#OR interesting dynamic she doesn’t like that the

[sepublic]

Hunter is NOT Luz’s brother, he’s not a Noceda, he’s not even that important to her compared to many other relationships Luz has and vice-versa. Like genuinely, go rewatch the show with this consideration in mind, cleanse the fanon for a fresh slate.

People just latched onto them as siblings because they found their Hunting Palismen dynamic funny, but also because they wanted to ward off Lunter. And they couldn’t articulate their dislike for Lunter as stemming from Luz’s longstanding dynamic with another female character being immediately replaced by fans for some white boy who just showed up, so they said they’re actually more siblings. It wasn’t an issue of biphobia it’s just people being tired of fandom inserting white boys into everything.

And FTR I hate Lunter, for the same reason I now hate the Luz & Hunter as Siblings take; It’s the fandom’s obsession with making Hunter more important than he actually is, to the point of replacing Luz’s actual important relationships with him. And hell even replacing Luz herself in her dynamics with her loved ones, because people portray Hunter as more Camila’s child than Luz when Darius is right there.

This fandom has a massive White Favoritism problem with Hunter, and he’s not even a female character he’s another White Boy, the most bland and milquetoast choice to raise as the fandom darling. He’s not THAT interesting and while him and Luz have their parallels and shared trauma and are still friends, what about Hunter and Gus? Or Luz and King, the latter explicitly calls Luz his sister but Hunter sure as hell didn’t! What about explicit on-screen dynamics huh???

ISTFG this fandom is overrun by Hunter content everywhere, he drowns out everyone except the literal main character and even she struggles sometimes! It’s because he’s a White Boy, that’s it. It’s not illegal to like Hunter, but you need to actually appreciate and engage with other characters accordingly instead of acting like that’s illegal. Hunter does the bare minimum and is lauded meanwhile everyone else goes above and beyond and is still overlooked for him.

Stop inserting him into everything we do not need Luz and Hunter angst we can just settle for Luz angst. She has other relationships and priorities you know and there’s so much more to this show than Hunter suffering. Sometimes you’ll even take Luz’s canon angst and give it to Hunter even! And try to make him more of a main character by inserting him into everything but he’s a side character.

So yes, your AU where Hunter is the main protagonist is racist. Especially if it doesn’t even explore Darius as his mentor, and has Eda take his place despite her barely interacting with him. And constantly praising Hunter for being a weird passionate nerd gets aggravating when Luz does the exact same thing but with greater emphasis, but gets ignored in favor of Hunter as she’s relegated to just Lumity.

And all of her additional depth and angst is just ignored for Hunter’s instead, sometimes they’ll even make up angst for him when other characters actually have it; I’ve seen popular fanart of a Luz moment where Hunter is in her place. Because fandom will sooner micro-analyze Hunter’s hands for nothing, than Luz going on a suicidal rant.

They’ll cradle Hunter’s trauma and suffering in their hands as a sacred and delicate subject, gnash at Darius for not being nice; But then sweep over Luz’s trauma and not realize how much certain things affected her, and why it’s fucked up to just ignore that in favor of bad AUs where Luz is a friend to Belos, who prompted a lot of her suicidal depression and scarred her face too.

They’ll insist Hunter should’ve been a bigger part of the finale and that Luz’s nightmare should’ve been her guilt for hurting him, as if it wasn’t already about Flapjack’s death and just her guilt towards ALL of her friends. So you know what, in addition to Hunter not even needing to kill Belos, I’m glad he wasn’t in that final battle and that the show reminded fandom who the actual main characters are (Luz, Eda, and King), which obviously pissed off a lotta people. Because it’s not like Hunter didn’t have major focus in the last two specials and S2B!!!!!!

[merwgue]

Nesta and Cassian's relationship in A Court of Silver Flames is often painted as this passionate, enemies-to-lovers romance, but beneath that surface, it’s built on a foundation of toxicity, manipulation, and emotional neglect.

