#This is what happened and no one can convince me otherwise

[adventuringblind]

Entitled To You (3.6K words)

Norstaptri x Reader

Genre: Angst, Hurt/Comfort

Summary: An incident with Lance sends the boys into a frenzy. She just wants to do what she loves.

Warnings: Explicit depictions of r@pe, injury descriptions, panic attacks, Oscar plots a murder, Lando throws hands, Car crashes, Author doesn't know legal stuff, Head trauma and blood.

Notes: This one is a request from @Lily234566 I know this wasn't the original pairing but I was struggling to fit the Ferrari boys in there so I had to scale it back... I'm sorry and I hope you still like it! T_T

Side Note: Sorry to the Lance girlies reading this. AND obligatory message of I don't know these people and this is purely FICTION! HEAD THE TAGS! DONT LIKE THEN DONT READ!

Masterlist // Request Form // My Website // buy me a Ko-Fi

“Max!” She peeks her head into his driver's room. The bright beaming smile she receives in return after their 1-2 nearly kills her. “They want me for a media thing, apparently.” HIs smile drops into a pout. The sad puppy eyes might convince her to stay. 

“Again? Don’t they know we have plans!

“No, and why would they care anyway?” She looks him up and down and whines because he’s standing in front of her with no shirt on. “Just - I’ll meet you guys back at the room. It’s something to do with being a female in F1… again.”

“I’m starting to think they have nothing else to talk about.” 

She shrugs as she walks out of the hospitality, waving to Christian on her way by. The goal is to get past the Mclaren garage without seeing Lando because otherwise she is not going to the interview. His pout is worse (better?) than Max’s. 

To her pleasant surprise, Laura is the one conducting the interview. “I’m sorry about this being last minute! They said they wanted you to do it with someone else next week and I offered to do it now.” 

The interview passes with ease and thankfully doesn’t take long at all. The banter in-between is also entertaining. 

She’s exhausted when they finish. Ready to go back to the hotel and fall into bed with her boys. Hopefully They’ve ordered food - and dessert. 

The paddock is nearly empty as she makes her way through. Maybe, had she been paying more attention and not focussed on her aching body, she would’ve caught on to the footsteps behind her. 

They are heavy, she assumes possibly a mechanic still packing up to continue on their way to the next circuit. That’s what she still thinks when the hand on her bicep yanks her around the corner. 

If she weren’t as exhausted, then fighting would’ve been a possibility. However, that seems out of the cards as he pins her against the nearest wall. Her forehead hitting the surface hard enough to make her dizzy. 

“Not so confident now, huh?” 

The fuck- “Lance? What are you?-” He slams her head again and cages her body against his own. She flails, only to be slammed again. “Would you stop doing that please?” 

“Not after that stupid stunt you pulled today on track.”

“You mean the one where you showed you don’t know what brakes are?-” Again, her head is sent into the hard surface. She can feel her nose starting to bleed. “Must you?!” She decided to shut up when he does it again and everything starts to go fuzzy. 

His fingers dip beneath the waistband of her fireproofs. The cold evening air hits her bare skin and she panics more than before. Her head is too cloudy to fully comprehend what’s happening. 

“I feel like I'm entitled to a bit of compensation after that stunt.” 

“You’re entitled to nothing. You took yourself out!” She hisses through gritted teeth. Still, Lance continues to get her clothes lower. And slams her head again harder - you know - because she wasn’t disoriented enough already.

“Would you shut up?” She doesn’t say anything this time. Her mouth feels numb and her ears are ringing. Her exposed lower half is met with the bare hands of someone she doesn't want touching her. 

It's - well - it hurts. He's groping at her thighs, ass, even her tits which she isn't sure how he's managing. His hands are everywhere they shouldn't be. 

And then nothing. 

A vague awareness of what's happening seeps through her veins and invades her senses. She tries to scream. Attempts despite the sheer pain of the snap of hips she didn't ask for. 

His finger beat her to it. A hand encloses around her throat and cuts off her oxygen. The black spots dance around her vision. She wants them to stop moving; they are making her dizzy. Or was she already dizzy? 

“See, it's not so bad. Don't you feel less guilty for ruining my race now?” No, she doesn't. She wasn't guilty before. 

She blacks out. 

~~~♡~~~

Waking up with sore limbs and a killer headache is not how she pictured this night going. She tries to yell for help, but a mere creaky rasp escapes. 

When did she lose her voice? The thought makes her panic more. The sob she lets out hurts more than there is sound. 

Her face and hair is sticky. At least Lance had done her the courtesy of not finishing inside of her. 

Still - what the fuck even happened? The fragmented memory is trying to come back to her slowly. Each small piece remembered is another broken cry. 

She can't move. 

It's dark again. 

~~~♡~~~

The anxiety between the three boys is certainly not something they are used to. Oscar can pinpoint the exact moment Lando started overthinking and Max had to bear hug him so he didn't pace a hole into the cement of the parking lot. 

The fourth seat in their car remains empty and their messages have gone unanswered. It's getting more concerning with each passing minute. 

“Max, she always responds.” 

“I know Lando.” 

“She always calls if she's going to be longer.” 

“Lando?”

“Yes?”

“Would you feel better if we went and looked around for her?” 

The Brit nods his head in a fashion that might give him whiplash. It's better seeing him feel helpful then sit helplessly. Though Oscar can't help but agree with Max's original point. that they should wait there at the car just in case since that's where they were supposed to meet. 

Granted, it's only been twenty minutes. It's still long enough to be murdered. 

They Methodically peer around corners and wave at the mechanics who give them skeptical looks. They were supposed to be out for post race celebrations by now. 

Oscar freezes when he sees it. The human shaped lump lying on the ground. He rushes over with long strides. The closer he gets, the more familiar the person on the ground becomes. 

“Max! Lando! I found her!” The other two boys come sprinting in his direction. He's on the ground trying to clear her hair from her face only for it to get stuck in the sticky substance coating her features. 

“What the fuck?” 

Her fireproofs are still on, but it's obvious what happened. The handprints on her neck, the blood trickling down the sides of her face. “We need to bring her to a hospital.” 

Max hoists her up in his arms. Mainly because Lando is on the brink of tears and struggling to breathe through his panic. He loves deeply and with his heart on his sleeve. Oscar just hopes he can keep the Brit calm until they find more help. 

“Can we at least clean her up?” Lando pleads with him. Big Hazel eyes brimming with tears. 

It's always a struggle to tell him no. “We can't, not if it can help us figure out who did it.” The tears start right after that. 

“So that’s what happened then? Someone really-” Oscar has to maneuver the puddle of tears that is his boyfriend into the passenger seat of their rental car. Max tosses him the keys, opting to be with her in the back and keep her comfortable. 

The tricky drive to emergency is more because Oscar is too far in his own thoughts to pay attention to the traffic lights. He can hear Max moving her around, attempting to put pressure where blood still flows freely. 

