠπšŒπš” πšπš‘πšŠπš πšπš˜πš•πš•πš˜πš πšœ 𝚒𝚘𝚞 𝚊𝚝 πšπš‘πšŽ πšŒπš˜πš›πš—πšŽπš› 𝚘𝚏 πšŽπšŸπšŽπš›πš’ πšŠπš’πšœπš•πšŽ. π™°πš•πš πšŠπš’πšœ πšπšŠπš’πš•πš’πš—πš 𝚝𝚘 πš—πš˜πšπš’πšŒπšŽ πšπš‘πšŠπš πš πš‘πš’πšŒπš‘ πš’πšœ πš πš‘πš’ πš‘πšŽπšœ πšŒπš˜πš—πšŸπš’πš—πšŒπšŽπš 𝚒𝚘𝚞 πš›πšŽπšŠπš•πš•πš’ πš—πšŽπšŽπš πš‘πš’πš–. πš‚πšπš’πš•πš• πš πšŠπš—πš 𝚝𝚘 πš‘πšŠπš—πš 𝚘𝚞𝚝 πš πš’πšπš‘ πšπš‘πš˜οΏ½οΏ½οΏ½οΏ½πšŽ πšπš›πš’πšŽπš—πšπšœ 𝚘𝚏 πš’πš˜πšžπš›πšœ? πšπš’πš—πšŽ πš πš‘πšŠπšπšŽπšŸπšŽπš›, πš‘πšŽπšœ πš‹πšŽπšŽπš— πšπš˜πš•πš•πš˜πš πš’πš—πš 𝚒𝚘𝚞 𝚐𝚞𝚒𝚜 πšŠπš—πš’πš πšŠπš’. 𝚊𝚜 πšŠπš•πš πšŠπš’πšœ.
πšˆπš˜πšžπš•πš• πšŒπš˜πš–πšŽ πš‹πšŠπšŒπš” πš πš’πšπš‘ πš–πš˜πš›πšŽ πš™πšŠπš—πšπšœ; πšœπš™πšŽπšŒπš’πšπš’πšŒπšŠπš•πš•πš’ πšŒπšŠπš›πšπš˜ πš™πšŠπš—πšπšœ. πšπš›πšŠπš™πš‘πš’πšŒ 𝚝𝚎𝚎𝚜 πšŠπš—πš πšœπš‘πš’πš›πšπšœ πšπš‘πšŠπš πšπš˜πš‹πš’ πšπš‘πš’πš—πš”πšœ 𝚒𝚘𝚞 πšŒπš˜πšžπš•πš πš“πšžπšœπš πš πšŽπšŠπš› πš‘πš’πšœ 𝚜𝚝𝚞𝚏𝚏 πšπšŽπšœπš™πš’πšπšŽ πš‘πš’πš– πš”πš’πš—πšπšŠ πš‹πšŽπš’πš—πš πšŠπš—πš—πš˜πš’πšŽπš 𝚒𝚘𝚞 πš–πš˜πšœπšπš•πš’ πš πšŽπšŠπš› 'πš–πšŽπš— πšπš‘πš’πš—πšπšœ' πšπšŽπšœπš™πš’πšπšŽ πš‹πšŽπš’πš—πš 𝚊 πšπš’πš›πš• πšπš‘πš˜πšžπšπš‘ πš‘πšŽ πšπš›πš’πšŽπšœ πš—πš˜πš 𝚝𝚘 πš‹πšŽ πš‹πš’πšŠπšœπšŽπš πš˜πš› πšœπšŽπš‘πš’πšœπš.
