#THIS ONE *points at the generic romantic interest character that literally has nothing in common with them at all and is only there to be

[quadrantbot]

Jake and Dirkjake and other mildly related tangents. (Additional paragraph on alpha kid romance, because I guess that was necessary to me.)

Heads up this post is not positive about Dirkjake like, at all. I'm not saying you can't like it or do anything with it, I am just sharing my own personal opinion and analysis on it. And Jake in general. (I'm not going to tag with Dirkjake because that's a dick move, but I'm not going to intentionally avoid saying it in NON tag text either. Scroll on if you don't like Dirkjake hate. Okay? Cool.) 

Jake is one of those characters that fandom wise, is super mischaracterized. This includes the mischaracterizations in postcanon as well, which also at least to some degree includes Pesterquest. It's confusing to me for several reasons why so many major changes were made to Jake outside of the main comic, but considering how most of the fans do not seem to take him seriously and the writing team for the dubiously canon content seem to lump his existence purely in with Dirk, it's a little understandable.

Jake isn't really too complicated of a character when it comes to likes, dislikes, motivations and issues. Jake likes his movies, the IDEA of adventure, and he loves blue ladies. He doesn't really care for romance at any major point in the story, especially considering his entire friend group had feelings for him, and when it comes down to actual adventures, actual conflict, he's freaked out. Jake has a great deal of care for his friends, even despite the weird romance shit occuring in the group, and his main issue when it comes to that friend group is a lack of communication from everyone involved. Jake "wants" to be important, Jake "wants" to be a hero, Jake "wants" to be a brave adventurer, but these "wants" don't ever appear to reflect in his actions, even so far as contradicting them, leading to conflict between his supposed wants, and what he actually seems to go for. Jake is often seen as a "himbo" by the fandom, but even that is not really all that accurate. Jake isn't stupid. Jake does have some issues when it comes to reading the room, but even when he DOESN'T, it's usually picked up whenever he's in a weird situation that he doesn't want to be in, which can be seen in his conversation with Jane about her romantic feelings for him, or the proposed lack thereof. Should be pages 4587-4593, but I'll screenshot the notable parts I'll be referencing and put them below. 

Jake didn't really seem very convinced when Jane said she DIDN'T have feelings for him, but he just continued along with the conversation, expressing his relief because even if she was lying, he didn't really want to face that sort of thing head on. Jake then goes onto explain the weird shit with Dirk and doesn't exactly seem very interested in him either, but seeing as Jane supposedly has no interest in him, there's a weird sort of obligation going on where he feels he HAS to just let this happen, which doesn't really seem like the common fandom idea that he was like, head over heels for Dirk. There's a vague mention of jokes from "years ago" where they could like each other if Dirk was a girl, but seeing as these are 15 year olds, "years ago" is a pretty vague period of time AND teenagers will say shit like that all of the time! Mostly younger ones, yes, but I think a good portion of teenagers have joked about having feelings for/WOULD have feelings for someone if they were a gal or a guy. Nothing when it came to Jake's behavior was intentionaly shitty or leading Dirk on or anything, because Jake can't always be aware of literally everyone's feelings for him? 

On a vaguely related tangent, I used to be large on the "bi Jake" being canon thing, but just taking the bare minimum look into some of this just makes it seem like he's got no interest in men at all, and his interest in women appears to be from both a jealousy/almost gender envy standpoint (in the way he seems to WANT to be like them,) and a genuine attraction, especially when considering his blue ladies and more specifically, Aranea. (I do not like Aranea/Jake for the record, and if somehow you guys who enjoy that pairing (or any pairing with alpha trolls/anyone who isn't an alphatroll, I'm looking at you Meenkat, Vrismeen and other freaks,) have made it this far, PROSHITS GET OUT!! I am a normal consumer of darkfic not a FREAK!!) I think I can understand those who read Jake as not aromantic, just uninterested in romance with his current issues, but I also thoroughly enjoy reading Jake as arospec as someone who is both arospec AND someone with several arospec friends who like the reading just as much, Jake never seems to take a genuine interest in relationships with anyone, only considering one with Jane or Dirk because they're his friends, and if he's good friends with them, they MUST be good partner options for him. While it's true there can be a good basis on friendship, I don't think the two major Jake ""romance options"" are all that fit even with the basis of friendship, seeing as neither Jane nor Dirk communicate well, and Jake really doesn't either. 

The thing about the base alpha kids (excluding cherubs and any of Dirk's robots, whic includes Lil Hal, despite being a copy of his brain,) is that when it comes to the most prominent "proposed" canon pairings, Dirkjake, Janejake, Dirkroxy, it just seems they only exist because those four are each others only options romantically. Jane likes Jake, so Roxy feels like Dirk is the only option. Dirk, though unlabelled, only has a canon interest in men, so Jake appears to be the only option. Jane seems to like Jake to a degree, but I think that primarily stems from the fact that Jake is extremely kind and caring to all his friends, so she really does see him as HER only option as well. Again, I do think some of the base alpha kids pairings are alright, but that mostly relies on things AFTER the trickster mode section completely explodes all over everyone and the conflicts reach a boiling point. Dirk and Jane make up, and I do think there's something good that could be said about some form of moiraillegiance between the two, because even despite their issues with each other prior to the Dirkjake breakup, they still do care about each other. I also like Jakeroxy as a pairing option, though mostly in a queerplatonic sense, because when Roxy took a step back from any form of romantic interest in Jake because of Jane and later Dirk, Roxy is more capable of having some form of bond with Jake that wouldn't automatically feel like a necessarily romantic thing, and I think their shared caring for their friends and each other could make them closer. The thing about the base proposed pairings between the alpha kids is that, at least in the case of Dirkjake, it's overglorified by the fandom, even if there are ""nuanced"" readings of them. 

This isn't to say that you can't interpret the text however you want, but when it comes to the bare minimum in canon Dirkjake doesn't really work at all. Not as a fluffy pairing, and not as a strange, codependent teenage relationship where they're mutually obsessed with each other and tearing each other apart. Jake has no romantic interest in Dirk. Jake also has a completely reasonable extra reason why, even if he DID have feelings for Dirk, which, according to canon, he doesn't really, they still wouldn't be good together. I definitely understand the value in exploring negative relationships via fictional means, but when it comes to Dirkjake, their conflict isn't complicated, or nuanced, or even really that complex to understand. Dirk didn't know how to properly go through with his feelings for Jake, so he did fucked up shit, and Lil Hal did fucked up shit, and it very easily came crashing down on him. Even without every strange and fucked up thing Dirk and Lil Hal did towards Jake in order to express those feelings, the biggest point of conflict, the decapitated head kiss in front of the volcano, was definitely enough to state that there's nothing really all that great between them, and there's nothing to take from it that really requires or calls for an exploration of the fucked up side of their relationship, because every way I've seen that handled, it's just as full of mischaracterization as fluffy Dirkjake is. I can understand the excitement at "canon gay representation," but at the end of the day, all Dirkjake really is is a one sided relationship between Dirk and a guy who doesn't have any feelings for him outside of platonic ones, a guy who felt an obligation to be with Dirk just because Dirk was his friend. Could that be explored in an interesting and angsty way? Definitely, but that is a Dirkjake interpretation I've seen the least of, if any at all, and that's literally what's set up canonically! 

"But Ro, what about postcanon?" There's a lot to be said about postcanon, and a variety of things that make any form of romantic feelings on Jake's end completely unbelievable to me. For starters, Ult Dirk is in control of postcanon, Alt Calliope is also, to some degree, but anything that may or may not ""confirm"" romantic feelings on Jake's end is being told to us by two unreliable narrators. But also, postcanon is stupid, existed to get Hussie out of debt, and overall was a piece of garbage that didn't do anything for canon whatsoever. So I don't consider it canon. At all. But if you do, the unreliable narrator argument above is for you. 

[un-pearable]

OKAY season 3 thoughts time. not as long but also s3 was like half the size:

worst thing first: the jay/naya/cole love triangle is so ...... bland. its got nothing going for it. like at this point in the show jay/naya honestly speaking doesn't really have a lot going for it. like we dont ever see them hang out or do fun stuff together as a couple or have any cute bonding scenes outside of jay being like "wowww nya hot" or anything. we dont have any real reason to root for them, so why they decided to introduce a love triangle is beyond me. like i guess its because they haven't done anything interesting with jay/naya and a love triangle is the easiest and blandest option possible, but like. come on. cole & naya barely interact in the season outside of cole fighting with jay and i'm really confused as to why we're supposed to think cole has any romantic interest in naya because they... have even less going for them than jay/naya. like man if we're gonna have a love triangle anyways i'd like to have any reason to root for at least one side. please. im not asking for much. make your characters hang out a bit and have some common interests and enjoy spending time together before you start telling me they're in love.

number two: im kind of obsessed with how garmadon's moral standards consistently disappear when it comes to lloyd. like pre this season he takes his vow of non violence or whatever but after lloyd gets captured it just. goes completely out the window. moral compass: son

number three: circling back to ninjago's inability to write a compelling romance i dont inherently mind zane/pixel (and its certainly got better writing than the.... uh . competition, if you want to even bother calling it that) but i do wish the writers would start out these romantic relationships with a much more solid platonic base. like its not the end of the world but i do wish it was more compelling.

number four: ZANE GIRLBOSSING IT THIS SEASON FINALE!!!!!!!!!!! this is one of the few things i did remember from like 8 years ago and for good reason its because hes literally perfect in every single way

number five: im nitpicking here but i think lloyd should get to swear. i think he's earned it

number six: this is more of a general observation than anything else but one thing i think is really . weird. about ninjago's writing is that it seems that every season they give the ninja new cool epic powers and then by the next one they get taken away. and like i understand the reasoning for this - its like when shounen writers keep giving their protagonist increasingly world-shattering powers and the power levels just keep getting more and more ridiculous, because if your original villain is "conquering the whole world and turning everybody evil" then theres only so much you can amp that up as the seasons go on without tacking on too many powers that nobody should be able to stand up to the hero anymore - but also its just. its just weird because i dont think ive ever seen anything like this.

okay i think thats abouttt it im, as always, very excited to get to some of the things i distantly recall (namely in particular the giant green eyeball thing and possibly a tournament / survival island arc that i think was a thing (???)) i know lots is in store and all i really want rn is character interactions. thats my dream i will honestly forgive so much as long as im having fun with the characters and dynamics in a series

whuff…. yeah. as much as thematically i love pixal and theoretically jaya could be extremely interesting. they do NONE of the work to make them so. zane <3 <3 baby’s first traumatic character death. he is. he really is. he deserves it all and so much more. whoever’s censoring lloyd must get paid well bc that kid grew up in eternal middle school. kid knows more swear words than the rest of these socially isolated dorks let him use them

i’ve never really thought about that but,,,, holy shit yeah???? i’m nowhere near an active dragon ball fan but it IS baffling that instead of the usual shonen style they-just-keep-getting-new-powers and we stop using them bc a) we forgot they existed (which does happen a bit here, but less commonly) or b) they’re just obsolete, in ninjago they EXPLICITLY get said new powers taken away. multiple times. is it a medium limitation?? is it just a quirk of the writers??? i’m gonna be thinking about this all night

[herinsectreflection]

The hilarious part about Faith and how incredibly gay she comes across is that it's all a natural side-effect of her intended narrative role. According to Whedon she wasn't intentionally written to be a queer or even queer-coded character, but the way she is written and her metaphorical function necessarily meant she came across as queer-coded. I'll explain what I mean:

1) As Buffy's shadow, Faith is meant to be symbolic of Buffy's repressed desires, and specifically her frustrated sexuality. Buffy is dealing with imposed chastity throughout S3, first with her trauma over Angel getting in the way of a relationship with Scott, and then the curse preventing her from being physical with Angel. It's the centre point of Enemies, its touched on in Amends, and is one of the reasons they break up. There's a reason the season climaxes with Angel and Buffy in a passionate embrace, making orgasm faces as he 'penetrates' her. It's a whole season of sexual frustration for Buffy.

Faith needs to be constantly reminding Buffy of the thing she can't have - sex. She needs to talk about sex to Buffy - and she does, extensively. Faith is written as a very sexual person in general, but it's specifically and disproportionately aimed towards Buffy, because that's her narrative role. So you end up with this character who is constantly going around like "hey Buffy do you like sex? you should think about sex now. sex. when I'm on screen the main thing on your mind should be sex and having it". Which begs the question - why does Faith want Buffy to have sex? Symbolically, it's because she represents part of Buffy, and Buffy wants to have sex. But on a pure character level... what is the explanation? What is motivating Faith to constantly talk about sex to Buffy? A few instances you can write off as her making Buffy uncomfortable for jokes, but not all of them. How it comes across is that Faith has some sexual interest in Buffy, and is probing for her feelings.

2) Faith is a Seductress. That's not a comment about her character, that's her function in the story. She is the version of Buffy who goes down a darker path, and is trying to seduce her into doing the same thing. Part of Buffy's arc in S3 is resisting this temptation, and the symbol of what she is resisting is Faith. So Faith must be an enticing, seductive figure. To quote Passion of the Nerd's review, if Faith is there to to tempt Buffy into a moral dark side, it only makes sense that she is, well, tempting. The seduction is happening on many levels.

Faith is more or less filling the Femme Fatale archetype: the seductive, sexual figure who leads the Hero off their path. It's a trope you see all the time in male-led stories, going back to goddamn The Odyssey. Buffy as a character was invented as a simple gender-swap of an old horror trope, and part of the appeal of the show is that she gets to fill the role of The Hero as a woman. So what happens when you gender-swap The Hero and don't gender-swap the Femme Fatale? You get a gay story, that's what.

3) The Faith arc of S3 is a recreation of the Angel arc of S2. It is structured in the exact same way, with the two having a push-and-pull in the early parts of the season, a setback in their relationship in episode 7, getting closest again mid-season before a night of passion that ends in sudden tragedy. Angel/Faith then turn to the dark side, become the Big Bad, and show that they are beyond saving in episode 17. The season ends with Buffy having to fight and the kill them in order to save others. This is all an intentional recycling, as part of the show building up the Trolley Problem and the idea of Buffy being a killer, repeatedly escalating it to get us to The Gift. What this means is that Faith steps into the role that Buffy's love interest played in the previous season. This is the story that we have just had told to us as a tragic love story. We see it again, and guess what? It's still a tragic love story. Only now Faith is in the role of the love interest.

4) Part of the conflict surrounding Buffy and Faith is Buffy's fear of being "Single White Female'd". She fears Faith might steal her loved ones, and Faith does threaten that. She gets along with her mother, her friends... but most of all, her love interests. Buffy's fear of being replaced manifests as Faith trying to literally seduce away anyone romantically linked to Buffy. Angel, Scott Hope, Xander, later Riley, Spike, Robin Wood... Faith is comprehensively and exclusively attracted to men that Buffy dated. I'm honestly surprised she didn't find Owen and Parker from somewhere for a night in the sack. Again, this makes perfect heterosexual sense from a symbolic point it view - she threatens to take Buffy's place in the narrative, so she takes her place in relationships - but on a character level it becomes ambiguous. Is she actively trying to replace Buffy? Or is she trying to stop Buffy dating anyone for another reason? The simple fact is, there is exactly one common denominator with all of Faith's romantic entanglements: Buffy.

It's a canonical aspect of Faith's character that she is jealous of Buffy. We see that made explicit in Enemies - she's jealous of everything Buffy has: her family, her comfortable home life, her friends, her narrative standing, and of course her loving partners. So of course Faith displays jealousy whenever Buffy is involved with a guy. It's a necessary part of building Faith as this figure of Want and Envy. But how it plays out on screen isn't that Faith is jealous of Buffy because she wants these other guys - of course not, because we see her look jealously through the window at Buffy and Riley in This Year's Girl and Riley obviously means nothing to her. Rather, it very much appears that she is jealous of these other guys, because she wants Buffy.

There's also the added bonuses that come from the show playing with so many metaphors, that sometimes they cross in interesting ways. One of Faith's main purposes is to celebrate being a Slayer, and to encourage the same in Buffy. She wants Buffy to accept and embrace being a Slayer. Here, Slayerhood is standing in for independence and hedonism and making your own rules, all the things that Faith is encouraging. But one of the many other metaphors used is the 'coming out' metaphor. "Have your tried not being a slayer?" "It's because you didn't have a strong father figure isn't it." "I've tried to march in the Slayer Pride parade." It's a note that's hit really hard specifically around the time in the show that Faith is introduced. So if you carry this metaphor on, then Faith becomes an out-and-proud lesbianSlayer, trying to convince Buffy to accept and embrace her sexuality.

