What's the difference between leviathans and sea dragons in your mermaid AU?
The leviathans are giant sea serpents, with no legs. The sea dragons have four clawed legs like a land dragon. The sea dragons also have flowing manes and a high raised fin on the back.
Leviathans are much bigger than sea dragons, big enough to swallow a dragon whole. Their bodies stretch a mile/over a kilometer long. Leviathans are very rare, only a handful exist. They dwell in the deepest parts of the ocean and have little to do with the other races.
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something happening on a mission, something personal that has soap spiralling; panic and rage making him reckless, thoughtless, and ghost has to draw the line
“you’re compromised johnny; you know what that means?”
“you’re not pulling me out,” soap immediately snarls. he turns on him and ghost barely recognises him; venomous fear turning his eyes to unyielding ice. "you're not sidelining me; i need to be in this-!"
but ghost has never been afraid of venom; spat or dripped straight from bared fangs.
he snakes out a hand grip the back of his neck, jerking him in a rough shake. "if you can't think, you can't be a soldier," he growls and he flinches like he's been struck.
his lips quiver as they twist in a sneer and he wrenches, trying to free himself of his hold.
ghost doesn't let him.
"it means you give your body to me because your head ain't fucking attached to it anymore."
soap stills, body trembling beneath his hand as he sucks in shaking breaths.
he tightens his grip, pulling him closer and digs his forehead hard into his. “it means you give yourself to me so i can have the weapon that you are and use you the way you're meant to be used."
the ice in soap's eyes fractures.
ghost’s voice drops to a whisper, spoken only to johnny, not this facade of vengeance and pain, and wills it to reach him through the glaciers.
“so i can keep you safe ‘til it’s done and i can bring you back.”
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I can’t be the only one who finds L’s inconsistent eyebrows in the manga really funny, right?
Like, one panel they’re there; the next, they’ve vanished. His eyebrows just… come and go as they please.
Eyebrows?
No eyebrows.
Eyebrows again?
…No eyebrows again.
AHA! Eyebrows.
…aaand they’re gone. (Must simply be a trick of the Light, eh?)
But… seriously. His eyebrows are either raised or nonexistent, and that’s very funny to me for some reason. In the anime, he doesn’t even have them at all, but they seem to pop up as they please in the manga.
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can’t stop thinking about the fact that phoenix, as a female character, is not once used as a emotional wayfinder for rooster or the audience. i’m not yet over how damn COMPELLING it is as a facet of her character.
so phoenix is presented from the off as someone with an obvious close connection with rooster, and through her perspective we see bits of their history - deadpanning him when she nails him with the pool cue because he didn’t tell her he was stateside (and she’s not angry or disappointed, she clearly didn’t expect him to); how she gets out of the way for rooster and hangman to face off (she’s knows what’s coming but also that it’s not her fight); the way her face lights up when rooster sits at the piano (because she knows him well enough to know what makes him happy and how he expresses it).
these moments all tell us things about phoenix and rooster’s friendship, but none of it serves to solve rooster’s problems or help him work through his emotions. phoenix never steps into that role. you could argue she gets close when rooster admits to her that mav pulled his papers, but even then phoenix doesn’t sympathise or validate rooster’s anger. she pauses, considers, and only asks “why would he do that?” - the one question rooster should be asking but doesn’t, the one his anger’s been pushing him away from for years.
and i just love that. phoenix isn’t there as a character to serve others, she isn’t a woman that exists to push forward the arc of a male protagonist. she’s there as the architect of the web that pulls all of these pilots and their shared histories together. she’s there to show how friendships can be deep and sustained and caring without being emotionally crippling. she’s there to show that knowing a person isn’t the same as understanding them. she doesn’t know rooster fully, but kneeling on the tarmac she understands him better than anyone in the world.
to illustrate my point by comparison, think about penny. to mav she’s a reminder of the past (one he’s constantly wrestling with because he can’t forgive himself for what’s happened, whether he’s earned the blame or not.) she steers him back towards what’s important and inspires his action when he has a crisis of confidence after cyclone pulls him out of the programme. the grand goodbye before mav goes on the mission in his dress whites with the cavernous black sea behind them is the cinematic equivalent of holding up a sign to the audience that says ‘you should be sad and worried! this little man’s in danger! hope you left room for catharsis after dinner.’