1. Built on Spite – A Relationship Fueled by Anger Their entire dynamic revolves around anger and spite. From the get-go, they’re constantly at each other’s throats, and while tension can create chemistry, their relationship is more about hurting each other than actually caring. Cassian treats Nesta like she's an obligation—a broken project that he needs to fix, but never with genuine understanding or empathy. It’s all about power plays and asserting dominance, not love or mutual respect.

2. Cassian Doesn’t Actually Care About Nesta Let’s be real: throughout the 800-page book, Cassian does very little to show that he actually cares about Nesta beyond her physicality. Sure, they have sex, but that’s pretty much the extent of their intimacy. There’s no real emotional support, no moments of genuine care where Cassian steps up to help her heal in any meaningful way. He just lets the sex cover up the massive cracks in their relationship and then moves on like nothing’s wrong.

For someone who’s supposed to be Nesta’s “mate,” Cassian does nothing when it comes to helping her through her trauma. When she’s at her lowest, when she’s literally crying out for help—like during that hike where she straight-up says she wants to die—what does Cassian do? Absolutely nothing. No aftercare, no emotional support, just a brush-off like her pain is irrelevant. It’s not just neglect; it’s downright cruel.

3. The Lack of Aftercare – Sex as a Band-Aid Speaking of sex, it’s almost always presented as a way to diffuse tension between them, but Cassian never offers Nesta the emotional aftercare she so desperately needs. It’s one thing to have a physically passionate relationship, but when there’s no care or connection after the fact, it starts to feel like Cassian is just using her body to soothe his own frustrations, while completely ignoring her emotional state. There’s no intimacy beyond the physical, no moment where he checks in on her feelings or offers her genuine support. It’s just sex, and then he leaves her to deal with the fallout on her own.

4. Emotional Manipulation – Cassian’s Power Over Nesta Cassian’s treatment of Nesta is manipulative in the sense that he uses her vulnerability against her. He knows she’s struggling, knows she’s dealing with massive amounts of trauma, but instead of actually being there for her, he pushes her to “get better” on his terms. He’s constantly throwing her failures back in her face, making her feel like she’s unworthy unless she falls in line with what he (and everyone else) wants her to be. It’s like he’s trying to mold her into someone more palatable, rather than accepting and helping her for who she truly is.

5. A Toxic Cycle of Hurt and Neglect Their relationship just repeats this toxic cycle of hurt—Nesta lashes out because she’s in pain, and Cassian either ignores her emotional needs or meets her anger with his own frustration. There’s no real communication, no attempts at understanding where the other person is coming from. It’s just a constant back-and-forth of anger and sex, with no actual healing or growth. That’s not love, that’s emotional neglect.

6. Cassian’s Role in Nesta’s Breakdown Ultimately, Cassian’s actions—or lack thereof—contribute directly to Nesta’s breakdown. He does nothing to help her when she’s in pain, when she’s literally begging for support. Instead, he’s more interested in their physical connection and getting her to conform to what the Night Court expects of her. That’s not a healthy relationship. That’s toxic, manipulative, and damaging to both of them, but especially to Nesta, who’s already battling so much on her own.

In the end, their relationship isn’t built on mutual respect or understanding; it’s built on spite, power, and neglect. And that’s what makes it so damn toxic.

[musicalmoritz]

what are your thoughts on hananene?

I’m so glad you asked this!! Some people assume I hate HanaNene because I ship Nene with Aoi and I don’t post about it as much as Aoi//Aoi, but that could not be further from the truth. When I first watched the anime I absolutely adored HanaNene, they were my favorite ship for a hot second there (though I was saving that spot for Mitsuba and Kou, and it was also Sakura and Natsuhiko for like a day. I never expected it to be the plant lesbians lol)

My love for HanaNene tends to be more mild when I’m not actively reading about them. I have never and will never dislike them, but I don’t think about them as consistently as some of the other ships (though I think of them more than some others). Then I read a scene of them in the manga and I’m abruptly reminded of why they’re one of my favorite TBHK ships. This also applies to when I’m rewatching either of the animes or when I get in the rare mood to read fan fiction for them

