#That's pretty much the whole plot for now

[pyfsan]

Your taste on my lips

pairing: bf!jake x fem!reader

genre: smut (minors DNI)

synopsis: no plot, just reader and her bf jake fucking and being dirty

wc: 1k

warnings: rough sex (just at the beginning) mention of bruises, cum eating, oral (m receiving), face fucking, fingering, a bit of dirty talk (jake is chalant), also jake is a whimper. i think that's everything

☆

note: this is the first time I'm writing in English and I'm not a native speaker so there will be grammar mistakes so just read past it..... and be patient

smut under the cut

The thing is... jake doesn't know the time to stop. To the point you have to yell at him that you need to breathe a little, or even that it's hurting. He gets so drunk in the feeling that his senses become nothing and he can't hear for shit. But once your voice comes tearing through his ears he just completely freezes in place, looking at you with both eyes wide open.

"I'm sorry babe, did i hurt you?" He asks, soft voice as he runs his hands on the skin your legs, soothing you down.

"Just... go less rough, it'll bruise me later" you say back, trying to recover your breath.

"I'll kiss the bruise away, don't worry" he says cockingly and you slap his arm

"I'm being serious, your cock will tear me apart if you don't slow down" you hiss back and he kisses your neck picking up his pace again, but being much more gentle.

He buries his face in the curve of your neck, licking and sucking your skin just to compensate the steady pace he set himself, almost like to control his impulses. It makes you moan as his mouth keeps working on your sensitive skin and it gets even harder when jake goes down to bite and suck your nipples. He's actually unable to keep his pretty mouth empty, always having his puffy lips on your breasts, neck, pussy or even ass. He doesn't care as longs as his tongue is busy with your body.

Jake ends up caught in the heat all over again but now it doesn't hurt anymore so when his pace increases crazy hard all you manage to do is moan and dig your nails on his arms. You feel the moment he can't control his mouth around your nipple anymore, leaving his lips parted over your skin as he drools, feeling dizzy from how your pussy clenchs around his cock, milking him until he is moaning nonstop. He cannot cum inside you, you have agreed to don't do that so jake is almost fainting trying to hold his orgasm as long as he can. But he's losing this time so he pulls out of you to cum over your belly, dropping the most pornographic whimpers to your ears. You don't think for even a second before leading your hand to the mess he's made on you and picking his cum with your fingers. Jake watches you with his face high as you sink your dirty fingers into your mouth to taste him.

"Now you'll have to do that to my cock" he says, picking your cheeks with one of his hands to bring your face to his, kissing your wet lips.

"But will you let me fuck myself while i suck you off?" you plea, dolled eyes shining under your dark lashes, jake almost let out a moan as he hear you say those words. He can't believe you're so dirty like this for him.

"I can do that for you, babe" he'll say back, with his fingers running down to your wet core. You sigh when he finds your clit and presses it, rubbing gently first.

His cock starting to get hard again by the feeling of you under his fingers, so wet for him. Even thou he loves you so much and find it so endearing the way you cannot take your eyes away from his face while you fuck, jake himself likes to spend time looking over your body and the way it moves under his touch. So as he rubs your pussy, he watches the way you lift your leg a bit more, the way your stomach moves faster as your breathe gets faster and how your tits bounces a little when he starts fingering you. The whole thing is just pure magic for him. When jake notice, he's hard as fuck again, rocking his hips on your leg to get some release before sitting above your stomach to put it in your mouth.

You part your lips open, receiving his weight on your tongue and then swallowing as much as possible. Jake is no monster cock but he's no near little either, so you find yourself fighting for air anyways everytime you give him head. To your liking, jake already knows how you prefer doing it so he just starts fucking your mouth immediately, getting a little sloppy with his fingers on your pussy but you don't even mind it. Seeing the way he loses himself inside your mouth little by little is the best part. He grabs you neck using his free hand and just rolls his hips into your face nonstop, causing wet sounds to scape your mouth which is full of him. Once again he's whimpering and sighing, closing his eyes so tight he starts seeing white spots.

"Oh my god, i want to fuck that pretty mouth everyday" he starts babbling, head thrown back and eyes shut and you watch as he does his best to continue to massage your clit "I'm gonna fill your mouth with my cum, do you like it?" he says now looking back at you seeing you blink as an answer since you cannot talk right now. "you're so hot, fuck" he just goes back to babbling before he cums deep in your throat. He stops his hands on your pussy for a moment, lost in his senses, holding your head with both hands to keep you in place through his orgasm.

You do your best to breath by your nose, focusing to not choke on his sensitive cock. Jake pulls out and sits back on your lap eyes glued on your face.

"Let me see it" he asks touching your chin with his index finger so you open your mouth enough for him to see his cum all over your tongue and throat. Your boyfriend smiles with pride and closes your mouth "now swallow it for me, babe" he tells you and so you do, then he leans in to lend a kiss on your lips.

"I'm gonna make you cum now" he just says, brushing his nose over yours.

[gods-perfect-idiots]

Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)

Long rambly post below the cut fyi

Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.

Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.

Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.

Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.

It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.

The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for but he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc. And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.

It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, depression, etc. but I won't get into armchair diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).

I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.

Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.

I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.

Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.

You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.

Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.

Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!

[eliza-forget]

PLEASE tell us more about your Leshy and the two cats!!!!! The cats are so pretty and also so is your art. I love your art so so so so so much 💖

Well, I'll start by saying that the Leshy himself in my AU is quite dark, violent, and traumatized. He survived the sudden betrayal of Narinder (as the one he trusted and looked up to most as a child), he survived all the turmoil associated with the fact that faith in the bishops was shaken, I call this period as "shaky", and the whole four were on the verge of losing their authority. And already during the game's storyline, Lamb's campaigns, Heket died. In my Au, which is mostly based on my insane playthrough of the game, Leshy was the last Bishop to be killed by Lamb. I mean, there was this sequence: Heket> Shamura> Kallamar. I have that point actually explained in the storyline, but that's not what the main question is about xd.

In the works, where you see him in the clothes of a follower (yes-yes that red one), has its own meaning. It's like a sign of his acceptance of a new way of life and to some extent, a rejection of the past. In this story, he's processing his traumas, learning the ways and lives of mortals, and then he makes two close friends: those two cats.

In general, I can characterize my Leshy as a personality. He changes slowly, but throughout the narrative in my Au. Leshy is still the Bishop of Chaos, in terms of character, but has softened a bit because of his environment in which he resides.

Tirena

Let me briefly tell you about Tirena's storyline. Her parents were nomads who came from other lands to the lands of the Old Faith. They mostly moved between locations, but eventually stopped at Darkwood.In fact, Tirena's family was loyal to what was happening in the lands and tried to please all the local cruel rules. The turning point of the plot for Tirena came at the time of her coming of age, for which her parents sacrificed themselves to the bishop, and she was given a necklace (but not the one she wears now) in memory of her parents. As a result of which she ran away from the place. Stumbled upon Lamb by accident, from behind a campfire in the night. So in the story, she showed up in his settlement and became a devoted disciple in the future, but still with an unconcealed grudge against the bishops.

In comic, she got into an altercation with Narinder on the same topic.

Yolk (yellow cat)

Yolk's former name was Najulmer, and he changed his name at the settlement. His parents were the same cultists who, long after Leshy's death, continued the resistance. Yolk did not share the same point of view with them; he was more interested in studying the world around him, and specifically its strange inhabitants. So he set out on his wanderings in search of that "paradise" by which he meant the Lamb's settlement. Along the way meeting various companions, studying monsters and even cooking with them. He has already been rescued by Lamb when he was trapped by the treachery of his recent companion. In the settlement he quickly finds contact with Tirena, or rather she has to tolerate his intrusive company. Then Lamb returns from a camping trip and summons Leshy from purgatory and he becomes both a nightmare for Yolk, but and an intriguing object of study. He btw yes, never once saw the bishops and didn't even know that Leshy was one.

