#Offerman

[blackswaneuroparedux]

There is no wrong way to consume alcohol.

- Ron Swanson (Nick Offerman)

If you’ve ever watched an episode of  fantastic comedy series “Parks & Rec” then you probably know that Nick Offerman’s character, Ron Swanson, is a connoisseur of scotch whisky, particularly Lagavulin. It was the fictitious Mr. Swanson who put so many fresh eyes on the tiny island where Lagavulin lives. That love also extends to Nick Offerman himself, who teamed up with the distillery for some advertising spots back in 2014, and eventually his own bottle of whisky, Lagavulin Offerman Edition, back in 2019.

In 2021 Offerman and Lagavulin revealed another addition to the Offerman line: Lagavulin Offerman Edition: Guinness Cask Finish. I just had a few drams. It’s pretty good.

Normally I’m a Speyside whisky girl but I do have a soft spot for Islay whisky as I like to have a broad palate.

I always disregard the tasting notes provided on the back of boxes. Too often they run the range from yawn to snore: “Hints of chocolate, vanilla, caramel, and snore!” The marketing brains behind the labels need to pay more attention to what tasting notes guff are printed on these boxes.

The tasting notes given on the box are ‘chocolate, caramel, and coffee’. I personally didn’t taste any chocolate until I tried it again, a few nights after I opened the bottle and added a little water, but I would not call it a prominent note. So why is it boasted on the bottle? I did taste coffee and sure, a little caramel. The spirit is finished for four months in ex-Guinness casks, so they slap the word “chocolate” on the label, because people always compare Guinness to a chocolate shake. Is it creamy? Yes. Coffee? Sure. Chocolate? Eh.

It’s not even sweet but mostly bitter, more chocolate baking powder than chocolate. To the untrained palate, Lagavulin is many things, but chocolate is not the first, second, or ninth of them that anyone will notice. I have a tenacious palate and chocolate is, at best, a distant background. Chocolate is such a varying and cozy note, any brown spirit could get away with describing it as such. But my point is there are so many other notes that are much bigger stage hogs than chocolate.

The Offerman Guinness Finished needed time to open up and reveal itself. The last 3rd of any bottle will always taste different than the first few drams. For the Offerman Guinness Finished, coffee or espresso grounds would be more appropriate notes because this spirit is more bitter than sweet. As it should be. It’s an Islay scotch.

Overall, this is a fun slant on the classic Lagavulin 16. The smoke is not as pungent, but still strong and filthy. The marine influence is dry and dirty, like damp beach garbage that would attract a seagull. I love it. The bitterness is fun, you hold it in your mouth long enough, or dilute it a bit with water, and the richness and complexity begins. Citrus, coffee, even a tad of talcum (did you ever lick the powder as a kid, or are you normal?). In sum, all these notes have a bitterness that I appreciate. Things get sweeter the longer you get to know the spirit. The ginger, almond, spearmint, vanilla and carob baking powder jumped out after several drams seriously mulled over. I like it better than Laga 16.

My glencairn overfloweth!

[hellboys]

Nick Offerman Answers the Web's Most Searched Questions –WIRED, 2020

[spacenutspod]

