#Stream Quality Optimization

[uvaldecomputerrepairsstuff]

A Beginner's Guide to Streaming: Unveiling the Power of OBS Software and Hardware Encoding

Introduction In today’s digital age, streaming has become an increasingly popular way to connect, share content, and interact with a global audience. Whether you’re an aspiring gamer, a talented musician, or a knowledgeable creator, streaming allows you to showcase your talents and engage with viewers in real-time. To embark on this exciting journey, you’ll need the right tools and knowledge. In…

[haberai]

TUBİDY

In a world where music and entertainment are just a click away, finding the right platform to access your favorite tracks can be a challenge. Enter Tubidy, your ultimate solution for seamless music enjoyment. Whether you want to discover new tunes or download cherished classics, Tubidy has you covered. This innovative platform makes it easy to search and find any MP3 file you desire, allowing you to download music without the hassle. From trending hits to timeless melodies, Tubidy mp3 offers an extensive library designed to cater to every music lover’s taste.

Tubidy

Tubidy serves as an exceptional multimedia platform that makes accessing and downloading music an effortless experience. If you’re looking for a vast library that caters to your music needs, Tubidy is designed to provide exactly that. With its user-friendly interface, navigating through your favorite tracks has never been simpler or more intuitive.

Key Features of Tubidy

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Why Choose Tubidy?

Choosing Tubidy means opting for convenience. Whether you're looking for Tubidy mp3 files or seeking Tubidy music options, the platform provides you with comprehensive solutions tailored to all audio needs. Its simple navigation and instant access to downloads ensure that you spend less time searching and more time enjoying your tunes.

Tubidy MP3

If you're looking for a versatile platform to find and download your favorite music, Tubidy mp3 is your best choice. With an extensive library of songs across various genres, Tubidy mp3 makes it easy to search for, stream, and download high-quality audio files. Say goodbye to the hassle of searching for music on multiple sites – Tubidy is your one-stop destination for all things music-related.

One of the main advantages of using Tubidy mp3 is its user-friendly interface. You can navigate the site effortlessly, allowing you to find specific tracks or discover new favorites quickly. Whether you’re a fan of pop, rock, hip-hop, or any other genre, Tubidy provides a seamless experience tailored to satisfy your musical cravings.

Additionally, Tubidy mp3 offers a variety of download options to suit your needs. Whether you want to enjoy music offline or create a personal playlist, Tubidy mp3 download ensures that you can easily save your favorite tracks on your device without any complications. Enjoy your music anywhere, anytime, with the convenience of offline listening.

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Tubidy MP3 Download

When it comes to accessing music effortlessly, Tubidy mp3 download offers a seamless experience that caters to all your audio needs. With a user-friendly interface, finding and downloading your favorite tracks has never been easier. Whether you’re looking for the latest chart-toppers or nostalgic classics, Tubidy provides a vast library of mp3 files at your fingertips.

In addition to its comprehensive collection, Tubidy ensures high quality in its downloads. Each mp3 file is optimized for sound quality, allowing you to enjoy crisp and clear audio that enhances your music listening experience. Plus, with regular updates, you can expect to find the newest releases on the platform, keeping your playlists fresh and exciting.

Don’t miss out on the chance to enrich your music library with ease. Start using Tubidy mp3 download today, and discover how simple it is to find and download your favorite tracks. Experience the joy of having the music you love accessible at any time with Tubidy’s efficient and effective platform.

Tubidy Music

Tubidy music offers an unrivaled experience for music lovers seeking a seamless way to access their favorite tracks. With a massive library of songs that spans various genres, Tubidy ensures that you can find exactly what you’re looking for, whether it’s the latest chart-toppers or timeless classics.

What sets Tubidy apart is its user-friendly interface, making searching for music incredibly simple. You can easily navigate through categories, allowing you to explore new artists and discover hidden gems without any hassle. This feature is particularly beneficial for those who love to explore different styles and trends in music.

For music enthusiasts who are always on the move, Tubidy music provides an excellent solution for downloading tracks quickly and efficiently. The convenience of having your favorite songs available offline allows you to enjoy them anytime, anywhere, without relying on a constant internet connection.

If you want to elevate your music consumption experience, make Tubidy your go-to destination. Discover, download, and enjoy the best music around with just a few clicks. Don’t miss out—dive into the vast world of Tubidy music today!

[utopicwork]

I had a breakthrough yesterday that I've been fervently working on. With what I know about image compression and terminals I was able to implement image and animation display in terminals with color. I'll show a few examples and then explain the significance (I can't show the animation right now because I can't record it at the moment).

Note: These images were automatically optimized not manually, better quality is possible these are samples

The reason this matters is we now have a way to transport graphics in a very optimized way in which we only have to store the indexed colors and the positional data for the colors (which we have a novel method of optimizing) notably you only have to send the indexed colors once for an animation or stream of images. This provides us the ability to render graphics with no GUI so with far less overhead.

TLDR: We have an entirely new way to send and receive images/animations/streamed sequences

For the more technically interested read on

This uses the Python Curses wrapper, unicode block elements and Pillow to achieve this. The limitations are loose but input images will automatically be posterized to handle the 255 color limit of Curses (a little fuzzy on if there are ways around this beyond the fg/bg doubling idea I'm thinking qbout, I'll look into it soon) and your image needs to be a width and height that can be displayed within your particular terminal setup ex: a 32x32px image needs 32 lines and 32 columns.

To accommodate this for PierMesh we can use the ShrinkRay optimizations.

[drazillion]

Drawfee Tarot Analysis with Draz

Nathan Past - The Sun / Present - Strength

The Sun is a card of unbridled positivity and optimism. When you see it upright in a reading, it is always a good sign. But it's also a card that's often unrealistic and naive. Other cards come with warnings, but the Sun does not.

Strength reminds us that physical force is one manifestation of power. Emotional strength is equally as important. The maiden has tamed the lion with her kindness and compassion, not by besting it in a fight. Still, it is important to remember that on this card, both maiden and lion share the mantle of Strength. It is both of them, not one or the other.

Both largely positive cards, the Sun and Strength embolden each other.

In regards to Nathan in particular, I have to point out the similarities of Nathan's 2024 avatar and the duality of the maiden and the lion. Nathan is perhaps best known for his kindness and warmth, qualities exemplified by the sun, but ignoring the wide spectrum of his feelings is like ignoring the lion. Personally, I admire him for his ability to keep his optimism and his bitterness and rage in balance.

Therefore, in a sense, Nathan's cards represent his increasing willingness to share his more negative frustrations, while never losing sight of the light of the sun.

Jacob Past - The Fool / Present - The Chariot

The Fool is unique in that it is the 0th Major Arcana. The Fool is unbound by numbers, by order. The Fool is potential incarnate, inviting us to leap towards the future and seize the day. The Fool does not care about plans, preferring to deal with each new situation as they arise.

In comparison, the Chariot is a focused force with a goal in mind and with the confidence to see it through. The two sphinxes that drive the chariot represent opposing desires, but upright the charioteer is able to get the sphinxes to move forward together through sheer willpower alone.

Together, they are a confident duo encouraging forward momentum. The Chariot reins in the Fool's more reckless aspects while the Fool reminds the Chariot to still have fun along the journey and that keeping plans flexible is important.

These two cards clearly represent Jacob's journey since Drawfee became independent. While his role as episode and stream host (in particular trying to get everyone through the intro) is the most obvious, this also includes his role as content strategist. His analytical side is where his Chariot aspects shine brightest. In addition, the Fool and the Chariot combine when he makes music. When Jacob's well crafted plans fall apart, it is the Fool that comes to his rescue.

Karina Past - The Empress / Present - The Magician

Representing Mother Nature, the Empress is all about beauty and creativity. The Empress asks us to embrace qualities traditionally seen as feminine, regardless of gender. You are not weak or lesser for taking care of yourself or expressing yourself. The Empress encourages us to get in touch with our emotions, as well as the natural world.

The Magician is numbered 1 in the Major Arcana, and represents the transformation of the raw potential of the Fool into something actionable. The Magician has all the tools needed to fulfill their desires, but those tools might not necessarily look usable in their current state. The Magician must recognize this and realize the true nature of these tools.

The Empress and the Magician are both creative cards and support each other in this endeavor, provided that the querent (person the card reading is about) takes initiative.

Though both cards symbolize Karina's journey these past four years, it is no surprise that the Magician is one of them, with the creation of Sonny Mama and other mixed media creations in the past year. Nothing exemplifies the Magician more than literally using things like a log and a brick as part of a sculpture. The Empress's presence is subtler though the numerous plants that live in Karina's apartment give it away.

Julia Past - The Tower / Present - The Emperor

Due to its name, Death is often seen as the "worst" Major Arcana card. It's not. That distinction goes to the Tower (though the "worst" tarot card overall goes to the Ten of Swords). The Tower is sudden upheaval, is destruction, is disaster. Yet even so, the Tower is not an unredeemable card. Far from it. Sometimes a situation is so bad the only way to end it is to obliterate it. Sometimes the old must be destroyed to give way for the new. The Tower does not give us the tools to rebuild, that is something we have to do on our own, but it does show us that it is possible to build something better from the rubble.

The Emperor represents an authoritative figure who enforces structure in an otherwise chaotic world. Equally, the Emperor is a strategist who keeps in mind the needs of others when making decisions. The Emperor is also a protector, shouldering burdens so that others don't have to.