Somehow that's what the plot of these three sounds like. I hope it was interesting and informative to learn about them!

[https-murdock]

Be Good to Me - Matt Murdock

summary: do you deserve to come? matt isn’t so sure.

word count: ~1.2k

warning: mean!matt - blowjob, insults (not that bad?), unprotected sex (no!), orgasm denial, p in v, bondage, as per usual with me it’s my fave - porn no plot.

note: first time writing mean!matt ahhh, had a really fun time writing this - requested by our own @kit-murdock - thank you gorgeous ! hope it’s ok :)

matt knows how wet you are, he can smell it. does he care? no.

“knees, sweetheart.” he grimly says, eyes looking down in your direction with a new darkness that hasn’t quite shown itself before.

Dropping down onto your knees, the cold hard floor of his living room hits your skin fast. It’s painful, the way your weight is laying on your knees but again, you know he doesn’t care - he’s only here for his pleasure, and somehow that’s what’s making the slick soak your underwear so much.

“desperate, aren’t you?” He asks, belt buckle clinging as he slowly undoes it, taking it out of his suit pants and just holding it - almost as if he’s debating what to do next. “turn around.” he’s growling at you now, calloused hands grabbing at your shoulders and spinning you round forcibly when you don’t move quick enough for his liking.

“matt what-“ you start, before realising that you should probably leave him to do what he wants.

“quiet. i didn’t tell you to speak, did i sweetheart?” Matt says, he’s being stern now, it annoys him when you don’t do as you’re told. you get punished if you don’t do what he says - and often, that’s what you want.

but not tonight, you’re here to solely give Matt his pleasure - find delight in the way he responds to you.

He uses his belt to tie your hands behind your back, moulding you back into the way he wants you - on your knees, mouth open and looking up at him. As Matt is standing above you, the red lights from the billboard casing over his whole body, you know you’re in for a long, but fun, night.

“keep that pretty mouth open, dumb girl,” he begins, his hand gripping around your cheeks while your jaw drops open ready to take him, before he continues, “gonna take me? do as you’re told? gotta be good for me.” You nod, knowing he doesn’t want to hear your voice right now.

He takes his time stripping his clothes off, and you wonder if this will make him forget about the stress of his cases. Having you wrapped so tightly around him in any sense he wishes to use you.

slowly, you begin to feel the tip of his cock tapping at your lips - and you know what he means, but he says it before you can act, “come on, i know you know what to do. don’t act all stupid on me now.” he’s smirking, precum tapping onto your lips.

you let your tongue crawl from your mouth, desperate to taste him, matt letting his heavy cock fall onto it as you wrap your lips around the head. “good girl, just do as you’re told and you might get a treat.” he mutters, and the pulsing in your core gets stronger at the thought of him allowing you to come.

He’s twisting his fingers into your hair, both hands gripping at the back of your head as he begins thrusting his hips and hitting the back of your throat. There’s no time to take a breath as you let your eyes flutter closed and appreciate the taste of him all over you.

“A-ah shit, you do know what to do, fuck.” he’s giggling to himself, almost like he didn’t believe all the punishments you’ve endured had shown you how to please him.

you’re letting him use you, just sitting there and hoping he’ll let you finish and give you the pleasure of touching you. Matt’s hitting the back of your throat and sometimes staying there, holding your head down on his cock until he can tell you desperately need to breathe.

“you need to breathe? huh?” he’s asking, again holding you down and feeling the pulsing in your temples as your eyes stream. He lets you go, listening to the big breath you take when your head flies backwards off of him, laughing at you, “my stupid girl. can smell how wet you are for me, such a slut.”

“just need you, please.” you whisper, hoping the plea will reach his ears in a good manner.

“hmmm. no, you’re mine tonight, my little whore.” he grins, slapping your face gently a few times, feeling the drool around your mouth that you can’t wipe away, hands still bonded behind your back.

Matt drags you up, legs wobbling as he swings you over his shoulder, walking to the bedroom as you realise you’re in for a fight.

you’re thrown on the bed in an instant, the belt still tight around your wrists stinging slightly at the landing. “gonna use you. all mine. do whatever i want with you.” he’s almost talking to himself now, shoving his two middle fingers in your mouth and listening to the gag when he hits the back of your throat.

“ohhh sweetheart, you’re soaked. this wet for my cock huh?” he laughs, and your cheeks flush red with embarrassment, knowing how much slick sits between your legs.

“p-please. please.” it’s the only word that can even fall from your lips right now, the rest escaping you.

“so fucking desperate… all for this?” he asks, sheathing himself inside you in one fluid motion, making you scream out in a mixture of pain and pleasure at the feeling of him stretching you so good.

“hmmm, so tight still. always. my girl.” he’s muttering to himself, almost growling at you as he begins slamming his hips against you, the belt still tightly around your wrists as the pins and needles grows in them, the weight of matt on top of you, pressing your legs near your chest weighing you against them.

“so fucking wet for me, this is the effect i have on you?” you’re nodding frantically, feeling a little coil building below.

“don’t you dare come, little slut. don’t.” he’s saying, tugging you to the edge of the bed and standing up, still fucking into you but using those strong fingers to slap your pussy as he continues ravaging you.

“no, no no. matt, please.” you’re starting to beg, almost panic, because you know exactly what it means when he doesn’t let you come when he can feel it like he does now.

you’re moaning so loud he’s putting a hand over your mouth, “fuck, matt, h…”

“ah, shit. always so tight.” he’s grunting, and his hips are stuttering now. you know exactly what’s coming and you don’t like it, but he feels so good.

you feel it as soon as it happens, the hot white ropes filling you to the brim - and he pulls out.

as you realise you were right, a single, frustrated tear falls onto your cheek, as he throws a towel your way.

“please, matt i need to, i-“ you’re pleading to finish, desperate for him to tip you over the edge you’ve been craving from him this whole time.

“you think you deserve to come? i don’t think so.”

— tags

@lambmurdock @parker-murdock @silas-aeiou @blushingrn @audreyclimbs

[crxzytogether]

Lol I wanna address this even tho nobody asked because I’m mad. Like ship whoever you want as yk this person said but leave it out of our tag-💀 my problems more with the fact that they tagged byler for this post than what they said but yk since they tagged us might as well respond.

