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#WHAT IN HOLY HELL WAS I THINKING
the-fixatedmoth · 1 year
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So...
I opened up my old wattpad account for some late night surfing to keep me entertained while I lie awake (not making this at 6:48am after a night of not sleeping whatever could you mean?).
Not only is my library a complete nightmare and so unbelievably embarrassing, but I looked back on some old stories I was reading and the COMMENTS I LEFT??
Someone needed to LOCK. ME. UP.
No way I got away with saying what I said, I was a dirty minded little miscreant who should not have had freedom of speech.
Granted, I was no worse than any other horny preteen surfing wattpad as a life style, but THOSE WORDS LEFT MY KEYPAD???? I'm disgusted and disappointed with myself (I mean go off younger me but keep those thoughts to yourself, no one asked to be gRAcEd with your comments, keep it d o w n .)
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hydrachea · 1 month
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"Don't worry. I'll fulfill my promise and find a way to cure you. Actually, I've found some leads."
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I contracted a plague again thus am just sending random doodles I've done and just haven't posted yet
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My secret (I enjoy using cat cuddling photos for references)
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astranauticus · 19 days
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Director of the False Last Act
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sukutrauma · 4 months
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i've never drawn yuta before! hope i did him justice :3
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drawthething · 2 years
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Me, yesterday at 3 am: hey what if I gave the bb movie opening a tiny comic spin but with slightly darker tones
I know that overdue letter makes no sense ("hey who the hell pins up their financial issues on public spots like that"), but it adds to the panel so just let it be ~
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tswwwit · 8 months
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Though I haven't gone into much detail about Stan and Ford in the Familiar AU, I've thought of something funny.
The Stans went on Unspecified Adventures together when they were younger men. Partners, in fact! And while I'm likely never going to get into the details of their eventual falling out - there's potential in those adventures!
Who knows. Maybe monsterfucking kinda runs in the Pines family, but not the one you'd think.
Stan chatting up a Siren, before Ford has to yank his brother back by the shirt. Wondering where the hell Stan went, only to find him partying with some nymphs in a lake and coming THIS close to being drowned. Hell, maybe when Stan describes one of his exes as a 'shrill harpy', he's being literal about it.
A twenty-something on the prowl and on the adventuring path is gonna run into SO many tempting creatures - and the number of times Ford saved Stan's dumb ass from human-ish ladies would go into the DOZENS.
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iamfuckingsorry · 14 days
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"Do you know where we are going next?" I asked ART.
Y'know what, I think maybe I don't need any more Murderbot books. I think maybe ending things here is fucking perfect and as much as I love Wells's writing I'm genuinely not sure it can get better for me.
Like, so much of the books are about MB learning how to be a person, about becoming okay with being a complete individual with everything it entails. The first thing it does once it's actually allowed to decide on its own is it runs away from it all (admittedly to go on a mission to confirm some things about its past, because it genuinely just wants to be *good*). It shoves all its emotions away as much as it's able to. Then shit happens, and it makes its first friends, makes decisions based on these friendships, goes through a lot of emotionally intense situations...
And we get to this point here. MB having zero doubts about going with ART says a lot about its relationship with ART, but it also says a lot about its relationship with its humans - it knows that wherever it goes, when it comes back, the humans will still be there. Its humans actively acknowledge its struggles with being a now-free SecUnit and MB is willing to entertain the discussions to an extent and share information about its deeply personal experiences. Hell, System Collapse ends with MB admitting it might be somewhat broken, but that's okay as long as it can keep doing its job, and agreeing to basically do counselling - this is the guy what would rewatch its favourite TV show again and again in order to avoid acknowledging it even had Emotions a couple books back.
Reading this, I know that MB will be okay. It has hopes and goals and genuinely believes in itself and it has an amazing support system that its willing to lean on for the first time in its life. I'm convinced it'll go on to do great things with ART. And that's really the only thing I need to know.
