Tumgik
#Selma James
aronarchy · 5 months
Text
Women and the Subversion of the Community
THE ORIGINS OF THE CAPITALIST FAMILY
In pre-capitalist patriarchal society the home and the family were central to agricultural and artisan production. With the advent of capitalism the socialization of production was organized with the factory as its center. Those who worked in the new productive center, the factory, received a wage. Those who were excluded did not. Women, children and the aged lost the relative power that derived from the family’s dependence on their labor, which was seen to be social and necessary. Capital, destroying the family and the community and production as one whole, on the one hand has concentrated basic social production in the factory and the office, and on the other has in essence detached the man from the family and turned him into a wage laborer. It has put on the man’s shoulders the burden of financial responsibility for women, children, the old and the ill, in a word, all those who do not receive wages. From that moment began the expulsion from the home of all those who did not procreate and service those who worked for wages. The first to be excluded from the home, after men, were children; they sent children to school. The family ceased to be not only the productive, but also the educational center.[2]
To the extent that men had been the despotic heads of the patriarchal family, based on a strict division of labor, the experience of women, children and men was a contradictory experience which we inherit. But in pre-capitalist society the work of each member of the community of serfs was seen to be directed to a purpose: either to the prosperity of the feudal lord or to our survival. To this extent the whole community of serfs was compelled to be co-operative in a unity of unfreedom that involved to the same degree women, children and men, which capitalism had to break.[3] In this sense the unfree individual, the democracy of unfreedom,[4] entered into a crisis. The passage from serfdom to free labor power separated the male from the female proletarian and both of them from their children. The unfree patriarch was transformed into the “free” wage earner, and upon the contradictory experience of the sexes and the generations was built a more profound estrangement and therefore a more subversive relation.
We must stress that this separation of children from adults is essential to an understanding of the full significance of the separation of women from men, to grasp fully how the organization of the struggle on the part of the women’s movement, even when it takes the form of a violent rejection of any possibility of relations with men, can only aim to overcome the separation which is based on the “freedom” of wage labor.
THE CLASS STRUGGLE IN EDUCATION
The analysis of the school which has emerged during recent years—particularly with the advent of the students’ movement—has clearly identified the school as a center of ideological discipline and of the shaping of the labor force and its masters. What has perhaps never emerged, or at least not in its profundity, is precisely what precedes all this; and that is the usual desperation of children on their first day of nursery school, when they see themselves dumped into a class and their parents suddenly desert them. But it is precisely at this point that the whole story of school begins.[5]
Seen in this way, the elementary school children are not those appendages who, merely by the demands “free lunches, free fares, free books,” learnt from the older ones, can in some way be united with the students of the higher schools.[6] In elementary school children, in those who are the sons and daughters of workers, there is always an awareness that school is in some way setting them against their parents and their peers, and consequently there is an instinctive resistance to studying and to being “educated.” This is the resistance for which Black children are confined to educationally subnormal schools in Britain.[7] The European working class child, like the Black working class child, sees in the teacher somebody who is teaching him or her something against her mother and father, not as a defense of the child but as an attack on the class. Capitalism is the first productive system where the children of the exploited are disciplined and educated in institutions organized and controlled by the ruling class.[8]
The final proof that this alien indoctrination which begins in nursery school is based on the splitting of the family is that those working class children who arrive (those few who do arrive) at university are so brainwashed that they are unable any longer to talk to their community.
Working class children then are the first who instinctively rebel against schools and the education provided in schools. But their parents carry them to schools and confine them to schools because they are concerned that their children should “have an education,” that is, be equipped to escape the assembly line or the kitchen to which they, the parents, are confined. If a working class child shows particular aptitudes, the whole family immediately concentrates on this child, gives him the best conditions, often sacrificing the others, hoping and gambling that he will carry them all out of the working class. This in effect becomes the way capital moves through the aspirations of the parents to enlist their help in disciplining fresh labor power.
In Italy parents less and less succeed in sending their children to school. Children’s resistance to school is always increasing even when this resistance is not yet organized.
At the same time that the resistance of children grows to being educated in schools, so does their refusal to accept the definition that capital has given of their age. Children want everything they see; they do not yet understand that in order to have things one must pay for them, and in order to pay for them one must have a wage, and therefore one must also be an adult. No wonder it is not easy to explain to children why they cannot have what television has told them they cannot live without.
