#Visual Storytelling with Props
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doink · 2 years ago
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Crafting Cinematic Magic: Making a Green Screen Prop Video with the DoInk App
Welcome to the realm of creative possibilities! In this blog post, we'll guide you through the exciting process of making a captivating Green Screen Prop Video using the DoInk app. Whether you're a teacher bringing lessons to life or a content creator looking to add a touch of magic to your videos, this step-by-step guide is your ticket to creating immersive and visually stunning animated prop videos.
What You'll Learn:
Introduction to Green Screen Prop Videos
Choosing the right props for your video
Setting up your green screen video with Animated Props
Importing and positioning your props in DoInk
Adding animations and effects for extra flair
Tips for seamless integration and realistic interactions
Real-world examples and creative applications
Elevate your video projects with Green Screen Prop Magic
Join us on this creative adventure as we demystify the art of crafting Green Screen Prop Videos with the DoInk app. Don't forget to like, subscribe, and hit the notification bell to stay updated on our latest tutorials. Let's dive into the magical world of prop videos together!
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oak-sketch · 8 months ago
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more inktober trinkets!!
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artstationable · 18 days ago
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Hue Teo • "Magical Prop Designs"
Go to www.visign.com
artstation linkedin facebook instagram snowylizard
More from «Artstation» here
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illusionremember · 6 months ago
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Laptops & water bottles are also under utilized as character design ngl. Like where are they're stickers that tell me what their interests and passions are?? Or taking it further - bumper stickers, fridge magnets, and keychains! Why is everyone's phone & laptop wallpaper/lockscreen either pictures of their kids or significant other, or the *default* bg?
you know what i don't see much? cell phone cases as part of character design. in tv, books, movies, you see people using a cell phone, but they're always impersonal.
i look at my chunky padded sparkly pink wallet phone case, and i know it says a lot about the person i am.
(assumed girlyness, probably extrovert, clumsy and too poor to risk that phone, doesn't want to track a wallet plus a cell phone, and the phone loop says she reads a lot of fics on ao3.)
also, you can say a lot about people without cell phone cases. (rich psycopaths that deny gravity)
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luckyroll3 · 12 days ago
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Picture Perfect
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Summary: After experiencing loads of chemistry with Chan during a magazine photoshoot, your insomnia leads to a chance encounter with him late night at the hotel pool that turns into an intimate one-on-one private photography session.
Chan x Reader (f); Smut; Fluff
Warnings: This work of fiction is intended for 18+ audiences only. Includes explicit sexual content, graphic language, etc. Author chooses to not extensively tag in order to preserve some elements of storytelling.
Word Count: 15,451
You arrive at the studio two hours before the scheduled shoot, the weight of your camera bag a familiar comfort against your hip. The space smells of cleaner and expensive equipment, a scent you've come to associate with the peculiar blend of anxiety and control that defines your work. Your footsteps echo across the polished concrete floor as you flick on the industrial lights, transforming the cavernous room from shadow to clinical brightness. Today’s subjects are from Stray Kids; they’re a global sensation, eight impossibly photogenic men. 
This is huge for you and you refuse to be anything less than impeccable.
The studio assistant has already arranged the sets according to your specifications, but you double-check everything anyway. Your reputation for perfectionism precedes you in the industry; it's how you landed this high-profile job in the first place. You adjust a reflector panel by two inches, tweaking the angle until the light bounces exactly right. Not harsh, not flat. Perfect.
You examine the concept boards propped on sleek easels with minimalist black frames housing images of striking contrasts and bold silhouettes. The brief called for "raw authenticity with polish," whatever the hell that means. But you understand the visual language behind the marketing jargon. These men need to look accessible yet untouchable, human yet godlike. The contradiction that sells.
Crouching beside your primary camera, you check the settings for the ninth time. Your fingers dance across the dials with practiced precision, muscle memory taking over as you mentally run through your shot list. Background music flows through hidden speakers; something ambient and unobtrusive, selected to create the illusion of calm in a space that will soon vibrate with heightened energy.
"Checking the histogram?" asks your assistant, materializing with a clipboard and a coffee that's more cream than caffeine.
"Always." You straighten up, rolling your shoulders to release the tension gathering there. "Did the stylist confirm the wardrobe arrived?"
Before she can answer, the atmosphere shifts. The front door swings open, and suddenly the air in the room feels electrified. You hear them before you see them; laughter, rapid-fire Korean interspersed with English, the unmistakable sound of a group that shares years of inside jokes and comfortable chaos.
Stray Kids spill into the studio like paint splashing onto canvas; They are vibrant, impossible to ignore, instantly transforming the space. Your eyes dart from face to face, mentally matching them to the brief profiles you'd studied. The tall one with the intense gaze must be Hyunjin. The one with the angelic features and impossibly deep voice has to be Felix. The one joking loudly and making exaggerated hand gestures is probably Changbin.
While your assistant scurries to greet them formally, you hang back, observing. It's part of your process, watching subjects before they know they're being watched often reveals the most authentic versions of themselves. The group moves like a single organism with eight distinct personalities, a choreography of friendship that speaks of a long-term shared experience.
And then, separated slightly from the playful chaos, your eyes lock with his. Bang Chan. The leader. You'd recognize those dimples anywhere, those intelligent eyes that seem to register everything at once. While the others are still shrugging off jackets and exclaiming over the studio setup, he approaches you directly, purposeful and present.
"Good morning," he says simply, extending his hand. His voice carries a hint of Australia in the vowels, a warmth that seems both professional and personal. "You must be our photographer for today."
His hand meets yours, and the contact sends an unexpected current up your arm. Static electricity, you tell yourself. The dry studio air. Nothing more.
You gave him a calm, practiced smile. "That's me," you respond, impressed by how steady your voice sounds despite the ridiculous flutter in your chest. “And you must be the one they warned me about.”
That earned you a soft chuckle. “Guilty. But I have a feeling they probably warned you about all eight of us.”
"You’re right. ‘Complete and utter chaos’, they said,” you confirm with a smirk. “Welcome to the studio. I've been looking forward to working with you all."
Chan's smile deepens, dimples appearing like punctuation marks on his face. "We've heard great things. Your work with that indie rock band last month, MindSweep, was incredible."
The fact that he's familiar with your portfolio catches you off guard. Most celebrities arrive prepped only with the bare minimum about the shoot itself.
"You've done your research," you say, allowing a small smile.
"Always." His eyes hold yours a beat longer than necessary. "It's important to know who's capturing your image, don't you think?"
Before you can respond, the management team arrives, breaking the moment with schedules and logistics. You slip back into professional mode, addressing the group as a whole, explaining your vision for the shoot, how you'll be working with each of them individually and as a unit.
"We'll start with group shots, then break into individual sessions," you explain, gesturing toward the main set. "The concept is contrast; light against shadow, structured against fluid. I want to capture the duality that defines your group."
As you speak, you notice Chan watching you with an intensity that makes your skin warm. Not a critical stare, but something appreciative; like he's seeing more than just another industry professional running through a routine.
The shoot begins, and you fall into the familiar rhythm of direction and capture. Your voice becomes firm, confident, all business as you position the group, adjust lighting, suggest angles. This is where you shine; behind the lens, control at your fingertips, seeing what others don't.
"Changbin, chin slightly lower. Seungmin, quarter turn to your right. Felix, that's perfect; hold that expression."
Through your viewfinder, eight faces transform under your guidance. You work quickly, efficiently, calling out adjustments and praise in equal measure. But no matter where you point your camera, you keep finding your focus pulled to Chan. The way he positions himself naturally, understanding the composition before you have to explain it. The subtle shift in his expression when the shutter clicks; somehow more present, more aware of the lens than the others.
"Chan, can you move slightly to center? Perfect." Your voice betrays nothing, but when he follows your direction with a knowing half-smile, something unspoken passes between you.
Two hours in, you're reviewing images on your monitor when you sense him behind you, close enough that you can smell the faint notes of his cologne. It’s something woody with subtle hints of vanilla.
"How are we doing?" he asks, voice low near your ear.
You scroll through the images, hyperaware of his presence at your shoulder. "Great. Your group photographs well together."
"Professional harmony," he says with a light laugh. "Over eight years of practice."
"It shows." You stop on a particularly striking image of him, the studio lights catching the angles of his face in a way that emphasizes both strength and vulnerability. "You have a natural instinct for the camera."
"Maybe it's the photographer," he counters, and you refuse to look up, focusing intently on the screen to hide the flush that threatens to rise to your cheeks.
When you move to individual shots, the energy shifts again. Each member brings a different presence to the set: I.N with his fashion-forward confidence; Hyunjin with his intense, almost theatrical expressions; Lee Know with his effortless cool that makes every frame look like an editorial spread.
During Han's session, you catch Chan watching from the sidelines, his gaze moving between you and the set with quiet assessment. When he catches you noticing, he doesn't look away. Instead, he offers that same half-smile that somehow makes you feel both seen and challenged.
"Chan, you're up next," you call after concluding with Seungmin, who thanks you with surprising formality before bouncing back to make fun of Changbin, who promptly pulls the younger member into a headlock.
Chan steps into the light with an ease that speaks of countless photoshoots, but there's something different about his demeanor now; a focused intensity directed at you rather than the camera. As you approach to adjust his position, your hand briefly touches his shoulder, and the contact, though professional, feels charged with meaning.
"Turn slightly toward the light," you instruct, your voice lower than intended. "I want to capture the contrast between shadow and illumination on your face."
He complies, but his eyes remain fixed on yours rather than looking into the lens. "Like this?"
You step closer, reaching up to adjust the angle of his jaw with your fingertips. The touch is clinical, something you've done with countless models, but your pulse quickens embarrassingly.
"Almost. Look past the camera, not at it. I'm trying to capture contemplation."
He holds the pose perfectly, and you retreat behind your camera, grateful for the barrier. Through the viewfinder, you see him differently; fragmented into composition, light, and form. It's easier to maintain professionalism when reducing him to artistic elements.
"Perfect," you murmur, capturing frame after frame. "Now, relax your shoulders,” you say, voice low. “Think less magazine cover, more… album you made for yourself but never released.”
His brow arches with amused curiosity, but he follows your direction. And when he exhales, the wall drops. The image you capture in that instant is breathtaking; it makes your heart skip.
“Now, don’t move but look directly at the lens."
When he does, the intensity in his gaze seems to bypass the camera entirely, connecting with you despite the equipment between you. Your finger hesitates on the shutter for a fraction of a second before continuing.
Throughout his individual session, you maintain the appearance of cool professionalism, but there's an undeniable current running beneath each exchange. His responses to your direction come just a beat slower than necessary, as if he's considering each word. When you show him a particularly striking image on the camera display, his shoulder presses against yours briefly, and neither of you moves away.
Chan hovers near your table as you scroll through the preview reel on your laptop.
“Got a favorite yet?” he asks.
You tilt the screen toward him. One of him leaning against a pillar, looking half-bored, half-thoughtful. 
He laughs. “I look like I just told someone they disappointed me.” 
“It’s honest,” you say. “People like honesty.” 
Your eyes meet again. Something soft flickered there; recognition, maybe. Or curiosity.
"I like how you see things," he says quietly, for your ears alone.
The final group shots are a controlled chaos of eight bodies and distinct personalities coming together under your direction. You navigate around the set, occasionally brushing past Chan as you reposition lights or adjust compositions. Each momentary contact feels deliberate on both sides, though nothing could be proven.
From across the room, you notice Felix whispering something to Seungmin while glancing between you and Chan. Seungmin responds with an eye roll that dissolves into a knowing smile. They've noticed something; perhaps the same electrical current you've been trying to ignore.
"Last set," you announce, positioning the group for the final concept. "I want movement in this one; natural interaction, nothing posed."
They fall into comfortable chaos: Changbin playfully headlocking Seungmin, Hyunjin dramatically posing while Han pretends to faint at his beauty, Lee Know trying to kiss I.N. while the youngest recoils in horror as he laughs, and Felix grinning brightly at all the chaos. Chan maintains his position slightly apart, his eyes finding yours over the top of your camera with unmistakable intent. When Han yells something loudly in Korean, Chan breaks the intense eye contact and dissolves into a fit of giggles.
You capture it all: the friendship, the playfulness, the subtle thread of tension that runs between you and the group's leader. In the viewfinder, they're just images, compositions of light and shadow. But the feeling in the studio, particularly when Chan's gaze meets yours, that's something no camera can fully capture.
When you finally call the shoot complete, the group erupts in relieved laughter and thank-yous. As they gather their personal items and the stylists begin packing up, Chan lingers near the equipment, examining your camera setup with genuine interest.
"This lens," he says, gesturing but not touching, respectful of your equipment. "It's the same one you used for that editorial last spring, isn't it? The one with all the dramatic shadows."
The fact that he remembers such a specific detail about your work catches you off-guard again. "Good eye," you reply, impressed despite yourself. "Most people wouldn't notice the difference."
He shrugs, a casual gesture that somehow manages to highlight the line of his shoulders. "I pay attention to things that interest me."
The statement hangs in the air between you, ambiguous enough to be professional, specific enough to be something more. Before you can respond, his manager calls him over to discuss scheduling, and the moment stretches thin, unresolved.
As the group prepares to leave, Chan turns back, catching your eye across the now-cluttered studio. The smile he offers is different from the ones he's given all day; smaller, more private, like a secret between the two of you. You nod slightly in acknowledgment, already knowing that the photographs you've captured today, technically perfect as they may be, won't fully convey what passed unspoken between photographer and subject.
You're coiling the last of the lighting cables as the clamor of eight voices, stylists' directions, and management's hurried phone calls has dissolved into a humming silence punctuated only by the soft clicks of your equipment being packed away. The overhead lights have dimmed to their evening setting, casting the space in a warm glow that softens the industrial edges of the room. You look up to find Chan standing by the door, one shoulder propped against the frame, watching you with a quiet intensity that makes your hands fumble slightly with the cable. You didn't realize he had stayed behind.
"I thought you left with the others," you say, voice sounding unnaturally loud in the quiet studio. You loop the cable with methodical precision, focusing on the task to maintain composure.
"The others went ahead to dinner." His voice carries easily across the space between you. "I told them I'd catch up."
You nod, placing the coiled cable in its designated case. The studio feels smaller somehow with just the two of you in it, as though the walls have inched closer. Your movements are deliberate, professional, a contrast to the inexplicable nervousness fluttering beneath your ribs.
"Everything go okay with the shoot?" you ask, though you already know the answer. The images captured today were some of your best work, partly due to the subject matter, though you're reluctant to admit that to him.
Chan pushes away from the doorframe and moves into the room with unhurried confidence. His presence seems amplified in the emptiness, drawing your attention even as you pretend to focus on closing equipment cases and checking memory cards.
"Better than okay," he says, approaching your workstation where the monitor still displays the last image you were reviewing, coincidentally, one of him, eyes direct and challenging the camera. "I've done hundreds of these, you know. But this one felt different."
You glance up, meeting his gaze. "Different how?"