#Murderbot#murderbot diaries#system collapse#Herr's personal tag#Also like. System collapse dives deep into MB's feelings about its life as secunit prior to the events of all systems red#I find this conversation from when they were discussing what would happen if the BE folks got to the colonists first /very/ telling#MB going on about how life as a corporate slave is absolute fucking hell#ART drone saying that they can't just kill people because the alternative is worse than death#ART: would it have been kinder to kill you before you'd disabled your governor module?#MB with zero fucking hesitation: /yes/#(followed by my favourite ART line ever. “You know I am not kind.”)#Like. MB would not have always admitted that it had hated its life as a secunit this openly#Saying it was shit is one thing saying I would rather be dead than think of me or anyone else going through this again is a very different#And here it has zero issues stating that. At least when talking to ART#And then later on it goes on to offer its actual memories for a publicly screened documentary#Because it knows it's the only way to make people see. The only way to save then from the same (ish) fate#And it's willing to do whatever it takes to save these people it's never even met before from what it views as fate worse than death#Including opening up and acknowledging its past experiences and past/current feelings#And I'm just like. Man I couldn't be more proud of you if I tried.#You go MB. Holy fuck I wish I could do what you've done. You might just be the person to defeat this evil capitalism my dude
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just-a-mod · 9 months
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yeah
so
-clicks tongue-
I blame this post
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haemosexuality · 1 year
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why are so many adventure time fans just straight up stupid. about how stories work. and i dont even mean kids i mean like adult fans just with the absolutely dumbest takes
#i was watching a streamer react to f&c which ok i admit i brought this upon myself#but oh my godddddd#''i think farmworld finn's wife was pb'' even ignoring that one of his kids looks exactly like human huntress wizard WHAT#WHY IN THE HELL WOULD THAT BE TRUE. AFTER THEYVE SPENT S I X S E A S O N S SHOWING WHY PBXFINN COULD NEVER BE A THING#LITERALLY SEVERAL SEASONS SHOWING 1-PB WILK NEVER LIKE FINN BACK THEY ARE INCOMPATIBLE 2-FINN HAS MOVED ON HE HAS ACCEPTED THAT AND GOTTEN#OVER HIS CHILDHOOD LOVE ON HER AND ONLY AFTER THAT THEY WERE ABLE TO FORM A FRIENDSHIP#THATS LIKE ONE OF THE MAIN THINGS OF THE SHOW#WHY THE FUCK WOULD THEY TAKE THAT BACK AND MAKE HIM HAVE FUCKING KIDS WITH HER IN AN ALTERNATE UNIVERSE?????????#''did prismo just die in the end of episode 4??? oh no what a mystery'' oh yeah dude they totally killed off one of the most important#characters in like 5 seconds with almost no ceremony. without even acknowledging it. thats totally how character deaths work#this is totally plausible#''what the fuck im gonna get so mad of simon actually becomes ice king again'' ARE YOU STUPIDDDDDDDDDDDDDDDDDD#HAVE YOU NEVER HEARD OF ''CREATING A CONFLICT AND THEN RESOLVING IT''#HOLY FUCKING SHIT#sorry this is making me go insane a little bit.#adventure time#fionna and cake#every time i see some guy mention pbxfinn and a thing that could have happened i fly into a rage. you are so fucking stupid. you have the#mental capabilities of a child. never open your mouth again.#as a thing* that could have happened
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rapha-reads · 2 months
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IWTV rewatch
Season 1 episode 2 [... After the Phantoms of Your Former Self] - part 3/3
- Love how Grace knows it's not just a case of a baby crying, she knows her brother, she knows her brother is different, she knows he baby could very well be in danger. That's sibling and maternal instincts in one.
[Louis] "'I had him in my arms... And I was ready to tear into him. I'm never gon' get control over it.' [Lestat] 'You've been skipping meals lately. Don't think I haven't noticed.'" - notice how Lestat immediately cares for Louis, worries about him, and tries to comfort him, only for Louis, Saint Louis, to reject the gesture of comfort because he thinks in his self-hatred that he doesn't deserve it? And also notice how pretty a crier Jacob is. Ahem. Who said that.
