#Rambling in tags warning

[pangolinsandnewts]

A zombie, a ghost, and an oni walk into a bar...

(pspspsps you wanna reblog my art you wanna reblog my art so bad)

[goldensunset]

feel free to elaborate in tags of course on how easy or hard cosplaying them would be

bonus question: how much do you WANT to look like your icon. like are they the goal you aspire to

[skrimbloz]

THE QUIET ONE ☠️🕸️

I AM SO PROUD OF THIS AHHHHHHH

I decided I wanted to have a go at using procreate’s symmetry tool and it was SO fun

Her silhouette is meant to look like a spider with her headband being the fangs and hair strands being the legs!! I also think it looks like a heart too which is pretty neat :D

This took me AGESSS because I kept changing the colour pallette and background, I love how it turned out though and the only thing I would change is that it’s kinda hard to see her bowing pose bc of all the dark colours 😭😭

I LOVE associating spiders with Harumi which is pretty ironic considering i’m arachnophobic 💀

I don’t think it’s used that much in the show other than the like spider they used to bug the bounty but I have chosen to RUN with it

[trauersinfonie]

here’s the rest

op 26 (check out the animators involved)

[fandomsnrambles]

Huh, found an older art piece of the FSM as a child

My anatomy is meh here but oh well. The eyes around him are basically the onis and the dragons. Its the pressure he felt when they were making him chose sides in a war… yikes.

Rambling below cut (and sketch!)

I hc he ran away when he was 14-15. This is him as a kid, basically 14. Also, i thought it’d be fun if he looked like both his sons hence the two toned hair (personally think he made his kids asexually btw cause its hilarious)

I also like to think hes a lot like BOTH his sons personality wise.

ANYWAY that moment when trauma hits you like a truck. As a child soldier, you are robbed of your childhood (lloyd parallel fr) and then you run away making 16 realms, 2 kids and possibly humans as well. You ingrain it into your everyday life and never realise your coping methods are unhealthy until you suddenly realise you’ve hurt your sons, but its too late by then.

My angst material is focusing on the generational trauma here btw

I mean FSM runs from the pressure from everyone around him -> Wu and Garmadon feel pressure to uphold their fathers expectations and everyone elses -> Lloyd trying to uphold expectations from everyone around him…

(Also, so fun cause my lloyd design looks like his grandfather, OOF think of the parallels is what i’m saying)

This family makes me crazy…

Bonus,, sketch

[palskippah]

Hi!

Based over the fact that my lil bro when like he just turned five cut a bunch of his hair off and my mom and I were like :000

Also, Mario connected the dots very quickly bc just that morning he told Nettarina they looked alike and then by afternoon she had many inches less of hair🧍but he didn't say anything.

BUT! Of course Nettarina did, and when Peach said "why,,?" like not really expecting an answer, she said "because mamma said I look just like him, but I didn't bc he doesn't have long hair so I cut mine!"

And Peach sent an unfairly killing stare to Mario who was like hehe sori :D

Then Mariella saw her sister and wanted to be just like her, so then they took both girls to a stylist to cut their hair properly and later after that they get ice-cream and go to a park and is very nice but Peach laments that they don't have their pretty long hair anymore, the whole afternoon alskdadf too big of a change maybe bc she wouldn't be able to braid their hair or do nice hairstyles anymore waa (she now can do the little palm tree pigtails tho and she's like aww like when they were babies! :'D)

(When Nettarina's older, she starts liking longer hair again so she returns to how she had it before the cutting from when she was five ajsdka)

BTW Mario and Peach have two more babies and they're both girls and one's called Carolina and the youngest is Giovanna and WA Carolina's design looks too much like Mario therefore too much like the twins aksjdajd but she got Peach's nose and also her big ol' eyes from the moment she was born (in Mario's eye color tho).

And Giovanna got Mario and Luigi's dad's hair (aka also Luigi's hair) so it's dark and more like Peach's rather than Mario's. She also got his nose and his eyes and his eyebrows and basically everything sjdsh

Anyways what I'm trying to get at, is that none of their four daughters look that much like Peach at simple view, but if you look closely, you notice that they got her eyebrows, or her smile or her eye color mixed in with Mario's or her eyelashes or the shape of her face whwhw

ALSO, Peach's height yippie!! They're all taller than Mario🧍and he's like psh the disrespect >:c because he gotta look up to any of their daughters, even Carolina, who is the shortest of them (by nature's laws Giovanna, being the youngest, is the tallest).