Firstly, “ideas planted by your community”? Huh? Girl what- you mean our evidence? You mean our analysis and perceptions and ability to interpret what we’re watching beyond surface level? And honestly after season 4 even surface level melodramas not looking too good- Secondly, what harsh truths were brought up? The lies? Your perception of montauk? which idk sounds a lot like mike and wills relationship to me but to each their own… “they’ve been together since pretty much day one”, “they have a deep connection”, “four seasons of character development”?? Do I even need to explain? Who’s been together since day one? Right mike and will, in the beginning of episode 1 before any of the upside down shit even happens we’re shown that their relationship is different from their relationship with the other party members. A fact that’s proven time and time again throughout season 1 where we see how much more Mike is affected by Will’s disappearance(not tryna negate everybody else’s feelings or reactions but it’s clear that we’re supposed to notice Mike cares slightly more or in a different way). As for the deep connections? Season 2 shed scene ring a bell, the first one of Mike’s monologue that’s an attempt to help someone he cares about that actually works and is completely honest, deep connection boom. And that connections emphasized again in s4 with Will being able to encourage Mike and make him feel better and we already know why it’s special on Will’s side and their whole plot-line that season. Next, “four seasons of character development” im sorry what?, season 1 and season 3 maybe are the only seasons I’d consider they had that meanwhile season 4 I’d say they had character regression because tell me how Mike goes from being able to comfort El about her feeling like she’s a monster but then does a 180 not only unable to comfort her but also make her feel worse-(I’m talking about she didn’t look fine in case you didn’t catch that). Back to s1/s3, s1 where they were friends for the most part is the healthiest their relationship has ever been the entire show- like😭😭it literally just goes downhill from there. Season 2/season 3 their codependency I’m- and season 4 El feeling like she has to lie to Mike about her life and Mike unable to comfort her and also hiding his own interests from her. Like sure the bullying thing I get why she’d hide that maybe not really but El lies about so many things😭😭 she feels like she has to lie to keep up the relationship. THAT 👏 IS 👏 NOT 👏 HEALTHY 👏. Like maybe after they’ve both grown separately I’d consider it but as of now? No sir. Also let me remind you how El confronted Angela and asked her to help El keep up the pretence- SHE STILL DIDN’T FEEL SAFE OR COMFORTABLE ENOUGH TELL MIKE THE TRUTH. That’s not healthy for either of them. My byler agenda aside I still don’t think Mike and El should be together. Lastly, “the fact that Mileven IS endgame”, again I’m sorry what? Have you watched season 5? Have you read the scripts or been on set or talked to anybody working on st5 or work on st5 yourself? No? So then how is that a fact- it’s a prediction, an assumption but it’s not a fact. If after season 5 comes out and it did end up becoming true then you could use that phrase but as of now when you have no idea how season 5 is gonna go you can’t call that a fact. Also rip how are you so confident when Mike and Will are literally attached at the hip so far from what we have seen besides the rooftop convo and if that is enough to convince you then yikes- bc we’ve got like 10 of those to convince us so good luck watching season 5 and have a good day ig

[karioke13]

My Transformers One thoughts!!!

✨Spoiler free✨

Holy moly this movie was just so…WOW!!! Before I start with my thoughts, I would like for y’all to know that I’ve never been this hyped for a movie in a long time! I was so excited I was shaking from excitement that my family kept asking if I was okay! 😂

Ok now to my thoughts. First off, I just want to mention how good the voice acting was. Chris Hemsworth did such a phenomenal job as Orion Pax, later Optimus Prime. Whenever his character gave a speech, I was crying because of how amazing and inspiring it was. And Orion in general was just so adorable and fun to watch! Now Brians voice acting was spine chilling! His decent from good friend who sticks to protocols to becoming the revenge seeking Megatron just flowed ever so nicely! The writers did an incredible job with his villain arc. Plus, Brians voice acting just made it even more incredible! And Michael Keegan as Bumblebee was ABSOLUTELY HILARIOUS! My mom loved him she thought he was so funny! He was kinda, sweet and always willing to help his friends. The chemistry that Optimus and Elita have with each other was *chefs kiss* you can tell she really cared for him throughout the whole movie! Everyone’s chemistry with each other was amazing!!! Every single character had such well done chemistry with the others, showing the good writing in this movie!

Now the music and animation, was OFF THE CHARTS. They both flowed so well together. The music made me feel so teary eyed because of how beautiful was! It made you really feel in the moment. And the animation was absolutely STUNNING! Seriously yall, shoutout to all the animators for doing such an amazing job with the animation style. It was just so incredible. So if you are really into animation and/or music definitely check this movie out!!

And finally the plot in this film. I swear this plot is absolutely heartbreaking in this movie. So many moments that make you feel. The friendship bond between Orion Pax and D-16 to the long known enemies Optimus Prime and Megatron was simply so sad to watch. And it really makes you feel hooked to the story watching D-16 going through his good guy to bad guy transformation. It really makes you feel for the guy. There were also so many dark moments too which was pretty shocking but honestly pretty valid for the story and I like how they didn’t try to shy away from all that. The writers really embraced it, show the horrors and the reality of war, corruption and betrayal. Honestly, I haven’t been this hooked on a plot for a movie in a long long time!

I had so much fun watching this movie. It made me feel like a little kid again, getting excited about a movie and what will happen and why the characters change. Seriously shoutout to everyone person who worked in this movie yall did an amazing job! I’m really considering watching this movie because of how good this movie was. 10/10 movie rating for me. I definitely recommend yall to watch this amazing movie, it has such amazing characters as well as a really good lesson from this movie! I can’t wait for more of this Transformers story! I had a really good time! 🧡🧡🧡🧡🧡🧡

Also I brought my Optimus Prime plushie and my Bumblebee funko pop, along with my new Transformers One shirt to the movies with me! And I also took some pictures during the movie as well! (No spoilers i promise!!) Have a look! 🤗

[goingroundincircles-ontrack]

Finally, I'm back with part 6 of my sfth of my reviews of sfth's improvised plays after a break of like 3?? weeks

Beetroots and Murder 9/10

OHHHH SOMERSET this is a really good play. The plot is enough to rival any published story. Sam's character has so much depth, the guilt, the trying to make things a bit better only to fail anyways. And then Andre Beetroot. I think everyone loves Andre Beetroot (especially now we have a backstory for him) and so it's near the top of my list of favourite plays

Caeser and Juliet 8/10

highly historically inaccurate but it doesn't matter. I love a dictator who's down bad for his significant other. That bit where Caesar is talking to his assistant and the assistant goes "she bathed in their blood" and caesar replies with "and her skin is glowing" has been playing on repeat in my brain. I also think the lines about power are really good and I keep thinking of when Caesar proposes to Juliet how big Tom's ring is on AJ's finger. Also AJ's singing is glorious

The Cardboard Stegosaurus 9/10

I find it so funny that the whole play is based on the idea that two people made the eurotunnel with handheld power tools. The bit about Cliff's wife falling off the cliff (the "Whee! That looks like a trilabite! "bit) is so funny even tho it's pretty dark. I guess that's the sfth magic of making dark things funny.

Anyways that's part 6 done (I'm halfway through reviewing all their plays!!) lmk what you think and I will eventually return with part 7

Parts 1 / 2 / 3 / 4 / 5

[thestrangesthell]

Afterlife Jobs and Civil Service

Seen a few theories and "plot hole" accusations flying around after Beetlejuice Beetlejuice and thought I'd add my own hypothesis on what the deal is with jobs in the afterlife.

This will contain spoilers for Beetlejuice Beetlejuice.

TW: This post will discuss suicide. Please only proceed if you are comfortable.

The short version: I think (for the most part) jobs are a choice and available to those who need to hang around due to unfinished business (even if they themselves don't know what that is). I think those who commit suicide do have to work for some time as it wasn't their time to die yet. They can't just board the soul train and move on to better plains. Instead, (and though rather sour in the mouth), they're met with the shock that it isn't over. This is Beetlejuice, after all. Death and life is hard.

Now, for the long version (and it really is long), read on!

Despite the fact I do personally think it's canon that those who commit suicide end up having to work (at least for a while) in the afterlife, we can't believe that purely because Otho said so. Firstly, the guy is living, pompous and has zero evidence for that statement. Secondly, he's not a credible source. He may have been "one of New York City's leading paranormal researchers until the bottom dropped out in '72," but his interest in anything can be boiled down to obsession with image and aesthetic more than a desire to get into the nitty gritty.

What we as the audience do see is people working in the afterlife that could have died by suicide.

There's the Road Kill man ("Thanks, I've been feeling a little flat!"), Juno (*who I will come back to) and most obviously, Miss Argentina. These people are working and likely (if not outright confirmed) died by suicide.

It's a weird thing to pick up on, but what about the skeleton workers?

Besides being a great visual gag, there's not really a clear indication of death by suicide here. We could, of course, suggest they died this way and have since been "worked to the bone" - as this is the Beetlejuice franchise after all, and lord knows pun-based humour is...well, pun-damental - but no other ghosts seem to have permanent alterations to their state. In the Beetlejuice universe, once you're dead, you're stuck that way. (Unless you get your soul sucked that is).