But something is happening among the new generation of children and youth which is making it steadily more difficult to explain to them the arbitrary point at which they reach adulthood. Rather the younger generation is demonstrating their age to us: in the sixties six-year-olds have already come up against police dogs in the South of the United States. Today we find the same phenomenon in Southern Italy and Northern Ireland, where children have been as active in the revolt as adults. When children (and women) are recognized as integral to history, no doubt other examples will come to light of very young people’s participation (and of women’s) in revolutionary struggles. What is new is the autonomy of their participation in spite of and because of their exclusion from direct production. In the factories youth refuse the leadership of older workers, and in the revolts in the cities they are the diamond point. In the metropolis generations of the nuclear family have produced youth and student movements that have initiated the process of shaking the framework of constituted power: in the Third World the unemployed youth are often in the streets before the working class organized in trade unions.
It is worth recording what The Times of London (1 June 1971) reported concerning a headteachers’ meeting called because one of them was admonished for hitting a pupil: “Disruptive and irresponsible elements lurk around every corner with the seemingly planned intention of eroding all forces of authority.” This “is a plot to destroy the values on which our civilization is built and on which our schools are some of the finest bastions.”
THE EXPLOITATION OF THE WAGELESS
We wanted to make these few comments on the attitude of revolt that is steadily spreading among children and youth, especially from the working class and particularly Black people, because we believe this to be intimately connected with the explosion of the women’s movement and something which the Women’s movement itself must take into account. We are dealing with the revolt of those who have been excluded, who have been separated by the system of production, and who express in action their need to destroy the forces that stand in the way of their social existence, but who this time are coming together as individuals.
Women and children have been excluded. The revolt of the one against exploitation through exclusion is an index of the revolt of the other.
To the extent to which capital has recruited the man and turned him into a wage laborer, it has created a fracture between him and all the other proletarians without a wage who, not participating directly in social production, were thus presumed incapable of being the subjects of social revolt.
Since Marx, it has been clear that capital rules and develops through the wage, that is, that the foundation of capitalist society was the wage laborer and his or her direct exploitation. What has been neither clear nor assumed by the organizations of the working class movement is that precisely through the wage has the exploitation of the non-wage laborer been organized. This exploitation has been even more effective because the lack of a wage hid it. That is, the wage commanded a larger amount of labor than appeared in factory bargaining. Where women are concerned, their labor appears to be a personal service outside of capital. The woman seemed only to be suffering from male chauvinism, being pushed around because capitalism meant general “injustice” and “bad and unreasonable behavior”; the few (men) who noticed convinced us that this was “oppression” but not exploitation. But “oppression” hid another and more pervasive aspect of capitalist society. Capital excluded children from the home and sent them to school not only because they are in the way of others’ more “productive” labor or only to indoctrinate them. The rule of capital through the wage compels every ablebodied person to function, under the law of division of labor, and to function in ways that are if not immediately, then ultimately profitable to the expansion and extension of the rule of capital. That, fundamentally, is the meaning of school. Where children are concerned, their labor appears to be learning for their own benefit.
Proletarian children have been forced to undergo the same education in the schools: this is capitalist levelling against the infinite possibilities of learning. Woman on the other hand has been isolated in the home, forced to carry out work that is considered unskilled, the work of giving birth to, raising, disciplining, and servicing the worker for production. Her role in the cycle of social production remained invisible because only the product of her labor, the laborer, was visible there. She herself was thereby trapped within pre-capitalist working conditions and never paid a wage.
And when we say “pre-capitalist working conditions” we do not refer only to women who have to use brooms to sweep. Even the best equipped American kitchens do not reflect the present level of technological development; at most they reflect the technology of the 19th century. If you are not paid by the hour, within certain limits, nobody cares how long it takes you to do your work.
