#No I get it and I said it on main before

[beybuniki]

on the one hand i’m loving your dabihawks yuri era. on the other hand it makes me sick w longing and craving the way yaoi could never. anyways when will dabi pin me down so i can press my ass against her crotch

IF GOD WILLING, this will happened to you too this year 🙏

[killjoy-prince]

House M.D. but it's when House says Wilson's name

[coquelicoq]

if you're wondering what the big deal is about the louis-philippe sentence in les misérables, it is, in the original french, 760 words long. the subject of the sentence doesn't appear until 95% of the way through, at word #711; the main verb is word #712. the sentence contains 91 commas and 49 semicolons and is almost entirely a list of laudatory adjectival phrases describing the erstwhile king of france. this is perhaps especially notable because les mis is, shall we say, not known for being particularly gung-ho about the monarchy.

this sentence copied and pasted into Word takes up more than one page single-spaced. in the 1800-page folio classique edition, it is fully two and a half of those 1800 pages. that means that les mis is 0.14% this single sentence. more of les mis is made up of this sentence than earth's atmosphere is made up of carbon dioxide (0.04%). if the page count of les mis stayed the same but every sentence was the length of this one, les mis would consist of only 720 sentences total.

incidentally, guess who named hugo a peer of france 17 years before the publication of les mis?

[vortahoney]

I am fully prepared to excuse any and all actions taken by the ratgrinders because they are a group of teens whose worst traits are being preyed upon and who are treated as expendable puppets by a much older man. And also because this is all one guy sitting at a table making different voices at his friends so it’s not all THAT serious is it.

[buckttommy]

umm. pause. guys. guys. gay tommy has been canon this entire time. what the fuck. like. oh my god. no. like. okay. okay. so. 2x9 (hen begins), sal [deluca] is talking about his girlfriend dragging him to see twilight. he makes a homophobic joke about tommy being team jacob and tommy's like "i don't even know what that means." chimney says "he's insinuating that you're gay" and tommy blows deluca a kiss. fine. whatever. but THEN you skip to 2x12 (chimney begins), and—i stg it's a blink and you miss it moment—tommy and gerrard (racist captain) are having this conversation in the background

tommy: what about that burger place? gerrard: tommy i hate that place. hey wasn't your girlfriend supposed to come and cook us dinner? tommy: uhh. next tuesday. gerrard: promise? tommy: uhh. uh. yes. yeah. i will promise.

and it's like. number one, this sounds like a conversation they've had before. something to the tune of "hey, how come you never bring your girlfriend around" which i can't help but think was intentional considering the members of the old 118 were entirely familiar with deluca's girlfriend gina. but number two, no straight man who has a girlfriend sounds that unsure that they have a fucking girlfriend. it was very much giving "ah yes. this human lady that i love that most definitely exists. absolutely. also i like breasts." and it's just like. ok. what the fuck. like. i don't know if this was the plan all along. i don't think it was. i still maintain buck/eddie were supposed to go canon after the shooting and the powers that be got in the way. but. but. the idea that this canon queer character has been hiding in plain sight (subtext) is just. wild to me. like. i've always headcanoned tommy as gay, mostly because every character he plays seems fruity as hell. but bro. i don't think it's a headcanon anymore. and i don't think it ever has been. what the fuck.

there's also the idea that. like. so i've been watching the begins episodes again trying to figure out what, exactly, tommy's crime against the members of the 118 has been. like. he worked in a -phobic/-cist environment. he was definitely complicit in making hen/chimney feel like outsiders in their workplace yes yes all these things are true. but as far as i can tell, tommy has rarely ever actively been anything except spineless. deluca makes a homophobic joke? tommy laughs. gerrard makes a bunch of sexist and racist comments? tommy looks, but doesn't say anything to encourage (or discourage him). hen gives her monologue? he looks chagrined.

and his complicity would be absolutely shitty and inexcusable if he was just a cishet white man. no questions asked. but if — if — you view his behavior through the lens of the fact that tommy is queer himself? that tommy is, and always has been, a member of a marginalized community who felt it was easier and safer to assimilate than it was to be openly queer and have a target on his back? his behavior becomes a whole hell of a lot more understandable. yes, it's still shitty, but. there's a purpose behind it. and this idea is supported by the fact that, when gerrard leaves (flashing forward to bobby begins again), even before bobby gets there (because we always credit bobby with making the 118 the family it is today), like. the atmosphere is completely different. tommy and hen? are friendly with each other. chimney and tommy? also friendly with each other. which we also know because in 2x14 broken, he calls him up for help. which lends credibility to the idea that the problems tommy had (or thought he had) with henchim were not about them as people but more about whatever manufactured conservative boys club bullshit gerrard fostered.

and it's just like. motherfucker. bitch. what the hell. like. first of all, leave it to 9-1-1 to tell a story like this in the most subtle way possible. like if that was indeed the intended implication, i'm throwing my tv off a bridge immediately. but also. second of all. what is wrong with this show. they're crazy. i want to eat it like a loaf of bread. just shovel it in my mouth because the idea that tommy has been queer all along, that he wasn't brought back just to be a stopgap on buck's queer journey to eddie, but that he's been haunting the edges of the narrative like a gay ghost is sooo like. ohhh. okay. [throws up]. like????? okay. anyway. i'm going to be thinking about this the rest of the day.

