#Sanford Clark

[guessimdumb]

Lord Sutch - The Cheat (1966)

I guess Lord Sutch was no longer Screamin' in 1966, but instead he was recording this cool psych raga version of Sanford Clark's A Cheat, which was written by Lee Hazlewood.

[undine66770]

I figured I'd join on the Spotify Wrapped bandwagon. I like the older stuff--there's just something about that era. I don't know what, but I'm infatuated with the music, media, fashion, but moreso the music. Rock and roll/rockabilly and classic country are my favorite genres among others. Of this list, I'll briefly mention: Jim Reeves is my comfort artist, his music is a soothing balm, and that voice of his is just like warm honey. 💜 Sanford Clark on the other hand, I think is extremely underrated and 100% deserves a listen!!

[kvltklvb]

still as the night by sanford clark

[ultrameganicolaokay]

Black Lightning #1 by Brandon Thomas and Fico Ossio. Variant covers by (1) Taurin Clarke, (2) Sanford Greene and (3) Juliet Nneka. Main cover (4) by Ossio. Out in November.

"Black Lightning is back, and this time, it’s a family affair! Jefferson Pierce leads the Justice League’s new metahuman outreach initiative, helping those with powers before they can cause harm to themselves or others—but everything changes when its his own daughter, Anissa Pierce, who comes to him for help. With Thunder’s dangerous new powers and the new Masters of Disaster jeopardizing the coexistence between humans and Metas, Black Lightning is on the front lines of a culture war brewing in the suburbs of Metropolis!"

[90ssuperheroes]

Tis the Season

🦌🦌🦌🦌🦌🦌🦌🦌

[graphicpolicy]

An exiled T'Challa strikes from the shadows of Wakanda in the Black Panther #1 trailer

An exiled T'Challa strikes from the shadows of Wakanda in the Black Panther #1 trailer #blackpanther #comics #comicbooks

A new reign has begun! Following John Ridley’s acclaimed run of Black Panther, award-winning author Eve L. Ewing and artist Chris Allen will launch a brand-new Black Panther ongoing comic series next month. The new saga will see Black Panther serve Wakanda in a bold new way after he’s exiled from the throne. A king without a crown and a fugitive in his own homelands, T’Challa journeys deeper into…

[bitterkarella]

Midnight Pals: Hugo Drama

Hugo Gernsback: hey everyone its me, hugo gernsback Gernsback: editor of Amazing Stories and namesake of the hugo awards Gernsback: perhaps you've heard of them? Clive Barker: oh buddy Barker: buddy Barker: we've heard all about them ha ha

Stephen King: they're named after you? i thought they were named after victor hugo Gernsback: ha ha a common mistake Gernsback: but that's fine Gernsback: i'm not mad at all that victor hugo keeps getting the credit Gernsback: i think its funny Gernsback: in fact i'm laughing

Gernsback: ah yes my precious hugo awards! Gernsback: the most prestigious award in science fiction and fantasy! Gernsback: a place for serious business Gernsback: certainly no room for shenanigans here Gernsback: no room for tomfoolery Gernsback: no room for clownish buffoonery

Gernsback: The Hugo -- an award whose very name rings with integrity & honor!   Gernsback: it is no mere nebula! no paltry clarke! Gernback: the stoker, the howard, the lambda - none can compare! Gernsback: the L Ron hubbard writers of the future award? pah! dust before the hugo!

Gernsback: only the choicest cuts of science fiction and fantasy would ever achieve the lofty hugo award Gernsback: an award forever untainted by shenanigans or hijinks! Gernsback: now to take a big sip of coffee and read this  file 770 report!