It can be easy to think of these two cards as complete opposites. In reality, this means they are both sides of the same coin. If the Tower is destruction of the old paradigm, then the Emperor is the establishment of the new.

The Collegehumor Layoffs exemplify the idea of the Tower. An established workplace that came crashing down. And Julia, the Emperor, rose up to the challenge of dealing with all the paperwork that would eventually lead to Drawfee's independence. Four years later, Drawfee still benefits from the work Julia did, not to mention the fact that she continues to deal with everything finance related in regards to the company. Not to mention all of the other tasks Julia takes on. While all five members of Drawfee are essential, it would be safe to say Drawfee would be unable to exist in its current form without Julia.

[literaryvein-reblogs]

Writing an oc that's a streamer?

Writing Notes: Streamer Characters

Live Streamer

Also livestreamer or online streamer

Someone who makes videos that show them playing computer games, talking about products, or doing other activities, and streams them (i.e., puts them on the internet) at the same time as they are being made.

An individual who broadcasts real-time video content over the internet, engaging with an audience through online platforms.

Transmits live or on-demand audio or video content while users listen or watch.

Livestreams are deployed over various platforms, including social media platforms like YouTube Live, Facebook Live, Twitter, Instagram Live, and TikTok, as well as through professional business services, such as Kaltura and Dacast.

Unlike pre-recorded videos, live streams occur in the moment, allowing viewers to interact with the streamer through chat functions and other interactive features.

This immediacy creates a dynamic and engaging experience for both the streamer and the audience.

Live streamers cover a wide range of content:

playing video games,

hosting talk shows,

conducting interviews,

cooking,

crafting, and

live vlogging daily activities.

The versatility of live streaming content means that streamers can find their niche and build a community around shared interests.

Successful live streamers often cultivate a loyal following by maintaining a consistent streaming schedule, engaging directly with their viewers, and creating a sense of community.

What your Character does as a Live Streamer

Content Creation: Live streamers plan, prepare, and execute engaging live broadcasts. They choose topics or activities that resonate with their audience, maintain a consistent streaming schedule, and ensure that their content is entertaining and relevant to their viewers.

Audience Interaction: Interacting with viewers in real-time is a key responsibility. Streamers engage through live chat, responding to comments, questions, and feedback during the stream. They foster a sense of community by acknowledging and involving their audience, using interactive features like polls, Q&A sessions, and shout-outs to enhance viewer engagement.

Technical Management: Managing technical aspects is crucial to a successful stream. This includes setting up and maintaining streaming equipment such as cameras, microphones, lighting, and streaming software. Streamers must ensure a stable internet connection, troubleshoot technical issues promptly, and optimize stream quality to deliver a seamless viewing experience.

Monetization: Monetizing their channels is an important aspect for many streamers. This can involve receiving viewer donations, earning subscriptions (e.g., Twitch subscriptions), securing sponsorships and partnerships with brands, and generating revenue through advertising. Streamers may also leverage merchandise sales, affiliate marketing, or exclusive content to diversify their income streams.

Community Building: Building and nurturing a community around their content is essential. Streamers cultivate a loyal following by creating a welcoming environment, engaging with viewers regularly, and participating in community events or collaborations. They may also moderate chat and ensure a positive and inclusive atmosphere during streams.

Continuous Improvement: Successful streamers constantly strive to improve their content and grow their audience. They analyze viewer analytics to understand audience preferences and trends, experiment with new content formats or streaming techniques, and stay updated with industry trends and platform changes to maintain relevance and competitiveness in the streaming space.

What Type of Live Streamer is your Character?

Live streamers can be categorized into various types based on the content they stream and the communities they engage with. Here are some common types:

Gaming Streamers: Gaming streamers focus on playing and broadcasting video games live to their audience. They may specialize in specific genres such as first-person shooters, role-playing games, or multiplayer online battle arenas (MOBAs). Gaming streamers entertain viewers with their gameplay skills, commentary, and interactions with their audience through live chat.

IRL (In Real Life) Streamers: IRL streamers share their real-life experiences and activities in real-time. They broadcast everyday activities such as traveling, exploring new places, attending events, or participating in challenges. IRL streamers often engage their audience by interacting with them while showcasing their daily routines or special events happening in their lives.

Talk Show and Podcast Streamers: Talk show and podcast streamers host live discussions, interviews, or debates on various topics of interest. They invite guests or panelists to join their streams, engaging with them and their audience through insightful conversations and debates. Talk show streamers may cover topics ranging from politics and current events to pop culture and entertainment.

Creative Streamers: Creative streamers focus on showcasing their artistic talents and skills live. They create art, music, crafts, or digital designs while interacting with their audience. Creative streamers often provide tutorials, share their creative process, and take viewer suggestions or requests for their next project.

Music Streamers: Music streamers perform live music sessions, DJ sets, or music production sessions for their audience. They may cover popular songs, perform original compositions, or engage in interactive music creation with their viewers. Music streamers often use platforms that allow them to receive song requests and interact with their audience in real-time.

Fitness and Sports Streamers: Fitness and sports streamers broadcast live workouts, training sessions, or sports events. They provide exercise routines, fitness tips, and motivation to their audience while demonstrating exercises or participating in sports activities. Fitness streamers may also engage in challenges or competitions with their viewers.

Educational Streamers: Educational streamers conduct live tutorials, lectures, or workshops on topics such as science, technology, languages, or academic subjects. They share knowledge, answer viewer questions in real-time, and provide interactive learning experiences through demonstrations or experiments.

Cooking Streamers: Cooking streamers broadcast live cooking sessions where they prepare recipes, share cooking tips, and engage with their audience while demonstrating culinary techniques. They may also take viewer suggestions for recipes or cooking challenges, creating a community around food and culinary arts.

What Would your Character's Workplace Look Like?

The workplace of a live streamer is typically centered around creating a conducive environment for broadcasting engaging and interactive content.

Unlike traditional office settings, live streamers often work from home or a dedicated studio space that they have set up for streaming purposes.

This space is vital for maintaining control over the streaming setup and creating a comfortable atmosphere conducive to content creation.

At home, live streamers often have a designated area or room where they set up their streaming equipment.

This might include a high-quality camera, microphone, lighting rigs, and a powerful computer or gaming console capable of handling streaming software and gameplay simultaneously.

The setup is tailored to their specific streaming needs, ensuring optimal audiovisual quality and reliability during broadcasts.

Beyond the physical setup, the digital workspace of a live streamer involves managing streaming software, interacting with viewers through chat functions, and monitoring analytics in real-time.

This requires multitasking skills to engage with the audience while focusing on gameplay, discussion topics, or other content being streamed.

Streamers also use this digital space to collaborate with moderators, manage community interactions, and coordinate special events or collaborations with other content creators.

Some Streaming Strategies your Character Could Use

Makes their livestream unique

Focuses on their livestream audience’s needs

Surprises their livestream audience

Promotes their livestream

Interacts with their viewers

Tells viewers what to do at the end of a livestream (e.g., see more content, attend an event)

Sources: 1 2 3 4 5 ⚜ More: Writing Notes & References

Hope this helps with your writing!

[celestiaras]

‧₊˚✧ ❛[ making a run for it ]❜

ft. mysta rias, ike eveland, vox akuma, shu yamino, luca kaneshiro (separate) x gn! reader  — luxiem, nijisanji en

╰₊✧ how difficult is it to escape from them?┊3k words

contains: yandere!! obsessive & possessive behavior, kidnapping & isolation, chains, mention of death, delusions, forced physical affection, overuse of the word “love”, overprotectiveness, probably inaccurate vox lore, possibly ooc, not proofread or beta-read, this is a train wreak of sewn together thoughts

➤ author's note: the image quality is so bad ༎ຶ‿༎ຶ i don’t watch luxiem that much and don’t really write for them as a result, but that should change because they are cuties

you lost track long ago of how many days it’s been since you’ve been captured, morning and night blurring together since your enclosure had no windows— it must have been nearly a year since you remember him saying something about your first anniversary coming up. the cold metal cuff around your ankle was just as heavy as when it was first fastened, the chain just long enough for you to reach the corners of the room and the bathroom while being fastened to the leg of his bed. you had every inch of it memorized and explored: the books were worn from being read so many times, the area was spotless without a speck of dust because you kept cleaning the place up, and the most excitement you ever got was from another movie getting added to the streaming service on the television since he didn’t let you have any access to the internet.

just like a bird in a cage, you’ve been locked away and isolated for only your captor’s eyes at night when he comes home from his daily activities. you no longer had any other purpose in the world than to be his to adore and admire, to spoil with material gifts that couldn’t fill the empty hole in your heart, and to be the object of his delusions that you feel the same. the thought of remaining here for the rest of your life as his ‘lover” made you shudder and feel sick to your stomach, a thought that you simply couldn’t get used to even though all hope seemed to be lost. you missed your family and friends dearly, already beginning to forget their faces and the sound of their laughter to your horror. you had to escape somehow no matter what the cost may be, preferably alive and fully intact, but you had no idea if their love for you would be greater than their rage when they found you missing.

