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#She's have such good chemistry with any Doctor.
nosferatufaggot · 6 months
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If Disney bought Fox and Disney has a part of Doctor Who now........................DR. GRACE HOLLOWAY RETURN WHEN!?!?!?!
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heatwa-ves · 7 months
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that one post that's like if the doctor and x had fucked is very good but they fail to understand that nine and rose fucking would not have fixed them. nine rose and jack fucking would've fixed them all tho.
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moonstruckme · 11 months
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hey! I really really really like your writing very much!
can you do one where the reader and spencer reid are both nerds but different kinds of nerds. so the reader's more of a literature/ language nerd and spencer's basically an expert in LITERALLY everything. so she has a major crush on him but always hesitates to make a move on him cuz she thinks that she doesn't stand a chance because she struggles with basic math and physics chemistry make her head hurt
and so when spencer asks her out she's all baffled like you don't think I'm dumb?!😭😭
Hi, thanks honey!
Spencer Reid x fem!reader ♡ 1.3k words
It’s one of those rare days where you can actually afford a lunch break, and you’ve decided to take it outside with your book. Every day lately feels like it could be the last nice one you get before the cold weather comes in, and you’re enjoying the crisp breeze and warm sunshine on your face as you get settled on the bench outside the cafe where you work. 
The book you’ve been reading for the past week is good but not great; you’re sort of pushing yourself to finish just so you can say it’s over with and tell the friend who lent it that you gave it your best. Still, you’re very nearly lost in it by the time a pair of black converse comes to a stop in front of you. 
You follow them upward. “Spencer!” you say, probably with a touch too much alacrity. Too quickly, too. You might’ve at least pretended to have to think about the name of the sweet-faced doctor looking down at you. But it’s not your fault; you’ve gotten used to calling it out from the counter when he comes here to pick up his lunch at least three days out of the week. 
“Hi,” he says, teetering on the edge of bashful. “I’m surprised to see you out here, you’re almost always working when I come by.” 
It’s embarrassingly gratifying that he knows that. You’d never hold it against him if he didn’t, but you’ve come to enjoy the little bits of conversation you grab with him when he comes by, and it’s nice to know that he’s noticed you too. 
“It’s a slow day,” you reply by way of explanation. “I figured I’d grab a break while I still could.” 
Spencer smiles like he totally gets that. You imagine he does. “Good idea. Can I sit?”
“Of course!” Again, way too eager. You’ve got to work on controlling your tone around him. You move your discarded jacket into your lap. 
“Thanks,” he says, sitting in the space you’ve made for him. His legs are so long he looks like he’s squatting on the bench, knees high enough for him to set his elbows on. Which he does, tilting his head to see you. “What’re you reading?”
“Oh, um, it’s nothing. I mean, I wouldn’t really recommend it,” you laugh. Christ, you don’t want him to know what you’re reading. Spencer probably reads astrophysics textbooks for fun. “It’s not very good.” 
Spencer puts his hand over yours, far from forceful as he tips the page toward him until he can see the cover. Your brain is short-circuiting so badly it’s a wonder you don’t drop the paperback onto the pavement. 
“I haven’t heard of it,” he says, which surprises you. Spencer seems so knowledgeable it’s difficult to believe there’s anything in existence that’s not stored somewhere in his hard drive. “Why are you reading it if you don’t think it’s good?” 
He doesn’t ask it in any unkind or judgemental way, but something inside you tenses nonetheless. You know perhaps too much about Spencer Reid. It’s not like you’d gone out of your way to figure him out, but the facts had presented themselves to you almost serendipitously and you’d put the pieces together. You know that he’s in the FBI, not only because of the laminated identifier he sometimes leaves clipped to his shirtpocket when he comes in, but also because of the coworkers that occasionally come with him. From those coworkers, you also know that he’s a doctor, and you gather that he’s generally respected and admired as well as cared for by his team. He seems a bit awkward, but sure of himself where it matters, and he goes into every interaction with a kind curiosity. Most of all, you know that Spencer is smart. Like, expert in everything smart. You’d caught a few jokes from the people he’s brought in about an eidetic memory, his multiple PhDs, and the nickname “boy genius.” No matter how shy and sweet someone is, that’s intimidating. 
And it’s unnerving to have someone with an IQ higher than you can probably fathom asking about your intellectual habits. 
“Well, the plot doesn’t actually have much movement, so it’s pretty boring,” you say hesitantly. “I guess at this point I’m mostly in it for the prose. Plus my friend recommended it, so I have to finish it to keep her happy.” 
Spencer laughs at your little joke, nodding. “Wow, the prose alone is enough to keep you going? It must be pretty fascinating.” 
You want to backpedal immediately, but settle for a one-shouldered shrug. “It’s alright. I’m kind of a nerd for that stuff. Rhetorical devices and all.”
Spencer tilts his head, something igniting in his brown eyes. Interest. “Rhetorical devices. You mean like metaphor and personification?”
You nod. “Yeah, like those, but also anadiplosis and polysyndeton and anastrophe.” Spencer’s eyebrows move slowly upward as you speak, and you feel heat rising to your cheeks despite the slight chill. “I just like that there’s things that affect the emotion—or the pacing, or whatever—of writing that we as readers pick up on almost subconsciously, but were so intentional for the writer.” 
Spencer’s nodding, eyes going somewhere just slightly distant. “Yeah, that’s a good point. I mean, I know writing is a very intentional process, but I never really think about the tiny, word-level decisions authors make to influence readers.” 
“It’s so cool,” you agree. “Like, how long do you think it takes someone to land on the exact right word for what they’re trying to convey, or to structure their sentences in a way that builds momentum over the course of a paragraph? Like, so much goes into it.” 
Spencer’s smiling at you, and you realize you’re gushing, geeky zeal bursting out of you like a soda bottle that’s been shaken and finally uncapped. “Sorry. Um, what’re you reading lately?” 
“Don’t be sorry,” he says quickly, still smiling at you. “I actually just finished my last book, so I’m looking for something new. If this book has all that and isn’t up to your standards, I’d be interested to see what you really enjoy reading.” 
Your cheeks are burning hot; you hope Spencer thinks the redness is from the cool breeze. “I’d be nervous to give you a recommendation,” you admit. “Too much pressure.” 
Spencer waves you off. “I’ll read anything, don’t worry about it. Hey, have you ever been to that coffee shop on fifth? It’s in a bookstore.” 
You blink. “No, I haven’t heard of it. That sounds cool, though.” 
A bit of pink tinges Spencer’s cheeks; it’s probably from the cool breeze. “Yeah, well, you should let me take you there sometime. If you want, of course,” he adds hastily. “Don’t worry about it if not.” 
It takes you a second to realize what’s happening. And then once you do, another second to make yourself believe it. “Like, as a date?” you ask, just to be sure.
 Spencer’s smile is hopeful behind its timidity. “Yeah. Yeah, if you’re okay with that.” 
“Yeah.” You can’t think of anything better to say, your brain filling with buzzing bees. “That sounds good. Thanks.” 
He laughs, eyebrows coming together bemusedly. “Well, don’t thank me. I should be thanking you.” 
It’s more a thanks for his taking action, you think. For making a move when you’d been too scared to, stagnant with months over your anxiety that he’d think you were too dumb or trivial to want to keep talking to you after he’d picked up his sandwich. 
“Okay, great.” He stands. “Well, I have to get back, but I’ll, uh…I’ll see you? Friday, maybe? I can come by here after your shift.” 
“You know when my shift ends?”
Now even his ears are turning red. “You…around four, right? I sometimes see you if I’m leaving work around then.” 
You smile. “Yeah, four. See you then, Dr. Reid.” 
“See you then!” he turns around, and you can see the exact moment he thinks to wonder how you know his last name. You don’t bother worrying about it.
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gallusrostromegalus · 17 days
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Since you're at the doctor's, medical headcanons. Who's afraid of needles, who's the biggest baby when sick, who insists that everyone just let them die, etc. etc.
Short answer before long one bc I have to drive but:
They're all deep, deep into the morass of the horrors and miracles of The Flesh.
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The Karakura kids are weird because Ichigo's dad is an emergency trauma doctor and Ichigo's family loves above the clinic. Any time his friends come over there's a round of "so what wild shit happened in the ER since last time?"
(continued under the cut)
Uryuu's dad is also a surgeon, and the thing that gets him and Ichigo back on speaking terms again is more or less second-hand shop talk.
Orihime has been obsessed with emergency medicine since her brother died. She wanted to know what she should have done, and can do so it won't happen again.
Keigo has been carrying a first aid kit in his backpack since he became friends with Ichigo and Tatsuki in middle school. He's got an exceptional talent for patching someone up enough to get through English class without the teacher noticing the injuries after a lunchtime brawl.
Tatsuki started peeking over Orihime's shoulder at her notes on joint trauma and developed a talent for targeting her kicks and punches to deal maximum damage in karate tournaments.
Mizurio knows a suspicious amount about neurology and how pain works because his "uncles" keep telling him about techniques used by enforcers to extract payment or information.
Chad got heavily into Oxacan folk medicine because once he stopped getting in fights, he needed something else to occupy him, and his abuela decided to teach him how to cook. There is not a huge difference between good food and good medicine. He has an encyclopedic knowledge of chemoreactive plants and chemistry you can do on a stove.
Every single one of the Karakura kids has had something medical happen to them or a loved one, and every single one is now peering into the mysteries of the flesh about it.
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The shinigami are worse.
Shinigami broadly have better physical resistance, esp because they're reaping the injury stabilizing benefits Senjumaru wove into the Shinigami Shushako.
But they live in a feudal society that has only SOME of the benefits of modern medicine, and the few instances of disease-mitigating infrastructure are far between. It's COMMON for the souls of the rukongai and Seireitei alike to have a sibling who died in infancy or a parent who died in child birth or of an infection.
Societally, they are still in the very earliest phases of the war against pestilence and it gives one a very warped perspective on all things medical. Especially if you happen to be in the immediate sphere of influence of soul society's greatest warrior against death:
Retsu Unohana.
I cannot overstate the impact this woman has had, and you don't do things like "decimate the nationwide infant mortality rate" or "pioneer organ transplant surgery" without being a bit mad, and she has lived so long and done so much that the madness has clarified into a single extremely dense point of determination and she warps the reality of those around her. Woe and Blessings alike to those within her event horizon.
---
The Arrancar are even worse.
Hollow resilience to injury allows them to body much, much worse injuries than the humans and it has an impact on etiquette. Biting off a hand because someone won't stop bothering you is a normal way to establish a boundary. Limb loss and regrowth is common, and disembowelment about as serious as a bad cold.
The food situation is even more dire. Smaller hollows, ones that used to be plants or animals or human-hollows who have a modicum of self control are weak, but lucky. They can survive off the ambient reiatsu in the atmosphere of Hueco Mundo, or the naturally cleaving fragments of soul that fall off the living.
Everyone else needs to hunt. And the more powerful a hollow becomes, the more it needs to consume, and the richer it's prey must be. The only really rich souls are other sapient beings. Any hollow at the level of Shrieker or Grand Fisher or higher is trapped in a hellish metabolic cycle of cannibalism, and the only way out is through.
The primary killer of hollows is other hollows. They know what they're doing. They're looking their fellow beings in the eye, the ones who understand them best, and deciding that their own life is worth their friend's. For all their ability to handle the slings and arrows of physical trauma, hollows are worse at handling the emotional consequences of this cycle. Monstrous Egotism is a best case scenario for them.
In practice, this means that while it's perfectly acceptable to bite someone's hand off for annoying you, it would be rude of you to spit it back at them. At least eat it!
I realize this last bit is not, strictly speaking, medical, but you can see how the ability to survive being turned into an anatomical Venus and having to live on a diet of the flesh of others would completely recontextualize how hollows think about Illness.
---
I will do the fun individual headcanons when I get home, but this is a good broader framework to consider for now.