The thing that initially stole my heart was how weird they are. Their whole relationship is odd, it’s like if Aladdin got with the Genie. The first chapter doesn’t have anything romantic between them up until the very end and if you didn’t know they were love interests, you’d assume he was meant to be her goofy sidekick. And then we start the gag of him flirting with her while she’s very adamant about him being Not Her Type. But her relationship with him is still so different from everybody else, she’s usually so self-centered but with Hanako she notices things about him and makes efforts to make him feel better (ex: deciding to be his friend in the mokke chapter). Sure, there are still things she misses about him, Teru had to be the one to tell her he was unhappy in the new timeline. But she’s significantly better at looking out for Hanako than she is with everybody else, because he’s so important to her. She gives him time to open up about his past because she knows he’s not ready for it, she wants to be the one to confess to him because he deserves to feel loved. With heterosexual relationships I’m mainly focused on what the woman is feeling/experiencing and HanaNene is such an interesting ship for Nene! It gives her a lot of important development and stands out from her other crushes and ships. She had cheesy romantic fantasies about him but she doesn’t act like a blushing fangirl, it’s real love and we get to see a more mature side of her when they’re together

I have so many favorite moments for them so I’m gonna list them all now because I’ve been waiting for an excuse to do so. The end of the Picture Perfect arc where Nene asked Hanako if he wanted to trap her and he said “of course not, how could you even think that?” The Confession Tree chapter as a whole, it’s my favorite early chapter by far. When Hanako told Nene she’s cute when she’s smiling. When he tucked her into bed at Sumire’s house. I don’t remember when this was but when Nene made some big statement on the roof and then she was like “as a friend ofc.” When she kissed him on the cheek duh that was so cute. That convo they had in the classroom during the Picture Perfect arc. Their first kiss but that’s like a given everybody loves that scene. Wow. HanaNene.

I will say that I prefer their dynamic with Amane’s personality but I’m not one of the people who separates those ships entirely, I think people who do sort of miss the point of Hanako’s character. Amane is still a part of him, there are many scenes in present times when he acts like his old self. Sure, he’s changed over the years, but he can’t fully become a different person the way humans often do because he is forever that same 13 y/o boy. So if you were to ask me “HanaNene or Amanene,” I’d say both. I do prefer to call him Amane tho bcuz it’s such a pretty name. Amane. Amane. Amane. Pretend you can hear it, it’s gorgeous

Similar to how I will never slander Aoi and Akane for Aoi and Nene, I’ll never slander Hanako and Nene in favor of them either. I love all the canon ships so I’ll never be the type of fan to put them down in order to justify my fanon ones. I don’t need to do this because I have good reasons for liking fanon pairings, I can back them up without having to put down another ship. If you have to put down another ship in order to make yours look good, it’s probably not that great on its own

Also for headcanons. They are t4t and bi4bi to me, that’s just how it’s gotta be. Toilet-Bound Woke-Kun. Woke-Bound Hanako-Kun. Toilet-Woke Hanako-Kun. Much to ponder

[amemenojaku]

Akyuu/Reimu for the ship ask, please

hi I um. turned this into akyuurei manifesto. sorry

How differently do they think of each other now compared to when they first met?

I just reread Memorizable Gensokyo and some of the FS chapters where they interact (+the bit at the end of SoPM) back-to-back and it feels like they’ve come to really respect each other. When they first met properly in MG Akyuu tried so hard to impress Reimu, who looked amused by Akyuu’s work but didn’t seem to take her very seriously… I suppose that’s partly because they were younger then. I like that small panel in MG where Reimu introduces herself and Akyuu’s like “:O!!!”… By the time we see them together again in FS, they talk as equals. Reimu acknowledges Akyuu’s authority (she’s still super blunt about the chronicles but that’s Reimu for you lol), and Akyuu trusts Reimu to get the work done when it’s needed. They know they can rely on each other. I’d even go as far as to say Reimu treats Akyuu with a bit more softness than she does a lot of characters… She worries about Akyuu walking all the way up to the shrine in a latter FS chapter, she doesn’t chastise Akyuu for organizing the symposium in SoPM despite how pissed she is at the other participants (although I do think she was still hurt… more on that below), etc. As they are now they see each other as individuals more than roles I think, which is an important part of their dynamic (and also of Reimu pairings in general imo).