Sorry I love when children look much more like a parent than the other, especially if it's the parent that gave birth to them SJDK (it's only fair, since they carried the babies >:v)

[markscherz]

I salivate at the thought of skinning you alive

oh good, I thought I'd been left out. [for context to the reader, this is a reference to this post (I hope)]

On the spectrum from crocodile to passerine, I can only hope that human would be closer to crocodile, but not so close to be quite as tiring.

[saltpepperbeard]

Poison into Positivity: A List of What I Liked in OFMD S2

Hello hello everyone! Things have been a little rough around here. Even away from the more heated takes, I've still seen a few "down in the dumps" murmurs. To which, I'm giving y'all big hugs, but also offering up some little bits of warmth! I wanted to share quite a few bullets of the things I enjoyed about this season. Maybe it'll serve as a reminder, or maybe it'll just serve as a chaotic, silly little read as per usual PFFF.

But I invite you to read along, and even add some of your own points should you feel inclined! Also, this might not even be my full list; these are just the ones that came to me quickly/off the top of my head. Still, let's dive on down like a fantastical, dazzling goldfish, shall we?

All the callbacks/parallels. My goodness. When I tell you I'm a SLUT for metaphors/parallels/callbacks/etc etc. Seeing so many things and being able to just *Leonardo Dicaprio pointing meme.* I know people might not share that same opinion because some might view it to be excessive, but I personally LOVED being able to point at my screen and be like "oH EYYYYYYY!!!" Maybe because it makes for such immaculate gifset/meta material <3 SJKJDLHSK

The costuming and makeup. WHEN THEY TALKED AT ECCC ABOUT EVERYONE GETTING HOTTER, THEY WERE NOT KIDDING LMAO. EVERYONE LOOKED SO, SO GOOD. and listen, i am on my knees begging for them to give ed with his hair up back to us. i need Her back,,,ALSO, SOMETHING SOMETHING COMPLICATED EMOTIONS TOWARDS STEDE'S LATTER HALF LOOK, BUT ALSO...GOD DAMN, MR. DARBY,,,,,,

Speaking of Mr. Darby, the acting in this season. The ACTTTINNNGG. Everyone acted their ASSES off. Everyone put their entire piratussies into this season. Though, I'm PARTICULARLY impressed with Taika and Rhys, because again with their "oh we're comedians lol so idk drama can be Difficult Difficult Lemon Difficult." MMMM I THINK THE FUCK NOT, MY GUYS LMAO??? They both did SO well with all the drama and painful moments. The acting in episodes 2, 3, 6, and 7 in particular like...God. GOD!!!

I loved so many characters in this season, and I'll of course have to give two individual shoutouts to my two favorite new ladies, but man. LET'S GO FRENCHIE!!! ALWAYS A DELIGHT!!! FANG/KEVIN MY ABSOLUTE SWEETHEART. JIM SERVING ABSOLUTE FUCKING GENDER THIS SEASON. OLU OLU DARLING OLU. PETE NEVER MISSING WITH HIS ONELINERS. LUCIUS BEING SO THEATRICAL AHDJKSDK LIKE NATHAN PLEASE YOU KILL ME. ROACH MAKING ME LAUGH OUT LOUD NUMEROUS TIMES AS HE DOES. WEE JOHN AND HIS KNITTING AND DRAG!!! AND THEN OF COURSE MY DEARLY BELOVEDS, ED AND STEDE. I JUST LOVE THEMMMMM!!! But okay okay okay-

Zheng my beloved. I just love this badass pirate queen with her sweet little pigtails and her IMMACULATE LINE DELIVERIES SDHJKSKL. A lot of my favorite deliveries from the entire season came from her quite honestly. Please see: "Girl, how ARE you?" and "Hiiiiiii. I KNOWWW it's been a day" and "I've killed mediocre men. I've killed exceptional men. But you're the worst kind: a mediocre man who thinks he's exceptional."

AND ARCHIE MY BELOVED. She kills me because I remember seeing like, those ~*~audition tape whispers~*~ WAY back in the day, and subsequently thinking she was going to be quite a different character. Only for this silly goofy bubbly energetic darling to pop up and snag my heart. HER deliveries kill me also, like when she goes "Like...STEDE Stede?" and the whole "I was IN the fuckin' snake!" also hhngngngngnershkfhslkds tattooed ladies Hot :(

Speaking of which, the comedy. THE DELIVERIES. THE WAY I LAUGHED OUT LOUD NUMEROUS TIMES THROUGHOUT, EVEN WITH THE DEEP UNDERCURRENT OF DRAMA/ANGST. The whole bit where Stede is in hysterics over his cursed coat is just hsjkdhsklds; it will NEVER not make me wheeze. And then, like I said, almost EVERYTHING Pete says this season kills me; another thing that will never not make me laugh is "a doggie...?" weird little pirate show with weird little humor my beloved