Well, that clears things up, right?

Maybe not.

For a long time, a lot of us in the fandom accepted the whole "in the afterlife they become civil servants" thing because, well, that was what we were told. But with the recent instalment of Beetlejuice Beetlejuice this is now dubious.

Why?

Betelgeuse himself.

Betelgeuse was largely assumed by many to have died by suicide. Various headcanons over the years include strangulation, hanging, poison, drowning, electrocuting himself - the list truly goes on. part of his charm is the mystery. But with the sequel, it is suggested that he died by poison from another. Delores.

Why is this an issue?

Well, if Betelgeuse didn't commit suicide, why was he Juno's assistant?

I have two theories for that.

Firstly, in line with this entire post - he died after Delores poisoned him and then chose to work up from the bottom to become Juno's assistant. He claims himself that his heart was pretty much blackened before he met Delores, so what's to stop him from wanting to take over in the afterlife after finding himself there ahead of his time? He probably feels robbed of life and hella opportunistic. It would support the theory of unfinished business and explain the random jobs we see him doing in Beetlejuice Beetlejuice. From Guide to working Immigration, man's got one hell of a resume.

Then there's my second theory, which muddies the waters quite a bit.

We didn't actually see him die after he was poisoned.

I'll let that fester for a bit...

Ready to move on?

Let's talk about *Juno!

Juno, my beloved.

Despite recent questions surrounding her cause of death, I do personally feel the cut on Juno's throat was self-imposed. The issue fans have with how deep the cut is can be answered fairly reasonable. This is more practical rather than an effort for believability. Beetlejuice is high camp and smoke pouring from the throat of a ghost only adds to its ridiculousness. Plus, it helps back up my theory that those who commit suicide are required to do some type of work in the afterlife to make up for their shortened time on earth.

The reason I believe this is that Juno seems to really hate her job - or at least hate the crap that comes with it. If she had chosen to be a caseworker, (or been given a job similar to what she did when living), we'd perhaps see her be a little more understanding to everything that was going on. Instead, she's burdened by her paperwork, sick of having to deal with issues from baby ghosts and their "routine hauntings," and the poor woman is constantly haunted by the knowledge that Betelgeuse is out there.

(While we don't know their history, we do know that Betelgeuse ended up with a bit of a liking for Bio-exorcisms. I don't think she believes him evil any more than she considers him a nuisance, so we can only assume he got caught up in trouble that threatened Juno's line of work, leading to him getting fired.)

The real reason I can suggest that jobs are largely a choice are the recent additions to the Beetlejuice universe. I'm talking about Richard, Wolf Jackson, the Shrinkers, the Janitor and all of Wolf Jackson's squad, (plus a handful of others). They all have jobs, with some having more legitimate jobs than others.

This is where my theory really comes into play.

I think all of the above characters (possible with the exception of the Shrinkers) chose their jobs. Why? They have unfinished business - just as Barbara and Adam had unfinished business in Beetlejuice.

(Of course "they found a loophole and moved on" but this is more-so to explain their necessary absence in Beetlejuice Beetlejuice. From a lore perspective, they could very well still be haunting the house for another 89 years. I (like many others now) believe the loophole was unfinished business. They had the family (Lydia) that they wanted all along and when she moved on with her life, they felt complete. Next stop: The Soul Train and The Great Beyond.)

When looking at these new characters, here's what I theorise for each of them:

Richard - Unfinished business: a family reunion. Richard died in the Amazon, away from Astrid and likely didn't get a proper goodbye. After saving her, thus seeing her once more, he could move on. It's possible too that he's not going to move on after Beetlejuice Beetlejuice due to waiting on more family to see again. But we don't know that, so I'll keep it short.

Wolf Jackson - Unfinished business: "keeping it real." Wolf Jackson seems slightly in denial about his situation. Janet has to continuously remind him that he in an actor because he gets too into the bit he's currently doing. I think the man gets completely convinced he is a spy/detective/investigator/whatever it is he is hyper-fixated on becoming. He's method, dedicated to his craft and won't move on until he feels he has fulfilled every cast-type possible for his range. He's gunning for a Gross-cer.

Wolf Jackson's squad (including Janet) - Unfinished business: supporting cast. Judging by how useless they all are, I'd hedge bets that they are actors too, waiting for their "big break" or recognition to feel satisfied with life (or death). In the Toonverse, celebrities are canon. If these universes are more aligned than previously thought, this could be a possibility.

The Shrinkers - Unfinished business: think big. These poor sods got on the wrong side of a witch doctor (although I really do think a certain B-man is to blame for this). We saw what happened when the portal to the living world opened. Those suckers saw a bid for freedom and went for it. I'd wager that they're somewhat forced to work for Betelgeuse. Maybe he's promised them 'head' (not that kind) if they do his dirty work. After all, he got his head back to normal size. Who's to say he hasn't promised them the same if they work for him? (Let's hope they read the fine print in that contract).

The Janitor - Unfinished business: a taste for revenge. To be honest, I think this guy either died by suicide or totally on accident. Either way, it was from ingesting something toxic. He's got a hankering for bleach and chemicals, who's to say this was just in death? I think he was content working in the afterlife, consuming these deadly toxins with zero repercussions.

Much of the same can be said for the Dry Cleaner. People need their clothes cleaned, he was good at it in life. Why not carry on if you're not ready to go?

Speaking of ready to go...

All aboard The Soul Train!

Another key point in Beetlejuice Beetlejuice is that (aside from Astrid, who was semi-forced to board), The Soul Train is something you board when you're ready to depart. Maybe some people are forced here and there, as there are guards stationed, but we are also reassured that Hell is an option for those who do truly fucked up shit.

(It's worth noting also that The Soul Train has other stops. The Pearly Gates, Elysium and another stop (my memory fails), all of which were DELAYED. Time works differently in the afterlife; maybe some people get jobs because the wait is truly an eternity.)

WOW, you made far! Congratulations for enduring my ramblings, here's a beetle for your trouble 🪲

After all that, here's what we do know:

If you died within a certain radius of your home, you're left to haunt it for 125 years.

If you died by suicide (and if Otho is correct), you have to work for an unspecified amount of time as a civil servant in the afterlife.

If you died via a horrific accident (Wolf Jackson, Janet and Richard), jobs are there for you and you don't even need the credentials to back up your experience.

You cannot leave the afterlife unless you are confirmed "dead dead", board the soul train, attempt to swap souls with a living person or get sent to Hell.

In summary:

Jobs are available in the afterlife. There's no expectation to "work" but there's not much else to do. If you're not ready to leave the afterlife, (perhaps you're still processing death, waiting for loved ones to meet you on the other side or even enjoying the weird and wonderful atmosphere), why not get a job?

Well...unless you're forced into one by a horny poltergeist. But that's a whole other post.

But hey, what do I know? I'm only living.

[combeferres-mothematics]

barricade day fic!!!!!!?? ?? tell us moooore

😭😭😭 The fact that this appeared in my inbox less than a minute after I reblogged that is greatly amusing to me.

So, the basic plot of the fic is Les Amis die at the barricade, then wake up in modern times. I'm not sure whether to call it time travel or reincarnation, so I've just been referring to it as a bit of both. Because they definitely died, that's very much a thing that happened, but they're also waking up in in the 21st century as adults, full memory of what happened at the barricade and before, and they have never seen a lot of the 21st century stuff. (I am having So. Much. Fun. with this plot point and I've barely even written anything in the 21st century 😭I need to finish the 19th first aaaaaahhhhhh)

The first nine chapters are each from the POV of one of the boys covering the events of the barricade, from them heading down the street after the funeral (Or, in JBR's case, Preliminary Gaieties), to their deaths, and then a short snippet from when they first wake up in the 21st century.