Oscar doesn’t bother with parking. He pulls off into some empty area and helps Max shoulder her weight inside the doors while Lando runs ahead to find help. 

It’s fast after that. They take her away and start patching her up while the three of them are forced to sit in the waiting room. Oscar and Lando are left to their own devices while Max paces about on the phone with Christian. 

He feels like a knife is being driven through his chest each time his mind tries to come up with what could’ve happened. Who would do something like this? Unfortunately, a lot of people. The question is more of who could’ve done it and gotten away. Someone with access to the paddock this late. Security, perhaps? Maybe even a sleazy mechanic? A driver wouldn’t make any sense… right?

“When will they let us see her?”

“When she wakes up, most likely.”

He’s not sure when he falls asleep. The exhaustion finally hit him like a truck despite his persistence. He’s awoken by Max’s constant shaking and aggressive whispering of his name. 

“-She’s asking for us.” 

He’s up faster than Lando when Jon threatens an ice bath. They follow the nurse down the halls with an uneasy anticipation. They creep inside the sterile room and find her staring at the wall. 

Lando doesn’t hesitate to move further into the room. Always having been more in touch with his emotions then the other two boys. “Hey love, can I come closer?” 

She looks at him. The bandages plastered over the sides of her head and around her face now visible to them. She returns Lando’s gaze with glassy eyes. It’s damn near shocking when she tries to pull things off her body in a desperate attempt to reach for Lando. 

Lando gets to her before she can get everything off, specifically the IV, and catch her arms. Oscar and Max finally pull themselves together and manage to get her to lay back down with some coaxing. 

She’s shaking violently. Her grip on Lando’s arm is sure to leave bruises. “Who - who f-found me?”  

“We did, schat. We got worried when you didn’t respond.” Max drags the two chairs in the room closer and pulls Oscar down into one.  Lando, against all odds, manages to wriggle his way into bed with her. 

“I know who it was. I - well - does anyone else know?” 

“Just Christian and us.” Oscar can feel the fight Max is putting up to not ask her more questions. The way he’s grounding himself with a hand on Oscars knee instead. 

“You don’t have to tell us.” He attempts to reassure. Maybe calm her mind by giving her an option. “Just know we’re here, alright?” 

“I don’t want it to be a big story. It’s already going to be since I can’t be in the car for the next four weeks. Oh fuck - everyone is gonna know-” Lando hushes her; gets her to somehow hold him tighter.

“Christian said it’s up to you, whatever happens.” Max nods at her encouragingly. “We go at your pace.” 

“They did a rape kit. They’ll know who it is. It was all over so it couldn’t have been hard to get DNA - oh fuck” 

Her heart rate picks up. The nurses rush in. They send her back to sleep. 

~~~♡~~~

Max wants to know who it was who touched her. The rage simmering underneath her skin is almost too much to keep contained. 

On the more fortunate side, they were allowed to stay since she wouldn’t let go of Lando. Then when he did have to get up, they rotated. 

The doctors and nurses learned to approach her like she’s a scared animal. The heavy footsteps seem to set her off and there is now a sticky note on the door saying to tiptoe when entering. It’s endearing to see her doctors and nurses trying so hard not to startle her. But seeing as they’ve now had several incidents where she’s panicked, they are taking more caution. 

Oscar and Lando have meandered away in search of food. Max opted to stay put and made the promise to bring him back cheat foods. He’s too stressed to not eat something of comfort. 

Her physio is supposed to come by today with the stuff she left at the track and get an update from the doctors themselves instead of Max’s botched attempts at repeating back. It will also be nice to see her comfortable, as the one blanket that travels with her everywhere will also be dropped off. 

“Max?” He tightens his hold to show he’s listening. “It’s not fair… You, Lando, and Oscar make a mistake on track and nobody does that to you. I - It wasn’t my fault.” 

The thing is, Max is smarter than people give him credit for. The only incident on track was with Lance. An incident that was his own fault. “He’s at fault, not you. None of this is your fault.”

“They are going to say I was asking for it or something.” 

“In those fireproofs? The only ones asking for it are me and Oscar… for obvious reasons.” He chuckles proudly at his little self compliment. 

It also manages to get her to crack something of a half smile. “Are you complimenting your own ass?” 

“And what if I am?” 

She doesn’t eat anything despite it being sat in front of her. Soft foods are the only thing she’ll be eating. Her throat, albeit not as bad as it could've been (thank you F1), is still damaged and needs to rest as much as possible. 

They had to keep her for observation due to where the head wounds had been. It’s been a rough thirty-six hours, but they are managing.

Despite the hectic situation, Max has come to learn that the female lying in the hospital bed is a better person then the rest of them. Oscar was detailing a full proof murder plan while she was telling him not to make it a bigger deal then it is. To which Oscar politely put his ten step plan with four contingencies down and told her that it’s ‘what he had coming to him’. 

Max has not had to stop someone from assassinating a rival before, but Oscar seems like a reasonable guy. “Death is too good for him.” 

“Mm, you’re right, I’ll just make sure he doesn’t die then and can’t see my face.” 

“Or, we make his life a series of inconveniences! I feel like daddy’s money could get him good therapy. It can’t solve every minor problem.” Lando has a gleam in his eyes. 

Him and Oscar start pouring over ideas once more. The girl simply shakes her head and goes back to eyeing her pudding like it’s assaulted her. “I don’t want to leave here, Max.”

“Why not? I’d assume you want to go home? Sleep in a comfortable bed?”

“Out there, they can get to us. Here is safe.” 

He considers how to reassure her. Only, there is nothing he can think of. The truth is that outside of this hospital room, there is no guarantee they won’t run into trouble. 

“I can’t promise that we'll never have something bad happen again. But-” He looks to the McLaren duo brainstorming ways to make the Aston Martin garage regret existing. “We’ll be there for each other. We’re here for you. When you want us and when you need us, yes?” 

“Pinky swear?” She extends her pink to him. 

Max accepts and curls his pinks around hers. “Pinky swear.” 

~~~♡~~~

It’s not fair really, that they had to leave to go do things. Lando would prefer he at least stayed with her so she isn’t alone. Alas, they are preparing for her discharge and he had to run around getting things together for their trip back to Monaco.

He comes back to a partially opened door and smiles at the other two boys being able to get back before him. Then again, as he gets closer he can hear the angry tone. One that Max uses when he’s pissed off about something. 

Lando panics and rushes inside. Only to be met with the sight of the last person he wants around right now. 

Now - he wouldn’t say he’s prone to violence. Lando prefers to keep the peace when it comes to conflict unless he’s trying to piss someone off on purpose to get a reaction. This is not one of those times. 

Lando’s knuckles collide with the Canadian’s jaw faster than he can fully become aware of what he’s doing. Lance stumbles backward and holds his jaw, glaring at Lando like he’s the one in the wrong here. 

“Get out!” 

“We were just talking-” 

“I said. Get. Out.” He’s seething. The thudding in his chest becoming louder with each second Lance remains in this room. 

