#This became a tangent. Anyway

[fearandhatred]

i always have to have something wrong with me at all times and there are always about fifteen different factors that could have caused that Something Wrong With Me so i can never fix it

[rusanya-does-edits]

Something weirdly specific for at least some of us, that we've had in mind for awhile; unfortunately this was the closest we could get with a picrew tbh.

× × × || × × × || × × ×

Like, fortunately for us; while we have some things that irk us with this one, but this hits pretty close in a metaphorical sense at least for the people we're thinking of. Unfortunately for us, some of those are more obvious than others so we hesitated on weather we needed to share this or not LOL.

[johntorrington]

thinking about him (my old gay cannibal fallout oc)

[egoarc4de]

purging this thought so i can actually get some shut eye

[alirienn]

do elaborate on ness & kurona…..

the '''red''' sidekick (ik ness is purple, but it like, inches towards red, it's a reddish purple)

both play supporting roles and don't try to score for themselves

no eyebrows lol this one's a joke

very devoted to their respective partner (kaiser / isagi) at the expense of making their own goals (and a lot of charas' ego revolves around that n stuff)

starting to be a bit delusional here but i do think its possible their egos awaken at the same time, maybe not Bc of each other but it certainly could mirror (or they do see a reflection of themself in the other since their current role is to be support, they realise u need individualism to be an egoist or something like that

and then u get an interesting contrast where even tho they have similar roles, for a lack of better words, ness is unhinged and kurona is just trying to help

i think ness would hate seeing kurona is like him, even tho he's the same (bc they're the same)

i can also see ness taking his anger out on the person most important to isagi in this arc, the other half of his planet hotline, bc i believe in him getting worse (positive) (not the word im looking for but kaiser is... fair?? to an extent, like he'll acknowledge that his opponent is skilled, but ness? he won't agree no matter how hard u squeeze his headー tl;dr i can see him doing underhanded... things)

i consider any ship with my fav

i like their height difference, even tho we dunno what their heights are we can use my Isagi Yoichi Height Ruler™️ aka kurona's shorter than isagi, so ofc he's gonna be shorter than ness

i like the idea of ness bullying him, bc i like seeing my fav get bullied and also ness is like that, but at the same time i dont think kurona would take that sitting down so i also want to see him bite back, i want them to figuratively bite each other and fist fight

tl;dr i think they (can) mirror each other, if only they'd talk to each other 😔

this got so long i dont even know what i wrote , there might be other stuff i forgor about , it is what it is but i just think they could have an interesting dynamic mostly and i like any ship out of these four like i mentioned in my tags

also warning there's SO many tags on this one oh my god

[nachtsoklein]

sigh once again thinking about the line kurt treads between man & animal, human & creature.....

because in his lowest lows & most heightened emotional states he does gravitate toward more base & primal behaviors, baring teeth & hiss-snarling when pissed, howling in anguish, hell even letting out something approaching a purr when at his most content & sated. he has a natural tendency to moving in a way that can only be described as cat-like or monkey-like, from constant perching to climbing anything & everything to using his tail as a third hand without thought, all of it owing as much to his background as an acrobat as his natural anatomy (the latter lending to the former).

thinking about how kurt studied human-passing behaviors & tried to implement them in his attempts at fitting in for over two decades, how even once amid company of xmen he still felt a need to reaffirm his humanness in spite of his undisguisable mutantness (undisguisable bar with the use of an image inducer), especially as the only one that did have to go the extra effort to appearing "normal" even among the fellow "not normal". referring to himself as a demon with some bitter irony, wanting nothing more than to just ... be seen as a person foremost, devilish appearance second or even third. proud of the way he naturally moves as it's so tightly knit with his experiences as an acrobat & trapeze artist that it never occurs to think of it as anything other than a byproduct of his professional upbringing, yet often embarrassed or even ashamed of his most natural emotion-related responses, as those are more easily compared to an animal's or a demon's, & he'd be gutted to think even his closest friends compared him to such in their mind.

over the years he's gained significant amounts of confidence & comfort in his appearance & behavior, comfortable enough to play into his creature-ness when among friends to a level he was rarely even comfortable back with the circus, emotions no longer spiking at non-human comparisons, even if annoyance or discomfort have still been there. in light of margali's curse & orchis' utilization of him, a lot of kurt's progress in confidence & assurance got torn to shreds so it's touch-&-go now, but definitely less so than when he first came to the states ; he's just more likely to snap about a poorly timed monster/demon/devil crack than before the curse.

[quenthel]

I feel like most online conversations abt veganism and being vegetarian or Abt primarily eating meat are going to be hamstring by the fact that vegans n vegetarians who aggressively argue online and the meat eaters who argue with them are usually kind of assholes AND incredibly judgemental and retort to moralizing. Like ok I do agree with that one post that at it's core the more popular critiques from vegans when it comes to the meat industry AND the more popular critiques of veganism relying on plant products made in horrible conditions on the periphery ARE capitalism critiques. But like imo you can't really build a coherent political ideology on eating habits bc those habits are wrapped in cultural norms, the structure of society and where said person is within the hierarchy of that structure AND personal preferences.

Like of you have the idea that ok all vegans and all meat eaters are within the same community you will have to include like... Theveganteacher or neonazi rappers who only eat raw meat lol. Like treating nutrition as a moral thing by itself is dangerous imo bc it WILL attract fascists lol

[runnning-outof-time]

The Brother That Always Wins | Tommy Shelby x Reader

Request: yes by @kpopgirlbtssvt

Pairing: Tommy Shelby x reader, with hints of John Shelby and Arthur Shelby trying their hand at flirting with the reader

Summary: (Y/N) is oblivious to the fact that three of the most powerful men in Birmingham are interested in her. When it's all said and done though, the brother that always wins, wins.

Warnings: language, drinking, terribly written flirting

Word Count: 4350

A/N: this story turned into an absolute ride, one that I enjoyed much more than I thought I would. It’s a bit of controlled chaos…I hope you’re ready for it. Enjoy! :)

I’D LOVE TO KNOW WHAT YOU THINK! YOUR COMMENTS & REBLOGS HELP ME WRITE!

Comment/Message Me if you’d like to be tagged in future stories similar to this one!

"The fuck are you grinnin' for?" John Shelby asked as soon as his brother, Arthur entered the snug. He couldn't help himself, his older sibling's grin was able to be seen from a mile away.

"I just helped the most gorgeous woman I've ever seen in me life," Arthur proudly answered, his chest jutting out slightly as he spoke.

"Helped in what way, eh?" Tommy questioned, his one eyebrow raised. He'd been reading the newspaper and keeping to himself, only half-listening as John talked away about whatever, but he couldn't deny that he was interested in what Arthur had to say.

"I bet you he just stood there and gawked at her!" John chimed in before Arthur could respond, a smug grin on his face.

"I did not!" Arthur snapped back at his younger sibling, sending a glare his way, "I had a bloody conversation with her and all!"

"What happened?" Tommy asked another question, slowly losing his patience as he waited.

"So she was walkin' with a box, right? A big ass box...one that's too big for a lady like her to be carryin’. But she was walkin' with it. And so I was watchin' her from across the road, because she was goin' the same way I was. We must've walked for some time, how long I don't remember. Anyways, she gets to this one stretch and she trips...loses her fuckin' balance or something. All of the things in the box go flyin'. So I did what any man does and ran 'cross the street to help her. We put all the shit back into the box and then when she looked up at me, I thought I was gonna die on the spot. She was so fuckin' beautiful, lads. Shy, and sweet, and just fuckin'...gorgeous. I swear to you that if she would've..."

"Get on with the story, Arthur," Tommy interjected into Arthur's tangent, making him snap out of the attraction-riddled daze that he was quickly slipping into.

"Yeah, right," Arthur nodded, shaking his head slightly as he tried to recall where he was. "She was actin' so shy and thankin' me for helpin' her clean the stuff up that I couldn't but just be, fuckin'..."

"Arthur," Tommy said in a warning tone.

"I'm gettin' on with it," he brushed his brother off before continuing, "I couldn't help but not want to leave her. So I asked her where she was goin' and she said to the school. That was out of my way, but I didn't fuckin' care. I carried her things to the school she went on with thankin' me again. She was so fuckin' gorgeous and...shit, boys, I think I might be in love," he finished up his story, continuing on with it despite the scoffs or stiffled laughter coming from his brothers.

"You said she was going to the school?" John asked a question once it was clear that Arthur was finished with his story.

"Yeah...she's a fuckin' teacher, mate. Even better," Arthur grinned.

"Did you get her name?" John asked another question.

"Course I did!" Arthur responded like it was obvious.

Silence fell in the snug then, the three men looking between each other. John waited on bated breath for a few moments before it became obvious that Arthur wasn't going to say it without being prompted. "What was it?"

"(Y/N), I think it was," Arthur recalled, his answer making John choke out a weird sound, one that seemed to be a mixture of a scoff and a laugh. "What?"

"She's Katie's fuckin' teacher, mate!" John exclaimed, his declaration making Arthur's eyes widen. "She is fuckin' gorgeous, I'll tell you that," he then agreed with Arthur, a wide grin now plastered across his face.

