#ROKU WHY DID YOU STEAL THAT FROM KOH

[hitemwiththeoop]

i kinda just want someone to write a fanfic about the gaang reacting to the live action, if you want to make it canonesque like, doing it like it was another play like the one at ember island,,,imagine

aang getting angry because he didn't get to kiss katara at the cave and instead they make her more interested in jet and he begins saying things like I BET IF YOU HAD BEEN WITH HIM IN THE CAVE YOU WOULD'VE KISSED HIM. katara angry at her characterization like WHY DON'T I SPEAK UP??? I WOULD'VE THROWN HANDS and to sokka WHY DID THEY MAKE YOU ACT LIKE THE MORE MATURE ONE BETWEEN US, I HAD TO WASH YOUR SOCKS BACK AT THE VILLAGE. everyone absolutely confused at the fact yue was a spirit fox. Zuko criticizing himself ozai and azula like wth and why do i have drawings of the avatars and a journal about them, they make me look so obsessed, and sokka like, actually, i think that was spot on. suki and sokka cringing at the scene where she stared at him shirtless and him getting angry because they didn't make him dress up like a girl

[aangarchy]

Netflix atla live action review ep 4-6

So, they completely ruined Bumi. Spoiler warning.

The more episodes pass by the more confused i get with the choices that were made. I wrote down commentary for the episodes and the thing that i wrote down the most was "why does this happen?". The writing is incredibly confusing and messy, feels too rushed in some spaces and too slow in others. There's just... so much going on and so little at the same time. They brought in elements that in the OG don't get introduced until later in s1, s2, the comics, or even the legend of Korra. The reason these things get introduced so early here is not clear at all, because they don't serve any purpose other than to be an obstacle to Aang, Sokka and Katara on their way to the North.

Mai and Ty Lee are.. there. They get introduced earlier but they don't serve any purpose at the moment other than stand around, watch Azula train, ask questions so that Azula can give us the answers the viewer needs. My guess is they only got introduced for the audience who watched the OG to go "oh we know them!". We get the secret tunnel story earlier too, but it has absolutely nothing to do with love. Somehow "love is brightest in the dark" now correlates to the badgermoles being able to sense a human's emotion. It's a waste of a storyline, doesn't teach us anything about love, gives us Omashu lore which is useless bc neither Sokka nor Katara actually use love to escape the tunnels. Also Oma and Shu are lesbians now, but you only know that bc they changed Shu's pronouns. Wow, so progressive! We have lesbians in the story now! Boy do i feel represented as a sapphic!

We get Koh early on as well, but his entire gig got changed. Now suddenly he doesn't steal faces but he "feeds", and hunts using the fog of lost souls (which is tlok lore mind you) as a tool to trap humans. We introduce the mother of faces (comic book lore!), or rather pendant of her that Koh owns. There's no reason for her to exist in this story though other than to be an easter egg to everyone who read the search (Not even the majority of the fandom!) and to offer a solution to this problem we've created, which is Koh capturing our friends in order to eat them and us not being able to convince him into letting them go. There's no feeling of dread in the Koh scenes at all because the whole problem of not showing emotion is just not a thing now. No suspense, no fear, just a weird cgi clown face worm. The worm doesn't even menacingly circle around Aang to invoke a feeling of being surrounded, it just sits there. I also just don't understand why Koh is here already bc now who is going to give us information about Tui and La?

This decision also creates a problem that Hei Bai's story just isn't about Hei Bai anymore. We get fed a few lines from a talking fox about how the forest spirit got hurt, but there's really no solution? Aang buries a pinecone in front of the statue and tells him not to give up hope but he didn't even really need to do that, because Hei Bai wasn't the one kidnapping villagers! It was Koh. Why did we appease Hei Bai if Koh was the real villain? Hei Bai/Koh's story leads us to Roku, but Roku is completely useless. All he does is undermine Kyoshi's advice to Aang, tell Aang about the mother of faces pendant so he can appease Koh, and then we leave. I knew in advance Roku wasn't going to warn Aang about the comet here bc Albert Kim already told us working with a deadline like that with child actors is just impossible. But with Roku suddenly not being Aang's main Avatar guide he just gets nothing to do. There's no suspense in this part of the story either, bc the time limit of the winter solstice isn't a thing here at all. Aang also ends up flying over Fire Nation borders without issue, and gets led right into the sanctuary without the puzzle of figuring out how to open the door, and without the problem of Zhao's soldiers waiting for him when he comes out. It creates this issue of there not being any excitement, at least for me. I genuinely am getting a bit bored with the show, which was never an issue with the OG for me. There's a reason all of this extra material didn't get introduced until later on. There's too many characters and they all get too little time to really do anything useful, they're not fleshed out, the stories aren't thought through and it ends up getting very confusing and boring. I'm genuinely curious for the perspective of people who have never watched the OG cartoon, bc i wonder if they're even able to follow along without prior knowledge of this universe.

Bumi is just... not Bumi. They completely changed his character to be this bitter old senile man that resents Aang for abandoning the world. This doesn't make any sense because in this version of the story Bumi shouldn't know that Aang is the Avatar at all, because Aang was told right before he disappeared! So why does Bumi immediately know that Aang is the Avatar, and why does Aang immediately recognize him? Also the original point of Bumi's tests is to get Aang to approach fights and puzzles from a different angle, so he can learn versatility as the Avatar. But here the tests are just happening because Bumi is mad at Aang for leaving and wants to get back at him for being gone so long. He says some lines about Aang having to learn to make hard choices and you can't rely on your friends, but Aang ends up proving him wrong in the end! What is even the point of Bumi's part in the story now, except for him just being another obstacle on the way to the North Pole?

There's a lot of instances where I feel like the bond between characters gets completely lost. We barely spend any time with the side characters like the mechanist, Teo, Jet and the freedom fighters, and the people in the spirit village. It makes some scenes feel very out of place. These storylines all happen at once, and they don't get their individual moments to shine. We have no room to feel betrayed by Jet or Sai, because we barely got to know them to begin with. Jet and Sai only spend time with One member of the gaang each, but when their betrayals come to light the rest of the group acts devastated, as if it was their dear friend. Sokka also gets really mad about the Jet thing, but he only met Jet once when he smuggled them into Omashu, and Jet didn't even tell Sokka his name. He said it afterwards when Katara met him again. It makes absolutely no sense why Sokka is yelling at Katara for trusting Jet only bc she finds him attractive, when Sokka wasn't even there during all of that!