He’s not prone to violence. 

Really, he’s not. 

Yet the second crack of knuckles into Lance's chin gives him some sick satisfaction. Isn’t there something about equilibrium? Can he pin this on restoring the balance or something? Regardless, he isn’t going to dent the fact that it feels good. 

The nurses come running and start asking questions. Max and Oscar have to drag Lando away kicking and screaming. 

Worse is when they try to tell him that there are pictures out on social media. Christian has been calling Max non-stop. Oscar has been dealing with Zak. Their relationship isn’t a secret and neither is their current location.  

“They're sending us a different car to see if we can’t get out discreetly.” 

“What happened with Lance, Lan? Are you alright?”

Everyone is panting. Their eyes trained on the door. “I punched him. I restored the equal-brey-um… thing.” 

“Equilibrium.” 

“Yeah that!” 

He’s not sure how they get on the plane. He’s still amped up about the whole punching thing and running purely off adrenaline. 

They’ve been sitting in silence, mulling over their options. Creating statements they can put out. It’s hectic and they keep trashing them because nothing fits. 

The female has been apathetic. The last thing she wanted was for this to get out and now it has. Seemingly everything is flashing before her eyes. Her career will be gone soon enough, so what’s even the point? 

“Don’t post anything. We don’t have an obligation to confirm or deny the rumors. If anything, we can say that you were just driving me to the hospital and being good friends or whatever.” She won’t look at them. Still - Lando can hear how upset she is, the waiver in her voice. “I’m going to be kicked out anyway.” 

“Christian said-”

“Damn what Christian said! He knows this isn’t going to get any better and if I say who it was then Daddy’s Money is just going to pay his way through.” She's hyperventilating now. Her body collapses against her seat and Oscar makes an effort to get her to lean against him. “It’s not fair!”