The ROMANCE??? I genuinely was going into the season with the expectation of getting maybe like, one or two Gentlebeard kisses. Imagine my shock and utter delight when we ended up with FOUR, AS WELL AS AN INTIMATE SCENE, THE LETTER SCENES, AND THE LOVE PROFESSIONS. Like, one of them dropping a legitimate "I love you" felt like an unrealistic expectation--the HIGHEST dream tier really. And then wouldn't you know it. And that doesn't even account for all the rest of the couples either! The murder wives having their chaotic little moments of fucked up affection??? LUCIUS AND PETE GETTING ENGAGED AND THEN MARRIED??? HELLO??????

The sets! I know people have pointed out that the world felt a bit simplified this time around, due to budget restraints and what have you. But I still loved what they did with the world even with the various constraints. The market in episode 6 is a PARTICULAR favorite of mine; it's just so lush and colorful. I also love what they did with The Revenge during episode 6 too!

Also, this might be an unpopular opinion, but I really actually liked that they filmed on location. First of all, love that the Kiwis got to be right at home in Aotearoa. Love that they have an even more special connection to the show now. But second of all, I just like when scenery is...actually THERE? It feels way more TANGIBLE. Don't get me wrong; that hugeass wraparound screen that they use to film a lot of sets is a technological marvel. But I'm a sucker for practical.

The deeper and more complex dives into character motivations/trauma. Like, homie lol...When I tell you episodes 6 and 7 utterly set my brain alight in the best way possible. I was CHUGGING through thoughts. You know those gifs where someone is walking around and ranting/passionately talking,,, yeah. Yeah. Maybe because a lot of it "struck a chord" with me indeed, but I love love LOVE getting brain food like that.

Speaking of brain food, in PARTICULAR, the deeper dives into Ed's self-loathing and into Stede's troubles with confidence and masculinity. A lot of Stede's choices were fueled by those two things, and it was SO friggin fun to catch all of them, put them in a jar, and shake them around. I've seen a lot of people fearing his actions in the latter half were out of character, but to me, I don't see it that way. I just see a man who has been so spurned, so left behind, and SO deprived, a man who is stuck thinking he has to be someone else to mean something. And I think that plays a lot into even the EARLIEST developments we saw in season 1, so it was just so intriguing to watch everything messily play out.

THE INNKEEPER. THE INNKEEPER MY BELOVED. SO much about that episode absolutely has my heart. All the different developments, the stakes, the pacing, and the payoff at the end. Not to mention that I had a FEELING that mysterious figure in the trailers was Hornigold, so it was so SO validating to see him pop up PFFF. And also, all those dream/gravy basket sequences were so so good too. I don't know if it's the chemistry between Taika and Mark, or the deeper symbolism, or the lines that have become vocal stims for me SJKDLS (please see: ooOOoooO eddie eddie eddie...you're laying some heavy shit on me, bro), but man. MAN.

And this one gets its own bullet because of course it does: the fucking mermaid scene. Like, are we kidding. ARE WE KIDDING. THE ROMANCE OF IT ALL? THE FANTASTICAL-NESS INDEED?? THE WAY IT WAS ALL FUCKING PRACTICAL AND RHYS SWAM DOWN TO TAIKA AS A BEAUTIFUL LITTLE GOLDFISH AND THEY HAD TO THROW HEART EYES AT EACH OTHER UNDERWATER??? WHAT THE FUCK!!! And don't even get me started on Kate Bush lol. This Woman's Work might easily be one of my favorite songs, if not my FAVORITE song from the season. And man. Man. The whole meaning behind Ed seeing Stede as this beautiful, sparkly being, and not some hypermasculine/extraordinary thing. He fell in love with Stede for who Stede really is. And so I ADORE that acknowledgement.

Speaking of songs, the MUSIC!!! Absolute bangers all throughout. And I loved how there seemed to be even more intermixed within the episodes. Like God... "These are the kids..." 🗣️ HELLO MY LOVE I HEARD A KISS FROM YOU 🦗🦟🦗🦟🦗🦟 . And all the beautiful classic piano pieces and NINA SIMONE AND JUST HSJKDHSFJKLHSKD????