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atlafan · 1 year
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This is the teacher that kids either love or hate, there’s no in between. Mr. Styles has his quirks, and according to your niece, you either get him or you don’t. The annoying thing is, Mr. Styles teaches all of the science electives like astronomy, astrophysics, forensic science, marine science, zoology, and meteorology. These aren’t required courses, but they’re only a semester long. After completing biology, students can either take a full year of chemistry and a full year of physics, or they can do a full year of chemistry or physics, and two science electives. Or they can do four science electives.
Mr. Styles also is the only AP Chemistry and AP Physics teacher. There’s really no avoiding him. Some students accept this, and others continue to live in denial.
Many students know their strengths and passions. They were made to be scientists. Your niece, who loves science, is taking as many courses as possible to help herself out for college later on. She’s in AP Chemistry with Mr. Styles, as well as forensic science. Your niece loved Mr. Styles until he gave her an F for missing an exam. She had been out sick. She had a note from her doctor and everything! Your niece blubbered to you about it.
You know Mr. Styles. You work at the same school as Mr. Styles. You’re the music teacher. You typically avoid Mr. Styles. You’re in a completely different area of the school. Many students complain about him, but just as many praise him. But this time it’s personal. He made your niece cry, at school! You told her she could stay in your office for a bit to calm down. You were marching your way to Mr. Styles’ classroom. You didn’t care if he was teaching. You were going to barge in.
When you get to his door, you see him sitting at his desk through the little window. It’s a prep period. When you giggle the handle of the door, it doesn’t turn. So, you pound on the door with your fist while Mr. Styles takes his sweet time coming to open it.
“Miss-“
“Don’t even address me right now, I’m too mad.”
“I don’t think I know you well enough for you to be venting to me about something.” He says as he closes the door. “But I guess I can listen since I have time.”
“I’m here because you’re being an asshole to my niece. She missed school because she was sick and you wouldn’t let her makeup a test. That’s against school policy.”
“Not with AP courses.” He crosses his arms over his chest. You can’t help but feel frazzled at his attire. The dichotomy of him wearing a Disney shirt about love while he’s scowling is is almost comical. “If a student is sick on the day of the exam, then that’s it. They fail. They don’t get to try again.”
“How is she going to get into a good school if she has an F on her transcript?!”
“She’s not going to fail the class. She knew I had a strict policy. Also, I put out exam dates well in advance. She knew what day it was going to be.”
“She was sick!”
“Was she vomiting uncontrollably? Was she coughing up blood? Was she bed ridden? If the answer is no to any of those, then she could have come in to take the exam.”
“Right, so then she could get all of the other kids sick?”
“Masks are a thing. Plenty of students still wear them in the classroom. She could have come in for the exam and then left afterwards. Why do you care so much? You’re not her legal guardian. Her parents haven’t emailed or called to complain. At the mandatory parents meeting I run at the beginning of the school, I make it clear to the parents that I am strict for a reason.”
“My sister and brother-in-law haven’t called to complain because they don’t know about any of this. She came crying to me because she has no idea how to tell them because she knows she’s going to be asked if she knew it was an exam day. Which she completely forgot because she was sick and her brain was foggy.”
“She’ll have opportunities to make up her grade. Her participation counts for a lot and she’s always participating.”
“You don’t understand mental instability these overachievers have. I’ve seen that girl cry over an A-. Shooting her in the stomach would hurt less than getting a bad grade. Do you get off on being a dick?”
“You know what? This is my prep period, and I was busy.”
“Yeah, your door was locked.” You scoff.
“I always lock it. I don’t like when people filter in and out during my prep.”
“What if a student had an emergency and needed you?! Why are you even a teacher if you don’t care about students?! Do you have any idea how hard these kids have it? They don’t even teach them how to use computers anymore! No one knows how to touch type! Everyone assumes they have it easy, but they don’t. A lot of kids come to school because it’s better than being at home. You making it worse for them is a real turn off. I know you have students that adore you, but you also have students that would love the opportunity to spit in your food.”
“Are you done?”
“That depends, do you understand the points I’ve made?”
“Yes. You were very clear.”
“Are you going to take what I said into consideration as you’re teaching?”
“No.”
“You’re a fucking prick.”
“And you’re…” His eyes go up and down, checking her out. “It’s a good thing your room is on the other side of the school.” He shakes his head.
“Why? Afraid I’ll spit in your food?”
“No, in fact, I’d welcome your spit. I’d like it preferably in my mouth, but beggars can’t be choosers.” He shrugs and sits down at his desk.
Your mouth is agape. Did he really just say that to you?
“Are you serious?”
“Very.” He stands back up and saunters over to her. “If you’d like to cuss me out some more, could we do it over dinner?”
“I…”
“You never gave me a chance to take you out a few years ago. Remember that night we were both at that bar?”
“I do.” You nod as you blush. “But that was a mistake. I had a boyfriend…”
“Do you still?”
“No.”
“Alright, well, I would love to be in your presence again while you’re all fired up. Are you free Saturday night?”
“Pick me up at seven.”
“I’ll make a reservation somewhere I know we’ll be secluded so you can yell at me some more.”
“Stop talking before I change my mind.” You say and storm out of his classroom.
While you were teaching your sixth period choral class, Harry was teaching his forensic science class. Your niece got there a few minutes early to talk to Mr. Styles as he stood outside the class to greet the other students coming in.
“So…did it work?” She asked quietly.
“Like a charm.”
“She said yes?!”
“Mhm.” He grinned. “You must have put on quite the performance. She was really angry.”
“If you thought that made her angry, wait until she inevitably finds out that we worked together to trick her.”
“I’m looking forward to it.”
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lyjen · 8 months
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Duty Calls | Part 3
Summary: Patience is key, is what they say. Evan doesn’t know how to hold himself together, while (Y/n) is in surgery.
A/N: This is the last part of “Duty Calls”. Requests are welcome! :)
<< Previous Chapter | 9-1-1 Masterlist
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Evan was pacing through the room. At times like these, waiting on someone he cared about, he couldn’t sit still. This was the only thing he could do what made him calm down a little. His heart was pounding in his chest. 
“Buck, can you please just sit down?” Eddies voice sounded through Evan’s eardrums. 
The 118 was in the hospital too. Evan wanted to stay, and they wanted to support him. Even though they didn’t knew the sergeant he seemed to have a close connection with. So they decided to take the rigs out of service, so they could be with him. 
He had promised her, he’d be waiting for her. He couldn’t break that promise. He didn’t have the heart to do that. He couldn’t just go back out there, fighting fires and saving people when one of the people he cared most about was hurt. 
For other people, she was just another cop who had gotten hurt on call. But not for Evan. There was an unexplainable chemistry between them, which they couldn’t ignore or deny. 
“Why is it taking so long” Evan murmured while he paced again through the waiting room. Completely ignoring Eddie’s request to sit down. Evan let his hands rest on top of his head. He was clearly impatient and getting anxious.
“Hey, she’s in good hands. At times like this, patience is key.” Bobby’s voice sounded through the waiting room, while his eyes connected with Evan. “I just wished she mentioned her stomach was hurting earlier. Maybe then she wouldn’t have coded on scene.” Evan’s voice sounded broken. He was clearly blaming himself for not noticing she had gotten hurt. Even though she seemed fine, and wasn’t complaining. Evan put his forehead against the wall, he wanted to slam his head into the wall, but he knew it wouldn’t make anything about this situation better. He was angry, sad, happy because she made it to the hospital alive. So many feelings were rushing through his body, he couldn’t describe it. 
He felt a body standing closer to his side. A hand fell on his shoulder as he was still leaning with his forehead against the wall. He pulled his head back, so he wasn’t leaning on the wall anymore, as he looked to his right. Hen was looking at him with a concerned look on her face. She squeezed his shoulder. “You shouldn’t be blaming yourself for this. You couldn’t have known.” Hen tried to talk him out of the negative thoughts he had. “I was with her the entire time. From when she got out of that house, till the moment she collapsed in my arms. I could’ve noticed something!” Evan hissed. 
“She was fine when I saw the two of you sitting on the back of the ambulance. There weren’t any signs she gave you, or us to notice that gunshot wound.” Hen assured him, letting him know that he didn’t miss anything. He didn’t do anything wrong. “But. What I do know, is that she isn’t going to get any better if you keep blaming yourself for this.“
“And that, that girl is not agreeing with your conclusion.” Hen continued after a moment of silence. Hen motioned towards the chairs with her head. “Come on, let’s sit down.” she said. Evan wanted to say no to her. That he wouldn’t sit down until they had news on his new friend, may I say crush. 
But Evan finally agreed to sit down. Evan sat down next to Eddie, who gave him a pat on the shoulder. And Hen gave him a pat on the knee. Telling him he was okay. Evan’s elbows leaned on his thighs as a hand wiped over his face. Patience is key. 
………………………………………………………………….
Every now and then, a nurse or doctor enters the waiting room, calling out a patients name. Every time when one of the workers enters the room, he could hear his own heartbeat pounding in both of his ears. He sat up straight, waiting to hear them call (Y/n)’s name. Whenever they didn’t call out her name, he sunk back into his chair. 
After a rough 40 minutes, after the last doctor had left the room, another doctor enters the waiting room. Evan sat up straight again, focussed on the doctor. Hoping to hear her name. 
“(Y/n) (Y/L/n)?” The doctor calls out. As soon as Evan hears the sound of the first two letters, he jumped up and hurried towards the place where the doctor was standing. As soon as the doctor turned to Evan, she started to explain the situation. “H-how is she?” He stuttered. He felt a few more people coming to stand behind him and on the side. Bobby put out his hand on his shoulder. 
“Your friend is fine, the surgery went well. We removed the bullet from her body and were able to clean up the mess it made to her organs. The only thing we couldn’t prevent is that she may get a mark from the wound. She also inhaled a lot of smoke, so we got her on some medication for the symptoms, and of course oxygen.” The doctor explains. It’s a lot. Evan panted, as he releases a breath he didn’t knew he was holding. “Thank you.” He speaks through his breaths. “Uh, can I see her?” He carefully asked the doctor. 
The doctor closed the document she was holding in her hands and held it in front of her body. “Yes, you can. But, she is still coming back around from the anesthesia. So it may be that she’s still asleep. She just came out of the surgery 15 minutes ago so she should be waking up any minute now.” The doctor answered. Evan didn’t have the words for it. So he nodded at the doctor as she leaves the group of people standing in the waiting room. 
Evan turned to his team. “What are you waiting for? This is your time!” Chimney said as he stuffed a crisp in his mouth while he grabbed for some more out of the little bag.  “What am I supposed to say to her?” He asks his team. Eddie laughed. 
“So.. you’ve been waiting in this room for hours. And now you’re panicking about that?” Eddie spoke. Evan didn’t know what to say, so he just went silent and stared awkwardly to the ground. “Dude just ask her out. We’ve seen the way you act around her.” Eddie continued. 
“Okay so, you want me to go in there and be like: Hey! Welcome back! Do you want to go on a date?” He says with a fake smile like the question didn’t make any sense. Eddie put his hands on his hips and stared at Evan with a serious look projected on his face. “You know that’s not what I meant.” He looks him dead in the eye. “Okay now… Buck, calm down. Just be you, that’s more than enough. And you know that.” Bobby interrupted the two and puts a hand on Evan’s shoulder. “If you need us, we’ll be here.” Bobby nodded towards Evan, as a sign for him to go. 
Evan nodded, and spun on his heels and walked through the hallway. 
………………………………………………………………
Evan peeked through the window of the room, which was partly covered with blinds.  He saw her just lying there on the hospital bed. Her eyes were closed and underneath her nose was an oxygen tube. He just stood there, in front of that window. Looking at (Y/n), but with the tube underneath her nose, it was like he didn’t recognize her. She was always smiling when she was near Evan. That’s how he remembered her. 
With a trembling hand, Evan’s hand slipped onto the lever of the door. He took a deep breath, pushed the lever down and opened the door of the hospital room (Y/n) was in. Evan slowly walked into the room and took place on the left side of the hospital bed she was lying on. Still asleep from the anesthesia. 