lando Can’t help but share her feelings.

~~~♡~~~

She stays holed up in the Redbull garage the next weekend. The appearance is hard, people want to ask her questions. Her boys had been caught in the middle of the riptide and haven’t come back to shore yet. 

At least she’s here. She’s trying her hardest to look stronger than she is. On the inside things are falling apart. 

The team knows to give her space and not ask about the ordeal. She takes refuge in Max’s room when things are too much and the other drivers keep their distance. 

They know it was one of them. She’d been adamant on not saying who it was, but it’s obvious there are sixteen who it could have been, given her partners insistence that none of them go near her garage for the time being.  

She just wants this whole thing to blow over. She wants to lay in bed with her lovers and not flinch when they go to touch her. 

She knows, however, that until she deals with things that healing can’t happen like it should. Or at least, that’s what her therapist says. The one she is now required to see. 

Things get worse when she’s back in the car. Her media duties are limited so she can focus on driving and ‘listening to her body’ as her physio likes to say. 

She can’t hear her body over the sound of her mind going staticy as Lance closes in on her. The catalyst for everything. She panics and ends up in the wall. Not the worst crash ever, but certainly hurts her pride more than it has already.

The thing is, it keeps happening. Even as she’s able to let her boys back in. As her podium finishes start to come back. Her fireproofs (which they’d gotten her all new ones) start to feel comfortable again and she doesn’t feel the need to be out of them the second the race is done. Still, Lance is using this to his advantage. 

Finally, after he almost killed her on track (again), she’s had enough.

The trial goes better than she thought it would. Despite the money differences, Lance won’t be able to race anymore. It’s not some grand spectacle either, just an announcement like usual. It’s more the closure she needed versus the publicized drama it could have been. 

She wins the next race. 

“If I ever see him again, it will be too soon.” 

“It’s been over a year now, Lan. I’m getting better.” There is a genuine smile on her face. The car awaits to take them back to the hotel. It was here that it happened. She almost considered not racing because of it.

“Lando got a taste of blood and now he’s feinding for it.” Max has a comforting hand around her waist. A grounding presence. 

“I mean, I never threw away my murder plot…” 

“You’re a genius Oscar!”

She shakes her head. It’s not like any of this has been easy. It never is. Still - her boys are here and they��ve been so patient. 

“There’s her smile.” They all beam at her. 

She smiles back.

[imagopirateversion]

Pirates of the Caribbean: Dead Men Tell No Tales; Why It Shouldn’t Exist

Or how I invested time and energy into an analysis of a relatively dead franchise instead of doing it for my actual media analysis university course.

An essay by: a bitter and obsessed PotC fan since they were 7, with a lot of free time.

Lads, this is going to be long. You have been warned.

The Beginning

At the very beginning of the movie, we see a young Henry Turner looking for his dad.

Now, we're not talking about characterization problems or how likely it is that a ten-year-old child would risk his life to look for a man he technically only saw once; we're talking about plot problems, actual logical fallacies. My questions are:

How? The Flying Dutchman is a legendary ship, impossible to be found unless She wants to be found. The only reason we see Her in Dead Man's Chest is because Davy Jones himself is looking for Jack to collect his debt, and in that occasion the Dutchman's captain wasn't even doing what he was supposed to do, so he was most definitely in the living world. Will otherwise, he's doing the job Calypso gave him, so he's constantly in between. Is the movie trying to convince me that a kid was able to do something no one in the history of piracy was ever able to do? And even if he did, why hasn't anyone explained me how? He simply looks at a map and throws himself on the bottom of the ocean. How did he know The Dutchman was there? How did he know it would've come to surface?

Where is his mom? We got to know Elizabeth in the first three movies; we know she's a smart woman and we can assume she's an attentive mother. She didn't notice her son preparing himself for a trip in the middle of the ocean to go look for his dad? Was she distracted? Was she outsmarted by a 10ish-year-old? Or is she just not contemplated in this scenario?

Why does Will look like that? Will is doing his job, so... why does he look like he's slowly corrupting? That kind of corruption is the punishment Calypso reserves to The Dutchman's crew when the captain fails her, which isn't the case. Did they forget about it? Was the idea of putting algae on Orlando Bloom's face just impossible to resist to?

Alright, this isn't actually from this movie but it's bothering me, so I have to write it; also, it would make this whole movie unnecessary, so it's somehow related to it. Why (and I can't stress this enough) can't Elizabeth be on the Dutchman? Why can't they do the job together? Is it because she's not a pirate? I'm pretty sure se actually is. Is it because she's a woman? Last time I checked she was the KING. She wants to stay with Will forever, Will wants to stay with her forever, they can literally live forever on the same ship. Why aren't they?

Whatever the Hell Happened to Jack Sparrow

Imagine creating a character that is so iconic whenever you ask a person who was a kid in the early 2000 to imagine a pirate, they imagine said character.

Now imagine fourteen years pass and you decide to ruin that character by making him the most hideous, annoying, idiotic person in the whole saga, and we're talking about a saga that has Philip the Missionary in it. Why? Jack Sparrow is THE anti-hero. Never on the right side, but never on the wrong one. You can tell he's doing something morally questionable, but you still find yourself rooting for him. He's stupid enough to make you laugh, but he's secretly clever enough to always get away with it. Now he's just... drunk. And that's not even an excuse for this horrendous new characterization, because he was always drunk. The guy FORGOT HE WAS ROBBING A BANK, the same guy just one movie earlier was able to escape from the King of England's palace and steal a lady's earring (by pretending to be a literal slut) in the process. He just switched from the iconic drunk bi bestie everyone loves to my cringe uncle that drinks too much at Christmas parties and makes everyone uncomfortable. Please, if the risk is ruining an entire generation's beloved character, either don't make the movie or find a better explanation than "Bad luck dogs you day and night".

The Pearl in The Bottle

So... what you're telling me is that Jack Sparrow, the guy who was able to defeat Hector Barbossa, Davy Jones and Blackbeard thanks to his slyness, and who loves his Black Pearl more than anything else in the world, had said ship in a bottle in his pockets for FIVE YEARS... and he never thought about breaking the bottle to free Her. That's what you're telling me. This is the pivotal point upon which the entire Jack's plot hinges. I... I don't even know what to say. Was this supposed to be funny?

What an Incredibly Lucky Coincidence

A guy needs a treasure to save his father. To find it, he needs the help of a notorious and legendary pirate. He looks for him everywhere, sailing on dozens of ships just so he has the remote chance to stumble across the pirate. The last ship he's been on has sinked, he's the only survivor. He's been found in the middle of the ocean and someone brought him to the nearest city. Which city? I mean, the one that has both the pirate he was looking for and a lady who's the only person in the whole planet who's able to find the treasure he was looking for! And, oh my... he finds the both of them! In that same city! Without even LOOKING FOR THEM! A hell of a coincidence, if you ask me. Also known as lazy writing.

What's Wrong With the Guards?

Now, I know Pirates of the Caribbean isn't exactly known for its accurate historical reconstructions, but why are the guards in this movie acting like they're some sort of hellhounds ready to kill anyone in sight? Even pirates and traitors as Jack and Henry were supposed to stand trial before being sentenced to death. It would've probably been an unjust and barbaric trial, but there should've been one. We literally saw it, in the previous movie. Why's Jack been sentenced to death for simply existing here? He gave pirate vibes and they decided that was enough?

Paul McCartney

This is not an actual point of the analysis, I just wanted to remind people that Paul McCartney is in this movie and that's the only valid reason to watch it.

Salazar

I am confused. Once again, I have questions.

El Matador Del Mar was so good at his job he had almost defeated piracy. "The last ones joined together to try and defeat me". The last what? Pirates? There were no pirates left? This happened when Jack was young, so a lot of time before the first movie, right? Where were, I don't know... Blackbeard? Davy Jones? Barbossa? All the other Pirate Lords? I might be wrong, but I guess Salazar didn't kill them, did he? Why weren't they there during that "last battle" in which "the last ones joined together"?