"πšπš’πšπš—πš πš”πš—πš˜πš  πš’ 𝚠𝚊𝚜 πšπšŠπšπš’πš—πš 𝚊 πšπš›-"
𝚈𝚘𝚞 πš’πš–πš–πšŽπšπš’πšŠπšπšŽπš•πš’ πšŒπš˜πšŸπšŽπš› πš‘πš’πšœ πš–πš˜πšžπšπš‘ πš‹πšŽπšπš˜πš›πšŽ πš‘πšŽ πšŒπš˜πšžπš•πš πšŽπšŸπšŽπš— πšπšŠπš›πšŽ πšπš’πš—πš’πšœπš‘ πšœπšŠπš’πš’πš—πš πšπš‘πšŽ πš πš˜πš›πš πšŠπš—πš πš‘πšŽ πš•πš’πšŒπš”πšœ πš’πš πš πš‘πš’πšŒπš‘ 𝚌𝚊𝚞𝚜𝚎𝚜 𝚒𝚘𝚞 𝚝𝚘 πš–πšŠπš”πšŽ 𝚊 𝚏𝚊𝚌𝚎 πšŠπš—πš πš™πšžπš•πš• πš’πš πš‹πšŠπšŒπš” 𝚊𝚜 𝚒𝚘𝚞 πšœπššπšžπš’πš›πš– πšπš›πš˜πš– πš‘πš˜πš  πš πšŽπš’πš›πš πšπš‘πšŠπš 𝚠𝚊𝚜..πšŠπš—πš πš‘πš˜πš  πšπš›πš˜πšœπšœ πšπš‘πšŠπš πšπšŽπš•πš. π™·πšŽ πšœπš’πš–πš™πš•πš’ πš•πšŽπšπšœ 𝚘𝚞𝚝 𝚊 πšœπš–πšŠπš•πš• πš•πšŠπšžπšπš‘ πš‹πšŽπšπš˜πš›πšŽ πšŠπšœπš”πš’πš—πš 𝚒𝚘𝚞 𝚝𝚘 πšœπš‘πš˜πš  πš‘πš’πš– πšπš‘πšŽ πš‘πšŠπšžπš• πšŠπš•πš›πšŽπšŠπšπš’. πšƒπš˜πš‹πš’ πš–πšŠπš”πšŽπšœ πšœπšžπš›πšŽ 𝚒𝚘𝚞 πšœπš™πš’πš•πš• πšŽπšŸπšŽπš›πš’ πšπšŽπšπšŠπš’πš• 𝚘𝚏 πš’πš˜πšžπš› πšœπš‘πš˜πš™πš™πš’πš—πš πšŽπš‘πš™πšŽπš›πš’πš—πšŒπšŽ, πš—πš˜πš πš•πš’πš”πšŽ πš‘πšŽ πš πšŠπšœπš—πš πšπš‘πšŽπš›πšŽ, πš‘πšŽ πš“πšžπšœπš πš πšŠπš—πšπšŽπš 𝚝𝚘 πš‹πšŽ πš›πšŽπš–πš’πš—πšπšŽπš 𝚘𝚏 πš‘πš˜πš  πš–πšŠπš—πš’ πš‹πš˜πš’πšœ πšŠπš—πš πš–πšŽπš— πš‘πšŽ πš‘πšŠπš 𝚝𝚘 𝚐𝚎𝚝 πš›πš’πš 𝚘𝚏. π™Ύπš—πšŽ πš πš‘πš˜ πšŒπšžπš›πšœπšŽπš 𝚊𝚝 𝚒𝚘𝚞 πš πš‘πšŽπš— 𝚒𝚘𝚞 πš›πšŽπš“πšŽπšŒπšπšŽπš πšπš‘πšŽπš–, πš˜πš—πšŽ πš πš‘πš˜ πšπš›πš’πšŽπš 𝚝𝚘 πš›πšžπš‹ πš‘πš’πš–πšœπšŽπš•πš πš˜πš— 𝚒𝚘𝚞, πšŠπš—πš 𝚜𝚘 πš˜πš—. πšƒπš‘πšŠπš πšœπšŠπš–πšŽ 𝚍𝚊𝚒 πš‘πšŽ πš–πšŠπš›πš”πšœ 𝚒𝚘𝚞 πš˜πš—πšŒπšŽ πš–πš˜πš›πšŽ πšŠπš—πš πš‘πšŽ πšžπš›πšπšŽπšœ 𝚒𝚘𝚞 𝚝𝚘 πš–πšŠπš”πšŽ πš™πš•πšŠπš—πšœ πš πš’πšπš‘ πšπš›πš’πšŽπš—πšπšœ 𝚜𝚘 𝚒𝚘𝚞 πšŒπš˜πšžπš•πš 𝚐𝚘 𝚘𝚞𝚝 πšŠπš—πš πšπšŽπšπš’πš—πš’πšπšŽπš•πš’ πšπš˜πšŽπšœπš—πš πš•πšŽπš 𝚒𝚘𝚞 πšŒπš˜πš—πšŒπšŽπšŠπš• πšπš‘πš˜πšœπšŽ πš–πšŠπš›πš”πšœ.