After a few moments of just observing her, his hand slid into hers, and he gave it a reassuring squeeze. He sighed. Unsure what to do, should he say something? Should he stay quiet? He didn’t knew. As he feels (Y/n)’s fingers putting a little pressure on his hand. His eyes went from their hands together, to her eyes. She was slowly coming back around. She blinked, her eyes adjusting to the suddenly bright LED Lights on the ceiling shining into her eyes. A smile started to form itself on Evan’s face as he notices she was opening her eyes.
“Hey there sleepyhead” Evan spoke softly. The familiar voice ranging into her eardrums made her smile weakly. She scanned the room. (Y/n) was trying to figure out what was happening. She felt something underneath her nose, her right hand slowly made its way to her upper lip where oxygen tube was resting on. She wanted to grab it, and pull it away, but Evan’s other hand stopped her from grabbing the tube. “No, no, no.. don’t touch that.” His voice sounded as he pulled her other hand away too. He was now holding both of her hands, and gave them a gently squeeze. Her eyes met his again, “You’re still here” she whispered, barely audible. “I told you I’d be here, I don’t break my promises.” He reacted and pulled a chair, which was standing next to the hospital bed, closer and took a seat as he looses the grip on her hands. 
(Y/n) placed her hand on his cheek. Evan smiled slightly at the touch, and felt jitters jumping up and down in his stomach. “What did the doctor say?” She asks, her hand still remaining on his cheek. He took the hand of his cheek, so he was able to speak freely. And took her hand in both of his, elbows resting on the mattress of the bed. “The surgery went well, they took out the bullet. But you inhaled a lot of smoke, but you got meds for that.” He answered her question. “The doctor also told me that the wound probably will leave a mark.” He continued. Her neutral look which was projected on her face, seemed to fade. And morphed into a sad look. 
A feeling of sadness and failure rushed through her veins. She was marked for life if the scar didn’t fade away. Every time she would look at herself in the mirror, she would be remembered of that call. It wasn’t the worst memory, but she would’ve tried to forget it as soon as possible. But with that mark on her, she would always be reminded of that day. 
She feels one of Evan’s hand rubbing over her wrist. And kissed her hand. “It’s gonna be okay.” He tried to reassure her. (Y/n) just stared in front of her, into the space of the room. “you’re gonna have a bad ass scar.” Evan tried to give her a pep talk. She wanted to smile because of his reaction. But she couldn’t.
The room filled itself with silence. 
Evan tried to make the best out of things. “You know, if I looked at the mark..” he started. “The first thing I’d think of is how brave you were, to get into that basement all by yourself. All that matters is that you pushed your own feelings a side, to try and stop a simple argument. And yes, there went something wrong, but you got yourself out of there. That’s what I’d see.” He finished his speech. 
They were silent. Just looking each other in the eyes. (Y/n) looked to her right, so she wasn’t facing Evan anymore. She bit her lower lip, trying to bite away the tears which were blurring her vision. She squeezed her eyes shut, trying to blink her tears away. 
After a few moments, she felt a hand cupping her cheek, which made her head move towards Evan, so she was facing him now again. His thumb swiped away a tear, which was starting to roll over her cheek. Adrenaline ignited in (Y/n)’s stomach. His eyes were dwarreling from her eyes, to her lips. His hand moved from her cheek to her neck. Evan came closer to her and conquered her lips. She placed her hand on his cheek. Their lips disconnected, she could feel his breathing, he was panting. Her nose was almost touching his. 
He looked into her eyes and she looked into his. When their eyes connected, they both smiled. Evan took a breath and let his forehead fell against hers. 
This is going to be an interesting little relationship. 
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Not In The Slightest
Pairing: Spencer Reid x Female!Reader
Word Count: ~1.2k
Warnings: fluff
Summary: Diana is your mother's best friend. Cece is your best friend and Diana's daughter. Spencer is Cece's brother and your mortal enemy. You're often compared to him by your mother which makes you hate him. Wait, you do hate him... right?
Square Filled: best friend's sibling for @spencerreidbingo
Author’s Note: any and all comments are appreciated <3
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You’re not going downstairs. You’re not going to sit at a dinner table and be around people who always compare you to other people. Your mother is working tirelessly to get dinner ready while you’re in your room scrolling on TikTok. Suddenly, someone knocks on your door and enters without waiting for your permission. Your mother never waits for you to let her in. What if you had been changing? What if you were doing something you wanted privacy for?
“Y/N, why aren’t you ready? Diana will be over soon.”
“Do I have to go to this? Can’t I just go hang with Della or something?”
“I don’t want to hear it. You’re going. Get ready.”
She leaves the door open when she leaves and you roll your eyes in annoyance. The only good thing about this dinner is that your best friend Cece is going to be there. She is your best friend while Diana is your mother’s. Maybe you can get away with only talking to Cece without your mother getting on your back about everything.
That’ll only happen if he doesn’t show up.
Him. Cece’s older brother. Dr. Spencer Reid. You can’t stand to be within the same room as him much less five feet from him. Your relationship with him has always been this way; ever since you two were kids. You weren't sure as to why since he has always been nice but the older you got, the more you understood your hatred.
It’s not so much hatred as it’s jealousy and envy. He always has to brag about some smart thing he did, always one-ups you whether he’s aware of it or not, and is just better at everything than you are. Your mother loves to compare you two, more so when you were younger.
Why can’t you be more like Spencer? Why can’t you be smart like him? Spencer is moving quickly through school at an alarming rate. Why can’t you do the same? He got into college at sixteen. What are you doing with your life?
You’re sick and tired of hearing Spencer did this and Spencer did that to the point where your jealousy is mixing with hatred. So, it’s not full-on hatred, just hatred adjacent.
When Diana, Cece, and Spencer get to your house, you make a goal to only talk to Cece with the occasional, “I’m doing good, Mrs. Reid. Thanks.” The entire time, you can feel Spencer’s eyes burning holes in the side of your head because he knows you’re doing everything you can to ignore him.
When dinner is ready, you are seated right across from Spencer so you have no choice but to look directly at him. Knowing he did this on purpose, you decide to angle yourself so that you’re facing Cece instead of him. She’s the only person who understands your dislike for her brother so she’ll do anything to make it as comfortable as she can for you.
Still, after about ten minutes of feeling Spencer’s eyes on you, you turn to Spencer with a glare.
“What the hell are you looking at? Stop staring at me.”
“Y/N!” your mother snaps. “Be nice!”
“Yeah, Y/N, be nice,” Spencer smirks slightly.
You resist the biggest eye roll you’ve ever done. Your mother turns the conversation onto Spencer so that he has to focus on her instead of you. Huh, did one thing right today, Mom.
“So, Spencer, how is your job going? Still at the FBI?”
“Yes, ma’am,” he nods politely. “I love it. I just got off a case that was pretty brutal but we got the bad guy.”
“I’m glad you’re adjusting well there.”
“I’m so proud of him,” Diana boasts. “I just know those three PhDs come in handy at a job like that.”
“Three?” your mother raises her eyebrows in shock. She knew he had doctorate degrees but didn’t know he held so many. “In what, may I ask?”
“Mathematics, chemistry, and engineering. I also have two bachelor’s degrees in psychology and sociology. I’m working on a third BA in philosophy.”
“So, you’re like a genius?”
Here we go again. You can’t get away with hearing about how Spencer is a genius. Cece can sense your annoyance and places a comforting hand on your leg.
“I wouldn’t call myself that, but yes.”
“Where’d you go to school?”
“Caltech.”
“See, Y/N, you’d do good at a school like that,” your mother jabs.
Just like that, you’re back to resenting Spencer. It’s not his fault he’s so damn smart. It’s your mother’s for not being proud of the many accompaniments you’ve already gotten in life. Sure, you’re not an FBI agent who has a million degrees, but you’re a senior manager at the company you work for who is trying to get a position on the board. She doesn't see that as an accomplishment.
“Don’t listen to her. You’re good at what you do now,” Cece whispers to you.
“Thanks,” you sigh and push around your food.
The conversation doesn’t stop there. It’s all Spencer did this at work and Spencer caught this unsub. Spencer, Spencer, Spencer. You’re getting a headache from all this so you grab your nearly full glass of water and stand up.
“I’m going to get some more water.”
Your mother barely notices you’ve left the table. You walk into the kitchen and set your glass in the sink with a sigh. You pinch the bridge of your nose and close your eyes, trying to will away the slight headache. The door to the kitchen swings open and you look up to see Spencer with his own full glass of water.
“Great, it’s you,” you scoff.
“Nice to see you, too.”
“What the hell are you doing here?”
“I go where my mom goes. She wanted to have a nice dinner with her best friend. Not my fault she has a daughter who can’t stand me.”
“You’re damn right I can’t stand you. You’re stupid smart, annoying, always have to be the center of attention, and you rub it into everyone’s noses just how many degrees you have and where you went to college. Good for you that you graduated at sixteen. God, I wish my mom could just see how much of a prick her best friend’s son really is.”
You throw insults at Spencer left and right, and he stands there and takes it. You’re only acting out because you’re envious of him. Why can’t you be like him? More importantly, why can’t you have a mom who is proud of you in the way Spencer has?
When Spencer decides he’s had enough of your petty insults, he sets his glass in the sink and grabs both sides of your face.
“Shut up,” he mumbles.
He silences you by kissing you passionately. Damn, is there anything this man isn't good at? He doesn’t have a lot of girlfriends but he knows how to kiss. He slides his tongue into your mouth to explore every inch you’re willing to give him in the short time you two have.
And you let him because deep down, you don’t hate him. Not even in the slightest.
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Follow my library blog @aqueenslibrary​​​​​​ where I reblog all my stories, so you can put notifications on there without the extra stuff :)
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mun-urufu · 3 months
Text
i still have no idea wha the fuck happened
Intro post ig
i have an alt account for when i reach post limit now: @munurufu
if u dont mind getting free media and software i checked personaly:
x-marks-the-spot-pi.vercel.app (no ads apart from the download site where its wild get a good adblocker before downloading and be wary of redirects)
Pansexual; Transfem; Non-binary; Furry
@the-principality-of-sealand made me a vampire
YOU ROBBED ME OF GARLIC BREAD
INTP :3
I may be anarchist
chemistry and astrophysics and theoretical physics are what I geek out about
gender according to @griffinmcelroyspisskink-remade :
cryptid [REDACTED] nerd
Pronouns: any/all but prefer she/her and they/them
my other blog(s):
blahaj.zone = @munurufu
that’s it (for now) I SHALL SPREAD LIKE THE PESTILENCE
currently a triggering with bad mental health and a not good family but trying to remain positive and healing myself almost daily on Tumblr
porn blogs; porn bots; pedophiles; anyone who hits on me ina weird pedophilic way DO NOT INTERACT OE I WILL BONK YOU I TO THE ETERNAL BAN AND REPORT YOU TO THE GODS OF THIS GODLESS UNIVERSE
Trigger warnings:
none, I’m friendly and welcoming to all people and minorities and try to avoid anything which could hurt someone, if a post might be not good for someone (trauma, violence etc. NEVER ANYTHING RACIST OR OF SIMILIARITY) I’ll flag it. currently a high chance that I’ll have a breakdown, life’s not been well but I will tag those posts appropriately.