The Devil's Triangle. I just don't understand what's the logic behind it. So, this is a cursed place. Whoever enters there, can't get out. One would think it means that if you get there, you die; and Salazar does die, but he somehow also becomes a ghost whose only purpose is to find Jack Sparrow and have his revenge. So, do people become ghosts when they get in The Devil's Triangle? We have to assume people have gotten stuck in there before; otherwise, there wouldn't be legends around the place. So why isn't it like full of spirits ready to haunt people? Why are Salazar and his crew the only ones?

Poseidon or Calypso?

What's the Trident of Poseidon? Does Poseidon exist? Isn't Calypso the Goddess of the sea? Breaking the Trident, you break all the curses of the sea, so the Trident must be more powerful than Calypso, which leads to a question. Where is she? She IS the sea, right? So she must have known someone was about to find the Trident and brake all curses, including her one. She just decided it was okay? It really feels like someone decided to suddenly change the world's mythology without giving explanations.

The Compass

This is possibly the most blatant plot hole in the whole saga. Probably the most blatant plot hole I've ever witnessed, and man, I watched all the Harry Potter movies. In Dead Man's Chest, Jack meets Tia Dalma in her "shop" and he tells her he's looking for the Davy Jones' key. She asks him "The compass you bartered from me, it cannot lead you to this?", making another pivotal point of Dead Men Tell No Tales factually senseless.

That man couldn't have given his compass to Jack, because that wasn't his compass.

So either Salazar is lying while telling his tale or they forgot about that line in the second movie. Anyway, let's pretend that line doesn't exist; even if that captain gave Jack his compass in that exact moment, why would it be the key to free Salazar, exactly? How is the compass in any way related to The Devil's Triangle or to Salazar? In the movie, they try to explain it with a sentence: “if you betray it, your greatest fear comes true”. So, is Salazar Jack's greatest fear? I really doesn't seem right, Jack almost didn't remember Salazar when Henry mentioned him. To Jack, he's only a guy he outsmarted decades earlier. Also, Jack technically already gave the compass away, twice: to Elizabeth in Dead Man's Chest, to make her find the chest, and to Beckett in At World's End, when they're negotiating.

That's... That's Just Body Shaming, Mate

Let's talk about her. So, the woman's ugly. It can happen that a woman is ugly. Was it necessary to build an entire scene around some blatant body shaming? This scene wants to mimic the similar scene in Dead Man's Chest: Jack's on an island, running from the main villain, and he's forced to do things he doesn't want to do until someone saves him, then it was Will, now it's Hector.

Except in Dead Man's Chest it was LITERAL CANNIBALISM he was facing, and yet he looked LESS TERRIFIED and DISGUSTED. What's exactly the message here? Lads, is marrying an ugly woman worse than cannibalism? I don't know... that was just bad.

Justice for Hector Barbossa

If you know me (you probably don't, but if you do) then you know about my obsession with Hector Barbossa. I truly believe he's the best written character in the saga, and he's in my top five of the characters I love the most in all media. I watched The Curse of the Black Pearl when I was seven and I am autistic, so I had all the time to develop a literal relationship with these characters in my head. As much as Geoffrey Rush's interpretation was impeccable, as always, it really hurt to watch Hector in this movie. He just doesn't sound like him. First of all, why isn't he on the Queen Anne's Revenge? Why's he letting someone else sail around on his ships? He would've never. Why's he just sitting on a throne and shooting musicians instead of, I don't know... being a pirate? Being a pirate is the only thing that matters to him. He says it at the end of On Stranger Tides, and he even says it in this movie, to the witch. "I'm a pirate. Always will be".

So, why isn't he pirating? What happened to him? And what about the pact with the witch? He made her curse all his enemies; that's honestly the most out-of-character thing he could've done.

Seriously, watch this movie, and then The Curse of the Black Pearl and tell me he sounds like he's the same character. Then there’s his death... was it necessary? And I don't mean if it was necessary to the plot (it wasn't), but the way he died, did it make sense? He takes the sword and sacrifices himself to kill Salazar, but WHY? Salazar was back a mortal. They could've brought him to surface and then shoot him. What was the point of his death, Disney? I will never forgive you.

I would've preferred if they never showed him again. He's alive and living his best life in Tortuga, if you ask me.

How does Carina Smyth exist?

Let's do the math. Carina Smyth has approximately the same age as Henry Turner, who was born around nine moths after the end of At World's End. At the end of that movie, Barbossa once again stole the Black Pearl (he's iconic we stan a legend), so we have to assume it is during that time (between the At World's End and On Stranger Tides) that he conceives Carina. He stays with this woman during the whole pregnancy, bacause he says he was there when she died. So nine months, at least, right? Except; Jack makes it clear that he and Barbossa met Carina's mom, Margaret, together.

When, exactly, did this happen? It can't be between On Stranger Tides and Dead Men Tell No Tales, because Hector himself says only five years passed between the two, and Carina doesn't look like a five-year-old;

it can't be between At World's End and On Stranger Tides, because we know Jack and Barbossa weren't together, and Hector was too busy losing a leg and planning his revenge by working for the King of England; it can't be during At World's End, because Barbossa was too busy rescuing Jack and then slaying (literally and metaphorically) Beckett's men to save piracy; it can't be during Dead Man's Chest, because he was dead; it can't be during The Curse of the Black Pearl, nor during the ten years before it, because he was... he was a skeleton, I hardly believe he could reproduce, despite what’s written in some fanficions; it can't be before, of course, because Carina would be too old. The only chance, but it's a stretch, is that Hector and Jack met this Margaret Smyth years and years before, and that at a certain point (while he was still busy slaying, losing a leg or planning his revenge), for some reason he decided to come back to her and accidentally had a daughter. That would mean that Jack remembered Margaret Smyth's name DECADES after he met her.

The Post-Credit Scene: What?

WHY'S DAVY JONES BACK? The Trident technically broke all the curses of the sea. He is THE cursed man of the sea. AND HE'S DEAD. The only answer I was able to give me, is that the moment the Trident broke the curses, the curse that said if you stab his heart he dies was also broken, so he technically didn't die, but it makes even less sense, because if the curses just aren't real anymore, then a man shouldn't be able to... carve out his heart and put it in a chest, right? (Which by the way, makes Will Turner being alive senseless as well). Even if so, Davy should've come back as a human.

My conclusion is that this movie should not exist, and we, as a community, should pretend it was never made. Hector is alive. Bye.

Imago

[frooogscream]

Post S2 head-canon: Jim is not gonna let Ed keep Izzy

he took away enough from him and Jim won’t let him make Izzy’s death a tragic side note in his and Stedes story. Izzy deserved better, he deserved his own ending, he deserved to be buried at sea to at least in some way stay with his crew, with his found family forever. So at night they row back to the cabin and start digging up the grave.

A few minutes later we hear them shout “¡Madre de Dios! Which of you estúpidos forgot to check for a pulse!!!”

(Jim of ofc adopting Izzy into their polycule,like“Finders, keepers”)😌

[whowantsnachos]

watching x-men: first class is like instant boost of serotonin istg, i love that movie so much (except for the beach divorce, but we don’t talk about that)

[deaththeyamikid]

I don't thing we talk about the fact that Holmes and Watson are BOTH the Youngest Silbing enough

[tama1313]

(HNK spoilers!) I may be biased because Ghost is my favourite but I have a theory why they decided to do that to Cairngorm.

If they only cared for Lapis and projected them over Phos, they didn't have to turn Cairn into Antarct. But they eventually did.

Why?

Well, Phos and Ghost has a lot in common: they both are "outcast" with difficulty at actually socialize (even if in different ways) and they both lose someone they deeply cared (the only gem they could connect with).

Therefore Ghost does not only project Lapis on Phos. They know what's feel ling being through something like this.

Therefore the whole plan to turn Cairn into Antarct in my opinion, was actually more a clumpsy tentative to preserve Phos from any further sorrow and avoid them to suffer like Ghost did (also sweet reminder that is not Ghost's fault if they were born like this and more than once in the manga is hinted that they trust Cairn and evel let them take control over their shared body)

Sure, what Ghost did was wrong but hey! We are in HNK, not in a Disney movie