And it has a recursive effect too. All this stuff contributes towards Faith feeling like a very queer character. And Faith, of course, is Buffy's shadow self, meant to represent her unconscious desires. So when the symbol of your unconscious desires is so lesbian-coded, then the implication becomes that one of your unconscious desires is lesbian desire. Faith's existence as a part of Buffy implies the existence of Buffy's bisexuality. Which contributes to the relationship feeling ever more queer, which makes Faith even gayer.

I find this absolutely hilarious, because the queer subtext was never intended. Joss Whedon apparently was annoyed that people read this into their relationship, and the commentary from the other writers that does address it tends to point to Dushku's performance. And yeah, she is definitely leaning into that in her portrayal. But the main reasons that so many people have this reading all come from the writing. It's all stuff that is integral to the point of her character. Every metaphor and function in the narrative, every symbolic purpose she has, none of it was meant to be gay and yet it all leads directly to Faith appearing to be totally and completely gay. The queerness is accidental and unavoidable. And I just find that really fucking funny.

[biceratops7]

Why does barely anyone talk about this?

This dialogue from poker night 2 is the single most important scene to Sam and Max being a canon couple in the entire franchise.

Let’s break it down.

It starts off with Ash giving Sam what is honestly a very sweet comment about the anniversary they’re celebrating.

At this point it can still be assumed that the anniversary is solely to celebrate how long they’ve been freelance police, especially given to “retirement” conversation. But then claptrap and Ash this:

Here we have the other characters clarify that they’re celebrating this as a relationship, first of all flat out comparing it to one, and second of all using a very common line reserved for long time couples.

Well so what? There’s been instances of other characters like Sybil pointing out their relationship as romantic, so why is this one so special?

Because there isn’t a single one of those times either Sam or Max both acknowledges and confirms these statements in a meaningful way except now.

This has literally never happened. Sam uses the word “relationship” with a (figurative) capital R, and therefore the ambiguity of the word “partner” is finally done away with. It would’ve been the easiest thing in the world to say “careers” or “business” or even “working relationship” but he didn’t, cause that’s not what he means.

Every other Sam and Max “gay” scene can fit into 4 categories: it’s (probably) played for laughs, it’s noncommittal (can technically still be platonic), they deny it or chicken out, or it’s just Max being gay and doesn’t really have to do with him and Sam’s relationship.

This scene has none of those things. There’s no “never mind” element, the language is explicit, and it’s not funny. It’s literally just Sam and the poker crew mundanely talking about how long he and Max have been together as a couple.

Actually I lied, it IS funny, but the joke has nothing to do with the possibility of gayness being funny and actually adds to the scene taking this element seriously.

The punchline is that Max’s memory is so bad that even the most basic things about Sam are always new and interesting to him even after 25 years… how cute is that??

Since Poker night 2 canonically takes place after everything in the telltale games, you can also make the argument that even if they weren’t officially together before, they definitely are now. Maybe the the events of the devil’s playhouse finally convinced them both to take this aspect of their lives seriously, who knows?

You can unpack a lot more with poker night 2 in general, but I just hope people start giving this scene more love.

[spotsupstuff]

What is Skullplum in your Fruit Twins AU? Are they a couple or a friend-like dynamic between the two characters?

Short answer: friends with (all kinds of) benefits turned revenge-made-empty-husk-of-her-former-being and clinically fucked up murderous untreated sociopath who is Lowkey addicted to her cuz magic n while he recognizes she isn't able to reciprocate any real nice feelings back and will never again be able to show him the care he craves, he's too Desperate for a face he can trust to listen to his common sense and rather gives in to his delusions of possibly having what they used to have once she gets what she wants

The only time Anything romantic came up between them was pre-vibe check in the form of Six confusing his feelings for romantic ones cuz he was new to this whole "relationship with someone who I don't consider part of my monkey family", but he realized quickly he’d rather love her platonically after they had a small talk together. Both agreed that kissing each other on the lips makes their skin crawl, being all mushy in early mornings and sharing themself to the other 100% at times are all commitments they EITHER aren’t ready for yet or just don’t feel comfy with

More in detail answer for their FT!history: HOOOOO BOY

So it all started with the fact that Six Ear has had some rough decades behind him. After the burning of the Huaguo shan, 49 years of complete radio silence from SWK followed which made everyone think that their king was deadass dead which was very stressful for the general public and absolutely soul crushing for the other two monkey siblings. Ma, bless her poor heart, wasn’t able to stop asking Six Ear to just Try and find SWK with his supernatural hearing every day for like 10 years because of how distraught she was about it, so one can imagine that Six, the youngest of the little royal monkey family, Was Going Through It already while also having to balance taking care of the famine plagued mountain sometimes all by himself.

After the 49 years, finally came the moment when Buddha trapped SWK under the Five Elements Mountain and like immediately Six knew about it. So that was a relief. He and Ma came to visit SWK, Ma cried and cursed the fuck out of SWK for deciding to lead that war on Heaven while kissing his forehead and cheeks and then Six tried to free him but to no avail ofc. WHICH means that the 500 additional years of famine, suffering, stress and crushing reality that their King is Right There but they can do literally NOTHING about it has begun.

As expected, Six have had multiple breakdowns about this whole situation (the other Stalwart Generals did too) even though they had support from the Bull Demon kingdom and one day he decided he should vent to a tree on White Tiger Mountain (WBS’ residence) n he got pretty loud, ending up beating the tree into sub-atomal level out of frustration. White Bone Spirit heard that and was like “who the fuck is destroying my trees, I ain’t got many of those”, some of other demons living on the mountain came rushing to her shouting bout some powerful McFuck walking around the mountain, scaring them shitless, so she decided that “Okay, maybe I should really deal with that, don’t what that Other demon stirring up chaos in my house” and so she came down.

They ended up fighting cuz Idk, Six was in the mood to kinda fight and somehow the fight ended up being a lot of fun for the both of them cuz they were pretty evenly matched. At some point Six started cracking out sassy remarks which WBS hasn’t really experienced before so it intrigued her beyond reason. She Be Curious Lil Lass.

Fight ended as a draw and they decided they should start meeting up cuz both were interested in the other for entertainment purposes, Six really needed some more lighthearted less-emotion-draining activity than taking care of the Huaguo shan and WBS was just “👀 fun?”

Cue around 250 years of relationship building, they danced together, sang, playfought, talked about their issues, taught each other some moves be it magic based or martial arts based, Six Ear ended up telling her small tidbits from future that he listened to to pass the time. WBS was especially interested in his special ability which really flattered him so the future telling was a common occurance. This is where the whole Destiny shtick that WBS has in the show gets birthed and it also explains why she is so certain that she will one day get to great power.

After the time BDK pulls back his support to Huaguo shan because of Red Boy being born which causes even more complications for the monkey kingdom and Six ends up having to say goodbye to WBS cuz at that point he’s. kinda the only food source for his whole home island thanks to his shadow hopping to mainland. WBS understands and they part ways without any drama, hoping to see each other again one day when things will be maybe better.

And Then JT/TW Stuff Happens.

SWK is freed by Tripitaka, they get the rest of the pilgrims on team, meet WBS, Myerder Of She happens except instead of Actually dying on the third hit she doesn’t keel over and instead switches into bossfight mode. The pilgrims end up having to trap her in Her Bones Box. Journey goes on, the conflict between Six and SWK happens, SWK ends up having to kill Six, Six’s body is buried at the roots of Himalayas and he takes a trip to the 17th hell (like presumambly he did in canon). Few years pass, the journey “ends” (it ends a bit differently in Fruit Twins than it does in the og novel) and the fake Mayor or, at the time, the Fragment, revives Six thru some of that WBS magic he has going on. Poor Six woke up in his own grave still buried, half reformed from being just skeleton at this point and had to dig his way out of there all by himself. Turns out the Fragment was looking for him under the wrong tree.

Six wasn’t in a good shape cuz of the whole Hell Thing + the injuries from his fight with SWK stayed as if he JUST finished the fight and cuz it was an immortal being that beat him up he couldn’t heal those things up quickly as he would normally, so the Fragment ends up taking him to The Bones Box where WBS is able to talk to him again. The Fragment helps Six recover and Six helps WBS craft her whole Destiny plan that is applied in the LMK time through his future hearing.

This is also the time when his “addiction” to her becomes a thing. My idea behind it is that as a shadow being, Six Ear needs an inner “light source” to be able to use his powers. Before all of this, he had SWK, what with the King’s strong golden glow and all. This whole bond is purely spiritually gained and it was very strong with SWK since they are literal Yin and Yang pieces. They belong with each other, compliment each other, empower each other. Loving twins power and all that.

After the JT/TW fight was done, SWK severed this bond, therefore leaving Six without any light to fuel his powers. During his recovery with WBS, she offered her own light. In the show her light is, I’d say, much more mellow, soft, one could say almost weak when she’s not trying to use it to Intimidate. This all is VERY good for Six because yanno how shadows grow longer and darker at dawn. Thanks to her type of light, he wields more power than he ever did when he was light-bonded with SWK.

And he just can’t get enough of that. The power is intoxicating. It’s sweet, it runs down his arms nursing his burns from the 17th hell. The blue glow bends to his will easier than the golden light. He can twirl it around his finger, he can tear any shadow from a wall. He can create a giant shadow avatar, an extension of his own self. ...it’s a comfort of someone being there after he was oh so unjustly left by brother and casted out by sister.

It’s great...

Never does he want to lose this.

After he recovers he says his goodbyes to his beloved friend and goes on his way to adventures throughout the euroasian continent for the next centuries. WBS, at that point, is already incapable of producing a genuine positive emotion. For all purposes, the yaoguai Six made friends with is gone for good, but he doesn’t really realize that until reflecting on his recovery time with her some decades later.

But, still, even after that realization, when the Fragment comes to fetch him to help out with finding the Skeleton Key (which is lost in Fruit Twins rather than given by WBS to Six), he comes without much protests. It takes the two of them multiple years to finally fucking find the thing, but Six is a clever little shit with great contacts all over the place and shit ton of experience at this point thanks to his mercenary work and journeying, so they manage. The Fragment takes on the name of the Mayor and Six sends him to Wan Qian Cheng to set everything up. HE is going to come a bit later to them. His reason for that is to gather more information on Sun Wukong cuz “Oh fuck, my brother is showing up after all this time?? I need to figure out why the cunt is doing that.” and subsequently on the Qi Xiaotian team as well.

Then the s1e9 happens, s2e7 follows up and he still gets choke held by the Mayor but he doesnt struggle much cuz he knows he isn’t in actual danger and at this point he just doesn’t give a shit about anything that doesn’t Actually pose a danger to him so he lets it happen (thats how I explain to myself the weird lack of overall reaction at the end of that episode). The Mayor drops him off at WBS’, she gives him the offer to become HER marshal and he almost takes the offer cuz everything is great, right? It’s his old friend, he trusts her with his life- fuck, she GAVE this life to him, he should be grateful about that.

But he refuses because of the kid she is possessing.

See, Fruit Twins!Six has a weakness for kids (like proper kids, Xiaotian/Xiaojiao don’t count. they’re young adults n all). Normally he’s a ruthless gruesome fighter, but if a kid is around he’s trying to be somewhat decent and get the little ankle biter to safety. He has a strong mom instinct cuz of him being of the Yin and seeing the Host, a 14 year old girl in THAT kinda position, was like getting dunked into freezing water. He knew that the Lady wasn’t what she Used to be, but he didn’t expect This.

So he ends up declining her offer.

He attempts to escape, but because of the shadow lantern WBS catches him and traps him in there until she is able to leave the Host’s body and be physical without the girl’s unwilling help. After the s2 finale, she is able to do so.

The girl ends up in jail-cellars of the Spider Queen’s lair, WBS lets Six out and with the kid out of the picture, he pushes all common sense away for the sake of being able to be with someone he knows and trusts out of desperation for safety and rest. He hasn’t been able to really relax for a few centuries now and he Knows he gets to do that with WBS right there- the time he spent with her during the Huaguo shan famine is the evidence! And she DOES do that for him, she doesn’t hurt him or truly leaves him before either asking for his full consent and/or informing him.

After ages of social deprivation and loss, the Six Eared Macaque couldn’t be happier.

AAAAAND that’s where the fruit twins version of s3 picks up n this single relationship changes how it goes almost completely because it’s basically the exact opposite of canon! -glares at canon Mac-

[firelxdykatara]

ppl love to forget that katara: 1. has her own taste, 2. developed around aang, he needed her for his development and vice versa, 3. ZUTARA IS SHIP BETWEEN AN OPPRESOR X OPPRESSED!!! Ignoring all of the development they had with their respective partners and the trauma Zuko caused Katara!!

In the infamous words of one Luke Skywalker: amazing. every word of what you just said was wrong.

It’s actually kind of ironic that you bring up Katara’s taste, since, throughout the show, we have examples of the guys she likes, to greater or lesser extents in canon--Jet (explicit romantic feelings on her part, word of god that jet was her first kiss--a kiss that would have been consensual, incidentally, something you should keep in mind for later) and Haru (she denies the crush, but that could just as easily have been because of the abomination he’d been growing on his lip rather than denying those feelings ever existed), both of whom have much more in common (in terms of both emotional and physical maturity, and physical appearance) with Zuko than either of them has with Aang.

Zuko’s book 3 hairstyle is almost exactly reminiscent of Jet’s, even, if not quite as floofy.

(This is probably in part because of Jet’s function as a foil of Zuko within the narrative, particularly given their book 2 encounters, which I think just further solidifies my point that, were it not for extenuating circumstances [like the fact that Zuko was introduced as an enemy and they had significant obstacles to hurdle before they could be friends], Zuko would have been exactly Katara’s type. Had they met under different circumstances, she could have been the girl he went on a date with in Ba Sing Se. Just something to think about.)

So, yes, we’ve established that Katara has her own taste. Her tastes seem to be boys with great hair who are taller than her, the same age or older, and of a similar maturity level.

Aang falls short (heh, short) on all counts. So it isn’t Katara’s taste in boys that led her to be interested in him. Hm!

Next, you claim that Katara ‘developed around Aang’--that she was necessary for his development, and that he was necessary for hers.

Let’s take a moment to examine that, shall we?

I will absolutely grant you that Katara was necessary for Aang’s development--only to a point, of course, but we’ll get to that later--but was he really necessary for Katara‘s growth? I suppose I could grant you this on a generous technicality--he did, after all, provide her with the means to finally leave the South Pole and find a waterbending master to teach her (although she wound up largely self-taught anyway). But that had nothing to do with his relationship to Katara and everything to do with the structure of the plot--Katara and Sokka find Aang (and he never would have gotten out of that iceberg without Katara’s own righteous anger, so even that leads back to her own power), and then they go on a quest to find teachers for the Chosen One and save the world.

The story could not have begun without first finding Aang and then providing means for the other main characters to travel with him (or, in Zuko’s case, chase him), but this has nothing at all to do with Aang’s relationship to Katara. Aang was not a mover in Katara’s developmental arc--if anything, he acted as an obstacle more often than not, his actions ranging from innocent but obnoxious (playing and flirting with girls rather than helping with chores like picking up vital supplies, leaving Katara to do all of the quite literal heavy lifting and keeping her stuck in the role of caretaker that she’d been thrust into following the death of her mother), to deliberate and harmful (hiding the map to Katara and Sokka’s father, a truly selfish action, regardless of his lack of malicious intent, and one for which he never actually apologized), to somewhere in between (”she didn’t really mean that” he says to the man refusing to train Katara because she’s a girl, when yes, she very much did mean that, and Aang was no help in finally getting the old codger to eat his words--Katara had to shove them down his throat her own damn self).

While Katara’s overall arc wasn’t exactly big and dynamic (like Zuko’s redemption arc), or in-your-face (like Sokka getting force-fed Respect Women Juice and his eventual growth into a tactician and leader), it was very much present and woven into her character--and Aang had almost no part in it. He provided her with the means to get to the North Pole, but left Katara alone to fight the patriarchy herself. He messed around while Katara took it on herself to do the chores and keep the Gaang alive, but he did almost nothing to decrease that burden so she could grow out of the caretaker role. (Contrary to popular shipper claims, Aang didn’t actually teach Katara to have fun. She already knew how to have fun. But she couldn’t indulge, because she had a responsibility to her family and her tribe, and later to her brother and Aang and Toph, and Aang goofing off and trying to get her to do the same only added to her burdens rather than subtracting from them.) He provided Katara with the necessary motive to learn to heal herself, but he certainly didn’t seem to learn from the experience of accidentally burning her, preferring instead to claim he was never going to firebend again, despite already knowing, at that point, that he was going to need to master fire along with the other elements to become a fully realized Avatar and defeat the Firelord.