Gernsback: what the--?! Gernsback: my beautiful hugos!!! tainted by the foul stench of corruption!!! Clive Barker: yeah boy i bet victor hugo's just sick about it Gernsback: Barker: just sick about what they did to his award Gernsback: Barker: ha ha Poe: clive leave him alone

Gernsback: my hugo!!! you were supposed to be a thing of beauty... not this monstrosity! Dean Koontz: gosh he's so sad about his award Koontz: do you think it would cheer him up if i gave him my nickelodean kids choice award? Poe: i think that would be a very nice gesture dean

Chris M Barkley: [thrusting microphone] Mr gernsback! mr gernsback! a statement for the press? Jason Sanford: [thrusting microphone] how do you respond to the allegations about your award mr gernsback? Gernsback: confound these intrepid newshounds of the 4th estate!

Gernsback: [wiping brow] don't worry, we will be taking measures to fix this Barkley: what are you going to do mr gernsback? Sanford: the people demand an answer mr gernsback! Gernsback: we'll uh Gernsback: we'll nominate an essay called 'Dave McCarty Can Fuck Off Into the Sun'

Gernsback: what a debacle! i cannot believe my good name will now forever be associated with such shady practices! HP Lovecraft: hey when are you gonna pay me for my story you ran? Gernsback: new phone, who dis?

Gernsback: you know who this really hurts? Gernsback: worse than the nominees secretly disqualified for politics? Gernsback: worse than the entirety of Chinese science fiction secretly disqualified for being Chinese? Gernsback: worse than the winners whose awards are now tainted?

Gernsback: the person that this hurts most of all Gernsback: is clearly bitter karella Gernsback: for reasons i can't articulate Gernsback: everyone should immediately go and heap conciliatory praise on bitter karella Gernsback: truly the most wronged person of all

Bitter Karella: [bravely holding back tears] no no it's not about me Bitter Karella: [voice cracking] my only thought is for the hugo community who has been through... so much... Bitter Karella: [stoically gazing into distance] they're the REAL heroes

Gernsback: look how bitter karella keeps a brave face... for our sake! King: god bitter karella is so brave... and so modest! Poe: truly a great goblin Poe: possibly the greatest Koontz: why? what did they do? Poe: dean! show some respect!

[fibula-rasa]

Lost, but Not Forgotten: Two Kinds of Women (1922)

Alternate Title: Judith of Blue Lake Ranch

Direction: Colin Campbell & George C. Bertholon (assistant)

Adapted Scenario: Winifred Dunn

Based on: Judith of Blue Lake Ranch by Jackson Gregory (novel)

Production Manager: R.J. Tobin

Camera: Dev Jennings

Editing: Pauline Frederick (editing supervisor), Colin Campbell, & Dev Jennings

Studio: Robertson-Cole (Production & Distribution)

Performers: Pauline Frederick, Tom Santschi, Charles Clary, Dave Winter, Eugene Pallette, Billy Elmer, Jack Curtis, Jim Barley, Sam Appel, Otis Harlan, Clarissa Selwynne, Jean Calhoun, Tom Bates, Lydia Yeamans Titus, Frank Clark, Bud Sterling, Elise Collins, Joseph Singleton, & Stanhope Wheatcroft (not mentioned after release, but listed during production: L.C. Shumway)

Premiere: Opened at Loew’s State Theatre on 3 February 1922; preview screenings for reviewers in NYC, 27 January

Status: presumed entirely lost

Length: 6 reels,  ~6,000 feet (a few sources say 5, most say 6)

Synopsis (synthesized from magazine summaries of the plot):

Judith Sanford (Frederick) inherits the sizable Blue Lake Ranch after the unexpected death of her father. Upon her arrival, she discovers that the ranch’s manager, Trevors (Clary), has been systematically undermining the value of the ranch. Judith confronts him, fires him, and wings him with her pistol as severance. 

The horse foreman, Bud Lee (Santschi), had suspected Trevors’ dirty dealing, but questions if he can work for a woman. Regardless of his doubts, Bud respects Judith’s goals and remains loyal to the ranch.

As there are still men working on the ranch loyal to Trevors, Judith’s employees are divided. One of Trevors’ hires, Quinnion (Curtis) rebukes Judith and suggests she can’t even ride. She challenges him to bring her a horse he thinks she can’t ride. Judith successfully rides the wild broncho and Quinnion is cowed, leaving the ranch bitterly. The incident wins Judith the respect of the men, including Bud and Carson (Pallette), the cattle foreman.