He considers the question, running a hand through his tousled hair in a gesture that shouldn't be as attractive as it is. "Most photographers see what they want to see. You seemed to be looking for what was actually there."
The compliment catches you off guard. It’s specific, thoughtful, not the generic praise you typically receive. You turn away, suddenly conscious of how close he's standing, his presence radiating a warmth that has nothing to do with the studio lighting.
"That's the job," you respond, closing the laptop with a soft click. "Finding the truth in the performance."
Chan makes a sound that’s half laugh, half acknowledgement. "Is that what you think I was doing? Performing?"
You look up at him again, allowing yourself a moment of professional assessment. "Everyone performs in front of a camera. It's human nature."
"And what about now?" He gestures to the empty studio. "No camera. No audience. Am I still performing?"
The question hangs between you, weighted with implication. His expression is open, curious, with something simmering beneath the surface that quickens your pulse.
"I don't know," you answer honestly. Most of the celebrities you meet are always on, camera or not, audience or not. "Are you?"
His smile appears slowly, creating those dimples that the camera loves so much. In the softened studio light, they appear deeper, more intimate somehow.
He ignores your question. "Thank you," he says suddenly, the phrase landing with unexpected significance.
You tilt your head slightly. "For the shoot? Just doing my job."
"No." He shakes his head, taking another step closer. "For seeing us, seeing me, the way you did. The pictures were..." he searches for the word, "honest."
You find yourself mirroring his movement, drawn forward by some invisible pull until barely two feet separate you. The air feels charged, like the moment before a flash fires.
"Honesty makes for better art," you say, your voice dropping to match the intimate atmosphere that's developed around you both.
"Is that what brought you to photography? The pursuit of honesty?" His questions feel deeper than the typical post-shoot small talk, probing gently at your passion rather than just your process.
You consider how to answer, surprised by your desire to offer something genuine rather than the practiced responses you usually give. "Partly. I like finding the moments between the moments, I guess. The truth that exists when people think no one's watching."
Chan's eyes hold yours, and for a second, you feel as exposed as if you were the one in front of the lens. "Like how you were watching me today when you thought I wouldn't notice?"
Heat rises to your face, and you're grateful for the dim lighting. "I was doing my job," you counter, though the defense sounds weak even to your ears.
"Very thoroughly," he agrees, the teasing lilt in his voice making your stomach flip. "Especially during my individual session. I counted at least twice as many shots as the others got."
"Some subjects require more work," you reply, surprising yourself with the boldness of your response.
He laughs, the sound rich and warm in the quiet studio. "Ouch. Is that how you talk to all your clients?"
"Only the ones who hang around after hours to critique my process."
"Not critiquing," he corrects, his hand coming to rest casually on the edge of the desk, inches from your own. "Appreciating."
The proximity of his fingers to yours creates a tangible tension, a magnetic field you feel compelled to either break or complete. You remain still, neither of you retreating or advancing.
"You know," Chan continues, his voice lower now, "I requested you specifically for this shoot."
This admission is surprising. "You did?"
He nods, eyes never leaving yours. "Your work has this... rawness to it. Even with all the commercial gloss, there's something uncalculated about your images. It's rare in this industry."
You find yourself momentarily speechless, touched by the specificity of his observation. Most people in his position would hardly give a second thought to who was behind the camera.
"I’m sure the label had several options," you say, recovering. "I assumed they made the final call."
"They did… after I made my preference clear." His fingers drum lightly on the desk, still tantalizingly close to yours. "I can be persuasive when I decide I want something."
There's that unspoken current again, running beneath his words, charging the exchange with meaning that extends beyond professional admiration. You should probably create some distance, maintain the boundary between photographer and subject, but your feet remain rooted to the spot.
"Well, I'm flattered," you say, aiming for nonchalance despite the warmth spreading through your chest. "Though you might be overestimating my talent."
"I don't think so." His response is immediate, genuine.
Your phone vibrates on the desk, breaking the moment. You glance down to see your assistant's text asking if everything wrapped up okay and if you need her to come back. The real world intruding on whatever bubble had formed around you and Chan.
"I should finish packing up," you say, though most of the equipment is already secured.
Chan straightens, giving you space, though reluctance is evident in his posture. "Of course. I didn't mean to keep you."
You busy yourself with the remaining equipment, aware of his presence as he moves to the doorway again, one hand coming to rest on the pillar in a casual pose that somehow manages to highlight the lean strength of his body. Even in this unguarded moment, he's naturally photogenic, and your fingers itch for your camera.
"I meant what I said about your work," he says as you shoulder your camera bag. "It's special. You see things others miss."
You allow yourself to meet his gaze again, abandoning the pretense of professional detachment. "And what do you think I see when I look at you, Chan?"
The question is bolder than you intended, stripping away the polite veneer that's characterized your interaction so far. His expression shifts, surprise giving way to something darker, more intense.
"I'm not sure," he answers honestly. "But I'd like to find out." There’s a smirk on his face that you try to ignore as you sling your tote bag around your body and pick up your box of equipment.
You move toward the door where he stands, knowing you need to leave but reluctant to end whatever this is. As you approach, he remains in place, his body creating a partial barrier that will require you to pass close to him.
“Thank you again for today,” he says softly. “You’ve got a really calm energy. Kind of rare in rooms like this.”
“You’re not so bad yourself. Thank you for being a great subject,” you respond as you readjust the box to hold your hand out to him. “Hopefully I’ll get to work with your group again.”
He takes your hand in his and squeezes gently. “Hopefully.” He holds onto your hand for a second too long, before releasing.
As you move by him, he remains close enough that your shoulder brushes against his chest, a contact that could be dismissed as accidental but feels entirely deliberate.
At the threshold, you pause and look back at him, standing in the glow of the studio, somehow looking like he belongs there. The day has been a symphony of unspoken communication, charged glances, and professional pretense masking growing attraction. Now, on the cusp of leaving, that attraction crystallizes into something palpable enough to touch.
As you finally turn to leave, his voice follows you one last time.
"And for the record," he says, "I wasn't performing today. Not with you."
You glance back over your shoulder, allowing yourself one last look at his face, memorizing the way the fading light catches his features. "I know," you reply simply. "That's what made it interesting."
His answering smile follows you out the door.
****
You stare at the hotel ceiling, counting the tiny stucco bumps until your eyes cross and uncross. Sleep is playing hard to get tonight, flirting with your consciousness before ghosting you completely. The digital clock on the nightstand flashes 2:17 AM like it's mocking you. Your body also still hums from the shoot. You’re creatively energized and emotionally restless thanks to the residual adrenaline, as your mind replays today's session on an endless loop, specifically the moments when Chan's eyes found yours over the camera lens, the way his voice dropped when speaking only to you. 
You reach for your phone, then think better of it. Your brain won't be silenced by another mindless scroll through social media or the muted sitcom reruns playing on the hotel TV.
"Fuck it," you whisper to the empty room half an hour later. With a frustrated sigh, you kick off the suffocating sheets and pad to your suitcase. If sleep is determined to evade you, you might as well do something about it. You pull out the yellow bikini you packed out of habit and a thin cotton cover-up that's seen better days but feels like an old friend against your skin. Hotels equal pools equal bikinis; simple traveler's math.
The elevator ascends silently as it carries you to the rooftop, the mirrors reflecting a woman caught in the liminal space between exhaustion and alertness. You pad across the marbled hallway and stop at the glass doors. According to the information packet in your room, the pool closes at midnight, but your keycard still grants access. Either someone forgot to update the system, or night swimming is the hotel's unspoken perk for insomniacs. You push through the glass doors into the night.
The rooftop deck appears as a midnight oasis, the pool a rectangle of liquid sapphire, illuminated from below by lights that pulse gently between shades of blue as moonlight dances across the water’s surface. The water glitters under the night sky, empty and peaceful, while silver patterns shift and reform with each gentle ripple. The city sprawls below in a patchwork of lights, but up here exists in a bubble of quiet separate from the urban pulse.
Not a soul in sight. Perfect.
You kick off your flip flops and drop the cover-up onto a lounge chair, its fabric forming a crumpled shape. You slip into the pool without ceremony, sighing as the warmth wraps around your skin when you slide beneath the surface. This is exactly what you needed, something real and immediate to wash away the day’s lingering electricity.
You float on your back, eyes open to the vast spill of stars above, letting your thoughts dissolve into the gentle lap of water against the pool’s edge. Your eyes gently close as the water plugs your ears against the world, creating a private universe as the silence holds you.
A splash shatters your tranquil solitude. It’s almost silent, signifying the execution of a clean dive.
You jerk upright, treading water, as a figure cuts through the water just below the surface with practiced grace and professional looking strokes, powerful arms slicing through the blue. When the swimmer surfaces with a satisfied inhale and exhale and pushes hair back from his face, your heart performs a complicated gymnastic routine against your ribs.
Chan.
He freezes and his eyes widen when they meet yours, recognition sparking between you like the underwater lights reflecting on the pool's surface. His surprised expression mirrors your own.
"Oh," he says, his Australian accent coating the syllable in honey as he treads water. "I didn't think anyone else was… I can go if you want privacy."
"No!" The word comes out louder, quicker than you intended. "I mean, it’s fine; it's a big pool. Plenty of room for two insomniacs."
His laugh is low and warm, creating ripples around his shoulders where they break the water's plane. "Is that what we are? Fellow members of the Can't Sleep Club?"
"Charter members," you confirm, treading water at what feels like a respectful distance. "I was halfway through counting those ceiling bumps when I had to bail."
Chan grins, accompanied by those infamous dimples. "I was writing lyrics in my head. Same ones I've been stuck on for three days. Figured maybe they'd flow better in water."
"Does that work? The water thing?"
He makes a so-so gesture with his hand, droplets flying from his fingertips like tiny diamonds. "Sometimes. Water, shower, driving; places where your body's busy but your mind can wander. You know what I mean?"
You do. You tell him about your own creative process, surprised at how the conversation flows easily, the water providing a buffer against the awkwardness of speaking with someone you spent the day assessing and photographing.
“What about you? What’s keeping you up?”
"Same disease, different symptoms." You don't mention that he, specifically, has been the primary thought keeping you awake. "The ceiling in my room was starting to mock me."
Chan laughs, the sound echoing slightly in the open-air space. "Mine was definitely judging my life choices."
He swims closer with lazy, confident strokes, coming to rest a respectful distance away. Water beads across his shoulders and collarbones, catching the moonlight like scattered diamonds.
"So," he begins, "do you crash hotel pools after 2 AM often, or am I witnessing a rare event?"
"Only when particularly photogenic boy band leaders keep me from sleeping," you quip before you can stop yourself.
His eyebrows shoot up, and for a horrifying second, you think you've overstepped. Then his face cracks into a grin. "Oh? And here I thought it was my sparkling personality that made an impression."
"That too," you concede, relaxing into the banter. "Though your dimples did most of the heavy lifting."
He splashes a small wave of water in your direction, the playful gesture breaking any remaining tension. "And here I spent all those years developing my musical talents when I could've just smiled my way to success."
You splash him back without hesitation. "Don't sell yourself short. Your music isn’t that bad,” you add with a smirk, causing him to laugh loudly.
"You’re funny. So do you leave tomorrow?" he asks, gliding even closer, his body a shadow beneath the illuminated water.
"Yeah, I'm covering a music festival in Austin on Saturday for an online magazine. Arts and culture beat."
"We fly out tomorrow too. We have a couple performances in Tokyo before heading back to Seoul." His gaze holds yours a beat longer than necessary, and the water suddenly feels warmer against your skin.
The two of you drift into an easy conversation. You talk about music; not just his, though you do mention a B-side from their last album that you particularly love, watching his face light up with pride. He asks thoughtful questions about your work, listening with his whole body, nodding and responding in ways that make it clear he's not just waiting for his turn to speak.
He’s different in this setting: looser, softer. He's not Bang Chan the performer right now; he's just Chan, a guy with tired eyes and a bright smile that seems to pull from somewhere genuine. And when you laugh together, it doesn’t feel like a first-time thing. It feels familiar.
"That's exactly what I was trying to express in that track," he says, after you describe how a certain chord progression in one of his songs made you feel like you were standing on the edge of something both terrifying and beautiful. "Like you're about to jump, and you don't know if you'll fly or fall, but the not knowing is what makes it worth doing."
The conversation shifts to art, to creativity, to the way certain combinations of notes or words or colors can crack something open inside a person. You're both moving in lazy circles now, sometimes drifting closer, sometimes apart, like binary stars locked in orbit.
"I’m surprised you've actually listened to our music. I thought maybe you just did your homework for the shoot."
"I like to understand what I'm capturing," you admit. "But I was a fan of your production style before I knew about this job. The layering you do with vocal harmonies on your solo tracks is..." You pause, searching for the right word. "It's architectural. I mean, it’s also there in many of the group songs, you singing harmonies in the background, but it’s more pronounced on the songs you record by yourself."
Chan moves closer, genuinely intrigued now. "Most people don't notice that stuff."
"I'm not most people."
"No," he agrees, eyes never leaving yours. "You definitely aren't."
A comfortable silence settles between you, broken only by the gentle sound of water as you both tread calmly.
"Can I ask you something?" His voice is softer now, more intimate.
"Depends on the question."
"What made you become a photographer? Like, really; not the answer you give in interviews."
The unexpected depth of his question catches you off-guard. You consider deflecting with humor but find yourself wanting to give him honesty instead.
"I was always the observer," you tell him. "The kid on the periphery watching how people interact, capturing moments in my mind before I ever had a camera. Photography just gave me a legitimate reason to keep watching."
Chan nods slowly, absorbing your words. "That makes sense. You have that quality of seeing beyond what people present."
"What about you?" you ask. "Was music always the path?"
"Always," he confirms with absolute certainty. "Even when I was being passed over for groups and debut and my parents were gently suggesting backup plans. Music wasn't just what I wanted to do; it was the only way I made sense to myself."
His hand gestures animatedly as he speaks, sending small ripples across the water's surface. One hand comes to rest briefly on your arm to emphasize a point, and the contact, though fleeting, sends warmth radiating through you despite the cool water.
"I get that," you say. "Some pursuits aren't choices, they're necessities."
He studies your face with unexpected intensity. "Exactly. That's exactly it."
You've drifted closer during the conversation, close enough now that you can see droplets of water clinging to his eyelashes. His gaze drops briefly to your lips before returning to your eyes.
"You know what's funny?" Chan says, his voice softer now. "I came up here to be alone, but this is the first time today I've felt like I could breathe properly."
"The irony of finding peace with a stranger in a pool at 3 AM isn't lost on me," you reply, and he laughs again, the sound rippling across the water's surface like rain.
"Are we still strangers, though?" he asks, and there's a genuine curiosity there, a head tilt that makes water droplets run from his hair down the curve of his neck.
You consider this. "Maybe not. Maybe we're... temporal friends. Friends for tonight."
"I like that," he says, swimming closer. "Temporal friends with potential."
"Potential for what?" The question hangs between you, heavy with possibility.
Instead of answering, he floats onto his back, staring up at the slice of sky visible above the hotel's glass barriers. You join him, your shoulders occasionally brushing as you drift. The contact sends tiny electric currents through your body each time it happens.
