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#The Brontes
burningvelvet · 7 hours
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jacob elordi and margot robbie starring in yet another whitewashed wuthering heights adaptation which is going to further destroy the public perception of this classic literary work by misleading people into interpreting it as a common bodice ripper bc no one cares about nuance or meaning and all anyone cares about is profit... crying shaking throwing up!!!
it's also really ironic to imagine what heathcliff himself would think about how he's portrayed in media. he hates everyone and would hate more than anyone the fans who romanticize him, just as he canonically hates isabella for adoring him and wanting to believe that he's better than he is — that he is the romantic hero she's made him out to be. how ironic is it that most fans of the work embody isabella? and on that note, how much do you want to bet that isabella will be written out of the story along with most of the other characters plotlines, like how the colonial rhetoric is written out by the fact of elordi's mere presence?
heathcliff is such a wonderfully written character and one of the most iconic in all literary history. he doesn't deserve this chronic mistreatment and neither do any of the other characters. least deserving of all is emily brontë herself who would be continuously disappointed if she were misfortunate enough to have to bear witness to these adaptations. she's actively rolling in her grave as we speak and the producers are parodying heathcliff digging her up so that she can share in the torment they insist upon...
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heatherfield · 8 months
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classic lit authors on ao3 [insp]
Edgar Allan Poe’s Murder Mystery Dinner Party  [x]
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farosdaughter · 11 months
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'Les Soeurs Brontë'/The Bronte Sisters (1979) dir. André Téchiné
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princesssarisa · 14 days
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Inspired by @thatscarletflycatcher's list of actors who have appeared in multiple Jane Austen adaptations, I've made a list of actors who have appeared in two or more adaptations of Brontë novels. I've covered all three of the sisters' books and included radio dramas as well as screen and stage adaptations.
*Timothy Dalton played Heathcliff in the 1970 Wuthering Heights film and Rochester in the 1983 Jane Eyre miniseries.
*Toby Stephens played Gilbert Markham in the 1996 Tenant of Wildfell Hall miniseries and Rochester in the 1983 Jane Eyre miniseries.
*Tara Fitzgerald went from playing Toby Stephens' love interest to playing his love interest's childhood abuser – Helen Graham in the 1996 Tenant of Wildfell Hall and Mrs. Reed in the 2006 Jane Eyre.
*John Duttine holds the distinction of having played both Heathcliff and Hindley Earnshaw in different Wuthering Heights adaptations: Hindley in the 1978 miniseries, Heathcliff in the 1995 radio drama.
*Amanda Root played Catherine Earnshaw in the 1995 Wuthering Heights radio drama and (showing her versatility) Miss Temple in the 1996 Jane Eyre film, as well as narrating the 2004 Naxos audiobook of Jane Eyre.
*Emma Fielding is heard in both the 1995 and 2018 radio dramas of Wuthering Heights: as Catherine Linton in 1995 and as Nelly Dean in 2018. She also narrates the 1996 Naxos audiobook of Jane Eyre.
*Geoffrey Whithead played St. John Rivers in the 1973 Jane Eyre miniseries and Mr. Linton in the 1995 Wuthering Heights radio drama.
*Jean Harvey appeared in both the 1973 and 1983 Jane Eyre miniseries: as Mrs. Reed in 1973 and as Mrs. Fairfax in 1983.
*Judy Cornwell played Nelly Dean in the 1970 Wuthering Heights and Mrs. Reed in the 1983 Jane Eyre.
*David Robb played the Count de Hamal in the 1970 Villette miniseries and Edgar Linton in the 1978 Wuthering Heights miniseries.
*Bryan Marshall played Gilbert Markham in the 1968 Tenant of Wildfell Hall miniseries and Dr. John Graham Bretton in the 1970 Villette miniseries.
*Sarah Smart played Catherine Linton in the 1998 Masterpiece Theatre Wuthering Heights, and Carol Bolton, the female Heathcliff character, in the 2002 TV film Sparkhouse, a modernized, gender-flipped retelling of Wuthering Heights.
*Holliday Grainger played Lisa Bolton, the female Hareton/Linton composite character in Sparkhouse, and Diana Rivers in the 2011 Jane Eyre film.
*Sophie Ward played Isabella Linton in the 1992 Wuthering Heights film and Lady Ingram in the 2011 Jane Eyre.
*Morag Hood played Frances Earnshaw in the 1970 Wuthering Heights and Mary Rivers in the 1983 Jane Eyre.
*Jean Anderson played Nelly Dean in the 1963 TV version of Wuthering Heights and Mrs. Maxwell in the 1968 Tenant of Wildfell Hall.
*Barbara Keogh played two unpleasant Brontë maidservants: Zillah in the 1978 Wuthering Heights and Miss Abbot in the 1997 TV film of Jane Eyre.
*Norman Rutherford played the lawyer Mr. Green in the 1978 Wuthering Heights and Sir George Lynn in the 1983 Jane Eyre.
*Anna Bentinck narrated the 2015 Dreamscape Media audiobooks of both Jane Eyre and Wuthering Heights.