This manga is full of morally gray characters with ambiguos morality (our beloved protagonist too) which's action are way worse than theirs, and yet I see Ghost getting a lot of hate

[hoperays-song]

Stan And Barry After The Failed Heist

So, we know how Marcus reacted to Johnny not showing up at the heist, but you know who’s reactions we didn’t see? Stan and Barry’s. Two people who were equally affected by Johnny’s actions. And what’s more, the bit of them that we see after the heist don’t seem mad at Johnny in the slightest, in fact, they willingly ignore Marcus in order to continue watching Johnny’s performance, supporting him from afar.

From the bits of their personalities we can see in the two movies, Stan and Barry are clearly very different from each other. In fact, personality wise at least, Stan acts more like Marcus, with a lot of energy and and an overall confidence. In comparison, Barry acts more like Johnny, both being quieter and seeming to keep their cards closer to their chests. They both act like Marcus’s brothers, but they clearly side with Johnny after the heist. Why?

Well, it’s strongly hinted that they’ve been there for most of Johnny’s life, judging by both their and his comfortability with each other. They are his uncles, even if they aren’t blood related. They watched him grow up. They’ve been there for him. So when Johnny wasn’t there at the end of the heist, I think their reactions (and Marcus’s) probably wouldn’t be betrayal, but worry. Had something happened? Was Johnny hurt? Had he already been arrested?

So, you know what I want? I want a scene of Marcus coming back from visitation early to a very worried Stan and Barry who were expecting the worst. I want to see the yelling match that would have immediately occurred the moment Barry found out what Marcus said to his nephew. I want to see Stan having to separate the two but clearly siding with Barry. I want to see Barry calling Johnny from the prison phone just to make sure he’s ok and that he knows that his uncles are in his corner and being told all about the talent competition. I want to see the two giving Marcus the silent treatment until he and Johnny reconcile. They have Johnny’s back no matter what.

They are his uncles and love him dearly. They were watching his performance and cheering him on even though he’s technically the reason they were currently in jail. Why? Because I think they came to the same conclusion: This was bound to happen eventually. They were gonna be caught one day. And Johnny is a kid. He deserves better than this. It’s not his fault.

[moobrvoobl-moobmoob-oobmpoobroom]

I wanna know more about this doctor Hemlock guy. he and Nala Se seem to have history and I want it unpacked 🧐

also, if we go into a cheap ‘Nala Se actually really cares about Omega as a human person and a child’ I will personally run to Dave Filoni’s house and hit him with a broom before tying him to a chair so he can rewatch the Fives chip arc

[magnus-the-maqnificent]

Alec, blushing: I’m gay

Alec after 1 week of dating Magnus: babe, we should try this.

Rsom Alec dropping “hints” to Magnus be like-

[theirondragonrants]

I have very few unshakable convictions about the Targaryen family (that's a lie, I have many) BUT my main 2 are:

1. Every baby named Aegon after the conqueror carries bad juju. The uncrowded, the II and the III with the dance, Aegon IV being a shitty shitty man, the Vth and Summerhall.

2. The name Visenya was SO cursed after Rhaenyra that no one else ever used it again and there's good reason for that. IT'S CURSED TOO.

The OG Aegon and Visenya cursed their names and you can't convince me otherwise

[slvttyplum]

banner: @roseschoices divider: @cafekitsune

choso never really got mad, he didn't feel the need to get all up in arms about things he couldn't t control, the only thing he could do was control his own emotions and that's what he did most of the time.

growing up with brothers aren't easy, they turn you over, rat you out, get you in trouble, everything under the sun, so choso was used to teasing and rough play, but what he wasn't used to was seeing you practically naked trying to go out the house.

his blood didn't immediately boil at the sight, he tried to stay calm of course and question the situation, like why the fuck his partner was walking out of the house with a bikini top and shorts that barely covered the bottom of your ass.

“oh! im just having a beach day with my friends.” the innocent smile on your face convinced him that you weren't aware that your outfit wasn't necessarily appropriate to wear, so he didn't shoot you down too quick and instead put the same smile on his face.

“is that right? i didn't know. do you have a cover-up?” trying to slide in the subliminal quickly and smoothly, but once he heard your answer, his blood ran over and told you to please change your outfit.

“i… choso i just got this outfit.” those words sliding into his ears and sliding right out, he couldn't give one fuck. normally he wouldn't care what you wore, but that right there was a no no. you're going on a day trip with your friends without him wearing that, whose attention were you trying to get?

there was no need for him to keep trying to explain to you why you shouldn't even be wearing that outfit in the first place, but his dick thought otherwise, a prime example as to why you shouldn't be wearing it.

if it can happen to him, it can happen to anyone else.

“go change.” his jaw clenching and his arms folded as he stares you down, waiting for you to budge or break down, giving up and go change.”

“no, bye.” you slide on one flip-flops before choso walks closer to you, grabbing you by the waist and bending down and leaning closer to your ear.

“go change for me. don't be difficult.” his breath warm and sliding over your ear then neck, almost making you collapse, but you had to hold your own.

“no.” with that final no, choso picks you up and puts you over his shoulder. it was over for you, when he walked to the bedroom and tossed you on the bed, you knew you weren't making it to the beach.

choso stripped your shorts off revealing a bikini and not even five minutes later, the both of you were naked, and you were on all fours arched with your head against the pillow and chosos dick sliding in and out of you.

moans falling out of your mouth as his body clashes with yours and his hands roam your body, sending chills and then tingles shortly after. your eyes rolling up to the top of your eyelid and your body jolting every time he hit your sweet spot, the overwhelming pleasure was too much for you to handle.

your hands try to grip the sheet, but choso puts his hands over yours, balls them into a fist and puts them behind your back.

choso couldn't stop fucking you. the thought of someone else seeing you in that outfit made him upset, his blood boiling, turning into arousal.

he fucked you into the early morning. that day forward you never wore anything to piss him off, or maybe you did, getting fucked by an angry choso was painfully hot.

[joulex]

Some of my random pjo headcanons

-piper is a graphic liner girly, you cant convince me otherwise. She will try some creative designs and experiment with colors. If you want to have a perfect liquid eyeliner, shes the one to go to. However, she cannot do eyeshadow.

-jason gifted piper a necklace with a bolt and piper gifted jason a bracelet with a heart. They did this while they were dating so that no matter what happenned to them, they will know that what they have was real and not made up. After jasons death piper refuses to take the necklace off and always wears it in his memory.(this is cheessy as fuck but i did it in my drawing and now this is my thought process)

-if an aphrodite kid is charmspeaking, their eyes will turn sighlty pink, or like have a subtle glint in their eyes.

-thalia also does make up, but very very out there, heavy eyeliner, black eyeshadow, the opposite of subtle. She also is the go to person to give you piercings. She did most of the one she has herself

-percy is the type of guy to have a disposable camera and just take photos of everything(annabeth) and make a photo album

-rachel makes jewelery, mostly rings and charm bracelets

-frank has a very active letterboxd account. He loves wes anderson and his four favorite movies are grand hotel budapest, how to train your dragon, knives out and spiderman into the spiderverse.

-in adition to this he goes on and on about movies and the cinematography and hazel loves to hear him rant about it.

-hazel is the best at finding the perfect seats to a concert. Shes the one fighting for her life in the front lines to get the best seats and somehow she always does.

-grover is an excellent cook. Whatever you want, he can make it. Also, he bakes something for everyone of percys birthdays, trying different things each year.

Thats all for now

[yanderenightmare]

TW: nsfw, noncon, poverty & debt, gun violence, organized crime, death threats, arranged marriage

fem reader

Thinking about owing the mob…

Not you specifically, but your family – debt you weren’t aware of before you’re being cashed in to settle it.

You imagined several terrible things before the arrangement was explained to you. 

One of the sons needs a wife with a clean reputation. 

It’s a simple equation. You’re eligible, and he isn’t picky.

And though it leaves you in mourning for a life yet lived, it still comes with a sense of relief. It’s one of the better deals you could’ve gotten. At least you wouldn’t need to witness or partake in any crimes, nor act as a scapegoat for the likes either.