What do their friends/family think of their relationship?

They’d be the type to go in circles for a while before committing to something. Take their time with it. Past a certain point Marisa and Kosuzu start scheming to get them together (much to the concerned parties’ annoyance). When it finally happens they’d be teasing but supportive. I think the relationship would be kept secret for a time… Some people still manage to sniff it out though, Yukari for example; she’d be satisfied with it. Two people she has a weird close situationship with, together? That works. There might be some gossip about them… But if/when they make it official to everyone, I honestly think they’d be blessed by most of the village – it’s the Hakurei shrine maiden and the head of the Hieda clan after all! Might break a few nameless village women’s hearts though…

How do their personalities/skills complement or contrast with each other?

They have a ton of parallels (human but not quite; role directly tied to the survival of the world they live in; bridge between humans and youkai, etc) but also a few differences both symbolically (Akyuu doesn’t fly (she’s grounded to (a relative) reality), Reimu is literally the power to fly (transcends reality); Reimu is the “eternal shrine maiden”, Akyuu doesn’t live past 30 (but even that can be turned into a parallel with Akyuu’s reincarnations*), etc) and in terms of personality (Akyuu being calmer in general and displaying better social skills). Imo it’s one of the relationships with the most interesting balance between contrast and similarities… They’re the same girl but they’re also on two different sides of the same coin and the pining that comes out of it is SO good.

*if you look too hard into this like I do you’ll see the child of Miare’s reincarnation gimmick as a parallel to how it’s implied that the past Hakurei shrine maidens were replaced often (died quickly?)

What is their favorite aspect of each other?

In canon, I’d say it’s how reliable they find each other. They’ve worked together/consulted one another a few times in FS for matters related to the human village, and despite some differences in opinion they’re on the same wavelength on a lot of issues. Now, with my yuri goggles on…. I think it’d be really sweet if they could make each other feel normal. If their similarities brought them together on a level different from their other friendships, where they can understand the weight of each other’s role and that whole “human but not quite” thing they share, and be able to completely treat each other as ordinary. I really really like it when a character with a lot of obligations gets to just be themselves, and I also love it when two characters who’re both special or generally “apart” from everyone else grow close thanks to that, so I’m just mashing things I enjoy lol

Do either of them have pet peeves about each other?

I like to think Akyuu has a healthy lifestyle and her days go like clockwork (except when she’s close to a writing deadline), so she’d probably find some of the situations Reimu ends up in very frustrating. I think that fits well with the fact that Akyuu doesn’t always realize how high her quality of life is and can sometimes act a bit inconsiderate towards people who aren’t as rich as her. Meanwhile Reimu’s a very honest, very blunt person who struggles with keeping secrets for long (see Forbidden Scrollery’s ending), so she probably wouldn’t like some of the secrets Akyuu keeps at times. But Akyuu’s an important figure to the human villagers and she does take her role as a chronicler seriously, so there must be moments she has to prioritize her obligations over honesty. I think that kind of contrast is very interesting.

How would each reconcile with each other after a fight?

They’re both stubborn… But I see Reimu as the first to try to reconcile most of the time. Her soft spot for Akyuu would take over her natural pride imo. So she makes the first move. Akyuu takes longer, but her apologies are sincere.

Buuut there’s one time I can imagine Reimu completely withdrawing into her shell and refusing to even acknowledge that she’s really upset at Akyuu until confronted about it: SoPM. I won’t ever be able to explain it better than que-de-metal did right here so I recommend reading it!!

What would be their ideal vacation getaway together?

Hot spring resort. Quiet, relaxing and good for Akyuu’s health! And plenty of time for Reimu to laze around and read mystery novels. (I’m projecting… I miss onsens…….)

Think of a new way (AU, different situation, etc.) they could have met for the first time.