In the 21st century they're also split up into different cities, I have them two to a city at first, aside from Feuilly Yes, I know I am slightly evil who's alone. Of course, they may not be close to each other in the city, but the pairs will run into each other by chance, aside from ExR, who are much closer than the others (They died holding hands, so I factored that into the time travel logistics)

I haven't decided on the places they'll be quite yet, but I do have my pairs mapped out. :D

Bahorel and Prouvaire are together, as are Courfeyrac and Bossuet, and Combeferre and Joly.

This is so far what I have, (Yes, this is how I realized that Courfeyrac dies 5th out of 9th of the Amis). The Chapters for Bahorel, Prouvaire, and Combeferre are finished, and Enjolras needs one more scene that I have to choose. (I have too many options and not enough room)

And the word count is only counting the words in the actual chapters, with the scenes for later chapter's I have written, I'd say I'm about 11,000 words so far. They're all contained in the 'snippets' section of the document though because I'm trying to finish these nine before adding more.

But alas, Combeferre accidentally terrorizing people by being WAY too excited about their digital camera is much too funny not to write now. (In context he is also still very much in the clothes he wore at the barricade at that point, and they are none too pretty... 😭)

[little-pondhead]

The Folly of Men -

Chapter 1: #355E3B

AO3 - MASTERPOST

[GENERAL TW: Swearing, lukewarm violence, lots of POV changes, and mild body horror.]

[Fair warning, guys: Canon is a ball pit, and I’m throwing a baby into it. I have no clue what's happening. Feel free to point out mistakes!]

-

Danny was starting to hate the color green. It was the color of death.

Green reminded him of the portal that killed him, and the electricity that was constantly humming under his skin. It reminded him of being on the wrong end of an ecto-blaster and having to dodge for dear life. It reminded him of choking plants that swallowed him whole and tried to turn him into fertilizer. It reminded him of his glowing eyes and how they seemed to take up his entire face when he looked at himself in the mirror.

And right now, as he lay weakly on his side, grasping at fresh wounds with shaky fingers as he tried to ice them closed, the green blood that was splattered everywhere reminded him he wasn’t human.

Not anymore.

-

Green was a familiar color to Ra’s al Ghul. It was the color of life. 

Green reminded him of the Lazarus Pits, mostly. When it was the reason he’d lived such a long life, how could it not be the first thing he thought of? Green also reminded him of his cloak and the warmth it wrapped him in during the cold desert nights when his wife was still alive. Of the beauty he saw in the natural world and why he wanted to protect it. It reminded him of his green eyes that have been passed down through his very few children and grandchildren. Green was the color of the al Ghuls and represented the power he’d amassed through centuries of hard work. 

And right now, as he stood before the Well of Sins, Ra’s was reminded of a secret contract that was buried deep within his personal records, and the monster he’d made it with. The Gardener, the creature called itself, was a being who had crawled out of a Lazarus Pit years ago in search of Ra’s. Its flesh was made from thorny vines and grasses intertwined, and its eyes were tiny red blooms that glowed and made him feel sick just thinking about it. It had forced him into the contract, exchanging power and knowledge in return for a promise of help in the near future. 

‘Near future,’ my ass. Timothy Drake's fleeting voice flickered in his mind, and he could only agree with his subconscious's crude words. It seemed like the only appropriate term as it had already been several centuries since the contract was made, and the being had yet to claim its part of the deal.

He watched, mind racing, as the Well of Sins started swirling frantically. He was alone, with his attendants on standby. Should he call them in? No. Whatever was causing the strange reaction in the pool had something to do with that contract. He could feel it. A power was tugging at his heart, drawing him closer to the edge of the green waters. He loathed to admit it, but this was beyond his scientific understanding. He just knew that every time he tried to look away and leave, his whole body felt like it was alight with flame.

So he stood. And he stared. For hours, possibly, before the first sign of something new caught his attention. A screeching sound was echoing from the bottom of the pool. It slowly got louder and higher pitched as the stone floor started glowing so bright Ra's almost risked the pain of glancing away.

A large head was making its way through the bottom of the pool. It went slowly to accommodate large shoulders, followed by a wide chest and narrow waist. The figure paid no mind to the churning of the Well of Sins and broke the surface of the waters with the ease of a seasoned swimmer. The screeching sound echoed wildly, bouncing unnaturally throughout the chamber, sounding more like incomprehensible words. Ra's wanted to plug his ears with wax and banish the figure back where it came from. Instead, he didn't even twitch an eye.

The Gardener stood before him. And it was carrying a body.

"Master of Lazarusss," it hissed, inclining its head in acknowledgment, but making no move to exit the pool. "Too long has it been, has it not? I've come to collect on my part of the deal."

Ra's nodded in return. Higher being or not, he refused to bow to anyone. "I've expected this, Gardener." He said roughly. Despite learning their language years ago, the sharp chirps and clicks made by the dead were difficult to sound out. It was like he was trying to mimic a broken radio. "Although it's taken longer than I expected for your arrival."

The Gardener clicked its beak in annoyance. "Don't give me flowery words, Pretender. It was not my choice whether to appear before you or not. The Scepter of our realm visited me long ago and commanded me thus; I only now see her vision behind it."

"I...see." He did not see, thank you very much. That was more information in two sentences than he'd ever managed to get from the Gardener. Were there others at play in this little contract of theirs? He did not like the idea of that. "And I assume this whole thing has something to do with the boy in your arms?"

The Gardener let out a low humming sound that seemed to originate from its chest and echo in Ra’s bones. It glanced down, turning the body over gently to let Ra's see his face. The boy was just a child, no older than sixteen. He was deathly pale and seemed eerily stiff, just as if rigor mortis had set in. His white hair was plastered to his forehead from the water, and his clothes were nothing more than rags. Thick green blood was leaking from several wounds and pooling underneath his skin. It wasn't hard to guess what the Gardener was about to ask.

"This is our Guardian and one of the last of his kind. His haunt is not safe anymore, and I task you with his care for the foreseeable future."

Without waiting for a response, the Gardener sloshed forward to set the boy oh-so-gently upon the edge of the pool, taking care that his thorns did not pierce the child. A few vines cupped his face gently as if the Gardener was sad about the boy's state of being.

The assassin made no move to step forward and claim him. "What iske?" He asked. Ra’s voice caught on the last syllable, and he had to repeat the question again properly. Annoying.

The Gardener didn’t seem to mind and just stepped back, relinquishing its hold completely. "He is our Guardian." It repeated. "Care for him well. His fraid will be on the hunt for him and return any harm tenfold. But earn his loyalty, and the power of the Infinite Realms will be at your fingertips. Good luck, Master of Lazarus."

With that, the Gardener disappeared beneath the waves of the Well of Sins, and the waters calmed. The only proof that someone had been there was the sopping wet teen that lay at Ra's feet.

Ra's stared at the boy. The tugging in his heart was a bind, he realized. And it was tying him to the boy. Well, caring for a dead child shouldn't be that hard. Despite his disagreement with Talia over the matter, Jason Todd had turned out just fine, hasn’t he?

With the contract heavy on his mind, Ra's turned and left the boy lying there, clicking his jaw and calling for his attendants to collect him. The Lazarus Pits had gifted him with a new heir, it seemed.

-

“WHAT DID YOU DO?”

In another world, a redheaded girl was on the edge of a rampage. Her scream echoed down the suburban street her house was on, and the neighbors sighed quietly and locked their windows shut, not realizing the severity of the question. They were used to this family's antics, and the girl's screaming as a result.

But this could not be written off as 'family antics.'

