columbiacommercegroup-blog

[noodles-and-tea]

👀

[puppetmaster13u]

Prompt 74

When a new black-haired blue-eyed person appeared in the manor, one could easily be forgiven for thinking that Bruce’s adoption problem had struck again. So color many a batkid surprised that no, this kid isn’t a new sibling, no he didn’t get grabbed from the street, and actually he’s here for Alfred. Apparently Alfred never found it important to mentioned that he has a husband- that the kid kind of implies isn’t human what with the casual way he says he himself is half human- and that this kid is apparently their child. For once it’s Bruce’s turn to come home to a surprise sibling. 

Danny on the other hand just learned that his Clockpa has a semi-mortal partner who has offered to take him in, (in another dimension even! And there’s aliens!!) while the ancient takes care of some stuff at home. And yeah it’s in a rich-manor but Sam has proved that not all rich people are evil, and based off of Mr Pennyworth’s stories the Waynes weren’t bad either. Though based off of the others’ reactions perhaps he should wait to mention that there wasn’t one new family member but three…

[solplease]

clingy

[hum--hallelujah]

do you even get it

[starrysharks]

a buncha weirdos draw themselves

[denkies]

Sooo... how did everyone like episode 3

[meamiiikiii]

vtuber loop !!!

[reverse entry au? the reverse isekai part of it? tangentially related to this post here, and also the last part of this post too]

[purpleleafsyt]

Purity, Sincerity, Luck, Loss of a Loved One

1. Lily of the Valley | ->

[cuddlytogas]

there was some Twitter madness recently where someone left a comment on someone's art to the effect of, "Ed shouldn't wear a dress, he's a man!" which I do disagree with on principle, but unfortunately, it brought out one of my least favourite trends in the fandom

so, naturally, I had to write a twitter essay about it. and I already largely argued this in a post here, but the thread is clearer and better structured, so I thought I'd cross-post for those not on the Hellsite (derogatory). edited for formatting/structure's sake, since I no longer have to keep to tweet lengths, and incorporating a couple of points other people brought up in the replies

so

I want to point out that the wedding cake toppers in OFMD s2 aren't evidence that Ed wants to wear dresses. Gender is fake, men can wear skirts, play with these dolls how you like, but it's not canon, and that scene especially Doesn't Mean That.

People cite it often: 'He put himself in a dress by painting the bride as himself! It's what he wants!' But that fundamentally misunderstands the scene, and the series' framing of weddings as a whole. I'd argue that Ed paints the figure not from desire, but from self-hatred; it's not what he wants, but what he thinks he should, and has failed to, be.

(Yes, I am slightly biased by my rampant anti-marriage opinions, but bear with me here, because it is relevant to the interpretation of the scene, and season two as a whole.)

The show is not subtle. It keeps telling us that the institution of marriage is a prison that suffocates everyone involved. Ed's parents' cycle of abuse is passed to their son in both the violence he witnesses then enacts on his father, and the self-repression his mother teaches, despite her good intentions ("It's not up to us, is it? It's up to God. ... We're just not those kind of people. We never will be."). Stede and Mary are both oppressed by their arranged marriage, with 1x04 blunty titled Discomfort in a Married State. The Barbados widows revel in their freedom ("We're alive. They're dead. Now is your time").

But even without this context, the particular wedding crashed in 2x01 is COMICALLY evil. The scene is introduced with this speech from the priest:

"The natural condition of humanity is base and vile. It is the obligation of people of standing ... to elevate the common human rabble through the sacred transaction of matrimony."

It's upper class, all-white, and religiously sanctioned. "Vile natural conditions" include queerness, sexual freedom, and family structures outside the cisheteropatriarchal capitalist unit. "The obligation of people of standing" invokes ideas like the white man's burden, innate class hierarchy, religious missions, and conversion therapy. Matrimony is presented as both "sacred" (endorsed by the ruling religious body), and a "transaction" (business performed to transfer property and people-as-property, regardless of their desires), a tool of the oppressive society that pirates escape and destroy. That is where the figurines come from.