Judith’s next point of action is tracking down the staff Trevors ousted, most importantly the ranch vet, Doc Tripp (Clark). Tripp returns and uncovers that disease-infected animals have been intentionally introduced to the ranch’s stock. Judith runs Trevors’ vet, Crowdy (Appel), off the ranch.

Hampton, a city boy and one-third owner of the ranch, is unhappy when he hears of Trevors’ firing and decides to pay a visit to Blue Lake. (In reality, he’s dodging his creditors.) The visiting socialites are rankled by Judith’s cowgirl togs and no-nonsense demeanor. Alternately, the ultra ladylike Marcia (Calhoun), Hampton’s fiancee, finds a new devotee in Bud.

On the night of their arrival, Judith learns that the employee she sent to collect the payroll has been robbed. Bud races to the bank overnight to return to pay the staff the following day. As Bud is on his way back, his horse is shot out from under him, but he manages to reach the ranch just in time.

That night, Bud and Judith set out to track down the bandits and recover the stolen payroll. At a cabin in the mountains, they catch the robber after a shootout and find it’s the discharged vet, Crowdy. They agree to stay overnight to guard the injured Crowdy. To pass the time, Judith pulls a book from an unexpectedly well-stocked library in the cabin and sees that the books belong to Bud! They’re interrupted when Quinnion attacks to save Crowdy and another shootout ensues.

Fortunately, Judith’s absence from the ranch was noticed by Hampton. He has mounted up with Bud’s assistant, Tommy, and they arrive in time to save the pair and manage to capture another of Trevors’ agents, Benny (Barley). Benny is locked up, but is freed overnight, meaning there are still more of Trevors’ men lurking. Bud pledges his loyalty to Judith, but then has a romantic foray with Marcia.

Despite the hubbub, the annual Blue Lake dance is held. Carson kits out the workers in suits mail-ordered from Sears-Roebuck, which they accessorise with guns and ammo belts. Bud, it turns out, has a tailored suit of his own that he unpacks and presses for the occasion. He is bewildered when he arrives at the dance and sees a perfectly feminine Judith in a fashionable Parisian gown. Fully enamored with “the real Judith,” Bud whisks her off to the porch and kisses her.

Judith is surprised to find an urgent note from Doc Tripp awaiting her after the dance. The note explains that he has uncovered another Trevors mole and has been wounded. Judith rushes to Tripp, but is waylaid and kidnapped. She manages to remove the mask from one of her abductors and it’s Trevors himself! 

Three days pass. Hampton suddenly orders Carson to prepare 500 head of cattle to be sold at a loss. Immediately suspicious, Bud rides to the ranch house and is told that Judith left for San Francisco three days prior. Given Hampton’s fishy assumption of command, Bud and Carson tie him up while they investigate Judith’s real whereabouts. They discover the forged note and confirm with Tripp that he didn’t write it. With mistrust toward Hampton building, they place him under guard and ride to confront Trevors.

In all that time, Judith has been kept prisoner in the mountains by Quinnion. When Quinnion attacks her, Judith seizes an opportunity to escape, but quickly learns that her prison is set among perilous cliffs. Quinnion gives chase, they struggle, and he plummets to his death. Hopelessly lost and exhausted from her ordeal, Judith makes a last ditch effort for rescue by lighting a signal fire before losing consciousness.

Bud and Carson find Trevors and a wild fist fight breaks out. Bud trounces Trevors and Trevors is forced to leave town for good, but not before revealing where he’s hidden Judith. Bud rescues Judith and they all return to the ranch. After they have had time to recover from their respective tribulations, Bud and Judith reunite and embrace.