I’m honestly a bit upset that Memorizable Gensokyo is when they first met proper, even though there’s no way the Hieda family isn’t regularly in contact with the Hakurei shrine maiden. I think it’d be cute if they met when they were both kids and Reimu was in training with her predecessor and they were both called at the Hieda mansion for something. Extra points if Akyuu was intrigued by Reimu’s natural powers and that’s where her desire to impress her in MG comes from, and if Reimu barely remembers that meeting (like with Alice in PCB).

[nightcolorz]

I think part of why communities autistic representation with Abed is so good isn’t just how it portrays the symptoms and experience accurately, but also how it conveys plot lines and story arcs about the different types of people and interpersonal conflict an autistic person would face. Community definitely isn’t the first show to have ableism as a conflict, but in my experience of watching stuff it’s the first show I’ve seen that has such a nuanced approach to so many different types of ableism and different realistic reactions and solutions (all while being a sitcom with a cast of morally corrupt characters and absurd fantastical scenarios).

Frankie Dart for example, who is introduced in season 6, is kind of that level headed business woman archetype, conveys that she has a lot of experience with disabled ppl in her personal life, and (as is later confirmed) a lot of affection for them bcus she has a sister with a high support needs disability. This draws her to Abed, being that he’s autistic, and the two begin and understanding and friendship. Frankie is very kind and unusually understanding and compassionate towards Abed and his needs, and communicates with him in a way that is refreshingly easy for him to understand. And at the same time, patterns of infantilizing and condescending behavior begin to occur in their dynamic, until eventually Frankie outright says that abed “doesn’t know any better”, conveying to him that she thinks he’s too disabled to be aware of what he wants and believes, or to make his own decisions without someone who knows what’s best for him to guide him. And the great thing is everyone who witnesses her say this is disgusted 😭🫶 she is berated bcus everyone who knows abed knows that he is a grown ass man who doesn’t need to be hand held or condescended to.

But what’s so interesting about this conflict with Frankie is that she does earnestly mean well, she’s not a one sided abliest villain, she’s a person who could really exist. What is conveyed is that Frankie infantilizes abed bcus she has an expectation of autism that does not apply to every autistic person. She assumes that bcus her sister has high support needs and needs help making decisions, that abed is the same way, bcus she thinks all autistic ppl r like her sister and acts accordingly. And then she learns that this is wrong, and abed is fully capable of functioning without her help. It’s great! There’s no moral speech about how autistic ppl aren’t babies or anything like that. Frankie means well, fucks up, and is forgiven when she changes her behavior.

I just love it bcus ableism and other forms of bigotry aren’t often portrayed with so much nuance. Ableism isn’t usually this big thing, most people r on some degree abliest, and a lot of the time people who have a lot of experience with disabled ppl and mean well (especially ppl with disabled family or siblings) end up having the most abliest biases, it just feels so real.

[aroanthy]

i genuinely can’t think about nanami and akio for too long or i do think i will keel over and die but the thing is. when he drives his car into the kiryuu mansion before her car sequence (‘it’s time for your ride’, akio says when he would ordinarily say nothing at this point), nanami says ‘it’s you’. it’s you. obvious interpretation here is ‘you’re end/s of the world’, and that’s certainly part of it. but i think it’s more so like. It’s You. as in, you’re everywhere. you have a hand in everything. you brought me into your home under the guise of protecting me, and in doing so traumatised me, and harmed me, and now you’re in my home, and everyone i have spoken to about you loves you, wishes to protect you, sees no issue with the things that you do. of course it’s you. as much as touga might try to resist nanami’s attempts to sincerely understand him, this moment gives her the first real opportunity she’s ever had to do that. here is a sliver of the ‘real’ version of her brother, in proximity to and aligning himself with this man. it’s you. it’s you. i feel like a rabid dog rn

[nellasbookplanet]

Do I actually think Imogen is going to turn on the party? No. I don't think it’s any more likely to happen than I did Fjord releasing Uk’otoa, or Caleb returning to Trent and the Vollstruckers.