"Some people are just blips," he says eventually. "And some are turning points."
The philosophical tone surprises you. "Which am I?"
His hand finds yours underwater, fingers intertwining like it's the most natural thing in the world. "I don't know yet. That's what makes it interesting."
When you both right yourselves again, you're closer than before, your hands still touching. Close enough to see the water droplets clinging to his eyebrows, the moles scattered across his face and neck that makeup usually conceals. There's a small scar peeking out from the edge of his swim shorts on his hip; it makes you want to trace it with your fingertips.
"Today, during the shoot," he says quietly. "There was something there, wasn't there? I wasn't imagining it?"
Your heart hammers against your ribs. "No. You weren't imagining it."
"And now?" he asks. When you don’t say anything, he continued. "I have a confession," he says, his voice dropping to a register that vibrates pleasantly against your sternum despite the water between you.
"Should I be worried?"
"I couldn’t stop thinking about you from earlier today."
Heat that has nothing to do with the pool temperature rises to your cheeks. "Oh really?"
He nods, one hand reaching out to tuck a wet strand of hair behind your ear. "How you talked about your philosophy for taking pictures, capturing the moments in between.”
His hand lingers near your face, and something shifts in the air between you. The playful banter recedes like a tide, leaving something more raw and honest in its wake.
"Chan…," you start, not entirely sure what you're going to say next.
"I like how you say my name," he interrupts softly. "Not like you're saying the name of someone you've heard of. Like you know me."
His arm brushes against yours as a slight current pulls you both toward the center of the pool. Neither of you moves away. The contact is deliberate now, the press of skin against skin underwater creating a different kind of conversation.
“Funny,” he says, bobbing in front of you. “I didn’t think the most memorable part of today would happen after the shoot.”
You look at him. “Are you trying to be charming?”
He shrugs, grinning. “Am I succeeding?”
Instead of answering, you move closer. So does he. And then the space between your bodies disappears.
"Can I kiss you?" he asks quietly, and the directness of it, the simple honesty, makes your breath catch.
You nod, and he eliminates the remaining distance between you with a smile that's equal parts shy and certain. His lips touch yours with cautious pressure, cool from the water but warming quickly. It's tentative at first. Slow, exploring, questioning. But when your arms wrap around his neck, pulling him closer, the kiss quickly deepens into something hungrier. His tongue traces your bottom lip, and you open to him with a small sound that seems to echo across the water's surface.
His hands find your waist underwater, drawing you flush against him and anchoring you to him as your legs tangle together to stay afloat. The sensation of being weightless while he holds you makes every touch feel amplified.
You break apart, breathing heavily, foreheads touching. Around you, the water ripples with the movement of your bodies, small waves lapping against the pool's edge like applause.
"That was..." he trails off, searching for words.
"Good potential," you finish for him, and his laugh is breathless against your mouth before he kisses you again, more certain this time, his hands moving from your waist down to your ass.
You can feel every inch where your bodies connect: the firm plane of his chest against yours, the brush of his thighs against your own, the unmistakable evidence of his arousal pressing against your hip. The water seems to echo the sound of your combined breaths, magnifying them in the quiet night.
When you pull away again, his eyes are darker, more intense than before. The playful musician has been replaced by something more primal, more focused. It sends a shiver down your spine despite the warm water.
"My room or yours?" he asks, his voice rough at the edges.
You consider for a moment. "Mine's on the twelfth floor."
"Mine's on the fourteenth, but we’re more likely to get interrupted by my bandmates. They’re a bit… mischievous. And nosey."
"Mine it is," you agree, and there's a moment where you both just look at each other, a silent acknowledgment of the threshold you're about to cross.
He kisses you once more, softly, before you both swim to the edge of the pool. You climb out first, water cascading from your body, suddenly aware of how your bikini clings to every curve. Chan follows, and you allow yourself to appreciate the way water runs in rivulets down the contours of his chest and arms, highlighting the definition of muscles that his usual oversized hoodies conceal.
He retrieves your cover-up from the lounge chair, holding it open for you with a gentlemanly flourish that makes you snort with laughter, breaking the tension. He grabs his own t-shirt, using it to roughly dry his hair before pulling it on over his wet skin. It seems neither of you remembered to bring towels for your late night swim.
As you walk toward the elevator, leaving damp footprints across the marble floor, his hand finds yours again. It's such a simple gesture, fingers lacing together, but it carries the weight of intention. This isn't just about physical attraction. There's a connection here that transcends the random chance of two insomniacs finding each other in a hotel pool at 3 AM.
The elevator doors close, and Chan leans against the wall, still holding your hand, a smile playing at the corners of his mouth. "Still temporal friends?" he asks.
"With increasingly clear potential," you answer, and his laugh follows you all the way down to the twelfth floor.
When you and Chan finally make it back to your room, it doesn’t feel reckless. It feels inevitable.
You fumble with the key card, your breath hitching when Chan’s hand brushes your hip, casual but deliberate. You open the door and step aside to let him in. The room is dim, painted in soft golds from the city lights bleeding through the windows.
The hotel room door clicks shut behind you with the finality of a decision made. The two of you stand in the dim entryway for a moment, water still dripping from both your bodies, the air between you thick with anticipation. You're suddenly aware of how small the space feels with Chan's presence filling it. His eyes catch the subdued light from the bedside lamp you'd left on earlier, turning them to liquid amber. The wet t-shirt clings to his chest like a second skin, leaving nothing to imagination yet somehow making you hungrier to see what's beneath. A small puddle forms where you both stand, neither of you moving, the moment suspended between hesitation and inevitability.
"So," Chan says, breaking the silence with a nervous laugh that humanizes him instantly. "This is the part where I'd normally make a joke about being all wet, but I'm trying not to be that guy."
"You just made the joke while saying you weren't going to make it," you point out, grateful for the tension breaker.
"Fuck. I did, didn't I?" His dimples deepen as he runs a hand through his damp hair. "Let me try again. Hi, I'm the hot guy from the pool who can't stop looking at your mouth."
Heat blooms between your legs. "Much better," you say, stepping closer. "I'm the girl who's thinking about peeling that shirt off you."
"Thinking about it, or...?" He lets the question hang.
In response you reach for him, bringing your lips to his.
The kiss is different now; deeper, more urgent. You curl your fingers into the hem of his soaked t-shirt, slowly pulling it upward. He raises his arms to help, and the wet fabric makes a soft sucking sound as it releases his skin. You break the kiss to pull it the rest of the way over his head. You drop it to the floor with a soft splat, your eyes tracing the contours of his chest and abdomen.
His hands settle on your ass, thumbs brushing the bare skin just beneath the bikini bottom.
He kisses down your neck slowly, as if savoring each inch of you. You shiver as his teeth graze your collarbone.
“You’re dangerous,” you whisper. 
He chuckles against your skin. “Only if you want me to be.”
His palms slide over your ass, up your back, around your front and across your tits until they find the tie of your cover-up, tugging gently. "Fair's fair," he murmurs.
The light fabric falls open, then to the floor, and his breath catches audibly at the sight of your bikini-clad body. His eyes travel a slow path from your collarbone to your hardened nipples probing through the fabric, then down your stomach to your thighs, appreciation evident in the way his pupils dilate.
"You're staring," you whisper.
"Can you blame me?" His voice has a rough edge to it now. "I keep thinking I should pinch myself. The hot photographer from my shoot is standing in my hotel room in a wet bikini."
"Your hotel room is on the fourteenth floor," you remind him with a smirk. "This is my room."
"Details," he dismisses with a wave, stepping close enough that you can feel the heat radiating from his skin. "Important detail, though: I really want to kiss you again."
"Then do it."
His hands frame your face, thumbs brushing your cheekbones with a gentleness that contrasts the hunger in his eyes. This kiss is more deliberate, more knowing. His tongue slides against yours, and you taste chlorine and the steak he had for dinner. You press closer, your damp skin meeting his, and he groans into your mouth.
Your fingers dance along his spine, feeling each vertebra, mapping the terrain of his back. His hands move from your face to your shoulders, then lower, skimming the sides of your breasts through the wet bikini top.
"This needs to go," he murmurs against your lips, fingers finding the tie at your back. He pulls to loosen it.
"Yours too," you reply, hooking your thumbs into the waistband of his swim shorts.
There's a moment of clumsy, laughing urgency as you both shed the last of your wet clothes. Chan's swim shorts stick to his thighs, requiring an ungraceful hopping movement that makes you both dissolve into giggles. But the laughter dies in your throat when he stands before you, fully naked and unashamed.
His body is a testament to discipline. It’s all lean muscle under smooth skin, the definition of his abdomen leading your eyes downward to where he's already hard for you.
"Your turn," he says, his voice lower now, serious.
You reach behind your neck to untie the second set of strings of your bikini top, letting it fall away to the ground. Chan’s sharp intake of breath is more gratifying than any practiced compliment. His eyes darken as he takes in your bare breasts, his tongue darting out to wet his lips in an unconscious gesture of want. The bikini bottoms follow, sliding down your legs to join the puddle of wet materials at your feet.
For a moment, you just look at each other, naked in more ways than one.
"You're fucking beautiful," he says, and there's something raw in his voice that makes the words feel like more than a line, more than what you say in these moments.
"So are you," you reply, meaning it.
He closes the distance between you again, and the first touch of his naked skin against yours pulls a gasp from your throat. His erection presses hard against your stomach as his arms encircle you, hands splaying across your back to pull you closer.
The kiss deepens, turns hungrier. You walk backward toward the bed, unwilling to break contact, until your calves hit the mattress. Chan follows you down as you fall back, his body covering yours, hips settling naturally between your spread thighs.
"You've been driving me crazy all day," he admits against your neck, teeth grazing the sensitive spot below your ear. "Standing behind that camera, completely in control."
Your fingers trail slowly down his back. "And now?"
His smile is wicked, dimples appearing like punctuation marks to his intent. "Now it's my turn to capture you. Tell me what you want," he breathes against your neck, where his lips have been leaving a trail of heat.
"You," you say simply. "But also… talk to me."
He raises his head to meet your eyes, a question in his gaze.
"I want to hear you," you clarify. "Not just the polite, edited version of the idol they train you to be. I want the real you."
A slow smile spreads across his face, something darker and more primal than his stage smile. "Careful what you wish for," he warns, then drags his mouth down your body, pausing to take a nipple between his lips.
You arch into the sensation, a moan escaping as he uses his tongue in wicked circles around the sensitive peak. His hand finds your other breast, thumb brushing back and forth across the nipple in counterpoint to his mouth's rhythm.
"Fuck, you taste good," he murmurs against your skin. "Been thinking about this since I saw you this morning, standing there looking all professional but with this mouth that had me imagining all sorts of unprofessional shit."
His confession sends a thrill through you. "Like what?" you ask, running your fingers through his damp hair as he moves lower, lips tracing the curve of your ribs, the dip of your navel.
"Like how you'd sound when you cum," he says, settling between your thighs, his breath hot against your center. When his lips kiss the inside of your right thigh, it quivers. "Like how your body would react to mine. Like whether you'd be loud or quiet." His tongue takes a long, deliberate swipe through your folds as if he was licking a large scoop of ice cream. "Like how wet you'd get for me."
Your hips buck involuntarily at the contact, a whimper escaping your lips.
"That answers one question," he says with a smirk you can feel against your sensitive skin. "You're responsive. I like that."
His tongue finds your clit, circling it with just the right pressure to make your thighs tremble. One of his hands slides up your body to palm your breast again, while the other holds your hip, thumb making small circles against your hip bone.
"Chan," you gasp as he sucks gently at your most sensitive point. "That's… fuck…"
"That's the idea," he says, pulling back just enough to speak, his lips shiny with your arousal. "But not yet. Want to taste you first. Want to make you cum on my tongue before I fuck the shit out of you."
The crude words in his gentle voice send a fresh wave of heat through you. His mouth returns to your center, more insistent now, tongue alternating between broad strokes and focused attention to your clit. He slides one finger inside you, then two, curling them to hit the spot that makes your vision blur at the edges.
Your body arches into his hand and mouth, seeking more pressure, more friction. He watches your reactions with the same intensity he brought to your camera lens, learning what makes your breath hitch, what draws out the low moan from the back of your throat.
"Fuck," you breathe as his fingers establish a rhythm that sends heat spiraling through your core. "Right there."
Chan's smile is both tender and triumphant. "I like when you tell me exactly what you want."
So you do. With unfiltered directness that makes his eyes darken and his movements grow more urgent. The professional distance that separated photographer from subject dissolves completely as you hold his head between your legs, as his tongue trades places back and forth with his fingers with devastating precision.
"That's it," he encourages, his voice vibrating against you. "Let me hear you. Tell me how it feels."
"So fucking good," you manage, your hands fisting his hair. "Don't stop, please don't stop…"
He doesn't. His fingers work in tandem with his mouth, building a rhythm that has you climbing higher and higher. The tension coils tight in your core, your breath coming in shorter gasps.
"I'm close," you warn, and his response is to increase the pressure, the speed of his fingers, the suction of his mouth.
When you cum, you breathe out, “Oh Chan!” Your body arches off the bed. He stays with you through it, gentling his touch as the waves of pleasure wash over you, gradually bringing you down until you're boneless and breathing hard.
He kisses his way back up your body, a smug satisfaction in his eyes that you're too blissed out to call him on. When his mouth meets yours, you taste yourself on his lips, and it sends a renewed pulse of desire through you despite your recent orgasm.
"Condom?" he asks against your mouth.
You gesture vaguely toward your bag on the nightstand. "Travel pack. Always prepared."
He laughs, reaching over to open the bag and dig around until he removes the small box. "A woman who comes with emergency condoms. Be still my heart." He opens it and removes a packet.
"Less talking, more fucking," you say, grabbing his wrist to pull him back to you.
His eyebrows shoot up at your directness, but the dimpled grin that follows is approving. "Yes, ma'am."
He tears open the foil packet and rolls the condom on with practiced efficiency. Then he's hovering over you again, his weight supported on his forearms, the head of his cock nudging at your entrance.
"Ready?" he asks, his playfulness momentarily set aside for genuine concern.
You answer by wrapping your legs around his waist and pulling him forward, guiding him into you. His cock enters you in one slow, delicious slide, deep and intentional like he wants you to feel every second of it. And you do. “Chan…” escapes your lips in a breathless sigh.
"Fuck," he groans this time, forehead dropping to rest against yours.
Your bodies fit together like they’d been crafted with this moment in mind. He fills you completely, stretching you in a way that borders on too much but settles into perfect. For a moment, neither of you moves, adjusting to the sensation of being joined.
Then he begins to move, slow at first, each thrust deliberate, and coherent thought fragments into pure sensation. His eyes never leave yours, creating an intimacy that's almost too intense.
"You feel amazing," he whispers, pace quickening. “Better than I imagined.”
"You imagined this?" you ask, wrapping your legs higher around his waist.
His laugh is strained with pleasure. "All. Fucking. Day."