——— ——— ———

Points of Interest:

Pauline Frederick made 55 silent feature films in her career. Of those 55 films 45-6 of the films are presumed lost or mostly lost. [One film’s status is unclear ATM.] Of the 9 known to survive, 3 are incomplete (2 are missing at least one reel and the 3rd survives in an abridged cut).  Of the surviving 9, three have had home video releases [Three Women (1924), Devil’s Island (1926), and Smouldering Fires (1925)]. Of the 6 surviving films that haven’t had home-video release, 2 have been screened publicly in the past decade [The Love the Lives (1917) and The Moment Before (1916)]. A very rough record for a big star (who didn’t spend most of their career at Fox) to only have a 16-18% survival rate.

——— ——— ———

Winifred Dunn, prolific writer from a young age working in many genres, wrote/edited 33 silent features, 20 of which are presumed lost.

——— ——— ———

Two Kinds of Women was part of the schedule of R-C Pictures’ releases for early 1922. This was a crucial moment in the history of the company, as it was soon after re-organized into F.B.O. The founders exited the company, but so did Pauline Frederick, Sessue Hayakawa, Tsuru Aoki, and Doris May—their biggest stars going into 1922. 

While the contemporary critical response to TKoW was generally positive and exhibitors across the US and Canada cited good ticket sales, it didn’t leave much of a legacy. At least one contemporary critic, Laurence Reid, considered the film of decent quality but ultimately forgettable. Whether TKoW would have stood the test of time or not, we can’t know. Lost or not, I’m sure the re-organization of TKoW’s distributor affected its potential for long-term popularity. There is at least one instance from after the re-org of a theatre owner receiving a faulty print of the film. So, even by 1923, it was hard to come by a decent print of TKoW.

The reason I’m confident in placing blame on R-C/F.B.O. is that, of the slate of 20 films they released in late 1921 and early 1922, 16 are currently presumed lost and only 3 appear to be completely extant:

Lost: The Lure of Jade, The Sting of the Lash, The Foolish Age, Eden and Return, Five Days to Live, The Vermillion Pencil, A Wife’s Awakening, Silent Years, The Call of Home, The Barricade,Two Kinds of Women, Boy Crazy, Salvage, The Glory of Clementina, Gay and Devilish, and At the Stage Door  Extant: Where Lights Are Low, The Swamp (would live to see this one BTW), and Beyond the Rainbow

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Transcribed Sources & Annotations over on the WMM Blog!

[todaysdocument]

Circular Entitled Colored Soldiers! Equal State Rights! And Monthly Pay with White Men!

Record Group 94: Records of the Adjutant General's OfficeSeries: Letters ReceivedFile Unit: Consolidated File for Major Martin Delaney, 104th USCT Infantry Regiment

