#Sometimes they have to kill us

[doydoune]

Hazakura Temple, February

[deoidesign]

Worry free, guarantee!

loved painting this one, I love illustrated advertisements

[cordycepspog]

Things that absolutely fucked my shit up this episode, an incomprehensible list:

- Ellie liked the smell of Frank’s sleeping bag

- Joel still wearing Frank’s shirt

- Joel staying up all night to guard while Ellie slept

- “They’re not gonna hit you. Look at me, they’re not gonna hit you.”

- “Mom! Mom! Mom!”

- The way the doctor gave the lines “I delivered you. I held you in my hands.” and “I’m your doctor” so simply when asked for reasons why he shouldn’t be killed

- Ellie’s smile when Joel tried to tug the gun from her hand

- The way Joel bumbled his way through trying to make sure Ellie was okay, and ask if she wanted to talk about it after she shot Bryan

- All of the superhero drawings on the wall that Sam drew of him and Henry

- The mask that Sam had drawn on his face

Something about how everyone is undeniably human, and how unafraid they are of not shying away from that.

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[shrimpari]

“I made a pact with Vol, a pact of Blood”

Strahd von Zarovich and his very, very good friend.

[mrs-gauche]

- “You weren’t wrong, though.” - “Thank you, Cole.”

[crystal-verse]

god i want. an au where it dosn't work. where it's just arr g'raha who's woken up, and he doesn't have all these memories and all these people keep looking at him like they're mourning someone. the world has changed and time has changed and all the people he knows have changed, but he hasn't changed, he was just sleeping, just sleeping, and the world nearly ended several times and apparently he helped prevent yet another end but he has no memory of this. they want him to join the scions. he does not know these people. (he barely knows the warrior of light, now, but did he ever truly know them in the first place?) his little sister is alive and well. she looks at him like a ghost. she's changed, and she's older than him now. he acts bratty and loud and brash to cover up the fact that he does not know anything it seems, and he is tired but he was sleeping for so long, so how could he be tired?

he doesn't know these people. they seem to know him. he wonders if he'd killed someone, when it was him and not that exarch who woke up. he wonders if it should have been him who was "killed" in that way, if it is him that lives and not that man who had known and become friends with all these figures from legend. he wonders if he'll always be fated to be a historian one step back from everything, because he simply cannot be a hero.

[uncanny-tranny]

Something I notice is the idea with transmasculinity and transmalehood is almost this idea that we had beauty that transition has vanquished, and I honestly never related to this pretransition.

Beauty was never afforded to me as somebody who was obviously neurodivergent and traumatized and weird. I was never seen as beautiful pretransition, and I knew that. Conversations about how desirable we "used to be" never rang true for me personally because I wasn't even given the opportunity to be "beautiful." I was never going to be included in that even if I were not trans, you know? Since transition, I know I'm desirable now, even if it is not in a conventional way. It's interesting how my masculine features are now embraced because people can actually register my maleness, when before, they would never.

Desirability is often used as a tool and a weapon on trans people. The idea of not being "desirable" is a punishment. It's just weird when you're the trans person who was never desired in the first place, and you know it.

[baselicoc]

shitpost while im working on something more serious

[mishapen-dear]

tbh i think that even unwinnable fights should be winnable. some of the BEST fights i've ever run as a dm were ones i built kill the players (in a fun way. I had some cutscenes prepped so even the loss would be a different flavour of win)- but then they were clever bastards and managed to either win the fights or pull themselves out of trouble. I think it's perfectly fine to plan for a fight that players aren't supposed to win, but you need to let them. if they can't win, they can't lose, and the meaning of that encounter is diminished. do that too many times, and they stop trusting you to give them roleplay prompts and start expecting to sit there waiting while you drive the story for them.

but if they can win... if there is always the chance to win, no matter how impossible the odds, then they ALWAYS have hope. they always get invested. they feel the big emotions of success or the big emotions of failure, and you fucking Win as a dm/roleplay prompter/lead bastard.

[natjennie]

my mom and dad being like "this episode could've been 3 minutes of sad lesbian and 1 minute stitching joel up" JUST SAY YOU DON'T UNDERSTAND FILMOGRAPHY AND MOVE ON. there are reasons for drawing things out if you didn't get attached to riley it wouldn't matter if you didn't understand ellie's fedra backstory her immunity and all that comes with it wouldn't mean anything if you didn't get the perspective on the fedra and firefly situation none of the second game would mean anything. if you didn't get this characterization of ellie and her interests and her being happy you wouldn't be invested in her story. ellie's "everybody fucking except for you!" wouldn't have context without riley's death. you don't GET IT.

[apollosgiftofprophecy]

Why Jason Grace is The Most Tragic Character in the Riordanverse

*in no way is this trying to dial down Nico's own suffering, I'm just stating my case for Jason because godsdamn SOMEBODY needs to say it!*

@most-tragic-character-tournament here's propoganda i came out guns ablazing

List of why fans are saying Nico:

Lost his mother

lost years of his life

found out he was a demigod at age 10

lost sister at 10

rough relationship with his dad

closeted gay

crush is madly in love with somebody else

forced to come out

List of why Jason is more tragic:

Lost his mom to alcoholism/mental decline

Lost his ENTIRE FUCKING CHILDHOOD because Said Mom gave him up to Juno to be raised by a PACK OF WOLVES who would've EATEN HIM if he was WEAK FOR EVEN A SECOND - AS A FUCKING TWO YEAR OLD

Was a trained demigod FROM THE GET-GO (again, TWO YEARS OLD)

Because of previously stated separation, was TAKEN FROM HIS SISTER WHO LOVED HIM SO MUCH SHE RAN AWAY BECAUSE SHE COULDN'T TAKE THE GUILT AND FEAR AND RAGE THAT FILLED HER AT HIS ABSENCE

Was set up into a "perfect" relationship by Juno/Hera WHILE HAVING HIS MEMORIES TAKEN

Jason may not have had the awful forced outting Nico had to go through, but...that's not really his fault? Nobody has any control over their sexual identity, and Jason? Well. He never really got to explore it. Because that was taken from him too.