[Lestat] "'If you love your family, as I know you do, spare them all the pain that you are causing them.' [Louis] 'I ain't gon' have a family of my own, am I? No sons, no daughters.' [Lestat] 'I'm your family, Louis.' [Louis] 'You should just throw me in the incinerator and make another one.' [Lestat] 'And what a waste that would be. I have two centuries walked this Earth and can report: you have no twin. No one as angry, as stubborn, as unaccommodating, as maddening...' [Louis] 'Sounds like trash to me.' [Lestat] '... as loving, as dedicated, as thoughtful, as imperfectly perfect as you've become. You're a challenge every sunset, Saint Louis, and I'd have it no other way.'"
HI EXCUSE ME WHAT GIVES YOU THE RIGHT TO PLAY WITH MY HEART LIKE THAT. No because it's Louis' dream of having a family (Claudiaaaaaaa - also give Lestat like a century or two more and he'll give you exactly that) meeting Louis' depression and self-hatred, meeting Lestat's need to be love, meeting Lestat's absolute, deep love for Louis. They're not speaking the same language still, but they've found a middle ground, and when they do strike the middle ground, it's sparks and magic. Aaaah, it is maddening! They are maddening. I don't even remember what I wanted to say, I'm just sobbing in my cup of tea.
Wait, no I remember. EXCUSE ME. Louis' hopelessly fond smile when Lestat shows the tuxedos and says "I've been neglectful of our romance" (currently sobbing even more) reminded me. Awards for Jacob to go that soft after being that down. Back to the previous exchange. It's about how soft Lestat's voice goes when he tells Louis he'd have him no other way, and it's about how Louis finally lets Lestat comforts him and how he softens, relaxes and calms down gradually as Lestat keeps talking and petting him. *screams* Need I add more? No? Carrying on.
- [Louis] "He had a way about him, those first few years, Lestat. Preternaturally charming, occasionally thoughtful. He was my murdered, my mentor, my lover, and my maker... all of those things at once. He didn't choose me to be his doormat. I knew he enjoyed it when I fought back, but there was present a kind of worship on my part. The earth beneath me always felt liquid."
*screams some more* Was the romantic background music really necessary? We get it. You loved him, you still love him but this time with both eyes open even though you're still in denial, he's the love of your life, we get iiiiiiiiiit. Daniel's fond but amused little smirk gets me. Boy knows vampire's pining. Boy knows vampire's dumb. Boy knows story's not that simple. Changing subject, petition to get the word "preternatural" BANNED please. That's one word I'm not happy to have learned. Even in French we just stick to "surnaturel" (supernatural). Also according to Collins Dictionary, the use of the word "preternatural" was kinda low until the late 70s- early 80s when it exploded. Wonder what happened then to change the trend. What a mystery. Guess we'll never know.
- ghghhghe THE OPERA SCENE. I had forgotten the opera scene. The scheme to get Louis into the room (role-playing as Lestat's valet, hello social commentary). Louis sitting there "simmering in his indignation", and Jacob's masterful acting with the jaw and fists clenching, the steely eyes fixed straight ahead. And then Lestat coming in with the hammer, voice soft and gaze downcasted, timid and apprehensive:
[Lestat] "There is one thing about being a vampire that I most fear above all else... and that is loneliness. You can't imagine the emptiness... a void stretching out for decades at a time. You take this feeling away from me, Louis. We must stay together and take precaution and never part."