━━━ .°˖✧ mysta rias ˚₊ ⊹

╰₊✧ once you had a general idea of what you do, you were a bit hesitant to put it in motion since you didn’t have the specifics in mind and terrified that it would all go wrong with how flimsy it was, but you would never be able to leave if you didn’t take courage. however, if you knew that it would have been so easy and that everything went exactly as you planned, you would have done it ages ago. you couldn’t describe the euphoria you felt when the warm rays of the sun kissed your skin and the gentle breeze welcomed you to the outdoors, practically skipping off to make your long-awaited escape. truly, you were a fool to think it would have been so simple when you were up against a genius detective.

╰₊✧ maybe mysta let you run away on purpose just so that he could drag you back for the fun of it, would you believe it? running away was the easy bit, the real challenge is staying away. despite his laid-back and careless attitude, he’s quite the sadist who loves the image of happiness draining from your eyes and being re-filled with sheer terror when he finds you in the next country over. you’ll be completely helpless against him as he drags to back to his home, tearing you apart from new loved ones just as he did before. it’s so easy for him to destroy all the optimism of being free and sinking back into the despair of being his. it doesn’t matter how much you try to cover your tracks, how far you run, how much you alter your appearance with an identity change, he’ll track you down because the red string of fate always brings him back to you.

you can’t help but feel cold when he holds you, useless as the feeling of desolation rendered you unable to fight against him. you just let yourself be limp and wallow in how pathetic you are, trying to muffle your cries against his shoulder even though you soaked the orange fabric. he didn’t even bother saying any words of comfort and just patted your head your head with his gloved hands, but you both knew that it was an empty gesture that wouldn’t console you in the slightest. there was nothing he could due to make you feel better when he’s the source of all of your woes, so he doesn’t really bother with it.

for any normal person, the tears of their partner would shatter their heart to pieces, especially if they were the reason for it. they would apologize, buy gifts, and do anything they could to show their remorse because they love them. mysta loves you too, he loves you so much, but he loved your misery even more. there’s nothing that he enjoys more than your teary eyes like little crystals brimming over and the cute little sobs you would let out while trying to hide how much he influenced your emotions. he’s sick, so sick, but there’s nothing that could cure him, not even attempts to snap him out of his cruel ways and make him love you in a healthy manner.

━━━ .°˖✧ ike eveland ˚₊ ⊹

╰₊✧ a man with intelligence, but no remarkable prowess to stop you from leaving. he doesn’t have extraordinary deduction skills like mysta, magic like shu, an influence like luca, or inhuman powers like vox, but he has his own charms that work in his favor and keep you by his side. he’s just so… sweet and gentle. you can feel his love radiating in his actions and his words, almost making you forget about the fact you were being held captive entirely. his kindness is the main hurdle, making guilt pool in your stomach because you feel like you were betraying his kindness when he took care of you and treated you like a queen.

╰₊✧ you thoroughly believe that you would have fallen in love with him properly if given the time to do so, but unfortunately, he turned out to be batshit crazy and no amount of bonding is enough to make you completely forget that. once your resolve is solidified that it wasn’t love he felt for you but was instead pure unaltered obsession, putting your plot into action feels more possible. it’s more difficult than escaping from the detective who purposely let you go, but if you manage to outsmart the novelist, you’ll finally find yourself free.

he whistles as he walks down the corridor, holding a silver tray in his hands that has a glass of strawberry lemonade and two decadent slices of cake in your favorite flavor. there’s nothing like spending time with the one he loves the most and a sweet treat in the mid-afternoon, a little pep in his step to show just how excited he is for this routine that occurs about twice a week. in his satchel, he holds a few novels that he thinks you would enjoy and will be asking for your thoughts about the previous books he gave you as he always does. everything was perfect from the weather to his mood to your love life, he doesn’t think anything would be able to ruin it.

at least he thought there wasn’t anything that could ruin it, unable to explain how far his heart dropped when he couldn’t find you anywhere. he ran about the manor in a frenzy, thoroughly searching through every room and crevice while calling out your name. rushing back to your shared bedchamber to properly examine the scene of the crime where he last saw you, he realized that the chain had been broken somehow. he felt dizzy and ill, falling into an armchair and throwing his head back to try and make the world stop spinning.

he couldn’t believe this was happening after everything was going so well! did he do something wrong? did he upset you or offend you in some way? he racks his brain for anything he might have said or done for you to leave him, so deep in his delusions of true love that he doesn’t even consider the fact that kidnapping you and holding you against your will for about a year would have anyone running for the hills. maybe you would come back on your own, finding it in your heart to forgive him and return to be his again? who is he kidding, you’ll never come back unless he looks for you himself! he’ll go and give you flowers and chocolates, and if you still reject him, he’ll simply persist until you remember how much you love him! he’ll follow you to the ends of the earth to remind you of your relationship with him because the two of you were always meant to be together!

━━━ .°˖✧ shu yamino ˚₊ ⊹

╰₊✧ similar to ike, shu is a very smart and clever person, but unlike the novelist, he has quite a few tricks up his sleeve. for instance, his home is laced with so many traps that are installed by his magic, like a temple straight out of indiana jones to protect his treasure. of course, he is the only one who can enter and exit as he pleases— the protection spell isn’t just there to keep you in, it’s also there to keep anyone who may be looking for you out. once he detects that someone is in his property, a simple snap of his fingers teleports you somewhere else until they leave. sometimes you find yourself in an abandoned city or the middle of a grassy field without warning, terrified but unable to find help no matter how far you try to run. wherever you are, he always knows the exact location and can summon you back just as easily as he banished you.

╰₊✧ he acts as though nothing happened, chatting just like he did before you found out his true colors. you can hardly even tell that he has such a manic love for you, remaining awkward as ever while referencing memes that you’ll never understand since you don’t have any interaction with the outside world. he isn’t half as delusional as the other boys, knowing that his affection for you is completely unrequited and will never be reciprocated, yet he still did it anyway because he just couldn’t help himself. you don’t understand this enigma of a man in the least bit, shrugging his shoulders like he didn’t completely alter the course of your life and give you lasting trauma, but at least he doesn’t force affection on you… which is the bare minimum and you are still set on leaving.

the creaking of the door was enough to make you panic a bit, filling the disturbingly quiet house. you weren’t quite sure where shu was, but if he wasn’t with you, then he wasn’t here at all. this was the first time you had left the room and the first time you were exploring the house since you were unconscious when he brought you in. it looked standard, like your average, run-of-the-mill home that you would see in television shows, and impossible to guess that there was a prisoner inside. as a result, it was pretty easy to navigate the place and you found what you thought was the exit within minutes. you found a set of keys hidden in a living room drawer and decided to test them out in the front door, not knowing of the traps and naively thinking it would be simple.

unable to contain your excitement, you prepared to inset the first one into the knob, but before it even touched it, the sound of alarms like a thousand cymbals blaring through your ears and making you drop everything from the surprise. you had no idea where the noise was coming from nor did you know how to stop it, quickly dawning on you that you fucked up. running towards a nearby window, you attempted to push it up to climb out of it, but it only seemed to make the sound louder. when you saw a neighbor walking by with a dog, you tried banging on the glass to grab their attention, but it was like you were a ghost and they continued on with their day not knowing they were being begged for help. clearly, his magic was surrounding and you were too stupid to remember that, seeing flames of purple beginning to form near you and signifying that he was home to see what the commotion was about. you can only hope that he won’t be too upset with you.

━━━ .°˖✧ vox akuma ˚₊ ⊹

╰₊✧ how unlucky are you to be the object of the great voice demon’s affections! he rarely ever lets you out of his sight as being a demon in the modern era means that he too must stay hidden from the public eye. it’s suffocating being under his observant eye, something as much as blinking doesn’t go under his radar. since he isn’t human, his senses are heightened with him being to hear so much as a floorboard creaking or smell the blood of you getting a paper-cut from a different room, leading him to be able to just sense your presence no matter where you are since you’re never far from him anyways. you don’t quite understand it, but what you do understand is that it makes escape much more difficult.

╰₊✧ he’s just so overprotective of you and you get it, having heard the story of his clan and how he lost them when they were all so dear to him, but it’s no excuse for his extremely possessive behavior. you can’t even remember the last time you’ve been outside and touched grass that wasn’t in his garden. he’s always by your side and never leaves unless you need to use the restroom or something, like a guard dog that doesn’t understand boundaries, yet even dogs could be forgiven for not knowing any better. the only time you don’t feel watched is when he’s asleep, with an arm thrown around you, but unconscious nonetheless.

you were more aware of every shift of his body and every breath he took than you would be if he was really your lover, unable to get a second of rest when being coddled like this. you feared that if you squirmed at all, he would automatically tighten his grip around you, but was pleasantly surprised when you were able to wiggle free. hearing him grunt made your heart stop, but he stayed asleep until you tried to get off the bed and stepped on the ground. hearing him ask where you were going made you sweat bullets, but you just said you were off to get a glass of water.

unfortunately, he decided to get up himself to go get it for you, leaving you sitting on the Alaskan king-sized mattress thinking about your fate. you doubt that you’ll ever get away from him, he’ll just track you down and bring you back. the world is massive, but so is he and you won’t make it very far. you can’t hide from a demon, not for long enough to sigh in relief anyway. if walking on wood with bare feet was enough to wake him from his slumber, hearing you open a door or window would be enough to have him running.