Nationality: Slovakian 🇸🇰 (I’m a mountain person :3)
Fandoms I’m in:
Urban Legends (Backrooms; SCP-foundation) Norse mythology Cryptids D&D; Furry; Genshin; HSR; Wuthering; Harry Potter (fuck JK Rowling I’m here for the fanfics) Doctor Who; Frieren; Tokyo Ghoul; Hermitcraft; there’s more but I’m stupid and can’t remember them
Anime recommendations:
Frieren, Tokyo Ghoul, Konosuba, Fairy Tail, some other ones idk
Videogams I’ll play with u if u ask nicely and I have time:
Minecraft, Genshin, Honkai Star Rail, Wuthering Waves, Rocket League, Apex Legends
Minecraft rp Server:
TimeSkipSMP (basically people from different time periods get somehow into the same world with no recollection of their previous memories other than their occupation. Send as ask if u want to join (24/7 server uptime) I’ll send an invite to the discord server where you’ll get all the needed info and a guide on how to make your character. Cureent characters:
15th Century French Plague Doctor
Medieval Beekeeper
Medieval Flower salesman and famer
17th Century pirate/swashbuckler
Current inventory:
Big Blåhaj from @tunderpal
Estrogen
the Heebi Jeebies
Longbow
64 arrows
Mundane short sword
Whisper Talisman (Rare)
Description:
This item has been blessed by a monk long ago who lived on the peak of Mount Hua. This will protect you from wind element attacks and will reduce knockback by 85%
Dopamine
about fuckingn time
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ENJOY YOUR STAY ❤️
Tags:
@im-a-sentient-magic-carpet
@hadoom
@just--a--random--human--being
@enochianghost
@virulent-atrophy
@samlikeslawnchairs
@daggerhobbit
@lesbiansgethammers
@burger-churgler-new
@cactus-with-boobs
@catinasink
@tanihanya
@cult-of-the-lamb-fan
@official-bread-posts
@candieduranium
@projectmoonlightproductions
@chocxy-prince
@nedyakthefurry
@orionskittles
@pussypoptart
@oldmen-runningtheworld-anewage
@roxxywolf-multiversa
@pretentious-media
@omgitscheez
@newsbelltoday
@thewindyoubargainedfor
@imisslifebefore2016
@thefloralmenace
@irisbleufic
@iamnotjules
@dashoulinas-fandom-dump
@itsitadclioverihere
@lavender-witch128
@cannibalisticdespairi
@0gl1tch0
@raeprise
@hallucinating-at-the-disco
@rainbownerd12345
@37x3
@averydeadshootingstar
@mynaemsophie
@chocobytes21
@gender-fluidbees
@cthulhuismywife
@worldbuilding-tomfoolery
@thecrazyalchemist
@moonysfavoritetoast
@cutesludge
@you-need-not-apply
@the-trash-eating-llama
@pansexualpasta
@autism-criminal
@poemsofanentomologist
@greychaos1
@mtcenarius
@i-am-thoroughly-confused
@the-cheese-slut
@first-witch
@squidsinatrentchcoat443
@ankoku-teion
@thee0ne-with-rabies
@0xn0n53n53
@amethyst-aster
@unstableunicornsofasgard
@saint-jaz-the-queer
@beccagalemarley
@yourlocalbadgerscales
@ayolily
@prongspie
@david-goldrock
@yelenapines
@lemonicedcake
@lost-my-soup
@legendaryorca
@ieatwalls404
@str4wberrysp1derz
@cordyline-uki
@colombiana-16
@judecomradesquad
@crabgirldigitization
@118sexen
@100percentevil
@mybedroomceilingsbored
@fujillamaparadise
@g0dwat3r
@half-eaten-baguetteee
@jaydovesworld
@ang3lic-t3ars
@definitionoffuckup
@atropus-belladonna
@nicoswilltolive
@belovedrat
@nickelw
@traaansfem
Moots who wish not to be tagged :(
@uwathebestgirl
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leikeliscomet · 10 months
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“But We Love Martha Jones!” - The Doctor Who Fandom’s Selective Memory of Racism
Be aware that this article contains explicit examples of anti-black racism and misogynoir.
Chapter 2 - Utopia-ish
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The constant nitpicking of Martha Jones for reasons white female companions could get away with was blatant anti-black racism. Let’s get that bit clear first and foremost. As a Black person in fandom, watching Black characters get torn apart while never being given the grace of their non-Black castmates is an experience that’s too common. Microaggressions are more subtle so the easiest way to shut down any mentions of racism is to accuse Black fans of making things up or telling us “Well it’s not like REAL racism”. Luckily Doctor Who Tumblr birthed the Martha Jones affirmative action and Aunt Jemima “memes” so I can cross both covert and overt racism off the list. As mentioned in extensive detail in the previous chapter, plus the various Martha Jones articles written before me, the treatment Martha experienced was racist. I don’t care if you personally didn’t like her. I don’t care that you missed Rose. I don’t care that Ten is your smol bean. Martha’s treatment was racist. Freema Agyeman’s treatment was racist. It might not have been everyone. It might not have been you personally. But it was there. The fandom can never be a safe space for POC, specifically Black people if this elephant in the room can’t be addressed over a decade after it arrived.
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On paper, you’d assume Martha’s rep was good because “at least she wasn’t a Black stereotype”. Some fans praised her for having a present father, not speaking MLE and not being from the ends. This goes into respectability politics but the fandom’s weirdness about Black Brits and class is not the point of this article. The point is the revisionist history of how Martha was really treated and to do that it helps to know what Black tropes are. The Mammy trope is a Black woman whose main purpose is to serve her white counterparts and during slavery, she mainly cared for the slave owners' children. She is usually fat, dark skin and asexual, not as a representation of those things but as a statement of how if she isn’t used for sexual exploitation like the Jezebel (the promiscuous, reckless, sexualised Black woman), she has no sexual value at all. Her value is serving the needs of others only. Martha doesn’t fit this trope in theory but in practice, she fulfils the sub-categories of this trope both in show and fandom: the disposable Black (girl)friend trope. She is used as Ten’s emotional punching bag before he’s ready for Donna and then Rose again. She had to endure edgy moody S3 Ten so no one else had to. She’s the excuse people use to deflect any critical analysis of how race was handled in RTD1. She’s the fandom’s excuse to deflect from their own racial biases. Racism? No way! Everybody loves Martha Jones! What do you mean?
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Some parts of the fandom have tried to mend things by suggesting Martha be paired with other doctors or romantically shipping her with other characters a bit better than Mickey Smith. But does this hold up? As much as I’m a big fan NineMartha as a concept and as someone who honestly saw one-off characters like Riley Vashtee from 42 or Tallulah from Daleks in Manhattan having way more romantic chemistry with Martha than Mickey ever did, simply re-shipping Martha isn’t enough. Doctor Who’s racism isn't exclusive to one doctor, one series or one era and new Martha pairings suggest the issue was “right person, wrong doctor” instead of what the issue actually was: racism. Moffat and Chibnall’s eras weren’t full of golden Black representation either so I doubt the Martha issue would’ve magically disappeared under those two. From Nine’s hostility to Mickey, to Twelve’s hostility to Danny Pink to Thirteen handing a South Asian Spymaster to the Nazis and Eleven only travelling with POC in comics most fans haven’t heard of and being besties with Churchill, simply putting Martha with another Doctor isn’t the serve fans think it is. Even RoseMartha seems like putting a bandaid on a bullet hole. If it's not enough for Martha to be compared to Rose, put down in favour of Rose, told she isn’t Rose and told she's worse than Rose in fandom and in show over and over and over, she has to be shipped with Rose too. Martha’s a great character… as long as you can tie her to Rose… again. Even in my own article I have to talk about Rose because Rose is centred in what was supposed to be Martha’s story. A doctor-to-be Black girl from London with a hectic family meets a Time Lord and gets abducted by space rhino police at work in one day. Her main conflict isn’t balancing work and time traveller life, or fighting to get her family back together, or seeing what’s out there in the universe - it's that she isn’t “Rose” enough. The Mammy and her sons’ main thing in common is simple; how well they serve and centre the white characters. In attempts to mend Martha’s treatment she is still only valued in relation to white characters. She should’ve been with Eleven because he would’ve fucked a Black woman. Or maybe Dilfy Twelve. Or a sapphic romance with another female companion who she saw twice or doesn’t actually know. Or maybe Ten in an alternate universe where he supports #nubianqueens. None of this is done to explore sexuality or romance with Black women and is definitely not to centre Black lesbianism and bisexuality. It’s Mammy with a dash of Jezebel. It's adding romantic and sexual value on top of physical and emotional value like a crappy meal deal.
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I’m tired of Black women being treated as extensions of white women both in media and in real life. I’m tired of our value being determined by how well we serve white people emotionally, physically, platonically and sexually. And I'm even more tired of white feminism especially in this fandom. It would be so easy to label this article as anti-Rose, anti-Ten or anti-Tenrose to invalidate my whole racial analysis because it's the easy way out. I’ll admit I like both characters individually but not the ship but this isn’t something I decided on since birth - it's my conclusion as a Black fan in a predominantly white fandom, watching a predominantly white show, watching the first companion of my race be told she isn’t good enough compared to the white characters, and that the hatred of her is justified for the greater good of its popular white ship. Black fans can never have this conversation without being told we’re “pitting women against each other” and that Martha and Rose hugged once in S4 so everything's hunky dory. Martha’s happy that Ten found Rose again so what’s the problem? It sends a clear message that Black women’s pain will never matter a much as white women’s feelings. “Rose is amazing! Martha’s amazing! Stop pitting women against women!” but who was pit against who in the first place? These faux girl power posts fail to acknowledge the overlap of race and gender which separates the treatment of Black and white women. It fails to acknowledge Martha’s hate was rooted in anti-black racism. It fails to acknowledge the anti-Rose pushback was in response to how the show and fandom convinced us Rose was the untouchable bar this Black woman failed to meet. It fails to acknowledge Freema Agyeman the actress was targeted not just her character. It fails because the female empowerment rhetoric that leaves the Black ones at the bottom of the pile only “empowers” women of a certain demographic.
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The harassment Martha experienced was swept under the rug of “stan wars” but it was so much deeper than that. I’m not saying Martha stans are angels but there was no “Great Stan War” because the sides were never even. At the end of the day no amount of “Martha’s better than Rose” tweets will ever compare to the fact that Martha hate was rooted in misogynoir. Rose was and still is considered the greatest companion of nuwho, whilst Martha is constantly erased and undervalued. Rose’s video views and hashtags have always been bigger than Martha’s. Amy and Clara came after Martha but still surpassed her in popularity and got plenty of fan edits of “The Girl Who Waited” and “The Impossible Girl” whilst Martha was conveniently skipped in the companion lineup. The fandom’s bias still shines clearly in favour of Rose over Martha. Rose’s jealousy towards other women is justifiable and just the ups and downs of a 19-year-old whilst Martha’s is entitled bitterness. Rose’s flaws are compelling character moments and depth, Martha’s are “holding her back from being a good companion”. Hell, even Donna calling out Ten’s BS was entertaining accountability whilst Martha was just the angry Black woman. Fans will weaponise Rose’s working-class roots to imply a pro-Martha bias, failing to acknowledge the working-class to poor background of the average Black Brit, the anti-blackness middle-class Black people are not spared from, the many working-class Black characters of the show like Mickey, Bill, Rigsy and Ryan or how most fans don’t consider Martha middle class because she doesn’t fit the white British cultural stereotypes. You can't be the most loved and hated at the same time. The hard truth is Billie Piper wasn’t racially abused by Martha stans but Freema was absolutely racially abused by Rose’s and the effects of this are still around. Go into Martha Jones tags today and you’ll see snarky posts of how Ten could never love another companion like Rose. Even when Freema bravely shared her experiences of literal racism, fans were quick to yell “But I wanted Ten and Rose though” as a justification for years of misogynoir. Again, we need to address the elephant in the room instead of covering our eyes and ears to act like it’s not there. A Black character and actress was collateral damage in order for a popular white ship to rise and whilst I’m not an anti, I as a Black Doctor Who fan, I’ll never be a supporter. At the end of the day, only one of these actresses is still carrying the burden of misogynoir over 10 years since RTD1 ended. A lonely walk across the Earth yet again.
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<- Chapter 1 Chapter 3 ->
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lennadanvers · 3 months
Note
I just read all of your ex!husband!eddie and I can’t get enough 😭
what about reader that goes on a date (but she doesn’t tell Eddie) and it’s really bad, as in, the guy is great but she realizes that he’ll never level up to Eddie? Like she compares everything the guy does to Eddie, and she realizes that they don’t have any chemistry? So she gets drunk and she calls Eddie in the middle of the night to come get her and when she gets home she sobers up a bit and is like ‘I hate you Eddie. I hate you for making me love you, I hate you for being an amazing father, and an amazing ex, for being so amazing to me that I can’t think of dating anyone else, but I hate you even more because you broke my heart and you abandoned me when I needed you the most!!’ And she just starts crying and Eddie comforts her? And maybe they find a way to start dating again? 👀
I hope you like this!! Thanks for reading and have a good day/night! Lots of love 💕
- ☀️
Well, hello! I loved reading this <3
I'm forever in love with Eddie comforting the reader, I'm a fan of him being soft- especially bc of his big pretty eyes.