Jasmine Fenton, nicknamed ‘Jazz,’ was positively furious. Red-faced, she stood before her parents with steam coming from her ears and a bat in hand. 

“Jazzy-pants, we-” her father tried.

“Nope!” Jazz put up a hand to stop him. “Never mind, I don’t want to hear it. I already know.” 

She whirled around, tuning out her parents' protests as she stormed through their house. Correction, her parent’s house. If she had her way, Jazz would never see these metal and unloving walls ever again. Neither would her brother, once she found him. 

Her phone rang, and she flipped it open with a snap, leaving the bat at the end of the hallway. Only a few people had her number, and it sure as hell wasn’t her parents calling her. “What.” She barked, shoving the phone between her shoulder and ear as she dug through Danny’s closet. His bug-out bag hadn’t been moved. 

“It’s Tucker.”

“We have a code green and a code yellow.” She ground out. Good, the ecto-dejecto shots were up to date. The less time she spends in that god-forsaken lab, the better. 

“Fuck.” Tucker swore. Rustling was heard and she heard another voice in the background. “I’m putting you on speaker.” 

Jazz re-packed the bag quickly, adding in some non-essentials that she knew Danny would appreciate. After it was settled on her shoulders, she switched the phone back to her hand for a better grip. “Is Sam there?”

“I’m here.” The girl responded. 

Jazz tripped over her bedroom carpet in her rush to her room. She cursed but recovered and started ransacking her closet and drawers. “Good. One of you needs to contact Danielle. Our parents sold Danny out, and the GIW took him while I was gone yesterday. I’m going ghost and getting him back. Tell Danielle she’s in danger since they have her ecto-signature now.”

“We’re going with you.” Sam said firmly. There was more rustling, and Jazz guessed they were looking for their own emergency bags. “I don’t care how long it takes; we’ll get him back.” 

“Are you going to shut down the portal?” Tucker asked. 

Jazz paused, considering it. In the original plan, Danny was in charge of shutting down the portal while Jazz and the others took care of the Fentons, GIW, and everything else. It was personal for him; his final resting place. But now that Danny was missing, and they needed a reliable escape route. 

“Not permanently.” She decided. “I’ll figure out how to turn it off temporarily, or put a shield up, but Danny will need to be the one to make that call.” 

Tucker started typing furiously on his laptop, muttering under his breath until he got to the file he wanted. “Sam and I will take care of the town defenses, and Dani’s on her way from New Zealand. She’ll be here in a few hours. I’m sending you a bug; plug it into the Fenton’s security systems, and it’ll lock them out of the house for now. Only do it after you’re done in the labs. Sam’s gone off and is pulling some strings to get all the ghosts in town back to the Zone. I’ll start tracking Danny and shutting down all the Fenton and GIW equipment I can find.”

“Thanks, Tucker. I’ll meet you guys at Nasty Burger in two hours; pass that message to Danielle.”

“Sure thing. Oh, and Jazz?”

“Yeah, Tuck?” Jazz started counting her hidden wads of cash, making sure it was all there. They never wanted to believe the Fentons would go this far, but she was glad they’d made contingency plans just in case. 

She could hear Tucker’s silent snarl as he said his parting remark. “Leave enough of them behind for the rest of us.”

Jazz laughed, a little hysterical. “I’ll try.” She said, bidding him farewell. Honestly, she wasn’t even sure she could look at her parents ever again. But she knew, deep in her bones, that if they tried to stop her, there wouldn’t even be ashes left from the hell she would raise. 

-

Gotham was caught in a storm. It was one of those ugly, howling summer storms that threw water in your eyes and bit your skin with a vengeance. Damian squinted, trying to make out the sight of Spoiler and Signal through the rain, but even their bright uniforms were lost in the shadows.

He tightened his grip on his grappling hook as a particularly harsh wind tried to throw him around like a ragdoll. Water seeped into his collar, making him shiver. A beep echoed in his ear, and he risked taking one hand off the line to answer his comms.

"Robin," Oracle was practically shouting in his ear over the storm. "Signal made it to the Cave. Spoiler is rounding up Condiment King, and then she'll do the same. You can go back now."

Damian tsked. "Father is still out here," he replied. "I shall not return until he does."

"Robin-" Oracle sighed.

Another gust of wind made him grunt, and he cut the call to refocus on scaling the building. The only good thing that came from such a wild storm was that most of the villains were smart enough to stay inside. Splitting up in such conditions always left a sour taste in his mouth, but Damian understood it was necessary to cover as much ground as possible during times of emergency.

He wasn't sure this counted as an emergency, but Todd was certainly treating it as such. The citizens of Crime Alley were being hit hard. Enough to the point where Red Hood had openly invited the Bats onto his turf to help with the flooding and evacuation from some unstable buildings. Batman and Red Robin had gone, leaving Robin and Orphan to cover their patrol routes.

Finally, finding purchase on the rough brick, Damian quickly hauled himself up to safety. Some of his equipment was ruined, and his costume was soaked. Truly, this storm had come out of nowhere.

His comms clicked back to life. "Robin." Cain's clipped tone was somehow louder than Oracle's voice.

"I'm here," he replied, scowling at the oily mud on his shoes. Damned pollution.

"Home," Orphan said simply.

Damian scowled even harder. He could argue with Oracle without issue, but he barely won when it came to speaking with Orphan. "...Fine." He sniffed. "I shall return."

"Good." Damian could hear the smile in her voice. "Agent A has cocoa."

"I'll consider it." He said stiffly. He imagined his adoptive sister smiling slyly and glancing toward the sky before the comms switched off, leaving him to his thoughts again. After checking his grapple to ensure it still worked, he started picking his way through the building at a snail's pace, letting himself get distracted whenever he spotted someone in trouble. The Batcave would be warmer and dryer than the streets, but not everyone had a dry place to return to. Every little bit helped in the long run, and even Damian wouldn't pass by a lost child in the rain.

The only thing that bothered him more than the dark clouds overhead and fresh hail on the way home was the unnatural feeling on his spine. It felt like someone was watching him, judging him. But when he looked, nobody was there.

-

The stars were gone.

Danny felt weightless as he floated, staring at the space where the stars were supposed to be. He felt lighter than normal. Danny was surrounded by colors that flowed and ebbed like the tide, taking him deeper into this mysterious space. Golden fish and silver deer wove past him as fire and ice trailed behind, and yet he couldn’t seem to muster up the energy to get up. He just laid there silently. A bone deep exhaustion was settling into him, but sleep refused him.

“Ghost Child.”

Oh, Danny was dreaming. He was already asleep.

He didn’t turn his head, nor acknowledge when the stars returned to his line of sight. The stars wrapped around him like a curtain, cutting off the rest of the dreamscape. Two bright eyes, burning like red giants, peered down at him as thin hands cupped his body.

“Ghost Child.” The voice repeated again, speaking in his mind even as the words were swallowed by the silence of space.

Danny turned his head slowly. “Nocturn,” he murmured. These too, were snatched from his throat and lost. The cold seeped into his chest and he hiccuped. He couldn’t speak. Not that he really wanted to.

Luckily, Nocturn seemed to understand him just fine. He cradled Danny gently, bringing him closer to his chest. Something shifted in the fabric of space, and suddenly Danny was being laid to rest on the smooth stone of a crescent moon, as pearly white as his own hair. He sighed as the coolness of the moon seeped into his body, soothing aches and burns he didn’t remember getting.

“Where are we?” He wanted to ask.

Nocturn blinked slowly at him, his face twisted down towards Danny. His ram’s horns glinted as a glowing blue jay landed on them and started preening itself. Danny wanted to fly with the bird. His body didn't move.