━━━ .°˖✧ luca kaneshiro ˚₊ ⊹

╰₊✧ your prison is a palace dusted with gold, you’re served the finest food on silver platters, you’re decorated with jewels that are worth millions, but the splendor isn’t enough to distract you from the fact that you’re a prisoner. normally, you could only dream of living in a place like this where you’re doted on by a lover and spoiled rotten with whatever you want, yet you would do anything to trade this life for the people he had his men wipe off the face of the earth to have you to himself. it can’t be a paradise when you know it’s stained with the blood drawn by a mafia family.

╰₊✧ escape is next to impossible, as expected of the kaneshiro family. hidden cameras watch your every step and guards are lined up in every hallway to make sure that no one aside from their masters gets in or out, armed with weapons that they wouldn’t hesitate to use if necessary. even if they have strict orders not to use them against you for any reason, they are still allowed to use physical force to bring you back and any injuries will be regarded as collateral damage.

your legs dragged across the polished marble floors of the hall since you refused to walk back to your room, carried by two burly men in suits who caught you trying to run away for the -nth time. just like all previous attempts, you were caught within five minutes, which is an improvement to last time yet still not even close to enough to reach the pearly gates of freedom. knowing that you’ll need more then double of that to get out is disheartening, but everyone knows that you’re going to try again. you’ve learned that it really doesn’t cost anything to make a run for it, they don’t even punish you for it since luca loves you too much for that so they just throw you back on the bed before leaving.

there are a few bruises from their rough handling, but nothing too serious. you’d be willing to walk out of there with a broken arm if needed, you just wanted to go home and see the remaining few who weren’t picked off by the mafia again. later that day, you’ll be gifted with new dresses and shoes that shimmer in the light of the grand chandelier of your room to try and convince you to stay, however, there isn’t any use for such items if others couldn’t see it as well. if you keep trying, you’ll make it a little further as you learn from your mistakes, maybe even one of his men will feel pity for you or get sick of your antics and just let you go. you’ll only know if you keep trying.

[askagamedev]

What is your current opinion on Unreal Engine 5? Between Digital Foundry, content creators, and people on social media, everyone appears to be constantly attacking UE5 for performance issues (stuttering, frame rate, etc.). Is this criticism warranted, or is it more a case of developers still getting used to UE5 and its complexities (meaning it will likely improve in time)?

Everything improves with time as the engineers learn the details and optimize their work. This is true of every tech platform ever and won't be any more different with Unreal Engine 5 than it has been with UE4, 3, or anything else. That said... after having very recently worked with UE5 for enough time to get used to some of its foibles and having looked into some core engineering issues in a project utilizing some of the new tech introduced in UE5 (and the caveats and side effects of using that tech), I can say with fair confidence that (some) complaints about the performance issues are definitely warranted. These aren't global to all UE5 projects, but they are major performance issues we ran into and had to solve.

One major issue we ran into was with Nanite. Nanite is the new tech that allows incredibly detailed high poly models, a sort of [LOD system] on steroids. The Entity Component System of the Unreal Engine (every actor is a bag of individual components) allows developers to glom nanite meshes onto just about anything and everything including characters, making it very powerful and quick to stand up various different visuals. However, this also requires significant time spent optimizing that geometry for lighting and for use in game - interpenetrating bits and pieces that don't necessarily need to calculate lighting or normals or shadows unnecessarily add to the performance cost must be purged from those nanite models. Nanite looks great, but has issues that need to be ironed out and the documentation on those issues isn't fully formed because they're still being discovered (and Epic is still working on fixing them). We had major performance issues on any characters we built using nanite, which meant that our long-term goal for performance was actually to de-nanite our characters completely.

Another major issue I ran into was with the new UE5 World Partition system. World Partition is essentially their replacement for their old World Composition system, it's a means of handling level streaming for large contiguous world spaces. In any large open world, you're going to have to have individual tiles that get streamed in as the player approaches them - there's no reason to fit the entire visible world into memory at any given time with all the bells and whistles when the player can only see a small part of it. The World Partition system is supposed to stream in the necessary bits piecemeal and allow for seamless play. Unfortunately, there are a lot of issues with it that are just not documented and/or not fixed yet. I personally ran into issues with navmesh generation (the map layer used for AI pathfinding) using the World Partition that I had to ask Epic about, and their engineers responded with "Thanks for finding this bug. We'll fix it eventually, likely not in the next patch."

Most of these issues will eventually get ironed out, documented, and/or fixed as they come to light. That's pretty normal for any major piece of technology - things improve and mature as more people use it and the dev team has the time and bandwidth to fix bugs, document things better, and add quality of life features. Because this tech is still fairly new, all of the expected bleeding edge problems are showing up. You're seeing those results - the games that are forced to use the new less-tested systems are uncovering the issues (performance, bugs, missing functionality, etc.) as they go. Epic is making fixes and improvements, but us third-party game devs must still ship our games and this kind of issue is par for the course.

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[cleolinda]

I am sick. Again. I AM SICK!! AGAIN!!!! I DO NOT HAVE TIME TO BE SICK!!! UNLIKE ALL THOSE PEOPLE WHO LOVE HAVING HEADACHES AND CONGESTION AND FEVERISH STUPIDNESS!!! WHY! WHY!!! This is April's parting shot at me. I FELT MYSELF coming down with it while I was watching Ian's stream last night. Like in REAL TIME, I felt it happening and I hate that.

I may have fixed the OBS issues. I expected to be throwing a party the day that we prevailed but my head and my nose hurt too much. Ian suggested checking the SH2 settings themselves and seeing if we could drop the graphics quality a bit (I really enjoy showing off how great the game looks on my videos), and that's when I realized that my settings didn't match the "optimal PC settings" I'd changed them to. Like, they changed themselves with some software update or other, I don't know. And now it looks fine and it records fine (maybe). So now we have this ragged fifth commentary video full of jumpiness and crashes and James chasing monsters around and me not being able to hit them which I can't blame on anyone else BUT the entire month of April was HATEFUL, OKAY, and I'm just gonna go with the whole thing as a comedy of errors. I have recorded an outro of sorts, but I almost just left the recording as it ended yesterday:

Just for the drama of it all, honestly.

[snapscube]

been trying to nail down an optimal setup for nintendo switch capture quality for my streams since TOTK is right around the corner. obvs i ain't getting Switch Pro Type Footage out of native hardware but i'm very happy with the results so far >:D looks really good scaled to 1440p i think even though it's still outputting 1080p!

[i-am-the-oyster]

ALBUMS

Where's The Beef?

According to the man himself, Paul can bash out a song in the time it takes Linda to whip up a soyasome supper. But is this necessarily a good thing?

By Chris Ingham. Illustration by Richard Camps.

Paul McCartney

Flaming Pie PARLOPHONE

McCartney sans band again. Self-penned, played and produced, apart from contributions by Jeff Lynne, Ringo Starr, Steve Miller and son James McCartney.

I'VE STOPPED TRYING TO JUSTIFY LOVING solo McCartney. Of course some of the work of the last 27 years has been slack and misjudged. Yes, his trust in stream-of-consciousness and the inspiration of the moment ("If you're working too hard on something, it probably means its not very good") has left a catalogue with at least as much eccentric, cavalier material as substantial. But if you respond to someone, you respond. A lot of minor McCartney means as much to me as the major. The aloof will sigh; we expect more from a pop giant.

But there is more - the gargantuan Liverpool Oratorio has its moments, his minimalist-impressionist chamber piano piece A Leaf is a charmer, the forthcoming Standing Stones symphony is an intriguing prospect - it's just that these days, pop is only part of what he does. In pop, he's changed the world already, he's had his purple patch, and he hasn't had another genius to run his new songs by for quite a while; that can do things to a man's quality control.

However, though less spectacularly ambitious than the serious work, there is much to be enjoyed here. The indisputable melodic flair, the uplifting, doe-eyed optimism, the daft rockers, all here on Flaming Pie, an album in the McCartney tradition of pretty good, nudging upper middle. If you're hip to him, that's all you'll need.

Though not reaching the coherent, miraculous heights of Band On The Run (1973), it's miles better than the interminable live albums or his last, the heart-sinkingly ordinary Off The Ground ('93). Better, too, than the aberration of Give My Regards To Broad Street ('84) and the not-as-bad-as-you've-heard Press To Play ('86). So, it's probably on a par with Flowers In The Dirt ('89) which, though lauded at the time as a major return to form (prompted, no doubt, by the red herrings that were the awkward McCartney-McManus collaborations), now seems no better/no worse than the slick, unfailingly tunesome Tug Of War ('82) or Pipes Of Peace ('83).

What noses Flaming Pie ahead of the pack, however, is a return to the engaging home-made quality of his earliest solo work. Back in do-it-your-self, down-home primitive miniaturist mode, back on deep-groove drums and bluesy guitar, there are echoes of McCartney (1970) and Ram (1971) here, and it all has an authentic ring of auteur about it. It's not that Beatley, but it's very McCartney.

Some of it is positively reckless, there's a determination to follow the mood, have a laugh, see what happens. Three songs here are little more than jams. Flaming Pie was a self-imposed challenge to finish a track with Jeff Lynne in four hours (like you do). Funny, surreal lyrics, a cracking 3 Legs-type vocal, a thunderous Why Don't We Do It In The Road/Don't Bring Me Down groove and some hilarious, cack-handed barrel-house piano; this is the track I'm playing visitors.