π™Έπš πšŠπš—πš’πšπš‘πš’πš—πš πš‘πš’πšœ πš–πš˜πšœπš πšπšŠπšŸπš˜πš›πš’πšπšŽ πšπš‘πš’πš—πš 𝚝𝚘 𝚍𝚘 πš πš’πšπš‘ 𝚒𝚘𝚞 πš’πšœ πš™πš˜πšœπš πš™πš‘πš˜πšπš˜πšœ 𝚘𝚏 𝚒𝚘𝚞 𝚐𝚞𝚒𝚜. πš‚πš˜πš–πšŽπšπš’πš–πšŽπšœ πš’πš˜πšžπš•πš• πš™πš˜πšœπš πš’πš˜πšžπš›πšœπšŽπš•πš πš’πš— πš‘πš’πšœ πšœπš‘πš’πš›πš πš˜πš› πš“πšŽπšŠπš—πšœ πšŠπš—πš πš‘πšŽ'πš•πš• 𝚜𝚎𝚎 πš’πš πš πš‘πš’πš•πšŽ πšπšŠπš”πš’πš—πš πšŒπšŠπš›πšŽ 𝚘𝚏 πš˜πš—πšŽ 𝚘𝚏 πšœπš•πšŽπš—πšπšŽπš›πš–πšŠπš—πšœ πšπšŠπšœπš”, πšœπšžπšπšπšŽπš—πš•πš’ πš‘πšŽπšœ πš•πš˜πš˜πš”πš’πš—πš πšπš˜πš› πšπš‘πšŽ πš—πšŽπšŠπš›πšŽπšœπš πš‹πšžπšœπš‘. π™·πšŽ πšŠπšπš˜πš›πšŽπšœ πšπš‘πšŽ πš™πš‘πš˜πšπš˜πšœπš‘πš˜πš˜πš 𝚒𝚘𝚞 πš•πš’πš”πšŽ 𝚝𝚘 𝚍𝚘. πš†πšŽπšŠπš›πš’πš—πš πš–πšŠπšπšŒπš‘πš’πš—πš πš™πšŠπš—πšπšœ πšŠπš—πš πš‹πšŽπšŠπš—πš’πšŽπšœ πšŠπš—πš πš™πš˜πšœπš’πš—πš πšπš’πšπšπšŽπš›πšŽπš—πšπš•πš’ πšŠπš—πš πš’πšπšœ πšŽπš’πšπš‘πšŽπš› πšπš˜πš’πš—πš 𝚊 πš™πšŽπšŠπšŒπšŽ πšœπš’πšπš— πšπš˜πšπšŽπšπš‘πšŽπš›, πš”πš’πšœπšœπš’πš—πš πš˜πš—πšŽ πšŠπš—πš˜πšπš‘πšŽπš›, πš‘πš’πš– πš™πš’πšŒπš”πš’πš—πš 𝚒𝚘𝚞 πšžπš™, 𝚊 πšœπšžπšπšπšŽπšœπšπš’πšŸπšŽ πš™πš˜πšœπšŽ πšπš‘πšŠπš πš’πš˜πšžπš•πš• πš›πšŽπšπš›πšŽπš πš•πšŠπšπšŽπš›, πšŠπš—πš πš πš‘πšŠπšπšŽπšŸπšŽπš› πšŽπš•πšœπšŽ πšπš˜πš‹πš’ πš’πšœ πšžπš™ πšπš˜πš›. π™»πšŽπšπšœ πš—πš˜πš πšπš˜πš›πšπšŽπš πš‘πšŽ πš•πš˜πšŸπšŽπšœ πš πš‘πšŽπš— 𝚒𝚘𝚞 𝚐𝚎𝚝 πšπš’πš›πšπš’ πš πš’πšπš‘ πš‘πš’πš– πšŠπš—πš πš—πš˜πš πš’πš— πšπš‘πšŽ 𝚠𝚊𝚒 πšπš‘πšŠπš πš–πš’πš—πš πš’πšœ πš πš˜πš›πš”πš’πš—πš πšπš˜πš•πš”πšœ.
