#She ra rant

[hotchocolatefanfics]

Hordak and The Horde Theory

Remember when I said BoJack Horseman changed me? This is what I mean! I believe Hordak did change at the end of She Ra, but the things he did or that the horde implied to have done bother me!

While I do think his relationship with Entrapta did change him (giving him a new perspective of life’s imperfections I mean), it doesn’t change the fact that a whole war happened and that people were hurt or killed directly or indirectly by him.

I mean, didn’t one of Bow’s dads say lots of people suffered because of the horde? Are we supposed to believe all of Etheria just ‘forgave and forgot’ when Hordak helped defeat Horde Prime? Did he or any of the horde face any real consequences for their actions?

Such as:

- Attacking civilians

- Destroying villages, homes and other property

- Kidnapping or wrongful imprisonment

- Murder, mass murder, or wrongful death of civilians (intentional or not)

- Conspiracy to commit kidnapping and murder

- Torture (specifically when Shadow Weaver had Glimmer hostage)

(A lot of this is just me theorizing what the horde could have done given what they were shown to do and capable of doing in the series-and things I wouldn’t put past them anyways)

Also, even if Hordak didn’t order it or necessarily know about it, whose members of the horde weren’t already monsters? What if some of them were serial killers or other criminals and used the horde as cover? (Again things that Hordak might not have allowed or wanted but nonetheless still created an environment and an organization where that kind of stuff could potentially happen).

And then there’s the things that Hordak himself might have done and never told anyone, things that not even Adora, Catra, or Scorpia knew had happened or were happening right under their noses (I don’t know, maybe Hordak attempted to control and change Etheria through various experiments that failed and may have accidentally created more problems for the princesses or something like that).

So while I do like how She Ra ended, I think we should have had one more season dedicated to the aftermath of the war and Horde Prime’s defeat. There’s just so much that Hordak (and the horde members) did or possibly have done that they’d need to answer for.

The other thing is I don’t even know how or if they’d face justice for that. Certainly members of the horde who committed murder and kidnapping would go to prison (or Etheria equivalent to that??) but what about Hordak? Or Catra, Scorpia or Adora? Maybe there’d be clemency terms or immunity in exchange for information about what the horde did?

TLDR: I can’t get the idea of Adora, Catra, Scorpia and the others at Bright Moon having to investigate and clean up the many messes the horde made and all of them slowly realizing the extent of the horde’s crimes and Hordak explaining and assisting in their efforts to solve those crimes as a fanfic series out of my head.

[wizardgirlxyz]

Just noticing something. Not forming any fully structured ideas yet about Glimmer being manipulative. I’m just putting it out here. Please don’t fight me on this

Glimmer always goes straight to holding hands with somebody whenever she wants to convince them! And who else does something similar perhaps not with the hand but instead the face??

i don’t think they’re on a similar level. Shadow Weaver is a child abuser and really really fucked up person. I’m just saying Glimmer ispossibly manipulative to an extent.

[manic-sapphic]

i'd say this is the last time i'll ever mention the jump in save the cat.. but i think we'd both know i was lying.

cause i know the first time i ranted on it my focus was on how heart-wrenching it is to think adora jumped without any idea or awareness quite yet of the fact that transforming without the sword was not only possible - but would actually conjure her true she-ra form, one far more seemingly invincible, able to innately wield her magic and abilities, displaying prowess and powers she had never before reached after all her training with light hope.

and how that meant she jumped just cause she couldn't stand the thought of catra dying down there alone, and even though it meant she might end up dying down there with her, one way or another, at least catra wouldn't have to face the end on her own.

but then i was making an amv using these scenes for literally prob like the 30th time lol annnd then the thought hit me - she had to have known there was a good chance catra wouldn't have survived the fall at all. and with the bottom cloaked in shadows, there was no way for her to know how far she, adora, would fall herself if she were to jump. so her own survival of even just the impact without her she-ra form was no guarantee, either.

but she still goes after her. she takes that risk. cause she can't just leave catra in the dark.

never could

never really meant to

never will again

and catra? ends up doing the same for adora. over and over. i'd add more examples but i hit my gif limit lol

<3

[your-fave-jewish-magical-girl]

Shout out to people who are fans and enjoyers of hated media. Stuff people make 8 hour video essays on why it’s bad, shows or games or whatever that people dunk on to the point where it’s basically a trend even if they never interacted with said media. Bands or movies where people who have only heard of it will make judgement after hearing someone talk about their interest.

Keep being you, keep liking what you like authentically. Don’t let the bandwagoning or angry nerds get to you. You are some of the most awesome and chilliest people on the internet.

[spop-romanticizes-abuse]

honestly, i think the double standards with catra and glimmer stems from something other than pretty privilege, and it's something i've seen in a lot of media.

take, for instance, the atla fandom demonizing aang and katara but coddling azula. or the su fandom villanizing steven but making excuses for spinel and lapis.

and the reason for this is that villains or antagonists are always given more freedom to make mistakes, to do heinous shit, to be cold or rude or insensitive to others. the logic being that "they're the villain, of course they're gonna be horrible".

with heroes, on the other hand, there's this subconscious judgment whenever they make a mistake. heroes are meant to be perfect and as much as people say that they want more antiheroes, they always judge a hero based on how morally good they are.

which explains why katara is hated on for saying something insensitive out of repressed grief and trauma, but azula is coddled for committing multiple war crimes.

why glimmer is bashed for being kinda mean and making some bad choices due to grief and pressure, but catra's conscious choice to attempt genocide and willing participation in war is justified.

why steven is villanized for having a mental breakdown after years of suppressed trauma, but spinel's attempts to kill dozens of people on earth are excused.

why mabel is demonized for being kinda selfish sometimes and for being manipulated into giving away something she didn't know the importance of, but bill is loved by everyone.

why korra is blamed for trusting her uncle and losing her connection to the previous avatars, instead of unalaq being held accountable for manipulating her (unalaq isn't really coddled by the fandom but there's a huge victim blaming problem).

simply put, people want heroes to be pure. they want surface-level flaws like clumsiness and awkwardness, not REAL flaws. as much as these people say that they want more morally grey or complex heroes, the truth is that they can't even handle their hero being kinda rude to someone.

especially with characters like glimmer, mabel and katara, who have a more traditionally feminine aesthetic and is generally a good person, people expect them to be well-behaved and perfect all the time. even though both these characters were shown to be passionate and stubborn and fierce from the very beginning, people are still blindsided when they actually take a bold stance or act on their emotions.

and with steven, he was a nice, happy, easygoing kid in the beginning and he tried to remain optimistic throughout all the trauma he went through, so people just expect him to do that forever. to always repress his feelings and never give himself the space to express them, to always focus on being a therapist for literally every other character and to never prioritize himself.

and like sure, villains are meant to be evil. i'm not telling anyone to water down their villains. but there's a difference between liking a villain and excusing their actions. i like azula. i like all of the villains in tlok. i like bill cipher. i even like catra and white diamond minus their shitty redemption arcs.

but i'm not going to set double standards by justifying everything that a villain does and demonizing a hero for acting out of line once. especially if the hero actually takes responsibility for their actions and tries to be better, and the villains just get forgiven for doing the bare minimum.

[unicornblossom13]

[Catadora & Megop Parallels]

At the start of Transformers One, I think Orion Pax was a bit more similar to Catra, as both were stuck in jobs they were unsatisfied with and wanted to do something more with their lives.

Meanwhile, Adora and D-16 were more serious minded and content with following the rules and work their way up in an environment that was unfair, and sometimes cruel, but was all they knew.

However, in the second half of the movie, when the truth is revealed, that’s when they switch roles.

Orion wanted to fix the corrupted system, trying to avoid using horrible and unnecessary methods if possible. Adora wanted to immediately stop the Horde once she realized what their true intentions were, joining the Rebellion to fix the damage they have done.

On the other hand, D-16 became more and more consumed with wanting revenge against the lies fed to him his entire life. Now, while Catra was well aware of the Horde’s true nature, she desperately wanted to prove her worth to those that constantly doubted her since she was a child.

So driven by their desires and goals, both D-16 and Catra were willing to remove the ones they believed stood in their way, Orion in his case and Adora in hers.

Both Orion and Adora gained an incredible power that allowed them to make a difference and to right the wrongs they had seen.

But it came at the cost of losing their best friend, someone they loved and trusted more than anyone.

Even though these differences in goals and ideals caused them to drift away, their is no denying both pairs are always drawn to each other. Whether friends or enemies, they influence one another’s decisions and actions.

The lingering feelings they have for one another adds to the conflict as they are torn between longing, betrayal, what is right and wrong, and what they desire.

[visbackmuscles]

I actually fucking hate Shadow Weaver so much. “I’m so proud of you Catra” ARE YOU KIDDINNGGGG U MANIPULATIVE BITCH???!! She neglected, abused, and made SURE Catra was seen as a burden to Adora and others for her entire life. She so obviously favoured Adora over her all of the time, and yes, Adora faces abuse from shadow weaver as well, but not in the same way Catra did. Shadow Weaver is a mother to them, she’s responsible for molding the type of person they become, she is mainly responsible for the way Catra turned out and yeah it’s not an excuse but it’s an explanation. And of courseeee SW has to say the words Catra has been yearning for her entire life right when she was about to die?? she’s a little late… and don’t even get me started on the “you’re welcome”. WELCOME FOR WHAT HELLO??? TRAUMA??? Her sacrifice was so selfish in so many ways; it wasn’t a redemption. did i still sob during this scene? yah.. but was i sobbing while saying “FUCK YOUU” the whole time? also yah

[regulationhottie7905]

“We need more complex female characters” ygs couldn’t even handle catra “we need more complex wlw ships” ygs couldn’t even handle catradora yuo’re literally so embarrassing shut up shut up shut up shut upppppp

[that-ari-blogger]

"Do It" (Destiny Part 2)

When you interact with a lot of similar media, you tend to notice patterns and recurring tropes. Most notably in this example is the final season darkest hour.

Typically, when a series wants to ensure that the stakes are higher for its final arc, it will end the previous in a very dark place. Avatar: The Last Airbender does this, and I just covered The Owl House doing a very similar thing.

But She-Ra has a lot more to it than just the singular convention. This is an incredibly cerebral series with a ton of moving parts. So, for the season four finale, I would like to examine a few of them, and what they do for the story.

Let me explain.

SPOILERS AHEAD: (She-Ra and the Princesses of Power, Marvel’s Cloak and Dagger, A Christmas Carol)

Context is important, and stories have an understated ability to draw together disparate elements into a cohesive entity through a consistent theme.

Here, that is twofold. The series as a whole has been about the cycle of abuse as portrayed through tragedy, specifically in its antonymic relationship with genuine love. But Destiny Part 2 zeroes in on the chronological geography of this. As in, there is a distinct sense of time in this episode, and a discussion of the past and future and their impact on the present.

Everything in this episode revolves around these two ideas, and so everything must be analysed through those lenses.

Starting with the runestones, which are an idea original to the 2018 reboot.

“It’s like…”

“…connection.”

Throughout this season, we have seen the princesses glow when they achieve camaraderie, and that glow is near identical to that of the planet balancing itself. Near identical. The runestones are shown to be more powerful than regular camaraderie.

We don’t actually know the origins of the Runestones, with the exception of them being native to Etheria. The Legend of the Fire Princess graphic novel has one in it that was created by the first ones, which implies that the others were not. But I am here to talk about the main series. (If you want me to discuss the book or any other supplemental media, my ask box is open).

As such, I find it important that the power of the Runestones, much like that of She-Ra, predates the First Ones, which means that it was not theirs to use.

In my previous post about She-Ra, I commented on the First Ones as colonialists, and this adds to that symbolism.

The First Ones co-opted something that was, by all accounts, sacred to the people of Etheria, or at least of significant cultural value. It was repurposed into a weapon that would, as a side effect, wipe out the planet. Cruel and uncaring. The First Ones viewed Etheria as a tool that could be cast aside when it was no longer of use, a worthy sacrifice.

In terms of our themes, this is most definitely abusive behavior, and that continues into the cyclical nature of that abuse.

I have also discussed how it doesn’t matter if the First Ones were the aggressors in their war or not. If the First Ones were under siege, then they felt the only way to defend themselves was to inflict more suffering on bystanders. The abuse they received turned them into the villains of this season. But I think the most important moment for this part of the episode is this:

In her desperation and powerlessness, Glimmer tries to destroy the Runestone.

The anger at being used has been turned against the First Ones, but they are using the culture of the people they have colonized as a shield. To get to us, you need to stab yourself.

It’s forcibly disconnecting the people from the symbol of their culture, metaphorically and literally breaking their connection and leaving them weak and in a place of vulnerability.

This wasn’t even intentional. I don’t think the First Ones sat down and schemed about how, when this master plan goes off, there will be one princess who tries to break the runestones. It was a side effect. All of this was a side effect.

The main role of this was to destroy a different force entirely, Etheria was never part of the equation. The First Ones were fighting a war with someone else, and Etheria was just a sacrifice that could be made.

Glimmer is technically surrounded by the corpses of her enemies here. That is the context for her statement that "we are the good guys". Yes, they are robots, but Emily is sentient, so...

Abuse is fundamentally selfish. To the abuser, it isn’t about the victim, it’s about the anger and often pain that needs to go somewhere. It’s about the power and control. The victim was just there. My feelings matter, my heart, my obsession, my anguish. You are a convenient scapegoat.

It is important to understand that this mindset is built on a misunderstanding.

There is a reason for it. Of course there is. Everyone has a reason for their behavior. That’s what the cycle of abuse is. You get so wrapped up in your own mind that other people stop existing, and you are left with empty shells around yourself. But having a reason does not make you right.

There are real people around the abuser and the abused. She-Ra is a series about those real people, hence why it is so human in almost every character. It is about the real people who are hurt by someone else’s drama, the real people who get burned by being too close, the real people who get caught in the crossfire.

The Runestones are symbolic of those real people en masse. Used as pawns, corrupted, and destroyed.

In that sense, they also relate to the episode theme of time. They are monuments of a distant past and a history even greater.

At the risk of oversimplification, Runestones in the real world are a Scandinavian concept that emerged before the Viking age but gained traction during it. The vast majority were dedicated to the fallen, but a fair few discussed everyday life and stand as monuments.

They also look nothing like those in She-Ra.

In She-Ra, the Runestones are aesthetically just gems and crystals that are big and look cool. So, why go with the name?

First and most obviously, it sounds magical. Runes sound magical and as any architect will tell you, a large part of any creation is the emotions it inspires. If you want a story about magic, saying “this is a glowing crystal called a runestone” is an easy way to do that.

Although, that does bring up an interesting meta question of why there is magic in this story? As in, what does it do for the themes?

I plan on delving into this question in more detail in a later post, so you have that to look forward to.

For the moment, however, the She-Ra has made a point of connecting magic to nature, and so the name “rune-stone” entangles magic to the ground itself. It is the bedrock of these civilizations.

The other reading is that the stones themselves serve as runes, which are in turn a form of written language and communication. They are the words of people long gone, although crucially, their descendants are still there.

This is how culture exists in a very real sense. Not merely through written words, but through the language and communication itself. Mythology and religion, history and philosophy. Word of mouth and art. Culture is not a static thing of aesthetics but a dynamic manifestation of shared ideas, and sometimes it dies out, but usually it just continues and evolves into new forms. It is everything that has come before and every word that is spoken.

I mean that literally. Every single word has a history and evolution that makes up its current form. The word "Silhouette" comes from a French who didn't like to spend money. Language is the manifestation of history and how it informs the present day. It’s part of everyday life, it is context.

The Runestones are that language as a physical manifestation that literally grants power, and the First Ones use them to destroy people. In this way, what the First Ones did was cultural appropriation, and I don't think my opinion is unpopular that this is, in fact, bad.

Moving on to Light Hope.

“Mara. Mara would not want me to… Mara was a traitor. She turned against her people.”

We have seen two sides of Light Hope. The one who Mara befriended, and the one whom has manipulated her way through half of the series. The weapon of war who couldn’t escape. The cycle of abuse come full circle.

We have seen Light Hope get humanised, and then cast that away. But as best we could tell, it was the system itself that overrode her free will.

This line, however, muddies the waters, because it reminds me of another in the same episode.

“People have hurt you, haven’t they? They didn’t believe in you. They didn’t trust you. Didn’t need you. Left you.”

Of all the people to draw a connection to, Light Hope’s dismissal of Mara is strangely reminiscent of Catra’s antagonism towards Adora.

The cycle of abuse hasn’t just happened before on a grand scale with the She-Ras themselves being destined for tragedy, but this specific plot has happened before, and look how it ended up.

Catra has spent the entire story addicted to power like a safety net. She craves being the highest ranked one in the room because it’s safer, but there isn’t much room at the top of the pyramid. You end up alone, and isolated, and with further to fall.

Catra has been trying to claim power like Shadow Weaver taught her, but has ended up like Light Hope. Alone in her tower, scheming, reminiscing, caught up in memory and spite.

This is a warning to Catra. Most obviously, change your ways. But just to be safe, don’t ever cut your hair and don’t ever start wearing white.

Once again linking back to the themes. The cyclical nature of this series is best exemplified by the threat of another season. This is a story that wants to end, to be free, but it keeps coming back to a song and dance.

I mean this as a compliment. This is the only series that makes me fear another season, but stay glued to my seat as I watch and love every moment. The screen protects me from what is happening inside, and the fact this is a story means that I can stop at any time. That isn’t a luxury the characters are given.

The aim of the series is to end.

And it will, that’s the key thing here. Everything ends. The cycle of abuse is not a true circle but a spiral that winds in on itself until disaster.

Light Hope and Mara are the emblems of a previous cycle. Their story ended in tragedy they couldn’t avert and that left naught but shattered people and places in its wake. Light Hope was Catra, she was someone who was happy. But now she is an instrument of the system that drove them apart, unable to understand or take comfort from Adora until the end, begging for Adora to "do it", begging for death. This is who Catra will be.

Don’t believe me? There is only one other person who uses the words “do it” in this episode. Can you guess who that is?

“What are you waiting for? Do it. Looks like we're both alone, Sparkles.”

There is, however one majour difference between the old story and the new. This rendition isn’t over yet.

I haven’t seen nearly as many Marvel films and TV series as I should have. I saw Infinity War and End Game, I saw Thor: Ragnarok, and I watched Moon Knight, but other than that, I mostly never cared for the series as a whole. I didn’t dislike the films, I just never cared that much.

Which is honestly weird, because I read comics on the regular, and got into comics through Marvel. I started with a Spiderman one shot in the Clone saga, and while I wouldn’t call myself a comic nerd by any stretch of the imagination, I was enough in the spaces to know who Jeff the Land Shark was before Marvel Rivals was a thing.

The reason I bring this up is to recommend a series I left out of the above list, Joe Pokaski’s Cloak and Dagger, which ran from 2018 to 2019.

I had read a few comics featuring the eponymous heroes before I saw the series, so I knew vaguely who these people were, but this was one of those series that got me at just the right time to leave a lasting mark on my psyche.

Most notably, this is the place from which I get the phrase “There’s always a point of no return. It’s called the end.” But there’s a little more to it.

The premise of this series is that Luisiana is always saved by two kids, and that one of them will always die in the process. Tyrone and Tandy (Cloak and Dagger respectively) spend the series trying to find a way to escape this cyclical tragedy.

The season one finale will always break me, because we see the moment when Tandy comes the closest to being the one to die, and it’s not in an overly violent fashion, it’s in a phone call.

The two are trapped in a surreal, timeless landscape, and Tandy is presented with a phone using which she can call her deceased father a moment before he dies. She picks up the phone, has a brief conversation, and then the line goes dead. She picks up the phone again and has the same conversation. Again, and again, and again. Just one moment.

Tyrone asks her to leave, she refuses, so he asks her how long she has been there, a question to which she has no clear answer.

If Tyrone hadn’t rescued her, Tandy would have as good as died there and then. Lost to a memory. Lost to the trauma of losing her father playing back to her over and over again.

Cloak and Dagger are played by Aubrey Joseph and Olivia Holt, and while Holt's performance as Tandy in this scene is the showstopper, it would be remiss of me to not mention Joseph's portrayal of Tyrone as he realises what is happening and tries to stop it.

There is always a moment of no return. It’s called the end.

You lose when all hope is lost. You lose when you give up. You lose when you let everything consume you. You lose when you stop trying to escape.

Cloak and Dagger keep getting told that one must live and one must die, and their response is “how about no?”.

Light Hope lost. She became the monster that created her. But that cycle ain’t done for the here and now, Adora and Catra can fix this.

This actually moves really nicely into the third and final element of this episode that I would like to discuss. The title.

Destiny and fate are funny things, aren’t they? They don’t actually mean anything. Not tangibly, anyway. Yes, yes, your fate and your future are one and the same. But that isn’t a fair metric, is it?

Is fate inescapable? Was I fated from birth to write this post? Was my future laid out for me? Or does it work slightly differently?

I am partial to the dichotomy between fate and free will. That being, a person with free will has the autonomy to make their own way in the world and decide their own fate, whereas everyone else is just pulled along by the strings of time. I think this is sweet.

In practice, I have found one way of writing destiny that I like. Nature.

For the record, I am including nurture within this. A person’s nature is just who they are, their history and goals, their fears and hopes.

Specifically, life experiences make up a person. If I find an arachnophobe and I give them a spider, I can be pretty sure how they will react. That is your destiny. It is the path set in front of you by yourself. There is freedom to wiggle within that, but everyone has a set of key components that make up their personality, and in the right circumstances, this can be manipulated.

I could go for the obvious here and talk about how God Of War: Ragnarök leverages this to talk about trauma. I could. It would certainly fit with She-Ra’s discussion of that concept through the cycle of abuse.

But instead, I am going to recommend you the video by Overly Sarcastic Productions (@comicaurora) about that very topic (link) and go further into the past with Charles’ Dickens’ A Christmas Carrol, or more photogenically, the Muppets film of the same name.

“Are these the shadows of things that will be? Or are they the shadows of things that may be only?”

A Christmas Carrol delves into themes of redemption and capitalism, and I will die on the hill that Charles Dickens had a wicked and very dark sense of humour that was brought about by the time in which he was writing. But for the purpose of this post, the book wields the future like a threat.

“Your chains are forged by what you say and do.

So have your fun, when life is done, a nightmare waits for you.”

In A Christmas Carrol, fate is just consequence. Cause and effect. The book is about three ghosts appearing to a miserable old man who thinks he is alone and unimpeachable and showing him multiple occasions when his life was directly impacted by others, for better and for worse, and the effect that his life is having on others.

It opens with a warning from the ghost of Scrooge’s business partner/partners. Cause: Greed. Effect: Chains. Easy one two punch.

It is crucial to me that when Scrooge finds his grave and asks if the future can be changed, the spirit gives no response. It doesn’t give him comfort, but it also doesn’t tell him his future is set. You can try and change your fate. Go for it. If you don’t you will end up here. Alone even in death, but still buried like every other man. There are no coins in your coffin, just memories.

The point of no return is called the end. You decide what that will end up being.

Adora and Catra have been thrust into this story by their natures, and they have been positioned in such a way that can only lead to destruction.

It was in Catra’s nature to take Adora leaving as badly as she did, because she has grown up being told that affection is exclusive and that a person can only care about one other person. She has been taught love in an incredibly dysfunctional way, and she is just a traumatised child, but she’s a traumatised child who is actively wrecking other people’s lives.

Similarly, Adora is a hero in the most self-destructive way possible. She has to save everyone, has to destroy herself for everyone else’s happiness. She is a pawn in a war and she will burn herself to the ground to feel any kind of warmth and it will kill her.

It is these two’s destinies which clash. The cycle of abuse is a spiral that leads to destruction. The tragedy is tragic. So, what do?

To change your fate, you make the decision to change your nature. An arachnophobe can overcome their fear, Scrooge could become a charitable man, Adora and Catra can escape.

If we lean back into the path metaphor. Your nature is a road that itself is moving towards a destiny. If you try and get off it, you will fall over. But you can reach the edge. You can break free. You can start moving in a different direction.

It is always possible to change.

Before I finish up, I want to discuss Horde Prime’s introduction, because he is fantastically incurious in a way that leans into what I have been saying about the inherent self-centredness of abuse.

“You have forgotten who you are. You truly think you are worthy to stand beside me, could be equal to me?”

If Horde Prime was reading Hordak’s mind, he would have seen the portal and the source of the energy reading. He would have been curious as to its use. But no, he projected.

It didn’t matter what Hordak did, it would never have been enough. The fact that he gave himself a name was sufficient to warrant animosity. Prime didn’t need a reason, he needed an excuse to show off his power to Glimmer, but also to himself.

Side note here, Horde prime is played by Keston John, who also plays Darius in The Owl House, and has a voice that can melt butter.

I say this because he turns that off like a switch as he shouts down the powerless Hordak. That grace and smoothness is gone for a horrible growl.

This tiny little gesture as Prime draws back his hand before he strikes. He's deliberately offering Hordak grace and kindness, deliberately making it clear that they were an option and he chose violence. He is giving hope so that it stings even more when he takes it away.

Which presents a question: Is Horde Prime actually put together? Is the snarling monster a tool that he uses? Or is it the real man? Does the distinction matter?

Prime has to be told about the weapon. He doesn’t think for himself, he just coasts off everyone else’s misery.

This man is a physical threat, sure. We have seen that in previous episodes. But here he establishes himself as a thematic force in the narrative. He is an abuser, he is a manipulator, he is selfish.

Horde Prime is terrifying.

Final Thoughts

I had meditations about Arcane and Shakespeare in this that I had to cut because this is one of the longest posts I have ever written.

I want to stress that She-Ra as a series didn’t go places. It didn’t cover new ground as it progressed. Episode two of series one shows a home destroyed by the trauma of a war and the psychological damage that the cycle of abuse can do to a person. She-Ra started here, it just got blunter as the characters got more and more wrapped up in their own heads. Eventually, the show literally wrote its themes on the walls.

This is a tragedy desperately trying to happen. That’s what’s so compelling about the final season yet to come. The character’s have one last moment to get their arses off that road to the end of the world.

Last chance. Last stop. The point of no return is called the end.

Next week we are diving straight into season five, so stick around if that interests you. Let’s do this thing!

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[enbysiriusblack]

the people that hate catra/catradora are so strange. like i see them arguing that catra literally tried to kill adora and her friends multiple times and she barely even apologised before they got together

but like?? okay yes. but also you're forgetting catra and adora grew up together. they know each other more than anyone else. adora understands why catra is the way she is. because of shadow weaver. because of her abusive childhood where she learnt that 1. she has to look after herself first and 2. that adora will always be there for her. but then adora wasn't so in catra's mind that means that no one will ever truly care about her (because the one person that did left her and yes she understands why but also for her, their relationship is more important than 'doing what's right'). also she wants power and control because she's always been starved of it (always being second best and pushed down and dismissed). adora keeps on asking catra to join her because she knows catra is just angry and pissed and lost. adora doesn't want or need forgiveness from catra- she just wants her.

bow and glimmer don't understand catra like this though. BUT they do both know she had an abusive childhood with adora and is still stuck there so they do feel sorry for her (but also think she's a bitch fs) but glimmer and catra bond in the last season and glimmer does forgive catra and understand her reasonings more. and because glimmer seems to be alright with catra, then ofc bow is going to be.

^ also like. they are both very aware that adora loves catra and they do want adora to be happy.

[elizamgarts]

⚠️Rant incoming ⚠️

I know this isn't my usual posts but recently I believe it has to be said.

This mostly applies to tik Tok but still it needs to be said in the fandom as a whole.

I understand She ra is a female driven show, it's meant for the girls. I fully understand that and makes sense why most of the girls get the spotlight. But that doesn't excuse blatant dismissal to other characters.

Even in the show there's a very clear favoritism and it's heavily in your face it's honestly crazy.

If you haven't guessed I'm talking about Catra. The fandom and show babies and favors her over even the title character, in a way fine but the fans treat her like she is a baby who needs protection but at the same time is a badass lesbian bitch who can overtake anyone.

So which is it? A baby kitten? Or badass lesbian? You can't have both.

Catra stans really make me wanna pull my hair out from how delusional and annoying they can be. Especially when they despise one character for understandable reasons.

Like yes I get it, Hordak done a lot of terrible shit, he's my favorite character but I do not excuse his behavior for what he did to Etheria.

I'm fully onboard with him serving his time to make up what he did and rebuild what he destroyed.

But Catra? Where's her punishment? Where's her due justice for her crimes?

The show never mentions it. The fans gloss over it cause she's Adora "girlfriend" now she serves no punishment she's a sad kitten.

No.

Absolutely not, I'm sorry but the favoritism is absolutely insane, Catra has hurt far more people personally than Hordak, Catra should equally be held accountable for her actions.

But she isn't. She never is, and the bullshit redemption she had is so ass it's insane the show got away with it.

She never changed, she only says she's working on her anger but she never does. The show refuses to let her be accountable for her actions.

What's to enjoy with her character?

She abused everyone, she gets praised cans called a badass by being abelist to Hordak in the one scene she "takes over the horde"

Let's not forget her sending Entrapta to her death pretty much when she shipped her to beast Island fully knowing nobody comes back from that place.

She killed Glimmer's mother by being the one responsible for pulling the lever.

Let's not forget her years and years of abuse on Adora yet the show forced them together because 'hot lesbians"

All of this, all of the people Catra hurt and she never gets held accountable, what does she get? She gets to join the best friend squad and did absolutely nothing to earn it while Entrapta who's worked her ass off to change and be better never once is officially part?.

The favoritism is crazy.

Why is Catra Trauma taken absolutely seriously and demands to be respected yet everyone else's Truama doesn't't exist?

How is that fair?

And I only post this because recently I guess I hold deep rooted disdain for Characters character because she reminds me far too much of my mother.

My mother was physically and mentally and emotionally abusive, she use to hit me if I made a mistake yell and blame me for something I have no control over, gets upset if I don't do things her way. Or if she doesn't get her way she gets upset and makes me feel like shit for not wanting to do something or for how I feel.

Then manipulates me by showing love and affection only to act the absolute same, nothing changes, I have to work to make her happy when it shouldn't be that way.

All of this is very similar to Catra, she manipulates others into getting what she wants, she abused others physically and emotionally.

She acts victim when things don't go her way.

Her character hits far to close to home for me and it makes me resent and hate her character because I sympathize far more to those she hurt over her. Because she shouldn't be getting away with this. She should work to actually change not say she changed.

I love her design, she has a great design and I still love to draw her but her character?

Her "redemption"

It's so horrible and so terrible I cannot find any liking to the character.

I know this rant is all over the place but it's something I needed to address. And it's something the fans need to understand, I don't hate Catdora because I'm homophobic, I don't want Catra to die or any shit like that. I just want a fleshed out character that gets a better redemption and other characters to get equal attention as her. But all I can settle for is fics.

I do hope Catra stans understand this. But this is why I absolutely hate Catra.

Keep in mind I don't wanna do these rants a lot on my page, I'm a artist page not a rant page but I needed to get this off my chest.

[blazethecheeto]

hi so i watched the supergirl finale. and like. what the fuck guys.

that might have been the biggest queer analogy i've ever seen without it being explicitly stated. the whole talk where kara compares how she feels like she's been trapped, how she's been hiding and never living her authentic truth to alex feeling free and joyful with her wife.

the life she wants to have. the metaphors of her not feeling ready to come out. the constant parallels to alex's journey and her wedding vows resonating with kara so deeply. CAT SAYING "most of all, i hope you choose to become your full self."

TEARS. CRYING. LIKE HAPPY PRIDE MONTH??? I GUESS???

and then, AND THEN- out of every single person, lena luthor is the one she has her last conversation with. she is the one to support her, to believe in her, like she always has. lena comparing how both of them were always being told who they were supposed to be, the roles society set up for them, and how they both defied it by becoming friends.

no, because don't get me started with how lillian said in the very beginning of the episode to lena: "live your life the way you want to live it." the insane queer metaphors and parallels with her magic being programmed out of her as a kid because 'it wasn't how the luthor family was supposed to be".

lena turning to kara in that conversation, saying she's finally living her own life and it feels amazing, inviting kara to join her and go through and take on that journey together. kara wondering how it would feel like to connect with someone as her full self NOT KNOWING THAT PERSON IS RIGHT IN FRONT OF HER? lena just responding "i think it'd be empowering" WISTFULLY? i can't do this guys i sobbed.

like TF DO YOU MEAN "i didn't get to grow up to be the person i was supposed to be, and i think it's the same for you" and "i give people speeches on how to live their best lives, but i'm too afraid to live my own".

also, ain't no way they killed off william AND made mon-el come back JUST to confirm that ship was never becoming canon. the writers really said yeah, both of them will be the only people at the wedding with absolutely no other love interests except each other!!

finally, on a less serious note, in that last cat + kara conversation, the way she said-

"i just feel..."

"bi...furcated?"

and i was like LMAO WAS CAT JUST GONNA SAY "KARA, YOU'RE BI GIRLIE."

tl;dr: that was an insane show to go through, i can only imagine how the fans reacted, but man. queerbaiting's really something isn't it. i'm gonna cry and read more supercorp fanfiction.

[flytomy134340]

the most realistic part of She-Ra is that as soon as anyone saw Adora transform into an 8ft tall buff warrior princess with a sword, they instantly fell in love, everyone is gay what a great plot twist

[manic-sapphic]

Failsafe puts on stilettos and does a tap dance on my heart for a lotta reasons, but these are the ones i feel like ranting on today~

i can’t get enough of this moment. when adora finally sees it and takes the first opportunity she gets to say it right to this bitch’s face--

it seems like the whole episode are these shared, full-realizations of the other’s trauma and that, while their experience of it differs and so it produced distinct effects for each of them, it’s still very real and has taken its toll on them both--

and is still taking its toll.

and it’s a savage slaughter on my emotions when catra calls out sw ^^ for her typical tricky bull shit and she audibly says “why are you surprised by this?!” & immediately her voice gets lost in the others' and their indignant words in defense of adora, but catra goes on to say something like:

“she doesn’t care about adora! adora can’t even care about herself!”

and that’s it. the moment you know: catra’s gotten to the bottom of it. she’s figured it out and she's prob so angry at herself for (due in part to her own trauma tho) not seeing it sooner.

all those times she said adora just needed to be the hero, it was quite literal in a way far more unhealthy than catra had ever realized. any problem that arose; if there were lives on the line; adora needed to fix it, no matter the cost. if it had to be someone, it needed to be her. a necessity of which praise was a small perk but for which glory was never the goal. on the contrary, it was even more devastatingly toxic for adora than that.

want is not a sin. there are many clarifications i could make to that, but if you're a decent human being, i shouldn't need to.

and yeah, they both fall prey to the trauma of their careful grooming one more time.

but ultimately, they both embrace love in order to overcome it.

catra decides that if adora can’t let up and simply has to do this, she’s going to do it with her. disregarding the insecurity that adora doesn’t need her, so she’s just following her around; instead, catra stands beside adora with the conviction that she’s there because that’s where she wants to be.

and adora finally allows herself to want love. as adora. just adora.

not only acknowledging that she deserves it,

but even letting herself accept it.

<3

[9ine9ine9ine6ix]

arcane is about apartheid, she-ra is about occupation and imperialism, and danganronpa is about information control and facism- EXPLICITLY. The undercity is a literal walled off concentration of low income communities and forced laborers. The Horde is a military that exercises extreme control over information while trying to genocide a planet to colonize it for its powerful crystal macguffins. Junko works with the richest families in Japan to advertise their AI household murder robots while taking the society members most likely to improve or undo this system and either entrapping them financially or entrapping them physically. That is the very first bullet point backbone of those stories. Stories based heavily on income inequality, oppression, obfuscation of legal information, war, etc. are INHERENTLY political and it’s really scary that people look at those franchises and just see sparkly magical shipping material. You can’t ignore the connotations of the Most Awful, Most Tragic Event In Human History or whateverthefuckitscalled when that event is the literal CAUSE OF THE ENTIRE GODDAMN GAME. You understand that Junko is only a mastermind of the school game, but she works alongside the Towas, right? It’s not entirely just her bossing around a conglomerate and weapons manufacturer, she is explicitly helping a conglomerate and weapons manufacturer lol

[apocalyptichearts]

sep-dec sketch dump <3

i don’t post much of my art anymore, for no concrete reason, but i’ve missed the little art dumps i used to do every month so… ta-da!!

this is def a beefy post, so apologies lol :)