The sense of family between the gaang that we get from the original also just doesn't happen here. Especially because these characters so far have spent more time apart than together. Aang constantly gets separated from Sokka and Katara, leaving no room for them to bond. We get Katara and Sokka bonding, but they shouldn't need those types of scenes because they're already siblings (which isn't very clear in the show either btw!). I ended up forgetting that Sokka and Katara were trapped by Koh, bc we spend so much time away from them (a whole episode, which is now an hour!).

I have little to no criticism for the Blue Spirit story. Want to guess why that is? Bc they left it pretty much untouched. We even get a little bit of an extra scene, with Zuko and Aang talking while Zuko recovers after getting hurt during the escape. I liked this choice, especially bc it highlights how conflicted Zuko is.

This is where we get Zuko's backstory. I have one question here: why did they make Ozai more sensible and less ruthless? Was that a Daniel Dae Kim decision? Bc it feels like a Daniel Dae Kim thing to do. They're very on the nose with the way Ozai is abusing Zuko and Azula, but then they turn around and make this man visit Zuko after he burned him and praise Zuko about finding the Avatar. I understand that they did this to show how Ozai uses Zuko's accomplishments in order to push Azula, but even if it were to do that: the original Ozai would NEVER. The problem here as well is that they don't let the viewers draw any conclusions themselves anymore. They're holding the viewer's hand through the whole thing, leaving no room for nuance or doubt.

I just finished episode 7 and 8 and I have Things To Say. None of which are good. Writing it down is challenging so it might take a day or two.

[blluespirit]

Episode 6 thoughts babey,,,,

Here are my thoughts on: episodes 1-3; episode 4 and episode 5!

Things I like:

Okay I see we’re starting off with emotional devastation write off the bat with a Zuko flashback. Dallas does a good job at portraying now-Zuko and before-Zuko. HES JUST TRYING HIS BEST HE JUST WANTS TO MAKE HIS FATHER PROUD OF HIM!! HE WANTS TO HELP OTHERS AND HES PUNISHED FOR IT!! 😭😭😭

Finally!!!! we are getting more Zuko and Zhao conflict. We needed to see more of Zhao as a villain

June flirting with Iroh is so funny and far better than in the og

anyone: this place is impenetrable. zuko: say no more 😉

oh my god they did the zuko sequence of him taking out those guards to get to Aang so well!

Love the whole zuko rescuing Aang from Zhao it was perfect ✨

Zuko meticulously finding out all the information he can about the past Avatars to the point where Aang says no one else knows this stuff is so important to me

Also I like how Aang and Zuko got a longer conversation than in canon. they had a nice moment there 😌 that will get Zuko Contemplating Treason for sure. Well actually - more treason than what he’s already done (thinking about you: siege of the north)

the 41st division being Zuko’s crew is an interesting choice!!! I’m actually sobbing about it!! To me it’s both a bad and good choice. I’ve explained my thoughts below and in the next section

Despite what I say below, Zuko’s crew bowing to him after they find out Zuko’s actions saved their life is such a good scene. Zuko seeing the product of having compassion and empathy for others as something positive, rather than something he’s ultimately punished for.

things I don’t like:

Zhao’s speech kinda sucked tbh. in the og it was much more grand and terrifying. He's on ground level with the soldiers instead of on that grand balcony. In the original he goats how fire is the superior element, how they're going to raze the Earth Kingdom to the ground. But in this one, it's just not the same level of brainwash-y propaganda-ryness that would have made SO much more chilling

idk but i preferred when Koh was a bit more mysterious and we didn’t really know much about him except that he stole the face of Avatar Kuruk’s lover and like some more vague info that leaves you intrigued about the mystery. like who the fuck is the mother of faces (i know she’s from the comics but still). And why did Roku steal it from him at all? idk im confused

Idk why they made Zuko stand and fight Ozai????? Ozai burning his own child who refused to fight him was a part of the horror of it all. Zuko refused to fight his father and begged for his forgiveness but Ozai still burned him anyway. I guess it still gets the cruelty across and that Zuko’s own compassion is used against him and Ozai is an irredeemable monster, but i still think it’s Not A Good Change.

Like I said above, Zuko’s crew being the 41st is not a bad thing! But I do just want to say that in the original, the attack goes ahead, and presumably, those soldiers die. It’s horrible. Zuko’s sacrifice is in vein and it was always going to be in vain because the Fire Nation as its stands would not allow it. Ozai would not allow it. I think that, like I said, it’s not necessarily a bad choice, but I think it does take away some of the horror of Zuko’s story (same as it does with making Zuko fight back in my opinion). HOWEVER, I do think it’s not all bad. I loved the scene where the crew bows to him - like I said above 🥹

Aang just giving Koh the statue and then all the people are just freed and he doesn’t even say anything wtf 💀

also i was so excited for roku’s appearance but i just thought it was disappointing. stop info dumping!!!! leave something up for interpretation I am BEGGING. “And she is Koh’s mother. Koh longs for the same thing we all do. Family.” maybe i’m being a bitch about this but it just annoys me!!!!!!! stop spelling things out! Koh is so much better when he’s mysterious and unknowable!! why is Roku's whole presence to be here and info-dump about Koh instead of all the meaningful and wise interactions he has with Aang in the original. simply ✨no✨

As you’ve seen from my previous entries, I try to have more positives than negatives but there were some things in this episode that irritated me and that i couldn’t ignore lol hopefully it gets better.... 😅

There were still parts i loved! Aang and Zuko's interactions were great and teh whole sequence of them escaping was wonderful. I likes Zuko interacting with the crew and Iroh trying to care for Zuko but not really knowing how to reach out to him.

On to the next one!

