IWTV rewatch
Season 1 episode 2 [... After the Phantoms of Your Former Self] - part 3/3
- Love how Grace knows it's not just a case of a baby crying, she knows her brother, she knows her brother is different, she knows he baby could very well be in danger. That's sibling and maternal instincts in one.
[Louis] "'I had him in my arms... And I was ready to tear into him. I'm never gon' get control over it.'
[Lestat] 'You've been skipping meals lately. Don't think I haven't noticed.'" - notice how Lestat immediately cares for Louis, worries about him, and tries to comfort him, only for Louis, Saint Louis, to reject the gesture of comfort because he thinks in his self-hatred that he doesn't deserve it? And also notice how pretty a crier Jacob is. Ahem. Who said that.
[Lestat] "'If you love your family, as I know you do, spare them all the pain that you are causing them.'
[Louis] 'I ain't gon' have a family of my own, am I? No sons, no daughters.'
[Lestat] 'I'm your family, Louis.'
[Louis] 'You should just throw me in the incinerator and make another one.'
[Lestat] 'And what a waste that would be. I have two centuries walked this Earth and can report: you have no twin. No one as angry, as stubborn, as unaccommodating, as maddening...'
[Louis] 'Sounds like trash to me.'
[Lestat] '... as loving, as dedicated, as thoughtful, as imperfectly perfect as you've become. You're a challenge every sunset, Saint Louis, and I'd have it no other way.'"
HI EXCUSE ME WHAT GIVES YOU THE RIGHT TO PLAY WITH MY HEART LIKE THAT. No because it's Louis' dream of having a family (Claudiaaaaaaa - also give Lestat like a century or two more and he'll give you exactly that) meeting Louis' depression and self-hatred, meeting Lestat's need to be love, meeting Lestat's absolute, deep love for Louis. They're not speaking the same language still, but they've found a middle ground, and when they do strike the middle ground, it's sparks and magic. Aaaah, it is maddening! They are maddening. I don't even remember what I wanted to say, I'm just sobbing in my cup of tea.
Wait, no I remember. EXCUSE ME. Louis' hopelessly fond smile when Lestat shows the tuxedos and says "I've been neglectful of our romance" (currently sobbing even more) reminded me. Awards for Jacob to go that soft after being that down. Back to the previous exchange. It's about how soft Lestat's voice goes when he tells Louis he'd have him no other way, and it's about how Louis finally lets Lestat comforts him and how he softens, relaxes and calms down gradually as Lestat keeps talking and petting him. *screams* Need I add more? No? Carrying on.
- [Louis] "He had a way about him, those first few years, Lestat. Preternaturally charming, occasionally thoughtful. He was my murdered, my mentor, my lover, and my maker... all of those things at once. He didn't choose me to be his doormat. I knew he enjoyed it when I fought back, but there was present a kind of worship on my part. The earth beneath me always felt liquid."
*screams some more* Was the romantic background music really necessary? We get it. You loved him, you still love him but this time with both eyes open even though you're still in denial, he's the love of your life, we get iiiiiiiiiit. Daniel's fond but amused little smirk gets me. Boy knows vampire's pining. Boy knows vampire's dumb. Boy knows story's not that simple. Changing subject, petition to get the word "preternatural" BANNED please. That's one word I'm not happy to have learned. Even in French we just stick to "surnaturel" (supernatural). Also according to Collins Dictionary, the use of the word "preternatural" was kinda low until the late 70s- early 80s when it exploded. Wonder what happened then to change the trend. What a mystery. Guess we'll never know.
- ghghhghe THE OPERA SCENE. I had forgotten the opera scene. The scheme to get Louis into the room (role-playing as Lestat's valet, hello social commentary). Louis sitting there "simmering in his indignation", and Jacob's masterful acting with the jaw and fists clenching, the steely eyes fixed straight ahead. And then Lestat coming in with the hammer, voice soft and gaze downcasted, timid and apprehensive:
[Lestat] "There is one thing about being a vampire that I most fear above all else... and that is loneliness. You can't imagine the emptiness... a void stretching out for decades at a time. You take this feeling away from me, Louis. We must stay together and take precaution and never part."
I NEED A MINUTE, GEEZ. To comment again on the timeline change from late 18th century to 1910s, it actually adds to Lestat's character. In the books, when Lestat meets Louis, he hasn't been a vampire for more than 15 years, iirc he was brought into the Blood in 1780 and arrived in New Orleans in 1791, after spending some years traveling with Gabrielle, a few months at best sleeping in the sand and then a few days with Marius (dates are vague at best). So he hasn't known true loneliness so far when he turns Louis. Whereas here, he's gone through the entire 19th century alone. He actually knows loneliness, both the human kind that he knew in the book, and the vampire kind. It adds weight to his fear of being alone, and to how he clings to Louis even to the point of doing horrifying things to keep him with him. Is it emotional manipulation? Yeah, def. Mais on n'en est plus à ça prés avec eux (best translation I can come up with is: but we're already way past that with them; the French expression is much more evocative, it kind of means "yeah, but, with them, emotional abuse is the least of our worries, something like that).
The hand caress, be right back, need to set myself on fire.
[Louis] "And music, that was where Lestat separated man from food" - music is the language of the soul. (Rockstar Lestat wheeeeeeeen)
[Louis] "Music pierced his damned soul. And any humans who were involved with the creation of it existed on an elevated plane in his eyes. I was moved to see he too had his human attachments. And this woman sang for us, it seemed, articulating the difficult love we often had trouble expressing ourselves."