John and Arthur then went about talking about her after Arthur prompted his younger sibling to tell him all that he knew about her. Tommy sat in his chair, half reading the paper and half listening to their conversation. He couldn't deny that he was intrigued by his brothers' stories, and everything they said about her made him want to go and meet her for himself even more.

"Can I help you?" (Y/N) (Y/L/N) asked the man that she swore appeared in her doorway out of nowhere. He was dressed in an expensive looking three-piece suit with an equally as expensive looking overcoat over top of it, as well as a peaked cap atop his head.

"I'm looking for (Y/N)," the man answered.

"You found her," (Y/N) smiled, setting her book down on the desk to give the man her full attention. "Is there something I can help you with?"

"I was directed to you by the front office. They said you're in charge of the donations?"

"That depends...if you're looking to donate to the building, you'll need to speak with our headmaster, but if you're looking to donate directly to the children, you can speak to me," she explained with a smile. She was proud to have been named the head of the board that made sure the children in the school had the tools they needed in order to thrive in the learning environment.

"I'm looking to donate to the children."

"Then you're in the right place," she chirped, "you can come over here and we'll get into the details of it," she said then, waving him over to her desk.

He finally entered the room, and as he walked over, (Y/N) felt the commanding aura that swirled around him. It wasn't one that made her scared, but rather one that filled her with intrigue.

"Can I have the name for the donation?" she asked once she had a piece of paper and a pencil ready.

"It's Thomas Shelby," he answered her, watching as realization sparked in her eyes. He couldn't help but think that Arthur was absolutely right - for once in his life...she was absolutely gorgeous.

"Shelby? I have a student whose last name is Shelby."

"Katie?" Tommy questioned, even though he already knew who she was talking about.

"Yes!" (Y/N) happily answered, "Katie's such a lovely girl. Who is she to you?" she couldn't help but ask.

"She's my niece," he shared, his words making her nod in understanding.

"What sort of donation would you like to make, Mr. Shelby?" she asked then, the pencil ready in her hand.

"I'd like to make it so that all of the children in the year you teach have whatever they need to excel in their classes," he answered, speaking in a nonchalant tone.

"Oh...my goodness," she gasped, stopping what she was writing as the weight of his statement finally clicked in her mind.

"Is there a problem?"

"No, it's just that..." she trailed off, unable to put her thoughts properly into words, "no one has made such a generous donation before."

"I like to make sure that others benefit from the wealth I've gained," he told her in an assured tone. Well that was one of the reasons why he'd made such a donation.

"I...uh, goodness, I don't even know where to start," she confessed, still genuinely baffled by his generosity. "Usually I'd go through with the person donating and we'd make a list of where the funds can be allocated, but with your overwhelming donation, I'm not sure I know what to do first," she added, a sheepish smile present on her face when she looked up at him again.

"It's nothing you'd need to have done in a hurry," he told her, showing that he wasn't upset by her unsuredness.

"I'd hate to waste your time now and make you wait..." she trailed off, biting on the end of the pencil as she tried to think of some ways his funds could be used.

Spending time with you would not be time wasted, Tommy thought to himself just as an idea came to mind: "what if we go for dinner at the end of the week? You can have time to think of ideas and you'll share them with me then," he proposed, his eyebrows raising slightly as he awaited her response.

(Y/N) took a moment to think about his proposition. It'd certainly be a good idea for her to have more time to think about it, and she couldn't say that she'd be opposed to having dinner with this man. "Dinner sounds nice," she gave her answer after a few moments had passed, "I'll come prepared with good ideas," she assured him with a smile.

"I'm sure whatever ideas you'll bring will interest me," Tommy told her, nodding once before he took a step back towards the door.

"Thank you, Mr. Shelby. It's a great pleasure to have you working with us," (Y/N) smiled, still truly overwhelmed by his generosity.

"The pleasure's mine, (Y/N)," he couldn't help but let a smile break onto his lips as he looked over her one last time. They said their goodbyes then, and Tommy exited the school. He was genuinely pleased with the fact that she'd agreed to have dinner with him. It was certainly a step in the right direction with her.

John Shelby entered the school that his children attended two days after his brother did. He was unsuccessful in finding someone who could help direct him to the room he wanted to visit, but thankfully found the woman he was looking for as she walked towards the main doors from down a hallway.

"Miss (Y/L/N)!" he called to her, hoping to get her attention.

To his luck, she heard him. "Can I help you?" she asked with a smile, one that made John feel like he was going to go weak at the knees.

"Yes. You're my daughter's teacher. Her name's Katie Shelby. I wanted to ask how she's been doing in class," he told her the reason behind him being there. Truthfully he couldn't care less about Katie's performance. School wasn't something he was ever interested in, but if it meant he'd be able to talk to an utterly gorgeous woman, he'd give the performance of the century.

"Oh Katie!" (Y/N) answered, her smile growing wider as she recalled one of her students, "she's amazing...such a pleasure to have in class. She's always working hard and staying on top of her assignments," she then gave him a run down on his daughter's performance.

John nodded as she spoke. He had no shame in the fact that he was only half listening to her answer; being too preoccupied with drinking in her appearance. Silence fell between them then as that topic of conversation passed quickly. John didn't want her to leave just yet, so he scrambled for another talking point. "I heard that you met my brother, Arthur, the other day," he said then. It wasn't his best choice of topic, but he hoped it would keep her around. His hopes fell when a look of confusion formed on her pretty face. Shit, John...save yourself here! "He, uh...he told me that he helped you with one of your boxes...?" he ended his statement like it was a question, hoping that she'd show some sort of recollection.

Realization did appear on her face, but the sentence that accompanied it was one that left John confused: "oh...it seems I've met two of your brothers," she informed him, effectively making him wear the same expression she had moments ago. She took the time to explain then: "Thomas came in a few days ago to arrange a generous donation to aid the children who come here."

Fucks sake. John couldn't help but sigh internally. Tommy had already sunk his paws into the territory John thought he'd have a leg up in. "Oh he did?" he decided to play it cool, hoping that his aggravation didn't bubble up to the surface.

"He did. The other teachers and I are all so thankful for the contribution," (Y/N) answered, her smile telling John that he was doing well at masking how he was really feeling.

"Well I'm happy to hear that," John stated, running a hand over his face as he tried to think of a way to divert the conversation away from Tommy. "I can't say enough how happy I am that my daughter has a wonderful, smart, caring teacher like yourself," he said then, deciding to go the compliment route. There were many other things he wanted to include while referring to her, but he didn't want to overdo it.

"Awe thank you, Mr. Shelby. As I've said before, Katie is such a pleasure to have in class," (Y/N) accepted the compliment with grace, a bashful smile forming on her face.

Silence fell around them for a few beats before John spoke again: "you're probably wantin' to get home, so I should probably go," he stated, nodding his head back towards the main doors of the school.

"Oh yes, it's certainly been a long day," she answered with a nod.

"I'll see you around sometime then," John began to say his goodbyes.

"You certainly will," (Y/N) sent him one last smile before John turned and exited the school.

John was thankful to see the majority of his family sitting around the main table of the betting shop when he entered it that evening.

"Where've you been, John Boy?" Arthur asked, everyone's eyes following John as he made his way to an open chair.

"I just left the school," John answered, his face straight as he spoke.

"The school?" Arthur questioned.

"Something happen with one of the children?" Polly asked, her brows furrowed.

"No, everything's fine with them," John quelled her concern.

"Why were you at the school then?" Polly asked another question.

"Ah I know...you were tryin' to see the hot teacher, huh?" Arthur chimed in before John could answer, a grin now present on his face.

John shot a glare in his brother's direction, slightly annoyed by the fact that he was a little too anxious to know. But with all of the eyes in the room on him, he figured he may as well give up. "Yeah, I went to see her."

"Did ya talk to her?" Arthur eagerly asked.

John didn't miss Polly's eyeroll before he answered his brother: "yeah, I did...and I was told that Tommy already went and talked to her." He couldn't help but glance at Tommy from the corner of his eye, seeing if his statement roused any type of reaction from him.

"Why would you have gone to talk to the childrens' teacher, Thomas?" Polly was the one to ask, her eyes now zeroed in on him.

"She told me that he wanted to make a donation to the school," John offered more information, a sour tone still present in his voice.

"Tommy," Polly sighed, bringing her hand up to her forehead.

"We've arranged to have dinner one of these upcoming evenings to discuss it further," Tommy nonchalantly shared more details of his meeting with (Y/N).

"Bloody hell, Tommy," Arthur grumbled, a frown on his face as he shook his head. He'd have no chance in hell with her now.

"Why was this not brought up in a family meeting?" Polly asked a sensible question, seemingly unaware of the brothers' reason behind their responses.

"Because I have decided that we need to start putting back into the city," Tommy answered, an authoritative tone laced into his voice.

"And you thought that the school would be the most logical place to start?" she quirked an eyebrow.

"Why not?"

"You're putting yourself into places you shouldn't be...if this blows up in your face, I won't be here for it," Polly spoke in a firm tone, showing her distaste for his decision.