BLACK NATIONAL DEFENDERS! The State or Connecticut is authorized to raise Colored Troops; and any number of her quota of 5,000 may be colored men. 29th Regiment Connecticut Volunteers, is now being formed at Camp Buckingham, composed entirely of Colored Men, located at the beautiful City of New Haven, the seat of Yale University. STATE BOUNTY, $200.00 CASH! On being sworn in. By an old law of the State, 30 dollars a year are allowed to each soldier for clothing, 10dol- lars of which is paid down at the time of entering the service, the other 20 dollars being paid in four month payments each, making 210 dollars Bounty--cash, on joining the Regiment--and 20 dollars more during the year. An important fact connected with this recruiting is, that the contract for raising the troops has been given to a Colored Man; and Connecticut is the first State, since the war commenced, which has been thus liberal and considerate. This fact alone should be an inducement for COLORED MEN to rally to her standard; all the Recruiting Agents in the West being Colored; and this principle should prevail everywhere. Colored Men should recruit Colored Men, as best adapted to it. The most liberal compensation will be given to Good Agents, about 50 such being now wanted, and to whom will be paid Cash so soon as service is rendered. APPLY WITHOUT DELAY TO DR. M.R. DELANY, State Contractor, Head-quarters of the West and South-Western States and Territories, 172 Clark Street, Top Story, Chicago, Ill. JOHN JONES, Assistant. LIEUT [crossed out] W.F. STAINES, Evansville, Ind. [image of hand, pointing] For further information, address Dr. M.R. Delany, Box 764, Chicago, Ill. NOTE--I may add here that I am much indebted for obtaining this contract to Major Sanford, of Heavy Artillery Service, and other gentlemen in the Rhode Island Heavy Artillery, who reom- mended me to the authorities of Cleveland. [crossed out] Connecticut. [hand-written] M.R. Delany, State Contractor. Chicago, Ill., Dec. 1st, 1863. P.S.--All recruiting in the States in which it is prohibited is hereby forbidden. M.R.D. Chicago Evening Journal Print, 50 Dearborn Street. D 135 A.G.O. C.T. 1863 [hand-written in red ink along bottom right side]COLORED SOLDIERS! EQUAL STATE RIGHTS! AND MONTHLY PAY WITH WHITE MEN! On the 1st day of January, 1863, the President of the United States proclaimed FREEDOM TO OVER THREE MILLIONS OF SLAVES! The decree is to be enforced by all the power of the Nation. On the 21st of July last he issued the following order:-- PROTECTION OF COLORED TROOPS. "WAR DEPARTMENT, ADJUTANT GENERAL'S OFFICE,"} WASHINGTON, JULY 21. General Order, No. 233. "The following order of the President is published for the information and government of all concerned:-- EXECUTIVE MANSION, WASHINGTON, July 30. '"It is the duty of every Government to give protection to its citizens, of whatever class, color, or condition, and especially to those who are duly organized as soldiers in the public service. The law of nations, and the usages and customs of war, as carried on by civilized powers, permit no distinction s to color in the treatment of prisoners of war as public enemies. To sell or enslave any captured person on account of his color, is a relapse into barbarism, and a crime against the civilization of the age. '"The Government of the United States will give the same protection to all its soldiers, and if the enemy shall sell or enslave any one because of his color, the offence shall be punished by retaliation upon the enemy's prisoners in our possession. It is, therefore ordered, for every soldier of the United States, killed in violation of the laws of war, a rebel soldier shall be executed; and for every one enslaved by the enemy, or sold into slavery, a revel soldier shall be placed at hard labor on the public works, and continued at such labor until the other shall be released and receive the treatment due to prisoners of war. '"ABRAHAM LINCOLN."' '"By order of the Secretary of War. '"E.D. TOWNSEND, Assistant Adjutant General."' That the [full transcription at link]

[helslastangel]

Scorpio Venus Celebrities

Some of these surprised me, I must say.

Aimee Garcia

Aisha Tyler (Lana Kane)

Alexis Bledel (Rory Gilmore)

Alfie Allen (Theon Greyjoy)

Alfred Enoch (Wes Gibbins)

Andrew Lincoln (Rick Grimes)

Anne-Marie Duff (Fiona Gallagher)

Anthony Mackie (The Falcon, Marvel)

Brie Larson (Carol Danvers)

Bruce Lee

Carly Rae Jepsen

Charles Dance (Tywin Lannister)

Chrissy Teigen

Christina Milian

Cicely Tyson

Dakota Johnson

Damon Wayans Jr.

Danielle Brooks

David Schwimmer (Ross Geller)

Denzel Washington

Diplo

Drake

Eden Sher (Sue Heck)

Ella Mai

Ellie Goulding

Ellen Pompeo (Meredith Grey)

Emilia Clarke (Daenerys Targaryen)

Eugene Levy

Frank Ocean

Gerard Butler (Clyde Shelton)

Gordon Ramsey

Gwendoline Christie (Brienne of Tarth)

Halsey

Hugh Jackman (Wolverine)

Ian Somerhalder (Damon Salvatore)

Jamie Foxx

Janelle Monáe

Jason Derulo

Jeffree Star

Jim Caviezel

John Krasinski

John Legend

John Sanford (Sanford and Son)

Jonah Hill

Kaley Cuoco (Penny, Big Bang Theory)