“Sleep, Ghost Child.” Nocturn hummed. The moon vibrated beneath Danny, soothing the electric currents that kept him awake no matter what he did. Danny’s eyes started sliding shut as Nocturn’s song wrapped around him like a lullaby.

The others… Danny’s mind whispered.

Are safe. The song replied. Rest, young guardian. Your people are safe. You did well.

That was all he needed to hear. Danny let himself fall into slumber, relief flooding his mind. Yes, his people were safe. He did well. He deserved some rest.

As the young ghost fell into a dreamless sleep, a real sleep, Nocturn gently tucked the boy in with a blanket made from his own starry robes, shifting the fabric once more to hide away his core, and the boy who was resting on it. The bluejay on his head chirped indignantly from the movement and flew away, leaving a trail of smoke behind.

Nocturn paid it no mind. Warnings from Fate were never a good idea to ignore, but the bird was but a memory of a life that had long since passed. It only stuck around because of the dreams that kept feeding it. The ghost let his lullaby continue as he returned to his work, taking care to move slowly.

Undergrowth was taking care of his physical body, so he would care for the boy's mind. Vortex was off to round up the little ghostlings who had scattered like dandelion seeds, and the Master of Time was keeping an eye on the rest of Phantom's fraid while they rampaged in the mortal realms. After the stunt he pulled to protect the Realms, it was the least the elder ghosts could do.

-

"Is the boy awake?" Ra's asked sharply, entering the private rooms he had set aside for the boy.

The attending nurse, an older man born with no tongue, bowed his head and signed, 'No, sir. Vitals are off. He is a cold corpse.'

Ra's regarded the boy. It has been several weeks since the Gardener dropped the boy off in his care, and he hadn't awoken once throughout the entire time. He truly looked like a regular dead teenager, if you exclude the unnaturally white hair.

The Demon's Head bent over the boy's bed, tugging open an eyelid to see if he would react. Nothing. However, he noted the boy's eyes were green, which he was mildly pleased about. Green was such a lovely color, and this boy seemed surrounded in it.

A sharp knock echoed from the door, and Ra's granted the other party permission to enter. His best phlebotomist, a man named Paz, entered, holding a stack of papers as thick as his thumb. He bowed to Ra's as soon as he saw him.

"The results?" Ra's asked.

Paz immediately handed over his work, fully confident that Ra's understood everything he'd written. "For all purposes, the boy is dead." He said in a thick accent. He spoke in halted Arabic, as he'd only lived in 'Eth Alth'eban for a short time. "He has no circulation. No heart to move blood, or lungs to breathe. We must move him every hour to prevent postmortem lividity. He has undergone an extensive autopsy process, but it seems it was stopped before his brain was removed. No organs remain in his body otherwise.”

Ra's examined the papers. They were reports from different scientists and doctors, all of whom had been assigned to examine and work on the boy. Most of them said the same thing. The boy was dead and had been for a while. If the Well of Sins didn't do anything when he first exited the waters, what good would it do now?

He flicked his eyes up. "But you think otherwise," he stated.

Paz nodded enthusiastically. "The boy is dead, but his blood is alive!" He tapped a green folder that was poking out from the bottom of the pile. Ra's shuffled the papers off to the nurse and opened it. Printed off charts had been scribbled over with Paz’s frantic notes, documenting his thought process.

The phlebotomist rambled excitedly as his boss read his work, gesturing wildly. “It’s incredible! Most of his red blood cells have died off, and he has an abnormal amount of white blood cells, which indicate some kind of infection. But his plates-“

‘Platelets.’

“Platelets,” Paz nodded his thanks to the nurse for correcting his speech. “The boy’s platelets are still alive, and are actually trying to heal his injuries! We recorded a time-lapse last week to confirm it. The process is incredibly slow, even compared to human healing, but there’s a difference! Because of the absence of red blood cells, the plasma left in his body has practically doubled in volume, even though there’s no circulation to keep it moving. We’ve noticed a collection of stem cells at the base of his skull has started growing as well, and whatever it’s producing is being released into the body at regular intervals.”

“What kind of cells are they?”

“Unsure. At first, we thought it was cancerous in nature.” Paz tapped the corner of the folder again, prompting Ra’s to turn the page. “And while these cells are certainly growing as fast as unchecked cancer, rather than doing harm, we’ve taken samples and noted that they’re merging with whatever original matter has been left in the boy’s body. Bonding, like glue! The healing process is periodically speeding up with every release, the plasma has started circulating on its own, and the white blood cell count is diminishing. Honestly, I’ve never seen anything like it! It’s filling in for everything that’s missing, and keeping what is there, alive. Dr. Vanessa hypothesized that within the month, it may even start replacing the boy’s organs.”

Ra’s looked up from the research. “These photos look like plant cells, is this an example or actual recordings of the activity?”

Paz wrinkled his nose. “Those are evidence of the activity. For some reason, cellulose is present within his body, and the mysterious stem cells seem to be a mix of both plant and animal matter. It’s hard to track even with our technology, but it looks like the cellulose is forming a sort of…skeleton? Frame? I’m not sure what the right word is, but Dr. Vanessa says they might start regrowing in another month. If that’s true, this would be a huge breakthrough in the realm of organ transplants and other medical fields!”

The Demon’s Head hummed, flipping through the work again and considering the man’s words. “Very good,” he praised. Paz beamed like a child at his words. “Unfortunately, I shall be releasing you of your duty, and your tongue is too loose for your head.”

“What-“ Paz’s eyes widened as he gurgled, his words cut off. Ra’s twisted his wrist, driving home the dagger he’d planted in the man’s heart. He had no use for men who talked too much.

Paz fell to the floor, convulsing as he tried to weakly remove the weapon still sticking out of his chest. His eyes rolled back in his head, and he went pale as his blood seeped out onto the floor.

Ra’s barely spared the dying man a glance, taking back the extra stack of papers from the nurse and neatly stepped around him to exit the room. “Clean that up,” he said over his shoulder.

The old nurse bowed his head, waiting patiently for the foolish doctor to finish dying before he got out the mop.

This is why the nurse had survived so long; he knew how to stay silent.

-

[Nocturn tucking Danny in to rest. Ghost speech says, "Rest well, ghost child"]

[froizetta]

WIP Wednesday (but it's Thursday)

So I told myself I would post this yesterday, but when I left for the evening I realised I hadn't in fact done that. Whoops! But hey, it's only like 4 and a half past midnight on Baker Island, so if you think about it, it basically still counts as Wednesday. Right?

Anyway, this one is the next chunk of my superbatlantern fic, because I thought I might as well just commit and post what's basically the end of chapter 1. (For anyone who hasn't read the preceding parts: part 1 and part 2.)

“You were spying on us,” Bats said in that rough, low growl of his. He didn’t sound happy.

Well, there didn’t seem much point in denying it at this point, huh? “Yeah,” he said.

“Why.”

“Is that really important?” Hal shrugged. “Curiosity, mostly. I sensed a little sexual tension earlier in that meeting, while you two were going at it with each other.” The word choice made Batman’s eyebrow twitch gratifyingly. “I thought maybe you’d come in here to continue what you started, so I decided to check. That’s all.”

Superman went from looking mostly dismayed to a little bewildered. “So you wanted to catch us—what? Having sex? This is the Watchtower, we wouldn’t— Why would you think we’d even do that here?”

Hal felt his eyebrows raise. “What, you mean you haven’t? Ever?” Superman didn’t say anything to that, which to Hal was pretty much as good as an admission. He grinned. “Heh, thought so. I always knew you were less of a boy scout than you let on.”

Superman looked like he wanted to respond to that, but Batman cut him off coolly before he could. “Clark, focus. Hal’s concerning attempts at voyeurism aside—”

“Hey!” Hal objected. “I wasn’t out there trying to jack off or anything, don’t make it weird—”

“Putting that aside,” Bats continued firmly, “we need to deal with the real issue here.”