[likeabxrdinflight]

episodes five and six need to be talked about together, I think, because they're very much a two-parter.

so this contains...a lot. we've got "winter solstice", zuko's half of "the storm", "the blue spirit", and a very bizarre mish-mash of koh's part of "the siege of the north" with, of all things, the fog of lost souls from the legend of korra.

it's...we're getting major deviations from the animated version here. first and foremost, it's not the worst change in the world, but splitting the backstories from "the storm" and presenting them in entirely different contexts completely removes the parallels from aang and zuko in a way that...it doesn't butcher their arcs but I do still miss the original version. that episode was top tier and here it's just...average.

meanwhile roku has been completely butchered. there's no way around it. I want to say something positive but I really don't think I can. this is the "HARRY DID YOU PUT YOUR NAME IN THE GOBLET OF FIYAH" of avatar. bad choices all around here.

anyways, the plot is kind of...running away from itself, I think. the spirit world stuff was all recognizable, but they've made some changes that don't make a ton of sense. seeing wan shi tong was kinda cool, but also why? then koh shows up but he doesn't steal your face for making an expression anymore, he find them in the fog of lost souls and puts them in little cocoons to eat...whenever he feels like it? it's just a weird change, I guess. the entire purpose of this was to fridge katara and sokka to set up for "the blue spirit" which...sure, I guess they needed to raise the stakes a little higher than "my friends need frozen frogs" in this version.

of course katara and sokka both have visions in the spirit world while they're trapped in the fog of lost souls before koh captures them. katara's I know is her real memory because they show her mother's death and it's very close to the original version. sokka's...god I hope it's not a memory, but it probably is since katara's was. massive L for hakoda if so. not thrilled about that. at what point was hakoda ever disappointed in sokka? sokka always feared letting him down, but that wasn't because hakoda ever said anything so blatantly unkind- it's because the war left the weight of expectation on sokka's shoulders. his father left and he was the only "man" remaining. it had nothing to do with hakoda himself, just the impact of his absence.

it lacks subtlety. (also was the fox sokka saw yue? I feel like it was yue)

anyways this is ultimatley just the set up for aang needing to run to find roku at his temple, learn some shit that roku did to piss koh off and nothing at all about the comet (we knew that already tho), and then go try to correct it only to get captured by june who was hired by zuko and iroh but then actually no wait zhao comes takes him instead. this then lets "the blue spirit" play out as an almost one-to-one remake. which is fascinating because so little else has been preserved identically.

...arden cho was perfect as june btw. 10/10 casting.

interspersed with all this was zuko's backstory. and.......I knew they were gonna do this, I knew they were gonna have zuko fight back. there was too much indication in the trailers. and it just misses the damn point. the point is that he doesn't fight back, he refuses to fight his father out of loyalty and love, and ozai burns him for it. at the very least, ozai does still burn him intentionally, it is very clear that it was not an accident, and he still does it because zuko held back. but the impact is neutered a bit, the cruelty feels a little less. and there's no matching the mood of this shot:

(though azula doesn't smile evil-y in this version because she's just so EVIL so thank god for that)

focusing in on ozai does let daniel do some interesting things with his face in that scene, though. I know a lot of people are going to be upset that ozai isn't quite the same menacing, saturday-morning-cartoon villain he was in the original. but oh this guy is still a monster. "I burned and banished you because I love you" seems to be the vibe we're going for. I'm not against this at all, ozai's still a piece of shit, just a piece of shit who acts like a human being. the worst abusers justify their behavior as acts of love.

ummm what else. azula had a side plot in episode five and there is some fascinating stuff here. this adaptation is blowing up the golden child/scapegoat thing that the original had going on and honestly? kinda here for it. this azula is not secure in her position as ozai's favorite and she is gonna work her ass off to get that position if it fucking kills her.

...and we know how this ends for her. they're setting her up for her eventual fall. I think it's going to be much harder to watch this azula break. she looks so young, and they're showing her vulnerabilities so much sooner. the shots of her firebending late into the night while mai and ty lee sleep is so. sad??? and gyatso has a voiceover here that's just. someone please hug this child.

(also yeah aang gets to meet with gyatso in the spirit world and it is so so sad my heart T_T)

lots happened in these two episodes, some good, some bad, some just kinda strange. I also knew season one needed the most work when it came to adapting it into a serialized format but wow. they have really frankensteined this even more than I expected. it's...different. I still think it's worth watching though, but these two episodes didn't quite hit the highs of three and four.

[old-people-like-avatar]

Netflix Avatar the Last Airbender S1E6: Masks Review [Spoilers]

I actually really, really loved this Zuko-heavy episode. Probably my favorite so far. It introduced some important new scenes to the canon.

THE GOODS

Ozai: He's just trying to be a good father, guys. Really. Just trying to teach his son a valuable lesson to make him strong. No, but really. I really enjoyed Daniel Dae Kim's fresh interpretation of Ozai's agni kai with Zuko and its aftermath. He somehow made the concept of suffering-as-teacher come off... as parenting. Of course, we can all see the horrific abuse for what it really is, but Ozai the character truly believed. He even showed some hesitation in burning Zuko's face. Kim's performance gave Ozai a depth that wasn't really in the show. I actually really enjoyed watching this character.

41st Division: I loved the addition of Zuko's crew being the division that was supposed to be sacrificed. Awesome.

Zuko/Iroh: While there was a little too much of Iroh "talking up"/exposition-ing Zuko to the crew as someone who "sacrificed" and whatnot, they did also manage to do some really great showing. Little gestures, like Iroh fixing Zuko's gauntlest or putting a blanket on Zuko. <3 Or the way Iroh choked up when Zuko finally came back to the ship.

Zuko/Aang: The Blue Spirit action scenes were great, but what I really enjoyed was Zuko's scene with Aang in the random hut in the middle of nowhere. [Where did the hut come from? Who knows? How come the soldiers didn't see and search the hut? Who knows? Plot device!] Them bonding over goat hair and Zuko's notebook! Their conversation. I liked this expansion of the "Kuzon" scene from the show a lot.

Iroh and Azula in the agni kai: I liked that they had Iroh try to stop Ozai before the agni kai, and that Azula wasn't just sadistically watching.

Admiral Zhao: I loved the portrayal of Zhao's ascension to admiral. He was delicious.

THE I-APPRECIATED-WHAT-THEY-WERE-DOING-BUT-NOT-SURE-THEY-PULLED-IT-OFF

Resolution for Koh: Thematically they were trying to tie Koh's need for family to Aang and Zuko's need for family, but... it just really did not work. Here's this piece of wood totem! (But why did Roku steal it? No idea.) Something about a mother of faces! Family! Yeah! Okay! They didn't really pull it off.

THE BADS

Clunky dialogue... again. "I can't let everyone down again!" Please, make it stop. We've been hit over the head too many times with this. "I have feeling you've been hurt more than enough." No, no, no. Why do you feel the need for Aang to state all the obvious things? This writing team needs an editor.

Aang's capture made no sense: They didn't really explain how Aang didn't escape after the shirshu venom wore off. He was just secured with a rope on a cart. Couldn't he have airbended? If the answer is he was still under the effect of the venom, then say something about that. Otherwise, it just didn't make any sense.

THE UNKNOWN

Roku: I'm not sure how I felt about Avatar Roku as a character. Remains to be seen. Needs further development.