Given the nature of the game, any character turning fully dark is unlikely, seeing as it would take them away from the party for a time or potentially even turn them into an npc, replaced by a new pc. So far the only time we've gotten close to seeing something like it happen was Yasha siding with Obann, which could only happen specifically because Ashley was gone from the table for a long time (it was also the product of mind control, not an active choice to turn dark, and as such still doesn’t really count as a pc turning on the party in my eyes).

But the possibility is there. The seeds planted. Travis has talked about how, after he threw the falchion away, he briefly considered having Fjord leave the party and retun to the coast and Uk’otoa. Liam has mentioned that, early on, Caleb returning to work for Trent was a very real possibilty. It can happen, if the players and narrative are open to it.

And now, canonically, Imogen is desperately and understandably searching for a reason not to have to fight her own mother. She is, however briefly, questioning whether the Ruby Vanguard might have a just cause. Much as she hates it, she also feels the allure of the power Ruidus gives her. Her closest ally is someone who has repeatedly assured she will stand by her no matter what she chooses, even after she voiced the possibility of letting Predathos get out. None of these parts of Imogen are evil, and all of them are understandable and deeply rooted in pain and ostracization, but they could very easily be turned into justification, were she pushed enough.

The seeds are planted. Again, I don’t think it will happen (she seems firmly against the evil plan when reminded of how evil it is), but there’s certainly nothing strange or hateful about engaging with and being interested in the darker possibilities as presented in canon. It isn't character hate to acknowledge that Imogen has the potential to go dark, much as Fjord and Caleb and Yasha. To me, it’s what makes her character interesting. I want to see her clash with the party, whether because she’s desperate to save her own mother or because she’s high off the power of Ruidus and lured in. I want to see Laudna have to choose between the world and her promise to stand by Imogen no matter what. I want to see the fallout, the slow healing and redemption and coming to terms with bad choices. I eat that shit up, and if it doesn’t happen in canon I'll probably go read some fic about it to get my fix.

[sunnysideaeggs]

If Rhaenyra married Daemon while Laenor was still alive and gave birth to Aegon and viserys, wouldn’t they be bastards too?

And if they are then Daenerys’ line shouldn’t technically inherit the throne. The next legitimate heir would have been Rhaena’s or Baela’s children but nobody knew

exactly anon, the show wanted to avoid the ‘bury your gays’ trope, but accidentally made bastards of all of rhaenyra’s children. or they could be legitimate: my personal pet theory is that the little rowboat that laenor escaped in was unfortunately ambushed by a mercenary ship, courtesy of daemon.

daenerys shouldn’t inherit the throne because the kingdom was rightfully conquered by robert, so she doesn’t have a claim to the IT by succession anymore. the targaryen line was replaced by the baratheon line. if we go by ‘lawful’ inheritance the rightful king is stannis and his heir is shireen, but again, the throne was (kinda) conquered by the lannisters, so now the baratheon line was replaced by the lannister line.

daenerys can win the 7K by conquest, and the ‘rightful heir’ thingy will only be a way to make her reign be accepted more easily. one big thing in asoiaf is that no one has an inherent right to the throne, and often the kingdom is gained by bigger army diplomacy. robert admitted it: he came and won the war, now he’s king. maesters brought up his grandmother rhaelle as a way to give him more legitimacy, but what could they do really? try and get him out of the throne and start another war?

if daenerys wins her conquest war the lords will make many excuses about her being ‘the rightful queen’ because she’s the last targaryen, but the truth is that no one can keep her from taking the throne even if she wasn’t. until another dude pops up and takes the throne from her and arguments about this new person being the rightful heir if we go by this tradition or blah blah come up again.

[tomatotales]

sapphic tashi/patrick/art

Patrick who has been in love with Art since she was twelve, and Art who has no idea.

But during the Junior US Open Art has a major sexuality crisis, and realizes Tashi Duncan is so fucking hot.

Patrick thinks Art is just following her lead and is absolutely clueless that she likes Tashi romantically. It isn’t until they are all in the hotel that Patrick realizes Art likes Tashi too. Art likes and girl, and it isn’t her.

So the rest of the story goes on as normal. Patrick is frustrated that she fell in love with Art, and even worse is than Art being straight, she just never liked Patrick.