The admission pushes you closer to the edge, and you tighten your legs around his waist. You run your hands down his back, feeling the muscles work as he moves inside you, then up to tangle in his hair.
"Harder," you whisper, and something flashes in his eyes; relief, maybe, at being given permission to let go.
He complies, his hips snapping forward with more force, setting a new rhythm that has the headboard knocking gently against the wall. The new angle hits something inside you that makes stars burst behind your eyelids.
Your hand slips between your bodies, seeking the additional pressure that will send you over. Chan watches with fascination as you touch yourself while he moves inside you, his rhythm faltering briefly at the sight.
"That's the hottest thing I've ever fucking seen," he murmurs, voice rough with desire as he increases the pace of his thrusts.
"There," you gasp. "Right there."
"Got it," he says, voice strained with the effort of control. He maintains the angle, the pace, then slides his own hand down to replace your fingers with his, circling your clit with the same rhythm he uses to fuck you. "Want to feel you cum around my cock, gorgeous."
The combination of his words, his skilled fingers, and the relentless pressure of him inside you pushes you toward the edge again. Your nails dig into his shoulders, causing him to hiss slightly.
"So close," you pant. "Chan, I'm…"
"Me too," he grits out. "Together, yeah?"
You nod, beyond words now. His movements become more erratic, his breathing harsh against your neck where he's buried his face. The tension builds and builds until it shatters, your orgasm washing over you in waves that have you crying out as you shake, clinging to him. He follows moments later, his hips stuttering, his face buried in the crook of your neck, a low, guttural sound torn from his throat as he pulses inside you.
Both of you lay tangled in the sheets, skin to skin. For several heartbeats, neither of you moves. The only sound in the room is your combined breathing, gradually slowing, the silence filled with a kind of intimacy neither of you expected.
Eventually, Chan lifts his head, a dazed, satisfied smile on his face.
"Well," he says, "that was worth staying up for."
You laugh, the movement causing him to slip from inside you, which makes you both wince slightly. He deals with the condom, tying it off and reaching over to the bedside table for a tissue to wrap it in, before setting it on top. Then he lies back down beside you and closes his eyes.
Your bodies cool as breathing returns to normal, the air conditioning raising goosebumps on damp skin. He traces abstract patterns on your stomach with light fingertips.
You watch him as he breathes deeply. The bedside lamp casts a golden glow across his features, highlighting the sharp angle of his jawline, the curve of his shoulder, the contrast between light and shadow that defines his face. Something about the image calls to the photographer in you; the desire to preserve a moment of perfect vulnerability.
You sit up suddenly, propping yourself up on one elbow “Don’t move.”
Chan blinks, breath still shallow. “Huh?” He watches you with curious eyes as you reach for your camera bag on the bedside table. “What are you doing?”
"The light on you right now..." You turn back to him, camera in hand. "It's perfect."
Understanding dawns in his eyes, followed by a flicker of hesitation. "You want to photograph me? Now? Like this?"
“Yeah,” you say softly, a hint of vulnerability in your tone as you sit cross-legged beside him. “You’ve never looked more honest than you do right now. I want to capture you as you are now, the moment between the obvious moments, you know? What no one else gets to see. And I'm not talking about dick pics for the internet. I mean... art. Something real. But only if you’re comfortable with it.”
He considers your words for a few seconds, vulnerability passing across his feature before resolution settles in. “I've been photographed thousands of times, but never like this. Never just as... me.”
His assessment touches something deep inside you. "Are you sure? These kinds of photos have a way of causing trouble if they get out."
"I trust you," he says simply with a sweet smile. "And only if I get to take pictures too."
“Okay,” you agree too quickly as you remove the lens cap.
"How do you want me?" he asks when you look back at him, bringing the camera to your face.
"Just be yourself," you say. "Forget I'm taking pictures. Just exist."
He nods, and you begin, the camera coming alive in your hands, an extension of your vision. Chan relaxes into the sheets, initial self-consciousness melting away under your gentle direction. You capture him in unguarded moments: stretching his arms above his head, the lines of his body creating geometric perfection against the white sheets, his hands covering his face as he tries unsuccessfully to hide from you. Fragments of him are immortalized in the frame:  the curve of his hip disappearing beneath the sheet, the hollow of his throat, the play of light across his collarbones.
You continue to snap more pictures. He laughs at something you say and you capture him with his head thrown back, his whole face transformed by joy.
"Turn toward the window," you instruct softly. He complies, the city lights creating a backdrop of unfocused brilliance behind his silhouette as he looks thoughtfully out the window.
"Beautiful," you murmur, more to yourself than to him, as you capture the image.
Something shifts in the atmosphere as you work. What began as artistic appreciation transforms into another kind of foreplay, each click of the shutter heightening the renewed tension between you.
"Your turn," he says after a while, his voice low and sure. When Chan reaches for the camera, you surrender it without protest even though you’re hesitant.
"I don't usually…"
"You promised," he responds with an adorable pout, that vulnerability back in his voice. "I want to remember you too."
You nod and show him the basic settings. Chan's a quick study, his artistic eye evident in how he frames each shot. He directs you with surprising skill, finding angles that frame your body in light and shadow. The sensation of being on the other side of the lens is foreign, exhilarating. You feel exposed in a way that has nothing to do with your physical nakedness, but his genuine awe at capturing you makes it easier.
"Beautiful," he murmurs as he reviews the images. "Absolutely fucking beautiful."
You move closer to see, your bodies aligning naturally. "You're good at this," you observe as he reviews an image on the small display.
"I've picked up a few things," he replies with a modest shrug that contradicts the confidence in his hands.
The photos are raw, honest; There’s one with your head thrown back in laughter; you gazing directly at the camera with an openness that startles you; you with your eyes closed, a small smile playing at your lips.
"We make a good team," you say, taking the camera back to scroll through all the images; his and yours intermingled, a visual conversation between two artists.
"We do," he agrees, and there's something bittersweet in his tone that makes you look up. "Come here," he says, arm outstretched in invitation.
You move into his embrace, your head fitting naturally into the crook of his shoulder, his arm wrapping around you to trace lazy patterns on your skin. You capture a couple more photos.  One of you and Chan’s legs intertwined with the sheets and selfies of you both looking into the lens as he kisses your forehead. Then you replace the camera on the side table and snuggle up closer to him.
Outside, the sky is lightening, the first hints of dawn creeping around the edges of the curtains. Reality begins to seep back in; he has a schedule to keep, a public persona to maintain. You have another job, a deadline looming.
"This was..." he starts, then pauses, searching for words.
"A perfect night," you finish for him.
He nods, relief in his eyes at your understanding. Without either of you saying it explicitly, you both know this can't be more than what it is, a beautiful, temporary connection between two ships passing in the night. You listen as his breathing steadies, but not deep enough for sleep.
"I should go," he says softly twenty minutes later, though he makes no move to leave the warmth of the bed, of your body against his.
You know he’s right, but neither of you seems ready to face the intrusion of reality. There’s a fragile peace in the air, an unspoken agreement to stretch this moment as long as possible. You shift slightly, soaking in the comfort of his skin against yours.
"Probably," you agree, equally reluctant.
A long silence settles between you, but it’s not uncomfortable. It hangs there with weight and meaning, like an unfinished sentence where both parties know the end but are content not to say it out loud. Your fingers trace lazy circles on his chest and his hand moves slowly on your back, each of you committing this small eternity to memory.
Thirty more minutes have passed.
You lift your head from his chest to look at him. His eyes meet yours, and for a moment, you could almost believe that the rest of the world doesn't exist. He places his hands at the back of your neck and pulls your lips to his. The kiss is slow, easy, like it has nothing to do with desire and everything to do with connection. But you know better.
You turn your body to straddle him, and he lets out a small, surprised exhale against your mouth. You feel him harden beneath you, his body eager to defy the sense in his words.
"We're never getting out of here," he murmurs, voice a mix of amusement and longing.
You pull back slightly, enough to look into his eyes. "I can live with that."
His laugh is a quiet rumble in his chest, and he kisses you again, deeper this time, hands finding your hips. You reach blindly for another condom, fumbling with eagerness, and break the kiss when your fingers wrap around it. He doesn’t stop you when you tear the wrapper open and slide the latex onto his already hard and ready cock; instead, he shakes his head like he can’t believe how lucky he is. 
He sits up against the headboard, an appreciative smile on his swollen lips. He lets out a shaky breath as your fingers skim along his length, adjusting the condom into place. Then you lift your body over his dick to lower yourself onto it, feeling every glorious inch of him filling you once again. The sensation is so consuming that you forget to move at first, the both of you going still in awe of the hunger that pulls you together. His lips crash back onto yours, kissing you like he needs it to breathe, his grip tightening at your waist to bring you fully down on him. You start to rock your hips slowly.
Chan’s mouth and tongue are relentless as he kisses you at the same time he pulls you impossibly closer. Your chests are slick with sweat as you lose yourselves in the friction, the heat. You move against him slowly, deliberately, savoring every pulse and gasp, determined to make this last, to stretch this out; this morning, this moment, this everything. His hips buck involuntarily upward in a particularly dizzy thrust, and you slip his name into his mouth like a secret, earning you a low growl of approval in return.
Your legs tremble while you try to maintain the languid pace, the teasing rhythm that has him groaning and biting at your lip in desperation. You know neither of you can hold on much longer, and you’re both okay with that. You arch your back, changing the angle, and Chan gasps your name like a plea, his fingers digging into your skin just shy of bruising. You clutch at his neck, your own breathing ragged as the two of you press your foreheads together, locking eyes and you let him guide you faster, harder, until there’s nothing left in the world but the two of you, right here, right now.
You and Chan move together in a rhythm that feels more like music than anything else. There is no rush. Just tension building between your bodies, heat cresting, pleasure folding in on itself. And when you finally come apart together, it is a full-body kind of release. You kiss again like you are trying to memorize his mouth, losing yourself in the taste and feel of him, in the beautiful lie that maybe this doesn't have to end.
But of course it does. Time is the only thing you don't have in abundance, and eventually, he draws back, the reluctance unmistakable. "One more for the road?" he asks with a raised eyebrow and a smirk, and it's clear he's not just talking about another kiss.
"Get out of here before I decide to keep you," you reply, though your actions say otherwise as you lean in to capture his mouth once more.
You finally roll off of him a few minutes later, and with a sigh he gets up. He drops the condom in the wastebasket under the desk and moves to the door. As he gathers his still-damp clothes from the floor, you watch him dress with an artist's appreciation and a lover's nostalgia. He looks younger somehow, more vulnerable as he struggles with the clinging fabric of his swim shorts then the t-shirt, an adorably embarrassed smile on his face.
You wrap yourself in the sheet, following him to the door. There's an awkwardness now that wasn't there before, neither of you quite knowing the protocol for this kind of goodbye.
"This wasn't..." he begins.
"I know," you interrupt gently. "It wasn’t for me either."
The understanding passes between you without need for elaboration. This wasn't casual, wasn't meaningless, but it also wasn't the beginning of something. It was complete in itself, a perfect composition needing no additional frames.
"I'll delete the photos if you want," you offer, giving him an out.
He shakes his head firmly. "Keep them. They're ours."
The possessive pronoun warms you, makes you smile. "Okay."
Chan leans in for one last kiss, soft and lingering. "Thank you," he murmurs against your lips. "For seeing me. Not Bang Chan from Stray Kids. Just me. Chan. Chris."
"Thank you for being worth seeing," you reply, “and for seeing me in return.”
He smiles, dimples appearing one last time, and then he's gone, the door closing quietly behind him. You stand there for a moment, the sheet wrapped around you like a toga, feeling the weight of the night settling into your bones, not with regret, but with a bittersweet satisfaction.
The camera sits on the nightstand, holding memories that will never make it to social media or a magazine spread. Just between the two of you, a secret collection of moments when two insomniacs found something real in the middle of the night.
You return to bed, sleep finally finding you as the sun rises, your dreams filled with chlorine-scented kisses and the echo of laughter across water.
****
Almost a year later, your name is finally starting to make the rounds in the art world, and even you have to admit it has a nice ring to it when you're not too busy downplaying your success. It’s been a whirlwind of openings, critiques, and collaborations, but this, your first solo show, is something else entirely. It feels like baring a piece of your soul on a white gallery wall. And nothing says "soul-baring" quite like the portraits from that night with Chan.
They’re intense, raw, somehow both detached and intimate. The more you think about it, the more you realize they belong in this show. They have to be in your show. You also realize you need Chan’s blessing before you drag his naked plump ass into your artistic existential crisis.
So you sit at your laptop, fingers hovering over the keys as if they'll self-destruct upon contact. You know how careful he is about his image, how much he values his privacy. Asking him to let you display these photos feels like asking him to strip down in front of strangers. Something he probably wouldn’t be entirely opposed to, you think with a small smirk.
You stare at the blank email, cursor blinking like a metronome counting down the seconds of your courage. The intimate, raw, unflinchingly honest images of Chan are scattered across the floor of your home studio, some framed, some still rolled. You need his permission, not just legally but emotionally, to hang these moments between you on sterile gallery walls for strangers to consume with hungry eyes.
The warm yellow lamp casts dramatic shadows across the portraits. In one, Chan’s face is captured in moments of unguarded vulnerability, his eyes holding the weight of sleepless nights. 
That one you printed just for you, not for public display.
Your fingers tap the desk, dancing with indecision. It's been eleven months since you last saw him. Eleven months since that night when he let you photograph him in the early morning hours, when your images became something more than pixels on a screen. Eleven months since there’s been any type of communication between the two of you.
You bite your lip and type out a message that walks the line between professional courtesy and personal appeal:
Dear Chan, you type, delete, then type again. Too formal.
Hey, you try. Too casual.
Hi Chan; or do you prefer Chris now? Delete delete delete.
Hey! Long time no see 😉 Yeah, no.
Chan, you settle on, simple and direct like the photographs that captured the planes of his face.
Your email takes shape, professional on the surface with undercurrents of something deeper flowing beneath each carefully chosen word:
I hope this email finds you well.
Better. You dive in from there.
My first solo exhibition opens in three weeks at the Harlow Gallery. It would mean a lot to me to be able to include portraits of the photos you and I took that night.
You pause, swallowing the memory of his skin warm against yours, how his fingers traced invisible paths across your back.
I believe these are among my strongest pieces. I wanted to formally request your permission to include them.
The truth clings to your fingertips: these are your strongest pieces because they're the only ones where your lens captured not just a subject, but a feeling; something raw and unfinished between you and him.
The images have been prepared with discretion in mind. Your privacy is my priority. Nothing identifiable will be shown in the pieces chosen for public display; no faces, no awkward explanations required if someone you know or who knows you comes across them. I've employed techniques to obscure any identifying features while preserving the emotional essence of the work.
Of course I’ll understand if you’d rather keep them private and will respect whatever decision you make.
You're lying through your teeth on that one; you will not "understand," you'll just quietly die inside, box up the portraits, place them in the darkest corner of your storage unit, and move on with your life.
The exhibition will proceed either way, with or without them, but these images, your images, represent something valuable in my artistic journey.