[wall-maria-around-ba-sing-se]

But why did you steal an image of Koh’s mom from him, Roku 😭

That’s so mean??

[the-last-cuddlebender]

I straight up check your profile daily for the southern raiders analysis you’re working on. 👀👀 where IS IT 😩

bRUH I am so excited to drop this analysis you have no idea (It’s creeping up to 22k+ I am gonna cryyyyyyyyyyyy). The only problem is that my TSR analysis and “Moon theory” are so incredibly hard to structure and articulate. I’m happy you’re so excited for it, though!!! Truly, it’s an honor. I’ll give you a taste of my madness and what’s to come, but be warned: it may be a bit hard to follow because TSR (from how I’ve come to understand it) is about the vagueness of beginnings, endings, and cycles, so there isn’t really a starting point for me to begin with. (So it may seem a tad bit like a ramble in some points that I haven’t fleshed out yet/am summarizing for this ask)

This analysis has me on trails like THIS brilliant nonsense, and I am 1000000000% here for it:

Roku: “The spirit's name is Koh, but he is very dangerous. They call him The Face Stealer.”

Katara: “We’re going to find the man who took my mother from me.”...“That’s him. That’s the monster.”

Lion Turtle: “To bend another's energy, your own spirit must be unbendable, or you will be corrupted and destroyed.”

Roku: “When you speak with him, you must be very careful to show no emotion at all. Not the slightest expression, or he will steal your face.”

Hama: “Congratulations, Katara. You’re a bloodbender.”

(If Katara had killed Yon Rha, she would be giving up her identity--her face. Not only would she have become a killer, but she would be killing what made her Katara)

Aang: “Let your anger out, and then let it go. Forgive him.”

Forgive him--approach him for what he is, not the faces your memories or your heart are having him wear. See him for the pathetic man he is in that moment right in front of you.

Aang’s forgiveness is seeing someone for the sum of their parts. It’s judging them and seeing through into their very soul, just like the Firebending Masters saw through Zuko being the Crown Prince and Aang being the Avatar. That meant nothing to the Masters. What did matter to them was who the boys were right there, right then, right in front of them.

“Why should I hold a grudge against you for something you did in a past life? After all, you’re a different person, now. You’ve come to me with a new face.”

But anyways...

If I can give no other take-away from my analysis and moon theory, it’s that Yin and Yang are not two entities; they are three. I think the fandom’s misunderstanding of it may be why the discourse on TSR (and Aang, Katara, and Zuko) is so black and white (pun intended lol). 

“But Yin and Yang are obviously two things. Don’t you know the symbol?” I hear some people already saying.

Wrong, sir.

It has never been just Yin and Yang. Yin and Yang have never existed as just two things.

They are Yin and Yang and Wu Wei.

(Aunt Wu has her name for a reason, and she has the mark of the wise in her hair for a reason, too...AND she is at odds with Sokka in The Fortuneteller for a reason, too!!!...but that’s for the analysis😉)

Balance isn’t good triumphing over evil. Balance is good and evil. Balance is standing on the flow between two opposites--it’s the compliment that connects them. (The koi fish live in an oasis for a reason.)

I’ll explain what Wu Wei is later in the full analysis (like many things in here), but here’s some of my evidences and proofs for the “Yin Yang trio”:

The Tibetan “Wheel of Dharma”

(I’ll also explain the Wheel and Dharma and etc. later because it has everything to do with Koh and the moon) Long story short, the wheel and its spokes are representative of the 8 steps to enlightenment and the cycle of rebirth. 

Look at the hub of the wheel. It’s a swirl made of 3 parts.

It is also a white lotus

Here’s the colored version of the wheel (as an alter):

Recognize the colors?

BLUE, WHITE (or gold, depending), & RED

These are the “THREE TREASURES” OR JEWELS.

They symbolize DHARMA, BUDDHA, & SANGHA respectively. 

KATARA, AANG, & ZUKO

water, air, & fire

T H R E E

Bato: “Ice dodging is a ceremonial test of wisdom, bravery, and trust.

Bato: “The spirits of water bear witness to these marks...”

Why does Bato say spirit(s) plural? The Ocean and the Moon are only two spirits. The Ocean can’t be two things. Right?

WRONG

Yue: “The legends say the Moon was the first waterbender. Our ancestors saw how it pushed and pulled the tides and learned how to do it themselves.”

The Moon--singular. The Tides--plural (push and pull)

Lion Turtle: “In the era before the Avatar, we bent not the elements, but the energy within our senses.”

The moon pushing and pulling the tide is the moon bending the energy of its world. 

Katara finding balance between “being too weak to do it” or “strong enough not to” is her bending the energy within herself.

It’s two solutions written as a question but said as a statement.

Yue: “Our ancestors saw how it pushed and pulled the tides and learned how to do it themselves”

THE SOUTHERN RAIDERS IS ABOUT AANG AND ZUKO LEARNING FROM KATARA. Katara had already learned from Aang and Zuko all leading up to TSR. That was her studying. TSR was her test.

TSR is Zuko’s and Aang’s studying. Sozin’s Comet is their test.

Bato: “For Sokka, the Mark of the Wise. The same mark your father earned. For Katara, the Mark of the Brave. Your courage inspires us. And for Aang, the Mark of the Trusted. You are now an honorary member of the Water Tribe.”

Aang - Wise (”you’re pretty wise for a kid”)

Katara - Brave (the same mark her mother earned)

Zuko - Trusted (”I was the first person to trust you”)

Sokka - Bato ("I am to have no part in this--you pass or fail on your own.”)

Yin and Yang are nothing without their dance. The Avatar and the Firelord mean nothing if they don’t have a world to rebuild.

The valley means nothing if there isn’t anyone to live in it.

Fighting is useless if there isn’t someone to fight for, otherwise it is “selfish and stupid”

Katara had to have a reason to return from Yon Rha. She needed to have Aang waiting for her. If she didn’t have a reason to stay, then she wouldn’t have a reason to go.

To have a reason to sleep, a person has to have a reason to wake up.

Katara: “Aang. He just took his glider and disappeared. He has this ridiculous notion that he has to save the world alone; that it's all his responsibility.”

Hakoda: “Maybe that's his way of being brave.”

(Bato: “For Katara, the Mark of the Brave. Your courage inspires us.”)

Katara: “It's not brave! It's selfish and stupid! We could be helping him! And I know the world needs him, but doesn't he know how much we need him, too? How can he just leave us behind?!”

(It was, in fact, not easy for Aang to ‘do nothing’)

Katara: “I understand why you left. I really do, and I know that you had to go, so why do I still feel this way? I'm so sad and angry...and hurt.”