Katherine Heigl (Izzie Stevens)

Kirk Douglas

Kit Harrington (Jon Snow)

Kris Jenner

Lena Headey (Cersei Lannister)

Louis Tomlinson

Luke Goss

Tyrese Gibson (Roman Pearce)

Matt Damon

Mayim Bialik (Dr. Amy Farrah Fowler)

Milla Jovovich

Nia Long

Ne-Yo

Penn Badgley (Dan Humphrey; Joe Goldberg)

Regina Hall

Russell Peters

Sia

Stefanie Scott (Lexi Reed)

Steven Yeun (Glenn Rhee)

Taraji P. Henson

Tyler James Williams (Everybody Hates Chris)

Tyson Beckford

Usher

Winona Ryder

Zac Efron

Zoë Kravitz

[sweatermuppet]

Do you have country music recs

some of my country + folk playlists:

boot stomp (folk)

playlist formerly titled cockeyed (folk + country)

halloo! (folk)

weeping willow (breakup/lonesome country)

sober barfly (drinking songs, country)

gals of country country music

repressed farmhand (country, folk, modern mix)

best of pete seeger (all my personal seeger favs, folk)

artists i like in general: june + johnny cash, dolly parton, waylon jennings, merle haggard, pete seeger, woody guthrie, arlo guthrie, orville peck, colter wall, dale hollow, stompin tom connors, loretta lynn, marty robbins, lead belly, jimmie driftwood, odetta, utah phillips, harry mcclintock, kitty wells, sanford clark, jessie mae hemphill, hank williams, nick shoulders, dust in my coffee, elizabeth cotten, tex ritter, ola belle reed, tennessee ernie ford, hank snow, croy and the boys, guy mitchell, + many many more

[undine66770]

Not me posting my top 5 musical obsessions rn oh no nope not me

#3 was a tossup between Perry Como and Dean Martin, I really struggled on that one but eventually went with Perry

[louisupdates]