You stop typing, fingers trembling slightly. The lie burns in your chest; the exhibition would proceed, yes, but it would feel hollow without these centerpieces, these moments when your art found its truth.
If you could let me know by the end of the week, I would greatly appreciate it.
Too demanding? You bite your lower lip, tasting minty lipgloss and indecision.
At your convenience, of course. I know you’re a busy man.
Better. Respectful of his perpetually packed schedule; the endless rehearsals, the world tours, the 3AM studio sessions he described to you while in the pool, floating inches away from you.
Thank you for considering this request.
You hesitate over the sign-off. Warm regards feels too distant. Love feels too presumptuous. You settle on your name alone, letting it stand naked and honest like his portraits.
The completed email stares back at you. Your mouse hovers over the send button, your heart keeping time with the second hand of the clock above your desk. Your stomach twists with what feels like stage fright, though you're not the performer between the two of you.
With a deep breath, you click send before courage fails you and brace for an eternity of radio silence.
The email whooshes into the digital void, and you exhale. Your chest feels simultaneously lighter and heavier.
Your phone sits face-down next to your laptop; a deliberate choice. You know yourself too well; you'd check it every thirty seconds if you could see the screen. Instead, you slide it into your desk drawer and close it firmly.
You stand, stretching arms above your head, vertebrae cracking like kindling. The room suddenly feels too small, too full of reminders. You need distance from this space where his presence lingers.
Hours later, after a walk that took you nowhere in particular and a dinner you barely tasted, you return to your apartment. The desk drawer calls to you like a siren, but you resist, choosing instead to lose yourself in mindless TV until sleep claims you mid-episode.
Morning arrives with cutting precision, sunlight slicing through blinds you forgot to close. Your first conscious thought is of the email, followed immediately by a rush of adrenaline that propels you from dreams to reality in seconds. You fumble for the desk drawer, fingers clumsy with sleep and anticipation.
Your phone screen illuminates with notifications in the form of social media updates, promotional emails, app reminders, but your eyes search frantically for only one name.
There.
Your thumb hovers over his name. Four letters that contain multitudes. You tap, holding your breath as the message loads.
Yes, you have my permission.
One sentence. Five words. That’s it. No greeting, no sign-off. Just a simple, efficient granting of what you asked for.
You read it again. And again. Turning the words over like stones in a river, searching for hidden meanings in their smooth surfaces. 
You find none.
Your fingers feel numb, but you sense a warmth in your chest, an uncomfortable heat that you recognize as disappointment. The simplicity of the words leaves you reeling more than any objection could have. You expected... what? A question about how you've been? A comment about the images themselves? A catch, like maybe an interrogatory phone call? Some acknowledgment of what passed between you that morning? A cheeky postscript hinting at unfinished business?
But there’s none of that here. Just five words that feel as impersonal as a text alert reminder from your dentist’s office.
You place the phone down carefully, as if it might shatter under the weight of your expectations. The logical part of your brain offers explanations: he's busy, he's professional, he's respecting boundaries. The emotional part whispers less comforting possibilities: he doesn't care, he's forgotten, it meant nothing to him.
"At least I have permission," you say to the empty room, your voice sounding foreign to your own ears.
You force a smile that no one sees, straightening your shoulders as you stand. The exhibition preparation waits for no one's feelings, not even yours. You have frames to select, lighting to consider, labels to write. Professional obligations that require you to set aside the hollow feeling expanding beneath your ribs.
Your laptop wakes with a tap, calendar app open to a countdown of days until the opening. In twenty days the gallery will be filled with critics, collectors, fellow artists… people whose opinions could shape your career trajectory. This should be occupying every corner of your mind.
Instead, you find yourself opening your digital photo gallery, scrolling to the folder labeled simply "CCB." The photos inside are more honest than you've been with yourself. In every line, every shadow, every careful composition of his features, your feelings are transparent. No wonder you need these pieces in the exhibition; they're the only work where you've been truly vulnerable.
You close the folder and return to your email. You type a reply to Chan; brief, professional, and carefully constructed to match his tone:
Thank you. I appreciate it. I truly hope you’re good.
You send it without rereading, without allowing yourself to overthink, before opening your exhibition checklist. Then you immerse yourself in the practicalities of your upcoming show, burying your disappointment beneath layers of logistics and artistic decisions. 
You have permission. That's all you needed.
The rest? The unspoken words, the space between five clinical words and the volumes you wanted to hear? You'll transform into nervous energy for the exhibition. After all, isn't that what artists do? Turn heartache into something strangers can hang on their walls?
****
When opening night arrives, the gallery buzzes with bodies and champagne chatter. You smile with practiced ease as a woman in architectural glasses gestures toward your most vulnerable piece: Chan's torso in black and white, his face artfully shadowed beyond recognition, but his essence unmistakable to anyone who's ever run fingers along the ridges of his abs.
"The vulnerability here is striking," she says, and you nod, wondering if she can see your own nakedness beneath your carefully selected gallery outfit, your heart beating against your ribs like a trapped bird sensing freedom on the horizon.
"That's precisely what I was exploring," you respond, your voice pitched perfectly between passionate artist and composed professional. "The tension between revelation and concealment."
The Harlow Gallery hums with the particular frequency of successful opening nights: crystal glasses clinking, expensive perfume mingling with the subtle scent of the fresh flowers arranged strategically throughout the space, conversations rising and falling like tide pools of intellectual pretension and genuine appreciation. Track lighting casts dramatic shadows that seem to dance across the sleek white walls as people move between installations.
You've been on display nearly as much as your art tonight, smiling, explaining, accepting compliments with gracious nods while deflecting personal questions with practiced pivots back to technique or inspiration. Your outfit,  black, high waisted jeans and a silk blouse in a shade of gold that your best friend insisted makes your eyes and skin look "illegally good", was chosen specifically to make you feel armored without looking unapproachable.
A gallery assistant appears at your elbow with another flute of champagne, which you accept with a grateful smile even though you've barely touched your first. The cold glass against your palm grounds you as you survey the room, cataloging which pieces draw crowds and which visitors linger longest before particular portraits.
The unnamed portraits, displayed along the west wall in a deliberately subtle progression, have become an unexpected focal point. There are no names, no context; just light, shadow, and raw emotion. The Chan series, as you call them in your head, draw crowds who stand transfixed by their stark intimacy, unaware they're peering into their own fantasies as much as yours.
You watch as a couple stands before the centerpiece: the muscles in Chan's back rendered in exquisite detail, his head turned just enough that his jawline is visible but his identity preserved. The woman leans into her partner and whispers something that makes him nod slowly, appreciatively.
You feel a bizarre pride mingled with possessiveness. These strangers are connecting with intimate moments crystallized in grayscale, moments that belong to you and Chan alone. Yet sharing them was your choice; your art exists to be witnessed.
"The anonymity makes them universal," comments a man in a blazer too structured for the casual confidence he's attempting to project. "Yet they're so specific they feel like portraits of someone the artist knows intimately."
You offer a noncommittal smile. "Art exists in that space between the personal and universal."
"Did you sleep with him?" The question comes from a young woman with brightly colored hair and an MFA attitude, her voice just quiet enough to seem conspiratorial rather than rude.
You don't flinch, though something tightens in your chest. "I find that reducing art to biography limits its potential meanings," you reply, the rehearsed line flowing smoothly. You've anticipated this question, prepared for it, though hearing it still feels like a finger pressing into a bruise.
The critic from the local arts weekly approaches, notebook in hand, and you're grateful for the interruption. His questions are predictable but thoughtful, and you settle into the familiar rhythm of discussing inspiration and process without revealing the raw nerve at the center of this exhibition.
Hours pass in this manner; you circulate, champagne warming in your hand, feet beginning to protest against your sensible but still somewhat uncomfortable shoes, and your face aching from smiling too much. The gallery gradually empties as the evening progresses, guests departing in small clusters until only the most dedicated art enthusiasts and your closest friends remain.
Your agent catches your eye from across the room and offers a subtle thumbs-up. Red dots have appeared beside five pieces in the exhibition, each sold before the night is even over. Three from the Chan series. Success by any metric. You should feel elated.
Instead, you feel a curious hollowness. As if you've offered something precious to the world and the world has accepted it without recognizing its true value. Which is absurd; you created these works to be seen, to be sold, to launch this next phase of your career.
Eventually, even your most lingering supporters make their excuses. Your agent promises to call tomorrow with details about the sales and potential commissions. Friends hug you tightly, their proud whispers warming your ear. The gallery owner assures you the night exceeded expectations before instructing the staff to finish closing procedures.
"Take your time," she tells you with a knowing smile. "Artists should have a moment alone with their exhibitions. Lock up when you're ready."
Then they're gone, and the gallery transforms in their absence. The space seems to exhale, to settle into itself. The lighting, dimmed for closing, casts longer shadows that soften the stark whiteness of the walls. Without conversation to fill it, the room feels both vast and intimate.
You slip off your shoes, padding barefoot across the polished concrete floor, enjoying the cool firmness against your tired soles. The silence wraps around you like a familiar blanket. This is the moment you didn't know you were waiting for, communion with your own creation in the absence of external validation or scrutiny.
Your fingertips trail along the cool glass of one of the frames. You move slowly through the space, reacquainting yourself with each piece now that it exists in this public context rather than the private sanctuary of your studio.
When you reach the Chan series, you pause. In the softened light, the portraits seem to breathe with a life of their own. The careful shadowing that preserves his anonymity now looks like an invitation to peer closer, to discover the secret at the heart of each image.
You press your palm flat against the glass, as if you could reach through it and touch the texture of the print.
"They look different than I’d expected."
The voice freezes you in place. Low, accented, and unmistakable even after all these months. You don't turn immediately, irrationally afraid that doing so might dispel what must be an auditory hallucination born of exhaustion and champagne.
But then comes the soft sound of footsteps, and you have no choice but to face the source.
Chan stands at the far end of the gallery, half-illuminated by the ambient lighting. He's dressed simply, yet impeccably; black jeans, a white tank top beneath a black designer, tailored suit jacket, and those beat-up Converse he's always favored. His hair is slightly longer than when you last saw him, wavy strands falling across his forehead perfectly. The silver chain around his neck and the silver rectangles in his ears catch light as he shifts his weight.
Dimples frame his gorgeous smile as he stands there, hands shoved deep in his pockets like he can’t quite tell if he belongs here or not.
"Different from what?" Your voice emerges steadier than you feel, a small miracle.
He moves closer, each step deliberate. "Different from when we took them, I guess. You made me look… human."
“You are human, no?” you say with a small smile.
“Correction. I’m an idol.” He smirks, causing you to stifle a laugh at the memory of him sharing with you that part of the training they all received was that they could never admit they used the bathroom.
He stops before one of the pieces to the left of the centerpiece. In this portrait, one bare shoulder faces the viewer, head turned just enough to reveal the edge of his profile, one earring catching the light.
"You made me anonymous." It's not a question or an accusation, just an observation.
"I promised I would." You move closer, still maintaining a careful distance. "Your privacy was always going to be protected."
"I know." He nods, eyes still fixed on the portrait. "I trust you."
Three simple words that somehow mean more than his brief email permission. You swallow against the sudden tightness in your throat.
"Why are you here, Chan?" The question emerges harder than intended.
He turns to face you fully now, and the full force of his attention hits you like a physical touch. His eyes, those soft brown eyes that can turn so intense, search yours.
"I wanted to see them. See how they looked here, on display." He gestures vaguely at the gallery space. "I didn't want to come during the opening. Too many people. Too much…" He pauses, searching for the word. "Performance."
You understand immediately. His life is an endless series of performances, of being watched and evaluated. This, whatever exists between you and him, happened in a private space, away from scrutiny.
"How did you know I'd still be here?"
A small smile plays at the corners of his mouth, one of his dimples appearing. "I guessed. You seem like the type to always stay late. After shows, after shoots. You like the quiet after everyone leaves."
The fact that he deduced this about you from knowing you for a day, this small, insignificant trait, makes something warm unfurl in your chest.
"Do you want me to show you around?" you offer, gesturing to the exhibition.
"I'd like that."
You move through the gallery together, maintaining a careful distance that nonetheless feels charged with potential energy. You explain certain pieces, the techniques you used, the challenges you faced. He listens attentively, asking questions that reveal he's paying genuine attention, not just being polite.
When you return to the Chan series, a comfortable silence falls between you. You stand side by side, both facing the portraits that capture moments only the two of you remember.
"That morning," he says finally, voice low enough that you have to lean slightly closer to hear him, "after our impromptu photo shoot. When we lay there together..."
He doesn't finish the sentence, but he doesn't need to. You remember perfectly. The camera set aside, his arms holding you tight, your head on his chest, before you straddled him and the two of you fucked slowly, one last time.
"I never forgot," he continues as his eyes settle on the portrait of both of your legs tangled together with the sheets. "Even with everything; the tour, the comeback preparations, the endless meetings and recordings and fittings."
Your heart stutters in your chest. "I never forgot either."
His eyes find yours now, something vulnerable and determined in his gaze. "I know my email was short. Too short. I wrote about twenty versions before I just…" He runs a hand through his hair, a gesture so familiar it aches. "I didn't know what was appropriate. What you wanted. If things had changed. But I wanted to ensure you had what you needed. So I just hit send."
"Nothing changed for me," you admit in a whisper, the words escaping before you can consider their wisdom.
Your fingers brush as you both shift position, and you feel a spark. Neither of you moves away.
"I'm here for three weeks," he says as he intertwines his fingers with yours, the casual tone of his voice belied by the intensity of his gaze. "Longer than I usually get. Some meetings, some studio time, but... lots of gaps. Actual free time."
You nod, not trusting your voice.
"Would you…" he starts, then reconsiders. "Could I see more of your work? The stuff you haven’t shown anyone yet?"
The invitation is clear; not just to show him your art, but to rebuild the private space you once shared. Where he isn't Bang Chan of Stray Kids, and you aren't a photographer with a sold-out exhibition. Where you're just two people who created something together that exists beyond glossy prints.
"Yes," you answer, simple and direct. "I'd like that."
His smile breaks slowly across his face, dimples appearing like parentheses around joy. In this moment, he looks exactly like the man in your most treasured, private photos, the ones too intimate to ever display.
"Tonight?" he asks, hope threading through the word.
"Tonight," you confirm.
“I made hotel reservations, but…”
“You can stay with me,” you whisper.
He nods. “I’ll call my manager and have him cancel.”
You stand together, face to face, before the images that capture your shared, secret night, the air between you charged with the promise of something more real than art, something waiting to be brought into existence with careful hands and open hearts. Chan’s hand reaches up to cup your cheek, the touch featherlight as though he’s worried you might vanish. He pauses, thumb grazing your skin, searching your eyes for any hesitation. Then he cradles your face with familiar tenderness, leaning in until his lips brush against yours, gentle at first. The kiss deepens, drawing you in. You taste longing and the months between now and your last kiss, an entire year compressed into this one moment. His mouth moves with a deliberate slowness, as if savoring every second he wasn't sure he’d get again. His free arm circles your waist, tugging you closer until there’s no space left between you.