Hakoda: “I love you more than anything. You and your brother are my entire world. I thought about you every day when I was gone, and every night when I went to sleep, I would lie awake missing you so much it would ache.”

(AND YUE IS ONE OF THE ONES TO SAVE AANG IN THE OCEAN FOR A REASON)

Thinking and missing: a matter of mind (who) and heart (want). 

Iroh: “Who are you? And what do you want?”

Sokka: “We need to go back. I wanna see Dad, but helping Aang is where we're needed the most.”

Mai: “I love Zuko more than I fear you.”

BUT YOU WANNA TALK ABOUT THE MOON FOR A HOT SECOND???

I’LL TELL YOU ABOUT THE MOON

I’LL TELL YOU ABOUT 2 MOONS

OH

OH REALLY???

OH REALLY, ZUKO

A FEW HOURS YOU SAY?

THEN TELL ME, ZUKO

WHY IS THE SUN GOING UP

WHEN IT IS THE MIDDLE OF THE NIGHT A FEW HOURS LATER

AND KATARA IS SLEEPING SO YOU CAN’T TELL ME IT’S BECAUSE YOU RISE WITH THE SUN OTHERWISE SHE’D BE WIDE AWAKE DURING THE FULL MOON THAT SHE USES TO BLOODBEND NOT EVEN TWO MINUTES LATER

THIS, MY FRIENDS, IS A HARVEST MOON

WHICH IS THE LAST FULL MOON OF THE SUMMER 

(and looks off color when it rises/falls because of the angle of the rise/fall in the atmosphere...it’s normal once overhead)

AND SYMOLIZES HISTORY REPEATING ITSELF

“We’re going to find the MAN who took my mother from me.”

“That’s him. That’s the MONSTER.”

8 spokes on the wheel

Katara was 8 when Kya was killed

8 steps to enlightenment (the “Eightfold Path”)

8 phases of the moon

8 faces of Koh

“One of your previous incarnations tried to slay me! Be it 8 or 9 hundred years ago” (but time is an illusion, so hundreds mean nothing)

THE OTHER TWO MOONS THAT ARE CONSUMING MY EVERY WAKING MOMENT???:

1.) The WOLF MOON--the first full moon of the new year (a love between the wolf and the moon in the harshest winters...connection is kindof obvious lmao)

2.) THE THUNDER MOON

The Thunder Moon is the full moon of July. It is also known as the Buck Moon--for when young buck regrow their antlers.

Yue: “My hair turned white.”

Zuko: *cuts and re-grows his hair*

Aang: “I have hair?”

The Thunder Moon--the full moon of July--is also the beginning of a certain Buddhist holiday.

DHARMA DAY

WHICH CELEBRATES THE BEGINING OF BUDDHISM AND THE FIRST OF THE 8 STEPS (the first spoke of the Dharma Wheel) TOWARDS ENLIGHTENMENT

AVATAR IS ALL ABOUT CYCLES

THE SOUTHERN RAIDERS IS ALL ABOUT BREAKING THEM

I haven’t even touched Jung, Koh, Hinduism, and Buddhism yet

or the fact that Katara and Kya are the only characters in the entire series to wear moons on their clothing and that, together, they form an actual lunar phenomenon

or why the spirit oasis isn’t a complete circle

or the fact that this thing that Aang is told to chase is just like Whaletail Island:

or how important the Great Divide and the Solstice are

AND I’M JUST GETTING STARTED

BECAUSE EVERYTHING IN THE SOUTHERN RAIDERS--RIGHT DOWN TO THE SOUND DESIGN--IS ABSOLUTELY MONUMENTAL IN UNDERSTANDING THE SHOW, ITS MESSAGE, ENERGYBENDING, AND LITERALLY EVERYTHING ELSE

TLDR: Idk how the heck I’m going to arrange or articulate this analysis because it is WILD. Be warned: There is literally no exact beginning and ending to this analysis because the whole point of Yin and Yang is that is has no beginning or ending (...kindof...), so you’ll have to bear with me once I’m done editing it into something that’s somewhat coherent.

These are just SOME of the things I’ve been able to answer with my moon theory and analysis of The Southern Raiders as it currently stands:

Why “letting go” isn’t really letting go (as we understand it...see: Aang’s confrontation with Koh)

Why Lake Laogai and the Spirit World are symbolically the same thing.

Zuko’s advice to the bullfrog is actually a summary of the show, energybending, the origin of bending, and the definition of Aang’s “forgiveness” I stg

Why “Sokka’s instincts” are the reason Katara yells at Sokka

Believe it or not, every time Katara mentions her mother, it is at specific times for specific reasons.

^^^same thing for the moon, lack of moon, moon positioning, etc.

Katara’s mother’s necklace is more important than we realize.

Who the faces of Koh are and WHY they are there.

The true meaning of Jet’s sacrifice.

Why Jet’s episode about the dam explains the entirety of TSR as it pertains to Katara (all the way down to the little girl who runs to get her doll after the dam breaks)

Why Katara actually DID forgive Yon Rha, and the fact that she doesn’t even know it is proof that she did

^^^^^Aang’s definition of forgiveness is completely misunderstood by the fandom, and the way he “forgives” is sososo much deeper than “moving on”, and it is DEFINATELY by no means “doing  nothing” or “excusing” past actions.

The importance of lightning, Zuko, Aang, and Katara.

The absolutely monumental and not nearly talked about importance of Jeong-Jeong like holy crap.

How Katara and Azula are just as much of a Yin and Yang as Zuko and Aang but not in the way we think they are

Why Koh has the Blue Spirit’s face

Why Koh DOESN’T have the Painted Lady’s face.

Who Ni-Ni from Katara’s campfire story in The Puppetmaster is 

How and why Iroh was able to learn firebending from the Masters even though he didn’t have a partner. 

How/Why Azula had her breakdown and why she saw her mother in the mirror

Why “Leaves from the Vine” and “Four Seasons” are the same song, explain Azula’s downfall, and explain the Yin and Yang of TSR.

Why Katara and Sokka are so often mistaken for parental figures.

Why Aang’s flashbacks to the Air Nomads are so important in understanding TSR.

Why Toph and Suki disappear after the campfire in TSR.

How Hakoda, Gyatso, and Kya are all connected.

Why it is so dang important that Azula shows up in the beginning of TSR.

The importance of the Spirit Oasis.

Energybending, healing with waterbending, Aang’s trauma, and Zuko’s scar.