I NEED A MINUTE, GEEZ. To comment again on the timeline change from late 18th century to 1910s, it actually adds to Lestat's character. In the books, when Lestat meets Louis, he hasn't been a vampire for more than 15 years, iirc he was brought into the Blood in 1780 and arrived in New Orleans in 1791, after spending some years traveling with Gabrielle, a few months at best sleeping in the sand and then a few days with Marius (dates are vague at best). So he hasn't known true loneliness so far when he turns Louis. Whereas here, he's gone through the entire 19th century alone. He actually knows loneliness, both the human kind that he knew in the book, and the vampire kind. It adds weight to his fear of being alone, and to how he clings to Louis even to the point of doing horrifying things to keep him with him. Is it emotional manipulation? Yeah, def. Mais on n'en est plus à ça prés avec eux (best translation I can come up with is: but we're already way past that with them; the French expression is much more evocative, it kind of means "yeah, but, with them, emotional abuse is the least of our worries, something like that).
The hand caress, be right back, need to set myself on fire.
[Louis] "And music, that was where Lestat separated man from food" - music is the language of the soul. (Rockstar Lestat wheeeeeeeen)
[Louis] "Music pierced his damned soul. And any humans who were involved with the creation of it existed on an elevated plane in his eyes. I was moved to see he too had his human attachments. And this woman sang for us, it seemed, articulating the difficult love we often had trouble expressing ourselves."
No but it's the way Louis' voice is just so full of love here, so soft and fond and reminiscing, as if he doesn't even realise how tenderly he's speaking of Lestat a century later, while 1917's Louis' face is equally as soft and fond and gazing tenderly at Lestat as Lestat's singing to himself. *scream cont'd*
Lestat reacting to the tenor's false notes: absolute ear Lestat. (tho tbh even I can hear how horrendous the tenor sounds, and I know next to nothing about music technicality - but I did went to the opera last week for the first time in several years and the tenor was fantastic)
[Louis] "The hunt was on" - yes please.
[Louis] "This poor soul was someone's son, someone's brother, and he was to be slaughtered for what? A false note?" - aw, Louis' humanity. Baby you're too good.
Hi, excuse me again, Lestat speaking Italian? Sam speaking Italian???? SO FUCKING GOOD. Petition to have Sam speak Italian again in season 3, and even more languages. Wanna hear him speak Greek and Arabic please oh my vampire gods make it happen.
[Louis] "'Why do you do this, Lestat?' [Lestat] 'Well, I like to do it. I enjoy it.' [Louis] 'Well, I don't. You don't have to humiliate him.' [Lestat] 'Well I don't say that you have to enjoy it! Kill them swiftly if you have to, but DO IT! Embrace what you are! You are a killer, Louis!'"
Was tempted to put all of Lestat's line in all caps, because man the shift from gallant speaking Lestat to losing-his-shit-ROARING Lestat was something. Oh, and here's the main current issues as of 1917 between them. And while they're having their little domestic squabble, a man's bleeding on the poor rug that didn't ask for it. The rug, that is. Not the man.
[Louis] "I was in denial. For in bringing death, Lestat was an artist. He had cut the man tenderly so that he could not call for help, but also so that his death was slow, meditative. And I felt a charge, witnessing it."
Listen, Lestat's an artist, period. A diva and a drama queen with several truckloads of issues, but a true artist. And again Louis' voice go soft, contemplative, tender, reminiscing about Lestat. Also, Louis, mate, the denial has been going on for more than a century at this point and not just about the subject of death and killing. Sorry to burst your bubble. Oh, and Daniel looking down, a bit disappointed I feel? as Louis describes Lestat killing, shows that Daniel's in on it too.
- [Louis] "I try to have a human dish once a week" - sorry, what? Big canon change, as far as I understood from the books, vampires can't eat or drink human food, their system isn't designed for it anymore.
Alright, do we think Alice is a construct of Daniel's mind through Armand's mind games, or do we think she's real? Haven't entirely followed the fandom's theories on this own. Do we think that Armand did stalk and traumatise Daniel for a decade after the botched '73 interview but didn't go full Devil's Minion? Or do we think he left him alone after the six days of torture? Guess season 3 will tell us. But the fact that this important little scene, of the dessert and the first proposal, happens in Paris, a city that's important to Armand... Sus, I say. Aw, Danny's a sad boy. Love Louis' face as Daniel finished talking, gives cred to the idea that these are fabricated memories. The face says "man, I'm reading your thoughts as you're speaking, and something here's fishy, something doesn't make sense, but you know what, right now I have enough on my plate with my own bullshit, can't deal with yours". Let's table it for now (that's my own "disregard", lmao). Should add screencaps to these reviews, the final image here, the long dinner table, the grey and brown coloring, the two men sitting on opposite side, that's right out of a painting. Someone who did Art History, analyse that final image.