Ringo and Paul lock into a super-taut, muscled riff on Really Love You and McCartney makes up the song as he goes (like Mumbo from Wild Life but with words); mad, indulgent, but kind of happening. Only the duet with Steve Miller on a slinky Texas 12-bar palls. Two minutes of this good-vibe, one-take blues would have been a treat, four minutes feels like eight.

Interspersing this japery is good and OK Macca fare made better, perhaps, by co-producer Jeff Lynne's ear for detail on over half the tracks. There are no obvious ELO/Wilbury mannerisms and, oddly, the ones that sound most like Lynne don't involve him (both the strangely sinister If You Wanna and lightweight, damnably catchy Young Boy - the one he completed in a couple of hours while Linda was tinkering in the kitchen - feature orchestras of acoustic guitars), though the dry-as-a-bone sound and upfront vocals elsewhere betray Lynne's welcome presence.

Track Listing

The Song We Were Singing

The World Tonight

Somedays

If You Wanna

Young Boy

Calico Skies Flaming Pie

Heaven On A Sunday

Used To Be Bad Souvenir

Little Willo w

Really Love You Beautiful Night

Great Day

The Song We Were Singing is a vivid evocation of an evening with friends in the '60s; the sweet, hazy vocal, the trippy twang of the guitar, the struggle to make "...discuss the vast intricacies of life" scan, the soaring, singalong chorus all combine to give the track an enchanting, stoned elegance. Heaven On A Sunday is prime, dreamy Macca with gorgeously textured sound. It also features his son's debut as Dad trades his Oo You guitar licks with 20-year-old James McCartney's Dave Gilmour ones. Souvenir is an oddball beauty; a soulful, lazy thing with a surprise guitar-riff-from-hell and a psychedelic fade. This is all very encouraging, Lynne appears to have helped McCartney sound more like himself, somehow. To be continued, hopefully.

There are three finger-pickin' solo numbers. Calico Skies is an earnest little love song which develops into an anti-war prayer. Somedays is a portentous song of doubt, always threatening to mean something, beautifully decorated by George Martin's arrangement. Great Day manages to allude metrically to the Vincent Youmans's 1930 standard of the same title and melodically to McCartney's own Big Barn Bed in a sweet, throwaway piece of unfeasible optimism. They ain't Blackbird, but they're fine.

It must be noted that the man's singing is a marvel. The grey-around-the-edges folk-balladeering of Calico Skies, the falsetto blues-croon of Heaven On A Sunday, the deliriously uninhibited rock-shriek of Really Love You re-confirm that McCartney's vocal-style range is without equal in pop. Sinatra's pipes had virtually cracked at 55. What is this guy on?

"No sleepless nights over this one," he told Steve Miller. What with the serious stuff people keep asking him to write, who can blame him? Making this will have been a holiday by comparison.

The World's Greatest Living Melodist crown must lay heavy; here McCartney is sporting his Eccentric Primitive Miniaturist colours. Flaming Pie is a fine reminder of how much they suit him.

Paul McCartney talks to Chris Ingham live from his car somewhere in the great British countryside.

Flaming Pie. Pleased with it?

Yeah, like it a lot actually. It's always good when you're proud of what you've done, because when you're not you're always moaning at the record company about how they don't put posters up, or how they don t get plays and all that. But I sort of don't care. Even if radio doesn't take to it, posters don't get put up and people don't say the right things, I've got a feeling that because I like it, I don't give a shit. I'm not sure that's 100 per cent true but the feeling's there. It feels good. I'm comfortable; there's a lot to be said for that.

Don't you feel like this after each new record?

No, not really. You always enjoy like having a new baby, as it were, but this one feels a bit special. It's like Anthology, people would ask, "Are you worried? Should you have done it? Is it right to do Free As A Bird?" I would say to them, listen, once The Beatles and George Martin have signed off on it, I always get a great feeling that it doesn't really matter what anyone thinks, we're a sufficiently cool enough gang of dudes, it's a question of sod the rest of them. I always used to get that feeling on Beatles albums; hey, it's The Beatles, we all like it, that's a pretty strong opinion.

It's not as easy to get that on my solo records because it's mainly me. I don't have the strength of the Woolwich around me. But on this one, there wasn't much pressure because the record people said, "We don't actually need a record from you for a while, so l started making music just for my own fun.

I think I've given the Anthology a decent interval, my stuff is suddenly ready, asked Linda if she had any photos, she had a great little selection, banged it together and it all suddenly seemed to work and it was, "Oh, there you go.

And I've told the marketing guys, "I don't want any sweat on this record, I don't care if you don't come up with a good idea, we're just gonna have a laugh." It's funny, they don't know where you're coming from, they re so used to that 'gotta get it right, get the right image desperation. Whereas I'm saying it'd be nice, but it's only a record. It really does cool things down.

One big thing with The Beatles, once in the early days we broke down on the motorway going back up to Liverpool in the severe winter, somewhere. One of us said, "Oh, what are we going to do now?" and another said, "Well, something'll happen." And it sounded so naive, we all laughed, "Yeah, something'll happen." Immediately a lorry came up and said, "Wanna lift, lads?" We all piled in. I'm a great believer in that "something'll happen" syndrome. It's like if you allow that space, that bit of peace in your mind, something sort of comes in to fill it. It's all very metaphysical.

You've said, "Songwriting's like the thumb in the mouth." It's interesting that through a worrying time with Linda being ill, you've made an upbeat kind of record. Is there a connection?

Yes, I think there is. When you have a major problem like that, it focuses what's important. I know everyone says that but it really does. For me, my family comes first, and a close second is music and working. I think it stopped me pissing around. I might have made a record and thought, Oh that's OK. But with that and having just done Anthology I thought, No I'm gonna make sure I'm happy with every song on this album. I don't want to waste time. I think that's the main force. If you're just breezing along you can think, Aah I've got forever, it's all great - you can find yourself wasting time. And also having looked at The Beatles albums and running your finger down the tracklist and it's Nowhere Man, Here There And Everywhere, Taxman, bang, bang, bang, every single one is a song you remember. I thought, I'm gonna make an album like that. I sorted a lot of songs and didn't bother with things I was in doubt about. So the whole episode focused me up quite a bit.

You've admitted in the past to feeling daunted by the Beatles' achievements, yet all this full-on Beatlosity of the past 18 months or so seems to have spurred you on.

Yeah well, the sort of plan was to take a holiday. But I'd just be sitting around with my acoustic, writing a song in a power cut in America, played it to a few people and it's "Ooh yeah, that's a good 'un." So I started stockpiling a few with nothing in mind, stuck 'em on a cassette and called them New Songs. Suddenly I had a lot of them. Called Steve Miller, who I'd known and played with once in the '60s after a Beatle session which was aborted because of, ahem, business differences. God, I've just come across a big field full of sheep here. Amazing. But I digress... I'd say to Steve, "look we don't need to get into heavy breathing, let's just knock it off", the way we did that track of his, My Dark Hour. He'd invited me up to his studio in Sun Valley, Idaho, did a track. Returned the hospitality, knocked off a couple more.

You're working with Jeff Lynne again. He'd passed the Free As A Bird test then?

Yeah, that was the audition (laughs). He was sort of George's boyfriend, if you know what I mean, and, you know, you don't want to tread on people's toes. But I'd enjoyed working with him and found him really easy to get on with, we always had a laugh. And I said, "Do you want to come over for a couple of weeks?" He said, "Well, you can't do much in a couple of weeks." I said, "Well, we can do a couple of tracks and mix 'em.."

What was the dynamic between you and Jeff?

I'd show him the song. And then first of all we'd bang it down with a couple of acoustics so we'd have a wash to go against, instead of a click track. It's an old Beatle trick, really. Everything used to have two acoustics, at least. It was mainly me and John showing the guys the song. That's one of Jeff's production tricks, too. I can't think where he got it. A lot of people when I mentioned working with Jeff their eyebrows raised, and I picked up what they meant was he's going to make an ELO of you. I actually had that worry with Free As A Bird. But then I thought, No, we'd worked around it, and even though it was a Jeff Lynne-type production I still thought it sounded very like The Beatles. So I had a chat with him and I said, "I don't want to get into your recognisable sound." He was actually a little bit surprised, I don't think he thinks he has a sound (in surprised Brummie voice), "What do you mean?" He's a very innocent kind of bloke. I said, "If I feel we re getting into a bit of a Jeff Lynne formula, let's find a trick to get round it, subvert it." He was quite into it, actually.

John Lennon said in the late '70s that if The Beatles were still making records, they'd sound like ELO.

Yeah, it was important to Jeff to meet John and have him say, "Oh I love some of those ELO tracks." I liked them, too. It's a bit like Oasis. Anyone who gives such an obvious tribute to you, you either hate it or you love it, and I love it. They're taking our style and proliferating it, if that's the word. ELO were good, you know, pity about the haircut. (Pause) I'm only kidding about the haircut, you'd better put in brackets - he'd kill me. He's still got it.

Given Ringo's and George Martin's cameos, George Harrison remains conspicuous by his continued absence. Is it difficult, given your history and the reported 'artistic tension' on the Free As A Bird/Real Love sessions, to contemplate a Harrison/McCartney collaboration?