Tbh I don't think this reader in particular would hide the fact that she's going on a date. The way I picture it, she's used to telling him almost everything. They also share some friends, so he'd end up finding out. And it's easier to let him know so he can have the kids while she's out. Also, let's not forget Eddie fucked up (at least a little) and she enjoys a little payback.
On the getting drunk and calling him, that's like 100% accurate. They might be divorced, but they can rely on each other. Especially when it is about the kids, but in many other things too. Before they were married, they were friends, and Eddie used to be the designated driver (not particularly because of his sobriety, but because he had the van).
As per the part of hating him for being amazing... Let's just say it's the opposite. She married him because she thought he was amazing. She loved him because he was Eddie.
But she divorced him for the same reason. Because he was always an idealist, always in another world, always big speeches and concerts. And, well, there was always the real world. And it had worked when it was just the two of them, but then they became parents. And suddenly they were responsible for more human beings than just them. Eddie was great with kids, but not with responsibility. And the doctor appointments, the limits, the no's, the having to be on time, the needing structure... It all fell onto her shoulders.
But love? Love is still there. It has always been. Even if they both have broken hearts. Even if she is certain she made the right choice. She blames herself sometimes, because all the dreaming and the defying the status quo and the freedom are the reasons she fell in love with him. Like she shouldn't have wanted him to do normal life, when he's so special. But at the same time, she knows she can give Eddie's kids what he didn't have. Not just a present father, but also a structure to lean on, stability, healthy limits, attention.
Maybe I got a little carried away. There is a lot more to unpack here, but I'll stop before this gets any longer. In short, the chemistry is and always will be there, and it is unmatched. Maybe they'll be able to work out the rest. Eddie certainly hopes so.
Thanks for the ask! <3
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weepingchoir · 3 months
Text
DOCTOR WHO SERIES 14: A FULL SEASON REVIEW
Another decade, another frantic Doctor Who resuscitation. (Not that there were news of potential cancellation, but things must’ve been dire for the BBC to sell one of their most storied shows to the Mouse.) Chibnall is out, Moffat on retainer, Russell “Thee” Davies is in. The theme song is the best since Matt Smith, which, through weird and inexplicable coincidence, was also the last time I watched Who with any serious interest. Good start.
The Star Beast
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While not technically part of the season, the specials preceding series 14 signal the beginning of a shift in tone and rules for Doctor Who, including the introduction of the new Doctor. Not yet, though. First we get an OLD DOCTOR FUCK YES DAVID TENNANT IS BACK.
I already know Tennant won’t stick around, and I’m glad. That would’ve stunk of Disney nostalgia-raking. Nevertheless, as a returning viewer, I’m grateful for the breakfall. “The Star Beast” doesn’t yet carry the magic that’ll characterize Gatwa’s series. It’s a standard scifi monster of the week serial, and the monster rules. Looking for returning companion Donna Noble, the Doctor runs into the Meep, a no-pronouns gremlin-Yoda puppet living in Donna’s shed, under the care of her daughter, Rose.
UNIT comes under attack by Kamen Riders. The Meep tears off the blorbo mask to reveal a genocidal dictator on the lam from the Intergalactic Criminal Court. It’s a hilarious turn in an episode whose emotional core relies on Rose’s transgenderedness. Pronouns are a real-time strategy game and evil space aliens are better at it than humans.
Quick dustup on weird plot shit: if Donna remembers the Doctor she dies. She has to remember anyway, in order to stop the Meep’s ship from taking off. Turns out that she’s since become immune to Time Lord neuron overload by offloading it on her daughter. Donna and Rose expel the toxic memories by harnessing their feminine emotional intelligence.
I don’t want it to land. Facing the Doctor, who was a woman one episode ago, Rose says that a man could never understand how she just harnessed the divine feminine. Nevertheless it passes, maybe because any representation of a transgender woman as through-and-through female is a gasp of fresh air. For better or worse, this also cues the season’s cardinal rule: what you feel is true is more important than what makes sense.
Wild Blue Yonder
The TARDIS crashlands at the edge of the universe and disappears when it senses danger, one of those things that it’s never done before and will only do again if it’s funny or cool.
The “edge of the universe” is a spaceship floating in ink-black, with Marvin the Paranoid Timebomb making its way down the hall, one step at a time. This is a great opportunity to ease us into the budgetful new Doctor Who, with sleek but understated shots of the spaceship’s exterior. When the Doctor and Donna split up to fix the ship, they converse with each other’s doppelgangers: “not-things” from beyond reality, looking to assimilate physics. Communication with the not-things goes awry as an eerie set of medium close-ups pull back to reveal their overlong limbs.
Backed with half a decade of set chemistry, Tennant and Catherine Tate ace all four characters in this bottle episode. Much of the runtime consists of the Doctor and Donna’s mind games against each other. It’s less a restatement and more a self-justifying exploration of why bother with a last hurrah for two fan favorites. Well-earned, too, as the Doctor nearly leaves the real Donna to die in the ship’s explosion. It’s impossible to be done exploring the fullness of a relationship. But one day, and soon, we will have to move on.
The Giggle
 Two crucial stopgaps against the not-things. One, a line of salt on the floor, which the Doctor tricks them into thinking they can’t cross, since they’re sorta vampires. Two, cognitive dissonance. It’s hard enough for the uncreatures to assimilate beliefs, let alone simultaneous contradictory ideas.
The Doctor fears that, by invoking fiddly rules at the edge of reality, he’s opened a door for fell mythos. This episode stars the Toymaker, a villain from a partially restored First Doctor serial. Originally a Fu Manchu caricature, the new Toymaker is Neil Patrick Harris putting on a German accent, which he can always do, it’s never racist.
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The Toymaker has snuck a mind-warping signal into every screen, starting with the 1925 Stookie Bill experiment. Now mankind is mad , reacting with explosive hostility at any confrontation. Over the last decade, as writers have moved from mocking subsets of people for being on phone to everyone being on phone, we’ve uncovered more cohesive portrayals of what 24/7 connection is doing to us. Writ large, more and more of us are looking to win arguments. Even losing is a thrill.
It’s a contrived plan for a villain whose power transcends mere limitless control over physical matter. The only thing that binds the Toymaker is the rules of the game. We can trace the evolution of TV drama by comparing his first appearance to his last, William Hartnell’s almost congenial gotchas to Tennant’s panic at genuine omnipotence. The Toymaker traps the Doctor and Donna in a theater for a puppet play about the many deaths of the former’s companions. The Doctor, ever the hero, denies them three times.
Well, are they dead? These specials have proven that, even in the megacorp mines, fan favorite returns don’t have to be Rise of Skywalker gruel. Donna, and the Fourth Doctor’s returning Mel Bush, bring necessary continuity to the transition into new-new Who.
Not everything, at least, has to end in tragedy. When the Toymaker commandeers the giant laser gun the government is cool with UNIT keeping in uptown London, the Doctor bigenerates, splitting into straight Tennant (presumably) and gay Ncuti Gatwa. Together they beat the Toymaker at catch, which banishes him for good.
From here on, we follow Gatwa’s Doctor. Tennant stays with Donna. There is movement in rest, organic, within. Their relationship may continue to develop, just where we can’t see it. Not everything is for screen consumption.
The Church On Ruby Road
Every time I see this episode’s title I get Hüsker Dü’s “Girl Who Lives On Heaven Hill” stuck in my head, except the Inter Arma cover because that’s the first time I heard that. The Doctor is fortunate enough to run into one of the few actresses that can match his energy, Millie Gibson as Ruby Sunday: songwriter, orphan and ingenue. Ruby lives a zoomer kitsch apartment with string lights on the walls, alongside her adoptive mother and grandmother. She suffers from a curse of bad luck, bewitched by an airshipful of baby-eating goblins.
The Doctor and Ruby stop the goblins from eating a baby, to the tune of an R&B paean to Jabba-the-Hut, the only logical step from the Toymaker’s Spice Girls lipsync sequence. The goblins retaliate by traveling in time to eat baby Ruby, abandoned by her mother on Christmas day on the porch of The Church That Lives On Ruby Road. Watching Ruby’s mother go, Gatwa cries his series-first tear of silent grief. He’s very good at that.
The Doctor’s rule of no self-interaction has fucked his opportunity to let Ruby meet her biological mother. Pay attention, this’ll be on the test. Other than that, “The Church” is an easy, fun, low-stakes introduction to the Doctor’s companion and many of the season’s dominos, only some of which will receive a proper knockdown.
Space Babies
The first real ostentatious show of Disney budget is a quick but lush visit to James Cameron's Mesozoic. A CGI diplodocus doesn’t have to be bad. CGI baby mouths, on the other hand.
Budget cuts strand a colony spaceship, replete with babies in a bizarre state of semi-suspended animation: they’ve been toddlers for six years. Only accountant Jocelyn remains. The babies are terrorized by the Boogeyman, a snot monster generated by glitched-out educational software. Jocelyn almost airlocks the Boogeyman until the Doctor reminds her that it’s kind of her baby also.
The Doctor’s memory of Ruby Road changes to feature Ruby’s mother pointing at him. It starts snowing indoors, another magic plot puzzle piece. Cue tear of silent grief. There’s not much else to say about “Space Babies”. It’s a lot of terrible ideas, executed with functional neatness: quoting a friend, the platonic ideal of a Russell T 6/10.
The Devil’s Chord
1925 again! There’s a whole pantheon of Toymaker-type evil gods. This one’s Maestro, the god of music, played by a spectacular Jinkx Monsoon. Over the course of four decades, Maestro ruins music so thoroughly that even Abbey Road sounds like dogwater.
The Doctor and Ruby negotiate with the Beatles, who make dodgy gestures towards the whole of music being an embarrassing business. It’s never made clear how Maestro has convinced the world of this, or, like the Toymaker’s giggle, why they bothered when they have the power to eat music itself. We’ve crossed into the realm of magic. It’s not about the method, but the goal: within a hundred years, musicless mankind will self-exterminate to vent its anger, leaving Maestro to enjoy pure aeolian tones.
It’s hard to agree that music is the salve keeping mankind from abject violence when contending with the history of, Burzum, Chris Brown or Meni Mamtera. Nor does the idea that Maestro can be defeated by a seven-note scale available to basic Western music theory hold much water. “The Devil’s Chord” is an altogether less cohesive “The Giggle”, and only three episodes after its predecessor, too. On the other hand, as a piece of musical cinema, it’s a brilliant watch for Monsoon’s performance, the playful metanarrative gestures, and the closing number, ‘There’s Always A Twist At The End’.
Boom
On the ravaged planet of Kastarion-3, there is only war. A landmine vaporizes a guy, attracting an 'ambulance' automaton to euthanize his friend Vater by reducing him into an awesomely gross flesh tube.
Gatwa leaves the TARDIS in a super-sexy leather jacket and steps on a mine. What follows is ten agonizing minutes of the Doctor and Ruby figuring out the logistics of the situation. The Doctor can’t move off the smart mine or exhibit high emotion. On finding Vater’s tube, Ruby convinces the Doctor to let her hand it to him to use as a counterweight, in a move that almost kills them both. The pressure is immense, achieved with nothing but close-ups to tears of silent grief and a silly prop of a landmine with LEDs.
Vater’s daughter finds the duo, triggering the flesh tube to generate a grief counselor hologram of her father. Ruby gets shot while managing a haywire ambulance. The only way to get the ambulance to treat her is to admit that the Kastarians never existed. With a full third of characters dead, Cyber-Vater betrays its parent corporation to end the war. This is the most stressful Doctor Who gets, in all the best ways. For a second, and against all logic, I was even convinced it might be the end of Ruby Sunday.
“Boom” is the closest Gatwa’s Doctor has to a companion capsule episode. This focus on their relationship might’ve gone over even better if it’d been earlier in the run, especially given “The Devil’s Chord” has the opposite problem. I suspect the prime reason why it’s placed in an awkward middle slot is to not give away the game: “Boom” front-and-centers Susan Twist, who’s played minor roles in almost every episode since “Wild Blue Yonder”, as the face of the combat ambulance AI. There’s always a twist at the end, remember?