πšƒπš˜πš‹πš’ πš•πš˜πšŸπšŽπšœ πšπš›πšŠπšπšπš’πš—πš 𝚒𝚘𝚞 πš’πš—πšπš˜ πšπš‘πšŽ πš›πšŠπš’πš— πš πš’πšπš‘ πš‘πš’πš– πš˜πš— πšπš‘πš˜πšœπšŽ πš”πš’πš—πšπšŠ 𝚍𝚊𝚒𝚜, πš”πš’πšŒπš”πš’πš—πš πš πšŠπšπšŽπš› 𝚊𝚝 πš˜πš—πšŽ πšŠπš—πš˜πšπš‘πšŽπš›, πšπš‘πš›πš˜πš πš’πš—πš πš–πšžπš 𝚊𝚝 πšŽπšŠπšŒπš‘ πš˜πšπš‘πšŽπš›, πš–πšŠπš’πš‹πšŽ πšŽπšŸπšŽπš— πšπšŠπš•πš• 𝚝𝚘 πšπš‘πšŽ πšπš’πš›πšπš’ πšπš•πš˜πš˜πš› πšπš˜πšπšŽπšπš‘πšŽπš› 𝚊𝚜 𝚒𝚘𝚞 πš‹πš˜πšπš‘ πš•πšŠπšžπšπš‘ πš’πš˜πšžπš› 𝚊𝚜𝚜 𝚘𝚏𝚏 πš‹πšŽπšŒπšŠπšžπšœπšŽ πš‘πš’πšœ πšπš’πšŒπšœ πš–πšŠπšπšŽ πš‘πš’πš– πš‹πš•πšžπš›πš 𝚘𝚞𝚝 𝚊 πšπšžπš—πš—πš’ πš πš˜πš›πš. π™·πšŽ πš“πšžπšœπš πšŠπšπš˜πš›πšŽπšœ πš‘πš’πšœ πšπš’πš›πš•πšπš›πš’πšŽπš—πš πšŠπš—πš πš‘πšŽ'πš•πš• πš—πšŽπšŸπšŽπš› πš•πšŽπš πš‘πšŽπš› πš•πšŽπšŠπšŸπšŽ πš‹πšŽπšŒπšŠπšžπšœπšŽ πš‘πšŽπšœ πš—πšŽπšŸπšŽπš› πšπšŽπš•πš 𝚜𝚘 πš‘πšŠπš™πš™πš’. π™·πšŽ πšœπš πšŽπšŠπš›πšœ πš‘πšŽ'πš•πš• πš–πšŠπš”πšŽ πšœπšžπš›πšŽ 𝚒𝚘𝚞'πš•πš• πš—πšŽπšŸπšŽπš› πš πšŠπš—πš 𝚝𝚘 πš‹πš›πšŽπšŠπš” πšžπš™, πšπš˜πšŽπšœπš—πš πš πšŠπš—πš 𝚝𝚘 πš”πš’πšπš—πšŠπš™ 𝚒𝚘𝚞 πšŠπšπšπšŽπš› πšŠπš•πš•
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the-modern-typewriter Β· 2 years
Text
"How did you get so good at cooking?"
"I pretended I was a witch."
"..."
"Want to try?"
"Pretending I'm a witch?"
"I mean, the food. But I do recommend the witchiness. It makes the bubble bubble boil and trouble so much more satisfying."
"I don't think that's how the line goes."
"I'm sorry - who is the kitchen genius here?"
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reartem Β· 11 months
Text
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After a year away from Ostania, Damian Desmond returned, bearing an unspoken tale of newfound adventures.
Anya extended her hand, meeting Damian's return with a mischievous grin. "Nice to meet you, the name's Anya Forger...!"
Their playful banter masked a history of supposed childhood 'hate,' now a fond memory beneath their teasing reintroduction after Damian's year-long absence.
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danizmomota Β· 3 months
Text
Rage Management (pt1)
Ft, Yamato and Kakashi
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..anddd he’s gone.
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