This is not only a quantitative but a qualitative difference from other work, and it stems precisely from the kind of commodity that this work is destined to produce. Within the capitalist system generally, the productivity of labor doesn’t increase Unless there is a confrontation between capital and class: technological innovations and co-operation are at the same time moments of attack for the working class and moments of capitalistic response. But if this is true for the production of commodities generally, this has not been true for the production of that special kind of commodity, labor power. If technological innovation can lower the limit of necessary work, and if the working class struggle in industry can use that innovation for gaining free hours, the same cannot be said of housework; to the extent that she must in isolation procreate, raise and be responsible for children, a high mechanization of domestic chores doesn’t free any time for the woman. She is always on duty, for the machine doesn’t exist that makes and minds children.[9] A higher productivity of domestic work through mechanization, then, can be related only to specific services, for example, cooking, washing, cleaning. Her workday is unending not because she has no machines, but because she is isolated.[10]
CONFIRMING THE MYTH OF FEMALE INCAPACITY
With the advent of the capitalist mode of production, then, women were relegated to a condition of isolation, enclosed within the family cell, dependent in every aspect on men. The new autonomy of the free wage slave was denied her, and she remained in a pre-capitalist stage of personal dependence, but this time more brutalized because in contrast to the large-scale highly socialized production which now prevails. Woman’s apparent incapacity to do certain things, to understand certain things, originated in her history, which is a history very similar in certain respects to that of “backward” children in special ESN classes. To the extent that women were cut off from direct socialized production and isolated in the home, all possibilities of social life outside the neighborhood were denied them, and hence they were deprived of social knowledge and social education. When women are deprived of wide experience of organizing and planning collectively industrial and other mass struggles, they are denied a basic source of education, the experience of social revolt. And this experience is primarily the experience of learning your own capacities, that is, your power, and the capacities, the power, of your class. Thus the isolation from which women have suffered has confirmed to society and to themselves the myth of female incapacity.
It is this myth which has hidden, firstly, that to the degree that the working class has been able to organize mass struggles in the community, rent strikes, struggles against inflation generally, the basis has always been the unceasing informal organization of women there; secondly, that in struggles in the cycle of direct production women’s support and organization, formal and informal, has been decisive. At critical moments this unceasing network of women surfaces and develops through the talents, energies and strength of the “incapable female.” But the myth does not die. Where women could together with men claim the victory—to survive (during unemployment) or to survive and win (during strikes)—the spoils of the victor belonged to the class “in general.” Women rarely if ever got anything specifically for themselves; rarely if ever did the struggle have as an objective in any way altering the power structure of the home and its relation to the factory. Strike or unemployment, a woman’s work is never done.
[2] This is to assume a whole new meaning for “education,” and the work now being done on the history of compulsory education—forced learning—proves this. In England teachers were conceived of as “moral police” who could 1) condition children against “crime”—curb working class reappropriation in the community; 2) destroy “the mob,” working class organization based on family which was still either a productive unit or at least a viable organizational unit; 3) make habitual regular attendance and good timekeeping so necessary to children’s later employment; and 4) stratify the class by grading and selection. As with the family itself, the transition to this new form of mini control was not smooth and direct, and was the result of contradictory forces both within the class and within capital, as with every phase of the history of capitalism.
[3] Wage labor is based on the subordination of all relationships to the wage relation. The worker must enter as an “individual” into a contract with capital stripped of the protection of kinships.
[4] Karl Marx, “Critique of Hegel’s Philosophy of the State,” Writings of the Young Marx on Philosophy and Society, ed. and trans. Lloyd D. Easton and Kurt H. Guddat, N.Y., 1967, p.176.
[5] We are not dealing here with the narrowness of the nuclear family that prevents children from having an easy transition to forming relations with other people; nor with what follows from this, the argument of psychologists that proper conditioning would have avoided such a crisis. We are dealing with the entire organization of the society, of which family, school and factory are each one ghettoized compartment. So every kind of passage from one to another of these compartments is a painful passage. The pain cannot be eliminated by tinkering with the relations between one ghetto and another but only by the destruction of every ghetto.
[6] “Free fares, free lunches, free books” was one of the slogans of a section of the Italian students movement which aimed to connect the struggle of younger students with workers and university students.
[7] In Britain and the US the psychologists Eysenck and Jensen, who are convinced “scientifically” that Blacks have a lower “intelligence” than whites, and the progressive educators like Ivan Illyich seem diametrically opposed. What they aim to achieve links them. They are divided by method. In any case the psychologists are not more racist than the rest, only more direct. “Intelligence” is the ability to assume your enemy’s case as wisdom and to shape your own logic on the basis of this. Where the whole society operates institutionally on the assumption of white racial superiority, these psychologists propose more conscious and thorough “conditioning” so that children who do not learn to read do not learn instead to make molotov cocktails. A sensible view with which Illyich, who is concerned with the “underachievement” of children (that is, rejection by them of “intelligence”), can agree.
[8] In spite of the fact that capital manages the schools, control is never given once and for all. The working class continually and increasingly challenges the contents and refuses the costs of capitalist schooling. The response of the capitalist system is to re-establish its own control, and this control tends to be more and more regimented on factory-like lines.
