Do you guys think that Sonic has scars?
Not like Tails’, definitely not like those. Tails’ scars are from ripping fur, burning flesh, badly healed broken bones, deep cuts, and stuff he doesn’t even remember, from before he even met Sonic and started fighting Eggman. So many scars. He’s covered in them, his fur hides them, so he’s lucky that his tails are the fluffiest part of him, that’s where he has the most scars, hes not exactly ashamed of his scars, they show what he’s survived, they show that he came through all that. But still, most of them are a painful reminder that he had to survive, not live, survive.
Now Sonic… Sonic has very few scars, almost none of them from fights or Eggman encounters, his dumb bots couldn’t ever dream of hurting him, he was way too fast for that, way too strong. So they’re not from those fights, no, they’re from something completely different.
All the baby fox fangs marks in his hands, all the deep scratches from tiny little claws in his chest and the back of his arms, all the little cuts close to his face, all of them.
Sonic is proud of those scars.
He’s proud of those scars, because each and every of those scars are a reminder that he baby fox that caused them survived, because every time Sonic bled because of that kid, it was worth it.
Because he tried to bathe him when he was more blood and mud than fur. Because he forced him to take medicine when he was sick. Because he hugged him every time he had a nightmare and wouldn’t wake up even if it meant he would instinctively try to hurt him in the process. Because he held him and didn’t let go even when he felt tiny claws digging and ripping in his skin.
Those scars meant his little brother still wanted to survive. Those scars meant Sonic did everything to make sure he would live.
He’s proud of those scars.
290 notes
·
View notes
Ink why would you hurt the bad sans like that?? What happened to your kind, caring soul? Oh wait that's right.... you don't have one, and you never will.
Blue: —
Ink: pfft, damn, ok…
Blue: NO! THAT IS NOT AN OKAY THING TO SAY TO ANYBODY! I UNDERSTAND YOU ARE UPSET, BUT YOU SHOULD KNOW THAT INK FREQUENTLY USES HIGH AMOUNTS OF FORCE TO COMPENSATE FOR HIS INABILITY TO DEAL DAMAGE! THIS IS SOMETHING THAT HAPPENS, AND AS FIGHTING NIGHTMARE'S GANG IS A COMMON OCCURANCE, THEM SUSTAINING BAD INJURIES IS BOUND TO HAPPEN!
Blue: (I WILL NOT SIT BY, IDLE, AS YOU INSULT MY FRIENDS)
Blue: . . .
Ink: . . .
(awkward silence)
174 notes
·
View notes
Once again, it's not parasocial to feel a genuine disappointment that someone you like and looked up to turned out to be a terrible person.
It is a little parasocial to try to defend him, though.
56 notes
·
View notes
As someone who’s done bereavement care for almost 20 years, I’ve observed again and again and again that it is not staying with grief that cuts us off from other people, it’s suffocating grief and suppressing grief. It’s impossible to repress grief without also repressing all sorts of other things like joy and memory. Actually, expressing grief naturally connects us empathetically to other people. It is not an accident that right now when there is such a profound suppression of global grief, we’re also finding ourselves in a moment of such isolation.
Rabbi Elliot Kukla, in them magazine
I sought out this piece because Rabbi Kukla was quoted in today's sermon in reference to the ongoing genocide in Gaza ("It is lifesaving to mourn our humanity in inhumane times").
But this paragraph about grief hit me so hard I wanted to single it out to share. It is relevant to corporate grief of the sort we might experience when a state is doing harm in our name (police brutality, displacement, execution). It is also relevant to individual griefs.
In the bereavement calls I do for hospice, I have noticed, this is precisely what gets people stuck in grief: the feeling that there is no safe space and time to express grief. Companies tend to give very little accommodation for bereavement, if they give any at all. Culturally we're expected to get over losses in a matter of days. But grief rewires us, and some losses-- particularly losses like war, displacement, and police brutality where a state or institution does the same kind of harm repeatedly-- are complex and ongoing.
Grief impacts sleeping, eating, executive function. (I don't ask people in bereavement calls, "How are you doing?" I ask, "How are you sleeping?" "How's your appetite?" Maybe "Are there moments from your caregiving, or from your [loved one's] dying, that keep coming up for you?" Because of course you're not fine! You just lost someone essential to you. What I want to know is, is your body getting a chance to repair itself as your mind and heart process what you've experienced?)
People have talked to me after a loss about feeling exhausted and overwhelmed by daily life. It's not unlike recovering from a major injury and having a sizable portion of your bandwidth given over at all times to the tasks of bone, muscle, and nerve repair that are not under your conscious control. When tasks you're used to thinking of as having one part suddenly make it clear how complex they are? Cooking a meal takes more out of you. Doing a load of laundry takes more out of you. If you're already an introvert, the cost of social engagement goes up, at a time when social engagement might actually be very helpful.
Doing some of our grief work with other trusted people shares the load. It recovers some bandwidth. But many folks learn early in the grieving process that they have fewer trusted people than they thought. Or that it feels like the wrong time to deepen an acquaintanceship they'd hoped might become a friendship. Or that they aren't as comfortable asking loved ones for help as they thought they would be.