No but it's the way Louis' voice is just so full of love here, so soft and fond and reminiscing, as if he doesn't even realise how tenderly he's speaking of Lestat a century later, while 1917's Louis' face is equally as soft and fond and gazing tenderly at Lestat as Lestat's singing to himself. *scream cont'd*
Lestat reacting to the tenor's false notes: absolute ear Lestat. (tho tbh even I can hear how horrendous the tenor sounds, and I know next to nothing about music technicality - but I did went to the opera last week for the first time in several years and the tenor was fantastic)
[Louis] "The hunt was on" - yes please.
[Louis] "This poor soul was someone's son, someone's brother, and he was to be slaughtered for what? A false note?" - aw, Louis' humanity. Baby you're too good.
Hi, excuse me again, Lestat speaking Italian? Sam speaking Italian???? SO FUCKING GOOD. Petition to have Sam speak Italian again in season 3, and even more languages. Wanna hear him speak Greek and Arabic please oh my vampire gods make it happen.
[Louis] "'Why do you do this, Lestat?'
[Lestat] 'Well, I like to do it. I enjoy it.'
[Louis] 'Well, I don't. You don't have to humiliate him.'
[Lestat] 'Well I don't say that you have to enjoy it! Kill them swiftly if you have to, but DO IT! Embrace what you are! You are a killer, Louis!'"
Was tempted to put all of Lestat's line in all caps, because man the shift from gallant speaking Lestat to losing-his-shit-ROARING Lestat was something. Oh, and here's the main current issues as of 1917 between them. And while they're having their little domestic squabble, a man's bleeding on the poor rug that didn't ask for it. The rug, that is. Not the man.
[Louis] "I was in denial. For in bringing death, Lestat was an artist. He had cut the man tenderly so that he could not call for help, but also so that his death was slow, meditative. And I felt a charge, witnessing it."
Listen, Lestat's an artist, period. A diva and a drama queen with several truckloads of issues, but a true artist. And again Louis' voice go soft, contemplative, tender, reminiscing about Lestat. Also, Louis, mate, the denial has been going on for more than a century at this point and not just about the subject of death and killing. Sorry to burst your bubble. Oh, and Daniel looking down, a bit disappointed I feel? as Louis describes Lestat killing, shows that Daniel's in on it too.
- [Louis] "I try to have a human dish once a week" - sorry, what? Big canon change, as far as I understood from the books, vampires can't eat or drink human food, their system isn't designed for it anymore.
Alright, do we think Alice is a construct of Daniel's mind through Armand's mind games, or do we think she's real? Haven't entirely followed the fandom's theories on this own. Do we think that Armand did stalk and traumatise Daniel for a decade after the botched '73 interview but didn't go full Devil's Minion? Or do we think he left him alone after the six days of torture? Guess season 3 will tell us. But the fact that this important little scene, of the dessert and the first proposal, happens in Paris, a city that's important to Armand... Sus, I say. Aw, Danny's a sad boy. Love Louis' face as Daniel finished talking, gives cred to the idea that these are fabricated memories. The face says "man, I'm reading your thoughts as you're speaking, and something here's fishy, something doesn't make sense, but you know what, right now I have enough on my plate with my own bullshit, can't deal with yours". Let's table it for now (that's my own "disregard", lmao). Should add screencaps to these reviews, the final image here, the long dinner table, the grey and brown coloring, the two men sitting on opposite side, that's right out of a painting. Someone who did Art History, analyse that final image.
Ooooh, I think next episode was one of my favorite, with Antoinette, Jonah, and almoooost Claudia.
episode 1 | part 1 | part 2 | episode 3 | episode 4 | episode 5 | episode 6 | episode 7
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I do kind of want to briefly ramble about Akechi’s rank 4 scene though because it kind of pleasantly surprised me?
So Akechi takes Joker to the jazz bar, which is his place to get away from it all, kind of his safe spot. His best options are when you give responses that show excitement and enthusiasm about the place, which is… aw.
Then the conversation segues into Akechi asking if Joker has a place like that, where he feels at ease, and all of the responses obviously reference Leblanc. First of all, that’s really sweet to have a kind of confirmation of that - Joker and Sojiro had a rocky start to their dynamic, but now he’s feeling like it’s a safe spot for him, and with Morgana there too, and the Thieves having come to visit a few times, maybe even more of a home than the one he left (though perhaps that’s pushing it?).
Secondly though, alarm bells were going through my head, because nowhere in all of this business does it seem a good idea to tell the detective investigating me where I live and am now operating my heists from. (Even though he probably could find that out easily… but still.)
So I picked the vaguest option, to be on the safe side, but little did I know that it doesn’t matter.
Because Joker tells Akechi about Leblanc anyways. Completely without player input. And at first I was a bit taken aback, but then it made a lot of sense.
For one thing, it confirms that Akechi is being genuine about this being his place to feel at ease. Not that I doubted that, but Akechi often says one thing and means multiple; he’s quite good at controlling the flow and direction of a conversation to get the info he wants. But that’s not the vibe I got here at all. He’s just… sharing it. Wants Joker to enjoy it the way he does. It’s actually a fair amount of openness, especially in that he’s never shared that place with anyone else before. And so Joker returns that openness with an honest answer and his own place of comfort - prioritizing returning Akechi’s honesty with his own instead of potential repercussions. Wild. I love it. And it tracks from their previous interactions.
Akechi downplays his skills by using his non-dominant hand, which Joker notices. Joker returns that (whether intentionally or inadvertently, I can’t actually say) when he puts his glasses on Akechi - the fake glasses that he wears, ostensibly, so as not to draw attention to himself. There’s a sense of honesty for honesty here, openness for openness, particularly from Joker. It’s just interesting.
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