Besides… though you’ve yet to meet your fiancé, you’ve been explained that he only plans on treating you like a wife on and for the camera – that his tastes otherwise lie in the gentlemen’s lounge. 

All you ever have to do is smile. He isn’t interested in anything else.

That’s what you were told, and yet…

“It’s funny.” Your husband says after the wedding ceremony. 

You’re back at the mansion you’re meant to call home. The grounds are about twice the size of the block you come from. Marble, gold, and diamonds – it’s so outrageously excessive it’s shameless. 

“I was told your brothers run routes for us to make ends meet.” He continues, looking at you and the expression on your face as you stare up at the chandelier – it’s clear you’ve never seen anything like it. “Fuck, I mean, I can’t imagine risking my life and still end up needing to pick between food or rent at the end of the day.”

Your gaze falls down to him at that. 

Clad in lush wedding expense – white gown and silver tiara – you still stick out like a sore thumb. Something in the way it wears you and not the other way around. It’s obvious you’re uncomfortable with it all. It’s probably worth more than your family's ever owned.

He steps closer with a chuckle.

“Then, the poor suckers go and fuck up so bad they end up needing to sell their own sister.”

He spots your fists ball at your sides. But you keep your cool. Only a slight grimace curling your lips along a tiny furrow between your brows. It all smoothens into something else when he reaches out to grab your chin.

“What’s even more funny…” He tilts your face in his hand – jaded eyes assessing you like he’s found a coin on the ground. “You don’t look like street trash like I expected.”

Your frown returns, and you try pulling back – but he grabs your arm before you can.

Tsking, “Ah-ah – Remember,” His smile sharpens. “You’re property now. When I touch you, you let it happen.”

You weren’t that easily convinced. He bet you’ve had to fight off a lot of unwanted attention back where you come from. But he isn’t some back-alley thug. When he wants something, he expects it not only to be served on a silver platter but to be hand-fed to him with a silver spoon.

He pulls the gun out from behind him. Slotted in the band of his dress trousers, it had stayed hidden beneath the coverage of his suit jacket during the ceremony.

Your throat dries up, and any protests you had died of thirst along with it – eyes wide as you stare at the piece.

You can’t believe he’d carry that thing into a church with vows upon his lips – now pointing it at the very same wife he’d made those vows to. 

“Make me spend a single bullet, and your family will share the rest.” He taps the barrel’s mouth against the quiver of your lips. “I’d rather not it come to that. It’ll ruin the carpet…”  

You quiver, feeling weak with a shudder – your eyes slip closed with a shivering tear.

“Not to mention this…” He strokes the pitiful droplet off your cheek with the weapon while eyeing the way you quake with grinning eyes. “Pretty little body I’ve only just acquired.” 

BNHA – Dabi

JJK – Sukuna, Geto, Gojo, Naoya, Toji

BLLK – Reo

HxH – Illumi

[hedgehog-moss]

Here are 7 little facts about my donkey and how his summer is going :)

1. I received an anon the other day asking if Pirou was still a working donkey who carries my firewood for me, and the answer is yes. I've been cutting some branches from the big cherry tree that fell down the other day, and Pirlouit has been valiantly carrying them to the woodshed—fun fact, for this activity he likes to wear his ears like this:

Probably because this T position is reminiscent of Jesus' sacrifice on the cross, which is how Pirlouit perceives himself as he carries heavy logs for me. He's willing, but his martyrdom should be acknowledged.

Here's Poldine acknowledging it with a nose kiss, because Poldine.

I stopped so they could have their little chat.

2. Pirou has been chatting with a lot of new friends lately—we met these horses on a walk and he was so happy to stop and touch noses with them while making equid noises. Llamas are good with the nose-touching but their llama noises are just less interesting to Pirlouit. He had such interested ears here! "Finally a serious grown-up conversation"

We also met this goose during the same walk and Pirlouit was a lot less eager to go say hi to her. The goose was yelling threats at us and we prudently stayed away, and Pirou was clearly thinking "this bird is doing a better job at protecting her home from intruders than Pandolf ever could" (it's true, Pan assumes intruders are friends until proven otherwise)

3. You'll notice that there are houses in this pic! Our walks got longer and longer until one day we went all the way to the village (it took 1 hour 20min at Pirlouit's leisurely pace). I was so proud of him. I've been trying to convince my friends to go to the village on donkeyback (this requires two people, because you can ride Pirlouit but you can't tell him where to go unless there's someone holding his rope and leading the way)—my friends were reluctant because they still sort of perceive Pirou as the feral animal terrified of everything that he was when I got him. They know he's made a lot of progress but going to town on donkeyback still seemed foolhardy.

So we've been riding Pirlouit in the woods, in familiar environments, and we also went to town with him but without riding him. He was amazingly calm and brave! There's a river that cuts the village in two and the first time we went, we stopped before the bridge, since it's pretty narrow and cars would have to drive very close to Pirlouit, we didn't want to risk it. We just went to say hi to the librarian who lives on the right side of the river, but since Pirlouit was very serene, we did cross the bridge the second time.

He did not care at all about cars driving very close to him (he had one familiar human on either side of him and the drivers were very considerate and went slowly), which emboldened us to stop for a drink on the terrace of the coffeeshop on main street (< also a narrow street with cars driving by quite close to Pirlouit). There was just no problem at all, Pirou let total strangers rub his forehead and was more interested in iced tea than main street traffic.

It was a hot day and we gave him all the ice cubes from our drinks and he chewed them enthusiastically.

4. We made a stop at the pharmacy on our way home because we had another 1 hour 20min walk ahead and I had a blister, and the pharmacist noticed my donkey parked outside his shop and in a determined tone he said, "I want to try something." He took one of the donkey milk soaps from the overpriced-Provence-soaps-for-tourists display and opened the door and offered it for Pirlouit to sniff.

... I'm not sure what he was expecting—for my donkey to go "ohhh this smells like Mother's milk and aloe vera 🥺"—but unfortunately nothing happened.

(4. bis—Sorry, this 4th fact was anticlimactic.)

5. Pirlouit is now the proud owner of a surcingle. Not for equestrian vaulting and not for his log-carrying job because I don't know if it would be solid enough for the weight of a bag full of logs, but I'd like to tie bags or baskets to it to take Pirlouit grocery shopping, now that I know he's okay with going to town :) He even seems to enjoy the adventure, and the attention he gets from children.

And actually I shouldn't write off equestrian vaulting because Pirou is also remarkably chill with weird things happening on his back. I used to be very careful to climb on his back in a quick & fluid way so he wouldn't spook (because he used to! a butterfly flapping its wings in Brazil used to spook him!) but now that my friends are riding him I can confirm we've reached a point where you can climb on Pirlouit's back in any way you want and he'll just be like "...... sure"

6. I almost forgot to mention that Pirou turned 15 last month, according to his ID papers :) Donkeys have a longer life expectancy than horses, they can live 30-40 years on average so he's still a young lad really. Happy 15th birthday Pirlouit :)

7. I wanted to conclude with a nice aesthetic pic of Pirou's shadow on the road during all those walks, like I did with Poldine, but unfortunately donkey shadows do not have the chic je-ne-sais-quoi of llama shadows. Pirlouit looks like a hammerhead shark wearing a tiny fez and that's not his fault.

[teaboot]

While I'm happy that the word "gaslighting" is more known than it used to be, and that people at large are learning to recognize what it looks like, I feel like we need to be careful not to turn it into something soft and casual we throw around off the cuff without meaning.

Being gaslit is psychological abuse that fucks you up very badly, very slowly, at such a gradual pace that you don't usually know it's happening until it's already re-wired your brain.

If you're unfamiliar with the term, "to gaslight" is to intentionally persuade someone that they cannot trust their own perceptions of reality. It's a destabilizing form of manipulation that leaves you constantly anxious, off-balanced, confused, and dependant on others.

This is done by lying about events that have happened or about things that are happening, invalidating feelings and observations, and either denying, refusing to acknowledge, or deflecting away from hard facts.

As someone who has experienced gaslighting as a form of abuse, this is what I remember from when I didn't know anything was off:

"Oh, I must have forgotten what really happened."

"I'm just not seeing it from their point of view."

"Everyone has their ups and downs. This is normal."

"I guess I wasn't thinking about what I was doing."

"I must have been wrong."

This is what I remember from when I first started realizing something was weird:

"How come every time I'm convinced they did something wrong, they just talk to me a few minutes, and I end up asking for their forgiveness? What has me so convinced I was right in the first moment?"

"I should start writing things down when they happen, so I can go back and check later when I'm confused."

"If every relationship like ours (familial, romantic, platonic) works this way, how come I never hear about it, or read about it, or see it anywhere else?"

Getting out and adjusting to the real world is hard, too, and comes with rapid swings of unfounded guilt, shame, fear, anxiety, and self-deprication that are completely unfounded in reality.

You've been conditioned to believe that you are entirely helpless and unable to think for yourself, possibly "crazy" or otherwise fundamentally impaired, and that there is a singular source of guidance that knows exactly what is right, and all of a sudden that pillar of support has vanished.

The immediate "after" that I recall looks like:

Constant uncertainty. Because nobody is there to tell you what's real and what isn't, you approach every situation thinking at it from all angles. Every question has fifty possible answers and most of them are wrong and you don't know which. If you choose wrong, the world will end.

A sense of helplessness. You feel that nothing you do is correct, and it's easier to make no choices at all- or you make wild, reckless, impulsive choices, because you feel you have nothing to lose.

Memory loss. I don't understand this one, but it's not like memoriescare being erased, but more like... you're so used to treating your memories as dreams or imaginations that you reflexively dismiss anything you recall as fake, and you can't believe anything you recall because you don't think it was real. Your abusers voice is in your head, wiping things away and telling you that you did the wrong thing. And you believe them, because they're the only constant you can rely on.

Missing the abuser, or the abusive dynamic. Because you know now that it wasn't healthy, but at least you knew where you stood. As long as you said the right things and acted the right way, agreed and obeyed and did as they expected, you felt like thevworld made sense. Now you have to figure out which parts of you really are broken, and which parts are working fine in a really weird way, and it's like tuning a piano when you've never played one before.

The long term "after"- for which I can only speak for myself- looks like:

Having to double-check, triple-check, and continue checking hard evidence of an event before responding in an active way.

Consulting with trusted friends to verify that your observations are legitimate and that your perceptions are valid. Following up with them to see if someone is really angry at you, or if you're just projecting anger onto them because it's what makes sense to your old pattern.

Obsessive collection of "evidence"- saving pictures, writing detailed journals, making recordings and video, never deleting emails or old texts, because you still don't quite trust yourself all the way and you're afraid that someone will cause you to doubt yourself again.

Continued self-doubt and being "gullible": I have straight up seen people flip me off to my face in front of witnesses and then immediately tell me, "No, I was just waving", and my first instinct is to believe them. For a few seconds, I *really do* believe them. Your brain is so trained to latch onto what people tell you to believe that its really, really hard to hold onto information that you already have.

Learning to take ownership over your own actions. (I didn't mess up because I'm "crazy", I messed up because I'm a person and people do that.)

Instinctively seeking approval. (Takes a lot of work to remind myself that I don't exit to make people happy, and that some people suck ass, and I can tell them to piss off.)

I don't intend to invalidate anyone currently struggling with this- if you feel that something is wrong, it probably is. That's the thought that got me out. Trust that feeling that something isn't right.

I just want people who don't know what to look for to know what gaslighting *actually* looks and feels like, so they don't just roll their eyes and think, "Oh, that word doesnt apply to me- I'm not some snowflake".

('Cause we all saw what happened with "triggered", right?)

[inafever]

On how much Aziraphale has learned since season one:

This is about character development. Inside of a story, everything that happens, happens for a reason. It's meant to tell you something, to teach you or the character of your story, something.

So if the story continues and your character repeats the same mistakes again you know that they are bound to be doomed this time, and even worse the audience is going to certainly lose respect for them, cause they have made the same mistake twice, they haven't learned anything, they're gonna do it again another time, they don't deserve a happy ending. (yes I'm talking about good omens here) So you don't do that to a character that matters to you and you respect even the tiniest bit.

A Lot of us here are thinking that this is what has happened to Aziraphale's character at the end of season two, that he has done it again, repeated the same mistake again and has left Crowley to join heaven and it's been because of reasons like wanting to change Crowley (not true, see this post), still believing in heaven's goodness (not true at all), not being on the same page with Crowley (I'm gonna talk about this one especially in this post) and such likes. But these are the things he should've known better about after 6000 years and all the events that we've learnt about especially throughout season two. (It seems to be rather the whole point doesn't it?)

But we all seem to rather believe that he's made that mistake again nonetheless. so what we're doing here is trying to find reasons to justify the mistake and somehow make the reason behind the wrong actions something relatable to ourselves so we can forgive him when the time comes.

In fact I don't believe that he's made a mistake. for Aziraphale's character to be redeemable, what he has done, must be the only option that he's had for saving them both. I don't care what kind of situation could have resulted in him making this decision, but the only reason, the one and only reason, must be his love for Crowley. Otherwise it'll prove that he hasn't learnt his lessons or doesn't love Crowley enough to make a compromise, and in both cases, he's not worthy of love. He won't earn his happy ending by being tortured and feeling sorry and doing the apology dance for Crowley if he's hurt Crowley out of selfishness and stupidity again

But I'm sure he'll earn his happy ending and I'm sure he's learnt his lessons and it's too late for him to have unlearned them all in a matter of a few seconds. (He is an idiot but he's not stupid) and it's mostly because of this, that I believe the reason why he made that decision, must be very different from what it appears to be on the surface.

Anyway, this post is about what Aziraphale has learned and how he's changed.

I have made a post about their moments of conflict from both season one and two, it's here and you can look it up. This is where you begin to understand how Aziraphale has changed since season one because these are his dialogues after he's had a fight with Crowley in the bandstand, season one:

"even if I did know where the antichrist was I wouldn't tell you we're on opposite sides"

"friends? We're not friends. We are an angel and a demon. We have nothing whatsoever in common. I don't even like you"

"there is no our side Crowley. Not anymore. It's over"

And then there's season two, when they disagree on what to do with Gabriel, Aziraphale is the one to point out that they both rely on the life they've built together

He's asking him to help him take care of Gabriel together and in response Crowley leaves

In the final scene he asks Crowley to come back to heaven

"work with me" "We can be together as Angels, Doing good" "I need you."

He says anything he can think of literally to convince him to stay with him and it doesn't work

We start from "we're not friends" and arrive at "work with me. we can be together"

Even if we don't know the reason why he's insisting on taking Crowley back to heaven with him, this is an Angel that has picked up the pace. That wants them to be an us. No matter what.

But these are only a few dialogues. I think there's more than that. I think the show in five and a half episodes (out of six) has tried its hardest to make the point quite clear about how Aziraphale feels about Crowley (or how strongly he feels those emotions). all through the way he looks at him and through his gestures and soft touches from time to time

I'm gonna make another post of those moments separately and I'm gonna link it to this when I do.

update: (here's the post. not just average moments of Aziraphale looking cute, it's something about the way he looks at him)

And I'd like to even compare those wishful glances to some of those from season one, but I can't, cause they are nonexistent in there.