The two of you indulge in the quiet, charged moment. There are no loud declarations, just two people finding each other again. Maybe for real this time.
My Masterlist
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kalinazlatkova · 2 months ago
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“The Art and Making of Arcane: League of Legends” 🎨🎨🎨🎨 Book Review Under the Cut 
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If you enjoy my work, please consider supporting me on Ko-fi 👛🫙✨🖤 Thank you! 🥰
Hi All! 😊 As I have amassed loads of Art Books throughout my degree and in my work as an illustrator, I thought I could do some reviews so those of you who are just now embarking on your art journeys and wondering whether something is worth spending money on, can make an informed decision about what part of your creative development you want to put your money towards.     I’m thinking of structuring the reviews in five key areas, with books earning a palette for each area they score against, with a total of five palettes being the max, and a brush being awarded in areas where a book can only score half a point. As someone from a working-class background who is also neurodivergent, I’m especially mindful how these things can impact the way in which we access information and new knowledge. Of course, if you have any suggestions on what else should be included, please let me know and I’ll be happy to consider this in future too. 😊  
Now! Off to the main bit... 
Is the book Useful? 🎨 
I think this would of interest not only to fans of the game and series alike, but also less experienced artists who want to learn about the motivation, inspirations, ideas, and thought processes behind the storytelling, characters and plotlines. Alex and Chris (the Creators) talk about the history and background of how it came to be, how the right group and studio of people were found to bring it together, and how the story and visuals were built from the smallest details to the major production hurdles. There are the back scenes of the storyboarding and character designs, with frameworks and the timeline between the layouts of the game vs the show. The book also goes down into details on the music, lyrics, color schemes, speeds of animation, backgrounds and the in-depth world building of Arcane. It pays attention to the visual and personal development of the central characters, their set bases and their props. Given all of this, I would say – Yes. It is a very useful source and guide on master adaptation, for those already interested in the game as well as those who have just come into its world now, brought in by the art of the show before they got caught in the story.  
Is the book Engaging? 🎨
The book design has been planned thoroughly, and the content is very well paced. There is good overlay between photographs, illustrations, game graphics and show scenes alongside the text and other visuals. The design of the book is beautifully done, with phenomenal coloring, and good spacing between the texts and images. As someone who struggles with big chunks of text, and a very temperamental attention span, the way that the chapters and sub-sections of the book are broken up, helped me quite a lot in managing to keep my focus and my mind engaged at one page at a time, without feeling the need to put it down indefinitely or jump ahead and move on to the next bit before I was done. Therefore, I would say – Yes. It is manageable, digestible, and entertaining, which makes it a joy to engage with, and even more so because it can be done so easily.  
Is the book Accessible? 🖌️ 
There might be some pages where people who are easily visually overstimulated might struggle to keep with the text, as the graphics fill the sheet and overlay each other quite strongly. However, if you are someone who prefers the strong visuals of a comic book or a graphic novel, then this might not be an issue for you at all. Overall, the blocks of text come in small chunks and are set in narrow columns with a max of 15 words to a line at its longest (on average up to 10), which makes the text easier to follow. Though the typesetting of the book is primarily in serif fonts, and on some pages the text blocks are slanted to fit the visuals’ layout better. I have an advantage that I have a digital copy and can easily zoom into the text, though if you had the physical copy of the book (judging by the format size of 23.5 x 3 x 32.4cm) there might be some pages where you struggle with the smaller lines. From what I have been able to find out, the standard hardcover edition weighs approx. 800gr, which isn’t very light to carry or hold up with one hand, especially considering a thick rectangle is less manageable than a single bag of sugar or bottle of water for example. In terms of language, it is written in plain English (in EN speaking countries) and even though I am not a native English speaker, there were no overcomplicated structures or words I was unfamiliar with at any time. So overall, I would say Yes and No. It is up to you to decide whether any of the above is a deal breaker regarding accessibility, but if it is in the physical aspects, I would advise in looking for a digital copy alike myself as well.  
Is the book Affordable? 🖌️ 
Well. When I was looking for a copy, unfortunately there were no paperbacks available, and the only hardbacks were second hand varying in price point from £40 - £80 GBP. Which is about $50 – 110 USD, or €45 - 95 EUR. I also could not find any free digital copies, so my only option was to buy the book on Kindle for £14, or approx. $18 / €16. Given that when I was a student, I used to live on £1 a day (my family is poor), I think that up to £80 for a single art book is a high price to pay, especially for a young person who isn’t in full time employment. But even though I am a working adult now, I still wouldn’t pay this for the book given that the actual cost was £40 before it went out of stock, and the price has been inflated solely because the book isn’t physically available anymore. Due to this, and because it is the right thing to do, before making a purchase, I would adamantly encourage you to check with the library(ies) near you first. If they have it, you can borrow it for free and make copies, scans or take pics of it if you’d like to make your own digital copy. If this is not an option, look for it online and check if there are any torrents on the sites you have access to where you live. Only if you exhaust all other options, or if you are dead set in buying a physical copy for a memento / getting it signed by the artist type of keepsake, should you consider purchasing it at the inflated price. So even though the book might be affordable to those who have the money, that simply isn’t applicable to most people, meaning that – No. It isn’t affordable as it would not fall into most people’s budgets easily or without being looked at as a luxury.    
Is the book Worth it? 🎨
Even though due to points 3 & 4 above, I cannot give the book a full 5 palettes, and must settle only on 4, I would say – Yes. It has been great to learn more about the backstory and history of Arcane and the people who made it possible. The work they’ve put in for years, each single step in their journey and the care and dedication that has been poured into the creation of this new world. It has been lovely to gain an insight into the visual development of the series, as well as the character building, and the considerations awarded to all the small things that make them the characters that they are and the characters that we love. I may have never played LoL but I absolutely loved the show. Though even if I hadn’t seen it, from the perspective of a graphic designer, I can certainly appreciate the beauty of Arcane and this book still. And if like me, you are new to this world, then I suspect the book will make you love it even more. It’s worth it.  
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ohnoitstbskyen · 1 year ago
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I know it would probably bring a lot of hate comments but I am begging you to roast the hazbin character designs because I'd love to have someone properly articulate why they don't work so I could send it to people who won't believe me when I tell them. 🫠 Understandable if you don't want to get into it though.
I don't think there's that much there to roast, honestly?
Those designs are clearly an extremely specific stylistic choice, and because that style is consistent throughout the show, it ultimately feels coherent with itself.
There are trade-offs being made. Because Hazbin's design style is SO stylized and so heavy on decoration and detailing, because it puts a lot of emphasis on costuming, it isn't as good at communicating specific character storytelling as a more grounded style could be (it's kind of the same tradeoff that stuff like Genshin Impact makes).
Like, why does Sir Pentious' hat have an eye and a mouth on it that makes its own expressions? Apparently not for very much reason at all, except that Pentious has a bit of an eyes-motif going on in his design and it was one more place to put an extra eye. And that's a valid criticism of his design, but also the entire show is designed like that, so frankly it would be weirder and more out of place if his design alone didn't have that kind of overelaborate decoration going on.
It does create a situation where I have a hard time "reading" the character designs sometimes. For example, Vox, Alastor and Pentious all wear a similar style of suit with upwards-turned shoulders, butterflies and pinstripes. Now, am I meant to read that as Vox imitating Alastor due to his crippling need to replace and outdo him, and Pentious imitating the style of powerful Overlords because he thinks that possessing their level of power will finally give him relief from his paranoia and self-loathing?
Or is it just a design fixation of the creator who keeps putting their characters in suits because that's just what they like? I can't really be sure, because sometimes design elements are used to intentionally tell stories about how characters relate to themselves, their world and one another, but plenty of other times designs look the way they do Because Of Vibes.
But again, that lack of clarity is clearly an intentional trade-off - and the benefit of that trade-off is a design style that is extremely varied, wild, expressive and memorable. Hazbin Hotel seems like a very easy show to draw fanart of, and a very fun show to draw fanart of. Those designs (especially the hyper-expressive faces) are begging to be the subjects of traumatic headcanons, unbearably cotton-candy soft fluff fantasies and weird, taboo, homoerotic power dynamics. Slaps roof of character design, this bad boy can express so much vicarious emotional intensity.
It's very exuberant, very excited about itself and very self-indulgent, it's a style that prioritizes visual impact and visual interest over readability (something which the animators of the show navigate with real skill, props to them) and individual aesthetics over worldbuilding.
And I don't blame anyone for being turned off by that (I certainly was the first time I started seeing those designs going around), but I would struggle to call the show's designs "bad" when they are clearly achieving exactly what they want to achieve.
I have some criticisms, especially re: how the show treats skinny bodies as an unquestioned, desirable default, and employs fatness as a means of alienating and abjecting the audience. That sucks very badly, and is a serious disappointment, and one of the few places where the show feels like it is being cowardly in its design philosophy. But I don't have it in me to do some kind of Hazbin Hotel Sucks And Here's Why takedown, its problems are not unique or extreme enough to warrant it, at least not as I currently understand them.
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thequeensjester · 3 months ago
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S1 • EP8 ➤ In the Forge: Lighting and Film Blocking
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I think this shot is one of the story-defining shots of s1. It's often and rightfully praised because of the shadow of a chain leading to Celebrimbor. I think the entire scene is worth revisiting. It's one of Wayne Che Yip's strongest directed scenes.
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This scene begins with a close-up on the mithril ore because its use is the source of conflict. I think it's a great choice to have Gil-galad hold the ore because it looks rather ordinary compared to his accessories and clothing jewels. Yet, the ore will change the course of their world.
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Yip follows up the shot with this a low angle middle shot. This particular angle helps the tiny ore stand out. The lighting only falls on Gil-galad's body and hands. Yip also uses the set's arches to further frame his hands.
Yip has done this before in a Numenor scene between Pharazon and Kemen.
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Now we get to film blocking. Blocking is how and where both the actors and cameras are positioned and moves, in relation to other actors, sets or props. This helps guide the audience's attention to important moments. Blocking helps create those beautiful cinematic shots. It is key to visual storytelling.
Generally, I think blocking in ROP is inconsistent, which is unfortunately more common in media now and not exclusive to the show. However, when it's done well in ROP, it is noticeable.
In this scene, the actors are positioned two on each side with the second actor standing slightly behind. So instead of cutting to a close-up, Yip changed lens focus depending on who is talking. To me, this is neater. This is also setting up Galadriel's revelation later.
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The scene progresses to the first of many four-person shots. Elrond, Gil-Galad and Celebrimbor are standing in the shadows. Galadriel is the only one standing closest to the light but only half of her is in the light, which is important when the camera later changes angles. There's also a small light column hovering over Elrond, which will come into play later.
For this particular camera angle, where Gil-galad stands is important—between Elrond, Galadriel and Celebrimbor, who purposes how to use the mithril and that its craft would be placed in Gil-galad's charge. Gil-galad is uneased at the idea of one person wielding that much power. He also believes their time is up.
I also want to point out the costumes. I think the color palette of the costumes mostly match. However, the Lindon gold looks so much stronger in this lighting and it works well with Gil-galad opposing the other three.
We also see the red in Celebrimbor's costume. I believe Celebrimbor wore this costume at the Lindon feast scene with the dwarves but it is striking that this particular costume is worn again after he met with Halbrand. This costume returns in s2 when red is further used as the color of decay and corruption.
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When we finally get individual close-ups of Celebrimbor and Gil-galad, the dramatic lighting emphasizes the darkness in Celebrimbor's proposal and Gil-galad's unease.
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Then Yip follows up with *the* shot but I think the lighting here reveals even more.
With how Galadriel is blocked in this scene, she also casts a shadow onto Celebrimbor—which I think reflects her choice in bringing Sauron to Eregion. Here we clearly see that half of her is covered in shadow.
This is the most light we see on Gil-galad in this scene. He also looks to be standing closer to Galadriel and Celebrimbor, whereas Elrond is tucked away in the shadows, at the edge of light.
I think there's a status element. In ep1, when Elrond hid in the trees to write, a courtier tells him that he's not invited to an upcoming session with the High-King because only Elf Lords were invited.
So even though the elves needed Elrond to get mithril and now they have it, Elrond is still on the outside but not for long.
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This shot marks the first major movement of the scene. Emotions escalate quickly when Gil-galad rejects Celebrimbor's proposal.
Gil-galad's movement now reveals a full light column on Elrond. It's literally his time to shine.
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Elrond steps forward to convince Gil-galad. The blocking changes the power dynamic of this shot. Celebrimbor is the closest to the camera but is disempowered by Gil-galad's decision. He also looks further from the other three. We don't even see his face.
The lighting and blocking here also breaks up the group into 3 sections. I think it reflects the separate narratives for Elrond & Gil-Galad, Celebrimbor and Galadriel.
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Celebrimbor argues his case (left) and finally mentioned the Unseen World, which grabs Galadriel's attention (right). Yip uses camera lens focus transition and then zooms in on Galadriel—highlighting her concerning revelation.
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We go back to a four shot. Now, Gil-Galad stands furthest left and Elrond is closer to Galadriel and Celebrimbor—all three aligned to use the ore.
Except, again Yip uses the set arches in this composition. Elrond is separated from Galadriel and Celebrimbor's shared arch, which is foreshadowing Elrond's mistrust of the Elven rings.
Galadriel is the most illuminated character here because of her revelation from Celebrimbor's words.
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Gil-galad orders them to shut down the forge and return to Lindon. When he exits the scene, he walks in front of Elrond. I think this the most practical choice for the audience. He is the High-King and visually, his Lindon gold cuts through the union of the other three.
But, we're not done here. The two harsh light columns on Galadriel and Celebrimbor highlights what we're anticipating.
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Galadriel carefully asks Celebrimbor about 'power over flesh.' She stands in the light, trying to unveil the truth but he's in the shadows.
At first, they're facing the same direction but when Galadriel presses further, we get this close-up and Celebrimbor's close-up remains like this until he walks away:
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This shot is short-sided—a character's face (and eyeline) is close to one side of a frame.
It can be used to show disconnect between characters or unease, shown here. Celebrimbor is flustered and annoyed at Gil-galad's decision that he can't even look at Galadriel.
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Our final shot of this scene is a lingering wide-shot of Galadriel. She is alone in her thoughts. I think it's a great way to use space and lighting to show Galadriel's mental and emotional state without using a close-up. She started the season feeling alone, but certain, in her pursuit of Sauron and this moment brings her back to that.
— credit: cap-that.com
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surely-sims · 11 months ago
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Using WW for SFW Story Poses (and why it's so cool!)
This is an advanced workshop for storytellers looking to take their stories to the next level. Animating furniture (beds, doors, etc), Summoning in-game props from Build Buy, and adding Visual Effects (smoke, steam, etc) to your poses and animations. This class assumes that you are already comfortable with making your own poses.