When Ed, in a drunk, depressive spiral, paints himself onto the bride, he's not yearning for a pretty dress. He's sort of yearning for a wedding, but that's not framed as positive. What he's doing is projecting himself into an 'ideal' image of marriage because he believes that: a) that's what Stede (and everyone) wants; b) he can never live up to that ideal because he's unlovable and broken (brown, queer, lower-class, violent, abused, etc); c) that's why Stede left. He tries to make himself fit into the social ideal by painting himself onto the closest match - long-haired, partner to Stede/groom, but a demure, white woman, a frozen, porcelain miniature - because, if he could just shrink himself down and squeeze into that box, maybe Stede would love him and he'd live happily ever after. But he can't. So he won't.

The fantasy fails: Ed is morose, turns away from the figurines, then tips them into the sea, a lost cause. He knows he won't ever fulfil that bride's role, but he sees that as a failure in himself, not the role. It's not just that "Stede left, so Ed will never have a dream wedding and might as well die." Stede left when Ed was honest and vulnerable, "proving" what his trauma and depression tell him: there's one image of love (of personhood), and he'll never live up to it because he's fundamentally deficient. So he might as well die.

This hit me from my very first viewing. The scene is devastating, because Ed is wrong, and we know it! He doesn't need to change or reduce himself to fit an image and be accepted (as, eg, Izzy demanded). Stede knows and loves him exactly as he is; it's the main thread and theme of season two!

(@/everyonegetcake suggested that Ed's yearning in these scenes includes his broader desire for the vulnerability and safety Stede offered, literalised through unattainable "fine" things like the status of gentleman in s1, or the figurine's blue dress. I'd argue, though, that these scenes don't incorporate this beyond a general knowledge of Ed's character. Ed is always pining for both literal and emotional softness, but the significance of the figurines specifically, to both Ed and the audience, is poisoned by their origin and context: there is no positive fantasy in the bride figure, only Ed's perceived deficiency.

Further, assuming that a desire for vulnerability necessarily corresponds with an explicit desire for femininity, dresses, etc, kind of contradicts the major themes of the show. OFMD asserts that there is nothing wrong with men assuming femininity (through drag, self-care, nurturing, emotional vulnerability, etc), but also that many of these traits are, in fact, genderless, and should be available to men without affecting their perceived or actual masculinity. It thematically invokes the potential for cross-gender expression in Ed's desires, especially through the transgender echoes in his relieved disposal, then comfortable reincorporation, of the Blackbeard leathers/identity. It's a rich, valuable area of analysis and exploration. But it remains a suggestion, not a canon or on-screen trait.)

Importantly, the groom figure doesn't fit Stede, either. Not just in dress: it's stiff and formal, and marriage nearly killed him. He's shabbier now, yes, but also shedding his privilege and property, embracing his queerness, and trying to take responsibility for his community. In a s1 flashback, Stede hesitantly says, "I thought that, when I did marry, it could be for love," but he would never find love in marriage. Not just because he's gay, but because marriage in OFMD is an oppressive, transactional institution that precludes love altogether. All formal marriages in OFMD are loveless.

So, he becomes a pirate, where they reject society altogether and have matelotages instead. Lucius and Pete's "mateys" ceremony is shot and framed not like a wedding, but as an honest, personal bond, willingly conducted in community (in a circle; no presiding authority, procession, or transaction).

That is how Stede and Ed can find love, companionship, and happiness: by rejecting those figurines and their oppressive exchange of property, overseen by a church that enables colonialism and abuse. Ed is loved, and deserves happiness, as he is, no paint or projection required.

ALL OF THIS IS TO SAY: draw Ed in dresses! Write him getting gender euphoria in skirts! Write trans/nb Ed, draw men being feminine! Gender is fake, the show invites exploration, that's what 'transformative works' means! But please, stop citing the cake toppers as evidence it's canon. Stop citing a scene where a depressed Māori man gets drunk and projects himself onto a rich, white, silent bride because he thinks he's innately unlovable and only people like her can find happiness, shortly before deciding to kill himself, as canon evidence it's what he wants.