Tommy held his gaze on her, an uninterested look present in his eyes. He didn't quite care what his aunt had to say about this, he was going to continue on how he saw fit.

Polly held his gaze, waiting for him to say something. When he didn't, she rolled her eyes and let out a scoff before turning and stalking over to the door. She stopped before she could grab the handle, abruptly turning to look at the three men sitting at the table. "If any of you make her cry or so much as hurt a single strand of hair on her head..." she paused, pursing her lips as she shook her head slightly, "you will have hell to pay." Her voice was flat, but her tone was serious, and she let no one respond before she opened the door and exited the betting shop.

"Ms. Gray, it's so nice to see you again," (Y/N) said with a smile as she found the older woman standing in the doorway of her classroom. "Is everything ok with Katie? We missed her in class today."

"Katie's fine," Polly quelled the teacher's worry, "she was feeling ill so she stayed home."

"Oh, ok. I hope she gets better soon," (Y/N) offered her regards with a smile, one that Polly reciprocated. "Is there something that you need?"

"Yes," Polly didn't beat around the bush, "my nephew, Tommy, came to speak with you the other day..." she began, trailing off in hopes that (Y/N) would continue.

"Yes, he did!" she took the bait without question, "he made a very generous donation, and then suggested we have dinner to work the smaller points of it out."

"And how did that go?" Polly asked with raised eyebrows.

"Very well," (Y/N) smiled in response, "the children are already benefiting from the money he's given. It was very kind of him to do this."

Nothing Tommy Shelby has done was done just for the sake of 'being kind', Polly thought to herself as she mentally scoffed at the younger woman's statement. "I'm happy to hear that the children are benefitting from it," Polly said in response, keeping her thoughts on her nephew's intentions to herself.

(Y/N) smiled in response, completely overjoyed by the kindness of the Shelby family that she was oblivious to even the mere thought of Tommy having other intentions behind his decision to donate. Nothing else was said then as the women exchanged parting words.

(Y/N) smoothed out her dress as she reached the doors of the establishment. She hoped that the outfit she chose didn't make her over, or under, dressed for the occasion. With a deep breath, she grabbed the handle and opened the door, the sounds of chatter and music smacking her in the face. She entered the pub with a smile, hoping to quickly find a familiar face.

Of course one of the Shelbys quickly found her at the door. It was their re-opening party after all, and a beautiful woman like (Y/N) was most certainly not going to go unnoticed.

"Oi, you came!" Arthur was the first of the brothers to spot her, and a big grin was plastered across his face as he moved over to greet her.

"Yes! This place looks lovely!" she answered, smiling as she looked around the room.

"We made sure to get the best of the best," he boasted, his grin still present. "And speakin' of the best...can I offer one of the best women I've seen a drink?" he smoothly transitioned, his one eyebrow raised as he looked at her.

"I'd love one, thank you," she answered, smiling at his kindness.

"Come on then," he stated, offering her his arm so that he could lead her to the bar.

She accepted it, walking over to an open seat so that he could go around the bar and get her a drink. She thanked him again when he set it down in front of her, and just as he leaned up against the bar, ready to chat with her, Isiah came to him with a matter of business. He left her with a slight frown and an 'excuse me, love,' before going off with the younger man. (Y/N) sat by herself, sipping her drink and enjoying the revelry around her. She wasn't alone for long though.

"(Y/N) (Y/L/N)...I didn't think I'd see you here," shock was present in John Shelby's voice as he came up beside her.

"I decided to stop in and see what all of the talk was about," she smiled at him.

"Well we're certainly happy to have you here," he grinned at her, trying so hard not to give her a once over. "Say why don't you come and share a dance with me?" he suggested.

"Oh, I couldn't," she turned down his offer, her shyness creeping in.

"Come on...a quick dance wouldn't hurt," he didn't quite give up hope.

"I'm rather terrible at dancing."

"You've not seen me dance then."

(Y/N) bit her lip to conceal her giggles, surprised with how forward he was.

"Come on..." John coaxed her, hand outstretched in her direction. She was hesitant, but accepted it, allowing him to lead her to the floor. "Just follow my lead and you'll be fine," he said, assuming the position before he began to lead her in a similar dance to what the other partygoers were doing.

(Y/N) couldn't help but smile as she danced around the floor with John. She certainly was having fun, not really thinking about what she looked like or what others thought. John couldn't believe that he was dancing with one of the most beautiful women in the room.

They danced for about two songs before (Y/N) excused herself, wanting to go have a seat. John allowed her to go, deciding that he'd go into the snug and check on Finn - who he knew was sneaking stronger drinks than what his brothers originally told him he could have.

(Y/N) found a newly opened seat at the bar as soon as she came to it. She was bummed that her drink had been lost, but she didn't need to worry about that for too long.

"You made it," Tommy Shelby's voice came from her left, making her turn slightly to see him approaching her from behind the bar.

"I did, thanks for inviting me," (Y/N) smiled at him, "this party's amazing!" she commented, glancing around the room.

"It is," Tommy agreed once she focused on him again, "can I get you something to drink?"

"Please," she smiled kindly at the offer, watching as he went about grabbing a bottle from the shelf. "I wanted to also thank you, again, for the dinner and the donation. The children have already gotten some of the supplies that we've received, and they're loving them," she shared some information once he came back with a glass for her.

"That's good news," he nodded, taking a drink from his glass then. "You know I was thinking maybe...maybe you and I could have dinner again, without the need to talk about the donations this time," he proposed, watching her intently as he waited for a response.

(Y/N) couldn't stop her eyes from lighting up at his suggestion. She had a lovely time with him at their first dinner. "I'd like that," she answered with a smile.

"Figured we could get to know each other better."

"That would be lovely," she agreed, giggling slightly at the fact that he was practically reading her mind.

The two then went about planning the dinner, agreeing on a time and place. (Y/N) couldn't help but feel giddy when he suggested a restaurant that was far more classy than the first place they'd met. If she wasn't excited before...she certainly was now.

As they spoke more, Polly Gray kept a close eye on them from across the room. She'd been watching the brothers all evening as they tried their hand at her. It became clear to her, though, that Tommy had ended out on top as she watched them converse at the bar. She could easily tell from how (Y/N) was invested in their conversation, giggling and leaning closer to him when he'd speak, that what he was doing was being received well. John and Arthur wouldn't have much of a chance now.

-One Year Later-

Slowly, Tommy lifted the veil up to reveal (Y/N)'s smiling face. He draped it over her head and let his eyes dance across her features, a smile tugging at the corner of his lips as he felt the joy radiating from her.

"We are gathered here today to witness the marriage of (Y/N) (Y/M/N) (Y/L/N) and Thomas Michael Shelby," the officiant began, commanding the attention of everyone in the church.

Ever since the evening of the party at the Garrison, (Y/N) and Tommy found themselves wrapped up in a whirlwind of a romance. Tommy proposed after five months of them being together, knowing that he wasn't going to find another woman like her. They spent five months being engaged and doing a great amount of traveling - it was the summer holiday for (Y/N), so she was able to follow Tommy wherever he went. Now they were standing at the altar in front of a great number of guests who were anxiously waiting to see them pronounce their love for each other.

Well...two of the guests weren’t exactly anxious. John and Arthur sat on Tommy's side of the church, watching as the ceremony commenced. Both were happy for their brother, but they'd be lying if they said that they weren't bummed that it wasn't them up with (Y/N).

Everyone stood up and celebrated as the officiant pronounced Tommy and (Y/N) 'man and wife', and they shared their first kiss as a married couple.

"As always..." John started, elbowing Arthur in the ribcage as they both clapped for their brother, "Tommy gets the girl, and we've gotta sit back and watch."

Arthur couldn't help but snort as he heard what John had to say. "You're right, John boy," he agreed, shaking his head but nonetheless continuing clapping.

No matter what happened, or how hard John and Arthur tried to get ahead, Tommy would forever be the brother that always wins.

Tagged: @mystcldydrms @the-anxious-youth @cloudofdisney @look-at-the-soul @elenavampire21 @mrsalwayswrite @julkaamazing @evita-shelby @lilyrachelcassidy @notyour-valentine @shelbydelrey @onlydeadcells @peakyswritings @just-a-blackhole @watercolorskyy @strayrockette @peakyduchesss @alexxavicry @captivatedbycillianmurphy @yummycastiel @dark-academia-slut @tommystargirl @stevie75 @lyarr24 @signorellisantichrist @zablife @anotherblinder @midnightmagpiemama @cillmequick @rangerelik @dandelionprints @letal-y-poetica @itscheybaby @gypsy-girl-08 @insanitybyanothername @depxiety @raincoffeeandfandoms @dragons-are-my-favorite @acewritesfics @forgottenpeakywriter @cljordan-imperium @areyenotfondofmelobster @little-diable @thomashelbyswife @iambored24601 @shaddixlife

MASTERLIST

[bluberryfields]

"David is very easy to fall in love with." - Michael Sheen

Hi. How are you? Good, I hope. Okay, so can we talk about just how fucking beautiful David Tennant is? And by “we” I mean “I” and by “talk” I mean “babble incoherently into the void”? Great! I’ll attempt to impose a bit of organization on this just to satisfy my pathological need to inflict structure on words (thanks college/job/brain), but I can’t promise much. Also, there will be A LOT of pictures and gifs. (you’re welcome?)