[catlover4536]

@carnivalcarrion Remember when I said I had something for you?

Yeah, me too.

[snakeoid]

gacha delulu illness

[synthshenanigans]

Hey all! Just like the week before, I won't be posting on any of my accounts on March 2nd for the shutdown protest for Palestine!

These twit threads give a good amount of information for the shutdown, as well as websites you can donate to! [The second one has links not just for Palestine but many many other countries that need help as well!!]

Thread One [Shutdown Info]

Thread Two [Resources for Aid]

While yes March 2nd, for most, is the one year anniversary for all of Vol. 1, please just wait & not post or reblog anything about it till the day after. Save March 2nd for everything relating to Palestine & the other countries that need their word spread!

Besides CJ released it on March 3rd in his timezone, so that day will work just fine

[jenna-louise-jamie]

it just occurred to me, martin wilby is the alex rider tv show's ash. there's a line in season 1 where the department is talking about wilby being responsible for ian's death and how ian “thought the world of him.”

very similar to how ash was responsible for john (and helen's) death, but john very clearly loved the guy. enough to make him alex's godfather and save his life. another very interesting parallel for the rider brothers.

ash and wilby are different to each other however. at least ash had somewhat more of a reason to join scorpia? a vendetta against alan blunt. wilby just straight up wanted money. yassen gregorovich stabbed both of them though.

[grandcovenant]

carlo's inherent tragedy as a character means that if he hadn't died young he would've gone through something worse. the horrifying realization that he inherited his father's personality <3

[idsb]

And in what is perhaps the most shocking and random turn of events ever, Florida Boy of all people (veterans discount for those who remember him) is touring with a huge artist now and that artist is playing in Melbourne and we are hanging out

[tvckerwash]

wash tormenting the reds in the most petty ways possible because he's still pissed off about them hitting him with a car and then blowing him up in s8 is so important to me you don't even understand

[fromtheseventhhell]

"Because sometimes their creative vision and your creative vision don't match, and you get the famous creative differences thing – that leads to a lot of conflict." On his experiences in Hollywood, he continued: "You get totally extraneous things like the studio or the network weighing in, and they have some particular thing that has nothing to do with story, but relates to 'Well this character has a very high Q Rating so let's give him a lot more stuff to do'." [x]

George confirming that one of the things that influenced the show diverging from the books was the decision to give characters greater importance based on their "popularity", as if that wasn't already extremely obvious lol

[gayestcowboy]

this might be earth shattering information for some people. but sometimes. the main character of a story is not supposed to be sympathetic. you are not supposed to agree with everything they do. and reading a book with a fucked up main character does not inherently make you “problematic.” please read a book

[pinkeoni]

More Willel Mirroring: Textual vs. Subtextual Abuse

So not only do Will and El's mirrored storylines reveal ideas about sexuality, but they also present an interesting narrative about the different facets of child abuse.

Also, for this post I think I want to just want to focus on season one. There is absolutely subtext for abuse across the other seasons, but since the first season was written to hold on its own, it does create an interesting self contained story about child abuse.

TW for discussion of child abuse

This time around I am probably going to be focusing on Will more than El, because Will's abuse lies more in subtext whereas El lies more on the surface. And there are layers of metaphor and subtext for both instances, which I touch on in my sexuality longpost, although it is much easier to point to El's story and say "she is being abused." After all, this is what happens in the show as well.

The age and lived experiences of the characters does impact their perception, however.

An adult like Benny is able to look at El and understand that she's likely been abused, but young boys like the party who don't know any better think she's crazy. Regardless, it's obvious with El, a little girl with a shaved head who doesn't say much with no sense of privacy that something is wrong with her.

I think that Will and El's storylines are meant to represent invisible versus visible abuse, thus El's abuse is textual while Will's abuse storyline is subtextual. With El, it's hard for her to hide her abuse. As for Will, it's much more concealed. In Jonathan's words—

"He's good at hiding."