The new policies on education which are being hammered out even as we write, however, are more complex than this. We can only indicate here the impetus for these new policies: (a) Working class youth reject that education prepares them for anything but a factory, even if they will wear white collars there and use typewriters and drawing boards instead of riveting machines. (b) Middle class youth reject the role of mediator between the classes and the repressed personality this mediating role demands. (c) A new labor power more wage and status differentiated is called for. The present egalitarian trend must be reversed. (d) A new type of labor process may be created which will attempt to interest the worker in “participating” instead of refusing the monotony and fragmentation of the present assembly line.
If the traditional “road to success” and even “success” itself are rejected by the young, new goals will have to be found to which they can aspire, that is, for which they will go to school and go to work. New “experiments” in “free” education, where the children are encouraged to participate in planning their own education and there is greater democracy between teacher and taught are springing up daily. It is an illusion to believe that this is a defeat for capital any more than regimentation will be a victory. For in the creation of a labor power more creatively manipulated, capital will not in the process lose 0.1% of profit. “As a matter of fact,” they are in effect saying, “you can be far more efficient for us if you take your own road, so long as it is through our territory.” In some parts of the factory and in the social factory, capital’s slogan will increasingly be “Liberty and fraternity to guarantee and even extend equality.”
[9] We are not at all ignoring the attempts at this moment to make test-tube babies. But today such mechanisms belong completely to capitalist science and control. The use would be completely against us and against the class. It is not in our interest to abdicate procreation, to consign it to the hands of the enemy. It is in our interest to conquer the freedom to procreate for which we will pay neither the price of the wage nor the price of social exclusion.
[10] To the extent that not technological innovation but only “human care” can raise children, the effective liberation from domestic work time, the qualitative change of domestic work, can derive only from a movement of women, from a struggle of women: the more the movement grows, the less men—and first of all political militants—can count on female baby minding. And at the same time the new social ambiance that the movement constructs offers to children social space, with both men and women, that has nothing to do with the day care centers organized by the State. These are already victories of struggle. Precisely because they are the results of a movement that is by its nature a struggle, they do not aim to substitute any kind of co-operation for the struggle itself.
8 notes · View notes
southernsolarpunk · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Greetings from your local socialist
38 notes · View notes
garadinervi · 2 years
Photo
Tumblr media
Selma James, Our Time Is Now. Sex, Race, Class, and Caring for People and Planet, Introduction by Margaret Prescod, Edited by Nina López, PM Press, Oakland, CA, 2021
31 notes · View notes
knockeddeadv5 · 1 year
Text
Tumblr media
Selma Blair by James Jean
14 notes · View notes
hyperions-fate · 10 months
Text
Roll on, ye dark-brown years, for ye bring no joy on your course. Let the tomb open to Ossian, for his strength has failed. The sons of the song are gone to rest; my voice remains, like a blast, that roars, lonely, on a sea-surrounded rock, after the winds are laid. The dark moss whistles there, and the distant mariner sees the waving trees.
James Macpherson, 'The Songs of Selma', The Poems of Ossian (1773)
4 notes · View notes
dwtsfun · 2 years
Text
Dancing with the Stars Season 31 Week 1: Same Show, Different Platform
Hey everyone! We are back for season 31 on Disney+. We have Conrad Green back as executive producer and Tyra has a new cohost, Alfonso!. Judges are still the same, but they never change. Now a lot of you have been asking my for some thoughts about all of the changes. I guess I'll start out by addressing those. That seems to be appropriate. Let's start with Conrad.
I cannot believe that I'm saying this, but it's nice to have him back. It's nice to hear the full name of both the pro and the celeb. I'm feel the energy of the show has shifted back to what it once was. It was going down a weird path for awhile and Monday night felt familiar and comforting. I love the intro pose before the dance. It's a modernized version of what they used to do back in the day and I missed that so much. I do wish he could've brought the stairs back, but we can't have it all.
For the hosts, I think Tyra and Alfonso were fantastic together. They already know each other and have worked together in the past (Fresh Prince), so it wasn't awkward for them to bounce off of one another. As someone said, Tyra seemed to be a lot more relaxed now that she didn't have to shoulder the responsibility of hosting the entire show. And Alfonso is just a natural. There were a few issues but that was backroom stuff and I'll talk about that a little later.