I don't know really. To tell you the truth, when I was working with John, it was so, I don't know, so full, you never had a minute, so if working with George never really came up, I got in the habit of not working with him, I never really learned how to do it. When we did Free As A Bird there were one or two little bits of tension, but it was actually cool for the record. For instance, I had a couple of ideas that he didn't like, and he was right. I'm the first one to accept that. So that was OK. We did then say that we might work together but the truth is, after Real Love I think George had some business problems. Er, it didn't do a lot for his moods over the last couple of years. He's been having a bit of a hard time, actually, he's not been that easy to get on with. I've rung him and maybe he hasn't rung back. No big deal. But when I ring Ringo, he rings back immediately, we're quite close that way. You know, I'll write George a letter and he might not reply to it. I don't think he means not to reply to it but it makes me wonder whether he actually wants to do it or not. And if you're not sure, you back off a little. But I love him, he's a lovely guy and I would love to do it. It'd be fun, he's good.

[lee-em-dee]

A Sequence Analysis of the 6x13 Bellarke Reunion

[a.k.a. the final scene of The 100 because Jroth can Jrot in hell]

After a grim conversation between Bellamy and Jordan, the sequence transitions to a warmly lit, wide angle perspective of the reunion at Sanctum. Friends and lovers “meet again,” hugging, kissing, reconciling in a series of action shots: Miller & Jackson, Murphy/Emori & Raven, Jackson & Echo. The sound of their laughter cuts through the uplifting strains of the melody playing [GAITS “Other Side”]. Against the show’s constant onslaught of death and destruction, the beauty in these brief flashes of joy isn’t lost on us; it’s fleeting, but it’s potent. We’re back at the gates of Arkadia in 2x16, only this time around, prospects for the future aren’t quite so bleak, nor is it “getting dark, too dark to see” beneath “that cold black cloud [coming] around” [RAIGN “Knocking on Heaven’s Door”].

Instead, the refrain “I know I’ll see you on the other side” embodies a sense of hope and certainty while also referencing Jasper’s parting words in S4. Unlike his nihilistic outlook, however, the soft, inviting quality of these opening shots seems to suggest that there’s light at the end of the tunnel—a glimpse at the other side of heaven’s door, where peace prevails and war is a distant memory.

As this undertone of cautious optimism resonates, the frame is swallowed up by a dark mass of faceless bodies. The music slows, the crowd parts, and exposed in the center of the frame is Clarke Griffin—a solitary, motionless figure within a stream of movement. Her silent presence isolates her from the liveliness of her surroundings. From the side angle of the camera in the shadowy foreground only her profile is visible, yet the expression on her face is noticeably stunned. We’re left with a sense of anticipation. Where is her gaze focused? What commands her attention so fiercely, stopping her in her tracks and arresting her movements? The anticipation builds, and, with it, the percussive intensity of the music. Soft vocalizations trail after “the other side,” echoing in our ears as we --

Cut to a reverse shot of Bellamy. He makes his way to his people, but it’s clear that the words exchanged with a disillusioned Jordan weigh on him. His eyes are fixed on the ground, brows furrowed, a pensive expression reflecting his weary frame of mind. It’s the aftermath of yet another battle, another spoke on a wheel that spins and spins, unleashing more devastation with each turn. We, as the audience, can only hope that this is the end of its vicious cycle. He’s lost in thought, but a glance ahead has his eyes snagging on something out of shot. No, someone. Bellamy’s steps falter for a beat, then his eyes widen a fraction. He’s mesmerized.

On the receiving end of his gaze, Clarke sharply exhales. The steady pulsing of the music stutters before the rhythm picks up in rapid sixteenth notes, akin to a heartbeat that skips, flutters, then pounds. Energy thrums in the single look that they share; everything else seems to melt away as they fixate on each other, as the tether that binds them together tugs, as the distance between twin souls is bridged.

We’re hit with the crescendo of the music, punctuated by the sustained beat of the drums. It’s booming. A fluid tracking shot follows Clarke as she launches herself away from the crowd into Bellamy’s open arms, and the force of their collision is shown through their synchronized exhalations of breath, through the swaying movement of their bodies pressed tightly together. Like cymbals crashing, they meet in the middle of the frame. The blocking instantly establishes a bubble of intimacy around them that blocks out the rest of the world as they completely obscure the figures (“girlfriend”) in the background. Refracted light slices across the screen at an angle, tracing the points of contact between these two people who radiate warmth and ignite under a single touch.

The music swells. Their embrace is set to the bridge “oh wait for me in fields of gold,” and as they hold each other, lost to a symphony of grief and elation, we get the sense that in each other’s arms these two broken beings are very much found. It’s a homecoming.

Clarke burrows her face into Bellamy’s neck. The sun beaming in the background sends scattered light over his shoulder, captured as flare in the camera lens. Not only does this element add a layer of visual impact and aesthetic beauty to the shot, but it also intensifies the climactic moment when their bodies collide. Tension is built and built until it finally snaps; in doing so, emotional catharsis (for both the characters and for the audience) is maximized. The combination of the lens flare and camera movements makes for a striking, visually dynamic shot with epic romantic overtones. In their reunion a sense of rightness is restored, which has remained a consistent theme of the show for six seasons. When the camera finally settles, what’s captured is the sheer magnetism of the moment. Nearby murmured conversations are unable to overtake the melody, and the bustling movements of the crowd are unable to break that hypnotic hold they have on each other.

Clarke clings to Bellamy; now, more than ever, it’s evident that her love for him is a refuge, her strength in times of weakness. Even so, sorrow threatens to overtake the solace found in his embrace; Bellamy immediately senses this, rubs a soothing pattern across her back. With brows drawn, he nestles his face against her shoulder as if to will her pain away.

We cut to a dynamic two shot, with Bellamy occupying the left side of the frame and Clarke the right. Both seem reluctant to part, and as they do, harsh realities set in. Bellamy delivers the sobering line, “I heard about Abby.” Like a death knell, its implications land on Clarke and reverberate through this gentle, short-lived moment of peace. Her face crumples. With a despondent shake of her head, she manages, “I tried to do better. I did.” Bellamy can only nod. His strained expression conveys how the mere sight of Clarke’s pain is excruciating to him. A sharp intake of breath from her—“And then I lost my mom.” The tremor in her voice betrays her composure; the words catch in her throat, imparting a strangled quality to the line.

Her mother’s death clings to her. It’s reflected in her head-to-toe black attire, in the misery painted on her face. The weight of impossible decisions looms (how tragic that her mother’s endangerment was what drove her to pull the lever back in Mount Weather), and it seems that, this time around, the burden is too heavy to carry alone. “Tell me it was worth it,” she pleads to Bellamy, barely choking the words out as she battles tears. “Tell—tell me it was worth it.” In deep anguish Bellamy watches Clarke unravel before his eyes. With gentle words he tries to piece her back together. “Hey—Hey, we did. We did do better.”

This entire verbal exchange is filmed as a continuous arc shot that swings back and forth on an axis (Bellamy -> Clarke / Clarke -> Bellamy) with the sun acting as the focal point between them. The shot—much like their soul-deep connection—remains unbroken and uninterrupted. Rather than keeping a fixed, static position, the camera’s movements allow us to feel the push-pull emotional tension of the scene. It orbits Bellamy and Clarke in a way that cinematically mirrors the gravitational pull they feel towards each other. For years and years, the two have danced around each other. Though distance and time separated them, they’ve always been inextricably tied together in common orbit. Like binary stars, Bellamy and Clarke orient themselves around a shared barycenter. Their center of gravity—the sun flaring at the center of the frame—coincides with the show’s key thematic elements: forgiveness, rebirth, redemption. The rising of the sun marks the start of a new day and, with it, another chance to do better.

With each dizzying motion of the camera, flashes of light shine between their silhouettes, obscured only to re-emerge seconds later as lens flare; The sequence, as a whole, is a study in subtle contrasts: the contrast between the white sun in the background, the light glinting off the water, the pale gold of the sky + of Clarke’s hair vs Bellamy and Clarke’s shadowy figures captured in low-exposure, the darkness of their clothing, Bellamy’s black hair. This balance of light and shadows/brightness and darkness mirrors the tenuous balance between hope and despair driving the scene. In parallel, the despair that consumes Clarke is a darkness balanced out by Bellamy, who maintains a more optimistic outlook for the future and serves as her guiding light.

[Additional Note: These cinematic contrasts are also a perfect illustration of the concept of yin and yang—the cosmic duality that reflects Bellamy and Clarke’s “head and heart” relationship. The two are equal, seemingly opposing forces but, in actuality, function in such a way that enforces their complementary and interdependent nature: One cannot exist without the other, and both are connected as two halves of a whole in perfect equilibrium. Yin and yang—the head and the heart—do not act as isolated parts, but rather continuously influence and interact with each other to bring forth balance and harmony.]

Hope.

In spite of everything, it shows its presence in the vibrant yellow tones of a scene filmed at golden hour; the honeyed glow creates a dreamy, inviting atmosphere, giving off a quality of softness and romanticism that balances out the heaviness of their conversation. Hope echoes in the melody as it conveys the inevitability of reuniting with a loved one in this life or the next: “It’s not the end. It’s all I know…I know I’ll see you, I know I’ll see you on the other side.” (In other words, we will meet again). Hope is felt through the warmth of two lovers embracing, the warmth of the rising sun on their faces.