He didn’t help Katara keep them alive during The Desert. (In fact, he ran off, leaving her to desperately try to keep Sokka and Toph from succumbing to the heat while worrying for his safety.) In The Painted Lady, Katara makes the decision to stall the Gaang and do what she can to help the Fire Nation villagers on her own--Aang agrees to help her when he finds out, but he wasn’t actually instrumental in her making that choice. The Puppetmaster was, again, Katara finding a master of her own, and having to deal with the fallout from that. And in The Southern Raiders, Aang was--perhaps unknowingly, if I’m being generous, because he is a child and could not reasonably be expected to fully understand the implications of what he was asking her to do or why it was impossible--actively impeding Katara’s development! She desperately needed closure, something he could not understand and actively belittled and dismissed. The only reason he relented in the end (but not without a condescending ‘I forgive you! Does that give you any ideas???’ parting shot lmao) was because Katara was planning to take Appa anyway, and letting her go (and hoping she’d just magically wind up doing things his way) was easier than trying to fight her on it.

While Aang’s existence was necessary for Katara to start down her own path, she needed neither his guidance nor his approval to follow it--and absolutely nothing would change about Katara’s arc if you removed their romantic relationship entirely.

Possibly because the only changes needed to do so would be to remove the two times Aang kissed Katara without her consent (which, hopefully, no one would actually miss), and the epilogue kiss (which was awkward and unnecessary to begin with, since ending the entire show on a romantic kiss as the final shot kind of missed the point of the story to begin with, but that’s another discussion). None of these kisses (which are the only moments in which Katara’s feelings for Aang are so much as addressed; do note that addressing them, or hinting that they needed to be, is not the same as saying she exhibited any sign of reciprocating them) altered anything about Katara’s behavior, her personal arc, or (and perhaps most critically) her relationship with Aang.

It’s that last point that is really damning, as far as ‘Katara obviously had feelings for Aang, she kissed him in the finale!’ goes. Because she didn’t ‘obviously’ have feelings for him. And the fact that he kissed her before the invasion and then she forgot about it (she literally had no idea what he was talking about during the play’s intermission until he reminded her that he’d kissed her) is pretty clear evidence that she didn’t actually have feelings for him. Not the kind he had for her.

I’ve been a teenage girl. I know what it’s like to be surprise!kissed by your crush. And I absolutely for a full fact know that I had not completely forgotten about that kiss three months later and had, in fact, spent most of my waking hours thinking about it and remembering it and trying to talk to him about it. Now, granted, I was not in the middle of a war, but even if I had been, I doubt I would have needed reminding about the fact that the boy I’ve supposedly been developing feelings for had kissed me and showed clearly that he had those feelings for me too.

At the very least, if Katara was harboring feelings that she was worried about approaching until after the war, her relationship dynamic with Aang should have shifted. But it didn’t. She acted the exact same way with him after the Day of Black Sun as she did before it--that is, as a mother figure and a caretaker, responsible for his wellbeing. (And it’s clear she never took him down off the pedestal she needed him to occupy, either--let it not be said that the unhealthy aspects of their relationship only went one way.)

And book 3 is, incidentally, where Katara went from being vital to Aang’s development to being detrimental to it--or, rather, Aang’s refusal to let go of his attachment to her (despite ostensibly having done as much at the end of book 2) was. Because despite having been told by, perhaps, the greatest authority left in the world on Air Nomad culture (even more than Aang, who had left his temple with a child’s understanding of his culture that was never able to mature because he got stuck in the ice berg while his people were wiped out) that he had to let go of his possessive attachment to this girl who never even expressed the possibility that she might harbor romantic feelings for him to begin with, after Azula killed him and Katara brought him back, he went right back into the mindset of Katara is mine, it’s just a matter of time.

And the narrative validated him for it.

Notice how, during Ember Island Players, Aang says the following (emphasis mine):

“We kissed at the invasion, and I thought we were gonna be together. But we’re not.”

First of all, if you go back and watch the scene, it’s clear it wasn’t a mutual kiss. Aang sprang a surprise kiss on Katara, which left her shocked and unhappy after he flew off. (The decision to have her looking away and frowning was a deliberate one on the part of Bryke, who wanted Katara’s feelings kept ambiguous. Heaven forbid you allow the animators to make it clear that this fourteen-year-old girl who was just kissed without her consent by someone she’d never once demonstrated romantic feelings toward might actually have some. Heaven forbid she have a little agency in her own romantic narrative. But whatever.)

Second, he says he thought they were gonna be together.

He thought.

He never once even asked Katara what she thought--or even how she felt. He just assumes. He assumes that if he kisses her, she’ll kiss him back and they’ll get together. He assumes that she must have feelings for him, even though her body language is closed off and she told him with her words that she did not want to talk or think about this right now, and kisses her regardless of those signals, upsetting her and leading her to storm off.

And the narrative rewards him, because despite the fact that they don’t have a single significant scene together after that second disastrous kiss, Katara just decides off-screen that she Does Love Him Really and walks onto the balcony to make out with him.

The upshot of all this being that, while Katara was indeed instrumental to a lot of Aang’s early growth and development, Aang was not necessary for her own arc, and their romantic relationship (such as it was) actively hampered Aang’s development in book 3, while removing it would change absolutely nothing for Katara (except saving her from some painfully embarrassing memories).

As far as your third point, I’m simply not going to get baited into explaining how reducing Zutara to an ‘oppressor/oppressed’ relationship is not only insulting to interracial couples irl (not to mention any other couple with a potentially unbalanced dynamic of societal power, since there are many more axis of oppression than just racial), but demeaning to Zuko and Katara, their personal arcs as well as their relationship development together.

However, I will point out that Zuko was not responsible for any of Katara’s trauma. She did not find violence and fighting in bending battles to be traumatic--in fact, she reveled in it. She enjoyed fighting against Zuko at multiple points (especially noticeable in their battle at the end of book 1), because she wanted to fight--she always had--and once she had the ability, she was ready to throw down with anyone who gave her the slightest reason. (Including, by the way, her own potential waterbending master.) Aang’s death at the end of book 2 was Azula’s doing, and while I think that contributed to Katara’s extreme reaction to Zuko joining the gaang, it was not something for which she actively blamed him, and it wasn’t something she believed would be repeated--she let him go off alone on a journey to find the original firebending masters with Aang well before she chose to forgive him. So she already trusted Zuko’s intentions and that Aang would be safe with him.

Finally, because this has gotten long enough already, I hope you now understand that Zuko and Katara getting together would not require ignoring any of their development with their canonical romantic partners. We’ve already established that Katara’s arc wouldn’t change in the slightest if all of Aang’s romantic advances were removed, and I haven’t even gotten into how Mai meant nothing in the grand scheme of Zuko’s development because I’m pretty sure that’s just self-evident. I mean, the video compilation put together by Nick showcasing Zuko’s journey throughout the series doesn’t include a single scene with Mai, though it does include several with Katara, and even Jin makes an appearance--because Katara, and even Jin, played key roles in Zuko’s personal journey, while his relationship with Mai happened entirely off-screen and her only real function was to showcase just how unhealthy trying to force himself back into the role of the Crown Prince was for him.

What development, exactly, is there between them to even ignore?

At any rate, I’ve gone on long enough--I hope you enjoy the fact that you activated my wordvomit trap card right when i was about to go to bed, anon, because I just spent two hours writing this instead. In case you’re interested in the TL;DR: at the end of the day, there was no meaningful, mutual development in Kataang’s romantic relationship, and those romantic feelings that did exist were largely one-sided and ultimately detrimental to Aang’s development in the final third of his overall arc. Meanwhile, Mai meant nothing to Zuko’s journey--rather like Aang’s romantic overtures, she could be removed from the show completely and nothing about his story would change--while Zuko and Katara were both vital to each other’s overall storylines, arcs and development. This, coupled with the fact that Zuko never actually traumatized Katara and, in fact, helped her achieve closure from the biggest source of her own trauma, means that Zuko and Katara have better and more believable build up that could potentially lead to a romantic relationship than either of them have with their canon romantic partners.

So no, anon, I didn’t forget anything--I think you may have, though. Perhaps a rewatch is in order? Make sure not to close your eyes for the back half of book 3 this time.

[fanghuas]

hi!!! I've been following u for a while and ik u're super into hanwenzhou and tbh i never really got it. but now I'm genuinely curious like what is the appeal? i hope this is okay to ask and doesn't come off as negative or smthg i just genuinely wanna know!!! also i love ur blog btw!! <333

Ahh thank you, you're sweet! <3 Doesn't come off as negative, don't worry, at this point I kinda feel like I ought to issue an apology to the non-hanwenzhou crowd for spamming their dash with it every day. I'm into it a normal amount, as you may have noticed 🤭

I don't really think I can give an answer that doesn't venture into headcanon territory, or isn't influenced by all the fic I've read, because Han Ying has a pretty limited role in the show (but a main role in my HEART :D), so bear that in mind.

Part of the appeal for me is definitely whatever unspoken history he has with Zhou Zishu. Of course you don't have to read it as romantic, but I think if you want to explore his character at all you do have to venture into why he's like that about Zhou Zishu. Like, when we see him alone or interacting with other characters, he's cold, competent, arrogant -- I didn't at all imagine that he was going to be one of the "good guys" (in many many air quotes because...it's WOH) when we saw him threatening Gao Chong for the Glazed Armor, you know? I actually think it's a shame we don't get to see more of that, both to get a better gauge of who he is outside of Zhou Zishu, and because it would highlight how different he is with him.

When it comes to the hanzhou aspect of the relationship...I've been meaning to write an actual fancy-worded meta about it for months but I keel getting distracted by feels. Idk, something about the lethal devotion, the unresolved pining, the history that leaves so much to the imagination. I also feel like their every interaction is so inexplicably tender? Interestingly, I think their first in-show meeting in episode 8, which got a lot of people, myself included, to thinking there's some feelings at least on Han Ying's side, is also the most guarded -- compare to the...I'm sorry but it's almost a morning after scene, in ep 10, or all of ep 29. I think in ep 8 they're both playing up their respective positions and the dynamic those assume. Look at the two bow lifts! Yes, both of them make me melt, but I think the second is even more vulnerable? And Zhou Zishu, after JUST having realized he messed up by giving Wen Kexing the Glazed Armor and kickstarting the whole Four Sages of Anji mess, just gives another piece to Han Ying like it's nothing. I know I'm reaching, but if it is within reach, why should I not? Headcanons are free real estate. This is turning into a rant, but to wrap up: I just can't help looking at them and think there was something there -- most probably, unrealized or unspoken, but it was there.

As for Han Ying and Wen Kexing, which I think might be more of an...eh?? How? To people who aren't already into it (and that's fair!), I'm really interested in how drastically Wen Kexing's attitude towards Han Ying changes within literally all of two meetings? By Han Ying's death, Wen Kexing obviously cares, even if it's just because he realizes that Zhou Zishu cares, and I think it's kind of a turning point for him and how he thinks about the collateral damage of his plans? I love exploring what their dynamic could have been! I think they could have found a lot of common points, even besides (puts on shipper goggles, yeah, sorry) an undying love for Zhou Zishu. They're both mostly solitary people, with strong loyalties, a generous helping of ruthlessness and a casual disregard for their own lives, and this is still simplifying it. Both of them want to belong without really hoping for it. I genuinely think they could be good for each other. Hell, I'd be happy to read 100x fics where they're just really good pals, I just think they deserve more people in their lives who will care about them. But also...kidnapping your lover's not-quite-ex and holding him by the throat is sexy?

How it all comes together: they are all, and I cannot emphasize this enough, fucked up people, and I love them for it. In many interlaping ways, but also in vastly different ways, and I think they would balance each other out. I love wenzhou's zhiji relationship, but I also like that they don't (immediately) have that with Han Ying: I think they could understand and complement each other very well, but they have to work hard at it.

If this giant block of text didn't put you off, tell me your thoughts, I'm curious! And in case you're curious enough to feel like taking a foray into fic...there's some gems out there that I cannot stop screaming about, so hmu :D

[sevenkittensinatrenchcoat]

Misto’s Mating Dance Partners

Because the White Cat Lift AKA Mating Dance scene of the Jellicle Ball focuses mainly on Victoria and whoever she’s dancing with, what’s going on in the background is often ignored. But, there’s a clear pattern. The other cats pair off, go to the edges of the stage, forming a circle around Victoria and Her Man. They then do...whatever. There don’t seem to be official rules for what the pairs do, so some of them nap, some of the stare out into space, some of them cuddle...

And some of them blatantly fuck.

This scene is often called the Cat Orgy because of the blatant fucking that often occurs. So, you can watch the characters, see who pairs up with who and whether or not they fuck. Because Misto is my favorite character and one of the easiest to identify in even low-quality bootlegs, I went and watched him during this scene in every production in my bootleg collection.

Part One: Failure

In several of the older productions, I couldn’t see anything. Bootleggers and professionals alike tended to zoom in on Victoria and Her Man and stay there for most of the scene. Mexico 1991 mainly did this. Also, Vienna, with its Dark Voids and Weird Editing Choices was impossible to decipher.

Among the newer productions, Madrid was lost to Weird Editing Choices. Most of the dance wasn’t even visible! There were long close ups on Old Deuteronomy and Grizabella doing nothing when they should have been filming Victoria and Plato doing Something. It wasn’t even like they were distracted by an interesting background event. They just held the camera on characters who weren’t doing anything other than Reacting Slightly.

Part Two: Mistoria

Paris and Zurich paired Misto with Victoria for the Mating Dance. There was a slightly different dynamic with Misto and Victoria than there is when Plato or Tumblebrutus is Victoria’s Man. When Plato or Tumble, the most common choices for this part, approach Victoria, they’re awkward, but they still sort of take the lead. Victoria comes across as a bit shy at first, but she quickly gets into it. In the Mistoria versions, Misto is far more nervous approaching and often jumps back startled after touching Victoria. It feels like Victoria takes the lead in these versions, turning her back and basically being like “lift me”. Zurich Misto in particular is practically freaking out and the lift is kind of bizarre to watch because he looks so tiny!

Part Three: You’d Think Misto/Cassandra Would Be a Bigger Ship

Broadway-based productions, which paired Alonzo with Demeter, seemed to love pairing Misto with Cassandra for the Mating Dance. Troika and Buenos Aires did this and they did it in the same way. Misto and Cassandra practically have a dance of their own, performing the same motions when paired together. Usually, these pairs tend to seem like they’re improvising a little, but this specific couple has its own choreography.

The idea to pair Misto and Cassandra most likely comes from Misto later choosing Cassandra as his “lovely assistant” when he brings back Old Deuteronomy. In most productions, they don’t have much interaction outside of that. In Troika, Cassandra is also one of the cats who sometimes stands in for Coricopat and Tantomile, who were cut. Coricopat and Tantomile’s twin stuff was given to Mungojerrie and Rumpleteazer, while a lot of their psychic moments were given to either Demeter or Cassandra. So, in Troika, Misto and Cassandra are both mystical cats of some sort, which brings them together, because it’s something other cats don’t get.

I’m not super into this ship, because I generally don’t ship Misto with women, but the implications of the pairing in the Troika version are interesting.

Part Four: Lonely Misto

Hamburg, The German Tent Tour, and probably Moscow didn’t pair Misto with anyone. He just sat by himself. In Hamburg, there was a reason for this. Just like how Buenos Aires and Troika gave Misto’s role of fetching Old Deuteronomy to Skimble, Hamburg has a Mistotable instead of a Skimbletable.

I probably should’ve listed Moscow as a failure, but I’m still not sure what happened there.

The German Tent Tour just has Misto sitting by himself. He crawls to the Cuddle Pile, does a handstand, and no one cares.

But, the German Tent Tour shows signs of being part of a trend. While earlier, Broadway-based shows liked pairing Misto and Cassandra, newer productions never seem sure who to pair him with, so you have this scene of a lonely Misto surrounded by happy, horny straight couples and looking a bit out of place. This was probably unintentional, but it gives Misto an extra layer of gay coding.

Part Five: More Recent Stuff That Doesn’t Fit in the Other Categories

The 2013 UK Tour does something a bit interesting. Misto just sort of naps during the Mating Dance, but Carbucketty, who’s been following him around and imitating his dance moves for the past few minutes, lies down to nap at his feet. They don’t really interact and they’re barely touching, but it still counts as a pair. This is the closest I’ve gotten to finding a version where Misto’s paired with a tom. Of course, compared to most of the straight couples in any version of this scene, there is no horniness to be found. So, they’re two bros napping next to each other, but not quite cuddling ‘cause they’re not gay :(

Also I think Carbucketty might’ve ditched Misto for Rumpleteazer at the last second. We can never have nice things.