I enjoyed the troupe dancing. It was a nice and welcome break from the main events of the show.
Now, I think we have to talk about the lack of commercials. The reason that I am so late getting this up is because so much happened in 2 hours with no break that I was kinda over DWTS for the night. Tyra and Alfonso did well, but that was a marathon for them. They literally had no chance to just sit and breathe. At least commercials give some reprieve to the hosts (whether it was Tom, Samantha, Brooke, Erin, Lisa, Tyra or Alfonso). We also saw the control room seemed to mess up a few times with scoring and getting all that updated. Even though they could make that mistake at any time, it is important for them to have that down time so that they can update things to feed to Tyra as the show goes on. I'm not sure how they can rectify this, but something needs to be done to give everyone a breather. The pace of Monday night is not sustainable for an entire season.
And finally, the week 1 elimination. I didn't like it. I think it was the right couple that left, but I wish it had been week 2 or maybe even give us one special results show on Tuesday. Make it a two day premiere. That being said, I liked that Jason and Peta had time to say good-bye and the cast could go hug them and all of that. Okay, now recap time.
Jordin and Brandon- Cha-cha (Score=26)- This was really good. I thought it should've been straight 7s. And upon my second viewing, I was right. It was a very strong week 1 dance and a great way to start the night. Jordin has some really great lines and her technique is actually quite good when she hits everything correctly. I think she was a little uncomfortable. There were moments where it felt like she wasn't quite finishing all the moves right in the middle of the dance. Things started to blend. But nonetheless, a great dance.
Sam and Cheryl- Foxtrot (Score=20)- I thought this dance was fine. It wasn't particularly bad. It wasn't all that great either. It was passable. I feel like the song probably caused them more problems. It didn't lend itself well to the smoothness of a foxtrot. Sam has some potential though. That is the one thing I got from this dance. And based on the other 20s, it probably could've gotten a point or two higher.
Heidi and Artem- Cha-cha (Score=24)- I was surprised at how well Heidi handled this dance. I wasn't really expecting much because I don't know much about her and she's not a celeb celeb. But she did really well. Her legs are really nice. Her arms are pretty good too. I do think she needs to do a better job of projecting when she dances and really hitting her moves harder. I'm starting to realize that Artem has the same issues with his partners that Tony used to have.
Daniel and Britt- Tango (Score=27)- Daniel really shocked me. The confidence that he exuded was kinda hot, not gonna lie. And he handled Britt's choreo really well. His arm kinda gets funky and his legs need some more work. The potential is there and like Jordin, I think he probably should've had straight 7s.
Jessie and Alan- Cha-cha (Score=20)- Well, this dance was a mess. Jessie had basically no technique. Her legs and feet were atrocious. But she knows how to perform and mostly stayed on time. I'm not sure how much potential is there, but we shall see as the season goes on. Alan might make some miracle happen with her. I mean I though Lauren Alaina was a no hoper when she was on.
Teresa and Pasha- Tango (Score=20)- As many of you know, Teresa was one of the people I was excited to see. But this dance was a bit of a let down for me. I could tell she was extremely nervous and dancing definitely doesn't seem to come easy for her. However, I see something there and I want Pasha to tap into it. What she did wasn't bad (other than her frame). It's just what she didn't do. The Housewives fanbase really doesn't translate well to DWTS so I'm not shocked that she ended up in the bottom 2. I think the only Housewife that was pretty much safe up until the week she left was Nene.
Wayne and Witney- Cha-cha (Score=29)- Just as I expected, Wayne was explosive. Witney gave him a great dance and it was so amazing to watch. I do think he needs to clean up some of his technique, but it was great. I'm shocked he didn't get more than one 8. I thought it for sure deserved at least two. I'm really excited for these two. And I don't think I've said this before, but Witney is definitely one of my favorite pros. She's such a star and so good at what she does.
Cheryl and Louis- Cha-cha (Score=21)- First of all, welcome back Louis. Now, Cheryl might've been my biggest surprise of the night. I 100% agreed with CAI. I think she could've handled more than Louis gave her. They played it a bit safe, but she definitely has the goods and she can move. And knowing Louis, I know that's a critique he wants to hear. As for the dance itself, it was good. I wanted more hip action but she really did everything well. I really wanna see her do a ballroom dance. She's got the elegance and lyricism to pull off a gorgeous dance.