And this isn’t just because I am deep in the bottomless well of Good Omens fandom and that Crowley is basically the most breathtaking creature that has ever existed. Well, not just because of that.

*cue Aziraphale's "good lord" from 1793*

ANYWAY, like a lot of people, I became a fan of (i.e., fell deeply and irrevocably in love with) DT during his run as the 10th Doctor. He was young and bright and full of just about everything – joy, sorrow, wit – making him incredibly watchable. His look was also so charming: big bouncy rooster comb of hair, absurdly cheeky smile, expressive-as-fuck eyes and eyebrows, and a tall, lanky form that seemed to be made of rubber and the kind of granulated sugar that could only be found in candy from the 90s that are now banned in all first- and second-world countries.

So yeah, I was super into him and his Doctor’s adventures. And I continued to watch him in other projects and still swoon (looking at you, slutty Hamlet)

even at characters where that was not the desired reaction (fuck you, Kilgrave, you delicious monster).

I would also always become a bit (a lot) weak in the knees at his voice regardless of which accent he took on, though always preferring him doing any Scottish brogue because of fucking course.

Roll that tongue, you sexy beast.

But what I want to get into today is just how incredible he looks in the year of 2023.

He’s 52 years old and I am somehow even more attracted to him. Maybe it’s because I am myself older, and my tastes have matured alongside? I certainly do enjoy gray hair way more than I did 10 years ago.

He’s aged incredibly well, probably a combination of good genes and good health, and he’s clearly not clinging to the Hollywood idea of “youth”.

(insert obligatory grumble about the double standards of men being praised for aging and women being demonized…the potentially problematic nature of the term “aging well” in general…acknowledge this with my enlightened brain but ignore this with my slutty heart…fuck the patriarchy, etc. etc.)

He’s still tall and skinny, even gangly at times, all long arms and legs that can move in impossible directions with unfathomable grace.

His face is leaner, that incredible bone structure creating sharper edges that draw the eye. Speaking of the face, he’s got these creases on his forehead and at the corners of his eyes and mouth that are evidence of time spent well: smiling, laughing, living. Makes you want to trace your fingertips along each one.

Oh god that smile? Good lord. It’s weapons grade charm that can also be quite intimidating. Sweet, humble, silly, scary…full spectrum of options here! His shark smile is the definition of “irresistible” in my Dictionary of Delicious Dudes.

I am both proud of and grossed out by my own word choice.

Continuing with that face...the hawkish nose, the dimples you want to drown in, the big eyes, those motherfucking eyebrows...

I could seriously write a whole essay about those eyebrows, but I already give my therapist enough to worry about.

Oh those eyes. “Piercing” is a term usually reserved for blue eyes, but I would argue it applies to DT’s bottomless chocolate pools in that they slice through my heart every damn time.

Honorable mention does go to those Crowley snake eyes because they could have been distracting and diminishing to his overall look, but they absolutely are not.

Such a pretty shade of yellow.

Random tangent to swoon about his hands. For whatever reason, I like checking out a man’s hands, and DT’s got a set that drives me wild. I can’t even really explain why, but I just really like the way he articulates with them. Crowley is a perfect example, what with the miracle snaps, caressing globes, and holding whisky glasses. Yum.

Delicious demon digits

Fresh tangent: How does this fucker look good clean shaven, with stubble, and a goddamn beard? How is that allowed?

He's got a face that makes me wanna take up sculpting

Further, how is his fucking neck so hot? Like, seriously, show me the math. I can’t stop staring at it. And when it’s cloaked in a turtleneck? Please, sir, may I have some more?

Fuuuuuuuck

With no segue whatsoever, I am absolutely obsessed with his hair, across all contexts. Big, bold, blood-red Crowley coifs (especially in Season 2)? Check.

Proper gentleman side part? Check.

Side shave with cartoonishy springy 14th Doctor shock? Check.

Lockdown locks with and without headband? Check!

It’s a goddamn buffet of delicious options.

Oh damn speaking of that 14th Doctor look? Good fucking Christ on a buttery Ritz cracker. The whole DT collection is on display: the hair, the eyes, the bone structure, the smile, the clothes, and even the glasses!

To quote Pam on Archer, “I swear to god, you could drown a toddler in my panties right now! I mean, not that you would.”

Now that you (I) mention the clothes, I never cease to marvel at how he can wear pretty much anything and look amazing. Stripes, patterns, wild colors, etc. He just always looks…not exactly comfortable, but sort of at ease like the clothes were created with him in mind. And this goes across the spectrum of Casual to Costume to Promotional (e.g., interviews and premieres).

They are almost illegally cute together

We all know by now how ridiculously tight those Crowley pants are and how it influenced his signature serpentine swagger (thank you, Costume department, you’re the real heroes). That said, he and those slinky hips still looks so incredibly natural in them like they came from his actual closet.

Stupid sexy snek

And he pulls off the look of more ridiculous stuff like full Shakespearean costumes or that sad gray-hoodie-black-shorts-and-Wellington-boots combo from the first season of Staged. He somehow gives off the air of “whatever, they’re just clothes, man” while also looking like a damn model.

Georgia is a very lucky woman

Final thoughts: I know DT dislikes talking about how people think he’s so attractive because I’m sure it feels a bit icky if you just want to live your life and do your job. But my guy also clearly understands that he’s not some ghoul who has succeeded on incredible personality and acting chops alone. So, that said, maybe he'll forgive me for posting such a long, rambling, ode to him?

[cobragardens]

CORRECTED & UPDATED Clothes + Equivocation = Romance: The Husbands in 1793 (Part 2)

From Part 1:

Crowley and Aziraphale share clothes as a common interest. They don't have the same style, but they're both aware of current fashions, and Heaven and Hell aren't. You can't tell me Hastur or Uriel would recognize the significance of Crowley saying "Dressed like that, he's asking for trouble" about someone else while wearing black stockings and cravat and waistcoat himself. And that means Anything the husbands communicate to each other through clothing choices goes undetected by their masters.

SO. With all this in mind, let's go through the 1793 scene again and look at what the husbands communicate to each other without using words or actions to do it, and how their clothing choices help them do that.

Hello. I'm here and I know you're in a spot of trouble. I like you.

It's you! I'm so happy you're here!

Sheen's voice and face when Aziraphale says Crowley's name in this moment makes me think that Aziraphale is in love with Crowley--the demon Crowley, not the angel who became Crowley--long before he consciously realizes it in 1941. The way Sheen has Aziraphale say Crowley's name is so soft.

The way you're he way you're lounging there and what you're wearing are uncomfortably sexy and also incredibly inappropriate for the Bastille at this moment in history. I suppose this is very on-brand for you.

Crowley: I listen when you talk about your interests and goals and keep track of your general whereabouts and pursuits.

Either they've spoken with each other recently or Crowley has been keeping tabs on Aziraphale. Aziraphale isn't upset that Crowley knows what he's been up to, which suggests the former, which in turn suggests they're in semi-regular (every few years or decades) contact at this point.

Also we've now got a general idea for when Aziraphale opens his bookshop.

Okay, brief tangent while I point out two things here.

One, my favorite thing about Aziraphale is that he is a sensualist. This is libertine behavior, y'all. He 'popped across the Channel' during the Reign of Terror because he wanted a specific carnal experience of a specific really lovely food.

And two, even when Aziraphale does weird, frivolous, silly, ill-advised things like this, things that clearly baffle Crowley...Crowley never makes fun of him. He never laughs at him. He always has this look of disbelief on his face, like Am I hearing this?--

--but Crowley never, not once, shuts Aziraphale down.

Until Aziraphale asks him to go back to Heaven.

Anyway. Back to our scene.

Aziraphale: I am unwilling to abandon my sartorial sensibilities even when it threatens my corporation, and I am insane, so I think this is reasonable. At least I'm not wearing a Slutty Monarchist outfit.

You're happy to see me, aren't you. You're relieved to see a demon. Go on, say it.

Tennant's delivery of this line cracks me up. It is so gloating and flirtatious and smarmy and indulgent of Aziraphale.

I am very happy to see you and lucky you're here, and I am willing to say so sincerely even though you are gloating about it.

And then there's the exchange where Crowley very carefully doesn't answer Aziraphale's question about why Crowley's in the area but also reassures him that he didn't cause the French Revolution and Aziraphale can still like him.

We can't speak openly about this. It's dangerous for me.

Message received: I won't mention what you did again. But I want to show my gratitude and spend time with you; is it safe for us to get lunch together?

Yes, but one of us is going to have to change so we can walk the streets of Paris without getting arrested again, and I'm the one doing the rescuing here so it's not going to be me. Your 'standards' will have to take the hit.

Fine, you've got me over a barrel. But hey, if I have to wear the silly hat anyway I might as well go all the way and wear your colors. Except not monarchist. And not slutty.