73 Yards
The Doctor’s always stepping on some bullshit. After intruding on a ritual circle, he disappears, leaving Ruby alone with a mysterious woman that’s always standing 73 yards away. Everyone who talks to the woman flies goes no-contact with Ruby: a hiker, a bar-goer, UNIT, even, in a harrowing turn, Ruby’s adoptive mother. So Ruby spends the next twenty years alone. Without her family, and also alone in this ethereal way where she’s meant to be on startlit adventures, not half-there on a wine bar date.
Gibson carries this mammoth episode on her shoulders, evolving from panicked 20 year old to middle-aged, purpose-driven mercenary. The closest thing to a co-star is the cinematography, following her eyes towards the woman-shaped hole in the near horizon. This is one of the subtler metanarrative moments of the season: the woman is impossible to photograph, blurry in pictures just as she’s never in focus for the camera.
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Ruby makes up a mission: save the world from ‘Mad Jack’ Roger ap Gwilliam, a presidential candidate whom the Doctor off-hand warned would lead the world to nuclear ruin. Infiltrating, Jack’s presidential campaign, she maneuvers the woman into manifesting next to him, which makes him run screaming from office. The world is saved. Ruby isn’t. As she lays dying of old age, alone, the mystery woman is revealed to be herself, traveling back in time to warn the Doctor off the circle.
This is the furthest Doctor Who can stray from its own standards before becoming a different show altogether. The theme song doesn’t even play (shame). Not a coincidence, it’s also the episode to most demand that we trust emotion over logic, and it pays back that trust with dividends. It doesn’t matter that we never find out why there was a shrine to Mad Jack atop a cliff in Wales twenty years before his time, or the mechanism by which Ruby created a closed time loop. The important bit is the emotional resonance, the click of catharsis when we discover just enough details to let it rest.
Dot and Bubble
I feared, as “Dot” opened on a woman so dependent on social media that she can’t navigate her immediate surroundings without GPS, that this would be the Phone Bad episode “The Giggle” had managed to surpass. The truth is more complex: Finetime’s residents can afford to spend all day Whatsapping because they’re the offspring of another planet’s leisure class, here on permanent vacation.
Giant man-eating slugs have invaded Finetime, and the Dot-Bubble navigation system is walking people straight into their maws. Our lead is neither Gatwa nor Gibson, but Callie Cooke as Lindy Pepper-Bean in yet another of the acting masterclasses that characterize this season. An ongoing tension point is whether Lindy can keep her Bubble down long enough to string together two tasks. This means the season’s highest ratio of close-ups to other shots. Cooke carries this focus with recidivist disdain, processing the situation in arbitrary bursts only to default to anger at the Doctor for intruding on her groupchat, or elation at meeting a celebrity singer.
The slugs are an invention of the Dot, which, after years of servicing Finetime, has learned hate. Huddled outside the habitat dome, the all-white survivors reject the Doctor’s 'dirty' safe passage, and strike out to colonize the wilderness, ‘like their ancestors’.
Laterally to Phone Bad, an ongoing trend in wronghead fiction is Rich Bad. Movies like Bodies Bodies Bodies portray the bourgeoise as a self-obsessed bunch who will fall snarling on themselves at the first provocation. This is not what makes the bourgeoise dangerous, but in fact the exact opposite: because the rich have everything to lose, they will close ranks against you, no matter how much good you’ve done for them, no matter what you could yet do.
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Rogue
Before the season ends, anybody want to defend England one last time? Playing nobility at a Regency London ball, the Doctor runs into Rogue, a bounty hunter who mistakes him (at gunpoint) for a shapeshifting, murderous Chuldur.
The Chuldur are fans of Bridgerton, on Earth to cosplay it to death. In order to lure them out, The Doctor and Rogue publicize their whirlwind romance. If “Dot and Bubble” was a response to the idea that Gatwa might run into racism if he travels to the past, “Rogue” is its inversion: the plan works because the modern Chuldur can’t resist the titillation of wearing a black gay man. They run after the hypervisible Doctor, while the white Rogue becomes “the other one”. He’s less problematized, less interesting, the one you get stuck with if you don’t call intersectional shotgun.
After the trap is sprung by accident, Rogue's banished alongside the Chuldur to a random dimension of nobody’s knowing. The Doctor declares it’s impossible to find him. We’ll see about that.
For all its nods towards fandom, “Rogue” isn’t a po-faced condemnation of fan culture. Ultimately, the Chuldur too are defeated through cosplay. Plus, it’s a straight beat-by-beat of the strongest points in Who structure: strong side characters, scifi logistics, a villain as goofy as it’s horrific. Whether its back-to-back placement with its thematic mirror, or as a segue to the season finale, is ideal, is anyone’s guess. 
The Legend of Ruby Sunday
The Doctor asks for UNIT’s help in figuring out why Susan Twist follows him everywhere. On 2024 Earth, she’s Susan Triad, tech CEO on the verge of releasing some kind of Alexa thing. But before we get to that, the Doctor decides now’s the time to meet Ruby’s biomom.
Using a ‘Time Window’, Ruby visualizes The Church That Lives On Ruby Road. Ruby cries: the Window refuses to show her mother’s face. The machine goes all creepypasta on some UNIT boot. Panicked, the Doctor chases down Triad, who reveals she can remember her past lives in dreams.
Triad pulls away to her conference. Though she’s live worldwide, her soundstage is empty, the crowd canned. Where much of this season has dealt with the phenomenons of mass media and TV, “The Legend” digs into a grief specific to Doctor Who, an ill-kempt archive of decades forever on the verge of cancellation.
Little else happens, for two good reasons. First, this episode is a two-parter. Second, much of its runtime is dedicated to extracting maximum stress out of the situation. Ruby is too compromised to act, while the Doctor and UNIT are late from the start, only just figuring out the situation in time to witness it unfold. The big reveal paying off all this anxiety, crossed purposes, fear and despair is, unfortunately, a CGI dog with a hat.
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Empire of Death
Sutekh is a Fourth Doctor villain who’s been locked in the Time Vortex for thousands of years or a dozen seasons, whichever’s longest. He has spawned harbingers like Triad in every planet that the Doctor’s visited, and his “dust of death” has the power to kill nost just everyone, but everyone at every point in time. In the era of streaming television (and stream-only television), the C-suite can overnight erase all evidence that a show ever existed.
Through a bit of absurd circular logic, the Doctor declares that the Time Window’s memory of a TARDIS is in fact a functioning TARDIS. The crew escapes to roam a deserted universe. The memory TARDIS begs to tie long-dangling plot strands into knots of neat logic. Instead, a bunch of nonsense dialogue happens. When Ruby asks the Doctor why Sutekh has a The Mummy thing going on, the Doctor answers “cultural appropriation”, and fails to elaborate. Laterally, when Ruby casually lists the chameleon circuit’s AOE as 73 yards, the Doctor asks how she knew that. She’s not sure. Nothing comes of this.
Because Sutekh is incapable of seeing Ruby’s mother, the Doctor decides it’s all tied together and heads to a government office in Mad Jack Britain, containing the UK’s forcibly harvested genetic data. Much more cohesive commentary on racism than reminding us cultural appropration is a thing Doctor Who has done. Armed with knowledge, the Doctor baits Sutekh into the Time Vortex, where he forces him to, like, kill death and then die in turn.
It’s a fantastic turn of character for the Doctor, who oft makes a spurious point of not killing in order to condemn villains to fates worse than death, or adopts a ‘War Doctor’ persona which kills a bunch of people anyway. It’s a matter of framing, but also a genuine point of no return. As for less satisfying character beats: Ruby gets to meet her mother, who’s just some middle-aged Instagrammer with a bad haircut and a passion for rocky beaches.
So why was this character immune to everyone from the Time Window to Sutekh, and the unwitting carrier of Ruby’s inherited power to make it snow? Because, the Doctor explains, we cared about her.
Which begs the question: who is we?
The easiest answer is: the last people left alive in the universe. But Ruby’s been making it snow since “Space Babies”. Not proximity to the Doctor either, else the Doctor himself would have magic powers: on the contrary, he’s spent the whole season grappling with his limited ratfic ability to deal with the supernatural. And there’s millions of orphans out there. Ruby is, in this regard as in most else, not special.
Taken all together along with the season’s metanarrative overtures, which keep going right up to the last second of “Empire”, the only answer is that we are the audience. Or the audience and the crew, anyhow: the camera, the screen, Ruby’s protagonism and the people that accept it. We have imbued Ruby Sunday with transcendental power, because we would like her to transcend.
This doesn’t work unless I am more emotionally than narratively invested in Ruby Sunday.
Not that I didn’t get torn up when Ruby met her mother. But that’s just cinema trickery. A season’s worth of promises, a bit of music, very good acting: of course I was going to care. Not more than I care about finding out what the fuck was going on, though. As an explanation, this all rounds out to: what was going on is what was going on. Ruby’s mom was important because she mattered to us, and it mattered to us because she was important. Me, I refuse to be complicit.
There is an unpleasant extreme to the logical lens, the CinemaSinners combing through scripts, sacrificing the greater story to the tendentious idol of Plot Holes. Doctor Who has long been plagued by these types, pitfalls of being an easy-watching BBC show with a large audience. Series 14 scans like a concerted effort to not give these guys an inch. In overcorrecting, it created a maudlin mess of unfulfilled promise.
That is as far as the season's connected plotline goes. Fortunately, most of the episodes are gems, directed with a sense of fun almost unseen in the revival series’ longstanding gloom. The Doctor has turned into a killer, maybe for good. We are promised that his tale will end in tragedy. I hold out hope that, next time the story tries to hit me where it hurts, it’ll follow through.
7/10
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artydonsgf · 4 months
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What do you think the challengers trio would be into if they weren’t into tennis? Like their ambitions/goals and stuff.
Idk why but I see Tashi as interested in going into something law medicine because of the human connections present in the field but also the ambition needed to become a doctor is something she could have. Just what i think. I couldn’t think of anything for patrick or art, bur would love to see your thoughts on all three.
ouuu i love this, thank you sm for the request anon! enjoy my thoughts on careers for art, tashi, and patrick that aren’t tennis!
Art Donaldson
- art likes the fast paced nature of tennis but he also likes to slow down
- for that reason, i’m gonna say he’d go into something sciencey
- i think art would excel in school and would be able to go to any school and get any degree, he just chose tennis as his focus
- without it, he goes into chemistry and becomes a very good chemical engineer
- he loves it because on some days he can work in his office and be home in time for dinner and tucking the kids in bed
- other days, he gets to go to the lab/do field work and do something really exciting and cool
- it keeps him away from home for a week at a time but when that week is over, he has a bunch of exciting stories to tell
- loves the work life balance it brings him
Tashi Duncan
- tashi would 100% go into sports medicine.
- i think if she couldn’t go pro, she’d still want to stay in the sports world
- she thrives in a setting where she is helping people
- sports medicine means helping people and also still having that proximity to tennis
- shes also good at her job because she’s able to deliver bad news with the utmost kindness and empathy since she gets it
- extremely well loved by all her patients, so she travels to multiple schools within the country since she can’t pick just one
- ask any college athlete and they have a story about how dr tashi duncan basically saved their career with her magic touch
- first doctor in her family and she’s so happy to be inspiration for kids in her community
- loves hearing people call her doctor, it proves that all her hardwork was well worth it
- tashi is the type to go all in with something so she’d be married to the job
Patrick Zweig
- he’d wanna be a stay at home husband
- joke but i honestly kinda struggled with this
- lowkey, i can see firefighter patrick….
- he needs something straightforward, something that doesn’t need mind games to solve
- being a firefighter is perfect
- go into burning building, get people out, pour water on aforementioned burning building, get praised for it
- it works for him
- enjoys the rush and excitement of the job
- also loves when he helps someone and they thank him with genuine words
- interested in all the work that’s adjacent to his (think emts, doctors, law enforcement)
- contemplated switching to the station’s emt team but decided against it
- he doesn’t have a family till later in life so the crazy hours don’t really bother anyone but him
- for this reason, he’s basically married to his job
tashi’s came to me the easiest (i am so passionate about her), art was a little harder, but patrick’s was so hard, i hope this lives up to your expectations! enjoy!