Vinny and Koko- Salsa (Score=17)- First, welcome to the show Koko! Now, the judges were way too harsh on them for this dance. Was it great? No. Was it good? No. But, Vinny has potential. I think the dance actually would've been better if Vinny hadn't been so nervous. He forgot things and he kinda got lost. But he performed it well and there were moments when I saw him hit the moves he was supposed to, when he was supposed to. I think a few things need to happen to help these two out. First, I want Koko to simplify the routines from now on. Vinny is not super skilled, so throwing everything into one dance will not work out for him. It's a rookie mistake, so I understand why she did it. Idk if she is doing this next thing, but I'd like for her to take Vinny to the side at least once before they dance, reassure him and calm him down. He was clearly hyped up when they got out there and he needs to come back down to really get these dances down.
Shangela and Gleb- Salsa (Score=28)- Shangela killed this. This was actually my favorite dance of the night. First of all, this is the best Gleb US choreography that I've seen from him. Shangela also really killed this dance. She was fierce. She was confident. She had rhythm and hips. It was a great time. Now, I need them to reign it back in a little bit. It started to get a little wild from time to time and that will create problems in the future. That's my biggest critique.
Trevor and Emma- Quickstep (Score=21)- Interesting dance. They sold it to us like he was going to be one of the worst dancers ever on DWTS. And then it was actually ok. I'm not sure why that was the case. Now it was kind of wild and there were a lot of technical issues. But it wasn't the disaster they were preparing us for. Again, weird.
Gabby and Val- Jive (Score=28)- The judges gushed over this dance and I found that to be very suspicious. Was it good? Yes. But there were a lot of issues. First, she had Bambi legs going on a little bit. And I also thought that her kicks were lacking. They didn't retract the way that they should've. She can dance though. I definitely think she's gonna be good.
Joseph and Daniella- Jive (Score=23)- Joseph killed this dance. Ain't no way I was expecting him to be this good and light on his feet and flexible, considering how muscular he is. Daniella is an amazing teacher and choreographer. Now, his feet were eyesores and there are some other things. But man, this guy is actually someone that could become a contender.
Jason and Peta- Cha-cha (Score=18)- This just wasn't a good dance. And there was nothing that Jason could've done to save it. He's just not a good dancer and that's okay. As soon as I saw him counting out loud, I knew he was gonna be in trouble. That is never a good sign for anyone. He was eliminated though, so we don't have to worry about fixing any of his problems anymore.
Selma and Sasha- Viennese Waltz (Score=28)- This dance was beautiful. It was a true moment. I really loved it and Selma did such a great job with everything. I enjoyed Sasha's choreography. It was good. I do worry about how Latin will be for her, but I feel like her ballroom dances will always be really nice to watch.
Charli and Mark- Cha-cha (Score=32)- Welcome back Mark! This dance was good. Really good. I expected that though. I don't have much to really say though. I liked it and I like Charli more than I thought I would. I would like to tell everyone though to be prepared for a "shocking" elimination involving her. She's young and her fanbase is young. They're usually fickle. Not sure how it's gonna be on Disney+, but you all need to prepare yourselves. She's got "shocking elimination" written all over her and I do not want to sit here and talk about ad nauseum if it does happen. I just want to get that out the way.
So that's it. This took forever to write. I think I'm going to figure out a different way to do this next week. Recapping 15 dances is not fun. This is another reason why I didn't want more than 13 couples in a season. It makes blogging about it a much more tedious task. Let me know you all's thoughts and I will talk to you soon!
14 notes · View notes
Text
Tumblr media Tumblr media Tumblr media
Hellboy (2004) dir. Guillermo Del Toro
Rating: PG-13 / IMDB: 6.8 / RT: 81%
Aquaman (2018) dir. James Wan
Rating: PG-13 / IMDB: 6.8 / RT: 65%
8 notes · View notes
jessiejamesdeckers · 2 years
Photo
Tumblr media
October 6, 2022
2 notes · View notes
yamnbananas · 2 years
Text
Selma to Montgomery 1965 👊🏿
4 notes · View notes
dissidentlibrary · 11 months
Text
Heroes
I begin in Septembe, when I go on the road. "The road" means my return to the South. It means, briefly, for example, seeing Myrlie Evers, and the children - those children, who are children no longer. It means going back to Atlanta, to Selma, to Birmingham. It means seeinng Coretta Scott King, and Martin's children.
James Baldwin, I Am Not Your Negro.