Why Zuko gives Katara the exact opposite advise in TSR that he gave her in the catacombs. 

How everything could be predicted and read by the moon.

WHY YIN AND YANG ARE THREE THINGS AND HAVE ALWAYS BEEN THREE THINGS.

HOW ALLLLLLLLLLLLLLLLLLL OF THIS TIES BACK TO THE MOON AND BUDDHIST BELIEFS--AND YEAH THE MOON AND BUDDHISM AND HINDUISM ARE MORE CONNECTED IN ATLA THAN YOU CAN IMAGINE.

AND HOW IT LEADS INTO OUR MODERN UNDERSTANDING OF THE SELF--BECAUSE JUNG TOOK GREAT INFLUENCE IN HIS DEVELOPING THEORY OF THE CONSCIOUS AND THE SUBCONSCIOUS FROM THE HINDU/BUDDHIST RELIGIONS 

^^^^AND ALSO THE THEORY OF THE SHADOW AND THE PERSONA 

The ocean is a deep, dark, unknown place with a lot of hidden monsters (like Yon Rah). Katara needed a light to find her monster, but she also needed somewhere she could breathe when she came back up for air.

If she didn’t have both Zuko and Aang, Katara would have drowned. 

I wasn’t kidding when I said this was a thesis, and what I’ve said and listed here isn’t even all that I have.

btw This all does line up on the traditional Yin Yang symbol we know and see in the show, but I don’t have enough space here for that lmao. That’ll be in the analysis

I hope you enjoyed this little taste, my friend, because I need to sit down for a hot second before my brain leaks out of my ears. Sorry for the ramble. I promise the analysis isn’t like this lol. This is just me trying to summarize as best as I can. 

***Disclaimer: My points are always subject to change since I am still researching. These are the facts as I’ve found and applied them to the evidences I’ve noted from in the show. I’m always open for friendly discussion or any directions to better sources on Buddhism/Tao/Jung!***

[middleofnowhere92]

Ranking all ATLA Villains/Antagonists from worst to best (by someone who loves villains)

This post was inspired by this ask 

Warning: I swear quite a bit in this post and I’m a dumbass, not an ATLA scholar, so take this with a grain of salt. Also I have no idea wtf my ranking criteria was. I assigned arbitrary and meaningless points like Dumbledore giving all the points to Gryffindor at the end of the year. 

Iroh

 I have a secret for you...Iroh is an antagonist.... Say it with me... Iroh is an antagonist. For the people in the back, IROH IS AN ANTAGONIST. He’s not particularly good at at it, but he belongs on this list. Primary reason being, his siege on Ba Sing Se, which was a major battle in the 100 year war and all the other things he did in the war to become a general. If he was good at being a villain, he would at least have the decency to conquer the city, but as Ozai points out, Iroh excels at tea and failure. When we see Iroh in Book 1, He’s a very chill antagonist for the same reason a lot of our other antagonists are (June, the Yuyan Archers, Combustion man etc)-they are helping a villain achieve their goal. In Iroh’s case, he does help Zuko in many ways ( like sneaking him onto Zhao’s ship) and these in turn help Zuko get closer to his goal of capturing Aang. I love Iroh as a character, but he’s not good at being an antagonist, which is why he is ranked the worst. 

Circus Trainer

This man is straight up, evil. I like villains, but I do not like this man. He’s cruel and not in a fun way, which is why he’s near the bottom of the list. The whole point of being a villain is to be cool and do bad things, but he’s not even a little fun to watch. He’s the least interesting to look at... 

Yon Rha

This man is a coward. Like how did he lead the Southern Raiders? He went soft when he got old. He was more savage back in the day. Like this man is a firebender, but he cowers from Zuko before Katara even pops up. He needs to grow a pair. Like Katara said man is pa-thet-ic. 

The Rough Rhinos (ignoring the comics)

They get points for creating my favorite antagonist, Jet. But the first time we see these clowns in the show, the gang just rides away on Appa, easily avoiding them. And then the gang easily defeats them in their next run in. These clowns are good at destroying things, but not really fighting or pursuing others. 

Ozai

I expected more from this man. He was hyped up for three seasons and I just didn’t feel like he was smart enough to be the bad guy for the whole ass show.  The man clearly doesn’t think for himself or show up throughout the series doing  menacing things. The final agni kai overshadowed Ozai and Aang’s showdown. That’s the theme, Azula outshines a grown man as the star villain of the show. He does get some points for his fashion and flair for the dramatic. 

Mai's Uncle (Boiling Rock Warden)

This man, is a dumbass with the reflexes of a sloth. Suki overpowered him in 2 seconds flat. How is this grown man getting defeated by a little nugget like Suki? She was only holding his wrist. He could have just kicked her? Like you are a prison warden, look alive man! And he should have captured Zuko’s little ass and sent him right over to Ozai to get some street cred, but instead he just gets pissed cause Zuko broke up with Mai? First lesson in being a villain/antagonist- power over everything (including family). He does get points for ordering them to cut the line. That’s straight savage. 

Xin Fu and Yu

Toph gets it right, these are two dunderheads. How did they not hear Toph bending metal? They react almost as slowly as the Boiling Rock Warden, letting Toph easily overtake them. They are two skilled benders and they didn’t even stand a chance. 

General Fong

This man gets points for being a bat shit crazy. And I think he’s one of the first non fire nation antagonists we see in the show, so points for him. He’s an underrated antagonist. He does cool bending and his emotional manipulation to get Aang into the Avatar state is A+ villain work. 

Azulon

Azulon gets villain points for keeping the war going. He didn’t fuck it up like Ozai. But Azulon gets his villainness handed to him on a platter, he didn’t really do much, besides maintain status quo. We do get the scene where Ozai asks for the throne. But I don’t think Azulon assumed Ozai was going to kill Zuko. Azulon was trying to make a point, that Ozai’s request was absurd, but he obviously didn’t know Ozai well enough...

Koh

Koh almost didn’t make the list. I don’t really consider him to be an antagonist. Aang came to him asking for information and Koh was trying to do what he does..steal faces. He was just vibing. I included him on this list, because he antagonized us (the viewers). Dude is easily the most terrifying part of the show. 

Ghashiun

He muzzled Appa! He’s not ranked high on this list, because he didn’t know Appa was Aang’s so he wasn’t intentionally trying to fuck with the Avatar. I do like the sandbenders as a whole. They just run around causing chaos with their cool bending. This character, however, loses points, because when he is confronted about stealing Appa, he gets defensive and tries to lie. If you do something bad, at least have the balls to own up to it. 