FITFWT23: OUTRO SONGS

NORTH AMERICA

26 May - Mohegan Sun Arena, UNCASVILLE CT: The Best, by Tina Turner

27 May - Bank of New Hampshire Pavilion, GUILFORD NH: This Charming Man, by The Smiths

29 May - Place Bell, LAVAL QC: Downtown, by Petula Clark

30 May - Budweiser Stage, TORONTO ON: Summer of 69, by Bryan Adams

1 Jun - Blossom Music Center, CUYAHOGA FALLS, OH: Bittersweet Symphony, by Verve

2 Jun - Michigan Lottery Amphitheater, STERLING HEIGHTS, MI: Chasing Rainbows, by Shed Seven

3 Jun - The Icon Festival Stage, CINCINNATI: All These Things That I’ve Done, by The Killers

6 Jun - Kemba Live! Outdoor, COLUMBUS OH: The One I Love, by REM

7 Jun - TCU Amphitheater at White River State Park, INDIANAPOLIS: Love Will Tear Us Apart, by Joy Division

9 Jun - Saint Louis Music Park, SAINT LOUIS: Johnny B. Goode, by Chuck Berry

10 Jun - Starlight Theatre, KANSAS CITY MO: Moondance, by Van Morrison

13 Jun - BMO Pavilion, MILWAUKEE: I Can See Clearly Now, by Johnny Nash

15 Jun - Huntington Bank Pavilion, CHICAGO: September, by Earth, Wind, and Fire

16 Jun - The Armory, MINNEAPOLIS: Nothing Compares 2 U, by Sinéad O’Connor

17 Jun - Harrah’s Stir Cove, COUNCIL BLUFFS, IA: Ever Fallen in Love (With Someone You Shouldn't've?) by Buzzcocks

19 Jun - Denny Sanford Premiere Center, SIOUX FALLS, SD: American Pie, by Don McLean

21 Jun - Red Rocks Amphitheatre, MORRISON, CO 😪

24 Jun - Wamu Theater, SEATTLE: There Is A Light That Never Goes Out, by The Smiths

26 Jun - Doug Mitchell Thunderbird Sports Center, VANCOUVER BC: King Of Pain, by The Police

27 Jun - Mcmenamins Edgefield Concerts, TROUTDALE OR: Always On My Mind, by Elvis Presley

29 Jun - The Greek Theatre, BERKELEY CA: Never Tear Us Apart, by INXS

30 Jun - The Hollywood Bowl, LOS ANGELES: California Love by 2Pac ft Dr. Dre & Roger Troutman

1 Jul - The Chelsea at the Cosmopolitan, LAS VEGAS: Human, by The Killers

3 Jul - Arizona Financial Theatre, PHOENIX: Liberator, by Spear of Destiny

6 Jul - The Pavilion at Toyota Music Factory, IRVING TX: Hello, I Love You, by The Doors

7 Jul - Moody Amphitheater at Waterloo Park, AUSTIN TX: Teenage Dirtbag, by Wheatus

8 Jul - The Cynthia Woods Mitchell Pavilion, THE WOODLANDS TX: Walking On The Moon, by The Police

11 Jul - St. Augustine Amphitheatre, ST. AUGUSTINE FL: Every Breath You Take, by The Police

13 Jul - Hard Rock Live at Seminole Hard Rock Hollywood, HOLLYWOOD FL: Your Song, by Elton John

14 Jul - Yuengling Center, TAMPA FL: Hit Me With Your Best Shot, by Pat Benatar

15 Jul - Cadence Bank Amphitheatre at Chastain Park, ATLANTA: You Can’t Always Get What You Want, by The Rolling Stones

18 Jul - Ascend Amphitheater, NASHVILLE: Hold Back The Rain, by Duran Duran

19 Jul - Charlotte Metro Credit Union Amphitheatre, CHARLOTTE NC: Perfect Day, by Lou Reed

21 Jul - Red Hat Amphitheater, RALEIGH NC: Moondance, by Van Morrison

22 Jul - Merriweather Post Pavilion, Columbia MD: Easy, by The Commodores

24 Jul - MGM Music Hall at Fenway, BOSTON: More Than A Feeling, by Boston

25 Jul - MGM Music Hall at Fenway, BOSTON: Here Comes Your Man, by The Pixies

27 Jul - TD Pavilion at the Mann, PHILADELPHIA: Nothing Compares 2 U, by Sinead O’Connor

28 Jul - Stone Pony Summer Stage, ASBURY PARK NJ: Dancing In The Dark, by Bruce Springsteen

29 Jul - Forrest Hills Stadium, NEW YORK: We Are The Champions, by Queen

Away From Home Festival 2023

19 Aug - Parco BussolaDomani, Lido di Camaiore: We Are The Champions, by Queen

EUROPE

29 Aug - Barclays Arena, HAMBURG: Love Will Tear Us Apart, by Joy Division