Okay, I've always had and STILL have complicated thoughts and opinions on Izzy, but man, seeing him interact with the Revenge Crew was really something. Seeing Stede's influence come over the lot of them like a warm blanket, extending its welcoming and familial hands...It was just lovely. I love seeing our little sea family care for each other so much. They've probably all hurt so so much in different ways, so to see them all being a collective heart is just so nice.

Speaking of which, the queerness of it all, the queer celebration of it all. The way the whole crew is just...a representation of queer people finding each other, and subsequently finding love and family in each other. Like, when the whole world wants to cast you out, you pull each other in. When no one else wants you, you take refuge in each other. And just...the joy, beauty, and wonder that can be found in that.

And speaking of which x2, the overall care that was put into the entire thing, the effort that was put into the entire thing. I know Max fucked us over with the budget, which subsequently fucked things like the intricacy, the amount of characters, and especially the pacing. But, I don't know; I personally could still tell everyone involved was trying so so hard to deliver for us. Based on the little details, the little callbacks, and the little moments that felt so catered to us, it just seemed so...gifted to us. Not to mention of course, the way they so deliberately chose to end on a hopeful note in case we never get a third season. They care about us. They've always cherished our excitement and passion, so it just...idk; it feels so special to have a bit more of an intimate connection like that. I've never been involved with a piece of media that so avidly SEES its audience, and celebrates along with us. So, despite everything, despite any sort of troubles, despite any sort of lows, that's a big part of what has me clutching all of this so closely to my chest. And I really hope they can still see that love, because I want nothing more than for them to see this beautiful story through.

Also, getting to enjoy this with everyone. Getting to ride the wave from the beginning of filming, all the way through the finale. Getting to see all the excitement, all the theories, all the art, all the fanfiction, all the gif sets, all the meta, and everything in between. It has carried me through some nastiness in my personal life, and has subsequently served as a very welcomed distraction. It's been such a pleasure getting to delight in this new content with you all, and I hope we get to do so into the future. <3

[nobleriver]

DOCTOR WHO | The Waters of Mars

[minticecodes]

I'm slowly getting through devil may cry v and got inspired enough to doodle again. Sure they aren't polished but I love looking at others' sketch dumps, it's like looking at a smorgasbord of ideas. So here you go. Read more for close ups of the other doodles. The ID in alt are the same as written in the text.

[I.D. Digital art. A boy in a shirt hoodie, Nero, sits cross legged as he leans backwards to smile up at his companion. Said companion is a tall horned knight, Nelo Angelo, kneeling behind Nero. Nelo gazes to the side, but braces his broadsword by Nero, and his cape drapes around where Nero's sitting. Nero is rendered in light blue and red, Nelo is rendered in light blue, and they're brightly illuminated. End I.D.]

(Was thinking of 'Love Seeketh Not Itself to Please' by Indigomoods on ao3 while doing this one).

[I.D. A number of digital art sketches, most prominently featuring Dante and Vergil from the Devil May Cry series. From top to bottom, right to left:

Headshots of two boys, Dante and Vergil. Short comic of a man (Dante) ruffling a boy's (Vergil's) hair. Sketch of two boys on a couch, one (Dante) looking concerned at the other (Vergil) in foetal position. Branches curl under the couch. Sketch of child Dante and Vergil in red and blue, running hand in hand. Thumbprint sized chibi child Dante and Vergil. Nero and Nelo sitting together.

Semirealistic headshot (DMCV Vergil) in blue. Boy (Dante) curled in a fire, and fire demon (SDT Dante) gazing at his palm against a black background. Loose sketches of a man's head, roughly scribbled out except one, and an angry cat with a sword. They're labelled in blue and red writing. Side profile of a young man in blues (DMC3 Vergil), face shadowed, a yellow ribbon curled in the background. Side profile of DMC3 Vergil. End I.D.]

[I.D. 4 black and white digital pen cartoony sketches of child Dante and Vergil. Head and bust shot of a boy with slicked back hair and black turtleneck (Vergil) looking right. His brows are furrowed, eyes narrowed; he looks unimpressed. Below is a head and bust shot of a boy with shoulder length hair and white shirt (Dante) looking left with wide eyes and a fang toothed, wide grin. Centre close up of a cloaked boy (Vergil) glaring up, brow furrowed. His hair hangs over a shadowed face. One narrowed eye is visible. Right sketch is of a cloaked boy (Vergil) hugging a book to his chest, referencing a Visions of V panel. His one visible eye is wide as he gazes down with a small expression. End I.D.]