Wan Shi Tong

Gets points for his flair for the dramatic a la Ozai. I did like Wan Shi Tong’s logic around not giving the gaang information: “You think you're the first person to believe their war was justified?!” He had more brain cells than some of our other villains/antagonists, but was also dumb too? Sokka pretty easily outsmarted him. This Spirit has been alive forever, he shouldn’t be outsmarted by a child. 

The Old Man

Oooof. I almost put him in the number one spot tbh. He did us and Haru so dirty. Like he could have died,but he turned in the person that saved him??? He gets points for shock value and pettiness. I personally think Jet should take him out...

June

June gets points for being a bad bitch. I like her vibe. She’ll do anything as long as you’re paying her the right price and I can respect that. She isn’t higher on the list, because she is executing someone else’s plan, not her own. 

The Yuyan Archers

Speaking of bad bitches, the Yuyan Archers are so cool and I wish they got more screen time! We see very few antagonists that can keep up with Aang the way that this group does. They add a bit of spice and a different flavor to what we know about Fire Nation fighting styles, which I approve of. I hope we see more of them in future ATLA projects. They aren’t higher up, because they are still doing someone else’s bidding. If they had their own leader and their own agenda, that would be some cool shit. 

Combustion Man

This man gets points for giving the gaang a lot of trouble. As viewers, we really worry about whether they will be able to defeat him. I like that he has a different style of bending, which in and of itself is terrifying. He still doesn’t make it up higher on the list, because he’s still doing someone else’s (Zuko’s) bidding.

Rig Warden

On second thought, I may have him ranked a little too high. But oh well, fuck it. He gets many many points for being voiced by George Takei. This man also gets points for having general villain swag. He is sassy and I am here for it. He’s highly effective at crushing the souls of the Earthbenders on the rig. Also, he does not stutter when Haru throws those rocks at him.Came at him full force which is what all the other himbos on this list should have been doing when these children played them! He outright told Katara he was gonna kill her “You’re one mistake away from dying where you stand.” Loses points for begging as he’s dragged off the rig. Go down with some dignity!

The Southern Raiders

So the Southern Raiders get ranked separately from Yon Rha, because he led them towards the end of their conquest. I think they started under Sozin’s reign. This group gets ranked fairly high, because they were very effective at their task. They came, they saw, they decimated-leaving the SWT defenseless and barely able to sustain itself. 

Mai

I like Mai and wish I could rank her higher. I like her knives, they are very cool form of defense that was unique to her. I also love how she just immediately flung arrows at Aang, no hesitation. She does get style points, her aesthetic is everything. Her one liners are pretty funny, “You’re so colorful, you’re making me nauseous.”  She lacks in her commitment. Anytime anything inconveniences her she’s just like eh, no thanks. Hardcore antagonists need to be have some dedication to their cause, which Mai does not.  I feel like she would eventually run out of weapons in a longer battle, which would be a big issue for her. 

Long Feng

Gets instant points for villain swag, creepy vibe and sass. This man kept news of a whole war from Ba Sing Se, even though the city was filled with refugees? Long Feng had his work cut out for him. He loses points, because he lets the children get away with too much. He should have locked down Aaang and co immediately, because they were trouble as soon as they rolled up. Also, he should have fought Azula. He let a fourteen year old take his whole career away. He was never even a player.

Sozin

Sozin gets a  large amount of hypothetical points from being the one to start it all. He’s the one who initiated the 100 year war. He did not play around. He used that comet to its maximum potential. Also he has a dragon, which is fucking cool. He gets bad bitch points for leaving Roku on the exploding island. Like that’s a power move right there. He wiped out the air nomads and invaded the Southern Water Tribe, which is why his successors  are ranked much lower on the list. They really didn’t do shit.

Hama

Gets points for being a waterbender, which is something cool that we hadn’t seen in a villain yet. She also gets points for executing her own deranged agenda. I would love to see her and Jet link up, cause that would have been chaos. She also gets heaps of points for inventing bloodbending. Many of the villains of this list can barely think and homegirl has big brain energy. She is cunning and quick, like when she utilizes Sokka and Aang to attack Katara. I like her general bruja (witch) vibes. She gets more points because she does not motherfucking stutter when Katara figures her out, she just starts bloodbending immediately. She really enjoys her power and I can’t blame her for it. She’s a baddie and she knows it. More points for Hama, because she gets Katara to carry on her legacy (whether she wants to or not) and goes off to jail with her dignity. She’s an all-star villain and I love to see it. She loses a few points, because her bloodbending is limited to the full moon, but she still has her waterbending which is terrifying enough...

Dai Li

Like the rig warden, I probably ranked these himbos too high, but I love them as henchmen. Their bending is amazing, they are sneaky and they can brainwash you? Like fuck me up man. They really are just a joy to watch and their betrayal of Long Feng is so unexpected. This group really creates the creepy/ominous aesthetic the creators were going for in Ba Sing Se. Don’t think their bending is good? They one upped Toph and almost had her, but Jet saved her at the last second. 

Zhao

I feel like Zhao’s characterization is inconsistent (sometimes he has a bad temper, sometimes he doesn’t?) which makes him hard to rank, but let’s do it anyway. He gets points for being voiced by the guy that played Lucius Malfoy, like yaaas work that Slytherin aesthetic. Gets points for using the Yuyan Archers. Loses a lot of points in his fight with Aang, like that child was obviously baiting him. He has a lot of ambition and actually has to work to his rise to power, which he obviously relishes. He’s the perfect antagonist for Zuko. He accomplished his goal of frying the fish/moon and he actually captures Aang. I think the writers added in his hot temper later on, because they realized he was too competent and had to give him a flaw. 

Zuko

Ohhh my morally confused prince, Where do we even start? Zuko gets a lot of points for his sheer determination. I would love to see an unhinged Zuko without Iroh. Zuko’s tenacity and unpredictability make him a fantastic antagonist. Iroh and Azula try to control Zuko, but they never really know what he’s gonna do next and neither do we as the viewers. He’s near the top of the list, because even with so many struggles he kept Aang on the run for two seasons. I like that he actually struggled to be good. He obviously loses points for joining the good guys, but we still love him. 