The Broadway Revival, having different choreography and staging for most of the Jellicle Ball is interesting in the way the Broadway Revival is usually interesting (kind of frustrating tbh). In the new choreography, everything from Bomba’s solo through the Mating Dance is basically one scene. Some queens dance, even more queens join them, a bunch of toms show up and pair up with them, the Boys Ballet and Whirlygigs are replaced with a romantic dance, everyone takes a hit of moonlight and things start to resemble other productions a bit more from there.

Because the pairs pair up quickly and stay together for a long time, it’s easy to see all of them. Only most of the cast is paired up, but I can identify, Tugger/Bomba, Munk/Demeter, Alonzo/Cassandra, Skimble/Jenny, Plato/Victoria, Coricopat/Tantomile (why do the siblings always stay together for the horny scenes?), Mungojerrie/Rumpleteazer (they’re probably not siblings in this version, so they get a pass), Pouncival/Electra, and Carbucketty/Sillabub.

Jellylorum, Tumblebrutus, and Mistoffelees are absent. They’re offstage until the Mating Dance properly starts. I have no idea where Tumblebrutus went, but this isn’t about him. Tugger crawls past Misto and they almost interact before Tugger leaves with Bomba. Jellylorum pairs up with Misto, presumably because neither one could find an actually date.

Now, the actress who played Jellylorum in this production has said in interviews that she played Jellylorum as the same age as Tugger. (The actors are besties irl so they made their characters besties too). So, this isn’t quite as weird as if feels when you first read it. Everyone’s the same age in this show, except for the kittens. Electra, Sillabub, and Pouncival were played as literal children in every scene but this one, because no one can escape the cat orgy (except Tumblebrutus, for some reason). But, unlike in 1998, which featured a lot of crack pairings during this scene (Tugger/Jenny, anyone?), pretty much every pairing in the 2016 orgy is the most obvious pairing possible. Anyone who didn’t have an obvious opposite gender counterpart was given one, except for Misto, Jelly, and Tumble. They could’ve brought back Peter (renamed Asparagus) from the opening to be Jelly’s obvious pairing, and then just had Tumble nap on Misto’s feet like 2013 Carbucketty, but they didn’t.

The result is that they created a bunch of comphet pairings but simply couldn’t do so for Misto. All his usual comphet pairing were taken. Cassandra’s with Alonzo and Victoria’s with Plato. Knowing that Tyler Hanes and Ricky Ubeda both shipped Tuggoffelees, they probably didn’t want to do the comphet thing either. Up until this point, this production had actually downplayed Tugger/Bomba, compared to other versions and added Tugger/Misto moments. I think, if it’d been allowed, Tugger and Misto would’ve been paired up there. Bomba can be like 1998, not having her usual partner and just going with whoever’s not paired up, which would be Tumblebrutus this time. Peter could be there for Jelly. Everyone’s happy!

But seriously, Gay Misto Mating Dance Scene when? Somebody get on that. People already find the horniness in Cats to be weird and adding gay horniness won’t make much of a difference.

[darkcircles4lyfe]

retrospective & predictions

Since we're on a hiatus week (between 320 and 321) I feel like waxing poetic about the depth and growth of bkdk for a bit. Especially because it seems like we’re right on the edge of their biggest development yet, I’m getting the urge to lay all my perspectives and insights I’ve picked up from others out on the table. This is ultimately only my subjective interpretation of subtextual material in canon, though. If you’ve never quite understood what people see in their dynamic and you’re actually open to hearing me out, maybe from this you can at least see where we’re coming from. And if you don’t like my takes after all, well, we’ll see who’s right in the coming chapters, won’t we? What I have to say can be taken platonically or romantically; I appreciate both. 

putting it under the cut, since it’ll be long:

At the risk of projecting, I want to start by examining a couple things based partly on personal experience.

From many different directions, I often hear people expressing that Deku’s persistent attachment and admiration for Bakugou is baffling at best. Despite the bullying, despite Bakugou’s loud, rude, and uncompromising personality, he still puts effort into their relationship and frequently describes him as amazing. It seems like Deku himself is aware of this as he’s said things along the lines of how he’s difficult, BUT... etc. Although I don’t think it’s exactly that Deku finds Bakugou’s personality hard to be around, but that he’s deliberately expressing patience for Bakugou’s emotional turmoil. 

I have to say I know what this sort of patience is like, as I went through it with someone I love. I only chose to put up with their behavior because I decided the possibility of what our relationship could be was worth it. I wasn’t blind or submissive to how they treated me, and I wasn’t coerced. I simply expressed myself and established my boundaries while still allowing them the opportunity to join me in my world once they got over their own hangups. And guess what? It worked out in the end. That doesn’t mean there aren’t circumstances where it’s better to cut ties, but I want to stress that true reconciliation is possible sometimes. I used to worry that other people around me thought I was delusional for seeking it, but what really helped was my therapist reminding me that I’m smart and strong. So I think Deku deserves to feel the same. In a way this is his whole mission in life, his approach to being a hero as well as his personal relationships.

Let me also be clear though that I don’t mean Deku is only tolerating Bakugou’s personality, his mannerisms, the parts of him that will likely never change. I’m drawing a line between those things and his emotional state (they so rarely align anyway, but I’ll get to that later). In fact, I think Bakugou’s general attitude is part of what Deku admires. This is gonna be hard to explain without inserting personal experience too, sorry. As a writer myself I’ve noticed I’m drawn to writing characters that are brazen and bold and don't mind telling people off. Really it’s because I operate in the world in the polar opposite way. I try not to draw attention to myself, I’m quiet, and I’m a people-pleaser. People who project confidence, especially in an impolite sort of way, fascinate me. It’s good to take cultural context into account, too: I've heard people who’d know better than me that part of the reason Bakugou is the most popular character in the Japanese fandom is likely because he contradicts a lot of their social norms. His disregard is refreshing and cathartic. I can speculate that Deku has a similar point of view based on what he thinks but does not admit about Bakugou being his image of victory and how this sometimes makes him mimic Bakugou’s speech and mannerisms: 

There’s also the bit in this fight where Deku realizes he's the only one able to receive Bakugou’s emotions. This is because he’s the most intimately familiar with him and his situation, but I think there’s another layer. Deku, as we know, has a self-sacrificing tendency, and in the current chapters we’re seeing the worst side of that. But let’s also not forget that to an extent, it can be a positive trait: resilience. When it comes to Bakugou, he has an almost comical ability to dodge the potential fallout of his outbursts. The example we all jump to (and fight about..) is how in ch1, apart from the initial shock of Bakugou suggesting he jump off the roof, the most he reacts is to criticize him for saying such a ridiculous thing. However, I think their interaction post- sludge villain is a lot more interesting:

Note two things: 1, in his head, Deku is practically making fun of how Bakugou’s acting as he stomps away without waiting for a reply. It doesn’t faze him. 2, Deku thinks, optimistically, that he can now focus on a different career choice. This is astonishing really. Up to this point, none of Bakugou’s attempts to put him down have worked; he just kept pursuing his dream. The only reason Deku concedes in this moment it because for the first time, he has been shown that he really couldn't do anything in a fight against a villain. All Might told him he couldn't be a hero (although he’s literally about to take that back in the next few pages lol) and the other heroes at the scene gave him a lecture about it too. It was those experiences, and not Bakugou’s words, that truly affected him. And when All Might tells Deku he can be a hero after all, it’s not thinking of Bakugou’s bullying that makes him sob and fall to his knees, it’s the memory of his own mom never telling him those words he so desperately needed to hear. Having spent most of their lives together, Deku must have been aware all this time that Baukgou was influenced by larger societal forces rather than a core judgement, so he didn’t take it personally. He separated the person from the action, and because he’s resilient and patient, he is thus equipped to handle Bakugou’s emotions. It’s a testament to his maturity and emotional intelligence, really. 

But I can almost hear some of you saying, “that doesn’t mean Deku should have to be the bigger person here!” Correct! Just because Deku is perfectly alright bearing all of that, doesn’t mean atonement-era Bakugou sees it this way. We can track his awareness of Deku’s care and selflessness as follows-

The bridge scene, when they’re little kids: Bakugou conflates Deku’s heroism with pity, and subsequently thinks Deku is looking down on him because Bakugou’s own insecurity makes him defensive.

The Sludge Villain, and also Deku vs. Kacchan Part 1: Bakugou witnesses first-hand how easily Deku jumps to risk his own life, but still thinks he’s being looked down on. 

The Sports Festival: Bakugou fights Uraraka and recognizes her endurance strategy and refusal to give up as very Deku-like. He’s half right. He thinks Deku advised her in the fight, when in reality she just mimicked Deku because she admired him. I want to draw attention to his very sober comment about her not being frail. It’s a great endearment of Uraraka’s character and Bakugou’s respect for her when others didn’t take “fighting a girl” seriously, but it also reflects on his opinion of Deku. Deku isn’t weak either. He never was.

Deku vs. Kacchan Part 2: Deku finally corrects him about the whole looking-down-on-him thing, and Bakugou is informed that Deku’s selflessness is in fact the reason All Might chose him. Since Bakugou had been in search of what he himself was “doing wrong” for All Might to favor Deku over him, he now has to reconcile the fact that selflessness is a heroic trait, and moreover something he lacks. This is also possibly the first time Bakugou is able to see his past actions toward Deku as bullying since he previously thought it was more mutual. Additionally, Bakugou can now link Deku’s selfless behavior to what he perceived as pity/contempt, and realize that Deku has been giving him A LOT of grace. Maybe too much. Maybe more than Bakugou deserves, and definitely more than Deku should have to. Holy heck- now Bakugou has to figure out how to live up to all the faith that’s been placed in him. 

Subtextually, we can see Bakugou’s feelings about atonement reflected in the Todoroki family:

1, Shouto is another example of Deku growing a friendship using his selflessness (since their fight in the sports festival) and their relationship is being acknowledged here where it hasn’t been in Bakugou’s situation. Perhaps Bakugou is wishing it could be so simple for him, to be able to thank him for being his friend like that. Deku saying the pleasure is all his also probably calls to mind how a mere apology from Bakugou would probably be dismissed because that’s just the kind of accommodating person Deku is. Bakugou has to operate more quietly in order to actually make up for their past. I personally don’t interpret this scene as Bakugou being jealous of Deku and Shouto’s friendship, exactly, just the lack of emotional baggage. Side note, Deku and Fuyumi are kinda similar in their desire to repair relationships. I like that she’s the one to give him some credit. 

2, With the common terminology, this can be interpreted as Bakugou receiving a model for atonement, one that is about action, and nothing to do with receiving favor or forgiveness. It’s a sense of duty. 

Many of the above sentiments are repeated in the flashback conversation between All Might and Bakugou right before Bakugou’s sacrifice. 

Bakugou acknowledges his bullying and that it happened because of his own insecurities, but aside from that, it’s interesting he neither confirms nor denies All Might’s suggestion that he’s trying to atone, or that Deku doesn’t see it that way. All Might is a bit of an unreliable mentor sometimes, but I don’t think he’s misreading here. Rather, Bakugou is displaying his tendency to hold back when talking about things that would make him really emotional. Besides, admitting to what he’s doing kind of defeats the purpose. He isn’t seeking acknowledgement. All Might has gotten to the crux of the issue here when pointing out that Deku doesn’t recognize the atonement, likely because Deku doesn't think Bakugou even needs to atone. Am I reading into it too much to say Bakugou looks wistful at this? It’s kinda frustrating sometimes trying to interpret Bakugou’s actions because he’s so paradoxical. Loud and in your face, but also extremely reserved. Sometimes I feel like I’m grasping at thin air, but hey, being hard to figure out is part of his intrigue as a character. The simplest way to look at him is to assume that unless he’s really showing vulnerability, he’s probably deflecting and hiding something.

Speaking of Bakugou’s tendency to to hold back emotional stuff, there’s his apparent lack of issue with Deku calling him Kacchan. Maybe to begin with, in his warped perception of things where he thought they hated each other, Bakugou saw it as Deku’s way of getting back at him for calling him “useless,” and didn't dare give any indication that it actually bothered him. However... consider how betrayed Bakugou has appeared when he was noticeably thinking Deku was looking down on him- the bridge scene, and the beginning of their first year at UA when he thought Deku was hiding a quirk all along. He looks shocked and hurt. That kind of emotion couldn’t be invoked by someone Bakugou didn’t actually care about his relationship with. “Kacchan” comes from a long time ago, before their relationship was strained, so it’s connotations are pure. Maybe somewhere deep down, Bakugou has always been hoping that Deku’s continued use of the nickname was not simply a matter of habit or teasing, but a vestige of friendship they’re both clinging to, and Bakugou himself was too afraid to admit to himself that he felt this way about it, so he mostly ignored it. (These are not original thoughts I am having here lol, this is a common interpretation. I’m just laying everything out like I said.) 

And now we turn to the current situation. Personally, I’ve been looking frantically back and forth between them wondering who’s going to break down first (Deku vs. Kacchan Part 3, this time it’s just a fight to get the other person to cry? ha.) Both have looked like they’re approaching a breaking point for some time. Also, I’ve addressed this before, but I think it’s significant that Bakugou is no longer wearing his mask with his hero costume, in contrast to Deku recently donning his own. It feels symbolic of Bakugou about to be upfront about how he feels.

The question is, what is it going to take to get Deku to accept help? If you ask me, Deku has dug himself so deeply into the I’m-doing-this-for-everyone-else’s-safety-and-smiles hole, no common sense argument can possibly reach him. By the end of 320, Deku’s mask is off, and we can see how desperate he truly is. But he has not cried, yet. I predict we’re going to see a bit more of his defiance, this time on full display on his face as the remaining class members and his other friends take their turns. But then I think Bakugou has to be the one to break down so Deku can witness his actions having the opposite effect he intended. People have been pointing out that Deku is currently ignoring Bakugou, and oof, that’s gotta be intentional. Regardless of what Bakugou says, it’s going to be wrapped up not only in his understanding of Deku’s self-sacrifice, but also the betrayal Bakugou feels at being ignored/left behind that ironically echoes his previous perception of being looked down on, as well as a need to express how much he cares about Deku before it’s too late. He must show that the two of them are inseparable because they both act to save each other without thinking, and both feel like losing the other would be like dying themselves. All Might may have been right when he told them they could learn from each other after Deku vs. Kacchan Part 2, but he didn’t fully realize that idea by making sure they stuck by each other for support and balance. 

I can’t wait to see what it’ll be like when they do finally get to that point, totally in synch and in tune with each other. They’ll be a powerful force no one is quite prepared for. Who knows when that will be, or even which chapter will be their big showdown, but I know the day is coming.

To speculate even further, I think the 2nd user is going to be really important really soon. And no I don’t mean to suggest that the 2nd user is Bakugou. But I do think their resemblance is key. Okay this is gonna be convoluted...

See how 2nd is the only one still standing? I think that’s symbolic of him withholding his quirk. Deku may not even know what it is at this point, let alone have unlocked it. Given that 2nd approves of Deku’s strategy at this point, it seems odd for him to withhold his quirk based on lack of faith. I think if his quirk was something that would help Deku in combat, he would have shown it to him already like the others did. So what if those gauntlets of his are support items that are meant to make up for his lack of a combat-oriented quirk, rather than to augment it? Mind you, I still have no idea what his mysterious power might be, but I’m dead set on it not being explosion-y. Regardless, I think 2nd looking like Bakugou is more about aiding some grand visual parallel, so! You know how 2nd and 3rd were probably intending to do away with Yoichi but 2nd changed his mind as soon as they made eye contact? This is really a long shot, but I wonder if 2nd’s quirk has something to do with that exchange. Maybe it’s something psychological, or some 6th sense about people he meets. So... in that way 2nd’s quirk could play a role in bkdk reaching a deeper understanding? Idk! But it could be significant at least that 2nd left Yoichi’s question about why he reached out to him unanswered. 

One more thing- while I was gathering screenshots I found this. I think “you’re the last one I’m telling” might be foreshadowing for Bakugou revealing his hero name to Deku and it being a Big Deal:

As for other lingering threads in the overall plot right now, such as the UA traitor, Stain, whatever Tsuyu is apparently about to do, All Might’s car maybe in the background of the last page of 320... man I have no idea. All I know is there’s literally 320 chapters’ worth of build-up to this confrontation that can’t be interrupted. 

See you next week <3

[neon-junkie]

Hey everyone,

This will be my final post addressing the fandom conflict that has quite frankly gotten out of hand. Although it’s very likely this post will be picked apart, no matter how well intended it is, I will no longer be addressing, interacting, or responding to any further accusations made against me. Of course, if people have questions from a genuine place of interest, I will be happy to clarify anything for you, either via DM’s or non-anon asks. I will not be answering anonymous asks on this, as I do not want anything else posted on this topic. 