The inclusion of this line is part of what points towards Will's abuse. It postulates a couple of questions— why is Will good at hiding and what was he hiding from? Furthermore, I think this line plays into the idea of Will's abuse being hidden. You can't tell just by looking at him that he's been abused, at least from what we see of him in the show. And when you look at his story from a surface level, you may not catch on to this.

Gleaning subtext from Will's flashbacks

El and Will are the two characters that we get flashbacks for, and for both we see what their differing home lives are like. El is being treated like a weapon in the lab by Papa, and Will shares some wholesome moments with Joyce and Jonathan.

Because Will is not presently on screen for much of season one, so a lot of his characterization has to be delivered through flashbacks. Within these flashbacks, there is a lot that can be gleaned from just below the surface that points toward Will being abused.

Lonnie may not be on screen for any of these flashbacks. But if you look closely, his presence is definitely felt.

Flashback #1) Castle Byers

First off, Castle Byers itself— the fact that it exists, and the fact that it's so far away from the Byers' house.

We aren't given an exact location for Castle Byers, other than it's in the woods behind their house. But it's not in their backyard, that's for sure. We also get a comment about Castle Byers from Jonathan later in the season, stating that it's his hiding spot. Why would Will need a safe space and hiding spot outside of his home?

Furthermore, Castle Byers is password protected, with a big sign in the front that reads ALL FRIENDS WELCOME in big letters. Is it not hard for one to infer that Castle Byers is meant to keep something out? Something not a friend?

More from this flashback, we know that Will used to be scared often to the point of having nightmares for a week.

"Anymore" implying that he did used to get scared in the past tense. Had Will just said "I don't get scared like that." it would have a different meaning. The "anymore" is an important inclusion. Will used to be very scared of something when he was younger, but not anymore.

Flashback #2) Should I Stay or Should I Go

The second flashback mentions Lonnie more explicitly, when we hear Joyce arguing with him over the phone over not showing for visitation. Perhaps the mention of him here is meant to subconsciously tie him to the other flashbacks?

This flashback also provides heavy subtext surrounding Will's sexuality, using this line from Jonathan.

I think it’s very likely that Lonnie was abusing Will because of his sexuality. We already have confirmation that he was verbally bullying him for it from Joyce.

Flashback #3) Will the Wise

Will the Wise was introduced in the first scene of the show, but this moment shows that Will the Wise is more than just a DnD character to Will. He’s something he goes to in search of comfort.

In this moment where Will is drawing him, we see that Will seems a little somber. Drawing can be fun, but it’s also a tool that Will can use to express his emotions, both good and bad. More specifically, Will the Wise is fighting bad guys.

Could these bad guys just be referring to Troy and his gang? Or someone else?

The thing about all three of these flashbacks is that they sneakily hide their subtext behind more pertinent pieces of information.

We are introduced to Castle Byers which becomes an important set piece. We are also shown that Will has a safe space outside of his home and used to get nightmares.

We are introduced to Jonathan’s distaste of Lonnie and also given clues about Will’s sexuality.

Will’s drawing becomes a plot point later (used to discern El from Will) but we are also shown that Will’s has a persona which he uses to fight “bad guys.”

The Upside Down as Subtext

Here's the main point I wanna make that took too long to get to, the Upside Down is used to deliver subtext about Will's past abuse.

But isn't Will being actually being tormented by Vecna in the Upside Down? Well I think it's both. Yes Will is literally being hunted by Vecna, and at the same time it's metaphorical for Will's abuse by Lonnie. Some things have a dual-purpose.

We know that the Upside Down is a dark mirror of Hawkins. For most of his time there, at least from what we see, he stays in or around his home.

Will is, quite literally, in danger inside of his own home.

Here.

R-I-G-H-T H-E-R-E. Right here.

My most solid piece of evidence that backs this is this moment where Will tells Joyce "Mom, it's coming!" and the following Byers House scene we see is Lonnie pulling up to the house.

Additionally, we do not see any attempts from Will to contact Joyce while Lonnie is there, along with Lonnie hammering over the hole in the wall and taking down the lights he was using to communicate. Lonnie's presence literally silences him.

Does Joyce know?

Joyce's comments in the sheriff's office suggests that she is aware of Lonnie's homophobic bullying, I think that just like the Upside Down, the extent of Lonnie's abuse is something that she doesn't fully understand. But she does want to.

Understanding does require communication from Will. And unfortunately for Joyce—

—he's good at hiding.

Evidence from future seasons does lead me to believe that Will forgot some of these traumatic memories, although if I were looking at season one on it's own, I would say that Will is hiding his past abuse.

If anything, Will was likely hiding this abuse as it was happening.

[briviting]

antwerp real