Jet

Speaking of morally grey, cue up Jet’s theme music. He gets instant points for swag and cool swords. Like the Yuyan archers, Jet is one of the few antagonists we see that can keep up with Aang. Like Zuko, Jet’s dedication to his cause get him high on this list, because he will defeat the Fire Nation at any cause. The creators lose points for being cowards and killing him off. We saw plenty of other people (Sokka) get hit with similar rocks and not die. Jet is a fantastic antagonist with a backstory that the audience can sympathize with. He loses points for not being more versatile in his tactics. I’ve written more on this here. 

Ty Lee

Katara is terrified of her, do I need to elaborate? Ty Lee by far has the scariest skill set on the show. It’s too easy for people to underestimate her. Katara and Suki make that mistake once and then never do it again. Like Toph, Ty Lee knows to wait for the right time to strike, making her highly effective at taking out our favorite benders and whole groups of benders (The Terra Team). Her betrayal of Azula is ICONIC and unexpected, but as always, Ty Lee knows just the right time to strike. I think Ty and Mai were perfectly capable of getting away at the Boiling Rock and I’m disappointed they were captured so easily. 

Azula

Look down, you’re talking to your highness. Can’t see her? She’s the reason for your blindness. 

To the surprise of absolutely no one, Azula is the baddest bitch in the game. PERIODT. She is ruthless, cunning and powerful. Her lightning bending is at a whole other level. She is the smartest person on this list. She takes Ba Sing Se from the inside out, utilizes the Da Li perfectly and has antagonized Zuko from the beginning. As far as I’m concerned, she was made to be Firelord. 

[fanficwritingcentral]

Thanks for the memories (even though they weren't so great)

Chapter 1

(^ link to ao3)

It was a clear aftermoon as the trio flew from the Northern Water tribe. The air was crisp, the clouds white and Aang was almost bouncing as he sat cross legged on Appa’s saddle with Momo sleeping around his neck like a living scarf.

“So, Ruko told me that the spirited I needed to find was Koh, since he was one of the oldest of spirits," said Aang as he retold his adventure on finding the ocean and moon spirits to Katara and Sokka. "But! I had to be super careful because Koh is known as the face stealer, and if I showed any emotion, he would steal my face!”

“Oh, wow Aang,” said Katara who was kneeling in front of Aang, wind whipping her hair loopies around her face, “That’s terrifying.”

Sokka only let out a hum as he leaned his arms on the edge of the saddle and gazed at the sky.

“Yeah! So, I went to find Koh like Ruko told me right,” said Aang to Katara who nodded and Sokka let out another hum.

“Well, I found his lair and as I was going to walk down the entrance, I saw a curly tail Bluenose.”

‘Aww,” said Katara.

“But! When it turned to me,” Aang said and slammed his hands on the saddle, Momo waking up little at the sharp movement and grumbled before going back to sleep. “It. Had. No. Face.”

Katara gasped and clasped her hands to her mouth. However, Sokka only turned his head and looked at Aang, as if the story were finally grabbing his attention.

“Yeah! It was so creepy, its face was just blank skin with fur surrounding it, nothing else.” Aang said shuddering.

“So, what did you do next?” asked Sokka, speaking for the first time since they left the Northern Water Tribe.

“Well, I remembered what Roku said about not showing emotion. So, I controlled myself and walked into the lair, and boy, was it dark!”

“Oh?” said Katara.

“Yeah! I could barely see anything.”

“How did you find Koh then?” asked Katara, leaning a little towards Aang.

“Well I walked down the path I could only just see, and I entered this room with all these roots going through it- Oh! I forget to say that his lair is in a giant dead looking tree- Anyway, I was in the room and without any warning, Koh appeared in front of me! I made sure not to let my surprise show, but it was pretty scary.” Aang looked away and rubbed the back of his head with his hand.

“Could you see what he looked like?” Sokka asked, now sitting cross legged with his hands in his lap and facing Aang.

Aang looked back to the two siblings and nodded “He kinda looked like a giant centipede and his face was set in the middle of the front end of his body. And his face was in an eyelid kind of thing where a lid would cover his face and when it lifted, a new face would be there.”

Sokka and Katara both scrunched up their faces, “Well that’s unnerving,” remarked Sokka.

Aang nodded. “Yep. He showed me a few faces too, one of them he only showed me after telling me that he'd met me before in a past life.”

“Wow, he knew a past life of yours?” asked Katara.

“Yeah, he said it was about 800 or 900years ago.”

Sokka and Katara both looked surprised.

“He,” Aang bit his lip and looked to his side, “He also told me that my past life tried to kill him then too.”

“What! Why?!” Sokka and Katara said at the same time.

Aang looked back at them and said quietly “He said it was because he took the face of someone they loved, and then showed me a face of this beautiful woman with long brown hair.” Aang then clenched his hands, took a deep breath and shouted, “He didn’t even sound sorry!” Momo flinched awake and tiredly chirped at Aang, slapping a little hand on his face.

“Aang?” said Katara softly, tilting her head to the side and raised a hand out towards him.

“He took her face! He showed me. He even sounded like he thought the memory was funny! But it wasn’t! It wasn’t funny, it wasn’t fair, she didn’t deserve it!”

“Aang?” Said Sokka with an almost puzzled look on his face.

Aang put his hands on his head, looked down and took gasping breaths that sounded as though he was sobbing. Momo now completely awake sitting on Aangs lap, trying to move Aang's hands away chirping hurriedly at him.

“Aang.” Sokka and Katara said at the same again, though Aang gave no impression that he noticed.

The siblings looked at each other. Then, both shuffled closer to the young avatar, each putting a hand on Aang’s shoulders. “Aang?” Katara tried again, this time also shaking Aang a little.

Aang put his arms down on his knees, so as to not hit Momo now patting Aang's face, and looked up. Both siblings gasped as they saw thin wet streams coming from Aang’s eyes.

“Aang, you’re crying.” Katara said softly, with her brows a little drawn.

Aang sniffed and used his arms to wipe his face, knocking off Sokka and Katara’s hands in the process, though leaving Momo be as he decided to curl up between Aang's shoulder and neck. “It hurts,” Aang said and rubbed a hand on his chest, over his heart. “It hurts me right here to know that he stole her face. But I don’t know why. I never even knew her. It was so long ago and it wasn’t even my life. So Why? Why does it hurt so much to know this?” Aang put his hands on his face and burst into tears again, this time stronger and louder.

“Aang,” Sokka said softly, putting his hand back on Aang’s shoulder that Momo was curled up on, “Aang buddy, I’m so sorry.”

Katara put her arm over Aang’s other shoulder, across his shaking back, and gave him a half hug as tears started to fall from her eyes too.

Neither sibling could do anything more, but only hold Aang as he grieved for a love that had long since passed.