As a side note: For anyone tempted to wade into the debate, I sincerely ask you not to get involved. Do not make yourself a target, do not feel you need to ‘pick a side’, and please do not think you have an obligation to reason with either side. It seems to be well past the point of that, so please find people you get along with in this fandom and curate a space for yourself away from all this conflict.

Warning: This post will contain uncensored slurs, mentions of racism, paedophilia, transphobia, LGBTQ+ phobia, death threats, threats of violence, targeted harassment, and abusive language.

To start off, I want to apologise to everyone who has somehow gotten drawn into this mess by either defending me, following me, or interacting with my content. This whole situation with me began well over a year ago when I wrote a crack-smut fic featuring Javier/Micah, posted back in August 2019. A crack fic is defined as “a work of fan fiction that is absurd, surprising or ridiculous, often intentionally.” It was inspired by a camp interaction between Micah and Javier, and like many other fanfiction writers, I decided to write smut about it. The fic was titled ‘Dirty Fucking Greaser’, and if that shocks you, I’m sure you can imagine how shocked I was to be informed afterwards that ‘Greaser’ was in fact a very serious 19th century slur for a Mexican individual. My first encounter with this word as insult was via RDR2, where it was used like a very casual insult. My only prior knowledge of this term was in regards to the greasers youth subculture, so the severity was lost on me. This obviously does not excuse my ignorance, and I should have researched the term better, but this is just again to apologize for that oversight, the insensitivity, and to highlight that my use of this term was not meant maliciously. Following this being pointed out, I proceeded to make 3 separate apology posts [Unfortunately I can only find the third one: HERE], renamed the fic, and added slur warnings in both the tags and the fic description. When I continued to receive complaints and increasingly aggressive abuse (which included being told my apologies weren’t good enough and I should delete my account and even kill myself), I attempted to delete the fic and mistakenly abandoned it instead. I contacted AO3 to see if it could be removed, but they said there was nothing they could do. I contacted their DMCA takedown team, who also said they couldn't remove it. Please note that all this happened 7-8 months ago, and has been dragged on for almost a year. 

So, from this one unfortunate incident, I’ve been branded a racist, and someone who attacks POC, when all I have done is tried to defend myself and correct my past mistakes. I could have done this more gracefully in the past, but frankly when you’re suddenly the target of unrelenting callout posts and nasty anons, it’s very hard to be open to criticism of this sort, but this is what I’m trying to move past.

Over the course of the year, this one mistake has spiralled, and the crusade against me has somehow coincided with moral conflicts over certain characters and ships. This has devolved into dehumanizing abuse, witch hunts, death threats, doxxing, anon hate, and much more unpleasant behaviour.

I have been in fandom for a very long time, and at the heart of all fandom circles is the fear of censorship and subsequent purges, so the ‘ship and let ship’ mentality was more or less the pinnacle of fandom philosophy. And yes, this can be problematic in some contexts. People have their right to be uncomfortable with content, have a right to be offended by content, but that is not content meant for you. This argument has devolved into ‘what material is morally right to engage with’ and that is a mentality in which fandom will not survive, because for every person who is telling me I’m an awful person for writing about Micah, there are three other people telling me how much they appreciate me making that content. For every fic in which I characterize Javier and Flaco a certain way, some people are made uncomfortable by it and others tell me they enjoy it. And this isn’t just white people, but POC too, which makes it very difficult to know whether I am genuinely in the right or the wrong, especially when it comes to the concept of ‘fetishization’ which I have been made aware I need to educate myself on. I intend to do so, but I disagree with the common accusation that finding non-white men romantically and sexually attractive is inherently fetishistic and makes me racist. It’s pushing a catch-22; don’t find POC sexually attractive? Racist. Find POC sexually attractive? Racist.

I am always willing to be (politely) approached about anything my readers may be concerned about, but if it’s something I’ve specifically tagged for (such as themes, scenarios, etc.) I’m afraid you consented to reading it and with that I cannot help you. You are just as responsible for curating your space and what you see/read just as much as I am responsible for tagging it appropriately.  

On the topic of racism, I want to bring up my prior use of ‘white racism’ which has obviously been a point of contention among both white and people of colour. The (literal) black vs white concept of racism is incredibly American-centric, and as someone from Europe, which has a history of oppression against white cultures and those of people of colour, it feels inaccurate. However, this has recently been discussed with me and I came to the realization that while growing up, especially in the UK, ‘xenophobia’ and ‘racism’ were marketed as one and the same. So, with this little revelation in mind, I will no longer be using ‘white racism’ (Or ‘reverse racism’) to identify the abuse I have been receiving, but will instead call it by what it really is; dehumanizing, debasing, xenophobic, puritanical.   

Very briefly, I will also touch on the NewAustin situation, which has also been dredged into this. I did not ‘chase a POC from tumblr’. NA was a minor who for some reason was on my 18+ blog and took issue with me, likely from the ongoing discourse regarding my fic and initial mistake, as well as my interest in Micah. They were subsequently harassed into deleting their account by anonymous hate following various conflicts with other users for their support of me or their ships in general. I have never encouraged my followers to target anyone, and have always asked to be blocked and blacklisted by those who do not like me or my content. When NewAustin messaged me following the deletion of their blog, I was admittedly indifferent to the point of being unkind, and accused them of sending the hate themselves. This was based on the anon hate being racially-driven without there being any prior knowledge or publication that NA was a person of colour. This aside, I should have at the time, whether I believed it was my followers or not, condemned this behaviour. Regardless of the issues I’ve had with these people, it is never ever ok to send hate to anyone, no matter the motivation behind it, and that should have been stated at the time.

All I can do at this point is acknowledged and apologize for my past mistakes, and try to improve myself going forward.  

It is not my place to dictate the morals of the character/ship-aspect of this argument, and I am not interested in waging a war of opinion. This post is simply to clarify how I am involved in this, and why I am so viscerally targeted. You can draw your own conclusions, but I am no longer interested in this endless back and forth.

To my mutuals/followers, I stand by my request to not interact and to block and move on, as this is what I’ll be doing too.

Thank you for taking the time to read this, and I hope it makes things from my perspective a little clearer.

-RAT <3

EDIT: Just after this post was made, the fic in question was finally removed. I had to go through a DMCA take down, which can take months, since I originally abandoned the fic, thinking that meant delete. I explain this in more detail above. Said fic is gone, and has been gone since this post has been around.

[smokeonshadows]

We need to talk about the Bobbseys

Strap in, kids. This is going to be...a lot.

To put it bluntly, the way the Bobbseys were handled was messy, unnecessary, and probably the worst thing about an otherwise great season.

It's really disappointing because the Nancy Drew writers have already proven themselves to be not only good writers, but also socially conscious writers. They actively and publicly aim to be inclusive in their storytelling, so I think it's fair to hold them to that standard.

There was a lot of potential in the Bobbseys–they're a morally ambiguous brother-sister team of codependent twins from a rough/tragic past who sometimes lie, cheat, and steal in order to make ends meet. This is interesting, this is full of possibilities as to how they could fit in with the Drew Crew, and, most of all, this was a great opportunity to have complex representation of the south asian community that subverts popular stereotypes (model minority, traditional upbringing, perpetual foreigner, etc.). Amanda and Gil would've been great characters in their own rights...but instead they were used as nothing more than cannon fodder for an unnecessary, half-baked love square with low key racist undertones.

Problematic elements

I've already talked about the racist undertones in previous posts, but in a nutshell, Gil is portrayed as being controlling/aggressive/domineering (particularly towards Nancy and Amanda) and it's a stereotype that south asian men (and I'd say black and brown men in general) are misogynistic, aggressive, and otherwise abusive towards women. This portrayal is made even worse because he's meant to be a foil for Ace, a soft/gentle/sensitive/emotionally stable white guy who Nancy is obviously meant to be with. And for Amanda, she's also portrayed in line with the stereotype of asian women being very submissive (particularly to their male counterparts). I don't think any of this was intentional, but it's just not a good look.

This problem could've at least been somewhat alleviated if Gil and Amanda had been written as fully fleshed out characters who were going on their own journeys and were consequential to the story, but that didn't happen.

Stereotypes aside, another problematic aspect of the Bobbseys is that they both fall into the unfortunately common trope of being the character of color that the white character has a superficial relationship with and leads white character to realizing that they should actually be with this other white character who's been there all along.

Even when they have roles in the episode apart from being superficial love interests, oftentimes they don't do much aside from being useful for getting the Crew from point A to point B of a mystery.

Underdeveloped relationships

Was I the only one who found the resolution of the Nancy x Gil relationship in the season finale to be a bit abrupt?

While I appreciate that they showed how seemingly small transgressions within relationships can actually be red flags and that a situation doesn't need to escalate to full-on physical abuse in order to count as domestic violence, I found that the moment when Nancy has this realization and then breaks up with Gil lacked the emotional weight befitting that situation. I think this was the case because Nancy and Gil barely had a relationship. There was attraction and sexual tension, they hooked up a few times, but it was never shown to be a real relationship. It's not just that we didn't often see them together, but with or without him, Nancy didn't think much about Gil or what he thought of her and, more importantly wrt the breakup, we aren't shown all the ways that his treatment of her affected her sense of self or the way she operated. Nancy's relationship with Gil was inconsequential, so the stakes were low.

And yes, casual hookup situations can also turn abusive, but from a narrative standpoint, the way this particular situation was portrayed, it was given both more and less weight than it should've been given. It felt like the writers wanted the breakup to be big and impactful but they not only didn't work for that payoff, they also wanted to resolve it quickly so they could move onto more important plot points (the breakup was at the beginning episode and Nancy never mentions it or even hints at any emotional fallout from it ever again).

(Amanda was done dirty)

Actually, if anything, the big dramatic breakup should've been between Amanda and Gil. Even with her severely limited screentime, almost every time we do see Amanda, we are reminded of how close she is with Gil, how badly he treats her, how much she values his opinion, and how smothered she feels by him. And it sucks that we never actually get to see Amanda make the realization, stand up for herself, and confront Gil. All we see is Ace encouraging her to break away and then cut to her living her best life post-sibling breakup.

In the end, it's as if Amanda's pain and suffering was made to be less about her and more about Nancy/being evidence that Gil is not good for Nancy. Again, not a good look.

And Amanda and Ace's relationship is also underdeveloped compared to the impact that the writers seem to want it to have. Like, I don't understand why Ace would give her a pseudo-ultimatum ("I'll prioritize you if you prioritize me") at this stage of their relationship. Yes, they do seem to be more of a relationship than Nancy x Gil, but it always felt like they were very much in the budding romance stage. While he does talk about her when they're apart, we still rarely saw them interact with each other outside of the context of Ace needing to use Amanda's connection at the hotel or to her father or brother in order to help solve the mystery. And we don't learn more about or see a different side either character through their relationship with each other.

Poorly executed, unnecessary love triangles

The whole point of having a love triangle is to raise the emotional stakes.

It's always been my belief that if you're going to have a love triangle, you need to commit to it. That means making both legs of the triangle equally viable, developing both romantic options and both relationships equally.

As noted in the sections above, this was not the case with either love triangle, which makes the whole thing feel cheap and unsatisfying. Like I said in a previous post, I think it would've been more powerful if Nancy had two really great options, but in the end chose Ace because that’s what her heart really wants no matter how great the other guy is.

Anyone with a healthy understanding of love and relationships would choose Ace over Gil. It's no contest, no real choice, so it adds nothing to the conversation, it says nothing about Nancy or her feelings for Ace. It's inconsequential, the emotional stakes are practically nonexistent.

Literally, I feel like if you took the Bobbsey love triangles out of this season, Ace and Nancy would still end up in pretty much the same place wrt their feelings for each other. I mean, yes, the whole jealousy/green eyed epiphany thing did play a role, but the relationships with the Bobbseys featured so little and were so underdeveloped that it would be more or less the same as one of them flirting with a background character every once in a while.

And Nace still didn't end up together after all that! It's hinted that for some reason, Ace will be stringing Amanda along next season while he pines for Nancy. Which is exhausting.

This is really what we sacrificed two perfectly interesting characters of color for. I'm upset.

[shelobussy]

Ohmygod YES Susan Pevensie is awesome please talk to me about Susan i want to know everything you have to say

Literally THANK YOU for asking me this bc Susan Pevensie is a character I never get asked about and I have So Many Opinions.

I'm going to start by saying that Susan used to be my least favorite character in the series. This goes for the books and the movies. Some of it was for personal reasons--she reminds me of a couple of annoying ppl I know irl--but it was also bc I watched Prince Caspian which shoehorned her into a relationship with Caspian which I hated.

HOWEVER. I ended up rethinking this position after interacting with Susan fans and realizing that there are so many wonderful things to love about her!

(putting under the cut bc this got long)

Things Ash Loves About Susan Pevensie

Aight I'm not going to do a formal analysis yet on her, but instead rant about some of the unrelated things I adore about Susan Pevensie.

Susan the Archer

Look we all love archery here. I don't have anything more to say.

Okay, I actually do have more to say. I love the fact that Susan is a complete badass with the bow. You get the general impression that she's one of the royals in charge of public relations, traditions, foreign policy, etc. and yet she's the most competent archer in the series. One of the few things I liked about the movies is how they didn't downplay this. They actually let her be a badass and show off her skills.

Also the part where she kicks Trumpkin's ass was awesome.

Susan the Gentle

Susan being the most passive Pevensie was something I definitely underappreciated as a teenager. I think my non-ability to see past "I'm not like other girls" narrative and the combination of Susan being described as the most traditionally feminine woman in the Narnia series is what initially turned me off from her.

HOWEVER, now it's one of my favorite attributes! I love that Susan is a badass and the most beautiful woman in Narnia. She has hair down to her feet, every man and woman in the kingdom want to fuck her, and she's still a fucking badass who will not hesitate to kick your ass.

Susan the Sister

Most of my thoughts of Susan as an older sister mostly stem from my own personal headcanons, but she is an awesome sister to her siblings. She's Peter's voice of reason, Edmund's sass partner, and Lucy's big sister.

Susan the Mom-Friend

She is a literal mother-figure for Corin.

"[...] the most beautiful lady he had ever seen rose from her place and threw her arms round him and kissed him, saying: "Oh Corin, Corin, how could you? And thou and I such close friends ever since thy mother died. [...]"

-The Horse and His Boy, 33-34

Most everything I have to say about this ventures into headcanon territory, but I love the idea of Susan basically adopting Corin after his mom dies. The way she trusts Cor--who she thinks is Corin in this chapter--is really sweet and I wish we could've seen more of that relationship.

Susan the Flawed

Something I notice from the fandom is a lot of people who hate Susan tend to because of her flaws. On the other hand, most Susan stans like to wave away these flaws and blame C.S. Lewis for being misogynistic or Aslan for being a "cruel god" and ignore the fact that she is a deeply flawed person.

Susan gets something of a "reverse redemption arc" in The Chronicles of Narnia. This makes her not only a fascinating foil to Edmund--as both are analytical, logical people--but an interesting character by herself.

She starts out in TWW as very skeptical of Narnia and it's whole deal and also very condescending to Lucy throughout. She ultimately does admit that Lucy was right and does get on board with the whole prophecy at the same time Peter does, and ends the book being crowned "the Gentle Queen."

In The Horse and His Boy, she has a very interesting dynamic with Edmund and in even more interesting relationship with Rabadash. They don't even interact on-page with each other, but it's highly implied that she was interested in him when he was a guest in Narnia. His behavior obviously changed when she visited him in Tashbaan, but you have to wonder what their dynamic was like before for her to travel all the way to his home when relations between the countries were strained at best.

Prince Caspian is where the cracks start showing through. Susan has lived an entire life as an adult in Narnia, gets thrown back to England with her siblings, and is yet again in Narnia as a child. This book is what really emphasizes her one fatal flaw: convenience.

(Put a pin in that thought, I'll get back to it.)

Susan denies once again that Lucy saw something that the rest of them can't seen. She continues this narrative until every other sibling finally acknowledges Lucy in the right and only then does she apologize.

The last mention of Susan is in The Last Battle, where all of her flaws rise up against her in the worst way possible. I have a lot of controversial opinions on this that I'm going to address later, but I just want to say that Susan's reverse-redemption arc is something I actually like about her.

(There is also evidence that Susan does get a full redemption arc, just as Edmund and Eustace did, but C.S. Lewis was pretty much done with The Chronicles of Narnia at the point and instead encouraged fans to write their own version of how that went down.)

Okay, back to convenience being Susan's fatal flaw. So the one thing that comes up time and time again in the series is that Susan is very focused on material comforts. I believe it's implied that she's vain, and it's canonical that her own personal comfort spurs her to make decisions.