He turned his ice-blue gaze on Superman, who met it immediately as if by instinct. They did that kind of thing a lot, silently communicating with each other with just a look or a subtle gesture, like they had some kind of freaky, psychic bond. Just like now, where the meaningful glances exchanged above Hal’s head were a whole conversation he couldn’t hear.

…Huh. Hal probably should have figured they were dating a while ago, actually.

After a long few seconds, they seemed to come to an agreement. Superman turned back to address him, stoic and serious. “Hal, we need to know you’re not going to spread this around.”

Hal raised an eyebrow. “Or what? You’re gonna blackmail me? Kick me out of the League? Put my feet in a bucket of cement and drop me into the Atlantic?”

A muscle flexed in Batman’s jaw, the way it always did when he was pissy. “Obviously not.”

“Good,” he said, flashing the ring alongside his signature grin. “Because I’m not feeling super threatened.”

That muscle flexed again and Batman’s hands clenched to fists. Okay, so he was really pissed, huh? “Christ, Jordan, this isn’t the time for your pointless posturing,” he snarled. “Can't you take this seriously, for once in your life—”

“Bruce,” Superman said softly, laying a hand on his shoulder. “It’s gonna be fine, okay? It’s Hal.”

Hal bristled, unsure what the guy meant by that but instinctually convinced that it had to be some kind of dig at his expense. But before he could say anything righteously indignant, Bats just kind of…softened? There wasn’t really another word for it, all that sneering tension seeping out of him in an instant. Bats reached up to squeeze the hand on his shoulder, grateful and reassuring, and it all felt so easily intimate that whatever words were about to come out caught in Hal’s throat.

Hal swallowed. Geez, what was wrong with him? He wasn’t normally like this around Ollie and Dinah, and god knows they weren’t that shy about PDA. And this was barely even that. What about it was weirding him out so much? Just because it was them?

Superman smiled at him, all benevolence and understanding but for the tension around his eyes. “Look, there’s a reason we’ve been keeping our relationship private. We agreed when this started that dating openly would be too complicated and too much risk for our secret identities. And unfortunately, that includes the Justice League. You know how gossip spreads among the superhero community.”

Boy did he. When Carol had dumped him for good, he’d gotten a commiseration text from Booster Gold. Fucking Booster Gold.

“And I don’t want what we do in our private time encroaching on what we do here,” he went on. “We have a leadership position in League together with Diana. The two of us being in a relationship could…complicate things, here.”

“You don’t want that, huh, big guy?” Hal said. “That not a concern your boyfriend shares?”

Batman’s expression remained blank. Superman’s eyes hardened. “Don't try to change the subject, please. This is serious.”

“Clark is right,” Bats said. “Hal, we need explicit verbal confirmation. Will you agree to keep this a secret, or are we going to have a problem?”

Hal shrugged. “Yeah, sure.”

Both of them paused.

“Really,” Batman said, with an edge of suspicion. “Just like that.”

“Yeah, just like that. Why are you acting so surprised? I’m in this game too, I know the drill. I can keep a secret.”

“You wear a flight suit with your name on it under your Lantern uniform.”

“And yet somehow, the general public hasn’t worked it out yet. Go figure.” He felt his lips pull into a sneer. “Look, what do you want from me? I said I won’t blab and I won’t. Am I supposed to sign a pact in blood or something?”

“Shockingly, I wasn’t actually going to suggest that,” Batman said dryly. “But it would certainly be more comforting than just taking it on faith.”

Hal gritted his teeth. “Oh, right. So you don’t trust me, is that it?”

“Bruce,” Superman said, frowning.

Bats just shook his head. “It’s nothing personal. Trust alone is a poor basis for most agreements.”

“So that’s a 'no, I don’t trust you' then? Fuck you too. How many times have I pulled your ass out of the fire by now, Spooky—”

“Fewer times than I’ve done the same for you—”

“Okay, that’s enough,” Superman cut in, face like gentle thunder. “Bruce, we’re asking him for a favor here. Antagonizing him is counterproductive.” Bats just grunted and looked away. “And Hal, you have to understand this is difficult for us. For both of us. We’ve kept this hidden for a long time, from almost everyone in our lives, and you’re the first person to find out like this. I hope you can appreciate the gravity of that.”

Hal scrubbed a hand through his hair, feeling the sudden rush of anger drain out of him. It was honestly hard to stay mad when Superman was using his Nice Reasonable Mediator voice. “Yeah, I… Look, I do get it, okay? I’m not gonna blab, because no matter what either of you think, I’m not that big of an asshole. I don’t go around fucking up other people’s relationships for fun, you know.”

“We know, Hal,” Superman said, reassuringly. Batman was annoyingly silent.

“Cool. Are we done here?”

“We’re done,” Bats said.

Thank god. Hal was feeling shittier and antsier the longer he sat here with these guys.

[firefl1ezz]

i just. hit s+ rank in splatoon and i never honestly thought this would happen?? am i cool now.. do i get to be a part of the s4? do i get to be watered down to my running joke all the time?

[vaugarde]

pokeani moments that exist purely to make Me miserable:

the line where they call ash's oshawott a throwaway pokemon in the unova league so they're just flat out saying they think it's a worthless pokemon

to thine own pokemon be true (extra angst points for me bc ambipom was my second favorite on the team at the time)

the granddaughter of the guy who trains gliscor calling gliscor pathetic and weak to her face despite gliscor being an extremely sensitive pokemon

pretty much everything about that gible

blue episode (favorite color but they made it a fetish somehow and also dewott and brionne and meowstic are all there and its so bad)

boxing heracross immediately. also that battle frontier episode where it's literally the only returning ash mon (barring torkoal i think but i dont count it bc its native to AG) to get humiliated onscreen

pidgeot returning but gliscor didn't even show up in the miniseries despite being an Actual Character

[pfhwrittes]

i've written 2.3k words for this bloody bbc ghosts inspired au so far and that's just in my outline and character descriptions. the worms are worming well so you can have a snippet as a treat under the cut. be aware it's very rough still, i very much copy/pasted from my outline document.

-- congratulations! you’ve got the job. it’s the first job you’ve had like this and it’s kinda weird but hey your friend moved into an empty office building for six months to act as a deterrent to squatters and that definitely sounds worse than rattling around a beautiful if slightly manky manor house until the hotel people come to the site to evaluate it. at least this place has a bedroom (or five). 

the guy giving you the assignment is a bit twitchy about it and makes a comment about how not many of their caretakers have lasted long on-site since they acquired it a year ago but he’s sure you’ll do fine! you seem capable! just remember it’s an old building with a lot of history and to treat it with respect. look they’ll pay you weekly for every week you stay on-site, first two weeks upfront. the last caretaker of the manor said he managed to sort out running water and was working on the electrics before they lost touch with the guy. 

what.

“oh no! don’t worry, he probably realised he didn’t want to be stuck out in the middle of nowhere for that long and just left – but we did have to pay good money to get the locks changed because he didn’t return his keys.”

what.

“anyway, here’s the first two weeks pay for you. in cash. if you change your mind in the first two weeks let me know and don’t forget to drop the keys off to the office.” --

it's official, i've given it a title now so it's being worked on.

(i'll love you forever if you ask me about TF141's backgrounds in this because i'm not sure i'm patient enough or skilled enough to weave it into the story without it being clunky)

[souenkun]

July recap! 🏖

[str33t-c4t]

For Snake: Are you more of a stay at home kind of Sneasel or a wild night out Sneasel?

"And there are some nights where I'm just not having his bs anymore"

QNA rules and info: https://str33t-c4t.tumblr.com/post/738445308634218496/qna-basically-everything-you-need-to-know-about