[I.D. Coloured digital art over a black background. Two panels. Panel one is child Dante, arms hugging his legs as he sits within a fire raging around him. He's buried his face in his arms. Panel two is an adult Dante in his demonic SDT form. He gazes down at his clawed hand while the fiery core in his chest glows as the main source of light, casting shadows and red light against his armoured form. The tips of his claws seem to glow in the reflected light. End I.D.]

[I.D. Messy sketch of child Vergil and Dante, running hand in hand. The two look at each other with smiles, Dante with a wide grin and Vergil with closed lips and determined brows. Their full expressions aside from the smile cannot be seen; Dante's hair whips back and covers his face while Vergil's face is eyeless. They're softly rendered in light blue and red, and bright lighting. End I.D.]

[I.D. Messy sketch of child Vergil and Dante sitting on a couch, shot from behind the couch. Dante directs a concerned gaze to Vergil, his hand braced on the couch back as he leans closer. Vergil only looks down. His arms are curled around his knees. From the angle, his expression cannot be seen aside from a small frown. Under the couch slithers Qliphoth tree roots. End I.D.]

[I.D. Chibi doodle of child Vergil and Dante, holding hands. Light blue and red ovals were airbrushed on the page, and a pen lined out their features. They have round cheek patches, like budgies. Vergil has a cartoony pout and a book tucked under an arm, labelled with a V; Dante has a toothy grin and is making a bunny ears hand sign. End I.D.]

[I.D. 'DANTE' is evenly block printed in blue pen. Underneath are what looks to be the start of three portraits of Dante in black pen, but they're roughly scribbled out. The most detailed of the three scribbled out portraits is Dante's grinning side profile. He had sunglasses on. The only intact portrait is a shot of Dante from behind, from the chest up and face not visible aside from a grin. Carried on his back is the Devil Sword Dante, rendered in more detail than Dante.

Meanwhile 'VERGIL' is written in orange/red pen, but strikethroughed. Written above instead is 'PURR-GIL!!', an arrow pointing at a doodle of a cat holding a roughly drawn katana(Yamato). The cat is grimacing with furrowed brows. It has spiky fur on its head, a spiky curled tail, a thorn pattern on its arms resembling Vergil's coat sleeves, and fat round blushy cheeks. End I.D.]

[I.D. Semirealistic rendering of DMCV Vergil from the neck up in three quarter view. He's painted in blues, with soft red shadows. He glares at the viewer, brows furrowed. His irises are a soft red, and he has eye bags. His lips are somewhat glossy. To the side is the blue color palette. End I.D.]

[I.D. Stylised depiction of DMC3 Vergil glaring downwards in profile, from the chest up. He's rendered in blues, his face shadowed from the light against his back. Running over his skin are cracked gold lines, reminiscent of kintsugi. In the background curls a yellow ribbon in the same gold. He's wearing a sleeveless turtleneck and cravat. End I.D.]

[I.D. Stylised black and white lineart of DMC3 Vergil glaring in profile, lips sneering, from the neck up. He's in a coat and cravat. End I.D.]

[I.D. Messy comic.

Panel 1: DMCV Dante ruffling child Vergil's hair. Dante's face is out of the panel

Vergil (grimacing): "Dante!"

Panel 2: Vergil's staved off the hair ruffling, lifting up Dante's hand with both his hands. His brows are furrowed as he looks up at Dante. In the background is a laughing sound effect, that tapers off. 'HA HA ha...'

Panel 3: Adult Dante gazing down at child Vergil, arm hovering over him. His expression seems sad, despite the small smile.

Dante: ... I missed ya, Verge.

Vergil gazes up at Dante, a small question mark by his head. End I.D.]

[travalerray]

honestly it's pretty funny to me when people harp on Jiang Cheng (of all people) for not "defending" the Wen Remnants and pretend that the noble and upstanding Hanguang-jun absolutely did, when in canon, this is what he says in public:

"How dare you say that Wei Ying would ever disrespect his shidi" like there's so much to unpack here considering his OWN brother was defending Wen Qing more at that point in time.

Granted Nie Mingjue yells over him and everyone starts chiming in and then Jin Guangshan starts targeting Jiang Cheng's insecurities, but also??? The narrative surrounding Lan Wangji is so funny. Man doesn't do a single thing here apart from going "well WY would never" (there are other concerns????) and then he zones tf out until Mianmian storms out and then follows her out.

Like.

[lover-of-skellies]

Clarification, if need be: "any word with ___ in it" just means like,, a variant of the original swear. For example, a variant of ass would be dumbass or asshole

You can share other words in the comments if you think there's something worse than what's listed here, or you can send me an anon ask :p only if you're comfortable doing so, of course!