Ooooh, I think next episode was one of my favorite, with Antoinette, Jonah, and almoooost Claudia.
episode 1 | part 1 | part 2 | episode 3 | episode 4 | episode 5 | episode 6 | episode 7
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shallowseeker · 11 days
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Basically, the Samwena of it all is something like:
SAM takes her prisoner, throws his weight away, and makes weird demands surrounding her power.
It's almost like his character in Peace of Mind, if you think too hard about it, lol:
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But here's the twist. Rowena also is a goddamned piece of work:
*Demon talks about equal work, equal pay* ROWENA SNORTS & says "Tear the man in half!"
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RE: power
Samwena is also this:
ROWENA (s10): An angel of the Lord, the King of Hell, more power than I could possibly dream of, utterly wasted—
&
SAM (s14, to Chuck): Then why don't you do something? If I had your power—
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I do kind of want to briefly ramble about Akechi’s rank 4 scene though because it kind of pleasantly surprised me?
So Akechi takes Joker to the jazz bar, which is his place to get away from it all, kind of his safe spot. His best options are when you give responses that show excitement and enthusiasm about the place, which is… aw.
Then the conversation segues into Akechi asking if Joker has a place like that, where he feels at ease, and all of the responses obviously reference Leblanc. First of all, that’s really sweet to have a kind of confirmation of that - Joker and Sojiro had a rocky start to their dynamic, but now he’s feeling like it’s a safe spot for him, and with Morgana there too, and the Thieves having come to visit a few times, maybe even more of a home than the one he left (though perhaps that’s pushing it?).
Secondly though, alarm bells were going through my head, because nowhere in all of this business does it seem a good idea to tell the detective investigating me where I live and am now operating my heists from. (Even though he probably could find that out easily… but still.)
So I picked the vaguest option, to be on the safe side, but little did I know that it doesn’t matter.
Because Joker tells Akechi about Leblanc anyways. Completely without player input. And at first I was a bit taken aback, but then it made a lot of sense.
For one thing, it confirms that Akechi is being genuine about this being his place to feel at ease. Not that I doubted that, but Akechi often says one thing and means multiple; he’s quite good at controlling the flow and direction of a conversation to get the info he wants. But that’s not the vibe I got here at all. He’s just… sharing it. Wants Joker to enjoy it the way he does. It’s actually a fair amount of openness, especially in that he’s never shared that place with anyone else before. And so Joker returns that openness with an honest answer and his own place of comfort - prioritizing returning Akechi’s honesty with his own instead of potential repercussions. Wild. I love it. And it tracks from their previous interactions.
Akechi downplays his skills by using his non-dominant hand, which Joker notices. Joker returns that (whether intentionally or inadvertently, I can’t actually say) when he puts his glasses on Akechi - the fake glasses that he wears, ostensibly, so as not to draw attention to himself. There’s a sense of honesty for honesty here, openness for openness, particularly from Joker. It’s just interesting.
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cloudsmovingcastle · 6 months
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I am begging, on my hands and knees I am begging people on this godforsaken bitch of an earth
to check the goddamn sources of the posts they reblog
or rather, the disturbing lack of sources
I am sorry but if you want to call yourself an activist you have to do the bare fucking minimum to ensure that you are not actively spreading incredibly fucking harmful and incendiary misinformation
google is free. mediabiasfactcheck is fucking free.
Do better.
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hydn-jpg · 4 months
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i just read all the current chapters of id2 and i. i need to lie down
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adastra121 · 6 months
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Okay I had a horrible idea.
Touchstarved route prediction:
Princess dies.
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