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i-drop-level-one-loot · 5 months
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How would the yanderes react to reader having super bad anxiety?
-😶‍🌫️anon
I didn't know if you wanted generic yandere subtypes, or specific characters, so I just chose a few of my favorite OCs!
Listed from (arguably) best yandere to worst (when it comes to dealing with anxiety) Some NSFW towards the bottom ❤️
Kirtch (10/10) expert
❤️ Knows all about anxiety (he is an expert an humans)
✨ Might seem a little cold, but that's because he will go into immediate nerd doctor mode
❤️ He would prefer to solve your anxiety issues without the use of the collar
✨ So expect a lot of pampering and note taking, presenting you with different solutions he's read about in outdated psychiatry books while watching you diligently
❤️ Baths with snacks and deep breathing exercises
✨ Would neglect his duties for you, and when you eventually look to be doing better, he's baby monitoring your room so he can leave work the moment you look like you need him <3
Lydia (9/10) too clingy
❤️ Undead, weighted blanket
✨ She doesn't understand what "anxiety" is, but knows it makes you look sad? Scared?
❤️ She doesn't like it, and it makes her mad that she can't kill it for you
✨ Since you won't tell her how to fix it, she keeps you inside the apartment
❤️ Expect a lot of kisses, everywhere
✨ The second it looks like you're hyperventilating, she's wrapped around your torso like a monkey, squeezing you as tightly as she can
❤️ She'll whisper words of love and affirmation into your ear as she constrains you, until you finally calm down
✨ Even after you calm down she'll still cling to you, murmuring (more to herself) about how sweet and lovely you are
Baby (7/10) what anxiety?
❤️ The second there was even a flash of adrenaline, that weird tingle that races down your spine, before your heart even starts to speed up: Baby would shut it down
✨ What anxiety?
❤️ He's literally controlling your mind at every second
✨ You don't need to worry; about anything
❤️ Unlike Kirtch who hesitates to use the collar, Baby has no issues manipulating your brain's chemistry
✨ And he sees nothing wrong with it, because it's all for keeping you happy <3
❤️ Of course, it'd make Baby a little upset that the anxiety showed up at all..
✨ But he can fix it
❤️ So don't worry <3
Cain (5/10) short fuse
❤️ His emotions (although oft hidden) always takes precedence over yours
✨ He understands what anxiety is, but because he's the type to kidnap his darling, he assumes the anxiety is his fault
❤️ and that pisses him off
✨ Assumes every and any negative emotion you feel is because of him, even if it's something you were diagnosed with long before the abduction
❤️ If he is feeling remorseful he may shift into a giant lynx to cuddle, trying to soothe you with his giant warm body
✨ If he's already upset he may respond in one of two ways:
❤️ Leaving you alone for hours to go hunting
✨ Fucking you into submission (if you're too exhausted to cry, that means he won, right?)
Xyleth (0/10) either the best or the worst...
❤️ It depends on if you need a distraction or if you're the type to need a calm environment
✨ Because his species doesn't experience anxiety, they'll treat you how they treat one of their own when they are feeling blue
❤️ And they only feel blue after losing a fight
✨ Xyleth would parade you around the village (even while shaking, hyperventilating, crying, hitting him..) so that everyone can "cheer you up"
❤️ Everyone would be passing around their favorite little human, petting your head and trying to gift you with weapons and meat
✨ Children would be offering to find you animals to kill
❤️ It would be overwhelming
✨ An entire community of monsters trying to cheer up their leader's mate, genuinely out of love
❤️ If receiving words of encouragement, affirmations (about your strength), and food help your anxiety, then Xyleth is 10/10
✨ If you need a quiet room with someone helping you with deep breathing and grounding, he's a -100/10
Now, honestly, a good chunk of the guys would not be good at all for anxiety, they don't even rate out of ten haha
Some of them are sadistic enough to purposefully try and trigger panic attacks when they learn you have anxiety, like the Living Death. Now, he's a pervert, but I feel like he would enjoy your anxiety because he could feel more in control of you; it would help him isolate you further. If he could manipulate you into never leaving his cabin, he'd be the happiest man on the seven seas
But some guys like Dr. Campbell would enjoy seeing you crumple before him for more nefarious reasons. I can imagine him mocking his darling as he fucks them, telling them how much he loves it when they act hysterical because they clench him so good. He's a complete sadist who would get turned on the second he knew he was the one causing his love anxiety. There would never be even a second of comfort for you in his home, Ichabod would do everything in his power to keep you on edge all the time.
And finally, my lovely bedbug monster ❤️ he definitely cares about you, but only in a primal sense. You are his mate, you shall carry his spawn, and you shall stay at his side. He wouldn't understand what anxiety is, since he keeps you in a constant state of pain and fear. Yeah, he may be cuddling your side, but you're never not covered in blood; and not all of it is your own. If you're struggling, it's no different than when he's tearing into your abdomen to pump children direction into your body ❤️
I hope your day is going well, and if you suffer from anxiety, I hope that your days are stress free, and that you're able to have a good week without anything triggering you ❤️ Sometimes, I get a random shake, a random rush of anxiety even when absolutely nothing has happened, so I know you can't avoid triggers all the time, sometimes anxiety just happens, but regardless, I hope that you can enjoy today anxiety free ❤️
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reachexceedinggrasp · 5 months
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Danny 'I don't do weird' Pink frustrates me as a character, because I'm honestly not sure whether he was supposed to have an arc or not.
His primary role is as a foil for Clara's arc and, in aid of that, as a mirror to the Doctor. A solider with survivor's guilt and a man of action who can't stand by when people need help etc., in some ways he and the Doctor have a lot in common, but he's also a very grounded and circumspect personality versus the Doctor's being fantastical and adventurous. Danny isn't curious and doesn't want to pursue new things or experiences, instead he wants to be fully present with and grateful for what he already has. The Doctor is incorrigibly curious and always interested in new things.
Danny is someone who desires nothing more than an ordinary life, and looks for beauty and satisfaction in the normal things and people around him. He wants his world to be small and quiet, he values the mundane things others might take for granted. He's normal, patient, dependable, simple, honest, etc. His reaction to trauma hasn't been to disavow the things which lead him to that event, or to seek out stimulation to avoid thinking about it, it's to be thoughtful and cautious and somewhat rigid so he can always apply the mindset and skills he retained from before he was traumatised.
He's very firm and unbending in his worldview and in his self-image. He doesn't seem to ever reassess people once he's decided what he thinks of them. He's not unreasonable or unwilling to compromise, he is in fact maybe too reasonable, but he is implastic. He's extremely even-tempered except for around his identity as a soldier, which he's prickly about, but still pretty quick to let it go as long as he's not being deliberately antagonised.
So anyway Danny represents this other path, and this opposite response to the horror of war and making a catastrophic mistake, but he never learns, he never grows and he and Clara are never much on the same wavelength about anything. He's supposed to be stability, the things she 'should' want, the 'person she's supposed to like', the safe choice, the presentable life which Clara feels like she has to have. He's orderly and ordinary and that's what she wants from him. She has to control her image, her future, and her options.
And their simple relationship, once it exists, functions well as the contrast to her complicated and tumultuous relationship with the Doctor while the companion power dynamic is being dismantled and rebuilt so they can be emotional equals. But like, the set up is confusingly executed.
Listen- they have zero chemistry, they have nothing to talk about and have to resort to talking about work, every conversation goes instantly off the rails, they rub each other the wrong way, there is never any reason for them to keep reconciling and trying again to connect. Like. You are not hitting it off! and keep offending each other bc you're not compatible! Quit!!
Clara is forcing it, that makes complete sense with what she's going through, she's trying to take control of her life and her emotions, trying to prove to herself she's not pining for the Doctor and at the mercy of his whims for her life to be full and complete. She doesn't want to need him or to be dependant on him. She doesn't want to be the heartbroken sadsack whom he abandoned at Christmas or who will take whatever scraps he'll throw her. She wants to control his position in her life and control how she feels about him. Hence her assigning him a specific day and confining their adventures on her own terms. She's trying to keep the Doctor compartmentalised. Having an Appropriate Human Relationship means she's successfully put the Doctor in his box (lol) and neutralised the chaotic power of her feelings for him. I mean, obviously not, but that's what she tells herself.
But what is Danny doing? Why does he keep pursuing this when it's so clearly not a good match?
Again in Listen, and much more so The Caretaker, Danny illustrates that he does not know who Clara is, he's wildly wrong about her and what she's like, and he's very high handed about it as well. He's convinced that the Doctor is taking advantage of her, that the Doctor is domineering in their relationship, that she is not a person who wants to be put into challenging or dangerous positions, that the Doctor is pushing her to takes risks and become a leader where that's not her nature. None of this is true. Clara was always a decisive, assertive, strongly driven person who seeks out new experiences and naturally assumes a leadership role any time that's necessary; she relishes being challenged and facing the unknown. Her blow up with the Doctor wasn't about him 'pushing her too far', it was about him failing to support her when she needed him and condescending to her as a human rather than treating her with the intimacy and equity their bond and history together demands. It's personal and it's about their emotional relationship. It's not about making hard choices, it's about having to make hard choices without her partner being honest with and emotionally available to her.
Clara was always an adventurous person, willing to be spontaneous as long as it's on her terms, and excited by the prospect of authority and responsibility. The danger and challenge isn't an unfortunate side effect or a risk she has to take to see amazing sights, it's part of the appeal. She lied to Danny by omission when she said she went off in the box to 'see wonders', not just because the real reason is that she's in love with Doctor, but also because she doesn't just want to be a tourist. She wants to get involved and save people, she wants things to sometimes go pear shaped. She enjoys and craves that part of it too.
Danny is also wildly wrong about the Doctor, but this is understandable and would be fine except that he's never corrected? He never learns better? What's the point?
In Death in Heaven Danny goes out still wrong about the Doctor, still condemning him cruelly and unfairly while knowing nothing about him. He had a point with some of his original rant, there was actual insight there, but it's buried in assumptions and bitterness and then Danny keeps tripling down on the assumption. The one which doesn't understand that the very thing he's shitting on the Doctor for (being willing to lead and make hard choices that must be made in order to save people) is something the Doctor has in common with Clara. And always has. The Doctor didn't change her or push her into that, that's who she's always been.
What is the point of Danny calling him a blood-soaked general and mocking him, calling him an officer as a pejorative again, and again because the Doctor is trying to save the planet. Like, memory check, that's what Danny is mad about. The Doctor doing everything in his power to save literal billions of lives. Doing it for no reason, out of altruism. Doing it while always trying very hard not to fight or kill anyone. Doing it even at enormous spiritual cost to himself.
I don't understand how we're meant to find Danny sympathetic in that moment, because he comes off like a complete dickhead. And it's all the more frustrating because in the intervening episodes Danny has been eminently reasonable. As I've discussed before, we're exhaustively shown that Danny is 100% okay with what Clara claims is going on, that he doesn't want to get in the way of her friendship with the Doctor, that if it really were only the relationship she's pretending it is, there would be no conflict. He's the one who encourages her to make up with him after Kill the Moon! He tells her to go on travelling and it's fine!
Even when he discovers she's been lying to him and cavorting with the Doctor behind his back (again despite him telling her it was fine with him!), he's calm about it and repeats for the millionth time that all he wants from her is honesty. The truth. Which is the one thing she can't give him because Clara knows their entire relationship is built on the lie, they're only together because of the lie. The truth is, as Moffatt said, that Danny never stood a chance. There is a conflict between the two relationships and she's always going to choose the Doctor.
And that does come out, she gives the whole speech to Danny, not knowing it's him, finally being honest. And he seems unsurprised by it, which makes sense because on some level he definitely always knew ('do you love him?' 'no' 'really had enough of the lies'), but then nothing comes of that. Clara just soldiers on, going right back to pretending this relationship wasn't a façade doomed from the start, and Danny allows her to pretend. He goes off on the Doctor, but not in a way the Doctor actually deserves at all, and just sweeps her confession under the carpet. Letting her get away with it again. True to form, I guess! he always did. But shouldn't we make progress?