Oh, I don't know, I thought you looked pretty slutty too. (Meaning 2) I'm having this guy killed for touching you, btw. I will kill anyone who tries to hurt you. Immediately. I see you are having the guy who assaulted you killed in a copy of the clothes he would have killed you for wearing. I wholeheartedly approve of this (Meaning 3), your sexiness in those clothes notwithstanding. The utter insouciance of Crowley's little sniff and the inquiry about what they'll have for lunch drive home hard that Crowley could not be more unbothered by Aziraphale having the man who tried to harm him beheaded.

What really tickles me about this line is not only that Crowley's joke has three distinct meanings, but that Meaning 1 (the meaning that exists without reference to Crowley's clothes) is the opposite of Meaning 3--Anybody wearing clothes like that deserves what they get (Meaning 1) versus It rocks how you just killed someone who tried to kill you for wearing those clothes (Meaning 3)--and yet because of the clothes he's wearing, both meanings come through with perfect clarity, dependent only on whether the listener(s) can see his clothing and know its significance. Aziraphale can, and does, so he receives Crowley's real meaning. Hell/Heaven can't, and don't, so they just hear Meaning 1.

And then we get Aziraphale's pleased little smile and look of tranquil interest as he watches Jean-Claude dragged off to his death. Its such an interesting facial expression for an angel watching a demon have someone killed having someone killed, isn't it?

Crowley has just told him they're probably being listened to by Hell. That means Aziraphale, Crowley, and the audience all know this is the most Aziraphale can safely react. Aziraphale can't show any overt approval of anything an agent of Hell does, because by definition anything a demon does is demonic and angels must be against That Sort of Thing. In light of the fact that Aziraphale is the one who causes Jean-Claude's death, I now argue that this responsibility not to react too positively to something the other side has done falls on Crowley, and that the reason he makes this joke is primarily to tell Aziraphale I see what you've just done, and I like it without identifying aloud what exactly has just happened for their presumed eavesdroppers because an angel arranging a human's murder is the sort of thing in which head offices might take undue interest.

The awareness that their conversation is not private means the audience and Aziraphale know they need to be watching and listening for multiple meanings from Crowley, and it also means the audience and Crowley know we need to be watching Aziraphale's face closely right now. And that little smile shows us that Aziraphale has received Meanings 2 and 3 of "he was asking for trouble."

Or, at minimum, Meaning 3; even if Aziraphale picks up on Meaning 2--You looked really sexy in your vintage clothes, you crazy weirdo--that's not a message he can afford to react to at all. But he does react to the other coded communication Crowley is sending when he says "Dressed like that, he was asking for trouble" while dressed for trouble himself: I will kill anyone who tries to hurt you. Immediately. People who think your clothes give them the right to hurt you can go to Hell, and I am delighted you just sent one of them there.

You just had someone beheaded for assaulting me, I acknowledge and am pleased by your delight at my cleverness. and I could not be happier. Would you like to come enjoy one of my very favorite sensual pleasures with me?

***

EDIT: To be honest I like this reading better than my original, incorrect understanding of the story despite the fact that it is slightly less romantic, both because I love the idea of Crowley as a thirsty witness to Aziraphale quietly being a vengeful badass, because it gives us a glimpse of something important about Aziraphale's character that we don't get to see elsewhere: Aziraphale doesn't have a problem with killing per se.

We learn from the business with the Antichrist that, like Crowley, Az. can't bring himself to kill children. We learn from his perturbation at the Flood and the Crucifixion that he doesn't hold with killing innocents. He gave away his flaming sword. But this scene establishes that Aziraphale will actively cause someone's death if he feels they deserve it. That seems like an important character note for him that may become relevant in Season 3 (feathers crossed that it happens).

And I think there's something else in there too, something about how Aziraphale kills Jean-Claude, not with outright violence but with a trick. One party thinks he's in control of the situation; with a wave of his hand, suddenly a turnip has turned into an inkwell an executioner has turned into the condemned--or at least it seems that way long enough to get the job done. It's a bait-and-switch, like stage magic, and it slots right in to the motif in Good Omens of sleight-of-hand, of characters wearing other characters' appearances (for more on this, see fan theories re: Maggie is possessed), of supplying false meanings to an audience to disguise the true actions going on behind the scenes.

[saguette]

What do you think Johnny's art looked like before he was stripped of his powers? This is something that bugs me a lot, and I'm curious about what you think.

ok i needed to draw a few shitty pictures to demonstrate cuz i wanted to talk about more than just his previous art but his art journey in general IDC if there's some canon tweet that proves something i said wrong or out of timeline these are my headcanons and projections so you either like it or not.. anyways I think his style pre-pre-JTHM (lets say 15-18) depicted many things, He was good at realism and fluctuated just fine between stylized art and big hefty works with a lot of detail. His stylized works looking similar to Jhonens and the whole 2000's artstyle cuz its fitting.

Of course he's like, a late teenager around this time so its GOOD but not perfect. If you pulled up a few of his drawings from this time he would probably be embarrassed by all the disproportionate limbs and goth girls he sketched and thought were badass. He probably has old sketches of friends in his style regardless if they asked to be drawn or not since his art was something he was proud of and people around him made him feel proud of. His old art also feels like it'd have anime elements unintentionally to add to that amateur artist swag. Johnny doesn't like anime copies but stuff he rips inspo from was anime inspired so it rubbed off on his work too. Moving onto PRE-JTHM (18-20) Is when his art started to get more serious and complex. In his happy era he took to drawing lovecraftian horror sometimes but it was always the secondary focus of any drawing.

Moving out and growing up was around the time his mental state started to worsen and he started using art to cope with emotions rather than just use it for fun, drawing complex monsters was a subconscious way to depict underlying mental illness that's out of his hands. He cant depict what he doesn't know he has, he can only scribble things that feel someone close to him because there is no physical appearance to emotions. He never liked his art around this time because it always felt unfinished or wrong or like it just didn't interpret what he wanted right. Overtime his art lost coherent appearance, quality, and meaning which made it feel worthless. It wouldn't be all that bad but it reached a point not even he knew what it was trying to be and it was frustrating. How can your own art not make sense to you? Its weird to let your hands go and do their own and you not recognize what they're trying to say. Which leads to SHORTLY BEFORE JTHM-and later.. Johnnys NEW preferred method for art currently is a little abstract, it became two extremes of the same thing; nothing. his art lost alot of what it used to be so he says he cant draw anymore.

Johnnys lovecraftian horror art slowly engulfed itself over time and always becomes an abstract mess. Its purposely made to be incomprehensible by having too much, regardless if its creation is poetic, an outside view not being able to tell what it is or how much work went into it is on purpose. its metaphorical or whatever.. Johnnys fucked up or something.. Whereas Noodleboy i imagine was made by him drawing a stickfigure one day to see if he can still "draw" and overtime gave him his features like angry eyes and that big hair, creating his own sort of vent sona to replace the sketchy abstract art he used before. Noodleboys chaoticness is too sporadic to rip any meaning off of, he also purposely represents nothing. His existence uses up paper the same way, just without all the extra effort. SORRRYYYY long tangent thats probably super messy i just winged it. but i cant help myself ive thought about this for a while ik i didnt strictly answer the question but i had so much more to say

[afsosville]

Time to over-analyze things with limited canonical information just because. Here are some of the reasons why Qing Jing may have been a hindrance to Shen Jiu's emotional development and solidified his corruption arc>>

Qing Jing was like the perfect peak to let all his mental wounds fester if you think about it.

Shen Jiu acting like nobility or an educated young master (as most disciples of Qing Jing are) is purely a coping mechanism. It literally screams masking! While the exact circumstances of how he got chosen for Qing Jing is unknown, we can assume he didn't have a choice since most disciples typically just follow their new master to wherever they take them from the selection grounds (with the exception of Bai Zhan lol). He was most likely hoisted onto the Qing Jing peak lord, as no master would've wanted him because of his fucked up meridians and late age. They acquiesced to take him anyway coz of Yue Qingyuan's/the sect leader's insistance. And because it's Shen Jiu, he would naturally do whatever it took to get to the top, and if he started acting like the very sort of people he hates, then so be it.

You can imagine how disastrous imitating his abusers is going to be (he's imitating noblemen in general, but he's definitely taking the Qiu's as a primary example). Shen Jiu clearly is trying to remove and forget everything about his past, and even accepts the rumours of him being a spoiled young master to cast away suspicion. He is coping hard. Not to mention, he was named QingQIU when he became Qing Jing's succeeding disciple. Listen I don't care if it was a bad coincidence or not but that doesn't endear me to Shen Jiu's shizun in the slightest (I'm only talking abt SJ's shizun in canon, not fics, the fics are great. But it's more than likely that SJ's shizun was negligent or abusive as well. Here's why I think that). Between all of this, there's no way he's processing any of that trauma when he's constantly forced to remember all of it. No wonder he slipped into the abuser role easily since he's literally out here actually being made to copy their behavior.