And the bereavement model I'm trained in assumes that a grieving person has experienced one recent loss. We know that a recent loss might poke us in the tender spots left by earlier losses. But that's still different from the experience of a tragedy that affects a whole community at once (as in an entire region's population losing multiple loved ones in a very short time and being forced to flee).
I don't really have a conclusion here, but I'm finding the activism that feels most healing and hope-filled to me has lament built into it: a chance to name the people who've died in our county's jail, while advocating for better communication with families of people inside. A chance to call out the names of people lost to covid while advocating for policies that will mitigate risk to vulnerable people.
Maybe it takes days to name all the people impacted by ongoing genocides in Congo, Palestine, Yemen, while urging our government to end its role in those genocides. Maybe our systems and structures, which aren't even good at honoring our grief for members of the nuclear family we're taught is our primary world, are disinclined to give us that time. Maybe we ought to take it anyway.
106 notes
·
View notes
So I never watched Dead Boy Detectives but I know people who did and if you did and you really want to stick it to Netflix and get them to bring it back then this is the foolproof way to do it.
Cancel your Netflix subscription.
Cancel your Netflix subscription and send them an email telling them why you canceled it. Because they always do this. They always cancel good shows after one season because a second season of an old show isn't going to draw in as many people as a first season of a new show. Complaining about it on the internet, if it does anything, isn't going to go as far as taking away their money.
If you hate 8 episode seasons, if you hate one season long shows, if you hate what a streaming service does, then show them. Stop paying them to disappoint you. Cancel your Netflix.
35 notes
·
View notes
putting this all under a readmore and not tagging i just wanted to put my thoughts down somewhere .. talking about marius and his fans & tw for mentioning csa / sa
personally. i understand that the marius/armand relationship has been a popular part of the book series for decades and it's fictional and yes i get it. but. i dont understand those fans who encounter people who find it purely horrifying or upsetting and then get mad at them for it. just because of how it's framed in the books as a beautiful gothic love story (filtered through both the author's intention & the skewed perspectives of the two characters involved in it) doesn't mean EVERYONE has to romanticise it and it's only babies or idiots or show only fans who "can't handle gothic fiction".
and then the people who try to convince everyone marius is armand's saviour who only ever treated him with love and kindness really confuse me. like, is it a wholesome relationship built on mutual love? or is it abusive and awful AND loving and caring at the same time? aren't the people who deny marius did anything wrong to armand really the ones who can't stomach enjoying gothic romances and have to twist it into something else?
it's a story of a fully grown man, a millenia old vampire, rescuing a teenager from sex slavery by purchasing him for himself, renaming him, showering him with affection, sexually abusing him, genuinely loving him, treating him like a child and an adult and student and son and lover all at the same time, making his entire world revolve around his master, punishing him emotionally and eventually physically whenever he gets too clingy or aggressive. and it's all done, not under just the 'guise' of love, but from a place of genuine love, and that's how both characters see it. it's entirely damaging and fucked up and the aftereffects of it on armand's mind and sense of self are present for centuries, compounded by everything else he went through. he still draws both comfort and pain from thinking about his past now and even tries to partially recreate the dynamic with someone else both in the book (with daniel, armand taking the role of the master; and keeping young 'mortal slaves' for a time) and in the show (with louis, armand taking the role of the slave)
it is a super fucked up relationship & i'm not one of those people who thinks you shouldn't be allowed to enjoy those in fiction. there's a lot of them that appeal to me obviously, and of course everyone has their own boundaries when it comes to that too. AND i know it's not all marius fans or even all marius/armand fans. i literally don't care what people like in fiction and i think we should all just mind our own business honestly
but it's the people who act like they're the only ones who get that it's just a tragic beautiful romance, that nobody else can read apparently, that 'marius haters' are just looking for things to be mad at that make me go ???????
24 notes
·
View notes
Thank you for writing the (messy but neccessary) farcille breakdown. You handled it so wonderfully aaaaaaaah!! Like the other anon I was wondering how far "rock bottom" could get (because chapter 4 already felt pretty rock bottom) but. Yeah. That's pretty rock bottom, huh. The tragedy of loving someone but the other person not understanding <- this applies to both of them.
I think it was really neat how you flipped the question on who's reaching out to who with the academy flashback and the final scene with Namari, because... Marcille clinging onto Falin really is just a reversal of their academy days, isn't it? To everyone who met them after they reunited, it was always Marcille chasing after Falin, but to those who were at the magic academy, it was Falin chasing after Marcille. From picking flowers and berries to eat together, inviting Marcille out to see a play, and generally monopolizing her free time... I'm sure any of them would say the same thing as Namari, but in reverse. No wonder everyone thinks Marcille is just another friend to Falin. They weren't there to witness her pining /j. Idk!! I was rereading the chapter and the academy flashback girl was like "why do you hang off of Marcille so much" and I screamed to myself, "hey wait. HEY WAIT."
35 notes
·
View notes