[I think the only reason I feel less mad about Izzy's death is because I have deluded myself to believe that he is coming back in s3 (and that there will be s3) and that his death affects the characters as much as it affects my Ed & Stede.
denial & clowning are the best states to live in, let me tell you]
Imagine in Shrek 5 the gang is looking for Puss cuz they need his help for the quest and there in a place when suddenly explosions go off and there’s chaos and music.
An cat laughing is ass off lands near them and is like “oh, hey guys! :3”
And everyone is just “whelp that was easy”
But then fireworks go off and cause another explosion and near them lands another cat??
Everyone is like “wtf” but Puss immediately gets heart eyes and goes “amor!!!❤️❤️❤️”
And now everyone’s mental health is going to have to deal with the fact that omg there’s two of them and where did that dog come from?
Danny stares up up up at the being cooing down at him, a mass of eyes and tendrils and whatever else twisting in and out of portals, shattering to sand and reforming, buckling into a smaller shape and expanding in an ever moving form.
This was not what he was expecting when Clockwork offered to introduce him to Chaos, but maybe he shouldn’t be so surprised.
Bonus DPxDC crossover: Clockwork introduced his lil baby ghostling to his old friend Chaos so they can set up playdates between their two kids. Klarion and Teekl are now being spotted with a white-haired boy and a green puppy that can go giant and monstrous like Teekle, to Young Justice’s (And the league’s) concern
You’ve probably noticed how in Good Omens 2 Crowley’s eyes are brighter, more saturated, as if glistening with liquid gold. We’ve already covered his hair. And it’s not only the visual aspect of him — even in objectively stressful conditions, Crowley appears mature and put together, way cooler and more protective than before. Even his faults are heavily romanticized in the past and present scenes, reminding of the S1 body swap, when Aziraphale projected his love to him on the way he played the demon in Hell.
It’s not just the demon. The whole season is more vibrant, bolder, filled with sunshine. Just like a summer that was never supposed to end. Like a memory of a loved one seen through the eyes of someone who thinks of them every day until the end of the world.
S2 seems ridiculously saturated, whimsical, and full of red and gold, just like a certain demon. Aziraphale not only painted his bookshop in his image, but literally colored the whole world in Crowley’s colors. It was such lush and saturated and blooming with warmth and hazy light.
It’s either that all the newest events are just another memory seen through a certain angel’s eyes, or said angel actively made it appear this way — as in, his feelings grew so strong that they’ve started to warp the reality around him. And it’s a well-known fact that Aziraphale has a tendency to affect his surroundings, either unconsciously, when his presence in the bookshop literally lightens up the sky seen through its windows, or very much consciously, when he takes over the position of a master puppeteer and manipulates people with or without the help of his miracles.
S1 was more dramatic and apocalyptic, but not particularly gray — at least not as much as the color grading typically used in portrayal of similar apocalyptic narratives. S2, at least as seen through Aziraphale’s own La Vie En Rose lens, is vibrant and saturated. And those colors drastically fade in the heavenly light of the elevator during the credits, suggesting that they won’t be as visible in the course of S3.
But I don’t want to ramble about the apocalypse sandwich and the three-act structure here, so let’s circle back to S2.
Good Omens 2 was really set in a summer that was never supposed to end. But it did, autumn crept in, and there was no chance of hearing the nightingales sing. They all had left by the time an angel and a demon finally kissed.
In the most literal sense: the very last nightingales usually migrate from the UK to their wintering grounds in Sub-Saharan Africa in the first days of September.
Aziraphale was right that nothing lasts forever — and the passage of time on Earth is marked by subtle details invisible to the immortal eyes.
The main thing about autumn migration is how sudden and hard to predict it is. The birds start disappearing gradually, often without notice, until at some point they are no longer here. Much like the angel leaves the bookshop — their shared nest — to spread his wings and fight.
And it was basically announced on the poster.
Can you see the migratory formation of birds up in the sky? It looks like Aziraphale is the last one to get off the ground and fly.
During the MoA Leo should’ve forced everyone to do one of those breaking the ice activities.
like
Leo: if we’re going to work together we need to know a bit about each other, so let’s go around the room and say your first and last name, your godly parent, and one way Hera has messed up your life😊
The whole Scarlet/Violet DLC epilogue rules, but one of my favorite bits of characterization is Penny puffing out her chest and pretending to be above all those horror movies she definitely hasn’t watched, only to immediately start freaking out when things get spooky.
apologies to my followers who don't watch Star Trek but i still cannot get over the way Data enters the bridge in episode 2 of TNG after having just boinked Tasha. look at him. the style. the lean. the confidence.