Qing Jing and even the rest of Cang Qiong were always hostile to Shen Jiu, even in his discipleship. These ppl went out of their way to run interventions on Shen Jiu when he's minding his own business. Yes I'm talking abt the whole brothel thing. There were doubtlessly so many disciples who went for the very reasons Shen Jiu was assumed of going for, so why is he the only one getting shit for it? Not only was going to brothels not even a crime worthy of conviction, it was even normalized to an extent. And it would've been so easy to figure out if he really was going for anything "lecherous" by just asking the women there. The fact that, that whole ordeal was never cleared up just shows they didn't actually care about the women or what he was supposedly doing to them. They only cared because it was Shen Jiu who was involved.

Shen Jiu being on any other peak would change things for sure even if it's marginally. Its probably just wistful thinking, but I know at least half of those peaks, even the fanon ones, would be better than Qing Jing at any rate. Again, Shen Jiu would claw his way up and try to succeed any way he can, so if he were put on another peak that would be a somewhat healthy environment for him, he would do well, regardless of the peak. Him doing well on Qing Jing doesn't mean anything other than showing off his awesome(horrible and problematic) coping skills. So really, I can't help but think Qing Jing wasn't a good fit for him, especially with Shen Jiu's specific brand of trauma.

I did a pole once asking if Shen Jiu would've done better on another peak, or if they were just curious to see him anywhere else, and I'm not surprised that the most voted for peak was Yin Hui, the fanon peak for espionage and assassins. Now I'm going to go another tangent why Yin Hui would be good for him later.

[qqueenofhades]

Hi Hilary! I could use some help with something. Do you know some topics for historical tangents a history professor (Hob) could go on while talking to some students? Like some interesting discussion ideas? I was not a history major and I’m now drawing a blank 😅 I’d appreciate it greatly!

"Right, morning everyone... MORNING... yes, we all do know it is morning and I would like to remind everyone that it's not my fault we were scheduled at eight bloody AM. Consider it building character. Great. Let's get started. Can we put the phones down, please. In my day we didn't even have phones. No really. We didn't. Really didn't.

Anyway, so where were we? Ah, yes. End of the Western Roman Empire circa 476 CE, which stands for the secular Common Era, which historians now generally use instead of the Christian A.D. Anno Domini, which trust me, they used when I was born, because I am very old. Ah, you're laughing again, because you think I'm joking. Which, er, I definitely am. Anyway, the so-called collapse of the Roman Empire is one of the most mythologized events in the Western historical canon, and there are accordingly a lot of misperceptions about what happened and how. As we covered in the last class -- well, can anyone tell me what we covered last class?

Anyone?

Anyone?

Come on, one of you, just raise your hands. I don't bite.

Fine, all right, I'll do it myself. Again. Last class, we covered the eventful fourth century in Roman history, where the empire split into western and eastern halves, eastern Emperor Constantine converted to Christianity, and established his capital in Constantinople, which would later get the works from the Turks and become Istanbul. The western capital moved to Ravenna in 402, and it had been in Milan before that, not Rome. No longer the center of power as it had been for many centuries beforehand under both the empire and the republic, Rome was infamously sacked in 410 by the Visigoths under King Alaric I. The Supergoths. The Ubergoths. The Verygoths. The Turbogoths. All right, I'll stop. The Visigoths had formerly been a Roman client kingdom in the south of Gaul, which is the modern country of -- anyone?

Anyone? Anyone? Oh come on.

Yes, thank you Sarah, it was in fact France. See everyone? Not that hard. Now that we're up to speed, right, the so-called End of Rome in 476, when the last Western emperor, Romulus Augustulus, was deposed by Odoacer, general of the Ostrogoths. Not the Visigoths. Definitely different thing here. The Alsogoths. The Othergoths. The Ohgodthosegoths. I'm sorry, I'm sorry. I swear I will actually stop. But the common narrative from then is that Rome just bloody disappeared altogether, the Dark Ages started, it was grim and miserable and murdery all the time, everyone forgot how to do scholarship or art or religion or anything else, and then miraculously a thousand years later, woo, the Renaissance! Everyone sorted their heads from their arses and could do maths again! I'm sorry about saying arses. Please don't report me to HR, they've had enough of me already. Anyway, this argument, despite its long-time supremacy in the Western historiographical canon and Western popular culture, doesn't make sense on any number of levels. And that is because? Can anyone give me just one reason to start with?

Anyone?

Anyone?

Sarah again, yes, thank you. I appreciate you greatly, Sarah. Yes, for one thing, the Eastern Roman Empire still bloody existed! It was literally that meme where we're announcing that Rome is dead, Constantinople wants us to stop telling everyone that they're dead, and we sigh that sometimes we can still hear their voice. Yes, I know what a meme is, don't look so surprised. The city of Constantinople became the center of Roman culture and power, though we call it the Byzantine empire to distinguish it from the pre-476 Roman empire. It used Greek instead of Latin as its primary culture and language, it was Orthodox Christian instead of Catholic Christian, and while it was no longer the multinational power player that its predecessor had been, it still produced some heavy hitters. Such as Emperor Justinian in the sixth century, who actually, albeit briefly, reconquered the territories of former Rome in the west, and was married to the very fascinating Empress Theodora. We'll have to get back to her, but anyway, in the territories of Former Rome, such as modern-day Spain, France, and Germany, there were still client kingdoms who were directly descended from Rome and who premised their new independence on their Roman inheritance. The Visigoths -- yes, them again -- in Spain, the Merovingians and the Franks in France, the Angles, Saxons, and Jutes in Germany, and other. So tell me, can we really say that Rome collapsed, exactly, and/or disappeared, instead of just dissipated and re-formed? We still had Latin as the language of state administration, the Roman Catholic Church as the supreme religious and cultural arbiter, and other major innovations that would last through the Middle Ages. Where does this whole Dark Ages thing come from?

Anyone?

Anyone aside from Sarah?

Oh, God's wounds. All right then. The idea that Rome disappeared overnight and took everything good with it is a projection, a fiction, popularized by proto-Renaissance and Renaissance writers who wanted to legitimize their look back into the past. We're getting ahead of ourselves, but the idea of the Dark Ages as this backward slovenly time of idiocy and misery -- it just gets me very worked up, all right?! Yes, written texts and certain other traditional markers of historic narrative became much scarcer than before, and we don't know as much about it as we do the more meticulously documented societies on either side, but it's only dark because we've decided that Rome, the brutal excessively slave-owning militaristic expansionist violent empire par excellence, was the marker of all culture and the peak of Western civilization for all time and nobody else could ever come close! This is how we get bloody Game of Thrones insisting that the medieval era was always filthy and dark and full of rape and violence and morally awful people -- so tell me, George, which part of your fantasy novel, the dragons or the ice zombies, were we expected to read as actual literal truth? It's just because we want to protect the idea of ourselves as so much better than people in the past, and the past itself as full of terrible violence that is somehow worse and more primitive than our violence, and that surely we could never do that because we're so much better! Which is total bullshit! Bullshit!

...yes. Thank you. Right. I'm fine. I'm absolutely fine, I apologize for that. Just a bit of a trigger for me. We'll get back to the lesson now, yes. I'm warning you, though. If you use Dark Ages uncritically in your essay, I am knocking you down a full grade. No matter what."

[weirdmageddon]

yesterday i wrote a scene where jade wasnt a plot device and was left the hell alone in A6A5 because this being dave and jade’s last proper conversation in years made me sad and i wanted to see them reunite properly. i mixed a bit of narration in too even though it was rare around this point in the comic but its just to paint a better picture. also i wouldnt mind feedback on character voice (it’s important to me that the dialogue sounds believable)

[3 years are over, everyone is in the new session. The prospit ship is on LOMAX, as is everyone who arrived on the meteor, safely warped by Jade onto LOMAX as well. Jade has banished B2 Jack to the Furthest Ring already. She hasn't seen her friends in 3 years, not to mention she never met the trolls in person yet.]

[Jade teleports to LOMAX where John was talking with the meteor crew. Her eyes widen when she sees the trolls, giving everyone a greeting. Jade waves to the trolls.]

You’ll have time to catch up with them later. First you want to reconvene with Rose and Dave.

> ==>

Dave... Oh my god! DAVE!!! That’s right! The last time you saw him, he died in your arms after Jack redirected the bullets from your gun into his body!

JADE: dave!!!! DAVE: hey DAVE: this has been three years coming hasnt it DAVE: cmere

> ==>

[Dave hugs Jade with a slight grin on face. He notices her… sniffing him?? but doesn’t even bother to question it.]