**Host:** Alex First **Guest Critics:** Greg King, Peter Krauss **Episode Summary:** In this gripping episode, host Alex First dives into the tumultuous world of war-torn America with a blockbuster discussion on "Civil War," a film that paints a harrowing picture of a nation divided. The conversation then shifts to a journey through history, mythology, and the depths of the church's secrets with reviews of "La Chimaera," "Origin," and "The First Omen." **Highlights:** - **Civil War:** An in-depth analysis of Alex Garland's latest film, showcasing America's internal conflict. The critics are united in their praise for the film's stark portrayal of war, with standout performances from Kirsten Dunst and Wagner Moura. The episode delves into the film's themes of civil unrest and the role of journalists in documenting the brutality of conflict. - **La Chimaera:** A discussion on the whimsical tale of Italian grave robbers and their quest for archaeological riches. While the critics differ in their engagement with the film's pace and characters, they agree on the strong performances and the film's ethereal charm. - **Origin:** A contemplative look at Ava DuVernay's adaptation of Isabel Wilkerson's explorations into humanity's oppressive histories. The panel debates the film's effectiveness in translating complex social theories into a narrative format, with mixed reactions on its execution. - **The First Omen:** The critics dissect this prequel to the classic horror franchise, examining its connections to the original and its exploration of the church's dark secrets. Opinions are split on the film's success in delivering a fresh perspective on the iconic tale. **Episode Chapters:** (00:00) Introduction to the episode (02:48) Civil War: A nation's internal battle brought to life (19:25) La Chimaera: Grave-robbing adventures in Tuscany (34:17) Origin: Dissecting the roots of oppression (51:03) The First Omen: Unveiling the church's hidden past (1:05:36) Final thoughts on the films' impact and their storytelling prowess **Closing Note:** This episode of First on Film and Entertainment offers a rich tapestry of narratives that explore the human spirit's resilience in the face of adversity, the allure of the unknown, and the shadows that linger within institutions. Whether it's through the lens of a war photographer or the eyes of a novice nun, the critics provide a nuanced perspective on the power of film to confront and captivate. Join us next week for another round of in-depth film analysis and spirited discussions. Show notes created by https://headliner.app --- Episode Chapters (00:00) First on film and entertainment, we discuss a blockbuster that left an impression (01:54) Civil War is about America at war with itself in this bloody war (03:59) Alex Garland's new film about documenters of war is incredibly powerful (07:25) Peter Howell gives civil war a nine out of ten rating (10:11) Alice Rocker has woven what I think is a rather intriguing comedic adventure (14:02) Gregory King found the film interesting but stretched (16:01) Rohrwaxer's film has a dreamlike quality to it (18:12) Okay, so let's start with Greg. I think Greg will give it the low lowest score (19:45) Monkey man is an action thriller inspired by the Hindu legend Hanuman (27:10) Greg gives monkey man a score of six out of ten (29:59) Greg: I thought it was too long and repetitive for what it did (30:25) The film follows Isabel Wick Wilkerson after the Trayvon Martin shooting (34:28) Greg King: This film struggles to connect emotionally or with the audience (36:07) Eva Duvernay is an underrated african american filmmaker (38:48) Peter Frum: Turning esoteric material into a narrative feature is challenging (40:05) Greg: I struggled to connect with it on a lot of notions (40:46) Peter: Gregory Peck starred in first omen from 1976 (41:13) One of the great horror films of the seventies (41:48) The first omen is a prequel to the 1976 classic horror film (47:35) Peter: I felt this film was much more exploitative than the previous one (49:32) Greg King went to see West Side Story in Sydney last week

[stevenrogered]

Nick Offerman wins Best Supporting Performance in a New Scripted Series at the Spirit Awards for "The Last of Us."

[obiwan]

THE LAST OF US - BILL & FRANK

[mediocrefruitlover]

YOU DONT UNDERSTAND THEY BUILT A HOME AND A BEAUTIFUL LIFE IN A TRAGIC DYSTOPIAN WORLD. THEY HAD 16 YEARS TOGETHER AND THEY DIED IN EACH OTHER'S ARMS. THEY GREW STRAWBERRIES AND WATERED THEIR PLANTS AND PAINTED AND COOKED AND THEY LOVED EACH OTHER 😭😭😭😭😭 THEY WERE EACH OTHER'S PURPOSE 😭😭😭😭

[thatlookback]

Frank once had to beg for resources just to paint the house and Bill was reluctant because he didn’t understand it.

At the end of their lives, we see Frank’s paintings everywhere, all over their house and town. Which means that he not only was able to get Bill to see the importance of maintaining art and beauty, but that Bill went out of his way to make sure Frank always had paint on hand.

That just goes to show the strength of their love and Bill’s character development. One of the most romantic queer media pieces I’ve ever watched. Beautiful, gutting, perfect.

[its-a-geeks-world]

[maxbegone]

no context spoiler for the last of us episode 3

[uselessfuckingfuckers]

frank and tess both understand the importance of socializing your grumpy survivalist boyfriend

[cornyonmains]

Something I really love about The Last Of Us are these subtle little moments that showcase the real intelligence required for survival.

Bill wearing his hat in the dark during that shootout to keep the rainwater out of his eyes.

Bill didn't get shot because he was standing out in the open. The flamethrowers would have been too bright for the gunmen to see him. He was shot because he gave away his position when he yelled.

Joel seeing the bleach on top of the refrigerator, which is what made him think to look in the fridge for battery components.

Tess's skill with social engineering warranting an entire post of its own.

Ellie noticing Joel's hearing being shot on his right.

Honestly basically everything Bill did.

Like, they earned it, and you can see it in so many little moments.

Then you have Frank, who fell in a hole, and won the apocalypse. And I respect this dichotomy SO MUCH.

[thedgeofsleep]

Bill & Frank  +  Ellie & Riley  +  parallels  ( 1.03 / 1.07 )

[manny-jacinto]

#gay silence

[sadmishutka]

the moon and the sun

[animentality]

[obiwan]

#Life imitates art