holds hands to their face
the thought of anita staring out, weither it was to strung a guitar or in the middle of the project, or just staring out. eyes blank, feeling afloat. floating. floating.
floating until two set of hands on their shoulders- each hand held firm and soft. but different.
and anita blinks, life in their eyes come, and they look up. behind them. ortega with her firm hand, and mortum with her soft hand.
anchors. how it is possible to have two anchors.
of course having two anchors hold you down from floating away, of course it kept you from losing yourself- who you were and who you are now.
and simply. ............. yeah.
8 notes
·
View notes
Literally nothing better than someone in an armored suit going "👍"
22K notes
·
View notes
haha noticed Puss’s little ‘wtf bro :/’ gesture when Wolf completely ignores that he was about to draw his blade
28K notes
·
View notes
ONCE UPON A TIME, THERE WAS A KNIGHT...
the visual inspiration for this was a combination of Frederic William Burton's Meeting on the Turret Stairs and also Bernardo Cavallino's The vision of St. Dominic receiving the Rosary from the Virgin
this was supposed to be just a one off illustration to get the thoughts out of my system, but then I started thinking about medieval politics and warfare and plagues and a castle and home as both a place of refuge, a prison, and a tomb, so perhaps they will end up as ex voto characters as well.
you may say, hey! that rosary looks like it has too many beads! it's a fifteen decade rosary, probably. dominicans are really into marian devotions. it works out.
also. spiral style stair cases. oh boy. it was that unexpectedly more difficult than I originally thought it would be to draw. the more I think about it, the less I understand them, even though I had a million photos of the stairs in front of me while I was drawing it.
⭐ I have a tip jar (ko-fi)!
⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app
2K notes
·
View notes
i will never be over how disappointed aziraphale looks when he has a box full of plants immediately shoved in his face, and when crowley has no hesitation in offloading them all back into his car
the split second he takes in the first one to realise that crowley practically had his face pressed against the window, plants waiting at the front door, ready to get them - and himself - out of there. and all jokes of oogling his arse aside, the sudden, instant, reflexive, tight, forced smile when crowley looks at him whilst getting them inside the bentley.
i've ummed and erred over whether aziraphale knew about crowley living out of his car, but no - there is no way he didn't know. he absolutely knew. aziraphale loves trains - he could, and probably would, have taken one - but this is an excuse to get crowley into the shop and stay there. when we land on the shot of him behind the wheel, he looks so happy. not only has crowley accepted for him to drive it, a major show of trust and partnership, but almost like, following the "we both get plenty of use out of it, don't we?" line, he is so confident that he's finally secure in the knowledge that he's given crowley a home, and that home is where it's always been, where he's always belonged - with him.
1K notes
·
View notes
Surely that can't be a bad deal...
First part - Previous part < >> Next Part
Also oops, looks like they're not alone...
I really wanted to have this one done before monday! Phew so many backgrounds...
You can find the pages as soon as they're done and some exclusive art/extras on my Ko-fi!
2K notes
·
View notes