#Vivaldi’s The Four Seasons

[yujeong]

The Score of 4 Minutes - Episode 3

Alright, folks. Before I proceed to lose my mind and write a fucking THESIS about my beautiful baby boy Tonkla and his whole fucking deal this episode, I'll proceed to give you the OST I managed to find, as I did before for episode 1 and episode 2. So, let's go (YouTube links, as per usual): - The Throne Is Mine by Ruiqi Zhao: When Dome wakes up - Flesh and Bone by Jon Björk: When Korn is in the bathroom, checking his phone to see Tonkla's calls + the beginning of the scene with Great, before he calls Korn to ask the time - Walkin' on Dreams by Headlund: When Tyme and Great speak by the basketball court (before the rewind) - Sub Twin by Jay Varton: When Great tells Tyme about seeing 4 minutes into the future - I Found The Answers In You (feat. Mia Niles) by Loving Caliber: When Great tells Tyme to go grab something to eat - The Consequences by Marten Moses: When Tyme and Den are discussing Great's condition - Beneath the Bushes by Raymond Grouse: When Great takes Tyme to the claw machine - Spying on the Neighbours by The Fly Guy Five: When Tyme is teaching Great how to catch the plushies - Are You Having Fun by Alek Bluntz: When Tyme caught the first plushie, then the rest - Rest in His Love by Joyspring: When Tyme and Great almost kissed - By the Lighthouse by Miles Avida: When Nan is getting dressed and steals the key to check the documents - Face On by Wendel Scherer: When she gets caught and chased outside - Where Does It End by Max Anson: When Korn appears and learns about what happened with Nan + when Win gets taken off the case - Roseé du matin by DEX 1200: When Tonkla is breaking stuff in his room and then does drugs - The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non molto: When Win and Tonkla fuck (before Win goes inside Tonkla) - The Four Seasons - Winter - Allegro Non Molto: When Win and Tonkla fuck (after Win goes inside Tonkla) - Eternum Nocturne by Gavin Luke: When Win and Tonkla talk post-sex - Down the Alleyway by Damon Greene: When Win goes to talk to Mod about her message on social media - I Wanna Fall by King Sis: When Great is smoking on the balcony - Obstruction by Bonnie Grace: When Great is making his (murder)board - Thermonuclear by Craft Case: When Korn and Great talk at the bar - Cluster One by Hampus Naeselius: When Tyme fights Korn and later Great

[figureskatingcostumes]

Bradie Tennell skating to Vivaldi's Four Seasons for her free program at the 2022 MK John Wilson Trophy, 2023 US Nationals and 2022 Grand Prix of Espoo.

(Sources: 1, 2, 3 and 4)

[high-quality-tiktoks]

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[aqua-regia009]

Antonio Vivaldi's Storm, Presto from Summer (The Four Seasons Op.8 No. 2 RV 315) Performed by Charlie Parra del Riego

[gasparodasalo]

Antonio Vivaldi (1678-1741) - "Summer" Concerto for Viola, Strings and Basso continuo in g-minor, after Op. 8 No. 2, RV 315, III. Presto. Performed by David Aaron Carpenter, viola & direction, and Salomé Chamber Orchestra.

[falling-down-the-scroll-hole]

@lookmumnocomputer

[ninetimesbluedemo]

please reblog for a larger sample size :)

[th3-0bjectivist]

Dear listener, I tried listening to six full hours of mainstream radio this week again. I tried, oh, sweet merciful Jesus, I tried. Lo, I have at this point all but confirmed that modern radio is a steaming pool of liquid dogshit. Given a second appraisal, it’s dogshit with a candy-coated hardshell for ease of ingestion! The disheartening repetition, the complete lack of cutting-edge creativity and genuine emotion, ten to twenty ass-ramming commercials in a row only to come back to the feckless frenzy of fail that comprises the vast, vast majority of modern music? It was all terribly grating, and somehow the music was even worse. As soon as I couldn’t take a millisecond more of the doldrums of modern radio, I went to YouTube and listened to two straight and comparatively blissful hours of immortal work by Antonio Vivaldi. So, get into the time machine again with me dear listener, and set course for the early 1700’s, a time when radio didn't exist! The social standards might not have been top-notch, but the powdered wigs were undeniably gorgeous, and the quality of the music… to die for!!!