As we cut to a final close-up shot of Bellamy, he delivers the last line of the scene with resolve: “I have to believe that that matters,” he murmurs softly, brows knit in concern. His eyes search Clarke’s, but her teary gaze is cast low as she chokes down a sob. Her close-up shot captures the internal conflict taking place:

 It’s a mental battle—grappling with the urge to fall apart or to suppress the vortex of raw emotion churning inside her. Bleary-eyed, she turns away from Bellamy as if every instinct screams at her to flee, to bear the burden alone. Still, an unspoken conversation anchors her to the spot: “Together.” “I got you for that.” “I need you.” “If I’m on that list, you’re on that list.” “The heart and the head.” “You don’t have to do this alone.” Though devastation lines her face, the morning sunrise bathes her skin in light. Clarke draws a shaky breath. She turns back to Bellamy, then nods: a decision has been made. The camera switches from this close-up of Clarke to a hazy, low exposure medium shot as she leans into Bellamy, drawing strength from him (notice its resemblance to Miller and Jackson’s reunion). They wrap their arms around each other, and their bodies meld together. Clarke tucks her chin onto Bellamy’s shoulder. The immediate relief that she’s flooded with is palpable. She closes her eyes and sighs, and Bellamy rubs her back consolingly. The visual of their merging silhouettes—reminiscent of two suns eclipsing just above the horizon line—composes the final frame of the scene before the shot dissolves with a last “I know I’ll see you on the other side.”

There’s a true sense of finality to this closing shot which sets it apart from others before it—or, rather, establishes it as a culmination of every moment in Bellamy and Clarke’s “exhausting” history to get to this state of perfect alignment. The hug, in particular, serves as a departure from previous seasons’ hug scenes in which an interruption was often required to progress the conflict and reestablish some semblance of distance between the two of them.

In this season, however, though death and distance and other outside forces conspired to separate Bellamy and Clarke...they, against all odds, end it with bodies intertwined, defenses stripped away, never more unified both physically and emotionally: the heart and the head joined together in perfect equilibrium. Two bodies, two souls breathing, moving, thinking, and working as one.

[bbluesrreality]

It’s so fun and cool that I’m an exhibitionist that gets to show myself off and be praised for being hot for a living. Genuinely, I am so proud of myself and it makes me feel good about my body and I’m so so so glad I’m in a position where I feel safe enough to do it and have a good support network around me to keep me from some of the more worrying and potential highly consequential vulnerabilities of certain areas of the industry I’m in and actually have fun with my work and feel creatively fulfilled and not have to take up every sometimes shitty offer that comes my way and get followed back and flirted with by some of my biggest crushes ever (and maybe actually DM and meet them in the future…) and “meeting” new hot people every day and all the love and support and now that my terrible horrible no good very bad year roommate is gone I actually feel fully comfortable doing my sex work job where I live!!! Very exciting.

My life is crazy. I can’t believe this is literally me using my degree. I can’t believe my pussy makes me rent plus some. I wish it made me more but that’s just a work ethic and consistency thing at this point. School cost me so much, it’s going to take a long time to be gainfully employed but this is a start and it’s a fun start and I present well, even lightly conservative people tend to like me upon introduction even with the blue hair if I play my cards right, so I don’t think this job will actually close off future employment opportunities I’m likely to seek. It may be where I live and the crowds I frequent but I’ve never gotten a bad reaction to saying “Oh, I’m uh, I’m a camboy.” When people ask “What do you do for work?” And Gen X loves to hear things like “SEO optimization” and “Intrinsically motivated” in interviews. I don’t even need to keep it totally off my resume tbh. And I really have learned a lot of a skills and a lot about learning and a lot about people and a lot about motivation and a lot about myself and a lot about what I want in this line of work.

And a lot about the various angles of my body and divets and bulges in my muscles and niche kinks on the internet and new ways trans people manage to be beautiful perverts and sensations in my holes and compliments that make me blush.

I hope to live a long and happy transsexual life with many phases, many looks, many skills, many friends, many lovers, many tragedies, many meals and tattoos and sex tapes and sexual favors and platonic favors. If, god forbid, something were to happen to me, I want it to be out there that I don’t want my porn deleted. (As of now)

Everything is political. My body is political. Trans bodies are beautiful and I love them and I want them to be seen and demystified in all forms and I know I am only one form, a relatively normative form at that, but making what a naked trans body looks like accessible to the adult public feels politically important to me. I sometimes bridge a gap via “genderfluid” expression codeswitching in my work to help show somebody that they can be attracted to somebody who is feminine in one second, and masculine in the next. It is my attentive study of a vast amount of queer media (read: gay shit) that allows me to do this improv crowd work, lol, on my streams, and my media production experience that allows me to bring it to life with some quality in my horny short films as a one-man production team. I am not a doctor but my body and my trans joy is in part the result of advanced medical research, that was only fought for and made available to my generation recently, and is in danger of belong revoked for those who have it again now in my country after the last election. The nazi’s first book burning was medical literature on transsexual healthcare. The visibility of my little cock is incredibly important to me. His right to reach the eyes of every one who wants to feast upon him. For this trans guy to continue to have the right to be who he is and do as he pleases with his body happily and with safety. My body is political and I want its legacy to live on forever and inspire the transsexuals and transgender people of the future. The internet is forever right? Make it forever. Share me forever. Look at me forever. Love me forever.

I feel currently, and yearn to continue to feel, a huge amount of joy in sharing the things I find beautiful about myself and hearing them affirmed by strangers who often become vulnerable themselves to me in return- sometimes not, but sometimes there profile has their name in it, their kinks, their post or reply or like history, all of the people they follow and maybe links to accounts on other sites. Sometimes they feel so compelled to feed as close to me through the internet as they possibly can and send me images of their genitalia. Some of these pictures are poorly shot.

This is a huge amount of information and trust that thousands of people lend to me on the daily and I take that seriously. I try to be straightforward about how I’d like to approach the worker/client relationship and not mislead anybody outright about my role in the interaction, but I also have a lot of fun making use of my generally warm and friendly and open-minded personality and allow people to ask sometimes invasive or insensitive questions about, usually trans healthcare somehow but always a slightly different question somehow with patience, understanding that I’ve been used to this language for my entire adolescent and adult life and that I have selected into a position where I am “meeting” people, frequently, for whom I am the first trans person they have interacted with. For my brothers and sisters and more I owe them the grace of Madonnaesque patience. The amount of times I’ve heard some variant of “I just wanted to let you know I’m straight and I’m into you…. What do you think of that?” Like… what do you expect me to think of that????

But if one man finds himself, if one questioning person looks at me and feels not only the type of attracted that says “Oh I want to fuck him” but also the attraction that says “Oh… I want to BE him” I will have done my job. And supportive, loving, adoring, encouraging comments outnumber the offensive or ill-mannered ones by soooo much. I know it’s really hard for a lot of people, especially millennial content creators I’ve seen who have experienced hate trains and hate waves, (I haven’t really because I try not to say very much controversial stuff on twitter, at the expense of not really feeling like I weigh in at all on some issues that are really important to me, that I may be able to erm, influence my audience about I guess) to filter out negative comments but aside from when I’m live on CB, I haven’t really run into that problem too much.

I read it, I feel it, I can usually let it go. I feel well equipped to manage a number of questions about surgery, language and semantics, identify and trans manners and respect, chasers and how to try to date trans people ethically, accepting shifts in sexuality and not externalizing fear and pain about that onto trans people or invalidating them due to it, my favorite. Genuinely, I’m experienced with this one and turning people gay is my KINK that’s my SHIT I LOVE that it gets me HORNY have a whole life changing realization for me. Yeah I did that. You’ll never forget me now. You’ll learn so much more about yourself and the word now. That’s so exciting. I’ve liberated you. And I will liberate more. Insanity!!!! That’s so powerful!!!! I love it!!! I love my job!!!!!

[flamingolegz]

i couldn’t find the commentary for season 7 of the venture bros online except for these very poorly optimized dvdrips (seriously. 1gb for every episode despite them being only 480p.) so i went ahead and re-encoded them and put them up on gdrive. the video quality is pretty poor and i stripped them of the other audio track but the main focus is the commentary so it doesnt matta. if you can find regularly priced copies you should still buy vb on bluray/dvd (they’re regionlocked for me) especially now that it’s seemingly getting taken off of streaming but for everyone else here’s this

https://drive.google.com/drive/folders/1pQEFZdTFNY7FjoF8Y4KMhMol4DS40BiJ

[mywifeleftme]

327: XTC // Black Sea

Black Sea XTC 1980, Virgin

XTC’s discography has a very organic flow to it. Andy and Colin’s voices aside, it’d be tough to guess the same band was behind the albums that bookended their career (convulsive 1978 New Wave speedball White Music and the lavishly arranged psych pop of the turn of the century Apple Venus tandem), but if you follow the band over time, from one album to the next there are few radical departures. Each link in the chain contains elements of the record that precedes it and the one that follows it. Still, you can clearly divide their discography between their early years as a hard-touring New Wave act and their second act as a pastoral psych pop studio project—and, in that light, the albums that straddle that transition (today’s album, Black Sea, and 1982’s English Settlement) could be considered the “definitive” XTC records.