"[...] I really believed it was him — he, I mean — yesterday. When he warned us not to go down to the fir wood. And I really believed it was him tonight, when you woke us up. I mean, deep down inside. Or I could have, if I'd let myself. But I just wanted to get out of the woods and — and — oh, I don't know [...]"

Prince Caspian, 81

Prince Caspian has the strongest examples of Susan doing this, but certainly there's evidence elsewhere. There are a lot of fans who are distressed by this, claiming that Aslan and the others are too hard on her and shouldn't judge.

Honestly, I like that she's written with this flaw. Not only is it very relatable--(my own personal comfort and convenience is something I highly prioritize too)--but it humanizes a character who otherwise is ridiculously op and basically the Helen of Troy of the series. It may sound like I'm using this as an excuse to rant, but I really wouldn't have her any other way.

Susan As Portrayed by Anna Popplewell

Movie!Susan is a fucking delight.

She's sarcastic and badass and awesome and I could spend hours heaping praise on Anna's acting and her portrayal of Susan, but I can already tell that this post is going to be long so, I'll just stop here.

(10/10 want to be stabbed by her tho.)

Personal Headcanons

Let's talk about my fanon thoughts. I have many.

Susan is Aro

There's canonical evidence for this! Susan is a character who is heavily pursued by suitors everywhere, and even lets herself be courted by many of them, but chooses not to settle down. Even when she gets back to England and is described as only having interest in parties and material things, boys aren't mentioned.

I like to think that in The Horse in His Boy Susan was interested in Rabadash at first because he was a brilliant conversationalist. Nothing she says about him implies romantic interest, before and after she realizes the truth of his intentions.

Susan and Edmund Were Best Friends

This might be my love for The Horse and His Boy showing itself, but I think Susan and Edmund were thrown into circumstances where they interacted the most with each other.

Edmund is the ruler in charge of politics. Susan is the ruler in charge of Cair Paravel's public image. I imagine they spent time as ambassadors to other countries and planning royal functions.

They're also the most level-headed and logical out of their siblings, so they probably found a lot in common.

Susan Fancast

I literally just said I loved Anna's potrayal of Susan's (and I love what they gave us of older Susan too in LWW!), but I read the books in 2008 and my parents didn't let me see the movies bc I was like...nine years old and they thought it would be too scary.

So I had to headcanon my own interpretations.

Queen Susan the Gentle:

For some reason Merlin wasn't too scary for me to watch and I fell in love with Katie McGrath in like. Two episodes so. (On an unrelated note, I also fancast Bradley James as Peter at the time.)

Anyway, fanon Susan is basically Morgana Pendragon pre-evil arc. Sassy as hell, hot as fuck, and can kick your ass.

Unpopular Opinions

Yeah, feel free to skip this part if having controversial fandom opinions is a deal breaker for you.

The Problem With Susan Isn't Actually A Problem

I'm about to start so much discourse in the Narnia fandom, but C.S. Lewis's choices with her in The Last Battle weren't misogynistic. Bear in mind, I'm not saying that all of his writing choices in the series were A++ or excusing away certain racist/sexiest bits, but it's honestly baffling to me that people are so up in arms over Susan's exclusion in the final book.

So the part that everyone loses their shit over is as follows:

"My sister Susan," answered Peter shortly and gravely, "is no longer a friend of Narnia."

"Yes," said Eustace, "and whenever you've tried to get her to come and talk about Narnia or do anything about Narnia, she says 'What wonderful memories you have! Fancy your still thinking about all those funny games we used to play when we were children.'"

"Oh Susan!" said Jill, "she's interested in nothing now-a-days except nylons and lipstick and invitations. She always was a jolly sight too keen on being grown-up."

"Grown-up, indeed," said the Lady Polly. "I wish she would grow up. She wasted all her school time wanting to be the age she is now, and she'll waste all the rest of her life trying to stay that age. Her whole idea is to race on to the silliest time of one's life as quick as she can and then stop there as long as she can."

The Last Battle, 83-84

There's a lot to unpack here and I first want to say that everyone's opinion on this part, no matter how different than mine, is valid. I'm going to be quoting some other ppl's opinions on here and by no means am I bashing them. I just want to address my feelings on the matter and the best way to do that is to cite the thoughts of ppl who have opposing ideas.

Here are some arguments on Tumblr I've heard regarding "The Problem of Susan":

"How about we talk about what might have happened if Narnia hadn't deserted Susan? [...] What if we didn't tell Susan she had to go grow up in her own world and then shame and punish her for doing just that? She was told to walk away and she went. She did not try to stay a child all her life, wishing for something she had been told she couldn't have again."

"Narnia is filled with metaphors (often not very subtle ones) that are supposed to teach us how to be, and the most glaring one for any young girl to absorb is that it's okay to be a girl like Lucy, unthreatening and cheerful and valiant and faithful, but to be a girl like Susan gets you punished - in fact, you aren't just punished, you're destroyed."

"why do we call it ‘the problem’ where’s the problem about a young woman dealing with her trauma and choosing her own path, actively making the choice to keep living and to stay and to carve a life out in England when her siblings couldn’t? what is the problem about susan forgetting to somehow cope with what she’s experienced? why is it ‘the problem of susan’ that she recontextualised her faith?"

And then there's JK Rowling who said this:

There comes a point where Susan, who was the older girl, is lost to Narnia because she becomes interested in lipstick. She's become irreligious basically because she found sex. I have a big problem with that.

It's weird how I'm still finding new ways to hate JKR in the year 2021. Again, there is absolutely zero implication that Susan had sex when she came back to England. ZERO. Did she actually read the books? IDK. If someone shares this opinion pls reply with actual canonical evidence.

Back on topic, I'm a firm believer of death of the author and interpreting art via your own experiences. Which is why I'm also going to share my own interpretation by saying y'all are wrong.

Susan Pevensie was not abandoned by Narnia. She was not barred from Narnia because she is traditionally feminine or because she "owned her sexuality" (another opinion I didn't have time to condense down for this post) or because she recontextualized her faith or even because she deserved to be punished.

I also fail to see how Susan recontexualized her faith, as the entire point of it all is that she has none. Bringing this back to Susan's fatal flaw (personal convenience/material comforts), her prioritizing herself over her own faith is the reason she is "no longer a friend of Narnia." Not...whatever fanon y'all are imposing on her character.

Susan is not being punished for liking lipstick and looking pretty. Susan's not even being punished. Y'all read Neil Gaiman's The Problem of Susan and forgot it wasn't canon.

There are many reasons Susan is not in Aslan's Country (one of them being that she's not actually dead yet), but the main one has to do with this:

"[...] But there I have another name. You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.”

Voyage of the Dawn Treader, 215-216

Yeah, okay that's why Susan is no longer a friend of Narnia. The implication when the Pevensies are told that they can no longer enter Narnia is that they are to find Aslan in other places. Susan doesn't do this, instead choosing to focus her life on material things. It isn't the lipstick, it's that she only wants the lipstick.

Susan Had Sex In The Books

Oh and not in the context y'all are thinking. (Again, there are no implications that Susan was barred from Narnia for having sex or that she had sex when she came back to England.)

So there's actual canonical evidence that Susan and Rabadash had a sexual relationship. Sort of.

"What think you? We have been in this city fully three weeks. Have you yet settled in your mind whether you will marry this dark-faced lover of yours, this Prince Rabadash, or no?"

-The Horse and His Boy, 35

Edmund calls Rabadash her lover. Not her suitor. I don't know if the word had a different meaning in 1954, but it feels like C.S. Lewis is saying that they're fucking. I'm not really happy with the idea of Susan sleeping with an abuser, but really proud of her for Getting Some as a woman born in a time period where having premarital sex was a big no-no.

This also invalidates the weird opinion going on that Susan was barred from Narnia because she had sex.

Suspian Is The Worst

I haven't really talked about Movie!Susan much, but as long as we're talking unpopular opinions, it's worth noting that I hate Suspian. Some of it is the "Susan is Aro" headcanon screaming inside of me, but it's also the fact that it's written poorly, does nothing interesting for either character and generally comes across as awkward.

I feel like they were trying to make Prince Caspian sexy and relevant to teens. It came across as super heteronormative and unnecessary.

It also gets really really weird bc the next movie then gives Caspian and Edmund mad chemistry and we're all just like........ok.

Final Thoughts

Susan may not be my favorite character in the series, but she's grown on me over the years. I have many issues with fanon interpretations of her--which definately fueled some of my disdain for her initally--and I don't identify as a Susan Apologist.

I do however adore Susan and have many headcanons for her not mentioned here. I love reading fanfic, writing fanfic and meta, and generally having conversations about her and would love to talk more about it.

I welcome criticism (CONSTRUCTIVE) and conversation on all of my opinions and observations. Please drop into my inbox. <3

[anastasiaskywalker4]

MisterLuu

That is actually the best pairing DC can make out of Trinity aside Lois and Clark. Or Bruce

and Clark for that matter. They both fit Bruce well, though Diana is even more matched with

him. In fact she's the best match romantically for him out there. At least so far. Though

number of fanfiction and arts on the net would suggest that that spot is reserved for

Superman not Wonder Woman :D

Except maybe for Silver and Julie - all Batman's love interest are abusive and downright

toxic. Selina, Talia, Adrea, Jet. Because in terms of comics and not relationships it fits

Gotham mold. People just tend to forget it after rebirth run. Yeah the one that made Batman

impotent and unable to do anything without the Cat around. Exactly that one. And tend to

forget how terrible as human beings his lovers really are.

Going back to the point. Both Talia and Selina tried to kill him multiple times in the past, or

those close to him. Whatever right? Who wouldn't like a lover that tried to end you few times

over. Both assaulted him physically and emotionally. Repeatedly. Both scared his body and

his mind. Repeatedly. Both tried to seduce his wards (adopted sons if u like), just to get to

him. In Talia's case that was basically pedophilia. That's just sick and makes you want to

puke. Both are possessive bitches, Cat threatening his flings while they are in bed while

Talia, well Talia can even go as far as beheading (to her credit she was right with this one).

Both makes him a goddamn hypocrite. Both face no repercussions after a cold blooded

murder while at the same time he berates Diana like a dick when she came to look for his

friendship and support after Max incident. Difference is she had no choice while Selina or

Talia most certainly had. Great move Bats, hypocrite much? And most importantly they both

lie and betray him, and leave him. Over and over again. Again, that's a constant with Cat

and miss Al Ghul. Diana never showed any of those traits with any of her lovers.

Get any counselor or psychiatrist to read actual Bat love history throughout the decades

and they would be writing books on how disfuncional they are. For a love-hate dynamics

they work fine. Or for some adrenaline fueled sex, but that's it. Hell, he even banged Dinah

when they were on adrenaline high. It all has a clinical term. Trauma bonding. As opposed

to authentic bonding. Which he could have with WW, had even one of them tried.

They did not though. Out of fear of ruining their mutual respect and deep bond. In

pre-flashpoint it may have been a thing if Diana acted on it. Again, Diana, not Bruce, so cut

the crap on how he was deflecting her. He was in doubt, yeah, but clearly was ready to give

it a go. She was the one that got scared even though she was clearly had over bat hills in

love with him. Even Martian stated this to Supes. Pre Crisis ? Not really. Some flirting and

kissing, nothing more. Post-flashpoint, New 52 and Rebirth ? Also not, though DC like to

tease those two. Forever Evil gets a hint that Bruce feels more than friendship towards her,

much to Selina's dismay. And that goddamn tension when they got to spends decades

together in another realm. Mostly from Diana side again. But no. The real canon love that Diana had for Bruce was during pre-flashpoint, not counting alternative universes. And it

was so strong that it showed her loving him more than her mother and sisters. And her

lasso forced her to admit it when facing Mera. But Bruce was "dead" at that point. So yeah,

never acted upon this. Pity. You could see she regretted it.

Aside their comics history in canon universe, realistically speaking Diana is way more

similar to Bruce than Selina will ever be (or Talia for that matter). Even though at a the first

glance they are nothing alike. She's the light , he's the darkness. She believes in love and

trust, tries to see the good in everyone. He's cunning, distrustful and downright realistic to

her idealistic approach. She's honest and straight while he will not hesitate to lie or to use

violence to get results. And you know what? It makes for great couple chemistry and

tension. It may be a cliche, yeah, but Yin and Yang dynamics work. That's why Clark ends

up with Lois all the freaking time. Even on elseworlds he and Diana are a thing only after

Lois is out of the picture. But that's not the most important thing. Yin and Yang provides for

a tension yes, but it would never last in the long run. For a relationship you need also

something in common. And Bruce has that in spades with Diana.

They might be on opposite side of the spectrum but than you realize how much alike they

really are. They are both kindred spirits. Both born fighters, warriors at heart. Arguably two

of the best in the world. At least Diana is according to Batman. And judging by Wonder

Woman's choices in man that is a highly important trait to her. Both endlessly fighting for

others. Both have utmost respect and admiration for each other. Both tirelessly train to

make themselves physically and spiritually better. Constantly. And to make the other better.

Their sparring sessions are legendary. And heated. Both with a great heart and

compassion. I would argue that Bruce's compassion is even bigger than Diana's. Even

though their methods might differ they share the same goal, which he has with no other

woman. Both have the heart of a warrior and are pushed by the circumstances of their

upbringing to reach for impossible dreams. They are also two of the most stubborn and

obstinate people in DC universe. Both perfectly capable of operating solo, and yet both

performing the best in a team. And yes, Bats is a great team player. Both natural leaders

that other heroes follow without hesitation. Both selfless and able to sacrifice for those they

value, trust and love. None of the other Bat trollups have any of those traits. Not to mention

they emotionally and physically find the other highly attractive. One being a literal goddess

and the other perfect male specimen. As for Batman, his relationships tend to collapse due

to a lack of trust. He's either unwilling to bring his romantic partner fully into his world or he

can't bring himself to trust completely. While Selina got his trust now, it's recent

development. And a mistake judging by latest issues. Again. One would think he's smarter.

When it comes to Diana, he trusts her. Fully. She's not privy like BatClan is to his world, but

they aren't that close in mainstream DC. She's not a psycho with daddy issues or a violent

narcissist. List can go on. Selina on the other hand doesn't have that much in common with

Bruce than she has. Not even close. He loves her, yes. But I don't see Di leaving him

countless times over the choices he makes. Or lying, or betraying, or trying to sleep with

Dick to spite him or... you get the point. Though there is one thing that gives Kyle an edge.

Immortality. Diana won't die unless killed. It doesn't make for a great long term relationship

prospect. But then again, those are comics, and he's a goddamn Batman. He would find a

way :)

The thing is - there is no other woman that fits his world as much as Diana does. And Bat is

capable to loving deeply and going to great commitments with a special woman. He showed

it with Andrea, he showed it with Silver. Problem is he always got burned. Every time he let

his guard down and opened himself. And he would have to do it when it comes to Wonder

Woman. She deserves that. It's hard to imagine with current Bruce, but it is most definitely

possible. It would be harder than with an ex criminal or an assassin though. Because there

would be much more on the line. The other two would crawl back anyway if he messed it

up, Di wouldn't.

There is also another aspect to this outside comic universe. His partners tend to be minor

characters compared to WW. She has her own series, JL, JL dark and every major

crossover/event happening in DC. They don't. And so does Batman. Both are one of the

most popular DC characters.

Besides changes to Bruce writing that are needed to make this work (cough.. pre flashpoint

Bats... cough), it would require fitting it to their distinctive titles. And frankly Diana can easily

function without any love interest and generate money. It's even easier that way. It fits her

as an independent, strong female character. Arguably most iconic of them all. And It's most

certainly easier for DC with a tease here and there than an actual WonderBat in mainstream.

Maisterluu wrote this is a comment on a YouTube video which is dow in the comments. They make really good points for ww and bats. No hate to other DC ships with ww and bats.

[himboarcher]

reasons i've seen folks say that grad critics hate grad:

they hate travis (in fairness, i’ve def seen some comments of people shitting on trav for the sake of shitting on trav, but it’s not super common and typically gets downvoted into oblivion on reddit.)

it's not balance / travis isn't griffin (???????)

they hate neurodivergent people (again, in fairness, i have seen a handful of comments that could come across this way! but most of the time when travis being ADHD or his NPD is brought up, it's by defenders saying that criticizing travis is ableist because he's neurodivergent or, in one particular comment, infantilizing him bc of it and literally comparing grad to putting a kid's artwork on the fridge. there were some comments early on that pointed to him being a narcissist as the reason for things people disliked about grad, but everyone seems to have realized that that's a shitty train of thought and left it behind.)

they're just toxic haters (again, there are a small handful of people like this because this is the internet, but the genuine criticism greatly outweighs their bullshit. i 100% think that the people, which is mostly just one dude who is also insufferable on reddit, who have been responding rudely to positive tweets under the episode announcements lately are out of line and need to stop. there's been an influx of that lately, presumably because people are frustrated that after over a year of grad going on, there's been no improvement to most of the major issues. that's still no excuse to be a dick to folks, though.)

vs some of the actual reasons i don't like grad:

the racism / racist tropes, and the way that they’ve straight up ignored this criticism and will likely never acknowledge it. pretty wild considering a core tenet of their brand is their willingness to acknowledge when they’ve messed up and do their best to course correct.

clumsy attempts at inclusion that are shallow and often end up being fairly offensive ("...ask me about my wheelchair," anyone?)

on a related note: i don't think that travis had bad intentions, but as an nonbinary person, it feels othering to me that travis only has enby characters give others their pronouns unprompted. i'm thinking specifically of kai here. having listened to their introduction, i don't think it's as bad or awkward as some people have said, but i can't remember travis ever having another NPC tell the PCs their pronouns, especially not a cis character. it's not a huge deal, but it's something that rubbed me the wrong way. admittedly, i don't think it would bother me so much if travis hadn't dropped the ball so much with performative inclusion in the past.

okay i'm putting the rest under a read more because even without getting into all of the problems i have with it, this got Long.

little to no player agency. player choices are ultimately meaningless and have little to no effect on the world. even when he seems to go along with a plan they come up with, it always ends with them having to go back to travis' pre-written script (see: subpoenaing the xorn, but not really because they had to go with travis' original plan of "send the xorn home through the rift".) the players repeatedly get told things about what they think or feel or what they've been doing to an unnecessary degree. fitzroy is the only one who really gets space to play and decide things for himself, and that's only because travis has decided he's the main character.

the NPCs are all too nice and willing to give the PCs anything they ask for and more, unless the PCs are trying to follow their own plan and then the NPCs are completely useless. but honestly, aside from gray, all of the NPCs are just.... nice. travis refuses to even let his antagonists be mean or cruel or even more than just slightly rude, because that'd be a bummer and we don't want that! the "twist" of gordy the lich king actually being polite and chill is not a twist at all because everyone is like that in this world. the NPCs are also wildly overpowered, but then suddenly absolutely useless when the PCs actually want their help.

too many cliffhangers that are dropped immediately at the beginning of the next episode. i feel bad for travis because so many of these cliffhangers actually set up good momentum and seemed like things were gonna get interesting, but almost every single time he just dropped them at the beginning of the next episode. like when althea showed up to interview the boys and the next episode started with travis being like "actually you went to sleep, she said she'll be back tomorrow!"

that time travis specifically said in his exposition dump that the thundermen left their horses behind because they thought the centaurs might be offended by them riding horses, only to later on rag on them for being surprised that the centaurs had horses they could ride.....

also the centaur arc in general, but i already listed racism above, so.

the way that the toxic positivity and parasocial tendencies in the mcelroy fandoms have made a large portion of the fandom take ANY criticism as a personal attack on travis and/or on themselves for enjoying something others consider bad, either morally or just quality-wise. it’s okay to admit that something you like has problematic elements or just isn’t as good as it once was. you can and should engage critically with the media you consume.

related to above: the way travis has handled genuine criticism, which is to throw public tantrums on his twitter or make weird passive aggressive tweets & ultimately ignore all the genuine criticism and advice he's been offered by claiming it's all subjective, even after he specifically asked for it and set up an email for folks to send in genuine, objective advice for him (after he threw a tantrum on twitter and replied to someone's criticism publicly, which resulted in his followers dogpiling on that person bc how dare they insult their internet best friend). while i was writing this last night, he actually announced that he’s taking a break from Twitter and acknowledged that he’s been using it as an echo chamber where he can easily get validation from folks, and honestly i’m happy for him that he’s recognized this problem and is stepping away for a while! i hope he’ll genuinely use this time to reflect on how he’s been behaving and find a more healthy way to use social media. i’m leaving this point in because i think his Twitter being such a positive echo chamber was encouraging him to do stuff like this, and him somewhat acknowledging his behavior doesn’t mean it can no longer be discussed.

rainer. extremely cool concept in theory and i was very into it until that awkward "does anyone want to ask about my wheelchair?" moment. also when travis had her use her mobility aid to RAM INTO A DOOR instead of just fucking knocking???? also all the times travis has tried to force a romantic relationship between her and fitzroy, despite fitzroy displaying no interest in her in that way. also, just to clarify: as an ace person, i don’t think this is aphobic! (and it’s kind of a stretch to call it that imo, especially since griffin never explicitly said that fitzroy's aromantic!) i just think it’s weird and awkward and a little uncomfortable for me personally, mostly because it reminds me of the times i’ve been in similar situations.

less of a problem than a lot of the other stuff and more just bad writing, but the forced emotional moments. in general, nothing in grad feels earned (why are the boys heading a war? when they have multiple actual heroes with combat experience on their side and a supposedly powerful secret organization? and the thundermen are like 21 years old max and have only had like ~10 fights in the entire campaign?) but there've been a couple times where travis has tried to force unearned emotional moments, presumably because he knows people enjoyed those with the last campaigns. but the difference is that in balance, the big emotional moments happened because they were earned. in grad, it's just travis throwing a baby pegasus at us for a few minutes and then the next time she shows up, it's supposed to be a tearful goodbye.

there are absolutely no stakes. remember when the thundermen got told that if they left, gray would kill 10 students? and then they left and came back and it turns out that what gray actually meant was, "i'll tie ten students who are mostly nameless NPCs to a tree and throw some dogs at them that you can easily stop in time, then throw a tantrum because how dare you but i'll leave before you can really do anything to hurt me lol" travis did have fitzroy's magic get taken away, but like. it didn't really do anything? also all he had to get it back was be coerced into using drugs by an authority figure and trip in the woods?

we're told that the school is weird and the hero system is corrupt, but the world of nua is still presented as more of a liberal utopia than anything? althea getting fired because of a corrupt villain is the only time we've somewhat seen corruption, but even then, she was still allowed to get (what seems to me, anyway, but admittedly i don't know for sure bc nothing about the HOG makes much sense) a fairly important job from the very people who stripped her of her hero license or whatever the fuck heroes need?

travis doesn't actually seem to understand how capitalism or bureaucracy works and just chalks up everything to "red tape." also more on the rest of the boys than him specifically, but the "let's destroy capitalism!" thing turning into just pushing some filing cabinets over................... okay.

and one last piece of extremely subjective criticism: it's just kind of.... boring. i think a lot of people, myself included, would be willing to overlook 90% of the problems with graduation if it didn't feel like such a slog to get through.

also people saying that we can't or shouldn't criticize graduation because it's "free" is absolutely absurd for several reasons. first, something being free does not make it above criticism. second, there ARE people who directly financially support the show with monthly donations. three, there's a difference between something being free and something being not for profit. podcasting is their full time job. they make their living off of money made from TAZ and MBMBAM (and probably their other shows to a lesser extent). this not a fun home game that they are graciously recording and sharing with us. it is a product they are producing that they make money off of, both from ads in the episodes and merch & books based off of these podcasts. they have marketed themselves as professionals, and both griffin and travis have been on panels where they are marketed as professional DMs and appear alongside other professional DMs (which makes it incredibly frustrating when people say that travis is just a newbie DM and we can't criticize him because of that. if he's a newbie, then he should not be taking part of panels as a professional DM where he speaks as an expert). TAZ is free in the same way that an episode of NCIS is free. i may not pay for it directly, but the creators are paid to create it and profit off of me consuming this product. so saying we should be grateful for any mcelnoise that the benevolent good boys share with us and that we're not allowed to criticize it "because it's free" is absolutely wild.

[wowsoboring]

Deconstructing Baseless Harry Potter Arguments#2 (i) : Harmione Edition

Obviously I once again do not mean to target all Harmione shippers. I know quite a few who're very good human beings and tolerant and accepting above all. However these aren't. In this case, you might sense quite a bit of levelheadedness in the beginning, however you must not be fooled as it goes south and takes a nasty turn very quickly. Don't get your hopes up, this is some of the worst shit I've ever seen, especially the way in which it progresses through its course. Naturally, for this post I have picked my own style of writing which will match that of those redditors. Reddit is the perfect breeding ground for all these weird cults, honestly. I shall be resorting to a formal language and style of conversation, very much like a debater would to sound as pretentious as these do. These posts are found on the instagram handle toxicharmonyshippers who gather such toxic musings and sayings for Harmione shippers while respecting the ones that are nice.

1)

Oh yes, let's use words like 'vehemently' to sound smart, why not? Of course, this little tidbit of the highly stupendous post seems more or less civil at the start. They also have the common decency to say "some Romione shippers" rather than generalizing all of us. Very nice of you, how very saint like. Let's wait till they drop the act and show us their true colors. Harkening back to the argument, I have but one question for you, "where do you find these people?". Where's the proof? Who are these radical Romione shippers who worship Ron and dislike Hermione? I haven't seen any such shippers and I am surrounded by Romione shippers on tumblr, instagram and fan fiction sites as well and haven't met the people you speak of. Some point out her flaws, yes, but no one hates her or dislikes her that much. I have seen two or three Romione shippers across hundreds and thousands who're skeptical of Hermione's perfection. Skeptical. Not hating, disliking, or anything. Of course, unlike this person, I have evidence: find these pi charts for your referral (clickable): https://imgur.com/a/QfPnQbB

you can, through these, see the amount of Hermione bashing across Harry Potter fanfiction and you can see that even in Romione fanfiction there's more Ron bashing. Hermione-bashing is a non-issue. That's what it is. Regarding the "nagging" statement, where's the lie in that? "Annoying" is somewhat subjective, I personally don't find her annoying at all. Who are these people and how often do you find them? "Mary Sue" is only reserved for Movie!Hermione. I have only seen book fans call her that. No one has ever called Book!Hermione Mary Sue. The movie does paint her as a flawless, all-rounder who's also drop-dead gorgeous. Only things she's bad at are flying and divination, all of which she denounces as useless, even though flying is like biking for wizards, divination, sure, not that important. with a teacher like Trelawney, even I would denounce it as hokum.

2)

Remember what I said about waiting for them to show us their true colors, well here they are. Bask in the glory of their senseless arguments. Why, I am from reddit, heck I have 25 thousand karma points on there, I just left because it was too stupid for me but I can argue like them very well. And in this case I would like to say that these people are under the impression that Ron is just there in the story for the sake of existence. And he doesn't work hard. That argument is of course, wrong. Because Ron (in no particular order):

1) fights a troll when he's 11

2) is willing to sacrifice himself when he's 11

3) stands up for his friends

4) makes sure Harry feels like he belongs in the family

5) worries about Harry and rescues him from literal jail

6) stands up against Draco rather than by-standing and enabling his behavior

7) tries his level best to make sure Norbert the dragon is in safe hands and carries it out, albeit not in perfection

8) is with Harry every step of the way in his confronting the basilisk

9) sends Harry and Hermione long letters and calls them often to check up on them

10) stands up on a bitten leg to defend his best friend

11) always apologizes for any of his mistakes and is forgiving when others wrong him

12) works his way to join the Quidditch team unlike Draco who most certainly bought his way in

13) destroys at least 2 horcruxes

14) finds out how to defeat a horcrux

15) has an excellent enough memory and observation to notice Harry speaking parseltongue and also using it to his benefit which proves he's resourceful

now since I have 8 more such pictures to rebut and I do have a life, I will stop. These aren't even a twelfth of the remarkable things Ron has done though, so rest assured.

oh wait what did you say about him just existing and not working for anything? If I recall correctly, he did just as well as Harry did in school and didn't score well only in subjects he didn't care about. Which is true for most people except for Hermione who has an eidetic memory which not everyone has, understandably. Rote memorization is not the best way to get by in life, by the way.

what are the "so many reasons" behind why Harry is the best fit for Hermione? Kindly share so I can rebut those too, I'm rather free nowadays, my finals have been cancelled. You say there are so many reasons but don't even give one, yet you want me to take you seriously. I'm afraid that's impossible.

Romione shipper here, i don't dislike Hermione. I haven't met or seen many people in the book!romione fandom who dislike Hermione (except for Movie!Hermione). The question of someone you like ending up with someone you dislike doesn't particularly make sense. In Friends, Chandler ends up with Monica: now I'm not the biggest Monica fan (I don't hate her but I don't like her very much either) but they are my favorite couple because they make sense. It's about compatibility and character traits, not liking or disliking because that's just a set-up for a ghastly invitation for people to pair up hideousness. "Oh yeah, I like Harry and I also like Hagrid, they should be together. I mean it would be very very disgusting but that's my logic, now, you can't fight it. "- that's how you sound. Please read what you write. Your logic is just...abysmal. That's all I can say without breaking my resolve and berating you with colorful profanities.

3)

This is without the doubt, the easiest one to rebut. It's a delight to see such terrible arguments at my disposal. Come on, dear Harmione shippers, write something that makes me question my choices, not things that make me scoff in disbelief.

In this case, you're essentially providing us with theories. Unproved theories and speculation of what you believe because you'd say anything you like. Where's the proof of your theory, though? Where is that crazy radical Romione shipper who does this? Kindly show me these people. Oh yes, you wanna say we objectify Hermione and disrespect her and view her as a prize. This aches me, that you believe this. No one has ever insinuated this, ever, in the history of anything. What is this winner-loser theory? How do you round off Harry Potter to "an alpha-male ends up with lead-lady" trope and still say you're a fan of the series? Harry Potter doesn't fit in with that format. Ron, Hermione and Harry are co-heroes. Similar to how there's no main character in Friends or the Heroes of Olympus series or the Avengers. We're not living in the 80s anymore. Hermione will be a hero, invariably whether she ends up with Harry, Ron or no one. She ends up with Ron and that's it. Talking about her like this doesn't make you sound any better either. Now you're calling me a misogynist because I don't support the ship of two people who describe themselves as siblings. That's very mature of you. Well here's the thing- I'm not a misogynist. It's as simple as that. I believe that women are capable of anything and everything. I believe Hermione is an amazing person and she is a hero and a different person. I believe the series would be impossible without her. I believe she is no one's prize. There's no requirement of a prize. I just think, similar to canon and the truth and her romantic interest, she will have a great relationship with Ron. There's nothing complex or deep about it, really. No personal weird-thing, no psychological complex, no internalized misogyny. There's nothing deeper than what I said. I am not sexist. I am a feminist. I am all for women empowerment. I love women with the fabric of my being. I love Hermione. I think she's amazing. You only become sexist when you ship people with unstable power dynamics, a bully-victim relation or something of the sort. Neither Romione, nor Harmione are sexist. Heck if you paired Neville with Hermione you wouldn't be sexist. And I hate talking about this so much, I can't even tell you. This talk does make it sound like I treat Hermione like an object and I assure you I respect her and I normally won't talk like this unless someone just outright calls me sexist for something that's not sexist. And this is that situation.

4)

in the case of Romione, no one is too good for anyone. Both are amazing people who're heroes and have done amazing work. That's all I have to say. There's no league, they are romantically interested in each other. I have no intention on sounding lame, but, in love there is no league. As long as you're not putting in any effort and are extremely lazy and leech off of your partner, there is no such concept and no, Hermione is not "too good" for him. Unless of course you're talking about movie Hermione, who is too good for anyone.

5) (halftime!)

oh yes they try to pull this off and wonder why we hate them. Classic. This person likes to sound british, so let's switch up our language, yeah? At least then I won't be out of my element. Let me correct ya, Ron at his best is an amazing, loyal, friendly, brave, strategic hero. There you have it. Ron and 'git' can't be used in the same sentence. Now if you talk about Ron's achievements, I re-iterate you to point two. If it's too much work, here:

1) fights a troll when he's 11

2) is willing to sacrifice himself when he's 11

3) stands up for his friends

4) makes sure Harry feels like he belongs in the family

5) worries about Harry and rescues him from literal jail

6) stands up against Draco rather than by-standing and enabling his behavior

7) tries his level best to make sure Norbert the dragon is in safe hands and carries it out, albeit not in perfection

8) is with Harry every step of the way in his confronting the basilisk

9) sends Harry and Hermione long letters and calls them often to check up on them

10) stands up on a bitten leg to defend his best friend

11) always apologizes for any of his mistakes and is forgiving when others wrong him

12) works his way to join the Quidditch team unlike Draco who most certainly bought his way in

13) destroys at least 2 horcruxes

14) finds out how to defeat a horcrux

15) has an excellent enough memory and observation to notice Harry speaking parseltongue and also using it to his benefit which proves he's resourceful

hey, see, I like Ron and I took the time to copy-paste this instead of asking you to scroll up. And I'm a lot of bad things but I am not lazy. I stick to my deadlines like Hermione. I start my homework in library class and continue it during phys ed the day its given. And I am not exaggerating. Bloody hell, I wish I was. I'm the ceo of deadlines, mate, don't tempt me! So you can see that Ron is much more than just a "nice bloke". And being a "nice bloke" isn't a bad thing either. He's all the things I said: intuitive, strategic, helpful, loyal and on top of that he's also a nice person. Yes, I do see a bit of myself in Ron. I do. I see the insecure side. I waste my time hating myself and criticizing myself and undermining myself, telling me I'm no good. But Ron overcomes that. He inspires me to appreciate myself. Is that a bad thing? Are you going to shame me for having a low self-esteem? Do you want to worsen my low self-esteem and make me feel more like shit?

Now the person who replied to your comment saying, "he isn't a nice bloke most of time.", he is. He is not being nice twice in a span of 7 years. How often do you act rudely or with jealousy? Wasn't Harry yelling at everyone in caps lock in OOTP. Now I don't condemn him for that because he's a fucking hormonal teenager like me and that would make me a hypocrite, but by your logic why don't you condemn him? Or why not condemn Hermione for saying "I only date good Quidditch players" and shoving canaries at Ron's face because someone else kissed him, while she kept using Krum and Cormac to make him jealous. She wasn't being a nice girl, then, was she? Now, once again, i don't dislike her or hold that against her because guess what, mate, I'm a hormonal teenage girl who gets jealous most of the time and would probably react in a similar fashion in the spur of the moment (Not defending her actions here, just putting myself in her shoes.) In short, Ron is a nice bloke MOST OF THE TIME.

6)

It would be misogynistic to think that. The thing is, NO ONE DOES my dear friend! My dear daft friend. I have never heard anyone say that! why are you so hell-bent on portraying us as misogynists when no one ever says that? Stop assuming. Just stop. You are crossing a limit here, aren't you? Yes you are. You cannot say these sort of things. We never said that or believed that, no one ever said this to be a reason to ship Romione. God what is wrong with you? Literally, stop fucking ASSUMING god damn it! Do you want me to assume things about Harmione shippers? Do you want me to go there? Because I will go there! I will go there the moment you tell me to. Just challenge me.

Ron is not a perfect best boi , the reason why so many of us like him is that he's imperfect and tries to become better through the course of time. You are once again assuming and I am once again asking you to stop.

Ron might be an ordinary wizard. He might be poor, sure, but he's a pure-blood and won't face much if he chose not to fight. But he did. He fought. Now I identify with Ron's attitude a fair bit, but I am also likely to spend my day in a library without noticing. People aren't one dimensional. Stop trying to act like you're a psychologist, i know you're not. I don't even think Hermione's overbearing at all! You just insulted someone you're a big fan of. Jesus.

Both Hermione and Ron are strategic, jealous, passionate, feisty, argumentative, intellectual...

that's like 6 similarities. They aren't polar opposites in the slightest. Their differences are just: workaholic, not workaholic. Nerd, not a nerd. Like that's fucking it, man!

8)

being relaxed doesn't make you less independent or driven. A relaxed and levelheaded Hermione will think through things, not be impulsive, not panic etc. She doesn't need Ron. I don't understand your obsession with acting like we ever insinuated that. Then she doesn't need Harry either lol. Stop shipping her with Harry, then or like shut the fuck up. Being a bit relaxed won't stop her or anyone from hitting great strides. Just don't get relaxed to the point you're lazy and casual about everything, that's it.

9)

What do you mean? Ron is balanced. He does finish his work on time. And even if he does procrastinate, she could also help him not and be more driven. Of course, this is an open invitation for you to call me a sexist bitch because I said that she could help him and now you'll think her goal is to help him become better yada yada yada. Fuck off. Defeating the horcrux taught him enough. He respected her. He remembered about the elves when she didn't. He begged to be tortured instead of her. He wouldn't need it because school work and jobs are different and the same person might perceive those differently. Calmness and relaxation doesn't hinder your potential. Not caring and laziness does. You can't function if you work and are stressed 24/7 with zero breaks. Period.

10)

No i do not want (nor does anyone want) Hermione to become Ron. Being slightly calmer doesn't change up your personality. I'm sure many people dislike those sort of fanfics without a doubt. I hate OOC and I don't want Hermione to lose her intellect with Ron because that makes no sense. Ron himself is intellectual and loves arguing with her. They'd boost each other, more like it.

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okay thats it i am exhausted as fuck. thanks for reading, i appreciate it. notes and reblogs are appreciated, this takes work.

[duchezss]

Buckle in folks cause I’m about to put more effort into this than an english assignment Presenting Why Jurassic World Camp Cretaceous is actually an amazing show

Now what defines the term amazing you might ask? I’m talking about a show that goes above and beyond in plot, characters, storytelling, and overall experience. Nowadays most adult shows don’t meet my standards much less a kids show so if that gives you an idea how good this show is stop right now and go watch it if you haven’t. Spoilers ahead ofc but as an aspiring film major I will be diving into just about everything I love and this is gonna get long. 

For your convince I will start with a simple bullet point list and then extend on them below, so if you only wanna see the big points and not my thoughts behind them this first parts for you. 

Black mc 

Diverse main cast (4/6 are poc) 

Actual plot lines and a lot of suspense 

Very dark for a kids show 

Complex characters that develop 

Fits in with the main Jurassic World series beautifully 

Body language and facial expressions are top tier 

Have genuine relationships (platonically and/or romantically) between all of the main 6

Phenomenal camera angles and use of special effects 

Great with details 

Amazing VA’s 

Continuity 

So the nose dives begins 

Black mc: To some people this might not matter that much but holy cow this is so important and such a big step. The people complaining are just weird middle aged white people, like do you know how big of an impact a black mc can have on young black children. It’s so important and it makes them feel happy because someone actually looks like them. Clear evidence of this was Into The Spider Verse (which is also an amazing movie oml). Come to think of it the only black mc I think I’ve ever seen in an animated kids show is probably Static Shock (also an amazing show ily). Somehow representation has got swept under the rug in this day and age which is ironic really, but this show does an amazing job with tackling that and I love it.��

Diverse main cast: I can’t think of any recent kids movies/tv shows, live action or animated, that have this much representation. In animation is also very easy for the show runners to make a character poc and then have a white VA, but jwcc is quite the opposite. Honestly the characters look so much like their VA’s that something tells me the animation team based the characters off them and not the other way around. Not only that but their names actually match with their ethnicities. So for reference or just anyone that doesn’t know, Ben and Brooklynn are white, Sammy is hispanic, Darius is black, Kenji is asian, and Yazmina is middle eastern. Sammy’s last name is Gutierrez, Yazmina’s is Fadoula, Kenji’s is Kon and Darius’s Bowman. Gutierrez is a common last name in Mexico and Latin America in general. Fadoula is found throughout upper Africa and the Middle East, Kon is rare name of Japense origin, and Bowman is a common last name among black folks in the US. So not only do they have a poc cast, voiced by poc people, but all the characters have realistic names. Not to mention they are very good on skin tone in the show, personally I think Yaz should’ve been just a bit darker but hey I’ll take it and run. 

Actual plot lines: This seem like stating the obvious but work with me here. Most kids and even adult shows have a very episodic format, there’s nothing wrong with that per say but having a plot and conflict build up and having little things matter is much more satisfying in my opinion. Most kids shows have some conflict but its very PG which is also fine that’s what it’s meant for. But every once in a while you’ll find a show that had plot wise beyond it’s years and those are the golden ones. Easily and rightfully the most famous is Avatar the Last Airbender or ATLA. This show to this day is still one my favorites and truly nothing will ever top it, but in my years of watching kids shows after it jwcc might just be second. We can argue all day about what’s the best and it’s truly a matter of opinion, but to me atla and jwcc just achieve such a level of complexity that 99% of kids and even adult shows don’t reach. 

Very dark: While this might not be exactly the best for kids it’s great for an olderish audience. Honestly it having a much darker element makes the show enjoyable for all ages while still keeping it chill enough so that children may watch. But come to think of it it’s hard not to make a show about dinosaurs dark, the show runners do a wonderful job at keeping it intense and exciting, but still kid friendly, and to me thats incredibly impressive. Not to mention since the show isn’t afraid to go dark they can do more (such as ben’s “death”, the hunters etc) which makes it go from good to great. Reminds me a lot of atla and I know I keep mentioning atla but know that is the biggest compliment ever. atla is easily the best animated/kids show of all time so the fact that a bring it up so much is huge. There have been shows in the past that have tried to replicate what atla (such as voltron..) and it just hasn’t worked. I think this show nails the boundary between too dark and not dark enough. 

Complex characters: Oh yes. If there’s one thing I love more than an ensemble cast it’s a cast that grows and develops as the series progresses. Sure the main 6 might start off as typical character tropes (Darius the super fan, Yaz the loner, Sammy the extrovert, Ben the underdog, Kenji the arrogant, and Brooklynn the influencer.) but they become so much more than that. I’d say at least half of them are completely different people between the 1st episode and the latest one. An easy example being Ben and Kenji. Ben started off as a naive, timid, and terrified person and has become confident, independent, and brave. Kenji started off as arrogant, selfish, and apathetic person and became compassionate, driven, and concerned. All of them have had some sort of change even if it’s not super dramatic and that’s important. It makes the storytelling better because they grow as they go. 

Fits in with JP/JW beautifully: In terms of shows connecting to movies this has gotta be some clone wars level s-tier stuff. Personally I have never watched clone wars but my sister has and she always raves about how well this show connects to the movies, and from what I’ve seen I completely agree. A youtube channel by the name of Silverscreen Edits actually put together the scenes from every time they overlap, mainly in S1 but also the cold open from Fallen Kingdom. I’d advise you to watch it because it’s just incredible. The show runners nail ever detail of these scenes and it truly feels like you’re watching the same scene from a different perspective. The set up is beautiful and I cannot rave enough about how amazing it is, my favorite easily being the dome scene because of all the small details. Not to mention this show actually connect JW and FK because it shows us that the cold open was 6 months later while the rest was 3 years later. Quite honestly I had no idea these two scenes were that far apart from each other, I thought the opening was from a years or two later not 6 months, so this show really connected the dots between these two movies and made them flow together much nicer. And I love all the countless references too old and new JP/JW movies. Overall this show is a great addition to the franchise. 

Body language and facial expressions: You might be thinking to yourself, hmph that is a really odd point to make, let me tell you it’s not and I’ll explain why. When analyzing films I usually tend to stick to live action because one of my favorite parts of films is how characters react to things, and we animation we really don’t get that. Most of the time even if shows get this complex they won’t use both the way jwcc. What impressed me so much was how amazing they are at this, the animation team seriously needs more praise. Jwcc is great at facial expressions which I will say other animated shows know how to do as well, but they are also so amazing at body language which is rare rare when it comes to animation. It’s because it’s so hard and often times it just doesn’t fit, but they do an amazing job with this and it makes the characters feel so life-like. When a character is sad or closed off their shoulders hunch, when they feel scared they stiffen up and cover their ears (which is another detail I love so much, I never realized till this show that hardly anyone ever covers their ears and it makes a lot of sense because these dinos are very loud) and when they feel hopeless their shoulder sag and their head drops, do you see what I mean? You can quite literally tell what these kids are feeling and thinking without them saying anything that is so impressive and it makes the show that much better. It makes it easy to analyze and if it wasn’t clear around I love to do so. 

Genuine relationships between all of main cast: I will not budge at this point at all, gonna say it right now if you disagree argue with the wall. I might have some bias on this but one, if not my favorite, part of any media is an ensemble cast. It’s something I actively seek out, and when I say ensemble cast I don’t mean a trio, I mean a full cast, my favorite being 6 but 4 or 5 will do. So when I found out this show had 6 main characters I was immediately interested. Not only because I love ensemble casts but I also wanted to see how they handled it. Ensemble cast are so rare because they are extremely hard to do and do well. I will even criticize atla on this. At one point they had 6 main characters and they never elaborated on more than a handful of the duos and just focused on the group as whole. But this is typical and easiest to do without giving up individual character development so I get that. But jesus christ jwcc does a phenomenal job with this, and I mean phenomenal. Out of the 15 different duos you can get between 6 characters then have elaborated on 11 of them, and it could easily be more this is just from memory. I might make a post elaborating on this specifically because it’s just amazing. This time they take to flesh out these relationships truly makes them feel like a unit and a family, instead of just a group of people all working towards the same goal. This is easily the most impressive and rewarding of any of the points on this list in my opinion. (coming from #1 squad lover right here)

Camera angles and special effects: This shows downfall for some was that it had strange animation, honestly it never bothered me and since I’ve watched dragon prince and rwby, it’s clear that bad animation never stops me from watching a show. But I think people just won’t give it a chance, because when you do you’ll see it’s actually very good. To me the coolest part of the animation is the dinos. They look incredible and so so similar to the cgi used in JW. That’s hard to do so more claps for the animation team I love y’all. They also have to work around the PG side of this show and do a great job at implying what happens but never actually showing what happens. This is all angles, not to mention they do a great job at showcasing the park and the scenery so that magic from the movies really translates to the show. Finally my favorite scene of the show from an avid slow mo lover has got to me when Ben falls of the monorail (idk why it is cause he’s literally my fav and I was so upset) The scene is just beautiful and the set up before hand makes it that much more heart breaking. The use of slow mo is amazing I literally cannot rave about this scene enough. It builds so much suspense and they used just the right amount, to much and the scene would move to slow, and to little the scene would be to fast. I need more great scenes like this in S4 (idk if I want the angst that comes with it too I’ll get back to you)

Details: To me details, in any show in general, is what makes it go from great to fantastic. An example of this is Harry Potter, something that hooked me into this franchise was how much small details mattered and it’s the same with jwcc. There are so many throw away lines that end up coming back and all us are hitting ourselves for missing it. Such as Ben saying early on he knows where the tracker beam is and when he “dies” and the crew can’t find it it shows how important he was. Those are details I love to see. Or the three dinos, one of which Sammy released, coming back all season. Of course toro as well and he always kept his burns. Not to mention the animation team always kept Ben’s scar in and I think that’s an important detail because he shaped who he is. Keep up the good work animation and writing team because I love what you’re doing with this (also I’m 90% sure the compass is another one of these details I’m calling it rn) 

Amazing VA’s: Honestly VA’s in general do not get enough credit and they really should. But these 6 are pretty amazing let me tell you. If I’m not mistaken Ryan Potter (Kenji’s VA) is the only one with a notable history of voice acting as he played the title character in Big Hero 6. (fun fact I had no idea and when I found this out I quite literally screamed). But the others have also done things as well, most of it being live action though, and voice acting is much different. Honestly I just need to make a post about the various roles they’ve had cause looking into this has been an experience. Anyway all of them do such an incredible job with this ahh. I think the times where you can really tell how different they all are is when they lash out. This happens quite often and honestly it’s expected, I mean they’re 6 teenagers in a stressful environment of course they’ll last out. But all of them have such a different way of doing it, Darius is hopeless, Kenji is nervous, Yaz is emotional, Ben is harsh, Brooklynn is stern, and Sammy is level headed. Usually everyone lashes out the same way so the fact that they’re so different in just one aspect shows you how good they are. Each character is so individual and all of them have different goals and morals which is not only realistic but it makes way for conflict which is always interesting. 

Continuity: Now this could arguable go with details but it’s slightly different so I’m making this a separate point. Continuity to put it simple it basically not have the show be episodic. Honestly that completely what I expected from this show because that how most kids shows are. In this show the plot not only progress each episode but so do the characters and their trauma. Most of the time the plot will progress but anything bad that has happened to the characters will not show and is hardly talked about (COUGH VOLTRON). To me it’s something that has to be addressed because if the characters don’t grow what was the point of it. And they’ve shown that characters grow based on the events that happen and I love that. Another thing about continuity is when show runners stick a pin in something and actually go back to it (COUGH RWBY). Jwcc is amazing at this and make a point to bring back just about everything that gets sidelined in the first place. It’s so impressive and make the show that much more enjoyable. There have been countless times where I get so caught up with the pins that shows just leave there and it makes me so mad, but jwcc is good at for the most part because of course some things will slip through. But they always get back to the important things. 

The conclusion: Overall this show is phenomenal and if my essay hasn’t convinced you I’m not sure what will. The show is amazing at storytelling and plot and the lovable main cast makes it that much better. It is so much better than a good chunk of kids shows and honestly part of me wishes it was rated PG-13 cause I really wanna see that. But they do an amazing job and keep it kid friendly enough while still discussing mature topics. It’s the next atla to me and something that many kids shows now days try to be and fail. It’s impressive and complex and truly one of the best shows I’ve ever watched. Film major mara out, and if you actually read all of this ily mwah.