[just-null-cult]

so wild seeing "Noritoshi cuddling headcanons?" next to "i want to suffocate in his tits" in my inbox, two amazing vibes.

[vgilantee]

hey um @glossysoap i just had such a sinful thought.

ghost gets a new tattoo, not an addition to his sleeve but still equally intricate and large. it covers almost the entire expanse the top of his right thigh. the muscles flex and the ink appears to ripple.

you had to hold out, wait for the black ink to heal and for his skin to claim the tattoo entirely. but once he gave you the all clear? the first thing you did was right his thigh, covering the healed tattoo, the new art marking his skin, with your slick

🫣🫣🫣

[piningpebbles]

the dream smp journey: attempting to make the lore of the dream smp more accessible.

so back when i first wanted to get into the dream smp i had absolutely no idea where to start. i asked some people and they told me pretty much “look up dream smp + [insert youtuber name] and start there” and so i did, but i quickly came to realize how much i was missing from the story by not seeing all the different points of view.

so i decided to make my own playlist.

it was just for myself at first, but as i got more obsessed with the story, i also gave the link to some friends of mine so they could have the full experience, and they loved it. so i kept updating it.

my goal was to try and make a capsule of the entirety of the lore on the dream smp across almost every single POV, because while i do appreciate those who make recap videos, they always miss something and it’s usually with peoples’ POV who aren’t considered to be “main characters” which sucks because one of my favorite things about the dream smp was how everyone was their own main character with their own individual storyline you could get invested in.

i’ve seen every single video in the playlist, and did my absolute best to discern what should be included and what didn’t need to be. 

for instance, while i personally enjoyed streams where they’d just goof off, this is a lore-centric playist so i didn’t include all of them unless one of the jokes or such gets mentioned/becomes important later on. or if there is a lore event happening but two people have almost identical streams to one another then i decided between the two of them which one to keep. or if the cc themself made an edited version of their experience, i would decide whether to go with that or keep the original vod

it’s far from perfect. i tried to keep up with it as long as i could I STILL HAVE VIDEOS IN MY WATCH LATER THAT I PLANNED TO ADD but simply put while the dream smp storyline got longer and longer it became harder to keep up with. i watched pretty much all the streams when they happened but failed to update the playlist accordingly so right now it has almost everything up until ”Hitting on 16.”

i always wanted to finish it before i posted it, but i’ve been seeing people talk about how they miss the experience of watching the dream smp and while i obviously can’t provide the full interactive experience that the dream smp offered as it came out, i knew i couldn’t just keep this in my back pocket and thought i could at least offer a good chunk of the experience for you guys to still be able to keep!

here’s the playlist, spanning over 300 videos.

there’s also a semi-canon playlist (not nearly as thorough) for events that get mentioned by the cc’s a lot or are just cool to have and i wanted to include them somewhere so here it is also!!

to go along with it i also made a masterpost (can you tell i love making lists) which is what every single video on the playlist is supposed to be (and was last i checked, but videos get taken down every so often so there might be a couple missing here and there).

i hope to update this one day and have it fully finished, but with my schedule (full-time college student babyyyy) and simply the hundreds of hours of content i’d need to sift through it just seems impossible (and frankly just really intimidating) to challenge alone right now. so i also wanted to give this to the community to maybe be able to do what i couldn’t!

my hope with this is that if someone in a year or two (or whenever really) is interested in the dream smp they won’t have to sit through recap videos and instead can watch the real thing in a single playlist connected to the doc. my dream is for the masterpost and the playlist to go hand-in-hand, being like a guide people can follow that would also link to other moments and lore that is saved but just not avaliable on youtube, so we don’t have all these moments just lost to time.

i want to make this collaborative, i’m hoping this will maybe spark others to share what videos/moments they have saved and stored with each other for the dream smp and maybe together we could complete this thing somehow!! make the playlist and masterpost i dreamed of (the one right now is scuffed, but at least it’s something). the dream smp is one of my absolute favorite pieces of media out there and i want to share this with people but (as you can probably tell) i have no idea what i’m doing!! any step to help make the story more readily accessible is a good one, though!

i know i’ve missed things but i’ve done my best. and while not the perfectly polished thing i hoped it would be when i sent it out to the world maybe it could be a good building block for the community to use. so please share this!! reblog it!! all that jazz!! i want this to be for everyone!!

anyways, this is a long post. but the whole reason i got into the dream smp in the first place was because of the awesome fan content i saw and this crazy and creative community and i want to be able to give back, if i can.