JADE: it is so nice to hold your body when its not a corpse :) DAVE: ok DAVE: weird thing to say DAVE: actually who am i kidding who gives a shit DAVE: i almost forgot how much i missed the enigmatic riddlefuckery that is your phrasing DAVE: fortunately i have context for this so i know what youre saying DAVE: humor me for a sec and imagine that i didnt DAVE: but first DAVE: are those dog ears JADE: yes! i am part dog now JADE: because i prototyped my dreamself with becsprite JADE: jadesprite became part of me! and so did her doggy traits from bec DAVE: got it DAVE: oh yeah john mentioned that on the back of his dumb poster inside that bucket that appeared out of thin air DAVE: right before we had to haul ass out of there before jack caught up to us DAVE: karkat had a complete fucking meltdown over that btw i wish you couldve seen it DAVE: damn it feels like so long ago now JADE: heheheh i remember JADE: john realized it at the last second but it was too late! DAVE: of course it was johns idea only he could do something that gooberish DAVE: you know what this means though JADE: yup!! woof woof DAVE: it means youve done it harley DAVE: youve finally done it god damn it DAVE: the evolution of humankind is finally upon us DAVE: the scientists said it would never happen in our lifetime DAVE: but look what we have here DAVE: before me stands mans first legitimate furry subspecies DAVE: homo canis DAVE: as the name implies theyre gay as fuck btw DAVE: its too bad all those scientists are dead and cant witness this phylogenetic breakthrough DAVE: rip to the science community yall wouldve lost your collective shit DAVE: hey jade lets pour one out for the science community for being real ones

> ==>

You are still nestled into Dave’s shoulder. He’s taken a sort of protective position over you. Your perceptive barkbeast ears can hear his formerly bullet-riddled heart beating a mile a minute with the regularity of quartz beneath his time-branded pajamas, all the while he continues to ramble to you about certifiably dumb shit. You can tell Dave is psyched to see you again, even if he expresses it in his OWN bizarre way, which means extended metaphors and topical tangents. What a hypocrite, calling YOUR phrasing perplexing! You sure missed this guy.

You realize you started tuning him out while thinking about all this.

DAVE: jade JADE: umm homo is the species name JADE: so wouldnt that mean were all gay? :p DAVE: yeah that sounds about right DAVE: anyway enough of this bullshit

> ==>

[Dave motions to retract his arms since he doesn’t want it to get too weird, but Jade squeezes tighter. Dave immediately yields to the movement]

DAVE: jesus wow ok DAVE: really happy to see you too DAVE: like if you had a tail it would be wagging so forcefully youd be knocking over all the fucking furnishings in the room DAVE: just slapping it so hard on the owners thigh that it feels like theyre being flogged DAVE: talk about getting bitch slapped JADE: :D DAVE: so howve you been JADE: really really excited to see you guys all again!!! JADE: and to meet the trolls! DAVE: yeah theyre pretty weird DAVE: and im still not used to it DAVE: but it gets more manageable the longer youre around them DAVE: by the way JADE: ?

> ==>

DAVE: sorry you had to go through that JADE: through what? DAVE: seeing me die and stuff again DAVE: except that time right in front of you JADE: .... DAVE: when we were gathering up all those frogs i knew jack was going to appear DAVE: i was waiting and waiting to play it out DAVE: mentally rehearsing my fucking torso getting turned into swiss cheese and knowing you would have to watch on top of it DAVE: i had to make sure it happened to protect the integrity of the alpha timeline DAVE: but if you knew this was going to happen you wouldve tried to prevent it and created a doomed one DAVE: and so i didnt say anything DAVE: i couldnt DAVE: so DAVE: sorry for putting you through that JADE: oh..... JADE: dave D: JADE: well im here JADE: if you ever want to talk about it DAVE: its cool DAVE: you just deserve to know what happened there DAVE: but thanks DAVE: so am i JADE: yeah i know JADE: i guess i should be glad you did that then... JADE: even though i was freaking out when it happened ._. JADE: otherwise you wouldnt be here will us now dressed in your red god tier time pajamas DAVE: yeah these magical rags really are comfortable arent they DAVE: and they stay like perma clean JADE: they are! i would wear mine over and over for days on end JADE: id take a nice shower and put it right back on JADE: and you know how much i love cycling my outfits through my wardrobifier JADE: by the way dave your cape is sooo cool! :o DAVE: thanks DAVE: yeah i love it its hella soft DAVE: its like ive got a portable snuggle blanket with me in case i ever need to drop to the floor like a tired sack of shit and get my snooze on DAVE: ive got a permanent personal reservation at club bed featuring dj pillow and mc blanky JADE: heheheh JADE: can i touch your cape? DAVE: of course go nuts JADE: yaaaay!!

[tayfabe75]

Did Taylor and Matty meet on Myspace? (And other early coincidences!)

Early on in their careers, Taylor and Matty both utilized Myspace as a way to promote their music. Taylor, specifically, would message with other teenagers on Myspace:

"I'd post my songs on my MySpace and, yes, MySpace, and would message with other teenagers like me who loved country music, but just didn't have anyone singing from their perspective."

Matty, too, described himself as "King of Myspace" when he was fifteen. But he brought it up more recently on the Ion Pack Podcast, even mentioning his age as seventeen at the time. And here's a retro clip of Taylor talking about how she wasn't some corporate entity on Myspace, if you messaged her account, you were talking to her! She also filled out her profile in her own words.

She has some things in her profile that might've caught Matty's eye, a fellow teenage country fan and fan of American music specifically, that might've emboldened him to message her:

"I love people who like my music. I love people who are nice to me. I like people who are excitable. I think it's endearing when people cry when they're happy. I'm pretty excitable too. Guys don't ask me out because they know I'll write songs about them. But I'm also the girl who still believes prince charming exists somewhere out there -- fully equipped with great hair and an immature sense of humor. I'm fascinated by black and white pictures. I like people who can be sarcastic and laugh about tense situations. I'm a fan of fans."

Say whatever you will about Matty, but that man is a genuine fan of Taylor's music. When he became a fan is open for discussion, but let's just pretend, for fun, that he found her via Myspace early on in her career.

Now, here is the old Myspace page for The 1975 back when they were known as 'Drive Like I Do' in 2008. Note the James Taylor in the list of Influences! (as well as the Jamie Squire in the top 8! How sweet, I'm sobbing!)

Taylor was a bit of a firecracker on Myspace (and not just there, there's a whole conspiracy theory she used to troll 4Chan!). A few of her comments were screenshotted and you can find them around the internet. Here are some. The one from October 31st, 2005 about a queer fellow ("I'm sorry that I'm kinda queer, it's not as weird as it appears") with a Sex van ("take your shoes off in the back of my van") really caught my eye, anyway…

"Listen my queer fellow. I thinketh we shall hangeth out sometime soon, eh? yes, I do believe I am growing fond of this idea. drive over in your sex van and come pick me up, farewell knave."

Notice the spelling here, too. Thinketh? Hangeth? Knave? Feels a little bit Shakespearean, at least for say, a fifteen-going-on-sixteen-year-old girl (as we would later discover, Love Story and Robbers were both inspired by Romeo and Juliet, both written around the same time so far as I know, but it's hard to find exact dates!)

Matty, by the way, used to refer to himself as the "Prince of the Tyne". He's also got some old Drive Like I Do lyrics from 'We Are the Streetfighters' that are suspicious to me: "Well in four thousand miles we'll meet you" (The nearest airport to Macclesfield is in Manchester, and the distance between Manchester and Nashville? Roughly 4000 miles)

Two months later on December 21st, 2005, just after turning 16, Taylor says she's in England.

Did they meet? Who knows! But there's enough weirdness there to make me wonder. Speaking of weirdness… we're going to go on a side tangent about Fearless, but that's part of the puzzle, so bear with me…

I don't know about anyone else, but when I saw Matty's Fearless Love Gaze™, I was rocked to my core! Men do not look at women like that, but especially not brand-new flings. They're too concerned with trying to look cool and unaffected. For most men (stereotypically), romance and love are "dumb" and "stupid" and perceived as a "woman thing" that men can't be bothered with. But not Matty. Matty was utterly transfixed by her. Something about that touch of mischief in the lip bite when she says the bit about "absentmindedly making me want you", the way he just barely mouths along to the words at the end of the clip, well… sirens started going off for me. So, I followed my intuition and started researching all of this.

Now, Taylor wrote the song 'Fearless' sometime in 2006. The hidden message liner note for Fearless? "I loved you before I met you". Taylor describes 'Fearless' as a song she wrote about a perfect first date she hadn't had yet, about something she didn't have but dreamt of. She debuted it for the first time on April 6th, 2007 in Reading, PA (if you don't already know it, that's two days before Matty's 18th birthday). At this show, she debuted 'Sparks Fly' (yes, in 2007! Original lyrics were brown eyes rather than green eyes, by the way) and 'Tied Together With A Smile'. She also played a cover of John Waite's song 'Missing You' which seems to be about a long-distance relationship: "And it's my heart that's breakin' down this long distance line tonight"

Speaking of Matty's birthday, the release of Fearless TV happened to coincide with Matty's birthday! She dropped a sneak peek of Fearless on his birthday in 2021, and the album would release one day later on the ninth (perhaps because albums release on Fridays and that's as close as she could get?)

Taylor describes the Fearless album as her diary from when she was seventeen (misplaced my source on that quote, d'oh!) That said, 'Love Story' interests me as well. There are some interesting facts about Love Story:

Hidden message: Someday, I'll find this. Taylor wrote this song in a very short amount of time after her parents had told her that she couldn't be with the person she wanted to be with. And in her own words:

"'Love Story' is actually about a guy that I almost dated. But when I introduced him to my family and my friends, they all said they didn't like him. All of them! For the first time, I could relate to that Romeo-and-Juliet situation where the only people who wanted them to be together were them. That's the most romantic song I've written, and it's not even about a person I really dated."