*Janet McTeer played Nelly Dean in the 1992 Wuthering Heights film and reprised the role as co-narrator of the 2006 Naxos audiobook (she reading Nelly's narration, David Timson reading Lockwood's).
*Edward de Souza played Mr. Mason in two different adaptations of Jane Eyre: the 1973 miniseries and the 1996 film.
Adding Brontë family members and friends into the mix:
*Ida Lupino played Isabella Linton in the Lux Radio Theatre's 1939 adaptation of Wuthering Heights based on the 1939 film, and Emily Brontë herself in the 1946 film Devotion.
*Chloe Pirrie played Emily Brontë in the 2016 TV film To Walk Invisible and Catherine Earnshaw in the 2018 Wuthering Heights radio drama.
*Ann Penfold played Polly Home in the 1970 Villette miniseries and Anne Bontë in the 1973 miniseries The Brontës of Haworth.
*Gemma Jones played Mrs. Fairfax in the 1997 Jane Eyre and Elizabeth Branwell in the 2022 film Emily.
*Richard Kay played William Weightman in The Brontës of Haworth and Lockwood in the 1978 Wuthering Heights.
*Megan Parkinson played Catherine Earnshaw in the 2015 Ambassador Theatre stage adaptation of Wuthering Heights and Martha Brown in To Walk Invisible.
*Susan Brodrick played a barmaid in The Brontës of Haworth and Mary Rivers in the 1973 Jane Eyre.
I'm sure there are plenty more, but this list is long enough for now.
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aliteraryprincess · 1 year
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windsweptinred · 1 year
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bookwormchocaholic · 2 years
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britneyshakespeare · 10 months
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rest in peace charlotte brontë i would've loved to talk about boys with you
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allthingsbronte · 2 years
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EPISODE 12: THE BRONTË SISTERS
Reader: he interviewed them. Northern grit abounds in this fab new episode - starring THEE Sasha Aleksandra, Sarah Golding and Jasmine Ovenden as the iconic Brontë sisters!
Click on the link to listen, or find us wherever you get your podcasts.
https://anchor.fm/hg-wells-has-his-regrets/episodes/Episode-12-The-Bront-Sisters-e1pjj3b
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livinthebookshelf · 1 year
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"I envy you; your peace of mind, your clean conscience, your unpolluted memory".
Mr. Rochester to Jane Eyre on 'Jane Eyre' by Charlotte Bronte

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farosdaughter · 2 years
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princesssarisa · 1 year
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Some further comments on those Don Giovanni program notes I just reblogged:
(1) I do think the way the program notes apply each of the Seven Deadly Sins to the opera's non-Giovanni characters is interesting. I don't necessarily agree with all the choices, though. I would never think to name "envy" as Donna Elvira's sin: yes, she wants a man who isn't "hers" anymore, but she doesn't envy the other women he seduces, she tries to protect them from him. I'm not sure if I agree with their choice of "lust" for Donna Anna either. But I like the way they did it. If they had to choose "lust" as Anna's sin, I'm glad that instead of taking the popular route and imagining that she lusts after Don Giovanni, they claim that her fatal flaw was lust for Don Ottavio, because she let the man she thought was him into her bedroom, despite how unseemly that would have been in their time and place. I wouldn't mind seeing more productions take that view of her. The idea that she blames herself for her own sexual assault and her father's death because she gave too much into her passion for Ottavio is a valid one. It would explain why she refuses to let Ottavio console her or even think of marrying him until her mourning is done, without claiming that she doesn't really love him.
(2) It's interesting to see Lady Caroline Lamb's famous quote about Lord Byron, "Mad, bad, and dangerous to know," applied to Don Giovanni. It fits, of course, but it stands out for me because I've only seen that quote applied to one other man besides Byron himself. A man associated with moody Romantic literature because his sisters wrote it: Branwell Brontë. And I had just been thinking that Christopher Maltman's Don Giovanni in the 2008 Salzburg production – the Don who's slowly and painfully dying throughout the opera, but trying to pretend he isn't – reminds me of the stories of two of the Brontë siblings' deaths. First, Branwell, with his alcohol, drugs, and love affairs, the fact that he seems to have ignored his illness and stayed up and about in the village until just a few days before he died, and the legend that at the very end, either to emulate the Roman emperor Vespasian or just to prove the power of human will over bodily weakness, he insisted on getting out of bed and died standing up. (I don't know if that story is true or not, though – Charlotte's letters never mention it.) Second, Emily, who also stubbornly ignored her illness, refused to see a doctor or take medicine, and struggled to go about her normal life for as long as she was physically able. Of course they were dying of tuberculosis, not a bullet in the stomach. But I still imagine that for their sisters, their father, and the servant women Tabby and Martha, helplessly watching them was a process very much like what poor Leporello goes through in that Don Giovanni production.
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aliteraryprincess · 1 year
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My Brontë Book Collection
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ink-and-pages · 2 years
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Yes, I know its her fake biography so it'd still be long. But also if she didn't fall in love with Rochester or picked up on a single red flag a lot could have been avoided.
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