Thinks he LOST LEO VALDEZ, ONE OF HIS ACTUAL FIRST FRIENDS, WHO LIKED HIM FOR HIM AND NOT BECAUSE OF HIS STATUS

FORCED TO COMPLY TO A DEMANDING SOCIETY THAT EXALTED HIM FROM DAY 1 BECAUSE HIS DAD IS THE OH-SO-IMPORTANT JUPITER (*cough victim of nepotism cough*)

AND WHEN HE TRIES TO COMBAT THAT NEPOTISM HE KEEPS GETTING PUSHBACK UNTIL HE FALTERS

then. then his girlfriend breaks up with him - not because of any drama, or even a disagreement, but over a very valid point

their relationship didn't exactly start out very...honestly. Jason had been mind-wiped of all memories and Piper had fake ones implanted into her to make her think she liked Jason as more than a friend. sure. they had a pretty nice relationship, but when everything slowed down and they took a look at their lives?

Piper's the one who sees it first, and makes the decision. Jason is heartbroken, but understands - he even, dare I say, agrees that they should end the relationship. it was built on fake memories - you could say it was built on lies.

and now Jason has this opportunity to step back and analyze who he is and what he wants.

what he finds is depressing. everything he's had, everything's he's been up till now...

it's not him.

he never wanted to be raised by Lupa and her wolves.

he never wanted to be Jupiter's son

he never wanted to be the exalted leader Camp Jupiter praised him for

From day 1 his life was somebody else's. his first steps were under the tutelage of a wolf, not of the loving eyes of his sister

Camp Jupiter only ever saw him as the demigod to be praised and turn to above all others, even before he became praetor.

Jason's life...was never his own.

and now that he's away from all that pressure and expectation...he doesn't know who he is.

Son of Jupiter?

Champion of Juno?

Praetor of the Twelfth Legion?

Member of the Prophesized Seven?

Hero of Olympus?

no. he was never himself under these names.

he was never...Jason.

but maybe now he could start navigating his own life. without some god intervening for once. this would be good for him, and for Piper, to find their own way.

but then. then they talk to Herophile...and find out one of them will die. And Jason? Well, he's not going to let Piper be taken from the life she deserves. he may not be her boyfriend, her knight in shining armor, but he sure as HELL loves her - especially as a friend. And if there's one thing you should know about Jason? It's that he loves his friends.

so what does he do? He sacrifices himself. He duels Caligula himself, and urges Piper, Meg, and Apollo to Go, save yourselves! and -

he's stabbed. through the chest. the only thing he can do? Look to Apollo, to the blue gaze so much like his own drenched in horror, and ask; Remember. because he didn't get to live the life he wished, but maybe Apollo could - no, Apollo can, he can make the difference Jason wanted. Because he trusts Apollo.

Jason doesn't regret his sacrifice. he saved Piper from the prophecy, after all. He saved Apollo & Meg's lives too.

in fact, Jason didn't really mind dying. Because he didn't have much of a life either. And a life like that? shrug It's worth sacrificing for those who deserve theirs.

and as icing on the cake, remember who Jason's father is? The almighty, all-powerful Jupiter himself, King of the Gods?

he doesn't do a damn thing to help Jason. Not a single. Thing.

because Jupiter/Zeus doesn't care about his children. Especially his sons.

Zeus saved Thalia. But he didn't even try to save Jason.

Trying would have at least lessened the pain...

People like to claim Jason is a bland, boring character who's never suffered a minute in his life. That he's a golden retriever with no flaws.

Well.

Take a look up there and ask yourself - it that the life of a boy who knows no suffering?

Because it sure as hell don't look that way to me.

To me, it looks like Jason was a used, depressed young man who never got to choose his own path. Who's father abandoned him first to his wife's mercy, then to a cruel emperor's.

Jason Grace suffered.

and he never got to live that happy life he saw within the Fates.

Never got to get that family, those grandchildren he saw himself telling the story of the Argo II to.

Because The Fall of Jason Grace is a true, utter tragedy.

[luck-of-the-drawings]

smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.

[frootbyethefoot]

the 4th wall

[ID: a digital drawing of shuichi saihara and tsumugi shirogane from danganronpa v3: killing harmony. shuichi is stepping out of a black box, onto a bright green background. he is holding the side of the box and has a confused, slightly horrified expression on his face. to the right of him, tsumugi is bowing and gesturing to him. there are red curtains to either side of them, and a bright red "applause" sign above them. below them are a series of bright blue hands, clapping. END ID/]

[mango-sideburns]

My fav thing about TAZ is that any aspect out of context sounds fucking bonkers.

Like, in the balance finale there's a scene in which Garfield (who is very specifically never described visually bc most people imagine him as like. The Lasagna Cat. Who in this universe is the most powerful warlock in the realm and also has a hobby of cloning people, which is great for the one character that got forced into haunting a mannequin) is summoned by an alien spaceship that runs on the power of friendship so he could beat up some flashing balls. In D&D.

And that was just. Such a normal scene in the narrative. No one blinked an eye. I would like to bow down to Griffins clear unmatched talent for making me feel such big emotions over ridiculous shit like a goddamned umbrella or a regular ass pair of jeans or the idea of a taco recipe.