As anyone who comes from a musical family has likely experienced, Vivaldi had the principles of composition fused to his DNA, and perhaps even down to the subatomic level with the help of his father. Having trained for priesthood in his early years, Vivaldi instead gradually gravitated toward a now celebrated career in music. Becoming an elite level violinist under the tutelage of his father Giovanni Battista, whom he regularly toured Venice and played duelling violins with, this legend of orchestra developed an immense capacity for transforming the basics of music into something so immensely interwoven and sublime that very few can or will ever dare so much as approach the legitimate majesty of his body of orchestral work. Known as something of an Italian religious dogmatist, his calling to the church and desire to be a priest secured him the nickname ‘Il Prete Rosso’ (The Red Priest) because he was a ginger, or in modern politically correct parlance… a natural red head. During a three-decade long gig serving as Master of Violin at an historical Vincentian orphanage, Ospedale della Pietà, Vivaldi managed to gather inspiration and organize his most emotionally powerful compositions. I could probably add a lot of unnecessary details here, but his greatest and most everlasting works are part of his ‘The Four Seasons’, a set of four violin concertos that are meant to express nearly the precise sensations and emotions of summer, winter, autumn, and spring. If you smash play on the above track you will be treated to Presto (from the Summer section), a song you probably know or have heard before. Presto means ‘quickly’ in Italian and is performed at one of the quickest speeds a human can possibly play music (second only to prestissimo speed, I think). Vivaldi also had a strange disease throughout all his life which many historians suspect might have been severe asthma. And with his penchant for taking numerous ‘leaves of absences’ to tour the world and develop an international reputation, this clearly mega-talented rockstar of yester-century ended up spending all the money he earned during his lifetime. Sadly, after approaching the end of his life and skidding through a decade’s worth of career decline, all accounts show that he died completely broke, having spent what little money he had left on multiple assistants that circumnavigated him through his now dire and at the time completely untreatable health issues. Vivaldi isn’t my personal favorite composer of all-time, I’ll leave that distinction to Bach (who himself was inspired by Vivaldi). But his works live on to this very day because he accomplished exactly what he strove to do; embody the excellence of execution in his craft to produce works that bring us together as human beings and sometimes inspire a rare spark of imagination to propel us to create the very best work we can possibly bring forth.

Right above this paragraph is a live variation of The Four Seasons, a classic musical work of art and transcendent beauty that I cannot recommend highly enough. Vivaldi sure did one thing that modern, corporately funded, concentrated and even desperate bands just can’t… and that is actually innovate. He had immense natural technical skills, had them brought to bloom by his family and his own efforts, and he ended up creating over 500 instrumental and choral works, plus about 40 operas. Have *you* created 500 instrumental and choral works and 40 operas!? Didn’t think so. So, get to work on that! And join me next time for some jaunty Brahms. Image source: https://www.craiyon.com/image/dPwZA5VRRTawSH1T9Sslcw

[dozydawn]

Maya Usova and Alexander Zhulin Exhibition, 1993.

The Four Seasons, Violin Concerto in F Minor by Nigel Kennedy.

[kdo-three]

Janine Jansen - Antonio Vivaldi’s “The Four Seasons” - No. 2 (Summer)

Concerto No. 2 ‘L'estate’ (Summer), RV 315 - 3.Presto Antonio Vivaldi (Composed: c.1720) from: “Vivaldi: The Four Seasons” (2004) (LP|CD)

Classical | Baroque | Italian Baroque

1 Allegro Non Molto: JukeHostUK (left click = play) (320kbps)

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2. Adagio - Presto: JukeHostUK (left click = play) (320kbps)

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3. Presto: JukeHostUK (left click = play) (320kbps)

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Personnel: Janine Jansen: Violin / Soloist Julian Rachlin: Viola Maarten Jansen: Cello Candida Thompson: Violin Henk Rubingh: Violin Elizabeth Kenny: Theorbo Stacey Watton: Double Bass Jan Jansen: Harpsichord Jan Jansenyfe: Box Organ

Recorded: @ Yakult Zaal, Beurs van Berlage Concert & Congreszalen (Concert and Congress Halls) in Amsterdam, The Netherlands May 20 - 23, 2004

Released 2004 Decca Records

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Eschewing its usual heavy orchestral sound in favor of a more stripped-down instrumentation, Dutch violinist Janine Jansen's second album offers a fresh interpretation of one of the most performed classical works, Vivaldi's The Four Seasons. The 2005 follow-up to her Barry Wordsworth-conducted debut, the subtle but passionate renditions of the "La Primavera," "L'estate," "L'autunno," and "L'inverno" concertos are performed with a sparse, eight-piece ensemble including Lithuanian violinist Julian Rachlin, her cellist brother Maarten, and harpsichordist father Jan. - Jon O'Brien AllMusicCom

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Summer Solstice 2024 Thusday, June 20, 2024, 4:50 PM (US | EDT)

[figureskatingcostumes]

Satoko Miyahara skating to Vivaldi's Winter in the Abbotsford Stars On Ice show in 2022.

(© Tina Tyan)

[srahviola]

Hi everyone!

Back in April, I was talking about my undergraduate senior recital and encouraging people to watch the live stream. While the livestream sadly had some technical difficulties, I was provided with a wonderful video of almost the entire recital afterwards.

If you were unable to watch the livestream but are still interested in watching the performance, please do go and listen! (It is about an hour though, so make sure you have time, haha!)

[diana-andraste]

"Spring 1" from Recomposed by Max Richter: Vivaldi-The Four Seasons

[iguessitsjustme]

I can’t sleep because I can’t stop thinking about this. And I know. I KNOW that I am approaching this from a very western perspecitve with my western upbringing and western expectations. But gmmtv started it by playing Vivaldi…VIVALDI…in the Ossan’t Love trailer and that was just the entirely wrong choice. Listen, I can explain more if y’all want (and when I’m not supposed to be asleep) but that song choice for the trailer has my eye twitching and I have a whole essay in my head for why

[ask-sebastian]

Morning Musical Owl 🦉