now i’m not saying one is better than the other (i stan penny and will hear nothing bad about her.) both characters serve purposes in the narrative that progress the plot. all i am saying is that it would have been so easy for the writers to write phoenix as that feminine emotional touchpoint for rooster and the audience. they could have inserted a scene after rooster and hangman’s fight where rooster starts to sift through his complex emotions about mav and his dad with her. they could have had a shot of her flying back looking distraught after rooster goes back for mav. what they did instead; in making her the connective glue of the group, using her to colour in their unseen past relationships and dynamics; is force rooster’s arc to come from within. and i’m telling you, the entire freaking movie is stronger for it.
so yeah. i really love phoenix. can you tell?
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If there were to be a next time where a grown up cecaelia Izuku were to meet Bakugou again...
Would Bakugou be an old man already?
Or perhaps Izuku were to meet Bakugou's kids instead of him?
Or maybe even his grandchildren?
Personally I was thinking about a grown-up Izuku meeting the reincarnations of the people he knew in his last lifetime. Because they would all die of old age before he became an adult. That way Bakugo can be his usual hot-headed teenage self and I still have a chance for my TodoDeku ship to sail.
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Hey Rhi! Hope you’ve been well!
I recently binged through all your Tokyo Rev fics and it made me think of something. I really love the concept of Tailspin with Chifuyu being the one to remember the past timeline. The simultaneous regret of how they treated reader being balanced with this uncontrollable desire to be with her again was so great and really fascinating to me.
It made me think, what do you think Mikey would do in a post-bonten/sink to the depths timeline where those events never happened, but he’s still able to remember them in the new timeline? On one hand, he was in love with reader, but how she was treated by him and bonten was a complete nightmare for her. I guess it depends on which timeline, but do you think that would make him hesitate from trying to find reader in this new timeline (to prevent her from being dragged into his mess of a life) or would he not be able to resist finding her anyway?
hi nonnie first of all ily <33
so if chifuyu's fucked up about it, mikey.... oof. man's got trauma big time.
doesn't help matters that when he was on the brink of complete self destruction the reader became his emotional support pussy person.
on the one hand, of course she's better off far, far away from him and sanzu and kakucho – all of them. it was an obsession, fucked up and depraved and sickening and damn it all to hell if does he wish he could feel that disgust all the time.
it'd be easier that way, to focus the hate inwards and pretend that's all it was. that there aren't nights he doesn't like awake and fucking miss her like a part of him's been ripped away. that his cock doesn't stir at the filthy dreams – memories – that won't leave his head.
on the really bad days, it's like an ache. an itch. incessant. he misses her.
he'd taint her all over again.
so he should leave her alone. stay as far away as humanly possible.
there's a problem, though. two, if he's being completely honest with himself. the first is that along with their whole sordid relationship, he remembers how the reader managed to end up in bonten's clutches in the first place. bonten doesn't exist anymore, obviously, but just because he and his friends aren't running around as gangsters anymore doesn't mean bad men, bad luck and bad circumstance have ceased to exist.
her brother's probably still a bottom feeding piece of shit with a gambling problem. there's every chance he's gonna do something just as stupid this time, and she'll inevitably be the one to pay for it. glass stones and houses and all that bullshit, he doesn't like it. no one's allowed to touch her. no one but him.
the other problem, the one he's less eager to admit to himself, is that he wasn't the only one fucked up over her. the haitani's might not look twice (he thinks. hopes, maybe), and who knows with sanzu, but kakucho? koko? they might not remember any of it, but if they walked past her in the street, bumped into her at a bar, would they feel that pull in their gut? would it spark something?
mikey hates the thought of her in danger, being mistreated – by her brother or by anyone else, but there's a sick, possessive part of him that hates the thought of any of them taking her too.
she was his first.
but even if he shoved that all aside, buried his head in the sand and pretended he wasn't slowly being driven out of his mind by her, the universe is a funny thing. one way or another, it'll work its magic and shove her right back into his path.
some things are just... fated.
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