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goodbyeyellowbrickcloset · 1 month ago
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The Mirror Atlas: An Intro to Taylor Swift’s Reflection
I’ve been fascinated by Taylor Swift’s use of mirrors for a long time and the deeper I look, the more prophetic it becomes. Mirrors in her world are never just props. They’re signals. Symbols. Tools of revelation and concealment. A mirror might reflect a self, or fracture it. It might hide a truth in plain sight... or hold someone else entirely.
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Now, nearly a decade after Kaylor, I remain ~unashamedly~ convinced that there is still a story being told. Whether it’s past or present, I don’t claim to know. I’m willing to wait, watch, and listen as it all unfolds. One thing is for sure, it's impossible for me to ignore. When I see a compact mirror in Karlie Kloss’s hand at the 2025 Met Gala, I can’t unsee it. The mirror is a portal—and she opened it on camera.
It’s no secret that Reputation was misunderstood when it dropped. What amazes me is that, even now, most of the fandom still doesn’t seem to get it. But maybe that’s the point. Maybe Taylor only ever meant for it to be revealed in hindsight. And maybe that’s why the rerelease is taking so long... When it comes, it’s going to be just as devastating as the first time watching it go over people’s heads again.
As I explore this, it's important to note that I see the mirror theory and eye theory in the same vein. So, if the visible eye on the Reputation album cover really is Karlie’s (and I believe it might be), then what we’re looking at isn’t just a concept album. It’s lore buried so deep, it’s taken years to even begin surfacing. Yeeeears to really start clicking.
This post is the beginning of a larger project, tracing the moments where mirrors appear in Taylor’s visual storytelling. Not as decoration, but as active participants in the mythos. This is about symbols that shimmer with double meaning—about what Taylor tells, and what she leaves unsaid. These are three mirrors that matter.
We begin in the present, with a mirror held by someone who’s never really left the frame.
1. Karlie Kloss, The Compact Mirror, and Met Gala Moments
On May 6th, 2025, Karlie Kloss posted a carousel of “getting ready” images to Instagram following the annual Met Gala. Her look that night? Glamorous, gleaming, and a little too Reputation coded, especially given who's watching. However, the morning after brought the smoking gun.
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In one image, Karlie holds a compact mirror. The reflection shows an eye that doesn’t quite look like hers. It appears softer, rounder. There’s a flash of blonde bangs in the frame.
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Peculiar, for sure...
A video in the same post, sped up to near-invisibility, shows nothing unusual at first. But slowed down, the reflection seems to catch the shape of someone else entirely. Some say it’s Taylor. Some say it’s just a trick of the light.
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But to those of us watching closely, it’s giving the Call It What You Want Miss Americana clip all over again. Five years going strong.
Even the background audio adds weight. The song playing over Karlie’s video is “U Weren’t Here I Really Miss You” by Cult Member and Mia Martina. Released in 2019, the title alone echoes themes of absence and longing. It’s soft and moody and truly feels like a fever dream. If this was a curated moment, the music choice may be the quietest clue of all.
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At the same time, Taylor is currently selling a compact mirror on her official site. It’s etched with the lyric, “Are you ever dreaming of me?” from Delicate.
A lyric about vulnerability, desire, and the terrifying risk of being truly seen. The mirror in Karlie’s hand lives in a video viewed thousands of times. Sure, they're not the same object, but they speak the same language. One asks the question. The other hovers near the answer.
Oh, the compact mirror... This wouldn’t be the first time it's made an appearance in their shared visual universe. In 2015’s Bad Blood—the cinematic music video where Karlie played the knife-throwing assassin Knockout—compact mirrors flash a couple of times.
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In one shot, a mirror is held by Selena Gomez's character, Arsyn, and reflects Taylor (her character, Catastrophe) mid-battle. Right after, Arsyn blows smoke off the mirror into Catastrophe's face and she falls, shattering the glass wall behind her. In another moment, Gigi Hadid’s character, Slay-Z, holds a compact that functions more like a weapon than a beauty tool. The mirror isn’t for touch-ups. It’s used to see, to target, to surveil.
For my own entertainment, while we're at it and talking about Bad Blood, I wanted to note what I see as Bad Blood callbacks in two of Karlie's Met looks: 2025 and 2016… go figure.
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The Met madness is deep within Gaylor lore and it's something that deserves it's own dissertation. For the sake of chronicling, let's turn our eyes to 2019. On the night of the Met Gala themed Camp: Notes on Fashion, Karlie posted a photo holding a compact mirror with the caption: “Looking camp right in the eye.” It was clever and pointed. For most, it was totally misunderstood. For some, it felt like the photo winked.
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Camp, in its purest form, is queer—an art of exaggeration, subversion, and coded visibility. The fact that Karlie chose a mirror to make that statement only deepens the meaning. It wasn’t just a nod to the theme. It was a reflection held up to the gaze itself.
When a motif returns like this: same object, same players, years apart... it stops being aesthetic and starts being intentional. The compact mirror isn’t just a prop. It’s a reflection of things unsaid. When Karlie picks it up in 2019 and again in 2025, we’re not just watching a routine beauty shot. We’re seeing something resurface. A deep portal. A time travel. All the love we unraveled and a whisper that says: I'm still here.
2. Reputation – The Disappearing Act
If there’s an era where mirrors stop reflecting and start breaking, it’s Reputation. The visual and lyrical language of this album is all about distortion, erasure, and strategic self-construction. It’s not about being seen—it’s about being watched. And what better symbol to carry that weight than a mirror?
Let’s start with the cover.
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EYE THEORY TRUTHERS, RISE.
The Reputation album cover is a grayscale newspaper layout that blankets half of Taylor’s face. Some believe the visible eye belongs to Taylor, and the obscured one? Karlie’s. (It’s me. Hi.) A theory, sure—but the ambiguity holds. The cover itself becomes a mirror. Or maybe a mask. Either way, it’s hiding as much as it reveals.
I need to make my own Eye Theory deep dive (and I will)... but if you're interested now, there are so many lovely Tik Tok creators that are a total wealth of knowledge :)
Digging into the album, the use of mirrors continues. For the sake of this being an intro, let's touch on a relevant music video from this era.
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We’ve already seen the compact mirror show up in Bad Blood, where it’s held like a weapon. But in Delicate, the mirror becomes something more slippery—something emotional. In this video, Taylor isn’t fighting anyone. She’s trying to find herself. And the mirrors in the video don’t reflect a consistent identity. They shift. They vanish. They resist.
Let’s break it down.
00:33–00:36 In the opening hallway scene, Taylor walks with her bodyguards through a grand hotel corridor. She catches a glimpse of herself in a passing mirror, and something strange happens: she and the guards stop, walk backward, then charge forward again. It’s as if the sight of her own reflection interrupts the performance. The self in the mirror is the managed one. The one who turns around? That’s the version trying to break free.
00:44–1:02 In the dressing room scene, Taylor stands alone, making wild faces into the mirror. It’s one of the only moments in the Reputation era where she’s truly unguarded, and it’s with her reflection. She isn’t performing for the world. She’s performing for herself. It’s silly, strange, and a little unhinged. It’s honest.
1:03–1:12 But then, the spell breaks. Three women enter the room. Taylor vanishes. And so does her reflection. The moment she’s no longer alone, the mirror erases her. That is not subtle. That is design.
2:34–2:45 Later, in the elevator scene, a woman stands beside Taylor, smiling, applying lipstick, completely unaware of her presence. Taylor is still invisible. She exists outside the reflection, outside the frame, outside the narrative.
To me, Delicate is one of the most emotionally rich videos in Taylor’s entire visual canon. It’s a meditation on freedom—the kind that only comes when no one is watching. The moves she makes in the video are strange, almost feral. And I think that’s the point. She’s showing us how she behaves when the mirror no longer holds her. When she’s unseen and alive.
There are more mirror moments in Reputation that we’ll get to in the Mirror Atlas, but Delicate stands alone in its depth. It isn’t just a pop video. It’s a reflection of what happens when the reflection disappears.
3. mirrorball – Shimmer, Performance, and Emotional Reflection
If Reputation was about erasure, mirrorball is what’s left behind in the spotlight. It’s one of Taylor’s most quietly devastating songs—soft in delivery, but sharp in what it reveals. This time, she isn’t looking into a mirror or breaking one. She’s become the mirror itself.
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In the Long Pond Studio Sessions, Taylor describes mirrorball as a song about performing through pain, about the exhausting need to be “everything for everybody.” She compares herself to a disco ball—beautiful because it’s broken, casting fractured reflections for others to enjoy. “If you break it, it’s just made of a million pieces of broken glass.” That’s the metaphor. And it’s not just poetic—it’s literal.
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She didn’t perform mirrorball in a mirrored outfit on the Eras Tour, but that detail only makes her earlier choices more significant. In 2018, at the American Music Awards, Taylor stepped out in a full mirrorball dress. A mosaic of tiny mirrored tiles wrapped around her body. She wore it to accept awards for Reputation, the album that she’s still letting us unravel. The look was bold, but intentional. She showed up shining—reflective, beautiful, unreadable.
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In 2023, at The 1975’s concert in London, Taylor made a surprise appearance wearing another mirrored mini-dress. It wasn’t just a callback. It was a performance of an identity. She was stepping into a space filled with speculation, projection, and fantasy—and she wore exactly what the crowd would expect. Not because it was her. Because it was what they wanted her to be.
And that’s what makes mirrorball so devastating. The mirror isn’t something she holds. It’s something she becomes. In the crowd’s gaze, in the fandom’s theories, in the industry’s demands—she reflects, refracts, and never quite settles into her own outline. Even her absence is curated. At the 2025 iHeartRadio Awards, Taylor didn’t attend, but sent a performance clip of mirrorball from opening weekend of Eras. She didn’t appear. The mirror did.
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Some may believe otherwise, but to me, this isn’t a song about love. It’s about exposure. About what it costs to be adored, interpreted, and seen only in fragments. mirrorball doesn’t reveal who Taylor is. It reflects who we ask her to be.
And maybe that’s the point. I mean, the last thing we’ve heard from her in months was a clip of mirrorball standing in for her at the 2025 iHeartRadio Awards. Now, there's many buzzing fan theories of all sorts stirring around the 2025 AMAs. If she were to break her silence there, it'd be on the same stage where she first wore that Balmain beauty in 2018. it’s hard not to feel like the loop is closing. The timing is too sharp to ignore.
The End of the Intro, The Beginning of an Atlas
So, given this brain dump, I hope it’s clear that my interest lies in the mirror—not just as a visual, but as a motif woven through Taylor’s body of work. What I've started here is just the beginning, but even with only three moments, the pattern starts speaking for itself.
It’s enough to say with confidence: the mirror isn’t just a flourish. It’s a signal. A portal. A language. And once you see it, it’s everywhere.
This post isn’t a thesis. It’s a foundation. A first pass at something deeper, something still unfolding. The Mirror Atlas will grow—moment by moment, frame by frame—as we trace this reflection through Taylor’s universe.
If you’ve noticed a mirror—literal or symbolic, lyric or live—share it. The comments are open. The story is still being written.
And if you ask me, this mirror trail feels less like theory, and more like an invisible string tying Taylor to… her.
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tossawary · 2 years ago
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The last time that I rewatched "The Fellowship of the Ring" (extended edition, of course), my favorite new detail that I noticed is that the characters, once they set out on their journey, are pretty much always traveling from screen-left to screen-right.
It had been a few years since I'd seen the films and I'd learned more about filmmaking in that time. I'm completely biased regarding the LOTR films; they're not perfect, but I grew up on them, I love them. I was trying to take notes on all of the little details that made the world of the films seem so rich and so enchanting to me. The camerawork, character staging, and editing is one of the many things that just happened to jump out at me at this time.
When Frodo and Sam are leaving the Shire, the camera is set up in such a way that they start on the left side of the screen (<- that side) and travel across it to the right side of the screen (-> that side).
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This way to go the farthest you've ever been from home. ->
As the hobbits travel from Bree to Rivendell, as the Fellowship travels from Rivendell to the Misty Mountains, all of those gorgeous scenic shots of the Nine Walkers show them moving from screen-left to screen-right. I haven't rewatched the entire trilogy lately, but in "The Fellowship of the Ring", it is so beautifully consistent.
There are a handful of reasons why this is done. In staging and editing, consistency regarding where the characters are placed on the screen is a storytelling tool. For example: the "180 degrees rule" says to generally keep the camera on one side of the characters within a scene, so that the audience can mentally keep track of the characters within the environment and focus on the action/dialogue. If we're watching two characters talking in a diner, even in the close-ups, one character will usually be kept on screen-left and be shown facing screen-right, and the other will be kept on screen-right and be shown facing screen-left. It feels stable. (People will sometimes choose to break the "180 degrees rule". It can be a tool to create a sense of disorientation and/or instability in the audience.)
In "The Fellowship of the Ring", the maps that the audience is shown of Middle Earth tell us that the Shire is located in the West (left side of the map) and everything else of relevance (Rivendell, Moria, Rohan, Gondor, Mordor) is East (right side of the map). As the characters consistently travel screen-right, the audience builds up a firmer mental map of Middle Earth and can better keep track of the characters' progress on their long journey. With every step that Frodo takes towards screen-right (->), we know that he is traveling East, taking another step towards Mordor.
Left to right may also instinctively feel like the way forward in a culture that writes and reads from left to right. Regardless of which way you write: if your film establishes extremely consistently that one direction is forward, then this visual language can be used to tell the audience that something is wrong if the characters start traveling from right to left. They might be lost! It builds suspense in the visual depiction of the characters going backwards and undoing progress! This all suits the lengthy hero's journey of LOTR very well, in my opinion.
There's an old joke that knowing how anything is made ruins the magic, and another old joke that knowing anything about filmmaking makes you insufferable to watch movies with, but I've never felt that way, especially not here. How does that quote go? It's still magic even if you know how it's done. (GNU Terry Pratchett.)
I find it enchanting, honestly, that so many people can work so hard for an effect that can seem so simple. Actors, directors, camera operators, editors, storyboarders, and so many others on the crew of the films consistently placed characters, sets, and props just so! So that the audience could more easily keep track of where everyone was and lose themselves a little more deeply in the story.
It's such a simple rule! And it works so well! Left -> Right. West -> East. Shire -> Mordor. Home -> Adventure. Known -> Unknown.
I personally recommend trying to keep track of character movement across the screen in films, especially if you have any interest in visual storytelling (films or illustration or something else). It's fun! It's impossible for me to unsee, watching "The Fellowship of the Ring" now, and I think it's a wonderful piece of movie magic.
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romchat · 6 months ago
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Favorite Visual Storytelling of 2024: Cdrama Edition
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Although I spent the better part of 2024 complaining about the state of Chinese dramas, one thing I did appreciate seeing in this year's lineup was all the lovely cinematography and production design on display. Not only did these visuals look great, but they were meaningful to the story.
In no particular order, here are my top picks of the year...
Favorite Use of Color: The Double
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Evocative and theatrical, The Double's cinematography definitely caught people's attention, splitting viewers into those who liked it and those who thought it was too much.