[thirteenemeraldcats]

in one of your tags you mentioned-

'one of the things that gets chatted about A LOT in teaching is meeting students at their point of need- which ted does NOT do with jamie'

I would love to hear more of your thoughts on this! Both in terms of what that concept entails, and also what you think Jamie's point of need was at the time versus what Ted saw the situation needing

(You have excellent tags btw, don't know if anyone's mentioned that)

I HAVE MANY THOUGHTS ON THIS THAT I LOVE THAT YOU'D LOVE TO HEAR!

(I have more thoughts than I anticipated, this got errr, long. Whoops)

(potentially necessary/relevant background here is I am a high school teacher 👋)

Okie dokie, so, one of the principles of best practice in teaching is the idea I tag-rambled above; meet both the individual students and collective class at their point of need. Essentially this means practising differentiation in teaching and adjusting how content/ideas are communicated to students based on who they are as learners and people. Particularly if a student is performing outside the 'average' (either exceeding or still developing), this means adjusting to their needs by (among other things) curating differentiated resources and adapting delivery style. Differentiation is especially important in an all-abilities classroom, unfortunately public education is perpetually underfunded and overcrowded so everyone's just out here doing their best (the decent people of the world at least). BUT! WHILE I'M ON IT! SPEAKING OF THE THINGS I'VE TAG RAMBLED, the education system's (global) inability to adequately differentiate for students of different-abilities, particularly students with ADHD, ASD and Dyslexia, is perhaps the greatest failing of the whole dang thing and if anyone who ever stumbles across this is neuro-divergent and feels like they were a bad student or couldn't 'keep up' in mainstream education- THAT WAS NOT YOUR FAULT. You don't have to break yourself to 'fit', school is MEANT to bend for you. (Particularly when you're young, ESPECIALLY WHEN YOU'RE YOUNG)

ANYWAY, the fictional football of it all!

We don't see a lot of Ted actually coaching in this show (stick with me). The scenes in which he 'coaches' are typically him and various other coaching staff standing on the sidelines while the team skirmishes or occasionally runs drills, so me saying Ted doesn't differentiate is more based around his patented Ted-talks. NOW, Ted PROBABLY knows the team fairly well as individuals, particularly in season 2 and 3, purely by having spent quite a lot of time with them, despite this the only times we really see him 'adjust' his style with the team are ironically season 1 (examples include conferencing Jamie and Roy in 1x04 For The Children, and allowing/facilitating Nate's speech in 1x07 Make Rebecca Great Again). The moment that always sticks out to me as most significant is when he goes and seeks out Keeley's advice on how to get through to Jamie in 1x02 Biscuits.

Side note: I will be forever obsessed with Keeley jumping straight from 'blowjobs' to one of the four operant conditioning techniques (positive reinforcement) when asked about this. That woman is a very fascinating puzzle of a person.

Ted recognises that his typical perpetual-optimism-style isn't cracking the Jamie-Tartt-nut and seeks out a different opinion. This kind of collaboration and whole-system approach is key in teaching too, either by tapping the knowledge-well of a student's broader school context or the difficult-to-crack student's parents.

SO, having gotten the Jamie-Tartt-cheat-code from Keeley he DOES meet Jamie at his point of need, speaks clearly to him and communicates what he needs from him. AND IT WORKS! Temporarily! During the conversation between the two in Ted's office we see Jamie engage, he even practises self-reflection! Granted it's about his left foot cross, but still! The nut is cracked.

Jamie even maintains the perspective Ted has taught him for about two seconds while talking to Trent, until Jamie's other (definitely not positively-reinforced) behaviours rear up and he reverts to what James others have taught him.

On the other hand.

Multiple times throughout the show we see Jamie be visibly or verbally confused by Ted's communication style. Ted often talks in meandering metaphors that Jamie doesn't seem to be able to follow. We verbally hear him state 'Why doesn't he just say that then, do you know what I mean?' in 2x07 Headspace after Beard has to translate Ted's 'peas and carrots/beefchunks' analogy to 'starters and reserves'. Then there's the infamous 'What the fuck are Denver Broncos?' from 3x09 La Locker Room Aux Folles. The only notable time we really see Jamie 'get' one of these metaphors is the sewer-system-tunnels from 3x01 Smells Like Mean Spirit.

(His understanding of that specific metaphor, along with his use of the magnets to demonstrate total football in 3x07 The Strings That Bind, and a Watsonian-perspective of his near perfect mimicry of movements he saw two years ago when executing the decoy play in 3x12 So Long, Farewell, are actually all examples I use to head-canon Jamie as a primarily visual/physical based learner. For whatever that's worth!)