Taylor's UK television debut (like first time ever performing on TV in the UK) was on Loose Women (Matty's mother's show). Now, Denise was not there during this period as a host, but she had been before that and would be afterward, so maybe there's some significance? Maybe not. But if Taylor and Matty knew each other, he would definitely get to be in the audience to see her if he wanted to. The song she chose to perform was 'Love Story'.

Now, 'Robbers' is also based on Romeo and Juliet (and also written circa 2007), and Matty describes that here in a fan video from 2015. We'd see Romeo and Juliet imagery pop up again in 2014, both in Taylor's video for Blank Space (where she's on a balcony looking down at her lover) and in November where she stood up on a balcony at Matty's show as he serenaded her with Fallingforyou (visual comparisons here)

Blank Space, too, might reference Fallingforyou. There's a scene where she rides bikes with her lover inside her enormous house, perhaps reminiscent of Matty's lyric: "All we need's my bike and your enormous house":

Matty even dresses a bit like the lover from 'Love Story' music video at the 2017 BRITs:

When you fall down the Myspace rabbit hole, you start noticing other strange similarities in their lyrics - like Matty referring to a "girl on the screen" in 'If You're Too Shy', which perhaps parallels Taylor's "guy on the screen" in 'Karma'. In 'The 1' (another song that lyrically parallels 'Robbers'), Taylor imagines "the 1 that got away" meeting a woman on the internet and taking her home, which might be another reference to Matty, perhaps lyrically paralleling The 1975's 'Playing On My Mind'. This theory, of course, makes the entire album 'A Brief Inquiry into Online Relationships' suspect, especially given that 'Be My Mistake' is a song Matty wrote "about Nashville", the striking similarities between 'Sincerity is Scary' and 'Me!', a song called 'Mine' that references the year 2009, and the inclusion of a Drive Like I Do track Matty wrote when he was just fifteen years old, '102' (the same age he was when he was "King of Myspace"). Considering 'Love Story' was written for someone who Taylor's parents disapproved of, it makes this lyric all the more striking:

"I hope this song will remind you I'm not half as bad as what you've been told."

Lastly, if Matty is the confirmed 'Cardigan' muse and if 'Willow' is the continuation of 'Cardigan' (based on where the music video begins), the scene where she gazes into the water at her lover could perhaps represent a visual metaphor for looking through a screen, no?

Back to the NYU commencement speech! I recommend listening to the FULL clip. She talks about: feeling lonely, chatting with other teenage country fans on Myspace, and then segues into her motivation behind protecting her private life:

"Having the world treat my love life like a spectator sport in which I lose every single game was not a great way to date in my teens and twenties, but it taught me to protect my private life fiercely."

All of this seems correlated to me (also why it's hard for me to reconcile this whole football charade! But for me, it's easier to believe Taylor here about privacy being important to her, and not assume that some boyfriend kept her locked away in a dungeon against her will or something)

Now, to tie this all into a very nice bow, here's a quote where Taylor talks about how she uses easter eggs:

"Easter eggs can be left on clothing or jewelry. This is one of my favorite ways to do this, because you wear something that foreshadows something else, and people don't usually find out this one immediately, but they know you're probably sending a message. They'll figure it out in time."

What shirt was she wearing during her pap walk with Matty? Think of the "He lets her Bejeweled" meme… She had on an NYU sweatshirt.

Now, could be just a giant coincidence, trust me, I know, I get it. However… maybe she's really hinting about an old Myspace pal that she has protected fiercely. I mean, she did seem to use that speech to easter egg/foreshadow YOYOK & Labyrinth lyrics…

Speaking of 'Bejeweled'… On July 15th, 2023 Taylor flubbed the lyrics: "Sapphire tears on Myspace", and then she giggled. Freudian slip, perhaps? But this is the woman who assures us that "nothing is accidental"... and in a song that mentions a "Top 5", no less! (reminiscent of a Top 8, perhaps?)

Maybe James and Betty were involved in a "teenage love triangle" for a reason, and maybe TTPD references "teenage petulance" for that same reason… or maybe it's nothing but a bunch of eerie coincidences! Who knows! In the meantime, I'll keep on clownin'! 🤡

[upon-a-starry-night]

Number Neighbors Pt.7

Natasha Romanoff x Fem! Reader

Natasha Masterlist Series Masterlist

Word Count: 1k

Summary: When you catch sight of the newest trend going around you know you’re all but bound to at least try it, it was harmless anyway. What could possibly stem from something so little

~

Nat quickly became your new internet best friend- if not your only friend. She started opening up her humor to you after you trauma dumped and in return, you began sending her memes as a symbol of your alliance. Occasionally she would humor you with a random picture of a sunset or a tree. You’d already known she lived somewhere in New York thanks to the area code on the phone number but you enjoyed experiencing the small window into her life and the fact that she was comfortable enough to send you those pictures.

It was a huge step in your friendship in your opinion.

The two of you began texting almost nightly, you would share something about how work was going (not the same job as before that one kind of um- fell to pieces-literally), and some nights you’d share how you felt about coming home and being alone all the time. She always listened and provided a substantial amount of comfort and advice- and though she never said anything you had a feeling maybe she was going through the same.

She never opened up as much as you did, although there was one brief mention of a single sibling. But the way it was phrased made you too afraid to ask her about it. You could feel how ice-cold the topic was from across the phone. You wondered if she regretted telling you or if she even realized she did.

—-

Nat loved her Avengers family with everything she had but there were some things she just couldn’t share with them. Talking to you- a kind of- complete stranger on the internet was almost therapeutic for her. Maybe it was just wishful thinking but even over text you had a warm and open energy about you. Maybe you wouldn’t judge her for everything she did-though you’d probably be biased based on your admiration for her. 

She wondered if you’d have that same energy in person. Wondered if you were the kind of person to talk with your hands or if you kept to yourself more. She knew plenty of people who were open over text and shy in person.

Sometimes you reminded her of Wanda. She thinks the two of you would get along. Not that you’d ever meet. You were Natasha’s secret guilty pleasure, and despite the small desire- she knew you two would never meet.

Without the heat of being “The intimidating Black Widow,” Nat felt more inclined to show you her more witty side, often ending in you sending a blurry picture of your middle finger or on one very specific occasion- A voice memo of you sneezing. Something about emphasizing your point of being “allergic to stupidity”.

She refused to admit she laughed at it for longer than she should have.

She told herself not to get too attached but in her line of work your overwhelming positivity and constant shenanigans were a welcome change from her often gloomy occupation.

Nat was used to texting you every other day by this point, when she began going on more frequent missions she found herself worrying that you would think she was ghosting you so she told you her work was complicated and sometimes required her to go offline for long periods of time. 

You told her you understood and sent her a meme about the economy before going into a long tangent about how jobs these days expected over achievement with minimal pay and it was outrageous. 

She didn’t quite understand why she was so worried about what you thought of her. Normally she wouldn’t care what anyone thought of her. The other Avengers were lucky if they got a text back from her on the same day- let alone more than a one-worded response.

She guessed maybe it was because she wasn’t used to hearing such good things about herself, the government was scared of what she could do (rightfully), the public had conflicting opinions about her- and most of the time it was only kids that looked at her without any fear or contempt. But you talked about how much you admired her bravery as an Avenger but also as a woman in such a public light with so much pressure on her shoulders. She was the first female Avenger after all.

One evening she made the mistake of telling you she didn’t think ‘Black Widow’ was all that. She had to sit through two hours of angry paragraphs from you and links to several videos of herself from the battle of New York and doing interviews for cable shows. She’d ended up apologizing and agreeing with you that she was the strongest Avenger.

 In reality, she sat on her bed for nearly an hour after your conversations with unshed tears she refused to let fall. That was the exact moment her heart had decided you weren’t a stranger to her anymore- and she didn’t have it in her to argue against it.

Your resilience was a trait she’d learned to admire, especially when it came to her… but not when it came to her choice of colored attire. 

        Y/n🍦:

Y/n🍦:

I’m seriously considering the

possibility of you being a robot.

What do you think?

Nat🔪:

I think you're an ass.

Y/n🍦:

I’m just saying-

gray is so monotone and you’re

Too fierce for that

Nat🔪:

So what color would you give me?

Y/n🍦:

Maybe black?

Hmmm

Nat🔪:

Wow, a striking upgrade

Why not just suggest dark gray?

Or how about light black?

Y/n🍦:

No, you’re obviously too

Sassy for black.

I’m thinking…

Red.

Your ability to perceive Nat through the screen never failed to amaze her. Truthfully she didn’t want to plaster her favorite color over everything because she was scared it would make things too personal. Too homey. But here you were guessing her favorite color just from her online personality. 

Truth be told, this was the most openly herself she’d been in a while. She wondered- if only briefly- if you could guess everyone’s favorite colors that easily-

or just hers.

Nat🔪:

Yeah. 

I can see it.

Nat couldn’t keep the grin from overtaking her face. 

You were something else, weren’t you? 

It was dangerous how easily you could brighten her day.

She found herself not caring as much as she usually would about that.

Pt.8

A/n: I'M BACK FROM THE DEAD!! Sorry I was gone for so long :( i'll keep updating this story as often as possible!!

-------

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