(Also, please don't come in here with "lmao we're just having fun," I know, I get it. Unfortunately, I'm an academiapilled researchmaxxer, and some of youse need to remember that the word "canon" has meaning. NOW GO HAVE FUN PUTTING THAT MAN IN A PRETTY DRESS!! 💖💖)

[slavhew]

birthday boy ! get ur wriggle on

[desceros]

repast (link to ao3 here) 3.1k

Good chance he won't come back from this next job. Time to stop playing with your food and eat it.

f!reader (canonically, though this can be read as gn), rated t. blurple villain au. developing relationship, first kiss, light angst, very soft and fluffy. bvau leo feeling something warm for the first time.

[cerealbishh]

"We get to, this season, explore their chemistry and their real love and their intimacy. So we get to have a glimpse into that world that just feels so pure and beautiful and romantic! And then, sort of navigating those other circumstances once they're out in the world, dealing with real... challenges." - Isa in an interview with The Knockturnal(x)

[grif-hawaiian-rolls]

something about trust

Writing below the cut!

“How… does it feel?” Locus asked haltingly. Lopez shrugged. “<Weird. But I expected that.>” Locus hummed, his brow furrowed like he was lost in thought as he scanned Lopez’s face. Lopez grabbed Locus’ wrists, bringing his hands to his throat.  “What are you--?” “<One way to test it. Take my head off.>” Locus’ eyes widened, his expression turning panicked. He tried to pull his hands away, but Lopez held him steady. “<You are the only person strong enough,>” Lopez said firmly, giving the other no room to balk any further. “<If this synthskin doesn’t fix the problem, I want to know now, not later.>” Lopez could feel the way Locus’s hands shifted, his fingers flexing as he fought some internal debate. Lopez couldn’t read his mind, but the flicker of those marble grey eyes was telling as Locus looked at his hands around Lopez’s throat, then to his face and then back again and again. “<It doesn’t hurt, if that’s what all this fuss is about.>” Not strictly true, having his head removed wasn’t exactly a pleasant feeling. But better to do it now, with some degree of control, than in the middle of a fight or an accident. The sensation of feeling everywhere his skin touched was strange though, the normally very localized sensors spread out across the surface of the synthskin. Was this how humans felt things all the time? No wonder they were so easily distracted. Neither of them moved. “You’re certain?” Locus asked finally, his voice little more than a whisper. Lopez raised an eyebrow and let himself grin just a little at being able to convey the sentiment properly. Maybe there were some advantages to the synthskin after all. “<I wouldn’t have said it if I wasn’t.>” A nod, then the pressure. Lopez knew Locus was strong, for a human, but the feeling of his hands tightening around his neck and pulling at his jaw, the base of his metal skull…  His head didn’t budge, and the pressure eased. Lopez clicked his tongue, releasing Locus’ wrists. “<Good. That is one problem fixed, at least.>”

[pardycity]

this cat just j!!!!!!!

[my-beloved-lakes]

Trying to keep track of who calls who what in the Librarians is such a pain in the butt!

[icecreampizzer]

i like to think that- in saving the phoenix at the end of KBOOM- roxana's hands suffered some pretty serious burns from willingly getting so close to the magma. i, too, have occasionally had a thought of prism and solaris meeting up, and those thoughts always eventually flow into solaris taking note of the scars and assuming that the phoenix caused them. which, admittedly, why should she imagine otherwise? when all she knows is the trail of fiery destruction they leave in their wake, and the familiarity of the burns on her own skin.

there's something there to me about solaris assuming she can have a kinship with another inventor, and prism... obviously having a slightly different take on the whole phoenix situation. both so similar and so different at the same time.

all this to say by the time you add john in there i think it would turn into public debate class💥

OUUH YES you reminded me that I Forgot to add that bullet point in the relationship thingy, but I didn't have enough space as it is...I'm very sure that their perspectives on Phoenix are a common cause of arguments between them, ranging from silly to maybe serious. All their lives changed by that one agent, in drastically different ways...

Solaris and Prism could probably still bond over a lot of things (inventing and all that Zoraxis Baggage:tm: maybe even fabby) but they're certainly stubborn about how they view Phoenix. Now I'm wondering if Prism could change Solaris's mind about them.. knowing her though it's better to not push it because I def think Solaris isn't the type to let go of grudges so easily.

Also I got inspired to do some doodles on the topic :thumbsup: Solaris's house is never gonna have a moment of peace for a long time *sitcom theme song plays. but bond style somehow*