And it's like... I hate that he dies on that note. It feels like he dies in denial. I guess you could argue it contributes to his decision to not come back, but that feels like a disservice to the character. Saving the kid is important to Danny, it allows him to atone for his greatest mistake, but he didn't need to change or grow to accomplish that and it doesn't provide any closure to his actual role in the narrative, which was as Clara's foil. Clara is off the hook, free to go on lying to herself about their relationship. It's not addressed in Last Christmas, either, it's only barely hinted at.
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naomis-daydream · 2 years
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essence in the air // letitia wright
summary: interviewer!reader. it seems there’s a lot of underlying chemistry between you and your interviewee, Letitia Wright
a/n: saw clips of tish flirting w interviewers and here we are. i included a lil piece inspired by @drletitiawright and @aaliyg talking about a Dr kink 😏
warnings: just fluff. flirty reader and flustered tish. reader is from the Dominican Republic and speaks Spanish (very minimal)
you exhale softly as you get last minute touch ups to hair and makeup. you glance across from you to look at your interviewee—Letitia Wright. she was dressed in a off white hoodie with matching sweats, a black jacket, and air forces, scrolling on her phone while her glasses reflect the bright screen.
you were very excited for this interview. you had gotten great reviews from many stars and prided yourself on having laidback, fun sessions with all guests for Essence Magazine. from Lashana Lynch to Keke Palmer, your issue of celebrity interviews in the magazine and on their channel had been something viewers looked forward to, which was very beneficial for your paycheck.
she looks up, catching your gaze as she offers a smile. you return the gesture, crossing your legs in the lounge chair. “you ready?” you ask as the cosmetologists left.
she inhales sharply, “yep, though i wish you’d told me about the dress code,” she says, eyeing your exposed legs from the slit in your dress. “i would’ve come in something nicer.”
“girl, you’d look good in a trash bag. besides, the whole point of this is for you to have fun and be comfortable. as long as that’s happening, you’re good.”
“says the one wearing a body con dress,” she says as you wave a hand at her. “you go out in designer everyday, you’ll be good for 30 minutes, hon.” she laughs, humming in agreement.
the tech guy comes in, cueing you as the cameraman starting rolling.
“hey guys, I’m y/n y/l/n with Essence Magazine, and today i’m here with esteemed movie star, devoted Christian, and—as of recent weeks— doctor in arts and letters, miss letitia wright. how you doing, angel?”
a smile dances across her face, eyes surely lighting up behind her black sunglasses. “wow, what an introduction. thank you. i-i’m well, how are you?”
“great, thank you,” you begin. “so, tell me a little about how you earned your doctorate, what’s it in, and what it means to you?”
she sighs briefly, “man, it’s um, it’s definitely an honor, such a blessing to even be considered for something like that. it’s in arts and letters, as you said, and to have it come from a school in my home country, Guyana, made it that much more…moving for me. i’ve been acting since I was a teenager and never dreamed of any of this happening.” she said, gesturing around us with her hands. “from small projects in London to…”
“being an international award-winning actress?”
“yes! it’s all a lot, but being recognized for my work is-is great.” she finishes.
“do any of your friends or family use the title or is it just a formality?”
“nah, after i got it some did as a lil joke but for the most part I’m same ol tish.”
so, can I call you doctor?” you tease.
she laughs lightly, shaking her head. though her words contradict her as she replies. “i-i suppose so, yeah, yeah you can.”
“dr. wright.” you said. “has nice ring to it. though mrs. wright wouldn’t sound too bad either.”
her laughter was fuller this time. “bad. you are bad.”
you shrug lightly, a knowing smile on your face.
“but in all seriousness, it’s nice to see representation for Afro Caribbeans out here. being an inspiration for so many across the world, and a role model for young people everywhere to see someone who looks like them, who comes from a place like them, on screen. we don’t see enough of us gettin’ our flowers. I’m glad you are.”
she nods humbly. “you Caribbean? stop playin, what part?”
“la República Dominicana, act like you know,” you said smiling. She hummed in admiration. “oh, the accent, ok I see you. you speak any Spanish?”
“eres muy hermosa y tienes mucho talento.”
you’re very beautiful and have so much talent.
you say the short sentence to her, none of which she understands, yet she leaned forward to rest her elbows on her knees as she listened. “i don’t know what you said, but it sounded hella good,” she smiles.
you shook head as you laughed. “man, you something else,” you said as you looked at her again, to which she put her hands up in defense.
“speaking of accents, in a lot of your productions you’re seen using your regular British accent, as well as those from various parts of Africa.”
“mmhm.”
“yet, we rarely hear you with an american accent onscreen. can you give me your best american accent right now?”
“right now?” she asks, pointing down.
“right now, go.”
she shakes her shoulders out before turning to the camera. “hey y’all, i’m letitia wright here with Essence Magazine,” she says in the absolute worst attempt of a southern accent you’ve ever heard.
your eyes go wide before you bust out laughing, shaking your head. “come on, now. don’t do me like that,” she says, a shy smile on her face.
“i’m sorry, i’m sorry,” you begin as you calm yourself. “it’s just refreshing to know there’s something you’re not good at.”
“i haven’t had any roles that require an american accent yet, so there’s time to perfect it.” you nod in agreement.
“so for the real question of the hour,” you say as she leans back in her seat, waiting for you to continue. “why you always got them glasses on?”
she smacks her teeth, trying—and failing—to suppress the smirk that grows on her face. “man, i thought we were gonna get deep.”
“oh, we can get deep, angel. i mean, why hide the eyes? the windows to the soul. i bet you have a beautiful soul, yet the entire time you’ve been here i haven’t got to see for myself.”
“my eyes or my soul?” she asks, tilting her head back.
you open your mouth to respond, yet can’t find the words. you begin to smile as she points at you. “ahh, i got you there, huh?” she says, grills glowing under the studio lights.
you roll your eyes as you reply. “alright, alright. don’t let it happen again.”
“my bad, baby girl. here,” she says, reaching up to take off her shades. “to make it up to you.” she sets them down on the small glass table between you.
“aw, thank you, dr. wright.” you say, thankful for the gift of melanin, and blush applied previously, that the heat rising to your face isn’t visible.
“so?”
“so…”
“my eyes…do they live up to your expectations?”
you lean forward, not missing the way her eyes drop to your cleavage as she does the same. you pause to really look at her, defined jawline, toned skin, fresh haircut, before going back up to her eyes.
“they are…subpar.” you say, swiping her glasses from the table as you slide them over your eyes.
“wow,” she says, bringing a hand to her heart as she leaned back. “it’s like that?”
you wave her off. “i’m just teasing, relax,” you assure as she mumbles, “yeah, ok.”
with the glasses off, you can really feel her gaze on you, though luckily part of yours is hidden this time.
“now look who’s hiding,” she comments, nodding her chin up at you.
“a nice change of pace. i think i look good, right? real official.”
she laughs before she responds. “yeah, you look good.”
you smile as you take them off, putting them on the neckline of your dress.
“so, can I count on seeing you at Essence Fest?” you ask with a sickeningly sweet smile, one that prevents her from answering with anything other than yes. “yeah, yeah you’ll see me there.” she replies while nodding with a smile.
you turn to the cameraman, “ok, i think we’re good!” you turn back to her, “thanks again for coming! it’s been a joy to have you.”
“thank you for having me. truly one of the best interviews i’ve had in a long time.”
“just doing my job, angel.”
she shakes her head, looking at the floor. “of course, of course. would you mind if we have a picture?”
“not at all,” you say, going to sit on the arm of her chair. you do a few sitting, her signature smize and a couple hand motions. you both get up to do standing shots, some with her hands clasped in front of her and others with her arm around your middle.
once you’re done she pulls you in for a hug. your hands slide up her shoulder blades as hers find their way around your waist once more. she gives you a caring squeeze which you reciprocate. you feel pressure between your chests which makes you pull away as you realize. “oh! don’t forget your glasses,” you pull them from the hem of your dress, extending a hand towards her.
“please, keep ‘em,” she assures, giving you one last smile—small yet warm—before heading out.
“bye, doctor!” you call as she leaves.
she turns around, walking backwards with her hands in her pockets. “see you soon.”
-
you packed up for the day, locking up your office and the main studio. walking out the building, your stride pauses as you feel your phone buzz in you purse. you pull it out to see a notification from instagram.
letitiawright started following you
you smiled at the message, seeing you missed two others from a couple hours ago.
letitawright mentioned you on their story
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letitawright tagged you in a post
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liked by essence, danaigurira, and others
letitiawright new issue of @essence for the March 2023 issue. You can watch the interview on their channel and see the wonderful photos this spring✨
koffee 😍🖤
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a/n: best believe she looked up whatever the hell you said and blushed
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nat-20s · 9 months
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God GOD okay okay okay okay okay I'm having thoughts I'm having FEELINGS im having a Moment SO
I waanna talk about Ten and Donna (shocker I know) but SPECIFCALLY I wanna talk about like. Them and being besties and soulmatism and red string of fates and what not. Also this post is long as rambly as hell so I'm putting it under a readmore for my non-tendonna girlies <3
So like. The Runaway Bride really does establish them as future besties so so well and some of it is the writing but I do think that some of it is that Catherine Tate and David Tennant, by all available accounts, ALSO immediately got on like a house on fire. Like genuinely i know Acting TM is a thing but I think them getting on is part of why their on screen chemistry is SO electric and dazzling to the point where Donna went from a one off one episode character to *checks notes* a character that came back TWICE and also fundamentally changed the structure and DNA of Doctor Who as a whole so. You know. Pretty impressive. Plus Donna gets to have her first adventure with The Doctor as their absolute worst: Ten is grieving from a FRESH wound of losing Rose, he's incredibly cruel and incredibly cold and straight up murders the Racknoss without a flinch or hint of remorse, and even before that he accidentally kidnaps her and then insults her as someone to dismiss. That's not to say that she doesn't also see The Doctor at their brightest: he ends up treating her with incredible kindness, and he's dazzling and brilliant and cares so much and shows her the creation of the earth itself to provide comfort. However it IS to say that because of the nature of his first interaction with Donna he CAN'T put up a facade she already knows the truth!! She is walking into their dynamic with completely open eyes and at first it fucking scares her! She doesn't dislike him in fact they already are friends after less than a day but
Then partners in crime happens. And she's realized okay no actually I CAN take the bad with the good and I WANT to participate in all of it and I DO want this friendship. The Red Strings of Fate (or maybe the TARDIS being like lmaoo you need this girlie <3) bring them back together and they are Officially Tethered from that point on which is so so so delicious. It's also so so so delicious that Ten's still at an incredibly low point and she's still going into this friendship without any ruses in place. Like oh shit yeah they are Bound together even if they did separate now they would almost certainly find each other again.
AND THEN AND THEN!!! We've already established The Doctor and Donna as fast best friends but holllllyyyy shit I think Fires of Pompeii is what establishes them as forever Soulmates. I meant canonically the ending of Fires of Pompeii where she has him save the family fundamentally changed The Doctor for the rest of their lives and gave them a guiding moral compass long after she wasn't there so yeah that's pretty fuckin soulmates of them. But I actually think them as a concept of two people sharing one soul (for the better!!) happens earlier in the episode. The exact moment in fact is THIS ONE:
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The Doctor has to make a choice. There are no good options: both are mass destruction and death. And it's SUCH a Doctor choice to have to make: actively destroy Pompeii and everyone in it, or allow the entire world to be destroyed. Not only that but it will likely kill both him and Donna as well. It's a mix of self sacrifice and other sacrifice to save the world and it's a horrific situation to be in.
It is a narrative that parallels the choice he made in the Time War. It is an archetypical Burden of the Doctor.
And then she looks into his eyes, sees his fear and hesitation and remorse and guilt, and wordlessly puts her hands on his. They push the lever to destroy Pompeii together. And it becomes the burden of the DoctorDonna.
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