Tumblr media
1 note · View note
dipnotski · 1 year
Text
James Suzman – Çalışma (2022)
James Suzman – Çalışma (2022)
Kimse alınmasın ama, neden eşek gibi çalışıyoruz? Çalışma bizim kim olduğumuzu neden ve nasıl belirliyor? Nasıl oldu da çalışma, hayatımıza anlam ve değer katan, toplumsal statümüzü belirleyen, zamanımızı kimlerle ve nasıl geçireceğimizi söyleyen, üstelik bedenimizi, çevremizi, eşitlik anlayışımızı dönüştüren bir şey haline geldi? Dünyanın önde gelen antropologlarından James Suzman bu kitabında,…
Tumblr media
View On WordPress
0 notes
goffjames · 2 years
Text
Poetry – Brawny Angel – An Emojiku Poem by Selma Martin, Cindy Georgakas and Goff James
Poetry – Brawny Angel – An Emojiku Poem by Selma Martin, Cindy Georgakas and Goff James
Welcome to the Fantastical, Weird and Wacky World of Emojiku © J. A. C. Bezer, Relaxing In A Pink Sea, 2018 🥋 You brawny angel💆🏻 Deserve a relaxed weekend🦋 Put down pixie wings🔐 Throw away the key☀️ Sunlight shinning Sunday reads🏝 Drifting daydreams sweet🌎 Fleeing from the world🌷 Budding flowers welcoming🌅 Heaven’s silence flows What is emojiku? The emojiku came about by Cindy Georgakas and…
Tumblr media
View On WordPress
0 notes
garadinervi · 2 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
Selma James, Sex, Race, and Class—The Perspective of Winning. A Selection of Writings 1952-2011, Foreword by Marcus Rediker, Introduction by Nina López, Common Notions, Brooklyn, NY / PM Press, Oakland, CA, 2012
25 notes · View notes
workingclasshistory · 2 years
Photo
Tumblr media
On this day, 2 August 1924, James Baldwin, renowned gay Black author and social critic was born in Harlem, New York City. Frustrated with endemic racism in the United States, he moved to France where he spent most of his life. However, he did return to the US during the civil rights movement and played an active role in fighting racism, despite the official movement's homophobia, encouraging civil disobedience and taking part in the March on Washington in 1963 and the Selma march in 1965. Baldwin believed racism to be a central tool of US capitalism, telling journalist Joe Walker: "Racism is crucial to the system to keep Black and whites at a division so both were and are a source of cheap labour… The price of any real socialism here [in the US] is the eradication of what we call the race problem." In 1968 Baldwin also pledged to refuse to pay tax in protest against the Vietnam war. For these "subversive" activities, Baldwin was subjected to illegal surveillance by the Federal Bureau of Investigation, who collated 1,884 pages of documents on him. This collection of writings by Angela Davis begins with the letter sent to her by Baldwin: https://shop.workingclasshistory.com/products/if-they-come-in-the-morning-angela-davis https://www.facebook.com/workingclasshistory/photos/a.296224173896073/2048774835307656/?type=3
1K notes · View notes
cartermagazine · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Today In History
The first Selma to Montgomery march began on Sunday, March 7, led by SNCC chairman John Lewis and the Reverend Hosea Williams of SCLC.
Predating the march, Reverend C.T. Vivian led a peaceful march to the courthouse in Marion, Alabama on February 18, 1965, to protest the arrest of DCVL member James Orange. On the way to the courthouse, Alabama state troopers attacked the marchers, shooting Jimmie Lee Jackson in the process. Jackson died eight days later, prompting James Bevel of SCLC to call for a march from Selma to Montgomery to speak with Governor George Wallace about Jimmie Lee Jackson’s death.
The march proceeded without any interruptions until the protesters arrived at the Edmund Pettus Bridge where they were met with violence by Alabama law enforcement officials. Amelia Boynton was beaten unconscious. John Lewis suffered a skull fracture from the attack, and later mentioned he thought he was going to die that day. After this terrifying ordeal was over, more than 60 marchers would be injured. This day would become known as “Bloody Sunday.”
CARTER™️ Magazine
39 notes · View notes
twixnmix · 1 year
Photo
Tumblr media Tumblr media Tumblr media
Archbishop Iakovos, Dr. Martin Luther King Jr. and Rev. Ralph Abernathy leading a memorial march for Rev. James Reeb to the Dallas County Courthouse in Selma on March 15, 1965.
Photo by Bob Adelman
189 notes · View notes