31 Aug - Royal Arena, COPENHAGEN: Under Pressure, by Queen and David Bowie

1 Sep - Spektrum, OSLO: Wake Me Up When September Ends, by Green Day

2 Sep - Hovet, STOCKHOLM: Seven Nation Army, by White Stripes

4 Sep - Ice Hall, HELSINKI: Always On My Mind, by Elvis

5 Sep - Saku Arena, TAILLINN: All Star, by Smash Mouth

7 Sep - Arena Riga, RIGA: Thuderstruck, by AC/DC

8 Sep - Zalgiris Arena, KAUNAS: Can’t Help Falling In Love, by Elvis [Zouis this day]

10 Sep - Tauron Arena, KRAKOW: Lust For Life, by Iggy Pop

11 Sep - Atlas Arena, ŁÓDŹ: Blitzkreig Bop, by the Ramones

13 Sep - Wiener Stadhalle D, VIENNA: Supersonic, by Oasis

14 Sep - Stozice Arena, LJUBLJANA: Smile Like You Meant It, by The Killers

15 Sep - Budapest Arena, BUDAPEST: Helicopter, by Bloc Party

17 Sep - Arenele Romane, BUCHAREST: My Hero, by Foo Fighters

18 Sep - Arena Armeets, SOFIA: Bombtrack, by Rage Against The Machine

20 Sep - Petras Theater, ATHENS: Go With The Flow, by Queens of the Stone Age

1 Oct - Bilbao Arena Miribilla, BILBAO (VIZCAYA): Where Is My Mind, by The Pixies

3 Oct - Altice Arena, LISBON: Farewell To The Fairground, by White Lies

5 Oct - Wizink Center, MADRID: Munich, by Editors

6 Oct - Palau Sant Jordi, BARCELONA: One Armed Scissor, by At the Drive-In

8 Oct - Pala Alpitur, TURIN: Are You Gonna Go My Way, by Lenny Kravitz

9 Oct - Unipol Arena, BOLOGNA: Helicopter, by Bloc Party

11 Oct - Rockhal, ESCH-SUR-ALZETTE: Where Is My Mind, by The Pixies

12 Oct - Sportspaleis, ANTWERP: My God Is The Sun, by Queens Of The Stone Age [very self-aware choice]

14 Oct - Accor Arena, PARIS : Bubbles, by Biffy Clyro

15 Oct - Ziggo Dome, AMSTERDAM: Song 2, by Blur

17 Oct - Lanxess Arena, COLOGNE: Can't Stand Me Now, by The Libertines

19 Oct - O2 Arena, PRAGUE: Are You Gonna Be My Girl, by Jet

20 Oct - Mercedes Benz Arena, BERLIN: Friday I’m In Love, by The Cure

22 Oct - Olympiahalle, MUNICH: Praise You, by Fatboy Slim

23 Oct - Hallenstadion, ZURICH: Last Nite, by The Strokes

8 Nov - 3Arena, DUBLIN: These Are The Days, by Inhaler

10 Nov - Utilita Arena, SHEFFIELD: Mr. Brightside, by The Killers

11 Nov - AO Arena, MANCHESTER: This Charming Man, by The Smiths

12 Nov - Ovo Hydro, GLASGOW: Gloria, by The Snuts

14 Nov - Brighton Center, BRIGHTON: I Wanna Be Sedated, by Ramones

15 Nov - International Arena, CARDIFF: 20th Century Boy, by T-Rex

17 Nov - The O2, LONDON: Can’t Stand Me Now, by The Libertines

18 Nov - Resorts World Arena, BIRMINGHAM: Till The End Of The Road, by Boyz II Men

You can also find the list at this Twitter account: ltwtoutros.

[ttexed]

Sanford Clark - It's Nothing To Me

from Twisted Tales From The Vinyl Wastelands Vol. 3 "Beatin' On The Bars" (2006)

[projazznet]

Pucho And The Latin Soul Brothers – Heat!

Arranged By – Neal Creque Bass – Jimmy Phillips Bongos – Norberto Appellaniz Congas – Cecil Jackson Leader, Timbales – Pucho Piano, Organ – Neal Creque Tenor Saxophone, Baritone Saxophone, Flute – Eddie Pazant Trumpet – Al Pazant Vibraphone – William Bivins, Jr. Violin – Alfred Brown, Sanford Allen, Selwart Clarke Vocals – Jackie Soul, The Soul Sisters

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Airbnb Inc (ABNB) Q1 2023 Earnings Call Transcript

Airbnb Inc (NASDAQ: ABNB) Q1 2023 Earnings Call dated May. 09, 2023 Corporate Participants: Ellie Mertz — Vice President-Finance, Airbnb, Inc Brian Chesky — Airbnb Co-founder and Chief Executive Officer Dave Stephenson — Chief Financial Officer and Head of Employee Experience Analysts: Mark Mahaney — Evercore ISI — Analyst Richard Clarke — Sanford Bernstein — Analyst Brian Nowak — Morgan Stanley…