It’s easy to forget what a spectacular live act XTC were in their early days, something like a combination of ‘60s bubblegum, Devo, the Residents, and Wire, but with cardio that would’ve put most of those acts to shame. As a guitarist, Andy Partridge scorned anything that smacked of blues, slashing out hiccupy riffs way up the neck, hurling himself into head-spinning rhythms that often wouldn’t be out of place on a Fugazi record (if he didn’t have such a sweet tooth). He surrounded himself with collaborators whose ability as players was such that they were able to make their own marks on the band’s sound despite Partridge’s dictatorial tendencies—not only minority songwriter and exceptionally melodic bassist Colin Moulding, but ultimate utility man Dave Gregory (who flitted with ease from lead guitar to keys) and their gem of a drummer Terry Chambers, a non-writing / arranging member who would be lost when the band’s studio transition reduced him to a glorified session man. Chambers was an absolute machine, and many of the band’s most memorable early statements rely on his power and precision behind the kit.

Black Sea is their last record to be dominated by the quirky sound-over-sense rhythm workouts on which they built their name, and they go out with a bang: “Rocket from a Bottle,” “Burning with Optimism’s Flames,” and especially “Paper and Iron (Notes and Coins)” are fine reminders that new wave was as much Body as Head music, while the tribal stomp of “Travels in Nihilon” feels like a hint at what XTC would’ve sounded like as some kind of Swindon krautrock band. But the songs that are best remembered from this one are those first stirrings of their burgeoning reinvention as basically the attention deficit disorder Kinks.

By his own admission, Colin Moulding’s early songwriting efforts had aped Partridge’s style, but here it seems Partridge was inspired by Moulding’s sardonic kitchen sink satire “Making Plans for Nigel” (from the previous year's Drums and Wires). “Respectable Street” reads almost like Partridge proving to himself he can write his own “Nigel,” while the chiming psychedelic pop of “Towers of London” scales its social commentary to the Empire itself. His finest moment though is “No Language in Our Lungs,” one of the band’s first genuinely emotional statements. The wordy lyric is typically “clever” (“I would have made this instrumental / but the words got in the way”) yet it captures the feeling of being overwhelmed by the intensity of…well, a feeling. The credit lies mostly with its arrangement, which heaves and stumbles behind Andy’s inconsolable howl like someone dragging their feet in exhaustion.

Black Sea usually sits somewhere between third and fifth in my personal XTC rankings, but it’d be the place I recommend a new fan start with the band (or would be, were the record available on streaming services). Between Andy’s peculiar voice and a smartass quality that can get a little cloying, XTC’s not for everyone—but for those on the wavelength, their catalogue is one of the greatest of the rock era.

320/365

Bonus

For the hell of it, my personal XTC discog rankings.

Skylarking English Settlement Black Sea White Music Drums and Wires Apple Venus Volume 1 Go 2 Wasp Star (Apple Venus Volume 2) Oranges & Lemons Mummer Nonsuch The Big Express

[nitrosodiumfmpsequel]

Stress Testing Part 1: Fixing Lag

On the last day before the Easter holidays, I have decided to do some more playtesting, and get people to search for as many glitches and problems as they could in the game.

I could only get three playtesters (everyone else seemed to be busy with their own projects), but the advice was still very constructive. I will go through the different problems one by one.

Lag problems: These are definitely an issue. As previously stated, the computers give texture streaming error messages and when resource-intensive actions take place like opening doors, I get a message that the video memory has been exhausted.

Softlock room: I never even considered this could happen until the playtesting. This could be solved with a way out of the room, a switch to open or close it from the other side, or a 'restart level' button for situations like this.

Robot dialogue glitch: This is not a glitch, I've intentionally done this. There is a clear way to stop the conversation, and if the player doesn't want to do that and keep the subtitles on their screen then I've given them the option. There's not really a situation, at least in the first level, where the player couldn't just finish the conversation manually and get the widget off their screen.

"Wedgy got me stuck": This refers to jutting sections of the starting hole killing the player's momentum. This can be solved by putting collision boxes on the shaft sides to smooth out the descent. This is difficult to explain, so I will go into more detail in its own post.

"Rocks made me loose my cool": This refers to the rubble piles severely affecting the framerate.

The lag is the prime issue here, since it does make the game near-unplayable. I spoke with a friend on his issue and he said that the problem likely lies with the textures. I may have accidentally imported 8k textures, which would therefore be causing the "Texture Streaming Pool Over Budget" error messages, and the quality is a moot point anyway because these monitors only go up to 4k. However, the rubble model is obviously causing a problem that goes beyond texturing.

I opened the level in Wireframe Mode and was pretty stunned - the rubble has so many polygons that it looks like a neural network! This is obviously causing the issue, so I deleted them and played through the level to test. The lag issues were completely fixed. Obviously, I still want a rubble model of some kind, so I went back to Fab.

As it happens, I had been using the "raw" variant of the model, which was 400 megabytes, six times larger than the high variant. I had obviously imported some ultra-high resolution model by accident, and so I decided to reimport, using the low quality version.

This looks just as good in my opinion, since I wasn't aiming for hyperrealism anyway. I am still getting warnings about the texture streaming pool though, and I suspect this is caused by the vines. I checked the Unreal forums and found this post which suggests to me that foliage is notoriously hard to optimize in UE5. Given that I am getting errors about texture streaming, it is possible that the vine texture is too high-definition.

I imported the low-res version of the Broom Creeper texture, and it seemed to cut the texture streaming over-budget by about 50 MiB (possibly megabytes, but I don't know) - of course, it is still overbudget. I'm really not sure what's causing it, but it could be the wall textures themselves, so that's worth taking a look at too.

As it happens, the Sandstone Blocks texture (used for the floor) is an 8k texture, and the rest are 4k, which is still fairly high. I can probably reimport the two I use (Sandstone Blocks and Clay Plaster) as 2k textures, and that'd save me a lot of headache.

Here's the game with 8K and 4k textures.

This is the game with 2K textures. The difference is impossibly minimal, but somehow the texture streaming overbudget went up. I don't know how to fix this, but it isn't creating any more lag, so we can consider this a success for now. To conclude, I will be more careful when downloading models and textures in outrageously high resolutions.

[passiveincomebee]

How to Get 1,000 YouTube Subscribers FAST 🚀

Starting a YouTube channel is exciting, but let’s be honest—getting those first 1,000 subscribers can feel like climbing a mountain. Don’t worry, though! With the right strategy, you can hit that milestone faster than you think. Here’s a step-by-step guide to help you grow quickly and start monetizing your content.

1️⃣ Find Your Niche and Stick to It 🎯

A focused niche attracts the right audience. Instead of making random videos, choose a niche where you can provide valuable, entertaining, or educational content. Some profitable niches include:

Tech & Gadgets 📱

Personal Finance & Side Hustles 💰

Health & Wellness 🏋️

DIY & Home Improvement 🔨

Gaming & Streaming 🎮

Pick a niche you enjoy and can create consistent content around.

2️⃣ Create Click-Worthy Thumbnails & Titles 🔥

Your video’s thumbnail and title determine whether people click or scroll past. Use bold text, bright colors, and high-contrast images to make your thumbnails pop. Keep your titles short, engaging, and curiosity-driven. Example: ❌ "How to Make Money on YouTube" ✅ "$0 to $10,000: How I Made Money on YouTube FAST!"

3️⃣ Post High-Quality Content Consistently 📆

Aim for 2-3 videos per week for maximum growth.

Use a hook in the first 10 seconds to grab attention.

Edit out boring parts—keep videos fast-paced and engaging.

4️⃣ Optimize for SEO 📝

YouTube is a search engine, so use keywords in: ✔️ Titles (e.g., "How to Get 1,000 Subscribers Fast") ✔️ Descriptions (Include 2-3 related keywords) ✔️ Tags (e.g., #YouTubeGrowth #1000Subscribers #YouTubeTips) ✔️ Captions & subtitles (Boosts engagement & accessibility)

5️⃣ Engage With Your Audience ❤️

Reply to every comment on your videos.

Pin a comment asking a question to boost engagement.

Use polls & community posts to keep subscribers engaged.

6️⃣ Use Shorts & Viral Trends 🎬

YouTube shorts (under 60 seconds) get massive reach. Create 2-3 Shorts weekly with trending sounds and topics to gain fast exposure.

7️⃣ Collaborate & Network 🤝

Collab with small creators in your niche to cross-promote.

Join Facebook groups, Reddit, and Twitter spaces related to YouTube growth.

Shout out other creators—many return the favor!

8️⃣ Promote Your Channel 🚀

Share videos in relevant Facebook groups & Reddit communities.

Post snippets on Instagram Reels & TikTok.

Embed videos in your blog or website.

9️⃣ Ask Viewers to Subscribe (But Make It Fun!) 🔔

Instead of saying “Subscribe to my channel”, say: 👉 "If this video helps you, hit that Subscribe button so you don’t miss out!" 👉 "Join the [Your Niche] Squad—hit Subscribe and let’s grow together!"

1️⃣0️⃣ Stay Consistent & Don’t Give Up 💪

Most channels blow up after consistent effort. Even if you’re not seeing fast growth, keep posting, analyzing, and improving.

🎯 Action Plan: ✅ Choose a niche and post 2-3x weekly ✅ Make clickable thumbnails & SEO-friendly titles ✅ Engage with comments & use Shorts for quick exposure ✅ Promote on social media & collaborate with others ✅ Stay consistent and DON’T QUIT! 🚀

Got questions? Drop a comment below and let’s grow together! 👇🔥