And Art goes through her adult like realizing that her and Patrick’s friendship wasn’t necessarily platonic, but she didn’t understand it at the time. And it’s so much easier to understand that she loves Tashi, because who doesn’t, but to fundamentally understand she’s like girls, that she loves Patrick, that’s much harder.

And Tashi is like, “How did I get stuck with the two most useless lesbians ever?”

[aiura-stan]

I have so many thoughts about saiteru but they like all cancel each other out

does saiteru is canon? the answer is more complicated than you think!

…in all seriousness id love to see a really long thought out essay on the topic of Teruhashi & Saiki’s relationship and how it changes over the course of the series. And whether or not the romantic coding was intentional, or if it was an extension of the romance trope gag. Also, how they are supposed to foil each other, but also how many similarities they share in circumstance and how goshdarn differently they tend to handle said circumstances (of always being the object of attention regardless of whether or not they want it) and how similar their internal attitudes are towards interacting with people, and how this this tends to affect their actions towards others.

[sharkzippo]

fics that remember jubilation lee is actually in the original trilogy ( despite having less than a second of screen time ) and have her as john’s actual non-bobby best friend are so big brained, actually. and they’re right! jubilee is 100% john’s bestie and his worstie all rolled into one.

[gracebethartacc]

WAIT WAIT WAIT So was Amaya once an actual person that Magnifico knew and loved but she died so he recreated her and made her into the marionette? Or was she never a person and he invented an entire new person so he wouldn’t be alone?

i think the second one!! like he just straight up created her from scratch

[thirsty-4-ghouls]

“Hancock is bad with kids” “Hancock is bad with Shaun” no, well, maybe, but where I was getting at was, the objectively funniest dynamic there that I can think of is that Hancock does, indeed, not know what to do around kids BUT Shaun is super curious because of that and will not leave him alone. Hancock will be looking at sole like “I can’t handle this, i don’t know what to do, get your kid” and Shaun is just like “why do you dress like that? Do you still get sunburnt? Do you like lazer rifles? I like lazer rifles.” Like a cat that sees the person ignoring them and goes up to them for attention. And the funniest response from sole is something like “the sunburn question is rude, Shaun” and then they continue doing whatever they were before saying that.

[a-wins-a-win]

unpopular opinion?? maybe?

Matt & Ivy have a really interesting dynamic!! both pre- and post-canon!! with or without romantic undertones!! either reciprocal or one-sided!!

and obviously it has to be handled with a particular level of care/respect BUT I think if we allowed them enough grace there is space to explore a really interesting possibility for that relationship.

[sweetandglovelyart]

A little art/comic announcement: While Knightfall in Dream Land is still in progress and I’m still working on that I’ve also started plotting out the storylines for both the Daroach backstory comic and the Susie redemption arc comic that I want to do.

Before I started drawing Knightfall in Dream Land I did some very simple pencil sketches with dialogue written on them to get an idea for the direction the story of the comic would go in and get an estimate of how long the finished comic would likely be/how many pages it would likely have. That’s the stage I’m at right now with the Daroach comic and Susie comic. I’m planning to start posting actual pages for both of these comics in January 2025, because I want to get a little bit further into Knightfall in Dream Land first before I launch the new comics. The final length may vary a little bit depending on whether or not I decide to add more stuff or change some of the dialogue I’ve plotted out, but when Knightfall in Dream Land is finished I’m estimating that it’ll be around 34-36 pages, so I’d like to maybe get to page 20 or so before I start posting the new comics. Knowing how slowly I update I’ll probably hit page 20 around late December of this year so January is likely when I’ll be launching the new comics.

Like I’ve mentioned before I’m also still very busy with grad school stuff (I’m working very hard to finish up my PhD in the next year and hopefully get a job lined up if I can so I don’t have to live with my parents when I graduate) so comic updates might get even slower than they already are in the coming months. Thank you to everyone who’s been reading the comic even though I update it really slowly, it really means a lot to me to see people enjoying what I’ve created, and I hope you’ll enjoy the new comics too when I eventually start posting them.

[aroanthy]

i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc