I am definitely not the first person to joke about how many Shens there are in danmei, but it does strike me as very funny that out of the Seven Seas line up, we currently have 4-5 protagonists/love interests with the surname "Shen." And then that sparked a question... just how many Shens are there in danmei?
So here is my request. If you have a danmei Shen not included on this list, please reblog or comment with his name and book. The only requirements are that he has to be one of the leads, and his surname has to be Shen*. Extra data, such as the character used for his name, is also welcome. It is worth acknowledging that sometimes it may be unclear whether or not a character should be counted as a Shen; in that case, I will put it to a vote. Once we have all the necessary data, we can create the first (at least to my knowledge) comprehensive database of Shens.
*submissions with the given or courtesy names Shen will get an honorary mention.
...
List of Known Shens (as of posting):
Shen Yuan/Shen Qingqiu (The Scum Villain's Self-Saving System)
Shen Qiao (Thousand Autumns)
Shen Zechuan (Ballad of Sword and Wine)
Shen Wei (Guardian)
Shen Yu (The Silent Concubine)
Honorary Mentions:
Fu Shen from Golden Terrace.
Potentially Contested Inclusions:
Gu Yun/Shen Shiliu (Stars of Chaos)
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LMK Pokémon Trainer ID’s!
Ta-da! An Updated Version Of The LMK Trainer ID’s!
As Of (8/24/2024)... And as I mentioned in my original post, I usually fall behind on “updates” or simply keeping up with the current going ons with fandoms and in general, stuff. So if this becomes inaccurate (as in more Trainer ID’s for the LMK cast of characters are posted), please let me know so I can update!
And I thought I’d take up less room on your screen and make the cards share spots with each other. Besides our favorite (but very traumatized>﹏<) main character. So, to get a better view of them, just click on 'em! If this is an issue for anyone, just let me know and I can just stack them all on top of each other.
These, of course, are all created by Ashe Jacobson, a storyboard director for our beloved show, Lego Monkie Kid! And from the post that I saw that alerted me to the new ID cards, I should state that these ID’s aren’t exactly canon, likely being headcanons made by Jacobson. But even so, I think most of the fandom agrees to what’s described/shown on these ID’s. Additionally, as long as you're respectful, who cares about canon! You can make whatever you want in the sandbox!
My Original Post Of The Trainer ID’s: OUTDATED!
The Post That Alerted Me To The (Two) New ID Cards: CREDIT!
({Edit (8/24/2024 - Later That Day ( ̄▽ ̄)") I personally tried the link for the 'Post That Aleted...' and it didn't work, sooo, hopefully now either way works correctly!})
Links To All Of The Orignal Twitter/“X” Posts:
Ashe Jacobson’s Account: Ashe Jacobson (@OffBrandLink) / X
MK: CLICK ME!
Mei & Red Son: CLICK ME!
Tang & Pigsy: CLICK ME!
Monkey King & (Six Eared) Macaque: CLICK ME!
Yin & Jin: CLICK ME!
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April 13, Xi'an, China, Shaanxi Archaeology Museum/陕西考古博物馆 (Part 5 - Tang dynasty, Song dynasty, and later):
Happy Mid-Autumn to everyone!
First up is again an undisputed star of the museum, the gold crown of Li Zhui/李倕. Li Zhui was the 5th generation descendant of Li Yuan/李渊, aka Emperor Gaozong of Tang, the first emperor of Tang dynasty (618 - 907 AD). It's speculated that this crown was what the Tang-era term "轻金冠" (lit. "light gold crown") was referring to. The crown itself wasn't just gold, however, it also had parts of silver, copper, and iron, decorated with pearls, mother of pearl, agate, turquoise, rubies, amber, ivory, and glass.
And it wasn't just a crown either. There were other pieces that were part of her outfit:
Various Tang-era gold and silver thread embroidery pieces found in the crypt of Famen Temple/法门寺, the plaque is visible in many of these so I won't be naming them all. There's a saying among Chinese archaeologists: "dry things last a thousand years, wet things last ten-thousand years, half-wet half-dry things last half a year" ("干千年��湿万年,不干不湿就半年"). This refers to the conditions the artifacts/remains were in over time, stable conditions usually preserve artifacts and remains better than changing conditions. Fabric-based artifacts are notoriously hard to preserve, especially in Xi'an's "half-wet half-dry" climate, so these are a rare sight:
Note that the bird and flower design on the right is actually not an embroidery, but designs woven straight into the fabric:
The gold threads used in these embroideries were made by wrapping long strips of gold foil around thread through the turning of these hook-shaped tools.
The gold threads produced from the above process were mainly used in two ways, either woven into the fabric (top), or embroidered onto fabric (bottom). The kind of embroidery here is called cujinxiu/蹙金绣, which uses gold threads and a technique that is similar to couching
Models of the microscopic structure of different types of silk fabric found in Famen Temple. In common usage today, the term sha/纱 often refers to light, almost see-through polyester fabrics, but in the past this term refers exclusively to a type of light silk fabric. However, the other ones listed here (ling/绫, luo/罗, juan/绢, jin/锦) almost always refer to silk fabrics.
Different types of motifs/patterns found on artifacts throughout time. Left is the evolution of juancaowen/卷草纹 ("curled plant motif") from Tang dynasty to Jin dynasty (1115 - 1234). Right is the evolution of lianhuawen/莲花纹 ("lotus flower motif") from Northern Song dynasty (960 - 1127) to Yuan dynasty (1206 - 1368).
Left: evolution of juhuawen/菊花纹 ("chrysanthemum flower motif") from Tang dynasty to Yuan dynasty. Right: evolution of mudanwen/牡丹纹 ("moutan peony motif") from Tang dynasty to Yuan dynasty, and the evolution of youyuwen/游鱼纹 ("swimming fish motif") from Northern Song dynasty to Yuan dynasty.
This is another one of my personal favorites, a Ming dynasty (1368 - 1644) bronze vessel with cloisonné enamel (called 掐丝珐琅 or jingtailan/景泰蓝 in Chinese). This type of vessel is called a gui/簋.
Song-era green-glazed porcelain from Yaozhou Kiln Site (耀州窑), so it's called yaoci/耀瓷 for short. This particular style is made by carving designs onto the piece before glazing and firing. I have attempted something similar when I took that wheelthrowing class years ago, but I failed lol
A Northern Song-era stone dui/敦 from the tomb of Lü Dalin/吕大临. The calligraphy here is in kaishu/楷书 script.
Also from the tomb of Lü Dalin, the left is a wine flagon with a dedicated holder used to warm the entire vessel along with the wine inside. The right is a incense burner with a swastika on top. Note that swastikas are very common in Chinese Buddhism, and is taken to mean "myriad" or "infinity" (the swastika is pronounced wan/萬, which literally means "ten-thousand", the figurative way of saying "infinity" in Chinese).
The process of making tea in Song dynasty, called diancha/点茶, which generally involves these steps: grinding the tea into a powder, sifting the tea powder, putting tea powder into a tea cup, pouring in hot water, and whisking the tea with a chaxian/茶筅 to create a light foam before drinking. In Song dynasty, the literati would hold contests among themselves to see who could make the perfect tea using the diancha method. This complex and time/effort consuming method was gradually phased out within China by the time of Ming dynasty, but deeply influenced Japanese tea making methods.
Left: a small porcelain piece depicting a mother lion and cub. The Chinese depiction of lions, called shi/狮, largely comes from a combination of the mythological suanni/狻猊, and the rare real lions that were given to China as gifts in the past. Right: a pottery dragon from Yuan dynasty, if I remembered correctly.
Also the previous part on Han dynasty (202 BC - 220 AD) artifacts was getting way too long, so I put these two pictures here at the end. In ancient China, many round coins had a square hole in the middle, and these holes were used to string the coins up for easier storage and counting. Such strings of coins are called minqian/缗钱, and this is why the quantifier for coins in ancient China is usually chuan/串, guan/贯, or diao/吊. In usage, chuan is not a strict quantifier, but 1 guan or diao = 1000 coins.
A modern recreation of a Han-era painted lacquer box, this red pattern on black background look is very characteristic of Han-era painted lacquerware:
Painted pottery statue of a Buddhist deva:
The painted wall murals of a Yuan dynasty tomb, viewed from below:
And this concludes the posts for Shaanxi Archaeology Museum! The next museum (also the last one) will be Shaanxi History Museum, specifically the new Qin-Han dynasties museum.
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