But what always struck me as refreshingly unique about the drama was its careful use of color . Check out how the following scenes have a completely different feeling because of their color palettes:
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Whether it's the fairytale romanticism of a white blossom forest or the queasy yellow and pink of a brothel, the show's colors always give us a sense of mood (and character) without needing much exposition. Really efficient storytelling!
Favorite Production Design #1: Fangs of Fortune
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If I included screenshots of all my favorite sets and costumes from my next pick, we'd be here all day.
I've always loved the energy and symbolism of Director Guo Jingming's visual storytelling, but his production design team in Fangs of Fortune really outdid themselves. The scale, shapes, and most importantly texture of each set gives the show a sweepingly escapist quality that we rarely seen in Cdramas. It is true high fantasy come to life, asking us to reflect on what it means to be human through the eyes of those who are otherworldly.
Favorite Use of Production Design #2: To the Wonder
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I was uncomfortable with the tacit political messaging of To the Wonder but the amount of care and detail that went into its production design is undeniable. People seem to mostly praise the drama for its idyllic on-location shots but I think it's the prop design and interiors that really sing because they provide insight into lives we rarely see represented on screen.
Favorite Use of Light: Love in a Dream
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When I see dramas like Love in a Dream, it makes me wish the industry would just throw money at all the talented and creative visual directors in the short drama circuit. A masterclass in contrast, this drama is absolutely gorgeous, and its dramatic use of chiaroscuro lighting makes it look like a cross between a Renaissance painting and shadow puppet show.
Was I always able to follow the plot? No, but who cares when every other scene looks like art.
Favorite Use of Camera Language #1: Tender Light
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Tender Light is a great example of using cinematography to establish the right tone for a story.
The story follows a woman being accused of murdering her abusive husband and the camera language actually mimics the social fallout of his death. Look at how it uses dirty framing, overhead shots, tracking, etc. to give the story a voyeuristic and surveillant feeling. It's like we (the audience) are being forced to invade the privacy of these characters, and in doing so, the show implicates us in the nasty gossip that surrounds our FL as much as the local townspeople spreading it.
Favorite Use of Camera Language #2: Regeneration
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From the opening shot of Regeneration , we learn that this is a world where it's difficult to distinguish reality from its equally compelling reflection. The drama is all about the stories people weave and the show plays with subjective cinematography to make us question what we perceive as the truth.
Runners-Up
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I dropped Blossom before I could get a sense of its visual storytelling, but the drama has Director Zeng Qingjie's signature dreamy, romantic visuals . Bonus: Li Yunrui looking hot in his gray wig.
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Riverside Code at Qingming Festival didn't quite work for me as a case-breaking story but the amount of research they put in the costuming and prop design is incredible. I hope Director Yang Fan gets more opportunities to direct big budget period dramas because his attention to detail is immaculate .
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And that's a wrap!
What was everyone else's favorite Cdrama visuals of 2024?
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tau1tvec · 1 year ago
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[ quote ]
Cain was invited by Bethesda's Todd Howard to the premiere event at the Chinese Theater in LA, and seemed to enjoy the big budget celebration of the Fallout series. As for the show itself, Cain had nothing but praise for the premiere, which consisted of the season's first two episodes. "I was literally at the edge of my seat," he said.
Cain appreciated the performances and storytelling, but singled out how the show nailed the Fallout "vibe" as its biggest achievement. "I was just looking at all the props," he said of one scene. "I realized after a few minutes went by that I had not followed the dialogue at all, because I was so engrossed by it visually."
On a more sour note, Cain took time to address the way fans of the series can behave poorly online, particularly regarding any perceived rivalry between Fallout entries developed by Bethesda (3, 4, and 76), and those from Interplay, Black Isle, and Obsidian (1, 2, and New Vegas). Cain spoke positively of Todd Howard, and said that "Some of the stuff you [series fans] say online is so off."
At the premiere Cain also caught up with Brian Fargo, founder of original Fallout publisher Interplay and currently the head of RPG studio inXile. In the past, Cain criticized Fargo when explaining why he left development on Fallout 2 to found his own studio, but Cain made it clear that their relationship is amicable, and that the development of Fallout 2 was a complicated situation from over 20 years ago: "People remember things differently, things happen differently, things affected people differently."
Unfortunately, Fargo seems to have experienced abuse online from fans reacting poorly to Cain's story, reactions which the developer strongly disavowed. "If we can get along, you guys can get along," Cain insisted.
"You guys can be really destructive," Cain said, "Which is odd, because you do it to people who are trying to make things."
[ end quote ]
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schmergo · 5 months ago
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My controversial opinions about the current trend of highly minimalist Shakespeare:
I like a minimalist approach to the Bard, but I think it has to be done within certain parameters.
Too many theatres seem to think that either everybody already knows the play and they don’t need to worry about the audience understanding everything OR they assume that nobody cares about Shakespeare and massively cut down everything except the celebrity leading actors’ lines. But if you play your cards right, audiences might actually enjoy other aspects of the play besides the stars!
1. A smaller cast is fine, great even. I’ve heard the estimate that Shakespeare’s plays might have been originally performed by about 15 people. A cast of 11-15 tends to work well in most spaces.
You can do an enjoyable Shakespeare play with 8-10 people (with significant cuts and doubling), but it doesn’t do anything to IMPROVE the theatergoing experience. And under 8 actors? It better be done for comedic effect or highly avant- garde, or it will be incomprehensible to most.
2. If you’re using a lot of doubling/tripling/quadrupling, you need to differentiate characters with costumes. Having everyone wear plain black minimalistic outfits or military uniforms only works if half the actors aren’t playing 5 different people.
As originally staged, Shakespeare’s plays didn’t have much in the way of sets, but costumes did a lot of storytelling. Even if yours are simple and modern, they should tell us something about the characters. The humble Friar Lawrence and the powerful Prince Escalus probably wouldn’t dress the same.
3. Similarly, if you’re doubling, tripling, etc. and significantly abridging the script, do not cut dialogue like “I have disguised myself as a monk!” or “They will never know that I’m secretly Bob!” Otherwise, they might think this is a whole new character they need to keep track of if clothes/accessories are the only signifier for that!
4. Also, try not to cut too many lines that establish a sense of place if you don’t have actual sets. Lines like, “Here we are in the forest” or “We’ve finally reached France!” are Shakespeare’s audience lifelines!
5. If you’re combining small roles to create composite characters, pay attention to those characters’ arcs. For instance, if combining all the minor lords in Macbeth into Ross and Lennox, maybe one starts more naive and the other more jaded, maybe one turns against MacB long before the other.
Don’t assign them lines that don’t make sense for their role, like if Lennox teleports between Scotland and England from scene to scene or if someone reacts with shock to news they already witnessed firsthand in an earlier scene. In general, treat your supporting characters like characters, not just vehicles to move the plot forward for the lead actor’s star turn, even if the lead is played by a celebrity!
6. Relying on voice and facial expressions only to tell the story, absent of sets, costumes, props, ensemble characters, or action scenes only works in a suitably intimate space. I don’t want to sit in the nosebleed seats in a 2,000 seat theatre and see a huge bare stage with only 9 people sitting or standing, emoting to only the first few rows.
Sitting through a play without following the story at all will make lots of people hate Shakespeare who may have otherwise fallen in love with his work after attending your play. “Stripping Shakespeare down to its bare essentials” can be raw and invigorating, just be careful not to remove binding ingredients or the whole recipe falls apart. The text can be tricky enough to comprehend, let alone with next to no visual signifiers to guide them. Work with the text, not against it! So many helpful tools are built into it!
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vinzul · 2 months ago
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I come with a different kind of work that I do (analysis and art direction) about one of my favorite pieces of art to ever be created.
What does Arcane tell us with its visual storytelling and art direction that ENHANCES the story? A LOT actually. And as many works of art, it takes inspiration from real life. So, Art Nouveau and Art Déco as seen through Piltover and Zaun.
First of all, it's important to note that both of these art movements originated in France, Art Nouveu during the Belle Époque and Art Déco during and after WWI. A few decades apart and IT'S IMPORTANT. Fortiche is a french animation studio so OF COURSE it fits like a glove.
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Art Nouveau came first during latter 1800s kind of like a protest or reaction against fine arts and Academic art which seemed elitist to some (sound familiar?). It wanted to infuse art with more freedom, creativity and vitality. Hence the name: "new art".
Also to mix artisanal work and more mundane expressions with art. That's why you can see every day things in this style. AN had its origins in the Arts & Crafts movement, but was also influenced by Asian styles, hence the long and decorative lines.
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Why's this important for Arcane? Well, because (disclaimer) old lore said that the Undercity (with a strong art nouveau style) used to be older until an earthquake created the Fissures and made the separation between Piltover more prominent. They used to be one city.
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I'm no expert on old League lore and we don't know many details about current one but it still fits thematically with what happened irl. Art Nouveau was always a rebellious movement and believed in bringing the arts to every day people. Just like Zaun is artistic everywhere.
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So what makes Art Nouveau (and hence Zaun) easy to recognize? Organic and fluid lines, ASYMMETRY, mix of different and modern materials like iron, glass, ceramic. But the most important imo is that it's the mix of different cultures. Remember P&Z are a hotpot of cultures too.
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Now then, Art Déco came later but as every movement, it's a response. During WWI (1914-1918) art became meaningless (in Europe) cuz when you're at war, what use is it? AD became a style that could bring purpose and worth to art again.
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In 1925, the International Exhibition of Modern Decorative and Industrial Arts in Paris presented a new "modern style" that would show PROGRESS and technology advancements to demonstrate that despite the war, there was smth to look forward to. "The future is BRIGHT!"
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It took off. And even though it was named Art Déco way later, we can see how art can influence public perception. AD was most popular in the USA (no surprises) and where we can see it shining brighter is in architecture.
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Art Déco and Piltover can be distinguished by geometric lines, SYMMETRY, sharp and clean designs, and an elegant showcase of artistic choices. That's why everything in Piltover is gilded and carefully curated. It represents exactly that: PROGRESS after war.
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So then we have these 2 art styles and 2 cities that seem completely opposite. But they actually complement each other. What one has, the other doesn't and viceversa. This is shown EVERYWHERE in Arcane. Character designs, environment, props, and even the tech they use.
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I'm not sure if this was intentional, but even Arcane's style kind of looks like it took inspiration from painters from that time period. Obviously Alphonse Mucha (art nouveau) is easy to recognize but maybe Tamara De Lempicka (art deco) not so much.
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So we have these two sister cities inspired by real life styles because all art is political. Zaun is older and community focused, while Piltover's newer and innovation focused. Piltover's SYMMETRY vs Zaun's ASYMMETRY and how you can read EVERYTHING through these lenses.
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From character arcs, to alliances and betrayals, to how the narrative evolves and changes and show when and WHY events happen. You could even predict what would happen from reading the place where it was going to happen. It parallels everything.
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But despite the differences, there is a bridge between the two cities and the story starts right there. Just like both Art Nouveau and Art Déco originated from the same place, France, where you can see both styles around the city coexisting. Bonus pic Piltover Montepellier
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And that's it for today, folks! There are OCEANS more of stuff going on visually in Arcane so lmk if you want me to dive in anything else, like char designs (you can see where they will end up in their design) and color in the show, which is so meaningful.
Disclaimer, I'm no art historian at ALL and I used an oversimplification of each art style and movement in this post so it was easier to understand. But if you liked this, I suggest reading more about it, it's super interesting! I love Arcane with my whole heart <3
Disclaimer #2, I didn't work at Fortiche ( :C ) or Riot either, this is only an analysis. If anything here was unintentional from the artists and creators, that just speaks more to the incredible work they did.
Arcane's one of the most important masterpieces of this era imo
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zo1nkss · 17 days ago
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So I just had a thought. I was a little surprised Tony welcomed Winner back so warmly after he just sort of failed spectacularly at every single order he was given, up to and including getting thrown in jail.
And I know Tony views himself as like a father to the people he takes under his wing, and Winner displayed a lot of blind loyalty in exchange for a little slice of power. So Tony would obviously want to milk that. Of course that angle makes sense.
But it's the attitude that gets me. Because he was never that forgiving of any of his "children". He threw Charlie out when he couldn't live up to his expectations, and he almost did the same to Kenta. But strangely, when he broke them out of prison his tone and demeanor toward Kenta had drastically changed. And I have a lot of thoughts about this, but I want to jump ahead a little and start with a certain detail I've kind of been squinting at the most through all of this.
Hair Down was A Choice. That wasn't just an aesthetic shift. Every single aspect of a production is accounted for. Every prop in every shot, every detail of the wardrobe, every sound in the back AND foregrounds, every lighting shift. Everything is curated to coincide with the story at play.
Tony with the ponytail was up-tight, unforgiving, quick to violence, and had expectations higher than the Eiffel Tower.
Hair Down Tomy is warm, friendly, inviting, forgiving. Its okay that Kenta stabbed him with full intent to kill, effectively taking away his ability to walk (though temporary as he is ambulatory right now). It's okay that Winner never accomplished a single thing he was sent off to do. It's okay that Kenta refuses to come back to his "family" and chooses to walk away. Everything is fine.
Something that sticks out to me about this correlation is that hair down, covering the face, hiding his features. This is one of the many visual storytelling tools that is sometimes used to represent a disconnect between what a character is saying, and what they're thinking. He's hiding something behind that curtain of hair.
In season one, he had the power of his image and reputation to protect him from the consequences of his actions. He was confident that no one could stop his operation because the public opinion of him was very high. Hair up.
In season two, he's been exposed. The world knows now that his elaborate orphanage scheme was a lie, and that these auctions were serving as a gateway for child trafficking. Hair down.
So in one way, he is hiding from his new reputation. He lets the world think he's dead. He wears his hair down. He rebuilds his empire under the radar, with a new goal in mind. He's trying to rebuild quietly enough to take his enemies by surprise.
But then, why extend any forgiveness to the person who put him in the position to have to do all that? What purpose could inviting a traitor like Kenta back into the ranks hold?
Obviously his attitude is meant to lure them into a false sense of security. Make them believe he values them so he can use them again. His reputation has been shattered, his life has been forever changed, his minions can no longer be trusted to be loyal to him. He'll do anything to get a few more people on his side.
But that doesn't mean he doesn't still have influence. People who will work for him no matter what. He managed to build an entire underground opperation and have it fully functional and pumping out dead bodies by the dozens every day in under a year. Tony is never lacking in allies, because he will always have his money. And money can buy you anything. So he doesn't actually need Kenta or Winner that badly. They could easily be replaced by someone else, who might be a lot more capable than either of them (Willy comes to mind). He could let them rot in prison, rebuild everything, and never spend another moment relying on either of them. That fact, in my opinion, is made abundantly clear by the fact that they intended to shoot Dean down for trying to escape. They are still utterly expendable. They will never mean more to him than his delicately maintained secrets.
So that begs the question. What else could he be hiding under all that hair? What's he not saying, what doesn't he want them to see? What motives are buried beneath that false kindness?
Could it be that, with these new experiments on his watch, he intends to give them special senses using that serum? Perhaps they're meant to be later-stage guinea pigs once they have more successful cases.
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