NOW! Ted's willingness to seek and apply alternate techniques in season 1 when he should know the team as both individuals and a collective the least, coupled with his inability or unwillingness to practise differentiation in later seasons when he DOES KNOW THEM is why I don't think Ted is meeting the team, specifically Jamie at their/his point of need. Any person's ability to differentiate behaviour to meet the needs/requirements/comforts of the individual or group they're talking to is increased the more they know them. (We all do this in life, consciously or subconsciously we typically try and 'match the vibe' of whoever we're communicating with [doubly so for people who're engaging in masking.])

Ted should and does learn more about Jamie as a person and his background as the show progresses. He listens to Jamie vocalise both his internal justifications for his actions and his reflections of those justifications/actions in 1x06 Two Aces, he sees him being explicitly physically abused in 1x10 The Hope That Kills You, he listens to him describe a spiralling mindset in 2x02 Lavender, he sees him being explicitly verbally abused in 2x08 Man City.

Of course, one of the fascinating things about Jamie is how much he learns and grows over the course of the show, and there are instances in which I don't think Ted is recognising that (primarily his dismissal of Jamie in 3x03 4-5-1 and not utilising Jamie's knowledge of total football as a resource from the beginning in 3x07 The Strings That Bind).

Ted understands and has previously applied Jamie responding well to positive reinforcement, yet at multiple times in the series doesn't respond in a way that reflects his perspective being informed by that knowledge. Essentially not practising the appropriate level of care/caution when interacting with/around Jamie.

There's not intervening on Jamie's behalf in 2x03 Do the Right-est Thing or 2x06 The Signal when the team and Roy are targeting or ignoring him respectively. The assumed absence of any follow up to the events of 2x08 Man City, the Zava of it all in season 3, and of course the eternal 'forgiveness' kicker from 3x11 Mom City.

POINT BEING. And to actually answer your inquiry lol, I think Jamie is someone who needs clear communication, ideally bracketed in positive reinforcement based operant conditioning as a learning technique (reward behaviour you want reinforced by offering something desirable [praise in Jamie's case]) and visual/physical aid/references for concepts; as a LEARNER.

AS A PERSON, there's more. Ted can readily infer from all he's heard and seen that Jamie's a victim of child abuse. The long term damage to the adult psyche that abuse during formative years has is astronomical, it literally changes the foundational structures of a person's brain. And yet, again, we never see Ted even acknowledge this. Jamie in 3x11 Mom City, incidentally compares his father to Freddy Krueger, Ted elaborates on the comparison, then Jamie reiterates that Freddy Krueger's 'fucking terrifying'. Ted doesn't reassure Jamie (the requirement of his point of need), he gives him a Ted-talk (and in doing so doesn't differentiate his perspective/communication technique).

As far as what Ted thought the situation needed... search me I've got no idea. I do think Ted projects onto Jamie a hell of a lot. That he gets Jamie's personhood and life experiences all tangled up in the emotions he has about his father's death and his consequent perceived abandonment, his insecurities about his own ability to parent Henry and even in his own inability to clearly communicate with his mother. I do think Ted relies on his own forced optimism to 'get by'. Like how a great white shark dies if it stops swimming, if Ted stops being 'Ted', if he stops swimming, his past and his fears and his feelings will catch up to him and swallow him whole. (For what it's worth, I do think Ted is more unwell than even the show explicitly tells us, much like Jamie experiencing ongoing trauma due to childhood abuse, the effects both short-term and long-term as well as potential causalities of having a parent die by suicide are... grim.)

(Essentially the entire fandom has talked about basically all of this at one point or another, I'm just using slightly different language.)

NOW! These characters are fictional (obviously) and I am judging them based on real-people conventions and the best-principles of my own profession, as well as my background in theoretical psychology (which I think I forgot to mention and is also probably [??] relevant). My Doylist-perspective of Ted and his coaching/communication style is ...kinder, but if I get too sucked into the narrative it results in either brief tag-rambles or... whatever this thing I've just typed is. I think it's been too long since I've written academically, my thoughts have gone circular 🫠

ANYWAY! I hope this made something-approaching sense! Thank you again for asking to hear my thoughts! Always happy to word vomit!

ALSO, thank you for saying my tags are excellent (you are the first and currently only to say so!) - The tags are where I send my thoughts to die (in a 'I must banish them to move on' kind of way rather than a 'I'm strangling them' kind of way) so you saying they're excellent is even MORE flattering than you realise! Makes my brain want to purr 💚🤣